ETT ANNOUNCE FIVE NEW TRUSTEES JOINING ITS BOARD

ETT ANNOUNCE FIVE NEW TRUSTEES JOINING ITS BOARD

Today, during Trustees’ Week, ETT (English Touring Theatre) announce the appointment of five new trustees joining its Board – Dr Saphié Ashtiany, Olivier Brémont, Rubi Gubara-SannieSanj Surati and Rosie Stanbury. They join current trustees Dame Jenny Abramsky DBE, Dan Bates, Robert Delamere (Chair), Floriana Dezou, Paapa Essiedu, Olivia Highland, Renuka Venkatraman, Tara Wilkinson and Igor. With these new appointments ETT bolsters an exceptional group which continues to offer strategic guidance and support at a crucial moment for the company and the sector.

Robert Delamere, Chair of the Board, said today, “The past year has seen ETT produce celebrated and innovative work across theatre, film, podcasts and audio drama, whilst also working to ensure our trustees are truly representative of the nation we create for. With our newly announced trustees – Dr Saphié Ashtiany, Olivier Brémont, Rubi Gubara-Sannie, Sanj Surati and Rosie Stanbury – we further broaden and deepen the quality and experience of our trustees. We’re thrilled to have such a formidable group join the company as we look to the future.”

Dr Saphié Ashtiany, said, “ETT rightly has a preeminent reputation for the best in creative, imaginative productions both in the theatre and, increasingly, in the digital space. This is coupled with a real commitment to exploring the diversity of our communities and an inclusive idea of what we mean by being “English”.  As someone who came to England from a completely different culture, and having made my home and my social investment in our society, I am really excited at the opportunity of working with ETT to develop and deliver a strong vision for the future of our creative spaces.”

Olivier Brémont, commented, “ETT occupies a unique space within contemporary arts and culture, enabling audiences nationally and internationally to experience and engage with new and classic works. I am proud to contribute my experience in the sports and entertainment sectors to support ETT in growing both its brand and audience reach. Both “live” and through new, innovative products to expand interest in theatre and demonstrate that ETT can be a positive force in the areas of societal change, diversity and inclusion.”

Rubi Gubara-Sannie, said, “My combined experience and expertise in performing arts, learning and organisational development as well as my commitment to championing inclusion will support ETT in connecting with our most diverse communities and creating inclusive, innovative ways to represent the many voices within our society through the power of storytelling.”

Sanj Surati, added, “I am truly moved to be approached by ETT to be part of their fantastic company as a trustee. It’s been a dream for me to work in a creative institution to nurture new perspectives and ideas from the inside. I hope to offer a new and exciting approach to how we as humans make creativity an inclusive and important part of how we grow into new realms of theatre.” 

Rosie Stanbury, also commented, “It’s such a vital moment to consider the role of theatre in national conversations, I’m looking forward to supporting ETT to think about approaches to audience engagement in the post-Covid environment.”

Iranian by background, Saphié Ashtiany has mostly lived and been educated in the UK. She is a recognised expert in equality and employment law with a deep passion for the arts and a strong belief in their importance in our society.  She splits her time between arts organisations and those committed to social justice, working with a wide variety of organisations, ranging from the UN High Commission for Refugees to a major city law firm where she was the Head of the Employment and Equalities group. She has been an Equal Opportunities Commissioner, a director of Channel 4 Corporation, a director of the Oxford Playhouse and director and chair of the Equal Rights Trust.

She is currently a director and trustee of the Oxford Philharmonic Orchestra and on the advisory council of the Welsh National Opera. She is also a trustee and chair of the Nationwide Foundation, which works for decent affordable secure homes, and a director of the Joseph Rowntree Foundation which works to eliminate destitution and economic precarity.

Olivier Brémont is a senior entertainment and sports marketing executive with over 20 years’ global experience, working for high-profile international rights-holders, brands and agencies. He brings to ETT a combination of experiences in strategic commercial leadership, partnership sales and business development, partnership management and global event delivery. His career has spanned roles with brands including Red Bull and adidas, sports rights holders including Formula E and Volvo Ocean Race Chief Commercial Officer; World Wrestling Entertainment VP Commercial Operations Europe; Women’s Tennis Association VP, Business Development and Strategy; UEFA Account Director and agencies including Infront VP, Business Development and Associate Director, Asia. He also has a track record building commercial propositions in partnership with sponsors, teams, venues and media platforms. 

Rubi Gubara-Sannie has over 12 years’ experience in organisational development and learning and has a passion to drive the creation of safe spaces for people to thrive, lead and grow at work. In her current role she provides strategic, inspirational and leadership expertise in relation to culture, values, leadership development, talent management as well as equality, diversity and inclusion. She has a degree in performing arts and uses her creative skills to engage with local communities and her colleagues by developing holistic, interactive interventions that increase engagement and Organisational performance. She is passionate about supporting people to grow in their leadership journey and unlocking their potential by helping them to achieve their career goals. In addition, she is dedicated to bringing about positive changes and creating an environment where all staff have a voice, feel listened to and can bring their authentic self to work. She believes everyone should be valued for who they are and what they can bring, and that difference should be celebrated and valued.

Sanj Surati is an award-winning multi-disciplined Digital Atelier with over twenty years of experience within the music, fashion and luxury industries. He has been working within digital and technology since 1998. He has seen the cultural shift in human habit and behaviour with the evolution of digital consumers. He started work in the music business as a musician, from there he started to help digital start-ups target music industry professionals during the shift of consumer habits from physical products to digital. He has worked with multiple luxury brands including Burberry, Gucci, Charlotte Tilbury, Christian Louboutin and BMW. He was also part of the team that delivered the 2Pac hologram at Coachella back in 2012 – this initiative won Titanium at the Cannes Lions and broke Digital PR Records faster than anything previously. As a creative, Suratiis a stand-up comic, actor and musician.

