In The Night Garden Live Review

The Lowry, Manchester – until Sunday March 3rd 2019

Reviewed by Julie Noller

5*****

In the Night Garden is a live action puppet educational BBC children’s television series, aimed at children aged from one to six. Featuring a mix of actors in costume, puppetry and computer animation. As it’s name suggests it was aired every evening 6.20 pm during ‘Bedtime Hour’ and coincided with many youngsters bedtimes. Intended as a calming influence amid the stresses the end of day may bring to many. Firstly broadcast in March 2007.

Now 12 years later In the Night Garden begins it’s first ever tour of UK theatres. A brand new story written by Helen Eastman brings all our favourite characters to life in front of our very eyes. Following the very same format that made it so popular back in 2007. We have Iggle Piggle, Upsy Daisy, Makka Pakka, The Tombliboos and the Pontipine family all in front of our eyes, in a combination of actors in costume and puppets; cleverly bringing together a story in fast action segments to keep our younger audience entertained. Don’t be dismayed though if you think heading to this show will be a drag for an hour as you sit and watch your youngsters enthralled. It’s truly a show for all ages from mums and Dads thankful for moments of peace over the years before bedtime; to Nana and Grandad enjoying a trip to the theatre with excited youngsters. A great show that uses simple language from a single narrator and makes no apologies for a noisy audience, for there may have been tears and the odd I’ve had enough wail. But overall chants and cheers not to mention singing outnumbered those, some of the younger audience members were quietly contemplative, clapping and singing as they would at home.

Even though it follows the original format there may have been slight confusion over why one moment IgglePiggle et al were full sized and the next puppet sized, this is a quietly clever touch; for it’s hard to keep a young audience captivated; those small additions along with the computer animation of the twitters (birds singing) break up the bite sized action pieces and allow your attention to wonder before bringing it back onto the story. The action songs are repeated in encouragement for us all to join in, loudly or quietly in our own heads it really doesn’t matter. In The Night Garden Live is all about fun in a warm, bright and safe environment. It is fluffy kittens on a wet miserable day that left us smiling, happy and cheerful. I can’t help but still smile at the memory of when Iggle Piggle and Upsy Daisy hugged every Mum in the audience appeared to collectively sigh and in unison all let out one big awwww.

My children are teenagers now and may be a little too old for such shows, indeed it’s been some years since I’ve watched any television shows aimed at below 6 year olds. But I have to say I thoroughly enjoyed myself, immersed myself into the whole experience, joined in with the singing and let the brightness and cheeriness of each character wash over me. Perhaps next year when the winter blues hit I will self prescribe myself an hour of In the Night Garden and come out smiling willing to tackle winter head on.

We were extremely lucky to be invited to the Official Launch Party after the show and were even lucky enough to meet Iggle Piggle and Upsy Daisy an experience that will be remembered. I saw many extremely over joyed young children with balloons and painted faces helping themselves to cakes and specially made In the Night Garden biscuits not to mention excitedly examining the contents of their goodie bags. As far as parties go this upped the bar and now many parents face the dilemma of how to better meeting the actual real Iggle Piggle who gave High Fives and Upsy Daisy who gave the best hugs.

Further cast are announced for Duncan Macmillan’s new adaptation of Ibsen’s ‘Rosmersholm’ directed by Ian Rickson

Sonia Friedman Productions presents
ROSMERSHOLM
By Henrik Ibsen
In a new adaptation by Duncan Macmillan
Directed by Ian Rickson

  • FURTHER CAST ARE ANNOUNCED FOR DUNCAN MACMILLAN’S NEW ADAPTATION OF IBSEN’S ‘ROSMERSHOLM’ DIRECTED BY IAN RICKSON
     
  • LUCY BRIERS, JAKE FAIRBROTHER, GILES TERERA AND PETER WIGHT WILL JOIN TOM BURKE AND HAYLEY ATWELL
     
  • THE PRODUCTION WILL PREVIEW FROM APRIL 24th AT THE DUKE OF YORK’S THEATRE, WITH AN OPENING NIGHT ON MAY 2ND

New casting is announced for Henrik Ibsen’s Rosmersholm, adapted by Duncan Macmillan(People, Places and Things, 1984) and directed by Ian Rickson (Jerusalem, The Birthday Party).

