EXTRA PERFORMANCE ADDED FOR

SOLD OUT LONDON PREMIERE STAGED CONCERT OF

JOEY CONTRERAS’ NEW MUSICAL IN PIECES

Ailsa Davidson also announced to join the cast

The London premiere staged concert of Joey Contreras’ In Pieces today adds a fourth and final performance at The Other Palace on Tuesday 31 March at 11am due to unprecedented demand with all tickets throughout the house priced at £35.

This is the last chance for audiences to secure tickets to the exclusive London concert following the previously announced performances on 30 and 31 March selling out within 24 hours of on sale.

Joey Contreras said today, “I’m thrilled that this extra performance opens the door for even more audiences to experience In Pieces in person. We’ve been so excited to bring this production across the pond and have been overwhelmed at the incredible support from UK audiences.”

Also announced today Ailsa Davidson joins the cast as Sam. She replaces the previously announced Aimie Atkinson who, due to personal reasons, will no longer appear in the concert performances. Directed by Martha Geelan and choreographed by Sam Wilson-Freeman, the cast also features Antonio Cipriano, Ryan Kopel, Alex James-Hatton, Emilie Louise Israel and Romona Lewis-Malley.

Regular People alongside Arielle Smith, Sandie Browne, Ken Davenport, Brianna DaVault, David Lipowicz and Might Be Smart Productions presents

IN PIECES

By Joey Contreras

Cast: Antonio Cipriano (Peter), Ailsa Davidson (Sam), Ryan Kopel (Charlie), Alex James-Hatton (Grey), Emilie Louise Israel (River), Romona Lewis-Malley (Alex) with Sarah Freer and Jacob Atkins

Director: Martha Geelan; Music Director: Brian Russell Carey; Orchestrations: Joey Contreras and Brian Russell Carey; Choreographer: Sam Wilson-Freeman; Casting direction by: HJB Casting Ltd (Harry Blumenau CDG CSA), Lighting Designer: Adam King; Sound Designer: Alistair Penman, Prop Design by Justin Williams.

Monday 30 March 2026 at 5:30pm and 8pm

Tuesday 31 March at 11am and 2:30pm  

In Pieces is a love story about the people you don’t end up with.

Written and composed by Fred Ebb Award and Jonathan Larson Grant Finalist, Joey Contreras, In Pieces is a bold, contemporary new musical featuring a pop-driven score that dives into echoes of love, loss, and self-discovery by weaving the romantic journeys of six characters across three-chapters of life. As friends, family, and former lovers confront old wounds and unresolved feelings, will they learn to coexist with the joy and pain of the past?

In Pieces has become a global sensation with a massive social media fanbase, tens of millions of streams, and licensed productions internationally. NOW, the team is bringing the staged concert to premiere in London for a one-night-only event.

Joey Contreras’ other musicals include Forget Me Not (co-written with Kate Thomas), Robby Green Is All Grown Up, and Heartbreakers in Hell (a modern-day adaptation of Dante’s Inferno, co-written with Benjamin Halstead). He is also developing multiple new projects, including commissions with Storyboard Entertainment and RGN Theatrical/Talnek Communications. Additional composing credits include work for the Walt Disney Company, The 5th Avenue Theatre, and various short films. 

Ailsa Davidson plays Sam. Her theatre credits include, Heather’s The Musical, Bill Kenwright Ltd; Marie Curie The Musical, Charing Cross Theatre; Dracula: Mina’s Reckoning, National Theatre of Scotland; Lipsync, Summerhall; Elegies for Angels Punks and Raging Queens, Union Theatre; Grease (UK Tour), David Ian Productions; Peaches Americana, Theatre Royal Stratford East; Our House, Union Theatre. For screen, Outlander: Blood of my Blood; Halo, Heathers: The Musical.

Listing Information

THE OTHER PALACE

The Other Palace

12 Palace Street, London

SW1E 5JA

Box Office 020 7592 0302

https://theotherpalace.co.uk/

Monday 30 March 2026 at 5:30pm and 8pm

Tuesday 31 March at 11am and 2:30pm  

https://www.inpiecesmusical.com

Instagram/TikTok: @inpiecesmusical

REGENT’S PARK OPEN AIR THEATRE ANNOUNCES

A SERIES OF ONE-OFF SUNDAY EVENTS
AS PART OF ITS 2026 PROGRAMME

Regent’s Park Open Air Theatre today announces further details for the series of one-off Sunday events as part of its 2026 programme. Family and Comedy performances will play across the full season, running from Sunday 24 May – Sunday 6 September 2026, celebrating some of the finest talent of today – set against the beautiful backdrop of Regent’s Park.

This year sees the return of the Family Day (including Bach To Baby Concert and The Marvellous Myth Hunter), as well as comedians James Acaster and Tim Key. Full line-up details can be found below.

Tickets for the various Sunday events go on sale for Members’ priority booking at 2pm today Thursday 12 March with general on sale at 12 noon on Monday 16 March 2026.

Further events and the line-up details for the return of the Live Music Week presented in partnership with Communion ONE will be announced later in the spring.

Visit openairtheatre.com for more information.  

