Rose Theatre – until 12th October 2024

Reviewed by Carly Burlinge

5*****

The Rose Theatre brings you the production of never let me go based on the well-known novel by Kazuo Ishiguro adapted by Suzanne Heathcote and directed by Christopher Haydon. It tells the story of a group of students that have been cloned and reside at Hailsham boarding school, where their futures have already been decided! They are trained to take care of other doners before having to donate their own organs only leading to their death!

Kathy (Nell Barlow) who is one of the clones takes you through her story of being at Hailsham, her childhood there alongside the friends she’s made Ruth (Matilda Bailes)  Tommy (Angus Imrie) and others. Whilst going through her childhood antics it also hits on Kathy’s love for Tommy that gets pushed aside by her best friend, Ruth stepping in despite knowing the true feeling between the pair from the very start. This only causing a void that threatens their friendship making them split. But then coming back together years later, where the circumstances are very different, they are now faced with the reality that they always knew and was told would be coming! “You were brought into this world for a purpose. And your futures – all of them – have been decided.”

All the acting throughout this performance I felt was strong and powerful the connection that was delivered on stage was exceptional. I felt the emotion and even shed a tear at the end. The production was thought provoking making me think about what it really means to be a human!

The set was very simple but very skilfully managed with great lighting to dramatise certain scenes. Simple props were used to go back and forth to different times within the story very cleverly done, as well as some other backdrops and sounds that really gave the story some added feeling and emotion.

All in all, Never Let Me Go was a remarkable production with much feeling superb acting from a strong cast with a great story line well worth a watch. Definitely not one to be missed!!!

LIVERPOOL PLAYHOUSE – UNTIL 28th SEPTEMBER 2024

REVIEWED BY JEN HUGHES DALEY

5*****

An absolute eye opening and mind-blowing performance. Wonderboy, written by Ross Wilson and Directed by Sally Cookson takes you on a journey through the life experiences of Sonny, a 12 year old boy , navigating his life in foster care and through High School with a debilitating stammer.

Making his theatrical debut, Hilson Agbangbe, (Sonny) utterly blew me away with his insightful and accurate portrayal of a young person with a Special Educational Need and childhood trauma. Working with such children in my day job, the accuracy was profound. I felt every ounce of the frustration, shame and pain etched on his face and oozing from his stimming body.

Music, lights and dance at times gave the performance a thriller edge creating an unmissable atmosphere of tension and angst, catapulting me into what felt like empathetic Sonny emotional rollercoaster.

Captivating, emotional, heart wrenching and hilarious, the very small cast and the very minimal set props only added to the audience emphasis being on every powerful, painful and poignant word spoken and read. The wonderful relationship between Sonny and his teacher, Wainwright (Eva Scott) hit hard. Beautifully portrayed is a teacher who cared and who made a difference even when faces with the wrath of Sonny’s rage and frustration. The silences, the sounds, the facial expressions were sometimes more powerful than the spoken word.

In a juxtaposed, literary world of Comic Strips and Shakespeare, Roshi’s (Hilson Agbangbe) soliloquy synopsis of Hamlet, with a splattering of hilarious obscenities, had the audience in hysterics as did the regular appearance of the much misunderstood Ryvita. I would 100% recommend you go to see this phenomenal performance. Not only entertaining but educational in terms of life through the lens of a Young Person with significant challenges – which this play shone a much needed light on.

York Theatre Royal – until Saturday 12th October 2024

Reviewed by Michelle Richardson

5*****

Published in 1868, Louisa May Alcott’s timeless classic, Little Women, has been adapted for the stage by Anne-Marie Casey. Under the direction of Juliet Forster, it is currently playing at York Theatre Royal.

The book was inspired by Alcott’s own experiences growing up with her three sisters. It is a classic coming-of-age story following the lives of the four March sisters, Meg (Ainy Medina), Jo (Freya Parks), Beth (Laura Soper) and Amy (Helen Chong), growing up during the American Civil War. The bond between the sisters and their Marmee (Kate Hampson), are strong, enduring life through a time of uncertainty, whilst their father is away serving in the Civil War.

Meg is the eldest, the most traditional, wishing for marriage and children. Spirted Jo, is ahead of her time, an aspiring writer, fiercely independent and full of female empowerment. Beth is the quiet one, a confident pianist, shy and selfless, who will do anything for anyone. Amy is the youngest, thoroughly spoiled, who matures into a graceful lady. All four actors were superb in their portrayals of the sisters, as we follow them through their struggles and triumphs, as they grow up in front of our eyes.

The rest of the characters are, Laurie (Nikhil Singh Rai), Jo’s close friend who declares his undying love, before eventually marrying Amy, Aunt March (Caroline Gruber), their hard to please, but understanding wealthy relation, John (Jack Ashton), Meg’s husband and Professor Bhaer (also played by Ashton), who Jo meets in New York, where they bond over literature.

There is truly no weak link amongst the cast. You could feel the connection between each character, moments of laughter balanced with poignant, touching scenes. They successfully breathe life into Alcott’s novel.