Rosie Stanbury is Head of Public Programmes at Wellcome Collection, a free museum and library exploring health and human experience. In this role, she oversees the team delivering exhibitions, publications, public events, youth engagement and national arts partnerships. As part of the charity’s Leadership team she also acts as internal sponsor for its Social Justice Curriculum, a professional and personal learning journey for all staff to develop anti-racist and anti-ableist thinking and practice. She originally joined Wellcome in 2006 as an events producer, working on the opening engagement programme for Wellcome Collection’s launch in 2007. Subsequently she has worked in various roles across the organisation including holding oversite of its Arts Awards grants scheme. Throughout her career she has championed diverse perspectives, creative approaches to engagement and the role of audiences in the creation of programmes

VAULT Festival returns for 10-year anniversary with biggest programme to date | 25 Jan – 20 Mar 2022

It’s bigger, it’s bolder, it’s back; VAULT Festival will return from 25th January – 20th March 2022, celebrating its 10th anniversary with its biggest programme to date. Produced by VAULT Creative Arts, VAULT Festival is one of the largest curated arts festivals in the world and the largest in the UK. In 2022, the festival will feature over 600 shows of the best new theatre, comedy, immersive experiences, cabaret, live performance, and late-night events from the brightest and boldest artists of our time.

With tickets now on sale for the first shows in the 2022 Festival’s programme, the full line-up will be revealed on Tuesday 23rd November 2021

VAULT Festival Director & Co-Founder Andy George comments, We’re thrilled to be celebrating VAULT Festival’s 10th birthday by welcoming back artists and audiences to the festival. The last 21 months have been incredibly hard for everyone in the cultural sector, especially freelancers; we want VAULT Festival 2022 to be a beacon on the horizon that everyone can look forward to and to add colour and vibrancy to the cold winter months that lie ahead. We’re incredibly grateful to all the artists, audiences, partners, and staff who’ve worked with us and supported our mission over the past two years, and the eight that came before it, to mean we can still be here today presenting the brightest and boldest artists & live performance makers of our time.

Representation in the festival is seen both in the demographic of the artistic creators as well as in the style, content and format of the works: this is highlighted across the works announced as part of the VAULT Five, a nine-month mentoring programme for early and mid-career live performance makers, elevating their careers to the next level. Julene Robinson, currently performing in the West End’s Get Up Stand Up, brings The Night Woman exploring one woman’s relationship to darkness and the associated language and connotations. Through riveting poetic storytelling, music and sounds the narrative will unfold through a dramatic physical display of journeying into the dark using Jamaican folk storytelling and movement. Acclaimed Birmingham Poet Laureate Casey Bailey transforms his poetry collection Please Do Not Touch (June 2021) into a two person play, looking at
the irony and hypocrisy of ‘Please Do Not Touch’ signs in stately homes and museums, when the items they ‘protect’ should not be there at all as they belong to other countries and cultures.

Gemma Barnett fuses spoken word, dialogue, and music in Agatha: based on real life events, it explores female inherited trauma that begins with a denied abortion in the 60s and then goes on to tell the story of three generations of women battling lost dreams, addiction and each other. Katie Greenall (Fatty Fat Fat) presents Blubber, a new work-in-progress piece exploring fat queer bodies, their relationship to intimacy and loneliness and how marginalised bodies build communities. This work considers how fat bodies function in water and follows Greenall taking synchronised swimming classes as part of her research.

The Silver Bell from Irish writer Alan Flanagan (Dark Shadows, BBC; Hollyoaks) explores grief and the desperation we feel to get back the ones we love, even if we really know that that’s not possible. With heft and heart at its centre, the work is energetic and fast-paced using a science-fiction concept to bring its ideas to life. From Barry McStay and Lucy Jane Atkinson, the team behind VAULT 2019 hit Vespertillio, All These Maybes (longlisted for the 2015 Bruntwood Prize) flashes between present and past – real or misremembered – and is a fluid exploration of love, loss, and regeneration. It depicts the malleability of memory and the ways in which we can become captive within our own existence, hugely relevant themes in light of recent global events.

JMK Award Winner Josh Roche directs Pennyroyal, which considers the morality of bringing children into the world in the current crisis, familial sister relationships and female infertility. Pushing the boundaries of theatrical possibilities, Naughty, Or Nice? is both an online interactive show and a part pervasive-street game, part-escape room heist where both have very real consequences on the others’ outcomes. It explores the way politicians have used protecting children and ‘family values’ as a way of attacking LGBTQ+ people throughout recent history

In the comedy programme, Thaniya Moore brings Bully, a show which asks what is worse – to be bullied, or to be a bully. Moore talks about being born to two working class Jamaican born parents, her childhood and how this has impacted her adult life. Fringe favourite Elf Lyons looks at the relationship between herself and her deaf friend Brian Duffy in Elf & Duffy, with each show conducted entirely in British Sign Language and live sound foley. Christian Brighty’s debut show Playboy offers a light-hearted clowning take on all the tropes we expect to see in period dramas; we meet the county’s most notorious rake who is guaranteed to make the whole town swoon. ComedyMania, hosted by Aurie Styla, is a one-off night of hilarious stand-up comedy from around the UK. Featuring acts you love and others you’re yet to see, get ready to laugh the night away. A show that will get your abs crunching without the need for a gym membership!

VAULT Festival’s renowned Lates programme is back and better than ever in 2021. LADS is a feminist punk night for all. Keeping accessibility at the heart of the nightlife experience, with walkabout audio descriptions and BSL, this is surely London’s most progressive club night. The UK’s only Pan-Asian cabaret collective, audience favourites The Bitten Peach are back at VAULT Festival to take over the tunnels for Lunar New Year. And House of Burlesque are showcasing amazing fresh burlesque talent and body diversity in this sparkly camp and upbeat night out in Glitter Ball.

For the first time, VAULT Festival will offer an online programme of shows with VAULT Live On Demand providing audiences unable to make it to Waterloo the opportunity to experience the festival from the comfort of home. Selected shows will be streamed in the same week as the live performances.