The full line-up for the Family Day on Sunday 24 May 2026 includes:

FAMILY DAY
9.30am & 2pm
A day for all the family in the beautiful surroundings of Regent’s Park Open Air Theatre. Our Family Day includes a ticket to The Marvellous Myth Hunter and access to a host of events, including Harp in the Park at the Bach to Baby Family Concert, a daytime party with Fly-Kid and more. Choose morning or afternoon entry and enjoy fun, food and family entertainment, all in the open air. 

               Location: Regent’s Park Open Air Theatre
               Duration: 3 hours 30 minutes
               Suitable for all ages

PLAY BUILD PLAY
9.30am & 2pm

Play Build Play is bringing its immersive kit of sensory loose parts for all ages to Regent’s Park Open Air Theatre. Together we will play, invent, collect, sort, build, explore, touch, design, collaborate and dream. Can’t wait to see you there.           

Location: Regent’s Park Open Air Theatre, Bar Area

Duration: 3 hours 30 minutes
Most suitable for under 5s, but all ages welcome

A LINE ART – FINGERS SPORTS  
10am & 4.30pm              
Finger Sports is an exciting, interactive activity perfect for children and their families. Step into an illustrated world and wriggle, skip and twirl your fingers in an array of hilarious games based on your favourite hobbies. You are invited to play these fantastic games, as well as to create your own finger puppets and games which you can take home at the end of the day.

Location: Regent’s Park Open Air Theatre, Studio 1

Duration: 3 hours 30 minutes     
Most suitable for ages 3 – 8, but all ages and abilities welcome

BACH TO BABY FAMILY CONCERT: HARP IN THE PARK     
10am & 2.30pm              
Featuring Cecilia de Maria on the harp, let the shimmering sounds of the harp fill the open air. From the cascading petals in the Flower Duet to the sparkling ripples of Hassleman’s La Source, we’ll drift through Beethoven’s moonlit calm and duet with the birds in Vivaldi’s Spring. Bring a blanket, gather the family, and enjoy live music under the bright blue sky – a day out to remember.

Bach to Baby is the critically-acclaimed concert series for babies, toddlers and you. Tots dance, roam about and revel in the wonder of live music, while you take a moment out of your busy day to hear top notch performances by outstanding musicians with your young babes in tow.

As seen at Royal Albert Hall and Buckingham Palace. As featured in The Times, The New York Times, Classic FM and Time Out.

Location: Regent’s Park Open Air Theatre, Picnic Lawn

Duration: 45 minutes     

Suitable for all ages

THE MARVELLOUS MYTH HUNTER: IN THE BEGINNNING
11am

Love Heroes, Monsters & Mythical Tales? The Marvellous Myth Hunter needs YOU!

It’s time to dust off your maps and strap on your jetpacks for a journey around the world.  The Myth Hunter needs your help to find the most treacherous, the most astounding – and the most disgusting stories known to human-kind.

We’ll travel to ancient Congo to meet a god with an upset stomach, dodge the foul ice giants of Norse mythology, and voyage to the lands of the Anishinaabe in Canada.

Bring your best adventure outfit and join us for daring escapes, swordfights, weird creatures, interactive games and the chance to become an honorary member of The Myth Hunter Academy.

Presented by Amari Harris (Storyteller/Writer) and Andy McKeane (Writer/Director).

Location: Regent’s Park Open Air Theatre, Main Auditorium
Duration: 50 minutes
Suitable for ages 5 – 11

FLY-KID FAMILY RAVE
12pm & 4.30pm

Fly-Kid is the family RnB, Soul, HipHop & Pop party for London’s flyest kids and grown-ups from Emily Rawson, the creator of Supa Dupa Fly.     

“London’s best HipHop & RnB night” – Time Out & Evening Standard         

Featuring Emily Rawson (BBC 1Xtra DJ) & friends, and hosted by Pranksta (Just Vibez) this family rave brings you dance games, free facepainting, confetti, props and more!                             
Have you had children, but really miss going out & hearing the music you love? We do, so we’ve created Fly-Kid – the daytime party from Supa Dupa Fly you can bring your kids to & introduce them to the tunes you grew up on!   

Location: Regent’s Park Open Air Theatre, Studio 2
Duration: 1 hour
Most suitable for under 10s

THE MARVELLOUS MYTH HUNTER: FAMILY FEUD
3.30pm

Ready for an adventure? Grab your family and familiars, strap on your jetpacks and join the Myth Hunter in search of family feuds and sibling squabbles from ancient cultures across the world.

First stop – Japan, and the sun goddess Ameterasu. She banishes her mischievous brother, Susanoo, the god of wind, who looks for redemption – and a dragon.

Then to Nigeria, and the land of the Orisha, where Oduduwa earns his brothers respect by creating the earth with only four things; a golden chain, a snail shell of sand, some palm nut seeds, and a giant chicken.

And finally to ancient Egypt, where the jealous Set overthrows his brother Osiris and Queen Isis. Years later, their son – Horus – returns for an epic, shapeshifting showdown. 

Bring your best adventure outfit and join us for daring escapes, weird creatures, games and interactive storytelling.

No shapeshifting in the theatre, please.

Presented by Weird Folk, including Amari Harris (Storyteller/Writer) and Andy McKeane (Writer/Director).

Location: Regent’s Park Open Air Theatre, Main Auditorium
Duration: 50 minutes
Suitable for all ages

Tickets for the Family Day are £15 – £18 and are available now:www.openairtheatre.com.              

JAMES ACASTER              

Sunday 31 May 2026, 7.45pm

A brand new show, full of everything you love about James Acaster and more!