If you have ever read the book, or seen any of the films, you will know that it is not only heartbreaking, but also full of joy, promise and fulfilment. This show covers all the main parts of the book, though a condensed version, but the heart of the story is still there, a homage to a classic tale. The themes of Little Women echo strongly in today’s world. The importance of family, individuality, the pursuit of your dreams, it certainly leaves you with a sense of optimism.

I can remember growing up that my mother was a huge fan of the book, and I know she would love to see this adaptation. What other recommendation do you need?

This fresh reworking of Little Women is heartwarming and a must see for all fans and newcomers alike, suitable for all.

“Both hilarious and heartwarming, this raunchy Christmas cabaret

had me laughing non-stop for the full eighty-minute run time.

It’s sparkly, sexy, spectacular, side-splitting, and, of course, very naughty.”

A VERY NAUGHTY CHRISTMAS

28^TH NOVEMBER – 11^TH JANUARY

SOUTHWARK PLAYHOUSE ELEPHANT 

TICKETS £35 | SOUTHWARKPLAYHOUSE.CO.UK

Christmas cabaret, stand-up comedy, burlesque and naughty musical theatre all rolled into one, A Very Naughty Christmas is Australia’s most successful Christmas musical show and is coming to London for the very first time for Winter 2024.

For fans of SIX: The Musical, The Play That Goes Wrong, and The Book of Mormon, A Very Naughty Christmas is a spectacular, sexy, silly, naughty and hilarious take on Christmas which is strictly for over 18s only.

With a playlist of Christmas classics as you’ve never heard them before(!) A Very Naughty Christmas is a comedy concert packed with stand-up, skits, parodied songs, dancing, singing, burlesque and a whole bunch of silliness. Having achieved cult status with sell out shows in Brisbane, Sydney and Melbourne, this hit show is ready to storm the London stage.

Opening at London’s Southwark Playhouse Elephant on 28th November, A Very Naughty Christmas will run until mid-January with tickets on sale in July starting at £35. The show features a live band and a cast of 8 actors, with Australia’s original “Bad Santa” – the actor Stephen Hirst – coming over to London for the full run of the show.

Produced by Australian outfit Woodward Productions (The Woman In Black, Jersey Boys) and exec produced by London’s Glass Half Full Productions (9 to 5: The Musical, Back to the Future: The Musical), A Very Naughty Christmas is the creation of Australian theatre maestros Alex Woodward and Daniel Venz, having sold over 40,000 tickets in Australia. 

A clever, funny, adults-only burlesque-meets-musical-theatre, A Very Naughty Christmas is the perfect show to get you in the holiday mood this Christmas.

But don’t just take our word for it! Here is what audiences across Australia

have been saying about A Very Naughty Christmas for the past seven years!

“A very funny show. Fast paced and very clever. Every performer was excellent and extremely entertaining. Was very NAUGHTY without going over the top. Definitely worth attending.”

“Brilliant high energy performance from extremely gifted artists. Our faces were aching from laughing so much.”

“Hilarious, fun, brilliant music. I would go again!”

“A polished and joyful show, but if you are easily offended, don’t go because they swear like troopers and are not backward in coming forward!”

Ticket Information

Venue: Southwark PlayhouseElephant, 1 Dante Place, London, SE11 4RX

Getting There: The nearest stations are Borough and Elephant & Castle

Performance Dates & Times: 28^th November – 11^th January. Daily at 7.30pm. 

Ticket Prices: £35. £10 Pioneers’ Preview.

Box Office Link: https://southwarkplayhouse.co.uk/

Age Guidance: Strictly 18+. No under 18s will be admitted to the show.

“COLE PORTER’S GREATEST MUSICAL COMEDY” 

Playbill 

LONDON’S FIVE STAR SUMMER MUSICAL SENSATION

KISS ME, KATE

TO BE RELEASED BY TRAFALGAR RELEASING IN CINEMAS

ACROSS THE UK, IRELAND, USA, AUSTRALIA

& SELECTED INTERNATIONAL TERRITORIES FROM 17 NOVEMBER

TICKETS ON SALE NOW AT KISSMEKATECINEMA.COM

“The ultimate Broadway musical from the golden age” 

Financial Times 

Starring 

                       Multi-Award-Winning                Tony Award Winner 

               ADRIAN DUNBAR       STEPHANIE J. BLOCK 

                        As Fred Graham / Petruchio                      As Lilli Vanessi / Katharine  

Music and Lyrics by COLE PORTER 

Book by SAM AND BELLA SPEWACK 

Directed by Tony Award Winner BARTLETT SHER

Following huge critical acclaim this summer at the Barbican Theatre, the smash-hit production of KISS ME, KATE has been filmed especially for the big screen by Trafalgar Releasing and will be released in cinemas across the UK, Ireland, USA, Australia and selected international territories from 17 November, bringing the magic of this musical masterpiece to an even wider audience around the world. Tickets and participating venues are available now at KissMeKateCinema.com.

KISS ME, KATE was a five-star sensation during its three-month summer residency and audiences flocked to see this “showstopper of a musical” (City AM) thrill with its “exhilarating” (The Guardian) performances from multi-award-winning Adrian Dunbar, described by The i as “a revelation” in his musical theatre debut as Fred Graham / Petruchio and Broadway musical superstar and Tony Award winner Stephanie J. Block who “commands the stage and makes every note sing” (Time Out) in her West End debut as Lilli Vanessi / Katharine. 

