THE GLOBAL STAGE PREMIERE OF

THE HUNGER GAMES: ON STAGE

Based on Suzanne Collins’ Acclaimed Book & Lionsgate’s

Blockbuster Film

TO OPEN AT THE BRAND NEW

TROUBADOUR CANARY WHARF THEATRE

IN OCTOBER 2025

Adapted by Olivier Award-winning playwright CONOR McPHERSON

Directed by MATTHEW DUNSTER

SIGN-UP FOR PRIORITY ACCESS TO TICKETS AT

www.thehungergamesonstage.com

GENERAL ON SALE THURSDAY 27 MARCH

The highly anticipated first-ever live stage adaptation of Suzanne Collins’ internationally acclaimed book ‘The Hunger Games’ and Lionsgate’s motion picture will begin performances on Monday 20 October 2025 at the Troubadour Canary Wharf Theatre, a brand new 1,200 seat venue situated right in the heart of London’s vibrant Canary Wharf. 

Heralded by the New York Times as the best playwright of his generation, the multi award-winning Conor McPherson has adapted the first book from Suzanne Collins’ epic series and the first film from Lionsgate’s iconic film franchise for this live theatrical production. The production will be helmed by renowned director Matthew Dunster (2:22 – A Ghost Story, Hangmen, The Pillowman), with a world-class creative team who will bring the show to breathtaking life.

The Hunger Games franchise encompasses four critically-acclaimed novels that have sold over 100 million copies worldwide and been translated into 52 languages as well as a blockbuster film franchise that has grossed more than $3.4 billion at the worldwide box office. Suzanne Collins’ latest Hunger Games novel, the eagerly-anticipated Sunrise on the Reaping, will be launched by Scholastic on March 18, 2025 and will be adapted into a major motion picture event to be released by Lionsgate on November 20, 2026.

Hunger Games creator and author Suzanne Collins said, “I’m thrilled that The Hunger Games is in the hands of gifted playwright Conor McPherson and accomplished director Matthew Dunster. Connor has done a fantastic adaptation, which is quite unique from the screenplay. And Matthew’s immersive, dynamic staging gives the audience a brand-new way to experience the story.”

Matthew Dunster said:“Conor McPherson lifts the detail and power from the book and film and has provided us with the kind of taut and dangerous play he is renowned for. He honours the young voice of Katniss Everdeen and puts her front and centre. We’ve been workshopping the play for over a year with our world class creative team; carefully honing our theatrical vocabulary because we want to bring audiences something as impactful and edgy as Suzanne Collins’ novel and as passionate and exciting as the movie. But we are going to do it in our own way – in the theatre. We want our Hunger Games to be uniquely, thrillingly theatrical.” 

Tickets for The Hunger Games: On Stage will go on-sale at 1pm GMT on Thursday, 27 March 2025. Sign-up for priority access to tickets at www.thehungergamesonstage.com and be among the first to receive announcements and updates.

Conor McPherson said: “As a dad to a teenager myself, it’s especially gratifying working on a story whose values of resilience and moral courage speak to young people in these uncertain times. Our singular focus is to honour Suzanne Collins’ achievement with a faithful adaptation that’s as thrilling on stage as it is on the page. It’s been a great pleasure to watch the theatrical language of this show evolving through explosive workshops under Matthew Dunster’s inspired partnership with choreographer Charlotte Broom and their tireless team of young performers.”

Jenefer Brown, EVP and Head of Global Products and Experiences at Lionsgate, said: “The Hunger Games is one of the best book to movie adaptations of all time, inspiring audiences to think deeply about the world around them and the strength of the human spirit. We are honored to bring its powerful story, characters and world to the stage in this latest exciting chapter.”

The state-of-the-art Troubadour Canary Wharf Theatre is purpose built to host the world premiere of the stage adaptation of The Hunger Games where spectators will feel like a part of the action in a dynamic in the round venue, developed with groundbreaking entertainment in mind.

Tristan Baker & Oliver Royds, joint CEOs and founders of Troubadour Theatres said: “Bringing The Hunger Games to the stage is an extraordinary moment, and we knew it demanded an equally extraordinary team and venue. This specially designed theatre is the perfect home for Panem, allowing our world class team to create a transportive, electrifying experience that fully captures the scale, intensity, and spectacle of Suzanne Collins’ world. Every element—from the staging to the technology—has been tailored to transport audiences right into the heart of the Games like never before.”

Introducing the Creative Team

Conor McPherson is amongst the world’s most revered playwrights. His plays include Girl from the North Country with Bob Dylan, (Old Vic, West End & Broadway), The Weir (Royal Court, West End & Broadway), The Seafarer (National Theatre & Broadway), Shining City (Royal Court & Broadway), The Night Alive (Donmar & Off Broadway), Port Authority (West End & Off Broadway), St Nicholas (Bush theatre & Off Broadway), and This Lime Tree Bower (Bush Theatre & Off Broadway). His West End adaptation of Anton Chekhov’s Uncle Vanya for Sonia Friedman Productions was filmed for the BBC and broadcast by PBS in the United States. Awards and nominations for McPherson’s work include the Laurence Olivier Award, Evening Standard Award, London Critics’ Circle Award, New York Drama Critics’ Circle Award, New York Outer Critics Circle Award, George Devine Award, five Tony Award® nominations, four Irish Film and Television Academy Best Screenplay Awards and the South Bank Show Sky Arts Theatre Award.