Location: Regent’s Park Open Air Theatre, Main Auditorium
Duration: 1 hour without an interval

Suitable for ages 14+

Tickets for James Acaster are £30 and are available now:www.openairtheatre.com.

               TIM KEY: LOGANBERRY

               Sunday 6 September 2026, 7.45pm

Tim Key (Alan Partridge, The Ballad of Wallis Island, Tim Key’s Late Night Poetry Programme) again pops his suit on, plods about, in a brand new show.    

Bit gutted he’s old. Guzzling continental lager. Magnetic lol. Decent reviews for previous shows. Played a pigeon in Bong Joon Ho’s latest movie. Been on Richard Herring’s podcast. Book out: “L.A. Baby!”. Met Steffi Graf in 1998/9.         

This show has poems in, and he’ll stamp and howl. Won the Perrier Award in 2009!               

               Location: Regent’s Park Open Air Theatre, Main Auditorium
               Duration: 70 minutes without an interval
               Suitable for ages 14+

Tickets for Tim Key: Loganberry are £30 and are available now:www.openairtheatre.com.

BOX OFFICE INFORMATION

Box Office 0333 400 3562* | openairtheatre.com                              

Inner Circle, Regent’s Park, London, NW1 4NU

* Lines open Monday – Sunday, 10am – 4pm. A £2.50 per transaction booking fee applies. 0333 numbers are charged at the same rate as calls to 01 and 02 numbers as regulated by Ofcom. Please check with your provider for further details.

Visit openairtheatre.com for latest ticket prices, concessions and discounts.

#OAT2026

2026 SEASON AT A GLANCE

A Regent’s Park Open Air Theatre production

SHERLOCK HOLMES

Saturday 2 May – Saturday 6 June 2026

Access Performances:

BSL Interpreted: Thurs 4 June, 7.45pm

Captioned: Fri 5 June, 7.45pm

Audio Described: Sat 6 June, 2pm

Age Recommendation: 12+

Tickets from: £15

OPEN AIR THEATRE SUNDAY EVENT: FAMILY DAY
Sunday 24 May 2026

Age recommendation: All ages welcome

Day Entry Tickets: Adults £18, Children £15

OPEN AIR THEATRE SUNDAY EVENT: JAMES ACASTER

Sunday 31 May 2026

Age recommendation: 14+

Tickets: £30

A Regent’s Park Open Air Theatre production

A LIFE IN FOUR SEASONS

Thursday 11 – Sunday 14 June 2026

Age Recommendation: 8+

Tickets from: £15

A Regent’s Park Open Air Theatre production

A MIDSUMMER NIGHT’S DREAM

Saturday 20 June – Saturday 18 July 2026

Access Performances:

BSL Interpreted: Sat 11 July, 12.30pm & Thurs 16 July, 7.45pm

Captioned: Fri 17 July, 7.45pm

Audio Described: Sat 18 July, 12.30pm

Age Recommendation: 10+

Tickets from: £15

Regent’s Park Open Air Theatre

with Michael Harrison for Lloyd Webber Harrison Musicals presents

CATS

Saturday 25 July – Saturday 12 September 2026

Access Performances:

Relaxed: Thurs 27 August, 2pm

BSL Interpreted: Tue 1 September, 7.45pm

Captioned: Fri 4 September, 7.45pm        

Audio Described: Sat 5 September, 2pm

Age Recommendation: 5+

Tickets from: £15

A Unicorn Theatre and Regent’s Park Open Air Theatre production

ANANSI THE SPIDER

Saturday 15 August – Sunday 6 September 2026

Age recommendation: 4+

Tickets from: £15

OPEN AIR THEATRE SUNDAY EVENT: TIM KEY: LOGANBERRY

Sunday 6 September 2026

Age recommendation: 14+

Tickets: £30

BEYOND THE PARK

Roald Dahl Story Company present

The family musical based on Roald Dahl’s
THE ENORMOUS CROCODILE

UK Tour                                                             27 March – 26 July 2026

Lyric Hammersmith, London                        28 July – 22 August 2026

Originally produced by Roald Dahl Story Company, Regent’s Park Open Air Theatre and Leeds Playhouse

enormouscrocodilemusical.com

David Ian for Crossroads Live and Work Light Productions present

The Regent’s Park Open Air Theatre production of

JESUS CHRIST SUPERSTAR
Solaire Theatre, Manila                                2 – 24 May 2026

National Theatre, Taipei                               18 – 21 June 2026

Marina Bay Sands, Singapore                     17 August – 13 September 2026
Further dates and venues to be announced.
tour.jesuschristsuperstar.com

Michael Harrison for Lloyd Webber Harrison Musicals presents

The Regent’s Park Open Air Theatre production of

JESUS CHRIST SUPERSTAR
London Palladium                                          20 June – 5 September 2026
london.jesuschristsuperstar.com

Trafalgar Theatre Productions, Regent’s Park Open Air Theatre and Brian & Dayna Lee presents

The Regent’s Park Open Air Theatre production of

FIDDLER ON THE ROOF

Theatre Royal Sydney                                    31 July – 6 September 2026
Further dates and venues to be announced.