Giles Terera, who won an Olivier Award for his acclaimed performance in Hamilton (West End),Lucy Briers (Wolf Hall, West End/Broadway and The Seagull, Chichester Festival Theatre), Jake Fairbrother (Lady from the Sea, Donmar Warehouse and The Maids, HOME Manchester) andPeter Wight (The Birthday Party, West End and Hamlet, Almeida/ West End) will perform alongside the previously announced Tom Burke (Strike, BBC) and Hayley Atwell (Howard’s End, BBC).

Set and costumes will be by Rae Smith, lighting by Neil Austin, music by Stephen Warbeck,sound by Gregory Clarke and casting by Amy Ball CDG.

‘‘Now I see that love is selfish. It makes you a country of two. At war with the rest of the world.”

An election looming. A country on the brink. A rabid press baying for blood.  At the centre of the storm is Rosmersholm, the grand house of an influential dynasty. This is where the future will be decided by John Rosmer – a man torn between the idealised hope of the future and the ghosts of his past.  

Rosmersholm will play at the Duke of York’s Theatre from April 24th, with an opening night of May 2nd. The run will end on July 20th.

Produced by Sonia Friedman Productions
With Brenda Leff, Colin Callender, John Gore, 1001 Nights Productions, Burnt Umber Productions, Bradford W. Edgerton Living Trust, Tulchin Bartner Productions.

LISTINGS

ROSMERSHOLM
by Henrik Ibsen
In a new adaption by Duncan Macmillan

Directed by Ian Rickson
Set & Costume Rae Smith
Lighting Neil Austin
Music Stephen Warbeck
Sound Gregory Clarke
Casting Amy Ball CDG

Duke of York’s Theatre
St Martin’s Lane, London WC2N 4BG

First performance: April 24th
Final performance: July 20th
Opening Night: May 2nd at 7pm

Monday – Saturday at 7.30pm, Wednesday and Saturday matinees at 2.30pm

www.rosmersholmplay.com

NEW ADVENTURES announces the return of Matthew Bourne’s THE RED SHOES

NEW ADVENTURES ANNOUNCES

THE RETURN OF

MATTHEW BOURNE’S

DOUBLE OLIVIER AWARD-WINNING

SMASH HIT PRODUCTION OF

Based on the film by MICHAEL POWELL and EMERIC PRESSBURGER

and the HANS CHRISTIAN ANDERSEN fairytale

Music by BERNARD HERRMANN

OPENING AT THEATRE ROYAL PLYMOUTH

MONDAY 18 NOVEMBER – SATURDAY 23 NOVEMBER 2019

AT THE LOWRY, SALFORD

TUESDAY 26 NOVEMBER – SATURDAY 30 NOVEMBER 2019

CHRISTMAS SEASON AT SADLER’S WELLS

TUESDAY 3 DECEMBER 2019 – SUNDAY 19 JANUARY 2020

2020 TOUR DATES TO BE ANNOUNCED

New Adventures is delighted to announce the return of Matthew Bourne’s double Olivier award-winning, smash hit production of THE RED SHOES.

The national tour of THE RED SHOES opens on Monday 18 November at Theatre Royal Plymouth and runs until Saturday 23 November, before visiting The Lowry, Salford, from Tuesday 26 November to Saturday 30 November; ahead of a seven-week Christmas season at Sadler’s Wells, London, from Tuesday 3 December to Sunday 19 January 2020. Further tour dates for 2020 and casting will be announced shortly.

A sell-out before its world premiere season opened in 2016, Matthew Bourne’s triumphant adaptation of the legendary film returns in 2019, having won two Olivier Awards and dazzled audiences across the UK and the USA.

THE RED SHOES is a tale of obsession, possession and one girl’s dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a battleground between the two men who inspire her passion.

Set to the achingly romantic music of golden-age Hollywood composer Bernard Herrmann, THE RED SHOES is orchestrated by Terry Davies and played by the New Adventures Orchestra, with cinematic designs by Lez Brotherston, lighting by Paule Constable, sound by Paul Groothuis and projection from Duncan McLean.