Matthew Dunster is a theatre and film director and writer. He has directed or written over sixty shows, often with major national companies (including RSC, NT, Royal Court, Young Vic, Royal Exchange, Shakespeare’s Globe, The Bridge), as well as directing in the West End, on Broadway and internationally.  He has been the Associate Director of The Young Vic and Shakespeare’s Globe. Dunster has been nominated for three Olivier Awards, and his Broadway production of Hangmen was nominated for five Tony Awards®. His recent work includes Martin McDonagh’s The Pillowman in the West End and the phenomenally successful 2:22 – A Ghost Story, also in the West End and now on a major tour of the UK.

Joining McPherson and Dunster on the creative team are Miriam Buether (set designer), Moi Tran (costume designer), Charlotte Broom (choreographer), Lucy Carter (lighting designer), Ian Dickinson for Autograph (sound designer), Tal Rosner (video designer), Chris Fisher (illusions), Kev McCurdy (fight director), Suspended Illusions (performer flying), James Maloney (arranger, musical director & additional compositions), Amy Ball CDG (casting director), James Robert Moore (associate director), Robyn Grant (creative assistant director), Luke Smith, (associate set designer) and Lloyd Thomas (production manager).

In a dystopian future, The Hunger Games ignite a thrilling battle for survival, where 24 young tributes are pitted against each other in an arena. Katniss Everdeen, a fearless and resourceful heroine, emerges as a symbol of rebellion as she fights not only for her life but for the hope of a nation oppressed by a ruthless Capitol. In a brand-new epic stage production, The Hunger Games: On Stage is a gripping tale of courage, defiance, and the unbreakable human spirit.

The Hunger Games: On Stage is produced by Oliver Royds, Tristan Baker & Charlie Parsons for Runaway Entertainment, Isobel David and Umeda Arts Theater, by arrangement with Lionsgate.

Divina de Campo announced as host for theOffies plus performances from Mischief Theatre,Frances Ruffelle and London Gay Men’s Chorus;Royal Variety Charity to be Charity Partner

Drag-artist superstar Divina De Campo will host the 15th anniversary Offies on Monday 17th March at Westminster Hall. A night celebrating everything the Off-West End offers, performances will include the legendary London Gay Men’s Chorus, the award-winning Mischief Theatre, Tony Award-winning Frances Ruffelle and Divina De Campo themself. The evening will be accompanied by a live band with musical direction and original music from past Offies finalist, Ben Goddard (Million Dollar Quartet, West End; Tim Burton’s Sweeney Todd: The Demon Barber of Fleet Street, Warner Bros, with more surprises on the evening.

Mischief Theatre will perform at the ceremony with the iconic sideways stylings that the company is known for internationally. Their inaugural hit The Play That Goes Wrong started at the Old Red Lion Theatre, before transferring to the West End, Broadway and then being made into a television series – the company was well and truly created in the Off West End

Alongside them the legendary team at the London Gay Men’s Chorus, widely known as LGBTQ+ icons, will be bringing their renowned talents to the night. Tony-Award winning musical theatre icon Frances Ruffelle, nominated herself for an Offies this year ,will also perform. Best known for originating the role of Éponine in the Les Misérables in both the West End and on Broadway.She also represented the UK in Eurovision.

Fresh from hosting The Stage Debut Awards for the past two years, host Divina De Campo will bring their glitz and glamour to the awards. Having competed in the first season of Ru Paul’s Drag Race UK their ample experience across the UK theatre scene promises magnificent performances and witty hosting

There will also be alive red carpet show produced in association with The Theatre Channel and a socials area will be presented by ITV Mamma Mia I Have A Dream and White Rose Rising Star Tobias Turley who will be on hand to interview finalists and attendees.

This year’s sponsors for the Areas of Exceptional Contribution include Mischief Theatre, The Theatre Channel and White Light. Further support comes from John Good, Tarento Productions and Central Hall Westminster, with further organisations to be announced

The Offies are delighted to announce that the Charity Partner will be The Royal Variety Charity – Founded in 1908, the charity assists those who’ve worked professionally in the entertainment industry and are in need of help. The charity strives to support all those, both young and old, who’ve worked on the stage, in the wings, in front of a camera,or behind it, as well as all those who have spent their lives working in the numerous support industries dedicated to entertainment.

This year’s Offies will be produced by Julian Bird OBE, through his production company Green Room Ents Ltd – this marks the start of a three-year partnership with the Offies.

The full list of finalists who have set the standard for exceptional theatre have previously been announced

The night marks the incredible and innovative thinking in the industry. Past winners include Baby Reindeer, Fleabag, and Operation Mincemeat showing how the Off-West End is a crucial launch pad for new talent, the affordable (and sustainable) alternative to the West End where you can see exceptional talent live and flourish.

The scale of the new awards ceremony marks the Offies as the at the forefront of spotlighting groundbreaking theatre before it reaches mainstream acclaim. This event unequivocally reflects the importance of celebrating this work and taking a moment to look back at the year of Off West End.