This year will see the introduction of two ways for audiences to make the most out of VAULT Festival. For those attending the Legendary VAULT Lates, the Party Pass will include free drinks, bar discounts, priority check in and free cloakroom. Also new for 2022, the Festival Pass includes free tickets, free drinks, bar discounts, ticket discounts and a personalised festival pass. Other ways to support the festival and maximise your experience include becoming a VAULT Festival Supporter or a Festival Patron

Safety is paramount at the festival this year, with an improved ventilation system and audiences required to show an NHS Covid Pass to access all venues and bars. The pass can show double vaccination, an LFT taken & uploaded within 48 hours, or having had Covid-19 in the last 6 months. The festival remains cashless, all tickets will be contactless, test and trace will be in place alongside timed entry, and the wearing of face coverings will be recommended throughout. If a show is cancelled due to COVID restrictions, VAULT will refund, issue account credit, or exchange tickets according to customer preference.

Head to vaultfestival.com for more information about the first shows to be announced as part of VAULT Festival 2022 with the full programme to be revealed on 23rd November. VAULT Festival promises to light up the cold winter nights of 2022

ARIA ENTERTAINMENT AND JOHN GERTZ ANNOUNCE THE NEWLY REIMAGINED VERSION OF ZORRO THE MUSICAL AT CHARING CROSS THEATRE

ARIA ENTERTAINMENT AND JOHN GERTZ ANNOUNCE

THE NEWLY REIMAGINED VERSION OF

ZORRO THE MUSICAL AT CHARING CROSS THEATRE

Katy Lipson for Aria Entertainment and John Gertz today announce the newly re-imagined version of Zorro The Musical by Stephen Clark and Helen Edmundson, featuring music by the Gipsy Kings and John Cameron, and lyrics by Clark. The production, directed by Christian Durham, which closed after just two previews due to the pandemic in March 2020, will now open at Charing Cross Theatre on 17 March, with previews from 12 March, and running until 8 May 2022. This will be the first time the show has been seen again in London since its original premiere in 2008.

Katy Lipson, said today, “I have always wanted to work on a re-imagined version of this brilliant and vibrant musical. I am excited to be bringing our troupe of incredible actor-musician performers to Charing Cross Theatre next Spring, performing in the round and bringing some flamenco and Spanish flair to everyone’s seats.”


Katy Lipson for Aria Entertainment and John Gertz in association with Zorro USA, LLC 
With Bonnie Comley and Stewart F. Lane present

ZORRO THE MUSICAL
Music by the Gipsy Kings and John Cameron

Lyrics by Stephen Clark

Book by Stephen Clark and Helen Edmundson

Director: Christian Durham; Choreographer: Cressida Carré

Set and Costume Designer: Rosa Maggiora; Musical Director and Orchestrations: Nick Barstow; Sound Designer: Andrew Johnson;Lighting Designer: Matthew Haskins 

Fight Director: Renny Krupinski; Flamenco Specialist: Maria Vega; Accent Coach: Nina Zendejas

Casting Director: Jane Deitch; General Manager: Chris Matanlé

12 March – 8 May 2022

Set in the sizzling heat of 1805’s California, a pueblo is under attack from its autocratic leader. When the danger is at its greatest, a masked crusader appears from nowhere and saves lives. Who is he? Will he be their champion?

The famous red-hot tale of the masked hero, El Zorro, fighting for justice and freedom is told in an immersive, thrilling and headily sensual new production. With zealous, ‘get-on-your-feet’ music, featuring international hits by Gipsy Kings including BamboleoBaila Me and Djobi Djoba, alongside original music to express a fresh new tale of love, hope and courage.

Audiences will be seduced into the story and witness the thrills and spills of our hero as he battles for all he holds dear. Spanish Gypsy pride and fire runs deep throughout this explosive show with murderous encounters, immeasurable flamenco choreography and Cante jondo singing at its forefront.

Stephen Clark (1961-2016) was an award-winning playwright, librettist and lyricist. His credits include Love Story (Chichester Festival Theatre/Duchess Theatre), Stripped, (Circle Theatre, Chicago – winner of the Jefferson Award), Takeaway (Lyric Hammersmith/UK tour), Making Waves (Stephen Joseph Theatre), Eyam (Old Fire Station/The Bridewell), Martin Guerre (UK and US tour – Olivier Award for Best New Musical), Forbidden City (Esplanade Theatre, Singapore) and The Far Pavilions (The Shaftsbury Theatre, London). His adaptations include La Traviata (ENO) and The Mahabharata (Sadler’s Wells/UK tour).

Helen Edmundson is a playwright. Her theatre credits include Small Island (National Theatre), Queen Anne (Theatre Royal Haymarket), Thérèse Raquin (Theatre Royal Bath), The Heresy of Love (Shakespeare’s Globe), Swallows and Amazons (Bristol Old Vic/Vaudeville Theatre/UK tour)Mary Shelley (Shared Experience), Life is a Dream (Donmar Warehouse), War and Peace (National Theatre), Coram Boy (National Theatre/Imperial Theatre), OrestesGone to Earth (Shared Experience UK tours), Mother Teresa is Dead (Royal Court Theatre), The Clearing (Bush Theatre – John Whiting Award), Mill on the FlossAnna Karenina (Lyric Hammersmith). Her screenwriting credits include Mary MagdaleneAn Inspector Calls and The Suspicions of Mr Whicher III. Edmundson was a recipient of the Windham Campbell Prize for Drama in 2015.

John Cameron‘s orchestration credits include Les Misérables – New York Drama Desk Award, Honk! (The Ugly Duckling) – Olivier Award for Best Musical, and Peter Pan (Royal Festival Hall). His musical supervision and arrangement credits include Joseph and the Amazing Technicolor Dreamcoat, The Goodbye Girl, The Card, Blondel, Mutiny!, Spend! Spend! Spend! (Best Musical – Evening Standard Awards). As a composer his credits include Faust Part I and Part II (RSC), Hamlet, Becket and Twelfth Night (National Theatre international tours). For television his work includes scores for Jack the Ripper and Jekyll and Hyde, and the theme for BBC’s Crimewatch UK; and his film scores include A Touch of Class -Oscar Award nomination for Best Music and Original Dramatic Score, Kes and To End All Wars.