An intoxicating drama where life imitates art with fateful consequences; THE RED SHOES will dazzle your senses and break your heart.

THE RED SHOES is supported using public funds by Arts Council England.

For more information please visit: www.new-adventures.net

Facebook /MBNewAdventures    Twitter @New_Adventures     Instagram @MBNewAdventures

THE RED SHOES TOUR 2019-2020

www.new-adventures.net

MONDAY 18 NOVEMBER – SATURDAY 23 NOVEMBER 2019

THEATRE ROYAL PLYMOUTH www.theatreroyal.com

ON SALE SOON

TUESDAY 26 NOVEMBER – SATURDAY 30 NOVEMBER 2019

THE LOWRY, SALFORD www.thelowry.com

ON SALE 22 MARCH 2019

TUESDAY 3 DECEMBER 2019 – SUNDAY 19 JANUARY 2020

SADLER’S WELLS THEATRE, LONDON www.sadlerswells.com

ON SALE 18 MARCH 2019

FURTHER TOUR DATES FOR 2020 TO BE ANNOUNCED

TICKETS GO ON SALE FOR LONDON DATES OF MENIER CHOCOLATE FACTORY AND THEATR CLWYD’S CO-PRODUCTION OF TENNESSEE WILLIAMS’ ORPHEUS DESCENDING

TICKETS GO ON SALE FOR LONDON DATES OF

MENIER CHOCOLATE FACTORY AND THEATR CLWYD’S

CO-PRODUCTION OF TENNESSEE WILLIAMS’ ORPHEUS DESCENDING

A Theatr Clwyd and Menier Chocolate Factory co-production

ORPHEUS DESCENDING 
by Tennessee Williams 
 

15 – 27 April 2019 at Theatr Clwyd

9 May – 6 July at Menier Chocolate Factory

Tickets go on sale at 9am today for members of the Menier Chocolate Factory for the London dates for their co-production with Theatr Clwyd of Tennessee Williams’ Orpheus Descending. Public booking for the Menier Chocolate Factory dates opens on Monday 11 March at 9am.

Also announced today, joining Theatr Clwyd’s Artistic Director Tamara Harvey on the creative team areJonathan Fensom (Designer), Tim Mascall (Lighting Designer), Gregory Clarke (Sound Designer) and Simon Slater (Composer). Casting for the production will be announced shortly.

Lady is trapped in a loveless marriage, surrounded by intolerant people, living a boring small-town life. But when a wild-eyed charismatic drifter appears a new life of love and passion suddenly seem possible. Everything will change as certainty, conformity and tradition are ripped apart.

Tennessee William’s Deep South American drama is directed by Theatr Clwyd’s Artistic Director Tamara Harvey.Orpheus Descending began its life as Battle of Angels in 1940, was first performed on Broadway in 1957. In 1959, Sidney Lumet directed the film adaptation, The Fugitive Kind, starring Marlon Brando and Anna Magnani.

Tennessee Williams (1911 – 1983) was one of the greatest American playwrights. His principal works include A Streetcar Named Desire (Pulitzer Prize), The Glass Menagerie (New York Critics’ Circle Award), The Rose Tattoo(Tony Award for Best Play), Cat on a Hot Tin Roof (Pulitzer Prize), Suddenly Last Summer, Sweet Bird of Youth, Orpheus Descending and The Night of the Iguana (New York Critics’ Circle Award).

