BOOKING OPENS FOR MRS. WARREN’S PROFESSION STARRING IMELDA STAUNTON AND BESSIE CARTER

Sonia Friedman Productions announces today that general booking is now open for the upcoming major revival of George Bernard Shaw’s Mrs. Warren’s Profession starring Imelda Staunton and Bessie Carter, directed by Dominic Cooke.

Mrs. Warren’s Profession will open at the Garrick Theatre on 22 May, with previews from 10 May, and run until 16 August.

Sonia Friedman Productions presents

IMELDA STAUNTON

in

MRS. WARREN’S PROFESSION

by George Bernard Shaw

directed by Dominic Cooke

Designer: Chloe Lamford; Lighting Designer: Jon Clark; Sound Designer: Christopher Shutt; Casting: Amy Ball CDG

Cast includes Imelda Staunton and Bessie Carter

“I am my mother’s daughter. I am like you. But my work is not your work, and my way is not your way.”

Vivie Warren is a woman ahead of her time. Estranged from her wealthy mother, she delights in a glass of whisky, a good detective story, and is determined to carve herself a sparkling legal career in an age ruled by men.

Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune and paid for her daughter’s expensive education – but at what cost?

Four-time Olivier Award winner Imelda Staunton (The Crown, Who’s Afraid of Virginia Woolf?) joins forces with her real-life daughter Bessie Carter (Bridgerton, Dear Octopus) for the very first time, reuniting with the extraordinary director Dominic Cooke (Hello, Dolly!, Good) to bring George Bernard Shaw’s incendiary moral classic crashing into the 21st Century.

George Bernard Shaw (1856 – 1950) was an Irish playwright. His major works include Arms and the Man, Candida, The Philanderer, The Devil’s Disciple, Man and Superman, Major Barbara, The Doctor’s Dilemma, Misalliance, Pygmalion, Heartbreak House, and Saint Joan. He won multiple awards, including the Nobel Prize for Literature in 1925.

Multi-award-winning Imelda Staunton plays Mrs. Kitty Warren. Her theatre work includes Hello, Dolly! (London Palladium), Talking Heads (Bridge Theatre), Follies, Life x3, The Beggar’s Opera, Guys and Dolls, A Chorus of Disapproval – Olivier Award for Best Supporting Actress in a Play (National Theatre), Who’s Afraid of Virginia Woolf? (Harold Pinter Theatre)  Circle Mirror Transformation (Royal Court Theatre), Gypsy (Chichester Festival Theatre and Savoy Theatre – Olivier Award for Best Actress in a Musical), Sweeney Todd (Chichester Festival Theatre and Adelphi Theatre – Olivier Award for Best Actress in a Musical), A Delicate Balance (Almeida Theatre), Entertaining Mr Sloane (Trafalgar Studios), Fairmaid of the West, They Shoot Horses, Don’t They?, The Wizard of Oz (RSC), The Corn is Green (The Old Vic), Uncle Vanya (Vaudeville Theatre), Into the Woods (Olivier Award for Best Actress in a Musical). For television her work includes Brassic, The Crown as Elizabeth II, Talking Heads, Trying, Flesh and Blood, A Confession, That Day We Sang, The Girl, Psychoville, Cranford Chronicles, Up The Garden Path, My Family and Other Animals, A Midsummer Night’s Dream, Fingersmith, Strange, Family Business, Cambridge Spies, Easy Money and The Singing Detective. Film includes Paddington in Peru, Downton Abbey 1 and 2, Amulet, Finding Your Feet, Pride (British Independent Film Award for Best Supporting Actress)  Maleficent 1 and 2, The Awakening, Another Year, Paddington 1 and 2, Harry Potter and the Order of the Phoenix, Harry Potter and the Deathly Hallows Part 1, Taking Woodstock, A Bunch of Amateurs, Freedom Writers, Vera Drake (BAFTA, British Independent Film Awards, Evening Standard Film Awards, London Critics’ Circle Award. Los Angeles Film Critics’ Association Award, New York Film Critics’ Circle Award for Best Actress; and SAG, Academy Award and Golden Globe nominations), Nanny McPhee, Bright Young Things, Shakespeare in LoveMuch Ado About Nothing, Sense and Sensibility and Peter’s Friends.

Bessie Carter plays Vivie Warren. Her theatre work includes Dear Octopus (National Theatre), All My SonsKing Lear (The Old Vic), and Baskerville (Liverpool Playhouse). For television, her work includes OutrageousA Cruel Love: The Ruth Ellis Story, Bridgerton (series regular Prudence Featherington), I Hate SuzieBeecham HouseDoc MartinHoward’s End, Cranford and Trevor Island; and for film, Les Misérables. Carter was winner of the Spotlight Prize in 2016.