fiddlerontherooftour.com

Michael Harrison for Lloyd Webber Harrison Musicals presents

The Regent’s Park Open Air Theatre production of

CATS

Theatre Royal Plymouth                               6 – 17 October 2026

Hull New Theatre                                           20 – 24 October 2026

Birmingham Hippodrome                            27 October – 7 November 2026

Palace Theatre Manchester                        10 – 21 November 2026

Bristol Hippodrome                                       24 – 28 November 2026

Venue Cymru Llandudno                             1 – 5 December 2026

Theatre Royal Glasgow                                 8 – 27 December 2026

Royal Concert Hall Nottingham                   6 – 16 January 2027

His Majesty’s Theatre Aberdeen                 9 – 13 February 2027

Theatre Royal Norwich                                 16 – 27 February 2027

Grand Opera House Belfast                         2 – 13 March 2027

Mayflower Southampton                             30 March – 10 April 2027

Alhambra Theatre Bradford                         27 April – 1 May 2027    

Wales Millennium Centre Cardiff               25 – 29 May 2027

Theatre Royal Newcastle                              8 – 19 June 2027
Further dates and venues to be announced.

catsthemusical.com

ABOUT REGENT’S PARK OPEN AIR THEATRE

Established in 1932, the multi-award-winning Regent’s Park Open Air Theatre is one of the largest theatres in London (at a capacity of 1,304). Passionate about producing popular, enriching and unexpected theatre that provides a lens into the here and now, the scale and ambition of our productions together with our magical outdoor setting, makes us unique in the capital’s cultural landscape. In 2025 we welcomed just over 176,000 people to our 20-week summer season.

Drew McOnie assumed the role of Artistic Director in January 2024, and James Pidgeon was appointed Executive Director in 2021.

Over the last fifteen years, our productions have won ten Olivier Awards, ten WhatsOnStage Awards, and four Evening Standard Awards. We were named London Theatre of the Year in 2017 by The Stage, and received the Highly Commended Award for London Theatre of the Year in 2021. Our productions have toured the UK, and have transferred to both the West End and the United States. Our 2016 revival of Jesus Christ Superstar has just finished tours of the UK, North America and Australia. Our Olivier Award-winning revival of Fiddler on the Roof transferred to the Barbican Centre in May 2025 ahead of a major tour of the UK & Ireland and will tour Australia from July 2026.

As a registered charity that receives no regular public subsidy, we rely entirely on earned income and charitable contributions. Nevertheless, we have over 46,000 tickets at £25 or under available across the whole of 2026’s summer season, and we regularly work with a range of local charities. Each year, on average, we subsidise tickets for 6,000 school pupils.

Food and drink plays a significant role in the Open Air Theatre experience, with our in-house bars and restaurants including Covered Dining (certified as a Sustainably Run Restaurant), The Grill and The Pizza Oven. We also have our own picnic lawn and the West End’s longest bar!

Regent’s Park Open Air Theatre has become one of the most independently sustainable and financially successful producing theatres in the country, and we’re proud to embark on the next stage of our vision with ever-increasing artistic ambition and entrepreneurial spirit.

openairtheatre.com

Facebook: RegentsParkOpenAirTheatre

Instagram: @RegentsParkOAT

TikTok: @regentsparkoat

DON’T BE RIDICULOUS, EVERYBODY WANTS THIS, EVERYBODY WANTS US

TO STAY LONGER

WILL EXTEND ITS WEST END REIGN UNTIL 06 FEBRUARY 2027 

WITH VANESSA WILLIAMS AND MATT HENRY EXTENDING THEIR RUNWAY TENURE UNTIL 17 OCTOBER 2026

AT THE DOMINION THEATRE 

Opening in the West End in December 2024 and already a cover‑story sensation, The Devil Wears Prada: The Musical has become the fastest‑selling show in the Dominion Theatre’s history and following unprecedented front‑row buzz the musical will now extend until 6 February 2027.

The undisputed Queen of fashion, Vanessa Williams (Ugly Betty; Desperate Housewives), will continue her reign as the formidable Miranda Priestly until Saturday 17 October. Matt Henry, MBE (Kinky Boots; The Drifters Girl), who plays her right‑hand man and Runway’s Creative Fashion Director, Nigel, will also remain with the production until this date. 

The current cast is completed by Stevie Doc (winner of ITV’s Mamma Mia! I Have A Dream) as the fish-out-of-water Andy, with Taila Halford (Shucked; School of Rock) as Miranda’s fiery and fashion-forward first assistant Emily, and Keelan McAuley (Clueless; Heathers) as Andy’s boyfriend Nate, and James Darch(Mamma Mia!; Wicked) as the devious journalist, Christian.

The ensemble are: Gabby Antrobus, Georgia Aspinall, Anta Bah, Selena Barron, Evonnee Bentley-Holder, Pamela Blair, Jenna Bonner, Xenoa Campbell-Ledgister, Lloyd Davies, Jinny Gold,Selina Hamilton, Kimberley Hoyle, Luke Jackson, Emma Johnson, Justin-Lee Jones, Debbie Kurup, Mark Lamb, Ethan Le Phong, Brandon Lee Sears, Nathan Lorainey-Dineen, Dean Makowski-Clayton, Shannon Molloy, Eleanor Peach, Joshua Robinson, Joshua Steel, Kayleigh Thadani, Harry Tunningley, Alex Woodward andTara Yasmin.

Hilariously fun and fabulously stylish, The Devil Wears Prada tells an inspiring story about discovering what kind of person you truly want to be. Choose your outfit carefully and get ready for a new musical that’s hautter than hell! 