Further information on tickets can be found here, https://www.gigantic.com/offies-tickets/london-central-hall-westminster/2025-03-17-18-00

NEW PRODUCTION PHOTOGRAPHY RELEASED FOR THE WEST END PRODUCTION OF

LES MISÉRABLES

WHICH EXTENDS BOOKING AT THE SONDHEIM THEATRE UNTIL MARCH 2026

Cameron Mackintosh is delighted to announce that Boublil and Schönberg’s LES MISÉRABLES has extended booking at the Sondheim Theatre in London until March 2026, with new production photography released today.

The current cast includes Ian McIntosh as ‘Jean Valjean’, Stewart Clarke as ‘Javert’, Jacob Dachtler as ‘Marius’, Amena El-Kindy as ‘Éponine’, Annabelle Aquino as ‘Cosette’, Katie Hall as ‘Fantine’, Luke Kempner as ‘Thénardier’, Claire Machin as ‘Madame Thénardier’, and Robson Broad as ‘Enjolras’.

The company is completed by Matt Bateman, Michael Baxter, Emily Olive Boyd, Daniel J Brian, Ella May Carter, Adam Colbeck-Dunn, Matthew Dale, Irfan Damani, Sophie-May Feek, Matt Hayden, Christopher Jacobsen, Jessica Johns-Parsons, Sam Kipling, Anouk van Laake, Mia Lamb, Sarah Lark, Matthew McConnell, Aaron-Jade Morgan, Ben Oatley, Adam Pearce, Jordan Simon Pollard, Danielle Rose, Jonathan Stevens, Georgia Tapp, Noah Thallon, and Imaan Victoria.

LES MISÉRABLES entered its 40^th record-breaking year in London last October. To kick off the celebrations, the show launched its first World Tour with the highly anticipatedLES MISÉRABLES THE ARENA SPECTACULAR, which opened in Belfast before playing limited dates in Glasgow, Sheffield, Aberdeen, Manchester, Newcastle, Luxembourg, Geneva, Trieste, Milan, Copenhagen, Oslo, Zurich,  Gothenburg, Stockholm, Malmö and Amsterdam. The production opens in Abu Dhabi in April before moving to Australia, Taiwan, Japan, and  South Korea, with more worldwide destinations to be announced. Simultaneously, and for the first time ever, 11 leading amateur companies in the UK will present their own staging of the full show across the country this year.

The staged production continues to triumph around the globe with local language productions currently on or in preparation, and it continues to break box office records on tour in North America. Earlier this year, the remastered and remixed Oscar-winning movie was released again in several countries around the world.

Boublil and Schönberg’s magnificent iconic score of LES MISÉRABLES includes the classic songs, I Dreamed a Dream, On My Own, Stars, Bring Him Home, Do You Hear the People Sing?, One Day More, Empty Chairs at Empty Tables, Master Of The House and many more. Several of its songs have become real life anthems of revolution wherever in the world people are fighting for their freedom. Seen by over 130 million people worldwide in 53 countries and in 22 languages, LES MISÉRABLES is undisputedly one of the world’s most popular musicals.

LES MISÉRABLES

Sondheim Theatre, Shaftesbury Avenue, London W1D 6BA

Now booking until 28 March 2026

Prices: Tickets from £25 – No booking fee applies

Box Office: 0344 482 5151

Website: www.lesmis.com

Social Media:
www.facebook.com/lesmisofficial/
www.twitter.com/lesmisofficial
www.instagram.com/lesmizofficial
www.tiktok.com/@lesmisofficial
#LesMiz

Race Furniture and Theatres Trust partner for
‘Seating’s Second Act’ to Refurbish Community
Theatre Seating

As part of its 80th-anniversary celebrations, Race Furniture, a leader in high-quality seating solutions, is partnering with Theatres Trust for ‘Seating’s Second Act’—an initiative to refurbish the seating in a selected community theatre. This project is a gesture of gratitude to the theatre industry, which has played a vital role in Race Furniture’s success over the decades. The collaboration aims to provide one deserving UK theatre, which will be selected by Theatres Trust, with a full auditorium seating refurbishment, enhancing the audience experience while supporting the cultural and creative heart of its local community.

Race Furniture has long been synonymous with quality, innovation, and craftsmanship, providing seating solutions for some of the UK’s most iconic performance venues, including the Royal Opera House, Cadogan Hall, and the New Vic Theatre in Newcastle. Partnering with Theatres Trust, the only organisation that supports all the UK’s theatres, was a natural fit. With their extensive sector expertise, Theatres Trust will ensure that the award goes to a theatre where it will have the greatest impact, reinforcing Race Furniture’s commitment to keeping theatres vibrant, comfortable, and accessible for future generations.

Eligible theatres are invited to apply for this refurbishment opportunity, designed to prioritise sustainability by upgrading existing seating rather than replacing it entirely. This approach aligns with Race Furniture and Theatres Trust’s shared commitment to reducing waste and promoting environmentally responsible practices within the theatre industry, ensuring that cherished venues can continue to serve their communities with minimal environmental impact. Representatives from Theatres Trust and Race Furniture will assess applications and select a winner, who will be announced in June 2025. The refurbishment work is scheduled to commence in autumn 2025, in alignment with the selected theatre’s availability.

To qualify, theatres must be located in England, Scotland, Wales, or Northern Ireland, have an auditorium seating capacity of 200 or fewer and host at least 30 live performances annually. The award is not limited to not-for-profit theatres. Any eligible theatre that can demonstrate how it supports its local community and what a difference refurbished seating would make, is welcome to apply.