Dominic Cooke is a highly accomplished theatre, film, and television director. He was Artistic Director of the Royal Court Theatre from 2007 to 2013. During his tenure at the Royal Court he directed Clybourne Park by Bruce Norris (West End, Produced by Sonia Friedman Productions) for which he was nominated as Best Director for the Evening Standard Awards. He has directed Ma Rainey’s Black Bottom, Here We Go and The Comedy Of Errors for the National Theatre, and The Crucible for the RSC for which he won the Olivier Award for Best Director. His critically acclaimed production of Follies was nominated for 10 Olivier awards, including Best Director – and most recently directed Hello Dolly! at the London Palladium. Also a writer, he wrote the stage adaptation of Malorie Blackman’s Noughts and Crosses, which he directed and produced at the RSC; and an adaptation of Arabian Nights for Young Vic. Cooke has successfully transitioned to television and film, beginning with his adaptation of Shakespeare’s Henry VI Parts 1 and 2 for BBC TV’s The Hollow Crown: The Wars of The Roses. His first feature film, On Chesil Beach, starred Saoirse Ronan and Billy Howle – the film is based on the novel of the same name by Booker Prize winning novelist Ian McEwan, and premiered at the 2017 Toronto International Film Festival, where it was chosen by Variety as one of the ten best films of the festival. His latest feature The Courier with Benedict Cumberbatch and Rachel Brosnahan premiered at the Sundance Film Festival and was released in 2021. 

Instagram, Facebook and X: @mrswarrenplay

mrswarrensprofession.com

MRS. WARREN’S PROFESSION                                                                                                                 LISTINGS

Garrick Theatre
2 Charing Cross Rd, London WC2H 0HH

Box Office: 0330 333 4811
https://nimaxtheatres.com/

Tickets from £25

10 May – 16 August

Monday to Saturday at 7.30pm

Wednesday (from 21 May) and Saturday (from 24 May) matinees at 2.30pm

THE HUNCHBACK OF NOTRE DAME THE MUSICAL to make UK Premiere in two concert performances

THE HUNCHBACK OF NOTRE DAME

THE MUSICAL

TO MAKE UK PREMIERE IN

TWO CONCERT PERFORMANCES AT

PRINCE EDWARD THEATRE ON

SUNDAY 17 AUGUST 2025

Award-winning producer Jack Maple is delighted to announce that the musical stage adaptation of the beloved Disney classic The Hunchback of Notre Dame will have its UK professional premiere with two concert performances at the Prince Edward Theatre, a Delfont Mackintosh Theatre, on Sunday 17 August 2025. Tickets on-sale from 10am on Friday 14 February.

Casting to be announced.

The Hunchback of Notre Dame has music and lyrics from the 1996 animated film by Alan Menken and Stephen Schwartz and additional songs written for the musical by the two Oscar winners, and a book by Peter Parnell. The concert will be directed by Jonathan O’Boyle with musical direction by Olivier Award-winner Alan Williams. 

This extraordinary production brings to life Victor Hugo’s timeless tale of love, power, and redemption, set against the majestic backdrop of Notre Dame Cathedral. With a story that still resonates today, this unique concert performance will captivate both longtime fans and newcomers alike. Prepare for an evening of soaring melodies, passionate performances, and the beauty of a timeless tale brought to life like never before!

Featuring a breathtaking symphonic score by legendary composer Alan Menken (Beauty and the Beast, The Little Mermaid) and lyrics by Stephen Schwartz (Wicked, Pocahontas). Prepare to be swept away by iconic songs like ‘Out There’, ‘God Help the Outcasts’, and ‘The Bells of Notre Dame’, all performed by a full orchestra, choir, and an all-star West End cast.

The Hunchback of Notre Dame first opened in Berlin in 1999, with a book by James Lapine, under the German name Der Glöckner von Notre Dame where it ran for over 1200 performances and was seen by 1.4-million people. In 2014, a new version premiered in San Diego with a new book by Peter Parnell and additional songs from Menken and Schwartz. This version has gone on to be produced by multiple US regional theatres and has had productions in Japan, Germany and Australia.

LISTINGS INFORMATION

THE HUNCHBACK OF NOTRE DAME IN CONCERT

Sunday 17 August 2025

Prince Edward Theatre

Old Compton St

London

W1D 4HS

Performances: 3pm & 7:30pm

Tickets: from £30

Box Office: 0344 482 5151

Website: www.delfontmackintosh.co.uk

Instagram – @hunchbackconcertldn

European Premiere of Death on the Nile

The UK & IRELAND Tour of

Agatha Christie’s

DEATH ON THE NILE adapted by Ken Ludwig

WILL OPEN ON 26 September at the Lowry in Salford

Following sell-out tours of And Then There Were None and Murder on the Orient ExpressDeath on the Nile reunites celebrated director Lucy Bailey (Witness for the Prosecution), writer Ken Ludwig and producers Fiery Angel for the European premiere of a new adaptation of the globally celebrated Agatha Christie story on a nationwide tour.  The UK & Ireland Tour will open on 26 September at the Lowry in Salford and will continue through to 2026, with full dates to be announced.

On board a luxurious cruise under the heat of the Egyptian sun, a couple’s idyllic honeymoon is cut short by a brutal murder.  As secrets that have been buried in the sands of time finally resurface, can the world-famous detective, Hercule Poirot, untangle the web of lies and solve another crime?