The Gipsy Kings consist of two bands of brothers: The Reyes (Nicolas, Canut, Paul, Patchaï, André) and the Baliardos (Tonino, Paco, Diego). In 1987 The Gipsy Kings’ self-titled debut album introduced the world to rumba Gitano, the sound of South America’s rumba rhythm married to flamenco guitars. With Bamboleo,the Gipsy Kings scored a huge international hit. Their total album sales worldwide now exceed 18 million.

Christian Durham directs. His theatre credits include Breaking the Code (Salisbury Playhouse), Café Society Swing (Theatre Royal Stratford East), Quaint Honour (Finborough Theatre), Disney’s The Little Mermaid (Japan and Russia – Golden Mask Award for Best Musical), Spend Spend SpendChildren of Eden (Union Theatre), Henna Night (Hen and Chickens Theatre), Proud (New Wimbledon Theatre Studio), Taboo (UK tour – Manchester Evening News Award for Best Musical), Debbie Does Dallas (Old Fire Station, Oxford/Edinburgh Festival Fringe), Real Classy Affair (Soho Theatre) and Only You Can Save Mankind (Edinburgh Festival Fringe).

www.zorrothemusical.co.uk

Twitter:                @ZorroMusicalUK
Facebook:           @ZorroMusicalUK 
Instagram:           @ZorroMusicalUK 

#ZorroMusical

ZORRO THE MUSICAL

LISTINGS

Charing Cross Theatre

The Arches, Villiers Street, London WC2N 6NL

12 March – 8 May 2022

Box Office: www.charingcrosstheatre.co.uk/ 08444 930 650

‘WITNESS FOR THE PROSECUTION’ EXTENDS RUN TO 25 SEPTEMBER 2022

Eleanor Lloyd Productions and Rebecca Stafford Productions present
Witness for the Prosecution
By Agatha Christie

  • THE TRIAL OF LEONARD VOLE CONTINUES!
  • AFTER A TRIUMPHANT RE-OPENING AGATHA CHRISTIE’S ‘WITNESS FOR THE PROSECUTION’ EXTENDS ITS RUN AT THE MAGNIFICENT LONDON COUNTY HALL
  • THE ACCLAIMED PRODUCTION IS NOW BOOKING UNTIL 25 SEPTEMBER 2022.
Jonathan Firth (Sir Wilfrid Robarts) in Witness for the Prosecution at London County Hall.  Photo Ellie Kurttz.

                                                             

All Rise! The trial of Leonard Vole will continue at London County Hall as the run of Agatha Christie’s Witness for the Prosecution is extended to 25 September 2022. The hit production returned to the historic venue in September with a brand-new cast and was met by standing ovations and critical acclaim.  Tickets for the new booking period are now on sale at  www.witnesscountyhall.com.  Casting for the new booking period is to be announced.

Leonard Vole is accused of murdering a widow to inherit her wealth. The stakes are high.  Will he be able to convince the jury of his innocence and escape the hangman’s noose?

The current cast includes Joe McNamara as the accused, Leonard Vole, Emer McDaid as Romaine, Jonathan Firth as Sir Wilfrid Robarts, Teddy Kempner as Mr Mayhew, Miles Richardson as Mr Myers and Martin Turner as Mr Justice Wainwright.   The rest of the new cast includes Christopher DickinsNicholas FretwellYvonne GiddenSam GrahamEliot Giuralarocca, Stewart Lockwood, Lorna Lowe, Ellie-Rose Mackinlay, Elana Martin, Simon MurrayRobert Rickman and Andrew Senesie. 

The production has captured the imagination of audiences gripped by the case of Leonard Vole, accused of murder in cold blood. Director Lucy Bailey (Oleanna, Theatre Royal Bath/ West End) thrillingly places the audience in the thick of the action as Christie’s enthralling tale of justice, passion and betrayal unfolds around them.

The twists and turns of the case are played out in a spectacular courtroom setting inside the atmospheric London County Hall as prosecution battles defence and witnesses take the stand to give their shocking testimonies. The production received Best Revival nominations at the 2018 Olivier and WhatsOnStage Awards.

Witness for the Prosecution is booking through to 25 September 2022The production is designed by William Dudley, with lighting by Chris Davey, sound design by Mic Pool and casting by Ellie Collyer-Bristow CDG.

Award-winning West End Musical & Juliet Celebrates Second Birthday

THE AWARD WINNING MUSICAL

CELEBRATES 2ND BIRTHDAY

ON TUESDAY 2 NOVEMBER 2021

Image

NEW PRODUCTION PHOTOGRAPHS

OF & JULIET RELEASED TODAY

www.andjulietthemusical.co.uk

& JULIET celebrates its Second Anniversary in London’s West End with the release of brand new production photographs by Johan Persson.  

Credit: Johan Persson

The award-winning musical has been thrilling audiences since it opened at the Shaftesbury Theatre on 2 November 2019.

Credit: Johan Persson

Fabulously fresh and riotously funny, & JULIET explodes with dozens of pop anthems by legendary songwriter Max Martin, including … Baby One More TimeSince U Been GoneRoarIt’s My Life, I Want It That Way, and Can’t Stop the Feeling! mThe show also includes the brand new song One More Try, written especially for the show by Max.

Credit: Johan Persson

Miriam-Teak Lee, who was awarded the Olivier Award for Best Actress in 2020 for her performance as Juliet leads a cast including Cassidy Janson, who also won an Olivier Award for Best Supporting Actress for her portrayal of Anne Hathaway, Oliver Tompsett as William Shakespeare, David Bedella, who also won an Olivier Award for his performance in the show as Lance, Jordan Luke Gage as Romeo, Melanie La Barrie as Nurse,and Tim Mahendran as Francois. Alex Thomas-Smith recently joined the principal cast to play the role of May.

Credit: Johan Persson

The ensemble includes Roshani AbbeyJocasta AlmgillJosh Baker, Ivan De Freitas, Rhian Duncan, Kieran Lai, Nathan Lorainey-Dineen, Jaye Marshall, Grace Mouat, Antoine Murray-Straughan, Billy Nevers, Kerri Norville, Christopher Parkinson, Kirstie Skivington, Alex Tranter, Sophie Usher and Rhys Wilkinson.