Described by the Daily Mail as “sexy and sassy” with “great songs, hot dancing and smart gags” this dazzling production enchanted audiences and critics alike with its breathtaking choreography, show stopping numbers and star-studded cast delivering unforgettable performances. Now, thanks to the magic of cinema, theatre lovers everywhere will have the opportunity to experience the joy and spectacle of this “sizzling summer hit” (Daily Telegraph). The screenings promise to deliver the best of both worlds: the intimacy of live performance captured with the clarity and scale of film.

Adrian Dunbar said: “I’m delighted that KISS ME, KATE will continue its journey onto the big screen this November. We had a great three months at the Barbican and I thoroughly enjoyed treading the musical theatre boards for the first time. It’s exciting news that even more people will have the opportunity to see the show in cinemas across the UK, Ireland and beyond.”

Stephanie J. Block said: “I had such a wonderful time performing at the Barbican this summer in KISS ME, KATE. So, I’m delighted that the production was recorded for cinema release and will now be enjoyed by an even wider audience, including cinema goers in the USA.”

Producer Howard Panter says: “Following the tremendous success of our summer residency at the Barbican, which was nothing short of extraordinary, I am delighted that we can bring KISS ME, KATE to audiences around the world. The performances of our incredible critically acclaimed cast, led by the incomparable Adrian Dunbar and Stephanie J. Block, make this a must-see cinema event this November.”

Trafalgar Releasing’s CEO Marc Allenby says: “Following the cinema Box Office success of The King and I and Anything Goes, it’s great to be working with our partner Trafalgar Entertainment once again to bring this entertaining and uplifting musical comedy to cinemas across the UK and around the globe. With the filming produced and financed by Trafalgar Releasing, we are continuing to build our wide-ranging portfolio of theatre and cultural content captured especially for the big screen.”

The cast also features Charlie Stemp (Crazy For You, Mary Poppins) as Bill Calhoun and rising star Georgina Onuorah (The Wizard of Oz / Oklahoma!) as Lois Lane / Bianca. Hammed Animashaun (A Midsummer Night’s Dream / Black Ops) and Nigel Lindsay (Victoria / Shrek The Musical) are the singing hilarious gangsters and acting legend Peter Davison (Dr Who / All Creatures Great and Small) plays the role of the General. 

Director Bartlett Sher (The King and I, South Pacific and To Kill A Mockingbird) has brought together an all-star creative team who have collectively won a remarkable 20 Tony awards between them. The dynamic team includes renowned choreographer Anthony Van Laast, accomplished costume designer Catherine Zuber and leading set designer Michael Yeargan. With music and lyrics by Cole Porter and the book by Bella & Samuel Spewack, this new production promises a symphony of wit, charm and musical brilliance. Featuring a company of over 50, including a full-scale orchestra, they perform Cole Porter classics such as ‘Another Op’nin’, Another Show’, ‘Brush Up Your Shakespeare’, ‘Tom, Dick or Harry’ and ‘It’s Too Darn Hot’ – KISS ME, KATE is the perfect musical spectacle. 

The musical farce which brilliantly showcases razor-sharp wit, won Best Musical at the Tony Awards. It’s a sophisticated, ferociously funny, show within a show – which whisks you into a world of backstage chaos and romantic entanglements as a theatre company attempt to put on a production of Shakespeare’s ‘The Taming of the Shrew’. The battle of the sexes takes centre stage as former spouses feud, only to find the off-stage antics rival the drama on-stage. Throw in a number of cases of mistaken identity, confused love, gangsters and a spectacular tap routine and you get…KISS ME, KATE. 

★★★★★ 

“I have rarely been in a theatre where a joyous audience loved a musical so much”

Daily Mail

★★★★

“Exhilarating”

Daily Telegraph

★★★★

“Enormous fun”

The Times

★★★★

“A supremely lovely way to spend a summer evening”

The Independent

★★★★

“A lush, wittily spectacular production”

Time Out

CREATIVE TEAM 

Bartlett Sher – Director 

Anthony Van Laast – Choreographer 

Michael Yeargan – Set Designer 

Catherine Zuber – Costume Designer 

Donald Holder – Lighting Designer 

Adam Fisher – Sound Designer 

Stephen Ridley – Music Supervisor 

LISTINGS INFORMATION 

Screening Dates: From Sunday 17 November 2024

Website: KissMeKateCinema.com 

X: @KissMeKateUK 

Facebook: @KissMeKateUK 

Instagram: @KissMeKateUK 

Nominations announced for the UK Theatre Awards 2024 sponsored by Encore 

·         Nottingham Playhouse leads the way with four nominations across On Stage and Off Stage Awards categories 

·         Bristol Old Vic and Leeds Playhouse closely follow with three nods apiece 

The nominees for this year’s UK Theatre Awards have been announced. The UK Theatre Awards celebrate the very best of theatre across England, Scotland, Wales and Northern Ireland. Awards are given for creative excellence and outstanding work both on and off stage, including the Outstanding Contribution to British Theatre Award and the coveted UK’s Most Welcoming Theatre Award. The winners will be announced at this year’s ceremony, taking place on Sunday 20 October at 8 Northumberland Avenue, hosted by Faye Tozer. 