James Prichard of Agatha Christie Limited said, “With a hugely successful tour of Murder on the Orient Express still delighting UK audiences, we are thrilled to be partnering once again with Lucy Bailey, Ken Ludwig and the team at Fiery Angel to bring another of my great grandmother’s most celebrated stories to UK stages.”

This is Lucy’s fifth Agatha Christie play since staging Witness for the Prosecution, still performing at London’s County Hall, and her second Poirot. “I’m delighted to be following Murder on The Orient Express with another of Poirot’s most famous cases, Death on the Nile. It takes place in the midsummer heat of Egypt and is one of Agatha Christie’s most passion-driven thrillers. A group of holiday makers attracted by the ancient beauty of the Nile find themselves in a living nightmare of jealousy and revenge. Trapped on board a pleasure steamer and adrift on the Nile, it’s a voyage into the heart of darkness”.

Casting is to be announced.

DEATH ON THE NILE will be directed by Lucy Bailey. The UK & Ireland Tour is presented by Fiery Angel.

Website: deathonthenileplay.com

Facebook & Instagram: @deathonthenileplay

TOUR SCHEDULE

2025

26 September – 4 October          The Lowry, Salford                                                                                    0161 876 2000

                                                         www.thelowry.com                                                                                  on sale 14 February

7 – 11 October                                  Richmond Theatre, London

                                                         www.atgtickets.com/Richmond                                                           on sale 14 February

14 – 18 October                               Milton KeynesTheatre                                                                                                                                      

                                                         www.atgtickets.com/venues/milton-keynes-theatre                       on sale 14 February

21 – 25 October                               Theatre Royal Bath                                                                                  01225 448844

                                                         theatreroyal.org.uk                                                                                 on sale 1 March

4 – 8 November                               Royal & Derngate Northampton                                                           01604 624811

                                                         www.royalandderngate.co.uk                                                              on sale 14 February

11 – 15 November                           Truro Hall for Cornwall                                                                           01872 262 466                                                         

                                                          www.hallforcornwall.co.uk                                                                   on sale 21 February

18 – 22 November                           Princess Theatre, Torquay

                                                         www.atgtickets.com/torquay                                                               on sale 14 February

25 – 29 November                           New Theatre, Cardiff                                                                             0343 310 0041

                                                         www.trafalgartickets.com/new-theatre-cardiff                                on sale 14 February

2026

13 – 17 January                               The Yvonne Arnaud Theatre, Guildford                                              01483 44 00 00

                                                        www.yvonne-arnaud.co.uk                                                                   on sale 21 February

20 – 24 January                              CanterburyMarlowe Theatre                                                               01227 787787                                                           

                                                       www.marlowetheatre.com                                                                   on sale soon

Further dates to be added.

20 Questions with ….. Dianne Pilkington

Actress, singer and musical theatre star Dianne Pilkington sat down with fairypowered to answer 20 questions. Dianne will be playing Dr Westfeldt Dracula, A Comedy Of Terrors at The Menier Chocolate Factory  Tickets can be found here

Let’s start with a few favourites

Favourite show (whether you have been in it or not)? 

Sweeney Todd. Dianne joined the cast of Sweeney Todd at the Bridewell Theatre in 2000, a production she had played the role of Mrs Lovett in whilst training at GSA

Favourite book? 

The Witching Hour by Anne Rice

Favourite theatre? 

I love them ALL . But I did fall in love with the Swan at the RSC

Favourite song? 

Currently Brooklyn Baby by Lana Del Rey

Favourite music? 

Lana Del Rey

Favourite food? 

Cheese

Favourite drink? 

Dry Martini

What is your favourite role? 

Too hard, but I miss Eglantine the most.  Dianne created the role of Eglantine Price in the Bedknobs and Broomsticks adaptation, a collaboration between Disney and Michael Harrison, directed by Candace Edmunds and Jamie Harrison, written by Neil Bartram and Brian Hill. The tour completed in May 2022

What was your first role? 

Mary, a shepherd, a wise man and a Christmas tree in the Nursery Nativity during a chickenpox outbreak.

And what role would you really like to play? 

Sally in Follies. Miss Hannigan in Annie

If you weren’t a performer what would you be? 

A librarian, or a Tea Shop Owner, with cakes

What made you decide to be a performer? 

I felt most at home and most myself in the theatre

Do you enjoy touring? 

I enjoy seeing other cities but I’m a homebody

What advice would you give 16 year old you? 

Stop worrying about not fitting in. It’s overrated

Do you fancy branching out in Producing or Directing? 

Absolutely not- much respect for that kind of brain

What was the last stage show you saw and really enjoyed? 

Twelfth Night at the RSC. What a cast, and concept. Brilliant

Favourite line from any show? 

“I don’t think we’re in Kansas any more”

If you could be anyone else for the day, who would it be? 

The Education Secretary

What are the nicest/weirdest things you have ever received from fans? 

Face masks! And some lovely fan art- nothing weird!

Can you tell us what you will be up to next? 

I could but then Dracula would have to kill you.