Opening with record breaking sales and playing to rapturous audiences, this milestone-setting musical continues to take the West End by storm having also released its first original cast recording last year, available HERE, which includes two unheard Elton John original demos and charted as the #1 new release on the compilations chart. In the last month the production welcomed its millionth customer through its doors.

The Devil Wears Prada: The Musical has anaward-winning creative team led by Elton John (Tammy Faye; Billy Elliot: The Musical; The Lion King), new direction & choreography by Jerry Mitchell (Kinky Boots; Legally Blonde; Pretty Woman; Hairspray), lyrics by singer-songwriter Shaina Taub (Suffs) and Mark Sonnenblick (Theatre Camp),book by Kate Wetherhead (Ever After; Submissions Only), set design by Tim Hatley (Life of Pi; Back to the Future), costume design by Gregg Barnes (Some Like It Hot; Legally Blonde), lighting design by Bruno Poet (The Tina Turner Musical; Frankenstein), sound design by Gareth Owen (Come From Away; & Juliet) and casting by Jill Green CDG. 

The production opened at Theatre Royal Plymouth prior to arriving in the West End last summer, from 06 July – 17 August 2024.

Fresh out of college, aspiring journalist Andy scores a job at the prestigious Runway magazine working for fashion’s most powerful and terrifying icon — editor-in-chief Miranda Priestly. Sacrificing her personal life to meet Miranda’s impossible demands, Andy finds herself seduced by the glamorous world she once despised. How far will she go to succeed… and will it be worth selling her soul to get what she’s always wanted?

The musical is based on Lauren Weisberger‘s best-selling 2003 novel and the 2006 blockbuster film from Twentieth Century Studios which went on to gross $326 million worldwide and received two Academy Award nominations. The sequel The Devil Wears Prada 2 will released on 01 May 2026 with its original leading cast, Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci all reprising their roles. 

The Devil Wears Prada: The Musical is produced by four time Tony Award winner Kevin McCollum (Mrs. Doubtfire; In the Heights; Avenue Q; Rent), David Furnish (Tammy Faye; Billy Elliot: The Musical) and Jamie Wilson (Into The Woods; Mrs Doubtfire; Two Strangers)as a co-production with Theatre Royal Plymouth, and presented by special arrangement with Buena Vista Theatrical. 

STORYHOUSE, CHESTER – UNTIL SATURDAY 21ST MARCH 2026

REVIEWED BY MIA BOWEN

5*****

I’ve had a deep appreciation for Shakespeare since my school days. My English teacher brought his plays to life with such enthusiasm that the language, drama, and humour were truly captivating. As a result, I seize any chance to see his work performed. This Thursday, I was thrilled to attend the press night of Macbeth at Storyhouse.

The main theatre at Storyhouse features two auditorium layouts, enabling it to cater to large West End-style productions as well as more intimate performances. Macbeth was performed in the cozier arrangement, which was a perfect fit for the play. The smaller environment allowed the action to unfold close to the audience, enhancing their engagement with the drama. Some actors even moved through the audience, creating a wonderfully immersive and immediate experience for everyone present.

Before the show began, I had a lovely chat with a member of the theatre staff who shared that Macbeth is featured in this year’s GCSE curriculum. Several schools have already enjoyed the matinee performances, and it’s been a great success. Watching the production, it was clear why—as it brings Shakespeare to life in a relatable and exciting way.

Macbeth tells the story of a Scottish general who receives a prophecy from three witches, predicting he will become king. Driven by ambition and spurred on by his wife’s encouragement, he takes a dark and violent route to seize power. It’s fascinating to see how the themes in this play, first performed in the early 1600s, are still so relevant today. Shakespeare dives into the dangers of unchecked ambition and the lengths people will go to for power, illustrating how these choices can lead to their own downfall. Sound familiar?

Upon entering the theatre, what really caught my eye was the impressive set and projection design by Andrew Exeter and Daniel Denton. The long neon tube lights hung from the ceiling, changing colours throughout the show, while a large black wall at the back of the stage acted as a great canvas for projections. These added to the atmosphere and created a sense of place during key moments, all while allowing the actors plenty of space to move about. In this more intimate theatre, it worked beautifully to keep the focus on the performances. I must say, I particularly enjoyed the bathroom set sequence!

Shakespeare can be quite challenging to perform due to its fast-paced language and deep emotions, but the entire cast truly rose to the occasion. Yolanda Ovide stood out in her role as Lady Macbeth. Often shown as more ruthless and determined than Macbeth himself, she cleverly manipulates him into killing King Duncan by questioning his bravery and masculinity. Ovide’s powerful portrayal captivated the audience, taking them on a journey through Lady Macbeth’s fierce ambition, her downward spiral into guilt, madness, and ultimately, her tragic end.

Roly Botha truly impressed me by taking on several roles, including Witch 1, the Porter, and Lady Macduff. They effortlessly transitioned between characters, showcasing a strong presence and confidence that made each performance feel unique and engaging.

This production wonderfully highlighted what makes Shakespeare special, while also showcasing the creative flair that Storyhouse is famous for. Modern elements fit together beautifully with classic Shakespeare, enhanced by superb sound and lighting effects and striking costume designs.

I really enjoy Shakespeare’s clever insults, and this performance had a fantastic selection. My standout line from the evening was, “Thou cream-faced loon! Where did you get that goose look?”