Tamara Harvey has been Artistic Director of Theatr Clwyd since August 2015. Most recently she directed the première of Home I’m Darling by Laura Wade – which has been nominated for UK Theatre and Evening Standard Awards and is currently running in the West End before returning to Clwyd. Her inaugural production for the company was Much Ado About Nothing, followed by the première of Elinor Cook’s award-winning play, PilgrimsSkylight by David Hare and the première of Peter Gill’s version of Uncle Vanya (Best Production and Best Director in the English Language at the Wales Theatre Awards). She has directed in the West End, throughout the UK and abroad, working on classic plays, new writing, musical theatre and in film. Her previous credits include the world premières of From Here To Eternity (Shaftesbury Theatre), Breeders (St James Theatre), The Kitchen SinkThe Contingency PlanSixty-Six Books and tHe dYsFUnCKshOnalZ! (Bush Theatre), In the Vale of Health (a cycle of four plays by Simon Gray), Elephants and Hello/Goodbye (Hampstead Theatre), and Plague Over England (Finborough Theatre & West End). Other theatre includes Kreutzer vs Kreutzer (Sam Wanamaker Playhouse/Royal Festival Hall), Bash (Trafalgar Studios), Whipping It Up (New Ambassadors), One Flew Over The Cuckoo’s Nest (Gielgud & Garrick Theatres), Educating Rita (Menier Chocolate Factory & Theatre Royal Bath) and Pride and Prejudice (Sheffield Theatres).

Listings Information                                                                                                        Menier Chocolate Factory

Venue:                                Menier Chocolate Factory

Address:                             53 Southwark Street, London, SE1 1RU

Dates:                                 9 May – 6 July 2019

Times:                                For the performance schedule, please see the website

Box Office:                         020 7378 1713 (£2.50 transaction fee per booking)

Website:                        www.menierchocolatefactory.com (£1.50 transaction fee per booking)

Tickets:                               Prices vary, from discounted preview tickets to premier seats. With the emphasis on ‘the sooner you book, the better the price’:

A meal deal ticket includes a 2-course meal from the pre-theatre menu in the Menier Restaurant as well as the theatre ticket.

Jason Manford To Host Olivier Awards

JASON MANFORD TO HOST OLIVIER AWARDS

Jason Manford has been announced as the host of the Olivier Awards 2019 with Mastercard. Having previously hosted in 2017, the much loved comedian, actor and singer will return to the Royal Albert Hall for the glittering ceremony on Sunday 7 April.

Jason Manford is an award-winning comedian, broadcaster and actor. As well as frequent television appearances on shows like 8 Out Of 10 Cats and Live At The Apollo, Jason boasts numerous stage credits, including the multi-Olivier Award-winning production of Sweeney Todd, an acclaimed UK tour of The Producers, and Chitty Chitty Bang Bang. It was recently announced that Jason will be starring in a new touring production of the Kander and Ebb musical Curtains from October this year.

Jason Manford said:

‘I’m absolutely chuffed to bits to be back hosting the Olivier Awards at the Royal Albert Hall. Having worked in theatres all across the country doing both stand-up and musicals for the last 20 years, I know the hard work that goes into putting on a show. It’s a privilege to host this star-studded evening and to celebrate the very best of all areas of British theatrical talent.’

Nominations for the Olivier Awards 2019 with Mastercard will be revealed on Tuesday 5 March at 1pm, via Facebook Premiere on the Olivier Awards website.

The Olivier Awards ceremony will be broadcast via official media partners ITV, Magic Radio and Facebook. Full details to be announced soon.

OlivierAwards.com | Facebook | Twitter | Instagram

#OlivierAwards

It’s Not A Sprint Review

Vault Festival, Leake St, London – until 3rd March 2019

Reviewed by Heather Chalkley

3***

A one woman show about the niggling self doubt that can follow you from puberty through the rest of your life. Portrayed through an energetic performance, running a marathon, that makes you want to egg Maddy (Grace Chapman) on as she breaks through 13 miles – further than she has ever run before! Tussling with millennials’ reputation for not being finishers, she collapses not far from the end. Having banished her inner voice, Maddy (Grace Chapman) let’s it back in again, so she can fight hard against it and finally cross the line. It’s like she depends on that voice as her sparing partner.

This story is told through that head voice most of us have that keeps us company. The writer, Chapman, uses it to show how hitting 30 can be like a midlife crisis for women, with all the time pressures of society to conform: settle down, have a career, have babies, buy a house, go on exotic holidays. Taking on a massive challenge like a marathon is a classic way of proving to the world, convincing yourself, you still have time and you’ve still got it. Mainly you are not a failure. The use of the balloon to be a second player at times is clever.

This piece warns you to beware! Running a marathon gives that head voice sooo much space and scope to bring self doubt to the fore front, especially when you have the additional pressure of a wedding proposal!