Dracula, A Comedy Of Terrors is at The Menier Chocolate Factory, from March 8th to May 3rd.   Tickets can be found here

Chichester Festival Theatre announces Festival 2025 season

CHICHESTER FESTIVAL THEATRE ANNOUNCES

FESTIVAL 2025

Chichester Festival Theatre’s Festival 2025 has today been announced by Artistic Director, Justin Audibert and Executive Director, Kathy Bourne.

Festival 2025 includes five world and two UK premieres, two musicals, and masterpieces from world drama. The company includes Mark Addy, Natalie Dormer, Beverley Knight, Tom Rosenthal, Jenna Russell and Giles Terera; directors making their Chichester debuts include Gregory Doran, Katy Rudd, Phillip Breen, Monique Touko, Kathleen Marshall, Hannah Joss, Anthony Lau and Roy Alexander Weise.

Musicals:

· Kathleen Marshall directs and choreographs a brand new production of Irving Berlin’s classic tap extravaganza Top Hat

· A new musical, The Unlikely Pilgrimage of Harold Fry, adapted by Rachel Joyce from her bestselling novel, with music and lyrics by Passenger, directed by Katy Rudd, starring Mark Addy and Jenna Russell

World premieres:

· Gogol’s sparkling satire The Government Inspector in a new adaptation by Phil Porter, directed by Gregory Doran, starring actor and comedian Tom Rosenthal

· Choir, a new play by Gurpreet Kaur Bhatti celebrating music and togetherness, directed by Hannah Joss

· Safe Space, a new play by Jamie Bogyo, delving into volatile campus politics, directed by Roy Alexander Weise

Classic and modern dramas:

· Natalie Dormer in Anna Karenina, Tolstoy’s romantic masterpiece in a new adaptation written and directed by Phillip Breen

· Beverley Knight in Marie and Rosetta by George Brant, directed by Monique Touko in a co-production with Rose Theatre and ETT

· Giles Terera plays the title role in Hamlet, directed by Justin Audibert in Chichester’s first ever production of Shakespeare’s great tragedy

· William Golding’s compelling adventure Lord of the Flies, adapted by Nigel Williams, directed by Anthony Lau

For family audiences:

· The first stage production of Matt Haig’s A Boy Called Christmas, adapted by Philip Wilson with music by Tom Brady, performed by Chichester Festival Youth Theatre to mark their 40th anniversary and directed by Dale Rooks

· Stiles and Drewe’s The Three Little Pigs, a co-production with the Unicorn Theatre for young families at Christmas

· Looking ahead to Festival 2026, Roald Dahl’s The BFG, adapted by Tom Wells, in a co-production with the Royal Shakespeare Company and Roald Dahl Story Company, will be directed by Daniel Evans

· The Nest, a new studio space for work by emerging artists, creative development and community projects, will open in summer 2025 after a successful fundraising campaign

· 12,000 £10 tickets across the season; 9,000 £5 Prologue tickets for 16 – 30 year olds

· Off-stage events, exhibitions, free live music, family activities, and CFT Lates

Justin Audibert and Kathy Bourne said:

‘We’re delighted to share our new season, which aims to include all the ingredients we know our audiences love – including, of course, an unmissable summer musical. In fact, music of all kinds features strongly in several productions, from stimulating new work to classic masterpieces from the world stage.

‘A sense of lives and society in flux is central to many of the dramas this season, with vivid characters facing momentous change – making for compelling storytelling.

‘We’re continuing our policy of maximum theatricality in the Festival Theatre, with large casts and striking designs; while in the intimate Minerva, we have four premieres as well as Chichester’s first ever production of Hamlet.

‘We will welcome two Resident Assistant Directors, Becca Chadder and Nathanael Campbell; and this summer, we’ll launch our exciting new studio space, The Nest. December brings the first stage adaptation of Matt Haig’s contemporary classic, A Boy Called Christmas, which will mark our brilliant Chichester Festival Youth Theatre’s 40th anniversary.

‘It’s a pleasure to be working in partnership with Rose Theatre, ETT, the Unicorn Theatre and – looking ahead to 2026 – the RSC and Roald Dahl Story Company on our forthcoming co-production of The BFG. Meanwhile, Oliver!, our collaboration with Cameron Mackintosh, continues its triumphant run in the West End; and our co-production with Headlong, The House Party is on tour in the UK – taking Chichester’s work to audiences across the country.’

FESTIVAL 2025 PRODUCTIONS – APRIL TO OCTOBER

World Premiere

Tom Rosenthal in

THE GOVERNMENT INSPECTOR

By Nikolai Gogol A new adaptation by Phil Porter

Directed by Gregory Doran

25 April – 24 May, Festival Theatre

Gogol’s brilliantly inventive 19th century satire of skulduggery, mistaken identity and human absurdity spirals into dizzying levels of comic hysteria in Phil Porter’s sparkling new version.

The bureaucrats in a remote provincial town are panicking. Word has gone round that a bigwig government inspector is heading their way. And things are far from ideal: for a start, the hospital’s hopeless, the post office has gone to pot, and the streets are filthy. The Mayor and the Judge are keen to brush their own indiscretions under the nearest carpet.