THE LADY BOYS OF BANGKOK BRING THEIR DAZZLING “FULL MOON” TOUR TO CENTRAL LONDON  

SABAI PAVILION, SHEPHERD’S BUSH GREEN

27 JUNE – 12 JULY 2026

One of the UK’s most colourful and long-running cabaret spectaculars arrives in central London this summer as The Lady Boys of Bangkok bring their brand new show Full Moon to Shepherd’s Bush Green from 27 June to 12 July 2026, with a press night on 30 June.

Staged inside the company’s glamorous Sabai Pavilion – a custom-built, heated pink cabaret tent with table seating, plush carpeting and well-stocked bars – the show promises a dazzling night of music, comedy and high-energy performance inspired by Thailand’s vibrant cabaret traditions.

Featuring nine ladyboy performers, four male dancers and a drag host, the show is a dazzling cabaret spectacular featuring elaborate costumes, choreographed routines and show-stopping theatrical moments.  Expect chart-topping pop hits and around 400 glittering costumes in a fast-paced celebration of glamour, identity and pure escapist entertainment.  While London has a growing cabaret scene, The Lady Boys of Bangkok offers a large-scale international revue experience that is genuinely unlike anything else currently playing

Since first premiering in 1998, The Lady Boys of Bangkok has become a touring phenomenon, entertaining more than one million people across the UK and internationally, including runs in Australia and South Africa. The show has also become a regular fixture at the Edinburgh Festival Fringe, where it has returned almost every year since its debut.

While the production made a limited short appearance in London’s West End at the Queen’s Theatre in 1998, the spectacular Sabai Pavilion experience has never before appeared in central London, making this Shepherd’s Bush run a rare opportunity for London audiences to experience the full touring show in its signature venue.

Creative Director Hayley Gandey said: “There’s something very special about bringing Ladyboys of Bangkok back to London. The show has entertained over a million people since it began, and audiences come for the glamour, the comedy and the joy of the experience. It’s a celebration of performance, and we’re excited to invite London audiences to join the party.”

Thai Company Manager and performer Oak (Taweesak Samdangrit) also commented: “For many of us, performing in Ladyboys of Bangkok is a way of sharing a part of Thai cabaret culture with audiences around the world. It’s wonderful to see people from different backgrounds come together and enjoy the show. Our goal every night is simple — we want people to forget about their worries, laugh, dance in their seats and leave with a big smile on their faces.”

Over the years the show has welcomed a host of celebrity visitors including Rylan Clark, Russell Tovey, Gail Porter, Katie Price, Chelsea Healey and stars from shows including Coronation Street, Geordie Shore and Gogglebox.

Expect outrageous humour, iconic music, dazzlingcostumes and unforgettable performances in what has become one of the UK’s most exuberant touring cabaret experiences.

Tickets and information for all shows are available here.

Emmerson & Ward Productions presents 

RUM 

LONDON PREMIERE

Set pre manosphere, this impactful solo show exploring society’s expectation of men and the impact on their mental health, is back by popular demand

Written and performed by Joe Mallalieu (Coronation Street) 

Directed by Tess Seddon (Say Yes To Tess) 

WINNER: Broadway Baby Bobby Award (Edinburgh Fringe 2024) 

UK TOUR 2026: Wednesday 22 April – Tuesday 9 June 2026, various times, 16+

RUM: an insult and a compliment; Having no care for the consequences of an action; Acting larger than life. 

“Mallalieu’s storytelling is captivating and impassioned” ★★★★★ Broadway Baby  
“Dazzlingly authentic” ★★★★ The Scotsman
“A blistering play” The Mirror
“A powerful, intimate play.” ★★★★★ The Reviews Hub

“This plaster will outlive me. I shape these rooms but in turn they have moulded me. Hiding secrets. Weak spots made to look strong.”

Returning to tour further across the UK, this moving solo show is inspired by playwright and plasterer Joe Mallalieu’s real-life experiences of the building trade. RUM received strong critical praise following a brief 2024 Edinburgh Fringe run where it captured the interest of TV producers (development discussions are well underway). 

RUM follows Danny who has been plastering since he was a kid, he’s not scared of anything, he’s RUM. He’s been up all night and now he’s rushing to finish a job before he has to give the speech of his life. The biting play explores what happens when you lack the language or tools to speak about your emotions, interrogating how poor mental health, the celebration of violence and stigma around vulnerability often go hand-in-hand. The debut, which toured the UK last year capturing the interest of scores of non theatre goers as it went venue to venue, is written and performed by plasterer and actor Joe Mallalieu whose family have been in the building trade for three generations. 

Writer and performer Joe Mallalieu said: “I think RUM pre-dates the Andrew Tate view point, it’s not born with the rise of social media or an uncertainty of what men should be or how they could grow up like we saw in Adolescence. 

“It’s about how working class men have been growing up for generations. I think that’s why it did so well last tour, why we’re bringing it back and also why TV production companies have shown interest.” 

Director Tess Seddon said: “‘When I first started working with Joe on RUM I was struck by the rich complexity of the main character of Danny. He feels love and loyalty so deeply and yet the only acceptable way to express it is through destruction and violence. He’s trapped by the very culture that he loves so much. Now four years later, the play is more relevant than ever. With the rise of the manosphere Danny’s story is happening on a massive scale as young men are learning limiting and hate filled ideas of what a man should be. I’m thrilled to be bringing such an emotional, funny and politically charged show on a nationwide tour at a time when conversations about masculinity are so badly needed.’ man who both wears the culture as a badge of honour and suffers within it.”