This partnership with Theatres Trust is our way of giving back to an industry that has been integral to Race Furniture’s success, says John Schofield, Managing Director of Race Furniture. We are excited to collaborate with Theatres Trust, leveraging their expertise and network to support a theatre that truly needs it. This initiative ensures that local theatres continue to inspire audiences with both comfort and style.

Joshua McTaggart, CEO of Theatres Trust, adds, We are thrilled to be collaborating on Seating’s Second Act with Race Furniture, a company that shares Theatres Trust’s belief in the vital importance of theatres to their communities. An uncomfortable seat can ruin good night out at the theatre, yet faced with tight budgets, many theatres are unable to invest in seating upgrades. This award will ensure that audiences in one deserving theatre will enjoy the benefits of refreshed seating.

Applications for the refurbishment project are now open. Full details on eligibility and submission can be found on Theatres Trust’s website at https://www.theatrestrust.org.uk/ssa.

NEW ADVENTURES ANNOUNCES

FULL CASTING

FOR THE 2025 NATIONAL TOUR OF THE AWARD-WINNING

Intoxicated tales from darkest Soho

OPENING AT THE EVERYMAN THEATRE, CHELTENHAM
ON THURSDAY 15 MAY

BEFORE VISITING 15 VENUES ACROSS THE COUNTRY

New Adventures is delighted to announce the full cast for the 2025 tour of Matthew Bourne’s award-winning THE MIDNIGHT BELL, opening at the Everyman Theatre, Cheltenham on Thursday 15 May.  The production will then embark on a 17-week countrywide tour including many venues for the first time with this production. Full tour schedule below.

The cast features fourteen of New Adventures’ finest leading actor/dancers.  They are Cordelia Braithwaite, Reece Causton, Glenn Graham, Daisy May Kemp, Hannah Kremer, Michela Meazza, Andy Monaghan, Liam Mower, Dominic North, Bryony Pennington, Edwin Ray, Danny Reubens, Ashley Shaw and Alan Vincent.

For nearly 30 years these dancers have between them performed leading roles to critical acclaim in every production in Matthew Bourne’s repertoire, in the UK and internationally.

Matthew Bourne said today:

“This is, without doubt, the finest company of quintessential New Adventures actor/dancers ever assembled for a single production! Together they represent nearly 30 years of critically acclaimed performances and created roles in my work. In fact, it would be hard to imagine a cast more perfectly suited to the challenging world of Patrick Hamilton and his exploration of the darker reaches of the human heart. I’m thrilled to welcome back many of the superb original cast, Reece Causton, Glenn Graham, Daisy May Kemp, Andrew Monaghan, Liam Mower, Bryony Pennington and Michela Meazza, who won a National Dance Award for her role in this production. Making their debuts in The Midnight Bell are some of New Adventures most beloved stars of the last 25 years, Cordelia Braithwaite, Dominic North, Edwin Ray, Danny Reubens, Ashley Shaw and Alan Vincent. They are also joined by rising star Hannah Kremer, most recently seen as Juliet in my Romeo and Juliet. I urge you not to miss this never to be repeated opportunity to join us for an evening at The Midnight Bell and raise a glass to the very best that New Adventures has to offer.”

In 1930s London ordinary people emerge from cheap boarding houses nightly to pour out their passions, hopes and dreams in the pubsand fog-boundstreets of Soho and Fitzrovia. Step inside The Midnight Bell, a tavern where one particular lonely-hearts club gather to play out their lovelorn affairs of the heart; bitter comedies of longing, frustration, betrayal and redemption.

Matthew Bourne’s THE MIDNIGHT BELL isinspired by the work of thegreat English novelist Patrick Hamilton (Twenty Thousand Streets Under The Sky, Hangover Square) who created some of the most authentic fiction of his era; stories borne out of years of social interactions with the working man and woman at his favourite location – the London Pub.

THE MIDNIGHT BELL premiered to great acclaim in 2021 and received five nominations at the 2022 National Dance Awards, with Matthew Bourne winning the award for Best Modern Choreography and Michela Meazza for Outstanding Female Modern Performance.

Matthew Bourne once again joins forces with the Olivier and Tony award-winning team of Terry Davies (music), Lez Brotherston (set and costume design), Paule Constable (lighting design) and Paul Groothuis (sound design).

For more information please visit: www.new-adventures.net

Facebook /MBNewAdventures    Twitter @New_Adventures     Instagram @MBNewAdventures

TikTok @MBNewAdventures

DYLAN MARCAURELE’S POP OFF, MICHELANGELO! STAGES A HIGHLY ANTICIPATED STRICTLY LIMITED RUN AT UNDERBELLY BOULEVARD SOHO

Dylan MarcAurele’s Pop Off, Michelangelo! today announces its transfer to Underbelly Boulevard Soho for a limited 5 week run, following its highly successful season at the Edinburgh Festival Fringe 2024 and concert performances at The Other Palace. 

Returning to London in a revitalised production, Dylan MarcAurele’s Pop Off, Michelangelo!, directed by Joe McNeice, opens on 23 May, with previews from 17 May, and runs until 22 June. Full cast and creative team to be announced shortly.