So when they discover the inspector is already staying at the inn, incognito, the whole town lavishes flattering attention on him. This suits ‘the inspector’ just fine, since in reality he’s a lowly and broke government pen-pusher, nursing extravagant fantasies of fame and fortune…

Actor and comedian Tom Rosenthal (Friday Night Dinner, Plebs, Manhood) plays Khlestakov.

The cast also includes Joe Dixon (Renegade Nell, Imperium I & II) as the Judge, Joe Eyre (Young Sherlock, EastEnders) as Waiter/Gendarme, Nick Haverson (The Cat and the Canary CFT, Charlie & Stan) as Osip, Lloyd Hutchinson (Dear England, King Lear) as the Mayor, Sylvestra Le Touzel (The Crown, Intelligence) as Anna, Christopher Middleton (Henry IV, Time) as Head of Schools, Laurie Ogden (The Ocean at the End of the Lane, Great Expectations) as Marya, Oscar Pearce (Bring Up The Bodies, Colleseum) as The Charity Commissioner, Paul Rider (The Comedy of Errors, Dangerous Liaisons) as Dobchinsky, and Miltos Yerolemou (Foundation, Back to Black) as Bobchinsky.

Gregory Doran, former Artistic Director of the RSC (2012 – 2023), makes his Chichester debut as director.

The designer is Francis O’Connor, lighting designer Emma Chapman, composer Paul Englishby, sound designers Claire Windsor and Jonathan Ruddick, movement director Mike Ashcroft, and casting director Helena Palmer CDG.

World Premiere

Mark Addy and Jenna Russell in THE UNLIKELY PILGRIMAGE OF HAROLD FRY A new musical

Based on the novel by Rachel Joyce Book by Rachel Joyce Music and Lyrics by Passenger

Directed by Katy Rudd

5 May – 14 June, Minerva Theatre

Funny, profound, deeply moving and uplifting, The Unlikely Pilgrimage of Harold Fry is a joyous new musical adapted by Rachel Joyce from her own multi million-selling novel, featuring irresistible modern folk songs by the chart-topping indie musician, Passenger (Let Her Go).

Harold Fry – grey, tired and lonely – receives a letter from an old friend and heads out to post his reply. And keeps walking. From South Devon to Berwick upon Tweed. Leaving his bewildered wife Maureen behind.

Because Harold is trying to make up for lost time, confront the ghosts in his past, and – perhaps – keep someone alive.

As word spreads of his unlikely pilgrimage, a whole company of lost souls join him on his quest. And the horizons for both Harold and Maureen open wider than they could ever have imagined.

Mark Addy, whose innumerable screen credits include The Full Monty, The Rig and Game of Thrones, plays Harold. Jenna Russell, whose award-winning musicals include Sunday in the Park with George and Hello, Dolly!, makes a welcome return to Chichester as Maureen.

Director Katy Rudd (Ballet Shoes, The Ocean at the End of the Lane NT/West End) makes her Chichester debut.

The designer is Samuel Wyer, choreographer Tom Jackson Greaves, arranger and orchestrator Jeremy Holland-Smith, musical supervisor Phil Bateman, lighting designer Paule Constable, sound designers Ian Dickinson and Gareth Tucker for Autograph, musical director Chris Poon, and casting director Anna Cooper CDG. Adaptation co-created by Rachel Joyce, Peter Darling and Katy Rudd.

UK Premiere

Natalie Dormer in ANNA KARENINA By Leo Tolstoy 

A new adaptation by Phillip Breen

Directed by Phillip Breen 

7 – 28 June

Phillip Breen’s witty and sensual version of Tolstoy’s masterpiece Anna Karenina – blending period dress with a contemporary tone – takes us into the hearts and minds of its conflicted, very human characters. A surprisingly funny, romantic and unforgettable portrait of infidelity, passion and the search for fulfilment.

Across the vast panorama of 19th-century Russia – from the glittering salons of Moscow and St Petersburg to its remote country estates – everyone is searching for answers in a society on the brink of collapse.

Anna Karenina, the beautiful wife of a powerful government official, dares to step outside the bounds of society to risk a dangerous and destructive love affair with the magnetic Count Vronsky.

Meanwhile, country landowner Levin is in pursuit of a new way to live and wrestling with his thwarted devotion to Kitty, who’s been left broken-hearted by Vronsky. Her sister Dolly struggles to reconcile constant child-bearing with her husband’s constant philandering.

Their dreams and despairs are mirrored in the tensions between individual and society, modernity and tradition, city and countryside, faith and doubt.

Natalie Dormer (Game of Thrones, The Hunger Games) makes her Chichester debut as Anna; David Oakes (Victoria, Vikings: Valhalla) also comes to Chichester for the first time as Levin.

