Above The Stag Theatre Present The UK Debut Of GOODBYE NORMA JEANE

Above The Stag presents:

Goodbye Norma Jeane

The untold tale from the Golden Age of Hollywood

Written by Liam Burke
Directed by Robert McWhir

16th March – 7th April

Tuesday – Saturday 7:15pm, Sunday 5pm

ABOVE THE STAG THEATRE

72 Albert Embankment London, SE1 7TP

A show you float away from, romanced by a moment in time that would never live again but for the imaginations of such talented artists.” AussieTheatre.com

“…moving, funny and simply brilliant”Theatre Press (AUS)

It’s the early morning hours of August 5, 1962 and, with a gay pool party playing out in his backyard, Hollywood choreographer Jack Cole wakes to devastating news…

The death of Marilyn Monroe.

Norma Jeane’s suicide signalled the death of glamorous Hollywood’s innocence and the fizzling out of Cole’s own prestige. We join him – the now-unknown architect behind many of Golden Age Hollywood’s most iconic leading ladies and largely uncredited father of theatrical jazz dance – on this tragic morning.

Visited by legends of the hour Lana Turner, Betty Grable and Rita Hayworth and his former assistant Gwen Verdon, rather than grieve, Cole obsesses over memories of how hard Norma Jeane was to work with. As audiences watch him slowly accept reality and graciously say farewell, they are treated to an intimate and untold true story, and an insightful glimpse behind the glitz of showbiz, into the life of a figure who made it tick.

A two-hander, the play features Tim English as Cole, and a myriad of female demigoddesses including Lana Turner, Norma Jeane, Martha Graham, Ann Miller, Gwen Verdon, Jane Russell, Betty Grable and Rita Hayworth all convincingly embodied by a single actress, Rachel Stanley.

Featuring Cole’s original choreography from as early as his 1938 club act (at New York’s Rainbow Room), famous routines such as Gwen Verdon’s Egyptian Dance from the 1951 movie ‘David and Bathsheba’ and thrilling, never-seen choreography, ‘Goodbye Norma Jeane’ is an extensively researched and thoughtful ode to one of dance’s under-acknowledged heroes. Its first run, under original name Good-bye Miss Monroe’, was nominated for a Matilda Award in 2014 which was followed by a sold-out season in Melbourne, Australia.