A smash hit at the Edinburgh Festival Fringe where it received a Popcorn Award Special Mention, MarcAurele and McNeice reunite to take you on a wild ride through Renaissance Italy. Pop off, Michelangelo! is a high-camp musical comedy telling the (somewhat edited)history of two of Italy’s greatest artists, Michelangelo and Leonardo da Vinci, as they both race to create the most legendary religious masterpieces.

Dylan MarcAurele said today, “I am so excited to be bringing Pop Off, Michelangelo! to London audiences, especially in such a vibrant and dynamic venue that is Underbelly Boulevard Soho. 

With the vision of director Joe McNeice and the brilliant Blair Russell at the helm, this camp artistic rivalry promises over-the-top drama and uplifting singable anthems. It’s a love letter to artistic ambition, queer identity, and a wildly inaccurate version of history. Expect electropop bangers, and a whole lot of divine intervention (or lack thereof). It’s ridiculous and heartfelt, and most importantly, a whole lot of fun.”

Director Joe McNeice said today, “I’m delighted to be directing Dylan MarcAurele’s fabulous and hilarious Pop Off, Michelangelo! and to bring this absolute celebration of a show to the heart of Soho, right where it belongs!”

Pop Off, Michelangelo! is on sale now at https://underbellyboulevard.com/tickets/pop-off-michelangelo/

www.popoffmichelangelo.com

Instagram, TikTok: @popoffmichelangelo

POP OFF, MICHELANGELO! 

By Dylan MarcAurele

Writer: Dylan MarcAurele; 

Director: Joe McNeice;

Choreographer: Sundeep Saini;

Musical supervisor & orchestrations: Aron Sood

Costume Designer: Emily Bestow;

Lighting Designer: Adam King;

Casting Director: Sarah-Jane Price;

Producer: Blair RussellProductions

Production Manager: James Anderton

General management: Paul Virides Productions

17 May to 22 June 

at Underbelly Boulevard Soho 

The high-camp musical comedy that stole the Fringe makes its limited West End debut season. 

POP OFF, MICHELANGELO! tells the story of best-pals-turned-bitter-rivals Michelangelo and Leonardo da Vinci. A bloodthirsty friar is on the hunt for homosexuals in Renaissance Italy at the exact moment when childhood friends Mike and Leo realise they both like boys. Terrified, they devise a foolproof plan to gain God’s forgiveness: they simply need to become the greatest religious artists of all time. Can Michelangelo gaslight, gatekeep, and girlboss his way to the Vatican? Will Leonardo ever shut up about his helicopter? Featuring an original electropop score as infectious as the bubonic plague, POP OFF, MICHELANGELO! is an unhinged adventure that you won’t want to miss.

Dylan MarcAurele is a New York-based writer and recent winner of the Jonathan Larson Grant and the Richard Rodgers Award. His other credits for Book, Music, and Lyrics include MEG4N (2024 US Tour starring Rosé of RuPaul’s Drag Race), and The Real Housewives of NYC: The Musical (featured on Bravo’s Watch What Happens Live). As a composer, his work includes Lewis Loves Clark (2024 NAMT Festival; 2020-21 Dramatists Guild Foundation Fellowship), Tea with G (reading directed by Scott Schwartz), and The Land of Forgotten Toys (Broadway Licensing). In playwriting, his piece God Gives Ryan a Very Important Job premiered at the 2023 Samuel French OOB Festival. MarcAurele has also written music and lyrics for Miley Chase: The Science Ace (Broadway Licensing) and the song “Say Bravo!” (sung by Andy Cohen with the cast of Vanderpump Rules at the Paris Theater, Las Vegas). 

Joe McNeice directs. He is the founding Artistic Director of the Lavender Theatre and the founder of Lavender Productions Ltd. In 2023, he launched the 250-seat open-air Lavender Theatre in Epsom, opening the venue with a revival of Irving Berlin’s Annie Get Your Gun, starring Eurovision’s SuRie. His other directing credits include DIVA: Live From Hell! at the Turbine Theatre, which was nominated for Best Off-West End Show at the 23rd Annual WhatsOnStage Awards. In 2024, he directed a revival of DIVA at London’s King’s Head Theatre and Underbelly Cowgate in Edinburgh. As a producer and writer, he co-wrote and produced the 2020 charity Christmas single Christmas Again: The Show Must Go On! for the Theatre Support Fund+, and worked on Magic Mike Live (US Tour). He is also the creator of On Hope, A Digital Song Cycle, and co-wrote the full-length musical Twilight Robbery with composer Matthew Spalding. Writing credits include Songs in the Key of Springfield (2016), Des Ludo’s Good Clean Fun (2018), and Sugar and Smoke (2018), all performed at the University of York.

Listings Information

POP OFF, MICHELANGELO! 

Underbelly Boulevard Soho

6 Walker’s Court, Soho, London W1F 0BT 

www.popoffmichelangelo.com

Instagram, TikTok: @popoffmichelangelo

www.underbellyboulevard.com

Box Office: 0207 432 3860

TICKETS 

£15-65, previews £10-35.

Running time: 75 minutes approx.

Content warnings: themes of homophobia, strong language

17 May to 22 June 

Performances Tuesday to Friday at 7pm

Performances on Saturday at 3pm and 7pm

Performances on Sunday, 2pm and 6pm

New Wimbledon Theatre, London – until 1 March 2025

By Emily Smith

3***

Based on the cult-classic movie released in 1999, Cruel Intentions: The 90s Musical, tells the story of wealthy, manipulative stepsiblings Kathryn Merteuil (Nic Myers) and Sebastian Valmont (Will Callan). This touring production follows a short run at The Other Palace last year with a largely new cast.