Lucas Whitehead, Head of Marketing and Partnerships, ANDYSMANCLUB, said: ”We’re proud to be supporting RUM, a no holds-barred take on mental health and suicide in the construction industry. It is no coincidence that britain’s most male-dominated industry has a problem with male suicide, and anything that artists, professionals or the public can do to shine a light on this is massively beneficial. 700 people a year take their lives in construction-related suicides. It is important to make noise about the importance of talking and openness and to create things that men who may be struggling can relate to. If this production can inspire one person to make a change in their life, and in turn prevent their suicide or suffering, then the production has done its job.” 

Company Information

Writer & Performer Joe Mallalieu (he/him)

Director & Dramaturg Tess Seddon (she/her)

Designer Rūta Iribīte (she/her)

Lighting Designer Amy Mae (she/her)

Composer & Sound Designer Lee Affen (he/him)

Photography & Graphic Design Grant Archer (he/him)

Technical Stage Manager & Production Manager Tom Blackband (he/him)

PR SM Publicity

Assistant Producer Sasha Dowdy (she/her)

Producer Emmerson & Ward Productions 

Web and social media links: 

Facebook: facebook.com/Emmerson&WardProductions / Instagram: @emmersonandward / X: @EmmersonWard

#RUMJoeMallalieu

West End LIVE returns to Trafalgar Square for 2026 

Saturday 20 & Sunday 21 June 2026 

WestEndLive.co.uk  

·         Hailed as ‘Glastonbury for theatre lovers’, Europe’s largest free musical theatre festival returns on Saturday 20 & Sunday 21 June 

·         West End LIVE continues its commitment to delivering an environmentally responsible event 
 

West End LIVE will return to Trafalgar Square on Saturday 20 & Sunday 21 June, with a packed line-up of top West End shows yet to be announced. Hailed as ‘Glastonbury for theatre lovers’, West End LIVE is Europe’s largest free musical theatre festival which, each year, showcases outstanding performances from over 50 London musicals. 

Tens of thousands of theatre fans are set to descend on the capital for this unique event, presented by Westminster City Council and the Society of London Theatre, with support from the Mayor of London, partners and sponsors. West End LIVE brings audiences of all ages into the heart of the city to celebrate the very best of the West End – from its world-class theatre and culture to its vibrant food, drink, fashion, nightlife and retail scene – delivering a significant boost to Westminster’s local economy and championing the creative industries. 

For the first time in West End LIVE history, 100 queue jump places per day are up for grabs via an online competition. Each lucky winner will access West End LIVE via a separate entrance, plus one winner will get the chance to go backstage and see the magic of West End LIVE from behind the curtain, receive a £50 merchandise voucher and £200 in Theatre Tokens to redeem on OfficialLondonTheatre.com or at the Official London Theatre Ticket Booth in Leicester Square. Entrants must complete an online form at OfficialLondonTheatre.com to be in with a chance of winning this exclusive prize.  

West End LIVE is also committed to delivering the event in a way that is environmentally responsible. In 2025, the festival pioneered a large-scale battery-powered production model in Trafalgar Square, significantly reducing carbon emissions while maintaining the high-energy performances and technical excellence audiences expect. This innovative approach – delivered in collaboration with Film and TV Services – demonstrated how world-class live entertainment can be staged sustainably in the heart of the capital. The 2025 event also saw a 90% reduction in single-use plastics across the site. 

By embedding sustainability and inclusivity at its core, West End LIVE is setting a benchmark for how major cultural events can responsibly serve audiences, artists and the city alike. 

Cllr Sara Hassan, Westminster City Council Cabinet Member for Climate Action, Ecology, Culture and Air Quality, said:  

“West End LIVE is one of the highlights in London’s cultural calendar, and we’re delighted to welcome it back to Trafalgar Square this June.  

“Through our partnership with the Society of London Theatre, we are increasing access to world‑class culture for residents and young people in Westminster, while welcoming thousands of visitors from across the UK to enjoy this free celebration of musical theatre.   

“We’re also proud to build on last year’s sustainability achievements from cutting carbon emissions with innovative battery‑powered staging to reducing single‑use plastics across the site. Each year we’re finding smarter, greener ways to deliver this much‑loved event, ensuring West End LIVE continues to thrive in a more sustainable future.” 

West End LIVE would not be possible without the ongoing commitment shown by Westminster City Council and the Society of London Theatre, with the support of Art of London, ATG Entertainment, The Crown Estate, Delfont Mackintosh Theatres, Disney on Stage, Gascoyne Estates, Heart of London Business Alliance, London Heritage Quarter, LW Theatres, Mayor of London, New West End Company, Nimax Theatres, The Noël Coward Foundation, Regent Street and St James’s, Shaftesbury Capital, Theatre Royal Haymarket, Theatrical Rights Worldwide, Trafalgar Entertainment and Veolia.   

West End LIVE is free to attend. Throughout the weekend, performances and exclusive backstage content are streamed on Official London Theatre’s YouTube and social media channels. 