Credit: Johan Persson

As well as the three Olivier Awards& Juliet also won 6 Whatsonstage Awards – the most of any production in 2020 – and won further awards at The Black Theatre Awards and The Mousetrap Theatre Awards. The show also performed on BBC1’s Strictly Come Dancing in the coveted slot in ‘Musicals Week’.

Credit: Johan Persson

Romeo who?! With her bags packed and ready to escape Verona, Juliet recovers from heartbreak in the best way possible… by dancing the night away with her best friends by her side! But when the sparkle fades, the confetti falls and reality catches up, it’s clear that Juliet needs to face her past in order to find her future. Can she reclaim a story that has been written in the stars? Is there really life after Romeo… or could he be worth one more try?

Credit: Johan Persson

Come along for the ride as the original Anne Hathaway takes on her husband William Shakespeare to remix his legendary play. As comedy meets tragedy, will Juliet get the ending she truly deserves? And most importantly, can their love survive this battle of wills?

Credit: Johan Persson

Brought to life by an award-winning creative team, this vibrant, colourful and timely musical is directed by Luke Sheppard (In the Heights, Rent and What’s New Pussycat?) with a story by David West Read (Netflix’s Schitt’s Creek), electrifying choreography from Jennifer Weber and stunning set design from Soutra Gilmour.

Credit: Johan Persson

Max Martin and Tim Headington present & Juliet, which is produced by Martin Dodd, Tim Headington, Max Martin, Jenny Petersson and Theresa Steele Page.

A Christmas Carol At Home – Hawksmoor and Creation Theatre collaborate in a unique dining and digital stage experience

CREATION THEATRE ANNOUNCES PARTNERSHIP WITH HAWKSMOOR

TO PRESENT

A CHRISTMAS CAROL AT HOME

A DELICIOUSLY UNIQUE DIGITAL THEATRE PRODUCTION

STREAMING ONLINE

1 DEC – 31 DEC

“The flickering of the blaze showed preparations for a cosy dinner, with hot plates baking through and through before the fire, and deep red curtains, ready to be drawn to shut out cold and darkness.”

Award-winning theatre-makers and digital stage specialists Creation Theatre announce a unique festive partnership with leading steak restaurant Hawksmoor to present an entertaining gourmet dining experience at home this Christmas.

Audiences will receive a limited-edition Hawksmoor at Home 3-course Fillet steak cook-at-home meal kit for two designed to be feasted on, alongside watching an atmospheric storytelling inspired by Charles Dickens’ iconic tale of redemption and compassion. A banquet for the senses.

This on demand, new digital theatre and gourmet food experience is directed by Gari Jones (the director behind Creation’s renowned in-person Christmas shows The Snow Queen and Peter Pan, The North Wall Arts Centre), with Graeme Rose (STAN’S CAFÉ, RED SHIFT, KILN, BIRMINGHAM REP) cast as Ebenezer Scrooge and multi-rolling characters.

A Christmas Carol At Home marks Creation Theatre, Oxford’s largest producing theatre’s 10th online production. Lucy Askew, head of Creation Theatre says: “This is an exciting coming together of two sectors who have made major pivots in the pandemic and transitioned to give their customers a unique at home experience. We love Hawksmoor’s approach to sustainability and regenerative farming practices, and we hope this entertaining collaboration brings a little bit of magic to people’s tables this Christmas.”

Jo Fleet, Director of Hawksmoor at Home comments: “Partnering with a theatre company to provide an entertaining evening at home together with great tasting beef is a Hawksmoor first. We’re always looking at ways to enrich the Hawksmoor at Home experience and this festive treat fits the bill perfectly.”

About the A Christmas Carol At Home Fillet Box

The box celebrates the laziest (and therefore most tender) cut there is, the fillet. Tuck into Forest & Brown smoked salmon (what is Christmas without it?), smoked exclusively for Hawksmoor restaurants. Then with the steak there’s creamed spinach, Matt Brown’s Ultimate Oven Chips, cooked thrice (of course), a creamy peppercorn sauce and garlic mushrooms. It doesn’t stop there with a sticky toffee pudding for two and if you’re looking to complete the meal in true Hawksmoor style, opt for booze to get your hands on their Sour Cherry Negroni and a bottle of Rioja Real Agrado. Instructions for how to access the special online show will be found inside this special box.

Listings Information:

Streaming Dates: 1 Dec – 31 Dec

Booking Link at Hawksmoor: https://shop.thehawksmoor.com/product/a-christmas-carol-fillet-box/

Festive Fillet Box price for two: From £125

Dining Experience Running Time: 120 mins (approx.)

December Delivery dates: 2nd, 3rd, 4th, 9th, 10th, 11th, 16th, 17th, 18th 21st, 22nd, 30th

Delivery charges: Delivery is free Thursdays and Fridays and £5 on Saturdays

PRAISE FOR CREATION’S PREVIOUS SHOWS:

The Tempest Live

4 Stars “Magical…The stuff dreams are made on.” The Guardian

“Magical and awakens our imagination” Front Row, BBC Radio 4

Best Theatre to Watch List Time Out New York

PRAISE FOR HAWKSMOOR AT HOME:

“Hawksmoor at Home: for two people, as long as both of those people are King Henry VIII.” Londonist

“You’re going to love this – everything you need to have a first-class steak dinner at home” Hot Dinners

CREATIVE TEAM

DIRECTOR – GARI JONES

SOUND DESIGN – MATT EATON

VIDEO DESIGN – STU READ

STAGE MANAGER – JUDITH VOLK

PRODUCTION MANAGER – GILES STOAKLEY

PRODUCER: CHARLIE MORLEY

FAULTY TOWERS THE DINING EXPERIENCE CELEBRATES TEN YEARS IN LONDON

FAULTY TOWERS THE DINING EXPERIENCE

LONDON’S LONGEST RUNNING IMMERSIVE EXPERIENCE CELEBRATES TENTH YEAR IN LONDON

NEW SUNDAY MATINEES ADDED

THE RADISSON BLU EDWARDIAN

TICKETS ON SALE HERE – BOOKING FROM 2 SEPTEMBER – 19 DECEMBER 2021

Faulty Towers The Dining Experience, the critically acclaimed international immersive phenomenon celebrated the start of its tenth birthday in London’s West End on 30 October 2021. To mark the occasion, and due to popular demand, the producers have added Sunday matinees for the rest of the current run at the Radisson Blu Edwardian in Bloomsbury, with the final performance on 19 December 2021.