It is an unusual way of giving you a glimpse into the mind of a millennial woman. Grace Chapman gives an honest and insightful performance, with light and shade, and a lot of sweat!

LIPSTICK: A Fairy Tale of Iran Review

Omnibus Theatre, Clapham, London until 24th March

Review by Lisa Harlow

4****

An intriguing soup of elements is contained within this show. It describes itself as part theatre, part drag cabaret which ‘fuses storytelling, vaudeville, theatre, lip-synch and boylesque’.

On arrival, you find yourself as part of the audience at the drag cabaret. It’s from this stage, designed as a catwalk strip for striding with feathers and shiny sparkles, that all of the storytelling from Tehran, Derry and London takes place. An unusual set of bedfellows.

The narrative is primarily told by Orla (Siobhan O’Kelly). She makes clear that the trauma she has experienced in Tehran seems to have splintered away any sense of linear narrative in her mind of events. Snapshots of what took place became twisted and spewed out an altered sense of reality, like the twisted fairytale of Rapunzel story she relays within the performance.

Stark opposites are provided by the liberal lives that Orla, as a feminist artist, and her best friend Mark (Nathan Kiley), a drag cabaret artist) enjoy in London compared to the tightly controlled environment of Iran. Revelling in their plans to open their own performance space and sharing stories of sexual antics with their respective gay lovers comes to a censored halt whilst Orla adjusts to her new temporary home. Having opted to visit as part of an inter-cultural exchange, Orla expected to struggle within the environment of censorship yet, at no point, did she anticipate how deeply she would experience the Iranian brutal methods used to ensure submission to its controls.

O’Kelly is a convincing and captivating storyteller. Kiley is equally as beguiling in his role as Mark. He commands your attention throughout the performance (in all sorts of ways!) and his singing leaves all satiated with its alternating smooth depths and frothy fun. In spite of remaining in London, Mark himself experiences his own form of trauma and perverse manipulations, exposing the tarnish under his sparkles.

This is a story that is moving and powerful, told through unusual lenses, yet having the altogether familiar themes of love, forgiveness and perseverance of the soul woven throughout. There are no sugary corners here though. The fear that has been stirred against the power and ‘sorcery’ of women’s bodies and used for manipulation and control retriggers an angry flame in Orla. The lessons she takes away from this experience ensures she is determined to share the truth and not be complicit with the lie.

Susan Hill’s THE WOMAN IN BLACK Announces New Cast Ahead of 30th Anniversary

SUSAN HILL’S

THE WOMAN IN BLACK

AT THE FORTUNE THEATRE

ANNOUNCES NEW CAST AHEAD OF 30th ANNIVERSARY

STUART FOX TO STAR AS

‘ARTHUR KIPPS’

AND

MATTHEW SPENCER TO STAR AS

‘THE ACTOR’

As Susan Hill’s THE WOMAN IN BLACK at The Fortune Theatre, London prepares to celebrate its 30thAnniversary in the West End in June 2019, PW Productions are delighted to announce that from Tuesday 19 March 2019 the show will star Stuart Fox as ‘Arthur Kipps’ and Matthew Spencer as ‘The Actor’.  

Having previously played the role of ‘Arthur Kipps’ at the Fortune Theatre and during the UK Tour, Stuart Foxreturns to “The Woman in Black”. His other West End credits include “Woman in Mind” at the Vaudeville theatre, “The Normal Heart” at the Royal Court, and “Fear and Loathing in Las Vegas” at the Fortune Theatre. His other theatre credits include “Ten Times Table”, “The Last of the Red Hot Lovers” and  “Educating Rita”  all at the The Mill at Sonning, and “Springs Eternal”, “The Man Who Pays the Piper”, “The Stepmother”, “Sauce for the Goose”, “Three Farces” and “Winter” all at the Orange Tree Theatre and “After the Ball” at Theatre Upstairs Highgate.