Staying true to the ‘Gen Y’ setting of the film, the audience are transported back to the 90s through the costumes, staging and songs. The show starts with an (inexplicable) rendition of Livin’ La Vida Loca and goes on to cover all genres from the 90s – from ballads such as Iris to upbeat classics like The Sign and Lovefool. However, the use of 90s hits interjected into the dialogue felt forced and did little to add to the storytelling. There are so many well-known 90s hits shoe-horned into the 1 hour 55 minute running time that the majority felt misplaced and inopportune, breaking up the plot rather than adding to it.

I began to question if this was a serious musical or satire when the actors started to play into the breakout nature of the songs. For example, when Cecile Caldwell (Lucy Carter) is speaking to Kathryn and discovers she had an orgasm, Cecile launches into a well-timed version of The Sign, which got several laughs from the audience. However, this comedic edge was not consistent and left me feeling confused about the tone of the show. This was made more disorienting by the presence of backing dancers when perhaps having the main vocalist(s) alone would have given greater effect.

In both the film and musical, Sebastian is challenged by Kathryn to seduce Annette Hargrove (Abbie Budden), a Christian girl who was saving herself for marriage, and in exchange Kathryn agrees to sleep with him. I felt the (admittedly strange) stepsibling sexual chemistry from the film was somewhat lacking in this musical production. Given the storyline has been maintained, with the script remaining largely true to the film, either the sexual chemistry needed to be fully present, or removed. However, some of the other controversial moments from the film, such as the sex scene between Sebastian and Cecile, have been made more appropriate and consensual than perhaps the film portrays.

The true standout of the evening was Will Callan who played Sebastian Valmont. Will’s voice is absolutely gorgeous – reminiscent of musical icon Ben Platt at times – and his rendition of Iris, which started acapella, was one of the best of the evening. Abbie Budden also showcased her beautiful vocals with Abbie and Will’s duets, Lovefool and Torn, being two of the more memorable performances of the evening.

The relationship between gay lovers, Blaine Tuttle (Luke Conner Hall) and Greg McConnell (Joe Simmons), is given a more prominent role in the musical than in the film. Their performances were some of the highlights of the evening, with songs like Wannabe proving to be real crowd pleasers, despite the fact their relationship didn’t really feature in the narrative.

The final number of the evening Bittersweet Symphony was a real throwback to the film which ends with the same song. At the final curtain call, the cast performed a medley of songs which was a great way to end the show and, in some ways, was what the audience wanted all along – a 90s concert!

Polly Sullivan’s set and costume design felt appropriate for the show. The stage was set inside an elaborate mansion house throughout, with props dropping down or being wheeled on to change the scene. The costumes were authentically 90s and true to the film. The use of colour-changing panels within the mansion walls helped change the atmosphere of each scene and was well utilised in the lighting design (Nick Richings).

Cruel Intentions: The 90s Musical is a fun night out, packed full of 90s hits, yet it feels confused and incohesive at times with a questionable tone.

As part of Original Theatre 20th anniversary season,

Original Theatre and Reading Rep Theatre’s production
of Micheál Mac Liammóir’s 

The Importance of Being Oscar 

starring Alastair Whatley and directed by Michael Fentiman

transfers to Jermyn Street Theatre this Spring

Following the sell-out success of Being Mr Wickham in 2024, Original Theatre returns to Jermyn Street Theatre, joined by co-producers Reading Rep Theatre, for the first London revival in over 25 years of Micheál Mac Liammóir’s renowned play, The Importance of Being Oscar. The production runs from Friday 28 March until Saturday 19 April 2025, as part of the anniversary season celebrating 20 years of Original Theatre.

The Importance of Being Oscar is directed by Michael Fentiman (Amelie, Jekyll & Hyde, The Lion, The Witch & The Wardrobe) and stars Original Theatre’s Artistic Director Alastair Whatley. The one-man show’s run at Reading Rep Theatre last summer marked Alastair’s return to the stage, having last performed in 2017 in the New York transfer of Original Theatre’s production of Torben Betts’ Invincible. Alastair’s other acting credits include Birdsong, The Importance of Being Earnest, Three Men in a Boat, See How They Run, Twelfth Night, Vincent in Brixton, Dancing at Lughnasa and Henry V (RSC).

Set and Costume Design are by Madeleine Girling, Lighting Design is by Chris Davey, and Composition and Sound Design are by Barnaby Race.

Oscar Wilde was a dandy of speech, a dandy of manner, a dandy of dress, and a dandy, even, of ideas and intellect. He fell in love with eccentric socialites, travelled to America with nothing to declare except his genius, and found worldwide success as a playwright. This is the story of how his life of fame, glamour, and romance led him to become an imprisoned outcast. 

The Importance of Being Oscar immerses audiences in a compelling journey through the loves and losses, successes and struggles of the man. It is a beautiful tribute to an icon of the world of theatre, liberally laced with Wilde’s signature wit and wisdom and featuring excerpts of many of his best-loved works including An Ideal Husband, The Picture of Dorian Gray, The Importance of Being Earnest and The Ballad of Reading of Gaol.