The cast also includes Donna Berlin (The Chalk Garden CFT, Wicked) as Countess Vronskaya, Jonnie Broadbent (The Norman Conquests CFT, Much Ado About Nothing) as Stiva, Seamus Dillane (The Invention of Love, Richard II) as Vronsky, Tomiwa Edun (Romeo and Juliet, Trigger Point) as Karenin, Sandy Foster (Mr Turner, Fisherman’s Friends) as Countess Lydia, Ivan Ivashkin (Mission: Impossible) as Nikolai, Shalisha James-Davis (The Comedy of Errors, Romeo and Juliet) as Kitty, Anne Lacey (The Secret Garden, Shetland) as Agafya, Marcia Lecky (Coriolanus, Brian and Maggie) as Princess Scherbatskaya, Riad Richie (Casualty, Infamous) as Titus, and Naomi Sheldon (The Girlfriend, Witness for the Prosecution) as Dolly.

The set designer is Max Jones, costume designer Ruth Hall, lighting designer Anna Watson, composer Paddy Cunneen, sound designer Dyfan Jones, movement director Ayse Tashkiran, and casting director Helena Palmer CDG.

For ages 14+; contains strong language and scenes some people may find upsetting.

UK Premiere Beverley Knight in

MARIE AND ROSETTA 

By George Brant

Directed by Monique Touko A co-production with Rose Theatre and ETT

25 June – 26 July, Minerva Theatre 

Sister Rosetta Tharpe, the roof-raising ‘godmother of rock ‘n’ roll’, influenced countless musicians from Elvis to Johnny Cash. This sparkling, intimate portrait of Rosetta and her beloved singing partner, Marie Knight, restores these forgotten musical heroines to the spotlight as one of the most remarkable and revolutionary duos in music history.

Mississippi, 1946. Sister Rosetta has changed the face of gospel music with her exuberant, electric guitar-playing style. Shunned by straitlaced church folk for performing in nightclubs and glorying in rhythm and blues, she’s persuaded the saintly young singer Marie to join her on a tour of the segregated southern States. But first she has to convert Marie’s pure Sunday sound into something that has just a little more swing…

Featuring a wealth of joyous rock and gospel hits including Didn’t It Rain and Peace in the Valley, the show will feature live musicians accompanying Olivier Award-winning West End star

Beverley Knight (Memphis, The Drifters Girl, Sylvia, Sister Act), who makes her Chichester debut as Rosetta Tharpe.

George Brant is an award-winning American playwright whose work includes Grounded (Fringe First and Off-West End Awards).

Monique Touko, winner of the 2022 Stage Debut Award for Best Director, whose acclaimed productions include The Boy at the Back of the Class, School Girls; Or, the African Mean Girls Play, Wedding Band and G, directs this UK premiere.

The set designer will be Lily Arnold, lighting designer Matt Haskins, sound designer Tony Gayle, movement director Kloé Dean and casting director Jacob Sparrow.

This co-production with Rose Theatre and ETT will play at the Rose in Kingston from 2 – 24 May, prior to its Chichester run.

Maria and Rosetta is presented by arrangement with Concord Theatricals Ltd on behalf of Samuel French Ltd concordtheatricals.co.uk.

TOP HAT 

Music & Lyrics by Irving Berlin

Based on RKO’s Motion Picture

Adapted for the stage by Matthew White & Howard Jacques 

Directed and Choreographed by Kathleen Marshall 

14 July – 6 September, Festival Theatre 

There may be trouble ahead,

But while there’s moonlight, and music, and love, and romance… Let’s face the music and dance.

You’re invited to the musical equivalent of a finest vintage champagne. Effervescent, elegant and exhilarating, Top Hat is a heady romantic cocktail laced with sparklingly witty dialogue, stunning choreography, lavish sets and gorgeous costumes. Irving Berlin’s irresistible score includes some of Hollywood’s greatest songs: the immortal Cheek to Cheek, Let’s Face the Music and Dance, Top Hat White Tie and Tails and Puttin’ on the Ritz.

When Broadway star Jerry Travers arrives in London to open a new show, he crosses paths with model Dale Tremont, whose beauty sleep is rudely interrupted by Jerry tap dancing in the hotel suite above hers. Instantly smitten, Jerry vows to abandon his bachelor life to win her –

but the path of true love never does run smooth. Especially since Dale has mistaken Jerry for his hapless producer Horace, who’s trying to avoid the wrath of his formidable wife Madge, and Dale’s own fiery Italian admirer is planning a trip to Venice for her to showcase his couture gowns…

Based on the classic 1935 film which starred Fred Astaire and Ginger Rogers, the stage adaptation’s West End premiere won the 2013 Olivier Award for Best New Musical and the Evening Standard Award for Best Night Out. Acclaimed American director and choreographer Kathleen Marshall, whose Tony and Olivier Award-winning production of Anything Goes recently wowed audiences and critics in London and on television, comes to Chichester to stage this brand-new production.

The set designer for Top Hat will be Peter McKintosh; the musical supervisor will be Gareth Valentine, orchestrator & arranger Chris Walker, lighting designer Tim Mitchell, sound designer Paul Groothuis, and casting director Natalie Gallacher CDG for Pippa Ailion and Natalie Gallacher Casting.

There will be a Dementia Friendly performance on 31 July and a Relaxed Performance on 26 August. A Summer Gala on 29 August will support Chichester Festival Youth Theatre.