A loving tribute to the BBC’s classic TV series, the show has been seen by over a million people worldwide since it was born in Australia in 1997. As London’s longest running immersive show, Faulty Towers The Dining Experience is a highly interactive experience, where audiences enjoy a 3-course meal and 5-star comedy.


When the audience become diners in the ‘Faulty Towers’ restaurant, pretty much anything can happen – because 70% of the show is improvised. The fun starts as guests wait to be seated. It then hurtles along in a 2-hour tour de force of gags and shambolic service as Basil, Sybil and Manuel serve a ‘70s-style 3-course meal together with a good dollop of mayhem.

Expect the unexpected!

The company of actors (ten in total in London) include; Stanley Eldridge, Jack Baldwin and Dave Tremaine alternating as ‘Basil’; Kat Mary, Nerine Skinner, Karina Garnett and Rebecca Norris alternating as ‘Sybil’; Oliver Ford, Leigh Kelly and Tony Clegg as ‘Manuel’.

Born in Australia in April 1997, devised by Alison Pollard-Mansergh, the show has been touring the UK and internationally since 2008, having appeared in 41 countries to date, and employing 56 actors per season. The show has toured to over 1000 venues, with approximately 400 shows per year on average in the UK alone. 2021 has already seen runs at Sydney Opera House, Adelaide Fringe and Melbourne International Comedy Festival, with tours in Ireland, Scandinavia, and Australia yet to come.

In October 2009, Faulty Towers The Dining Experience played its first performance in London: a sold-out weekend in Covent Garden. The next two years saw sold out summer seasons of six weeks. Then, in 2012, the show opened its first London West End residency at Charing Cross Hotel (now Amba Hotel Charing Cross). Since opening, the cast have performed to notable guests including Fawlty Towers’ very own Andrew Sachs, John McEnroe, Stefan Edberg, and England footballer Joe Cole, as well as taking a pop-up version of their restaurant on the London Underground and to a sold-out Royal Albert Hall.

Faulty Towers The Dining Experience is a loving tribute to Fawlty Towers, the BBC TV series written by John Cleese and Connie Booth. Their TV scripts are not used in Faulty Towers The Dining Experience. Faulty Towers The Dining Experience uses its own original scripts and format.

SPIKE BY IAN HISLOP AND NICK NEWMAN TO OPEN THE 2022 SPRING SEASON AT THE WATERMILL THEATRE

DETAILS OF THE WATERMILL THEATRE’S SPRING 2022 SEASON AND NEW PLAYWRIGHTS IN RESIDENCE ANNOUNCED

IAN HISLOP AND NICK NEWMAN RETURN TO THE WATERMILL WITH A BRAND-NEW COMEDY – SPIKE

ORIGINAL MUSICALS THE WICKER HUSBAND AND OUR MAN IN HAVANA RETURN POST PANDEMIC

NEWLY CREATED WATERMILL YOUTH ENSEMBLE PERFORM FIRST PRODUCTION

BECCA CHADDER AND TALITHA WING JOIN AS PLAYWRIGHTS IN RESIDENCE

BOOK ONLINE AT WATERMILL.ORG.UK OR VIA THE BOX OFFICE ON 01635 46044

TICKETS ON SALE TO FRIENDS OF THE THEATRE FROM WEDNESDAY 3 NOVEMBER

GENERAL ON SALE TUESDAY 9 NOVEMBER

Artistic Director Paul Hart, Executive Director Claire Murray and the team at Newbury’s The Watermill Theatre are thrilled to announce details of the spring season, running from January to May 2022, as well as the appointment of two new Playwrights in Residence.

The season opens with the world premiere of SPIKE, a new comedy based on the life of Spike Milligan by Ian Hislop and Nick Newman. It is followed by the return of folk-inspired mythic musical THE WICKER HUSBAND, rescheduled following the postponement of its debut run in 2020, due to the pandemic, and a world premiere musical adaptation of Graham Greene’s bestselling novel OUR MAN IN HAVANA. The Watermill’s newly created Youth Ensemble, comprised of young people age 11+, will make their debut in a new production, to be announced. The season takes place inside The Watermill’s auditorium, with both full capacity and socially distanced performances available. Government guidelines will apply throughout the season with adherence to current guidance and restrictions.

The Watermill have appointed Becca Chadder and Talitha Wing as the new Playwrights in Residence. They will be mentored by Watermill Associate Artist, Danielle Pearson, in a programme that forms part of a continued commitment to artists at the early stages in their careers. Further details will be announced soon.

Paul Hart said, Joyous new work will galvanise our post pandemic recovery as we bring back two new musicals that were cut short by the pandemic, our young actors in the Youth Theatre return to the stage for the first time since 2019 and I’m delighted to be working with Ian Hislop and Nick Newman to bring the life and work of comic genius, Spike Milligan, to The Watermill. I’m proud and grateful that we’re able to continue creating new and innovative work, thanks to the generous support of our brilliant audiences, supporters and funders.

It’s been a long road since The Wicker Husband, a piece that is so perfect for The Watermill’s stage, opened and was forced to almost immediately close, in March 2020. With its beautiful score, and incredible puppets, I can’t wait to welcome back the whole team for this remarkable show. And our commission of a new musical version of Our Man in Havana, will be performed for the first time, finally making it to our stage, after production was halted by the pandemic.  

I’m also excited to be working with Ian Hislop and Nick Newman again, bringing the world premiere of their brilliant new play about the comic genius that is Spike Milligan and his creation of the iconic Goon Show, to The Watermill stage.

We’re also launching a brand new Youth Ensemble, opening up access to young people in our community led by our inspiring Outreach Director; Heidi Bird. For the first time our newly rebranded Youth Ensemble will be made entirely of young people who attend any one of our regular weekly groups, including our specialist access groups for young people who are Home Educated, have Autism, have added complications in their lives or are Deaf/deaf or have a hearing impairment. We are delighted to form this brilliant company of actors who will come together and tell a unique and inspiring story.