Alastair Whatley, Artistic Director of Original Theatre and star of The Importance of Being Oscar, said: “I am delighted that our show created with Mike Fentiman and the team at Reading Rep last summer gets a new lease of life at the intimate Jermyn Street Theatre in Piccadilly. This London neighborhood in the heart of the modern metropolis will forever be associated with Wilde, who feasted with panthers in close proximity to where the theatre stands today and from where we will stage Micheál Mac Liammóir’s loving, charged and celebrated elegy to the life and works of this legendary figure of the British stage.”

To book tickets for The Importance of Being Oscar at Jermyn Street Theatre, visit: www.jermynstreettheatre.co.uk/show/oscar

LISTINGS

Show: The Importance of Being Oscar

Venue: Jermyn Street Theatre, 16b Jermyn Street, London SW1Y 6ST

Dates: 28 March – 19 April 2025; Monday to Saturday 7.30pm; Tuesday, Thursday, Saturday 3.00pm

Relaxed Performance: 14 April 2025

Captioned Performance: 16 April 2025

Running Time:  90 minutes

Tickets: www.jermynstreettheatre.co.uk/show/oscar or call the Box Office on 020 7287 2875

Age suitability: 10+

Content warnings: Please be aware this show contains mild haze and blackouts. At one point during the show, there is also a flash of light towards the audience.

DIGITAL STREAMING DETAILS

A filmed version of The Importance of Being Oscar is currently available to watch at Original Online, Original Theatre’s digital streaming platform: originaltheatre.com/productions/the-importance-of-being-oscar

Hall for Cornwall, Truro, Cornwall until Saturday 1 March 2025

Reviewed by Kerry Gilbert

5*****

‘It’s no surprise this feel good, fabulous production is selling out, with enough glamour and sparkle to light up a room’

A brand-new production of Kinky Boots is at the Hall for Cornwall this week courtesy of Made at Curve. Directed by the Curve’s Artistic Director Nikolai Foster with choreography by Leah Hill and music and lyrics by Cyndi Lauper, it is a fine rendition of this extremely popular musical which has already won just about every major Best Musical award.

Based on the 2005 film by Geoff Deane and Tim Firth, Harvey Fierstein’s book tells the story of Charlie Price who, having begrudgingly inherited a failing shoe factory from his father, forms an unlikely partnership with cabaret performer and drag queen, Lola, to produce a line of high-heeled boots and save the business.

It was a sellout show, and from the start the atmosphere was electric, with the anticipation building in the audience, the orchestra soon grasped everybody’s attention with the opening of the show! It is a show that radiates positivity, celebrating individuality and kindness in a way that feels more important than ever.

Once Johannes Radebe walks on stage as Lola, it is hard to focus your attention anywhere else, with his magnetic charm. Fans of Strictly Come Dancing (where Radebe shot to fame) hoping to witness some sparkling choreography are not disappointed. Radebe has a pleasant singing voice, but it is his immense presence and command of the stage which are most exhilarating. He effortlessly transitions from unapologetic high camp to heartbreaking tenderness.

As Charlie, Dan Partridge is an accomplished performer with an attractive voice. His portrayal of a young man’s conflict between following his own wishes and fulfilling the hopes and dreams of his father is convincing and heartfelt.

One of key pivotal moments is when Lola reveals himself as Simon from Clacton, wearing his male clothing and meets Charlie with honesty and bravery. It’s the only moment where Radebe has to peel back the layers and act rather than perform. He rises to the challenge, with quiet authenticity and restraint. His solo/duet with Charlie of ‘I’m Not My Father’s Son’ is extremely moving. The presence of the two talented young actors playing Young Charlie (Joshua Beswick) and Young Lola (Lawrence Ndola-Myers) adds to the emotional impact.

Courtney Bowman as Lauren is an absolute spotlight. Her comedic facial expressions are perfection, and her performance of ‘The History of Wrong Guys’ is a show highlight, packed with incredible vocals and the right mix of awkward charm and hilarity.

It’s no surprise this feel good, fabulous production is selling out, with enough glamour and sparkle to light up a room. Kinky Boots will lift you up and leave you with a big grin on your face. A full standing ovation and cheers from the audience were thoroughly deserved.

WATERMILL THEATRE 2025
AWARD-WINNING NEWBURY VENUE ANNOUNCES
FULL 2025 SEASON DETAILS, INCLUDING A REVIVAL OF

JESUS CHRIST SUPERSTAR

AS THE SUMMER MUSICAL (24 JUNE – 21 SEPTEMBER)

CHARLEY’S AUNT – ADAPTED BY ROB MADGE (3 OCTOBER – 15 NOVEMBER)

THE LITTLE MERMAID (26 NOVEMBER – 4 JANUARY)

TICKETS ON SALE TO BULRUSH, FERN, WATER LILY & WILLOW MEMBERS 6 MARCH,
FRIENDS & REEDS MEMBERS 18 MARCH (MEMBERSHIPS START FROM £35 PER YEAR)
EMAIL SUBSCRIBERS 25 MARCH, GENERAL ONSALE 26 MARCH
BOOK ONLINE AT WATERMILL.ORG.UK OR VIA THE BOX OFFICE ON 01635 46044

Joint CEOs Artistic Director Paul Hart andExecutive Director Claire Murray, and the whole team at Newbury’s Watermill Theatre are delighted to announce the summer and autumn productions for 2025 at the award-winning venue.