With nominees from all four nations, this year’s shortlist showcases the creativity and originality of theatre across the UK. Nottingham Playhouse leads the nominations with acknowledgements across four categories; Best Performance in a Play, Excellence in Inclusivity, Excellence in Sustainability and the Workforce Award. 

Two theatres receive three nods across various categories – Bristol Old Vic and Leeds Playhouse. Bristol Old Vic was home to productions in both the Best Musical Production and Best New Play categories, whilst also being nominated for Excellence in Inclusivity. Leeds Playhouse has received a nod for Best Musical Production, alongside two nominations in the Best Performance in a Musical category for Jenny Fitzpatrick (Oliver!) and John Hopkins (My Fair Lady). Matt Doyle completes the nominees for Best Performance in a Musical for Sinatra The Musical at Birmingham Rep. 

Elsewhere in the performing categories, actors Heather Agyepong & Tosin Cole (Shifters), Ian McDiarmid (The Caretaker), David Shields (Punch) and Keith Singleton (The Pillowman) are all nominated for Best Performance in a Play. Chumisa Dornford-May (Evita), Tania Mathurin (Barnum) and Andrew Schofield (Boys From The Blackstuff) are nominated for Best Supporting Performance (in a Musical or Play). 

Belgrade Theatre, Birmingham Rep, Buxton Opera House, Chichester Festival Theatre, Dundee Rep, Lyric Theatre Belfast, Royal Lyceum Theatre Edinburgh, Royal Shakespeare Company and Wise Children have all garnered two nominations apiece. 

Claire Walker & Hannah Essex, Co-CEOs of Society of London Theatre & UK Theatre, said: 

“Across the four nations UK Theatre members are creating incredible work and making a huge difference to their local communities. This year’s UK Theatre Awards nominations are a real testament to the quality and diversity of talent, storytelling and community engagement seen on stage and in venues right across the country.  

Congratulations to all the nominees, and thank you to our sponsors and partners for their fantastic support. We look forward to celebrating with you all on Sunday 20 October.” 

Nominations for the UK’s Most Welcoming Theatre Award were announced last month, with 

Hall for Cornwall, Octagon Theatre Bolton and Polka Theatre making the shortlist. The winner will be revealed at the UK Theatre Awards. 

As announced last week, the recipient of this year’s Outstanding Contribution to British Theatre Award is Jenny Sealey OBE, Artistic Director of Graeae, who will be honoured at this year’s ceremony.  

The UK Theatre Awards 2024 are sponsored by Encore, with thanks to our partners AKT, Cunard, Harbottle & Lewis, John Good, MTI Europe, Theatre Tokens, Tysers in association with Ecclesiastical, Unusual Rigging and White Light. 

Full list of nominations for the UK Theatre Awards 2024 

On Stage Awards: 

Best Design 

Emma Bailey for Sunset Song  

Kenneth MacLeod for Dracula: Mina’s Reckoning  

Michael Taylor for Bhangra Nation 

Best Director 

Drew McOnie for The Artist  

Conrad Nelson for One Man, Two Guvnors  

Emma Rice for The Buddha Of Suburbia  

Roxana Silbert for The Girls Of Slender Means 

Best Musical Production sponsored by Tysers in association with Ecclesiastical 

The Big Life at Stratford East  

Oliver! at Leeds Playhouse  

Starter For Ten at Bristol Old Vic 

Best New Play sponsored by Cunard 

A Child Of Science at Bristol Old Vic 

Peanut Butter & Blueberries at Kiln Theatre 

Swim, Aunty, Swim! at Belgrade Theatre 

Best Play Revival 

The Deep Blue Sea at Ustinov Studio at Theatre Royal Bath   

Rhino at Lyric Theatre Belfast  

A Taste Of Honey at Royal Exchange Theatre   

Achievement in Dance sponsored by AKT 

London City Ballet for the company relaunch  

Mehek by Aakash Odedra Company & Aditi Mangaldas Dance Company  

Minotaur, Metamorphoses & Echo and Narcissus by Kim Brandstrup 

Achievement in Opera 

Thomas Allen for his career with Glyndebourne  

Buxton International Festival 2024 at Buxton Opera House & Pavilion Arts Centre  

Death In Venice by Welsh National Opera in collaboration with NoFit State 

Best Supporting Performance (in a Musical or Play) 

Chumisa Dornford-May for Evita    

Tania Mathurin for Barnum  

Andrew Schofield for Boys From The Blackstuff 

Best Performance in a Musical 

Matt Doyle for Sinatra The Musical   

Jenny Fitzpatrick for Oliver!  