World Premiere

CHOIR By Gurpreet Kaur Bhatti 

Directed by Hannah Joss 

2 – 30 August, Minerva Theatre 

Heartwarming, funny and packed with glorious arrangements of contemporary songs, Gurpreet Kaur Bhatti’s new comedy with music promises a thoroughly entertaining night out.

Morgan runs a community choir who meet weekly in a room above the local pub to sing great pop songs, chat and drink. There’s Paul, a former West End performer who now does local radio voiceovers; Esther and Joy, best friends who can’t stand each other; Anna, whose seemingly perfect life hides a secret; Ken, good egg and perennial loser; and Sheila, dark horse and pathological liar.

The choir are busy rehearsing a concert to raise money for young Freddie to go to music college. And when a TV producer invites them to perform on national television, Morgan seizes her opportunity to hit the big time.

But – are her eccentric group up to it? And what is Morgan prepared to sacrifice to get the acclaim she so desires? Home truths are revealed and secrets laid bare in this feelgood comedy, which explores loneliness and connection while celebrating the joy and power of community art.

Gurpreet Kaur Bhatti is an award-winning writer for stage, screen and radio, whose work includes A Kind of People (Royal Court), Silence (Donmar Warehouse) and Radio 4’s The Archers.

CFT’s Associate Director Hannah Joss, previously Resident Director at the National Theatre Studio, directs.

The designer is Anisha Fields, lighting designer Jai Morjaria, music & sound designer Alexandra Faye Braithwaite, arranger Rich Forbes, musical director Michael Henry, movement director Annie-Lunnette Deakin-Foster, and casting director Jacob Sparrow.

Giles Terera in

HAMLET

By William Shakespeare 

Directed by Justin Audibert 

6 September – 4 October, Minerva Theatre 

Something is rotten in the state of Denmark.

The death of his father, the king, turns Hamlet’s world upside down. Stunned by the horrifying secrets revealed, he loses all trust in the people closest to him.

Amidst a maelstrom of grief, suspicion and doubt, he embarks on a profound journey of self-discovery in which the betrayal of friends and family – and the decay at the heart of the state – are laid bare.

Justin Audibert, Artistic Director of CFT, directs Chichester’s first ever production of Shakespeare’s supreme tragedy.

Giles Terera, winner of an Olivier Award for Hamilton (West End), and Critics’ Circle Best Actor Award for Blues for an Alabama Sky and the title role in Othello at the National Theatre, plays Hamlet.

The designer will be Lily Arnold, lighting designer Ryan Day, sound designer Ed Clarke, movement director Lucy Cullingford, fight director Cristian Cardenas and casting director Matilda James CDG.

William Golding’s

LORD OF THE FLIES 

Adapted for the stage by Nigel Williams 

Directed by Anthony Lau 

19 September – 11 October, Festival Theatre 

Which is better – law and rescue or hunting and breaking things up? To have rules and agree or to hunt and kill like a pack of savages?

William Golding’s compelling adventure takes us into the heart of darkness.

A plane crash on a desert island abandons a group of young survivors to fend for themselves. Quickly, tribal loyalties start to form. Despite attempts by Ralph and Piggy to keep order, school rules are shed along with their uniforms, and friendly alliances fast become ferocious divisions.

As the children threaten to turn feral, a deadly struggle ensues between Ralph and his leadership rival, Jack. Will chaos overcome humanity – or, with a world at war beyond the island, can rescue come in time to save them?

A modern classic, Lord of the Flies has lost none of its riveting power since its publication in 1954; frequently ranked high in lists of iconic novels, and a constant presence on the school syllabus. Nigel Williams’s much admired stage adaptation premiered at the RSC in 1995.

Anthony Lau, Associate Artistic Director at Sheffield Theatres 2020-2024, where his productions included The Crucible, Miss Saigon, Rock/Paper/Scissors and The Good Person of Szechwan, directs.

The casting director will be Jacob Sparrow.

For ages 13+; please note this production contains scenes some people may find upsetting.

World Premiere

SAFE SPACE

By Jamie Bogyo 

Directed by Roy Alexander Weise 

11 October – 8 November, Minerva Theatre 

What’s in a name?

The winds of change are blowing through the elite ivy-league halls of one of America’s most prestigious universities. For students Isaiah, Connor, Annabelle, Omar and Stacy, on the precipice of starting their adult lives, life is no longer about getting through a political science lecture with a hangover and auditioning for the school acapella group. Confronting the injustices of the past is top of the agenda – starting with the fact that the college is named after a notorious defender of slavery.

And in this pressure cooker environment, everyone has to pick a side.

Beneath the passionate speeches, do old prejudices die hard? What happens to friendship and love amidst frank debate?

Jamie Bogyo’s whip-smart, hilarious and bracing new play takes us into the volatile quicksand of campus politics in the dying months of Obama’s presidency, and asks how – and if – we can escape the past.

Roy Alexander Weise, whose recent productions include The Hot Wing King and Nine Night (National Theatre) and Untitled F*ck M*ss S**gon Play (Royal Exchange/Young Vic/Headlong), directs.