Matthew Spencer has played the role of ‘The Actor’ at The Fortune Theatre and during the UK Tour of “The Woman in Black”. His other West End credits include “Amadeus” at the National Theatre, “1984” and the Almeida and Playhouse Theatre, and “War Horse” at the New London Theatre. His other theatre credits include “The Busy Body” at the Southwark Playhouse, “Bent” at the Trafalgar Studios, and “Sleuth” and “Tartuffe” at the Watermill Theatre and UK Tour.

In June this year THE WOMAN IN BLACK will celebrate its 30th Anniversary in London’s West End. Stephen Mallatratt’s adaptation of Susan Hill’s best-selling novel tells the story of a lawyer obsessed with a curse that he believes has been cast over his family by the spectre of a ‘Woman in Black’. He engages a young actor to help him tell his story and exorcise the fear that grips his soul. It begins innocently enough, but as they delve further into his darkest memories, they find themselves caught up in a world of eerie marshes and moaning winds. The borders between make-believe and reality begin to blur and the flesh begins creep.

THE WOMAN IN BLACK is directed by Robin Herford, with designs by Michael Holt and lighting by Kevin Sleep.

Matthew Bourne To Be Honoured With Special Olivier Award

MATTHEW BOURNE TO BE HONOURED WITH SPECIAL OLIVIER AWARD

Sir Matthew Bourne OBE has been announced as the recipient of this year’s Special Award at the Olivier Awards 2019 with Mastercard, in recognition of his extraordinary achievements in dance.

Hailed by many as the UK’s most successful living choreographer and director, Bourne has created and directed dance for musicals, theatre and film for 30 years, receiving numerous international accolades including seven Olivier Awards. This Special Award will be Bourne’s eighth Olivier Award, making him joint holder of the most ever Olivier Awards, alongside Judi Dench.

Kenny Wax, President of the Society of London Theatre, said:

‘The Society of London Theatre is delighted to acknowledge Matthew Bourne’s extraordinary achievements in dance with this year’s Special Olivier Award. Matthew has transformed the landscape of dance in this country and across the globe with his bold, innovative and popular work, loved by audiences around the world.’

As Artistic Director of his first company, Adventures in Motion Pictures (1987 – 2002), Bourne’s award-winning work included SpitfireNutcracker!Highland FlingCinderella and The Car Man – as well as Swan Lake, which went on to become the longest-running ballet in the West End and on Broadway, and be performed all over the world.

In 2002, with Co-Director Robert Noble, Bourne launched New Adventures, now a hugely influential exporter of British dance around the world. With the company, Bourne has premiered iconic productions including Play Without Words, Edward Scissorhands, Sleeping Beauty and The Red Shoes. 2019 sees the world premiere of Bourne’s 12th full-length production, Romeo and Juliet, which involves young dance talent from across the UK performing alongside the New Adventures company. 

Since 2008, New Adventures has delivered engaging and ambitious projects for people of all ages and abilities, reaching thousands worldwide each year as part of the company’s ambitions to develop and nurture the next generation of artists and audiences.

Bourne has created choreography for several major musicals, including Cameron Mackintosh’s productions of Oliver! and My Fair Lady, the National Theatre’s revival of South Pacific, and the 2004 production of Mary Poppins (with Stephen Mear), which returns to the West End later this year.

Awarded the OBE for Services to Dance in 2001, Bourne was knighted in the Queen’s New Year Honours 2016 for services to dance, and awarded the Queen Elizabeth II Coronation Award in recognition of his outstanding services to the art of ballet.

The Olivier Awards, widely recognised as Britain’s most prestigious stage honours, return to the Royal Albert Hall on Sunday 7 April. This year’s nominations will be announced on Tuesday 5 March, and further details of the ceremony – including the host – will also be announced soon.

Past recipients of the Special Award include Kenneth Branagh, Stephen Sondheim, Judi Dench and Ian McKellen.