John Hopkins for My Fair Lady 

Best Performance in a Play 

Heather Agyepong & Tosin Cole for Shifters 

Ian McDiarmid for The Caretaker 

David Shields for Punch 

Keith Singleton for The Pillowman 

Best Show for Children & Young People 

Beauty And The Beast at Stephen Joseph Theatre  

Flip! at Soho Upstairs at Soho Theatre  

Starchitects Save Santa! At Midlands Arts Centre 

Off Stage Awards: 

Excellence in Arts Education 

Lyric Hammersmith  

Mayflower Theatre & MAST Mayflower Studios  

Royal Shakespeare Company 

Excellence in Touring sponsored by Theatre Tokens 

ETT 

Theatr Genedlaethol Cymru  

Wise Children 

Excellence in Inclusivity

Antony & Cleopatra at Shakespeare’s Globe  

Bristol Old Vic   

Punch at Nottingham Playhouse   

Excellence in Sustainability 

Chichester Festival Theatre  

Dundee Rep & Scottish Dance Theatre  

Nottingham Playhouse 

Workforce Award 

Buxton Opera House   

Liverpool Everyman & Playhouse  

Nottingham Playhouse 

UK’s Most Welcoming Theatre sponsored by Encore  

Hall for Cornwall  

Octagon Theatre Bolton  

Polka Theatre 

@UK_Theatre               #UKTAwards  

NATIONAL THEATRE ANNOUNCES FULL CASTING FOR THE FIRST MAJOR STAGE ADAPTATION OF THE BELOVED NOVEL

BALLET SHOES

The National Theatre today announces full casting for the first major stage adaptation of Noel Streatfeild’s best-selling book Ballet Shoes by Kendall Feaver (The Almighty Sometimes), in the Olivier theatre from 23 November 2024. This festive family show will be directed by Katy Rudd,who returns to the National Theatre following her acclaimed production of The Ocean at the End of the Lane. 

Announced today are Stacy Abalogun (Ensemble), Yanexi Enriquez (Petrova Fossil), Philip Labey (Ensemble), Katie Lee (On Stage Swing), Sharol Mackenzie (Ensemble), Pearl Mackie (Sylvia), Nuwan Hugh Perera (Ensemble), and Katie Singh (Ensemble). They will join previously announced cast including  Eryck Brahmania (Ensemble), Cordelia Braithwaite (Ensemble), Michelle Cornelius (Ensemble), Sonya Cullingford (Winifred),Jenny Galloway(Nana), Courtney George (Ensemble), Georges Hann  (Ensemble), Nadine Higgin (Theo Dane), Helena Lymbery (Doctor Jakes), Xolisweh Ana Richards (Ballet Dancer + Ensemble), Sid Sagar  (Jayan Saravanan), Grace Saif (Pauline Fossil), Justin Salinger (GUM/Fidolia) and Daisy Sequerra (Posy Fossil).   

In a crumbling house full of dinosaur bones and fossils, three adopted sisters – Pauline, Petrova and Posy – are learning who they are and what they want to be. Under the watchful eyes and guidance of their guardian Sylvia, Nana, and some unlikely lodgers, they fight to pursue their individual passions. But in a world that wasn’t built for women with big ambitions, can they forge a future, keep their family together, and even learn a dance or two along the way?

Directed by Katy Rudd with set designer Frankie Bradshaw, costume designer Samuel Wyer, choreographer Ellen Kane, composer Asaf Zohar, dance arrangements and orchestrations Gavin Sutherland, lighting designer Paule Constable, sound designer Ian Dickinson for Autograph, video designer Ash J Woodward, casting director Bryony Jarvis-Taylor, dialect coach Penny Dyer, voice coaches Cathleen McCarron and Tamsin Newlands, associate choreographer Jonathan Goddard and staff director Aaliyah Mckay.

Ballet Shoes will play in the Olivier theatre from 23 November 2024 to 22 February 2025, with the press performance on 5 December 2024. Recommended for ages 7+.

Tickets are on sale now,nationaltheatre.org.uk

FULL CASTING ANNOUNCED FOR

THE LION, THE WITCH

AND THE WARDROBE

CELEBRATING THE 75^th ANNIVERSARY

OF C.S. LEWIS’ NOVEL

AWARD-WINNING KATY STEPHENS

TO PLAY THE WHITE WITCH

Tour opens at Leeds Playhouse in November 2024

& makes a return to London for a limited run at

Sadlers Wells Theatre in August 2025

26 September 2024  –  Producers of The Lion, The Witch and The Wardrobe, celebrating the  75^th Anniversary of the publication of C.S. Lewis novel which opens at Leeds Playhouse on 18 November 2024, today announced its full cast as well as additional tour venues, including a return to London this summer. 

The Lion, the Witch and the Wardrobe will play at London’s Sadlers Wells Theatre from 20 August to 7 September 2025.

Award-winning  Katy Stephens will play The White Witch.  Katy’s extensive stage career includes leading roles at Shakespeare’s Globe and the Royal Shakespeare Company with whom she is an Associate Artist.  Katy was part of the team that won the Olivier Award for Best Ensemble Performance for the RSC’s Histories Cycle where her roles included Joan of Arc and Margaret of Anjou.  Katy will also play Mrs Macready.

Katy Stephens said:  “The role of Her Imperial Majesty Jadis, Queen of Narnia in this thrilling stage version of The Lion, the Witch and the Wardrobe is something I can’t wait to play.  The thought of casting a spell over Narnia to make it always winter but never Christmas is simply tantalising.  Let the magic begin!’