WestEndLive.co.uk | X | Instagram | Facebook | TikTok | YouTube 

Sophie Ward, Philip Franks and John Wark star in

The Cold Embrace by Mary Elizabeth Braddon

Episode Two of The Unquiet: Stories for Dark Nights
a unique theatrical ‘lights off’ podcast experience
with cutting-edge sound design and music from Max Pappenheim 

available now on all major podcast platforms.

A chilling new adaptation of Mary Elizabeth Braddon’s timeless Victorian ghost story The Cold Embrace by Mary Elizabeth Braddon, starring Sophie Ward, Philip Franks and John Wark, has been released as the second episode of Original Theatre’s podcast series, The Unquiet: Stories for Dark Nights. 

The Cold Embrace is available to stream for free across all major platforms as well as at originaltheatre.com.

Adapted by Max Pappenheim and Philip Franks,and Directed by Max Pappenheim, The Cold Embrace is a ghostly tale of a young lover’s vows coming back to haunt him. Sophie Ward narrates the story of a young artist who can’t escape the clutches of the lover he betrayed. 

Launched in December 2025, The Unquiet: Stories for Dark Nights takes great ghost stories from the ages and adapts them for aural theatre, using cutting-edge sound design and original music by award-winning composer Max Pappenheim to create a unique sonic experience. This is theatre for the imagination – with the lights off. For the best experience, listen via headphones, in the dark or with your eyes closed.

Each 30-minute episode of The Unquiet podcastis individually introduced to give some context to the writer and production. Expect thrills, chills and some familiar voices bringing these other worldly tales to life. The critically-aclaimed first episode, The Mass For The Dead, starring Jemma Redgrave, Philip Franks and Susie Blake is also available..

ACTING FOR OTHERS RETURNS TO

SIMPSON’S ON THE STRAND TO CELEBRATE

10TH YEAR ANNIVERSARY OF ONE NIGHT ONLY

Acting for Others today announces the return of its much-loved fundraising event, One Night Only, to the newly reopened Simpson’s on the Strand. This year marks the 10th anniversary of the special one-night-only celebration, which takes place on Sunday 22 March 2026. Following its eagerly anticipated reopening and refurbishment, Simpson’s on the Strand will host One Night Only, where Samantha Bond and Richard Clifford invite faces from stage and screen to swap the spotlight for the dining room, shadowing the Maître d’, bartenders, serving staff and hosts throughout the evening.

The line-up this year includes Geraldine Alexander, Lorraine Ashbourne, Annette Badland, Richard Fleeshman, Freddie Fox, Ginny Holder, Laura Hopper, Tom Hopper, Sir Derek Jacobi, Sir Ian McKellen, Tamzin Outhwaite, Dame Arlene Philips, Jodie Prenger, Caroline Quentin, Amanda Redman, Anne Reid, Hugh Sachs, Michael Simkins, Samantha Spiro, Harriet Thorpe, Dame Penelope Wilton, and Gaia Wise.

Sir Stephen Waley-Cohen, Co-Chairman of Acting for Others today said, “We are delighted to celebrate the 10th anniversary of One Night Only at Simpson’s in the Strand and to be part of the reopening, reimagined by Jeremy King Restaurants. We very much look forward to an exciting evening in Romano’s to mark this special occasion.

The evening will feature both a Live and Silent auction led by the incomparable antiques expert and auctioneer, Charlie Ross. A selection of exclusive lots will be available, including VIP Theatre experiences, delectable dinners with the stars at a selection of restaurants, and many more exciting items to bid on, all in aid of theatrical charity Acting for Others.

The line-up is subject to change, with final names to be confirmed nearer the time.

THE ORANGE TREE THEATRE MARK THE START OF

MAJOR DEVELOPMENT PROJECT

WITH ROGER ALLAM, NIAMH CUSACK,

EMMA FIELDING AND FREDDIE FOX

BREAKING GROUND

Roger Allam, Niamh Cusack, Emma Fielding and Freddie Fox were in attendance today at the Orange Tree Theatre (OT) for their breaking ground event.The event marked the start of the major development taking place at the venue, which will transform the front of house and backstage areas to create a more accessible, welcoming and sustainable environment for audiences, creatives and performers.

OT Artistic Director, Tom Littler and OTExecutive Director, Julie Weston said, “Breaking ground today is a landmark moment for the Orange Tree, but this project is about much more than construction. It is about who gets to feel welcome here, who gets to take part, and what kind of theatre we want to be in the years ahead.

“We are opening the Orange Tree up without losing what makes it special. The intimacy stays. The ambition stays. The closeness between audience and artist stays. What changes is that more people will be able to experience it.

“And we are not going quiet while this happens. The Orange Tree remains open throughout the development. This theatre will keep making work and keep welcoming audiences even as the building changes around us.

“So, this is both a beginning and a call to action. We are in the final phase of the campaign, and the last support will help us finish a project that will change this theatre for generations.”

The development, designed by architects Allies and Morrison, will be led by Rise Contracts Limited who have been a part of major London theatres’ redevelopments over the years including at the National Theatre, Donmar Warehouse and The Old Vic.

The development will work around OT’s current programming with the venue remaining open. This includes the first major revival of Nicholas Wright’s Vincent in Brixton which begins previews this week.

OT’s public fundraising campaign for its development project OT: Open to Everyone is still open to help raise the final amount towards their target. For more information and to donate, please visit https://orangetreetheatre.co.uk/open/