Sheridan Smith returns to the West End in new production of Joseph and the Amazing Technicolor Dreamcoat at the London Palladium

BAFTA AND OLIVIER AWARD WINNER

SHERIDAN SMITH

TO STAR AS ‘THE NARRATOR’

AS ICONIC MUSICAL GETS READY

FOR SUMMER SEASON AT THE LONDON PALLADIUM

Acclaimed star of Funny Girl and Legally Blonde returns to the West End

Creative team also announced, with production

to be directed by Laurence Connor (School of RockMiss Saigon)

Casting for the role of Joseph to be announced at a later date

Performances begin Thursday 27 June 2019

Today Michael Harrison and the Really Useful Group are delighted to announce that BAFTA and Olivier Award-winning actress Sheridan Smith will return to the West End this summer in the new production of Joseph and the Amazing Technicolor Dreamcoat at the London Palladium.

Sheridan will play The Narrator, as the iconic musical by Andrew Lloyd Webber and Tim Rice is re-imagined in a brand new production. The production will play a strictly limited 11-week season from Thursday 27 June.

Joseph and the Amazing Technicolor Dreamcoat will be directed by Laurence Connor. Laurence’s credits include the acclaimed London production of School of Rock and the Tony-Award nominated production on Broadway, the recent London productions of Miss Saigon and Chess, the international arena tour of Jesus Christ Superstar and he is also the Co-Director of the new version of Les Misérables which has enjoyed worldwide success including Broadway, UK and US tours.

Laurence will be joined on the creative team by Choreographer JoAnn M Hunter (who has 20 Broadway shows to her credit, including School of Rock and On A Clear Day You Can See Forever), the award-winning Morgan Large who will design the set and costumes, Lighting Designer Ben Cracknell and Sound Designer Gareth Owen.

Double Olivier Award winning Sheridan Smith is Britain’s most captivating young actress. She made her TV debut in 1999 in ITV’s comedy series Dark Ages and went on to become a renowned household name on the long running cult series Two Pints of Lager and a Packet of Crisps. Her other TV credits include her starring role in Mrs Biggs, for which she was named Best Actress at the 2013 BAFTA TV Awards and was nominated for an International EMMY, and winning the National TV Award for her highly acclaimed portrayal of British icon Cilla Black in ITV’s 3-part drama Cilla, for which she was also nominated for her second BAFTA and International EMMY. Her most recent TV project was the ITV Primetime Drama Cleaning Up.

Her film credits include HysteriaTower BlockQuartet and Universal’s The Huntsman and Winter’s War.

Sheridan made her stage debut at the Donmar Warehouse in Into the Woods, and has since gone on to establish herself as one of the leading actresses in UK theatre. She earned her first Olivier Award Nomination for her performance in Little Shop of Horrors at the Menier Chocolate Factory and in the West End, and in 2009 was awarded her first Olivier Award for her role of ‘Elle Woods’ in the West End production of Legally Blonde the Musical. She also won the 2012 Olivier Award for Best Supporting Performance and the Evening Standard Theatre Award for Best Actress for her role of ‘Doris’ in Flare Path. Most recently Sheridan enjoyed a highly celebrated run at The Savoy Theatre in Funny Girl, playing ‘Fanny Brice’, a role last played by Barbara Streisand.

Released as a concept album in 1969,the stage version of Joseph and the Amazing Technicolor Dreamcoat has become one of the world’s most belovedfamily musicals. The multi-award-winning show, which began life as a small-scale school concert, has been performed hundreds of thousands of times including multiple runs in the West End and on Broadway, international number one tours, and productions in over 80 countries as far afield as Austria and Zimbabwe and from Israel to Peru! The show features songs that have gone on to become pop and musical theatre standards, including Any Dream Will DoClose Every Door To MeJacob and Sons, There’s One More Angel In Heaven and Go Go Go Joseph.

Told entirely through song with the help of the NarratorJoseph and the Amazing Technicolor Dreamcoatfollows the story of Jacob’s favourite son Joseph and his eleven brothers. After being sold into slavery by the brothers, he ingratiates himself with Egyptian noble Potiphar, but ends up in jail after refusing the advances of Potiphar’s wife. While imprisoned, Joseph discovers his ability to interpret dreams, and he soon finds himself in front of the mighty but troubled showman, the Pharaoh. As Joseph strives to resolve Egypt’s famine, he becomes Pharaoh’s right-hand man and eventually reunites with his family.

Joseph and the Amazing Technicolor Dreamcoat is produced by Michael Harrison.

For further information, please see www.josephthemusical.com