Finally, I’m so pleased to welcome Becca Chadder and Talitha Wing as our Playwrights in Residence. They will be mentored by our Associate Artist, Danielle Pearson and I can’t wait to see how their work develops over the coming years.”

SPIKE, a new comedy by Ian Hislop and Nick Newman that delves into the inner workings of one of our most unique and brilliantly irreverent comedy minds, will premiere at The Watermill from Thursday 27 January – Saturday 5 March. SPIKE will be directed by Watermill Artistic Director Paul Hart, with design by Katie Lias. Full creative team and casting will be announced shortly.

“I’m not acting crazy. I’m the genuine article.”

It’s the booming fifties, and Britain is in the clutches of Goon mania as men, women and children across the country scramble to get their ear to a wireless for another instalment of The Goon Show. While Harry Secombe and Peter Sellers get down to the serious business of becoming overnight celebrities, fellow Goon and chief writer Spike finds himself pushing the boundaries of comedy, and testing the patience of the BBC.

Flanked by his fellow Goons and bolstered by the efforts of irrepressible sound assistant Janet, Spike takes a flourishing nosedive off the cliffs of respectability, and mashes up his haunted past to create the comedy of the future.

Will Spike’s dogged obsession with finding the funny elevate The Goons to soaring new heights, or will the whole thing come crashing down with the stroke of a potato peeler?

Critically acclaimed musical THE WICKER HUSBAND will return to the Watermill following its premature closure in March 2020, where it will play from Friday 11 – Saturday 26 March 2022. Directed by Charlotte Westenra, with Book by Rhys Jennings, Music and lyrics by Darren Clark and based on an original short story by Ursula Wills, this folk-inspired new musical tells the timeless tale of the outsider. Full casting will be announced nearer the time.

‘Once upon a withy on the edge of a deep damp swamp, nestled in the arms of a winding river, stood a pretty little town…’

In a superficial world, where beauty is only skin-deep, meet the so-called ‘Ugly Girl’.

Ostracised by the shallow townsfolk because she doesn’t fit in, the Ugly Girl becomes the envy of her neighbours when the mysterious Old Basketmaker makes her a strong and loving husband woven from living wicker. As bitter rivalry and jealousy threaten to tear the community apart, the townsfolk embark on a cruel and destructive plan. Will the Ugly Girl’s happiness be ruined forever?

OUR MAN IN HAVANA, a world premiere musical adaptation of Graham Greene’s iconic novel by Ben Morales Frost and Richard Hough, will play at the Watermill from Thursday 7 April to Saturday 21 May. Directed by Amy Draper, designed by Kat Heath, with Eliane Correa as co-orchestrator and Musical Director, the production was originally programmed as part of The Watermill’s Spring 2020 season but had to be postponed by the pandemic.

‘And all around them, the night comes alive with the music of Havana…’

It’s 1958 and Havana is on the brink of revolution. All day and night, the streets are filled with dancing and the shadows are filled with criminals. In the midst of the warm tropical air, an English vacuum cleaner salesman lives a quiet life running a modest business, raising his teenage daughter Milly and collecting miniature whisky bottles.

Just as Milly’s love of shopping reaches new heights, James Wormold receives an offer from the British Secret Intelligence Service that is too good to refuse. What Wormold lacks in sleuthing experience, he makes up for with imagination. Nothing stays quiet for long in Havana and his life is soon turned upside down when the fictional events of his intelligence reports start to come true!

Finally, The Watermill welcomes the return of their Sunday Sessions and Saturday morning family shows, one off performances that offer audiences something a little bit different from the main programme. THE BOULEVARDS bring 1950’s Rock & Roll to Bagnor on Sunday 24 April at 3pm, followed by a return for Really Big Pants theatre with another helping of fun and educational family theatre on a Saturday morning with WONKY, playing on Saturday 14 May at 11am.

The Watermill continues to follow measures to control the risk of Covid-19. The wearing of face coverings continues to be strongly encouraged. Enhanced cleaning procedures, including regular fogging of the auditorium, and an efficient ventilation system supplying conditioned and filtered fresh air also remain in place.

To help audience members to book with confidence, The Watermill are operating a flexible booking policy. In the event that their booking is affected by Covid-19, audience members will be offered a ticket exchange, account credit or refund.

UK Theatre & SOLT relaunch 10 Principles to help tackle bullying, harassment and discrimination

UK Theatre & SOLT relaunch 10 Principles to help tackle bullying, harassment and discrimination

Full details and 10 Principles list at uktheatre.org/theatre-industry/guidance-reports-and-resources/10-principles

Download new 10 Principles poster here 

UK Theatre and SOLT have today (Monday 1 November) released an updated version of their 10 Principles for creating safe and inclusive working spaces in the theatre industry. 

Supported by 21 leading industry trade bodies, membership organisations, unions and members of AAPTLE, the Principles will be made available to organisations around the UK as a free, downloadable A3 poster to be printed and displayed in offices, rehearsal rooms and backstage areas. Supporting organisations are encouraging all theatre employers, employees, freelancers, trainees, volunteers, and Board trustees and directors to adhere to these principles.

Among the relaunched Principles is the recognition that harassment and discriminatory language or behaviour may be unlawful, and the commitment to explicitly address and seek to prevent racism and all other forms of discrimination and bias, their manifestations and effects. Theatre employers are urged to accept their responsibilities under the Equality Act 2010 and the Health and Safety at Work Act 1974, and to respect everyone’s dignity and differences, regardless of seniority.

The 10 Principles were first launched in 2017 as part of UK Theatre’s Safer and More Supportive Working Practices Handbook, designed to help employers meet their legal requirements and promote a shared responsibility for creating and maintaining a healthy working environment.

Originally created largely in response to the #MeToo movement, the Principles have been updated to cover discrimination across all protected characteristics, adapted from the BFI’s recently updated code of conduct for the film and TV industry.