Playing the Pevensie Children are:  Joanna Adaran as Susan, Jesse Dunbar as Peter, Kudzai Mangombe as Lucy and Bunmi Osadolor as Edmund.

The cast is completed by:  Archie Combe (Mr Pope and Foxtrot), Andrew Davison (Mr Wilson Schroedinger, Jack Rabbit, Aslan Puppeteer and Head Cruel),  Anya de Villiers (Mrs Beaver), Molly Francis (Mrs Pevensie, Aslan Puppeteer and Robin) Ruby Greenwood (Onstage Swing) Ffion Haf (Miss Gumley-Warmley and Phoenix), Rhiannon Hopkins (Miss Chutney and Blue Badger), Joe Keenan (Mr Granville, Spirit of the Moon and Red Squirrel), Oliver Magor (Onstage Swing), JB Maya (Onstage Swing), Luca Moscardini (Onstage Swing), Alfie Richards (Mr Tumnus, White Mouse and Badger), Kraig Thornber (The Professor, Father Xmas and Wise Owl),  Ed Thorpe (Mr Beaver), Rhodri Watkins (Mr Brinkworth, March Hare and Aslan Puppeteer) and Shane Anthony Whiteley (Maugrim, Satyr and White Stag) and Stanton Wright as Aslan.

C.S. Lewis’ book was first published in October 1950.  Since then, over 85 million copies in 60 languages have been sold. It is one of the top ten best-selling books of all time. The stage adaptation of Lewis’ iconic book enjoyed a hugely successful, critically-acclaimed London run in 2022/3.

Producer Chris Harper said: ‘We can’t wait for children and adults alike to join us on this spectacular new journey through the wardrobe, and are proud to be marking the 75^th anniversary of the publication of CS Lewis’ novel with this tour.’

Director Michael Fentiman added: ‘I’m delighted to be taking our beautiful production of The Lion, The Witch and the Wardrobe on a major tour of the UK and Ireland in 2025. The production celebrates the magic of live theatre and is led by a multi-talented cast of actors, singers, musicians, dancers and puppeteers; it is a celebration of the possibilities of the collective imagination and the boundless wonders of individual skill.’

Step through the wardrobe into the enchanted kingdom of Narnia. Join Lucy, Edmund, Susan and Peter as they wave goodbye to wartime Britain and embark on the most magical of adventures in a frozen, faraway land where they meet Mr Tumnus the faun, talking beavers, Aslan (the noble king of Narnia) and the coldest, most evil White Witch.

The Lion, the Witch and the Wardrobe is directed by Michael Fentiman based on the original production by Sally Cookson.  The  Set and Costume Designer is Tom Paris, Composers are Barnaby Race and Benji Bower, the Choreographer is  Shannelle ‘Tali’ Fergus, the Lighting Designer is Jack Knowles, the Sound Designer is Tom Marshall, the Original Puppetry Director is Toby Olié, the Original Puppetry Designer is Max Humphries, the Aerial Director is Gwen Hales,  the Fight Director is Jonathan Holby, the Illusionist is Chris Fisher, the Musical Director is Ben Goddard, the Hair and Make-Up Designer is Susanna Peretz.   The Associate Director is Pip Minnithorpe, the Associate Lighting Designer is Emily Irish, the Associate Direcor and Associate Puppetry Director is Oliver Grant, Associate Magic and Illusions is by Spooky Nyman, the Associate Fight Director is Owain Gwynn, the Associate Movement Director is Jasmin Colangelo, the Production Manager is Phoebe Bath and the Casting Director is  Will Burton CDG for Grindrod Burton Casting.

The Lion, the Witch and the Wardrobe will play in Leeds through Christmas 2024, and in 2025 is scheduled to visit Leicester Curve, Cardiff Millennium Centre, Liverpool Empire, Theatre Royal Newcastle, Theatre Royal Brighton, New Victoria Theatre Woking, Princess Theatre Torquay, Wycombe Swan Theatre, Cliffs Pavilion Southend-on-Sea, Grand Opera House York, Grand Opera House Belfast, Bord Gais Energy Theatre Dublin, Festival Theatre Edinburgh, Alexandra Theatre Birmingham, Regent Theatre Stoke-on-Trent, King’s Theatre Glasgow, His Majesty’s Theatre Aberdeen, Eden Court Highlands Inverness, Norwich Theatre Royal, Marlowe Theatre Canterbury, Milton Keynes Theatre, Winter Gardens Blackpool, Venue Cymru Llandudno,  Congress Theatre Eastbourne, Bristol Hippodrome, Alhambra Theatre Bradford, Sadlers Wells Theatre London, Hull New Theatre, Waterside Theatre, Aylesbury, the Grand Theatre, Wolverhampton, Nottingham Theatre Royal,  Sunderland Empire, the Mayflower Theatre, Southampton, Plymouth Theatre Royal and The Lowry, Salford.

Further venues and dates will be confirmed.

Tickets are on sale across the tour. For all information on venues and ticketing details, visit  www.lionwitchonstage.com.  

The Lion, the Witch and the Wardrobe is produced by Chris Harper Productions and Catherine Schreiber and was first produced at the Leeds Playhouse.  