The Watermill’s 2025 summer musical will be a revival of Tim Rice and Andrew Lloyd Webber’s extraordinary rock opera Jesus Christ Superstar, directed by Paul Hart, with set and costume design by David Woodhead, choreography by Anjali Mehra, and musical supervision and orchestration by Stuart Morley. Jesus Christ Superstar will play from 24 June – 21 September and is generously supported by Kindred Partners, with production sponsorship by Horsey Lightly.

A global phenomenon that has wowed audiences for decades, Jesus Christ Superstar is a timeless work set against the backdrop of an extraordinary and universally-known series of events, but seen through the eyes of Judas Iscariot. The story, told entirely through song, explores the personal relationships and struggles between Jesus, Judas, Mary Magdalene, his disciples, his followers and the Roman Empire.

Spilling out of the theatre into the gardens, be immersed into the heart of this epic 1970s rock score, with an incredible cast of actor-musicians seamlessly fusing these classic roles with iconic music including “Superstar”, “Gethsemane” and “I Don’t Know How to Love Him”.

Premiering at the Watermill, Friday 3 October – Saturday 15 November, Brandon Thomas’ riotous farce Charley’s Aunt is given a glamorous glow-up in a new adaptation by Rob Madge, the award-winning creator of My Son’s a Queer (But what can you do?), directed by Sophie Drake (winner of the 2024 Stage Debut Best Director Award).

 Two scheming students, Charley and Jack, must circumnavigate the curmudgeonly Uncle Stephen to declare their feelings to love interests Amy and Kitty.  The promised arrival of Charley’s Aunt gives them an opportunity and the best laid plans are set.  One delayed arrival, one fortuitous arrival and lots of classic comic confusion later, the champagne is finally poured at a dinner party to remember.

Mistaken identities, new identities and the discovery of true identities; will love – old and new – triumph through it all?

 The Watermill are hosting a Come As You Are Night, in partnership with Newbury Pride, on Monday 27 October.  Audiences are invited to come as they are, as their most comfortable selves, and gather together for drinks and nibbles from 6pm.

From Wednesday 26 November to Sunday 4 January, the Watermill’s annual festive production is The Little Mermaid, by Lara Barbier, based on the story by Hans Christian Andersen, directed by Elgiva Field, with songs by Amie Parsons of True Foxes. This new Watermill production weaves together salty sea air, folk and sea shanty inspired songs and an ethereal world below the waves for Christmas 2025.

 Far out in the ocean, deep beneath the waves, is a colourful kingdom bursting with flowing flowers, glittering shells and flittering fish. The Little Mermaid, daughter of the Sea King, eagerly awaits her birthday – the day she sees the world above the surface for the very first time.

The Little Mermaid discovers a world of twinkling lights, crashing waves, and jolly music. Drawn towards a ship, she rescues a young man with dark eyes and two prop legs, instead of a shimmering tail.

Longing to join him, the Little Mermaid’s thoughts stray to the world above the sea, as she dreams of life on land.  Confronted by a deal with the scheming Sea Witch, the Little Mermaid must choose whether she’s willing to risk everything in the pursuit of love.

Paul Hart said, “This summer at the Watermill is going to be bigger than ever with our new production of Tim Rice and Andrew Lloyd Webber’s Jesus Christ Superstar.  It’s going to be really special for audiences to experience this legendary musical in the intimate setting of the Watermill, with music played live onstage and a semi-immersive staging which will spill out of the theatre into the gardens.  We have expanded the run to 100 performances this year to ensure more people than ever have a chance to book for an unforgettable summer musical following our recent sell-out shows. 

This is followed by Rob Madge’s new adaptation of Brandon Thomas’ joyous farce, Charley’s Aunt.  I’m really excited for us to share a version of this play from a twenty first century perspective, more celebratory than ever of the themes of self-discovery and gender identity.

This Christmas, we have a brilliant creative collaboration for The Little Mermaid with Elgiva Field directing, Lara Barbier writing the adaptation and Amie Parsons of Cornish folk band, True Foxes, writing the songs.  This will be the perfect follow up to last year’s Pinocchio.”

Claire Murray added, “We’re excited to offer an iconic musical, a reimagined classic comedy and a much-loved children’s fairytale to complete a thrilling 2025 programme at the Watermill. Working with EM Acoustics we’ve upgraded our sound system over the last month and we’re looking forward to having audiences experience these improvements – particularly on our actor-musician-led productions of Piaf, Jesus Christ Superstar and The Little Mermaid.

We’re also delighted to see The Lord of the Rings, which started its life here in 2023, return to the UK in October with a run in Plymouth before heading on a European tour, and the continuing success of Calamity Jane which is entertaining audiences all over the country.

The support of funders and donors and the commitment of our staff team has been essential to all of the work both in Newbury and beyond and we are indebted to everyone has been part of bringing these shows to life.” 

Priority booking opens for Members from Thursday 6 March, with memberships starting at £35 for the year.  Email subscribers booking opens on Tuesday 25 March, with general booking opening the following day on Wednesday 26 March.  Tickets for the season start at £15 and can be booked online at watermill.org.uk or by calling the box office on 01635 46044.