Sebastian Cater, Head of UK Theatre and Workforce Development, said: 

‘While the pandemic has brought huge disruption to our sector, it has also afforded us a unique opportunity to take stock of pre-Covid practices and examine ways in which we can create a more welcoming, inclusive working culture. Change starts with industry leaders and employers, and it’s so encouraging to have the support of our members and boards as well as the main unions and trade bodies in disseminating and upholding the new Principles. Together we can make them become industry standard.

‘We strongly encourage everyone working in the industry to acquaint themselves with these principles and help us move towards a more respectful and inclusive working culture. Hopefully the 10 Principles posters will become a familiar sight in theatre workspaces across the country.’

Alongside the 10 Principles, UK Theatre and SOLT are championing a number of initiatives aiming to create a safer working culture and support the victims of harassment and discrimination. One such resource is the Anti-Racism Touring Rider, launched earlier this year, which UK Theatre is currently consulting with its members on. 

UK Theatre and SOLT have also formed a Safeguarding Working Group consisting of HR and employment law specialists, and are part of the DCMS/Creative Industries Federation Bullying, Harassment and Discrimination Working Group.

More details of industry initiatives and resources can be found in the Diversity and Inclusion Resource Library on UK Theatre’s website.

Matt Di Angelo cast in Abigail’s Party

EastEnders brother and sister reunited on stage in Abigail’s Party

Matt Di Angelo, who played Dean Wicks, joins the cast with his on-screen sister Kellie Shirley

Written by Mike Leigh | Directed by Vivienne Garnett

PARK 90, Wednesday 10th November – Saturday 4th December 2021

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Matt Di Angelo has been announced as playing Tony in Abigail’s Party at Park Theatre this November, joining the previously announced cast which includes Kellie Shirley as Beverly. EastEnders fans will remember Matt and Kellie as brother and sister Dean and Carly Wicks, and Matt is also known for Strictly Come Dancing series five, where he came runner-up to Alesha Dixon.

Mike Leigh’s iconic comedy drama returns to the London stage with Kellie Shirley playing Beverly, and Ryan Early (Lee Bryce in The Archers) playing her angst-driven husband Laurence. The 1970s comedy of manners, full of new-found suburban pretensions and social aspirations, was a huge hit when it premiered at the Hampstead Theatre, and the TV adaptation has been voted as one of the greatest British TV programmes by both industry professionals and the public.

Beverly and estate agent husband Laurence are happily ensconced and living the dream in suburbia. They know what records to play, what art prints to buy and what wine to drink. And Beverly just can’t resist the temptation to spread her knowledge and help improve the lives of their neighbours, Tony, Angela and Abigail’s Mum, Susan. What better way to help out than to invite them all for drinks and titbits?

Matt Di Angelo takes on the role of neighbour Tony. He is best known as Dean Wicks in EastEnders, starting in 2006 and making his final appearance in 2016. He is also known for Strictly Come Dancing, when he was runner up with his partner Flavia Cacace, losing to Alesha Dixon and Matthew Cutler, and for four series of Hustle as Sean. Kellie Shirley takes on the lead role of Beverly, originally played by Alison Steadman. Kellie is best known as playing Carly Wickssister of Dean Wicks,in EastEnders and Kirsty De La Croix in Sky One comedy series In the Long Run. Her theatre credits include Great Britain (National Theatre) and One Man, Two Guvnors (Theatre Royal Haymarket). She is joined by Ryan Early, best known as Lee Bryce in The Archers.

Abigail’s Party is Mike Leigh’s classic 1977 play that was first developed through lengthy improvisations, a style which became the hallmark of Leigh’s future success in film and TV. It first ran at the Hampstead theatre for 104 performances and was due to transfer to the West End, but instead it was whisked into a BBC TV studio and the subsequent broadcast quickly became a cult classic repeated many times over the years.

Director Vivienne Garnett said, “In many people’s minds, Abigail’s Party is the epitome of British suburbia in the 1970s, yet despite being very much ‘of its time’, the almost desperate aspirationalism and materialism are certainly themes we can identify with today. These are characters whom we still recognise, even 44 years after their conception, and it had been a joy to reincarnate them with such a tremendous cast. So, whether you’re a fan of olives or ‘a little cheesy-pineapple one’, there’s something for everyone to enjoy in this acerbic tragi-comic drama.”

Brill Productions produces drama across theatre and radio. Run by Clive Brill, its most recent productions include G F Newman’s The Corrupted for BBC Radio 4, starring Toby Jones and Believe it for BBC Radio Comedy starring Richard Wilson.  Clive has previously produced and directed two productions at Park 90. Black Chiffon by Lesley Storm, starring Abigail Cruttenden (Offie nominated) and Corpse! by Gerald Moon. Clive is also Producer and Artistic Director of Frinton Summer Theatre.

Park Theatre presents exceptional theatre in the heart of Finsbury Park, boasting two world-class performance spaces: Park200 for predominantly larger scale productions by established talent, and Park90, a flexible studio space, for emerging artists. In eight years, it has enjoyed eight West End transfers (including Daytona starring Maureen Lipman, The Boys in the Band starring Mark Gatiss, Pressure starring David Haig and The Life I Lead starring Miles Jupp), two National Theatre transfers, twenty-five national tours, five Olivier Award nominations, has won Offie Awards for Best New Play and Best Foodie Experience and won a Theatre of the Year award from The Stage. Park Theatre are grateful to all those who have donated to the Park Life fund, supporting the venue through the pandemic.

Running Time: 2 hours (including interval) | Suitable for ages 12+

Company information

Directed by Vivienne Garnett                      Written by Mike Leigh

Set design by Beth Colley              Lighting design by Pip Thurlow   Costume design by Neil Gordon

Cast
Kellie Shirley, Ryan Early, Emma Noakes, Barbara D’Alterio and Matt Di Angelo

Listings information

10th November – 4th December

Park Theatre, Clifton Terrace, Finsbury Park, London N4 3JP

Previews: Weds 10th November 7.45pm and Thurs 11th November 3.15pm | £14.50

Mon – Sat evening 7.45pm, Thurs and Sat matinees 3.15pm

Standard £18, concessions £16.50
www.parktheatre.co.uk | 020 7870 6876*

* Telephone booking fee: 10% capped at £2.50 per ticket