Cambridge Arts Theatre, Cambridge – until Saturday 28th September 2024

Reviewed by Steph Lott

4****

Successfully adapting a novel into a play requires balancing fidelity to the source material with the unique strengths and limitations of the stage. This must involve making tricky creative decisions. I haven’t read Sebastian Faulks’ novel but from what I can understand, this brand-new adaption at the Cambridge Arts Theatre, written for the stage by Rachel Wagstaff, has some key differences. This doesn’t mean however that it isn’t a very successful piece of theatre that poignantly conjures up a time of love, loss and war.

From the moment the curtain rose, the audience was transported a very different world; from early 20th century France and then to the harrowing trenches of World War I. This was made possible by the versatile set, ingeniously designed by Richard Kent, seamlessly shifting between pre-war France and the brutal reality of the Western Front. The clever use of multi-level staging and minimalist props allowed for smooth transitions, enhancing the narrative flow without interruption.

The production was further elevated by Sophie Cotton’s evocative music. The haunting sounds and melodies perfectly complemented the on-stage action, enhancing the emotional impact of key scenes without ever overpowering the performances. The use of period-appropriate songs added authenticity to the production, while the original compositions beautifully underscored the themes of love, loss, and the futility of war. James Findlay’s vocal performance in the role of Brennan was magnificent and the singing of the whole cast towards the end of the play was beautiful and moved me to tears. I’m sure I was not alone.

James Esler delivered a captivating performance as Stephen Wraysford, the young Englishman whose life is forever changed by love and war. Esler’s portrayal was nuanced, effectively conveying Stephen’s transformation from a passionate young man to a bitter hardened soldier. Given that this was his first professional stage role, it was extraordinary. There was palpable chemistry with Charlie Russell, who played Isabelle Azaire. Her performance was delicate and fragile, depicting a woman trapped and on the edge. However, for me, one of the problems in bringing their story to the stage, was that the development of that story was somewhat rushed. This is one of the challenges of bringing a novel to the stage where time is tight.

Max Bowden gave a remarkable portrayal of Jack Firebrace. Bowden brought a perfect blend of humour and pathos to his portrayal of this character. Raif Clarke’s performance as Tipper was also superb and the storyline of those at the front line under the tunnels in a terrible war they don’t understand was performed brilliantly.

The whole cast deserves high praise for their ability to portray multiple characters convincingly. This added depth to the narrative and highlighted the interconnectedness of the various storylines. The seamless transitions between roles and scenes were a testament to the actors’ skills and Whatley’s direction.

Birdsong at The Cambridge Arts Theatre is a triumph of storytelling and stagecraft. It captures both the sweeping historical narrative and the intimate personal stories at its heart. For anyone who appreciates thoughtful, emotionally resonant theatre, this production of Birdsong is not to be missed. It’s a testament to the enduring relevance of Faulks’ story and the immense talent of all involved in bringing it to the stage.

ON SALE DATES ANNOUNCED FOR

THE JAMIE LLOYD COMPANY’S

MUCH ADO ABOUT NOTHING

STARRING TOM HIDDLESTON AND HAYLEY ATWELL

The Jamie Lloyd Company today announces the on sale dates for its new production of Shakespeare’s Much Ado About Nothingstarring Tom Hiddleston (Benedick) and Hayley Atwell (Beatrice), directed by Jamie Lloyd. The production opens at Theatre Royal Drury Lane on Wednesday 19 February, with previews from 10 February, and runs until 5 April 2025.

Tickets for Much Ado About Nothing go on sale to those signed up for priority booking on Tuesday 8 October at 11am; general booking opens on Wednesday 9 October at 11am. Full cast and creatives to be announced.

Sign up for priority booking here: thejamielloydcompany.com or lwtheatres.co.uk.

Much Ado About Nothing is the second production in The Jamie Lloyd Company’s season of Shakespeare at Theatre Royal Drury Lane which opens with The Tempest starring BAFTA winner Sigourney Weaver making her West End debut as Prospero; opening on Thursday 19 December, with previews from 7 December 2024, running until 1 February 2025. Tickets on sale now at lwtheatres.co.uk.

The Jamie Lloyd Company also continues its commitment to accessibility, offering 25,000 tickets at £25 across the season exclusively for under 30s, key workers and those receiving government benefits. These tickets will be available across the first three levels of the theatre, and go on sale at a later date. Further information to be announced.

The Jamie Lloyd Company presents

MUCH ADO ABOUT NOTHING

By William Shakespeare

Directed by Jamie Lloyd

Monday 10 February – Saturday 5 April 2025

“I do love nothing in the world so well as you: is not that strange?”

Tom Hiddleston is Benedick and Hayley Atwell is Beatrice. Two of their generation’s finest actors collaborate with director Jamie Lloyd again in this savagely funny and beautifully tender battle of wits.

Produced by The Jamie Lloyd Company.

Tom Hiddleston plays Benedick. 

For The Jamie Lloyd Company: Betrayal (Harold Pinter Theatre/ Broadway/Bernard B. Jacobs Theater – Tony Award nominee for Best Performance by a Leading Actor in a Play, Evening Standard Theatre Award nominee for Best Actor).

Other theatre credits include: Hamlet (Kenneth Branagh Theatre Company), Coriolanus (Donmar Warehouse – Evening Standard Theatre Award for Best Actor), Ivanov and Othello (Donmar Warehouse), Cymbeline (Cheek by Jowl – Olivier Award for Best Newcomer) and The Changeling (Cheek by Jowl). 

Television credits include: Loki (Critics Choice’ Award Nomination, People’s Choice Award), The Essex Serpent, The Night Manager (Golden Globe Award for Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television, Emmy Leading Actor Nomination), Henry IV Parts 1&2 and Henry V (South Bank Sky Arts Award for Breakthrough performance), Return to Cranford, Wallander, Miss Austen Regrets, The Gathering Storm, Conspiracy and Nicholas Nickleby.

Film credits include: Loki in Marvel’s Thor, The Avengers (MTV Movie Awards for Best Villain and Best Fight), Thor: The Dark World, Thor: Ragnorak, Avengers: Infinity War, Avengers: Endgame, Early Man, Kong: Skull Island, I Saw the Light, High-Rise, Crimson Peak, Tinker Bell and The Pirate Fairy, Muppets Most Wanted, Only Lovers Left Alive, Exhibition, The Deep Blue Sea, War Horse, Midnight In Paris, Archipelago and Unrelated. 

Forthcoming projects include: The Life of Chuck and The Night Manager 2.

Hayley Atwell plays Beatrice.

In 2018 Hayley was awarded the Fellowship in recognition of her contribution to the arts.

For The Jamie Lloyd Company:The Pride (Trafalgar Studios – Olivier Award nomination for Best Actress, WhatsOnStage Award nomination for Best Actress in a Play).

Other theatre credits include:Rosmersholm (Duke of York’s Theatre – Olivier Award nomination for Best Actress), Measure for Measure  (Donmar Warehouse), Dry Powder (Hampstead Theatre), The Faith Machine (Royal Court Theatre – Directed by Jamie Lloyd), A View from the Bridge (Duke of York’s Theatre – Olivier Award nomination for Best Supporting Actress), Major Barbara (National Theatre – Ian Charleson Commendation), Women Beware Women (RSC) and Prometheus Bound (Sound Theatre).

Television credits include: The Long Song, Howards End, Conviction, Agent Carter Series 1 & 2, Life of Crime, Black Mirror: Be Right Back series 2, Restless, Falcon: The Blindman of Seville, The Silent and the Dammed, Any Human Heart, Pillars of the Earth, The Prisoner, Mansfield Park, Ruby in the Smoke, Fear of Fanny and The Line of Beauty. 

Film credits include:Doctor Strange in the Multiverse of Madness, Mission: Impossible – Dead Reckoning – Part One, Blinded by the Light, Christopher Robin, The Complete Walk: Cymbeline, Ant Man, Cinderella, Testament of Youth, The Avengers: Age of Ultron,  Captain America -The Winter Soldier,  Jimi: All Is by My Side, The Man, The Sweeney, I, Anna, Captain America-The First Avenger, The Duchess, Brideshead Revisited, How About You and Cassandra’s Dream. 

Forthcoming projects include: Mission: Impossible – Dead Reckoning – Part Two, Heartstopper and Rogue Trooper.

Jamie Lloyd directs. His credits for The Jamie Lloyd Company include Romeo & Juliet (Duke of York’s Theatre), Sunset Blvd. (Savoy Theatre – winner of seven Olivier Awards including Best Director and Best Musical Revival; Evening Standard Theatre Award for Best Director), The Effect (National Theatre/The Shed, New York), A Doll’s House (Hudson Theatre, New York – nominated for six 2023 Tony Awards including Best Direction of a Play and Best Revival of a Play), The Seagull (Harold Pinter Theatre), Cyrano de Bergerac (Playhouse Theatre/Harold Pinter Theatre/Brooklyn Academy of Music, New York – Olivier Award for Best Revival; Critics’ Circle Theatre Award for Best Director), Betrayal (Harold Pinter Theatre/Bernard B. Jacobs Theatre – nominated for four 2021 Tony Awards including Best Direction of a Play and Best Revival of a Play; Critics’ Circle Theatre Award for Best Director), Pinter at the Pinter (Harold Pinter Theatre), The Maids, The Homecoming, The Ruling Class, Richard III, The Pride, The Hothouse and Macbeth (Trafalgar Studios).

LISTINGS

Theatre Royal Drury Lane

Box Office: lwtheatres.co.uk / 020 3925 2998

THE TEMPEST

Saturday 7 December 2024 – Saturday 1 February 2025

Access Performances:

BSL Interpreted: Saturday 11 January, 2.30pm

Audio Described: Saturday 18January, 2.30pm  

Captioned: Saturday 25 January, 2.30pm        

Please email [email protected] to discuss your booking requirements.

MUCH ADO ABOUT NOTHING

Monday 10 February – Saturday 5 April 2025

Access performances:

BSL Interpreted: Saturday 15 March, 2.30pm

Captioned: Saturday 22 March, 2.30pm

Audio Described: Saturday 29 March, 2.30pm

Please email [email protected] to discuss your booking requirements.