The casting director will be Isabella Odoffin CDG.

For ages 14+; contains strong language and scenes of an adult nature.

Stiles and Drewe’s

THE THREE LITTLE PIGS

Music by George Stiles

Book and lyrics by Anthony Drewe

A co-production with Unicorn Theatre 

6 – 28 December, Minerva Theatre 

From the award-winning Stiles and Drewe (The Billy Goats Gruff, Honk!, Half a Sixpence) comes The Three Little Pigs – a “very curly musical tail” that is perfect for the whole family.

This charming and witty adventure is full of catchy songs and clever rhymes which will have you squealing with glee as three superstar piglets set about defeating the Big Bad Wolf.

Devoted Mother Pig is raising her three little pigs – sporty Bar, nature-loving Bee and bookworm Q – after Father Pig was gobbled by the Big Bad Wolf. But when their home starts looking like a really messy pigsty, Mother encourages her fast-growing youngsters to make their own way in the big wide world. Bar, Bee and Q set about building their own houses from straw, sticks and bricks. But can they get the better of the huffing, puffing, always hungry (and a bit misunderstood) Big Bad Wolf?

A co-production with the Unicorn Theatre, this hugely entertaining adaptation of the classic tale is a perfect musical Christmas treat for young families.

Performed by arrangement with Music Theatre International.

For ages 3 – 7. There will be a Relaxed Performance on 28 December.

World Premiere Chichester Festival Youth Theatre

A BOY CALLED CHRISTMAS

By Matt Haig

Adapted for the stage by Philip Wilson 

Music by Tom Brady 

Lyrics by Philip Wilson and Tom Brady 

Directed by Dale Rooks

15 – 31 December, Festival Theatre

An enthralling, charming and magical tale that tells the true story of Father Christmas.

For 11-year-old Nikolas, whose nickname is Christmas because he was born on 25 December, life isn’t easy. With only a doll made out of a turnip to keep him company, he believes in happiness but isn’t happy very often. Until the day he sets out – with his pet mouse Miika and a reindeer called Blitzen – on an extraordinary quest to follow his father and to find Elfhelm, the fabled village of the elves.

Join Nikolas on this life-changing adventure, full of fantastic characters and beautiful moments, and watch how one little boy comes to be the very symbol of Christmas itself. Full to bursting with festive wonder, this story from the award-winning writer Matt Haig – adapted for the stage by Philip Wilson (Cinderella, Grimm Tales), with original live music and songs by Tom Brady (Pinocchio, The Butterfly Lion) – will warm the hearts of audiences young and old.

In their 40th anniversary year, Chichester Festival Youth Theatre bring their magical gifts for storytelling to another captivating Christmas production, directed by Dale Rooks (The Wind in the Willows, Hey! Christmas Tree).

For ages 7+. There will be a Gala Performance on 21 December, and a Relaxed Performance on 30 December.

World Premiere

Roald Dahl’s

THE BFG

Adapted by Tom Wells 

Directed by Daniel Evans

A Chichester Festival Theatre, Royal Shakespeare Company, and Roald Dahl Story Company production

Monday 16 March – Sunday 12 April 2026

Roald Dahl’s unforgettable story comes to life for Festival 2026 in a magical new adaptation by Tom Wells (The Kitchen Sink, Jumpers For Goalposts), directed by RSC Co-Artistic Director (and former CFT Artistic Director) Daniel Evans, whose previous productions include Quiz, South Pacific and Our Generation.

Full details and booking will be announced in September 2025

FESTIVAL 2025 EVENTS

A lively programme of events and activities will complement the shows on stage.

Join us for a free Cricket Match at beautiful Goodwood, and bag a bargain at our Costume Sale. Green Week celebrates the UK’s annual push for positive climate action. Enjoy live music from local talent at our free Summer Sessions. The Minerva Bar sees the return of CFT Lates, our monthly series of late night entertainment for ages 16+.

A Hamlet Experience Weekend will offer an insight into director Justin Audibert’s theatre-making process. Free Pre- and Post-Show Talks, with the director and cast members, are held for each production, while Theatre Days and Backstage Tours unveil backstage secrets.

Family Friendly activities range from Roman Week crafts, performances This Tree Belongs To Me and Baby Gospel, to the return of Creation Station and free Storytime Saturdays.

THE NEST 

Incubating, hatching and showcasing the creative talent of the future

After a successful fundraising campaign, raising £1.8m over the past year, our exciting new venue, The Nest – a vibrant space for dynamic work and the talent of tomorrow – will open this summer. Like the smaller theatre spaces that popped up at CFT over the years, such as The Tent, Theatre on the Fly and The Spiegeltent, The Nest will feel similarly informal and agile: a home for emerging artists alongside community groups, and a place to kick-back for some eclectic nightlife. We look forward to sharing the fresh programme of activities and events soon.

Sarah Mansell, Appeal Director, comments: ‘We would like to thank everyone who supported The Nest Appeal – the trusts, foundations and individuals, together with Chichester City Council – whatever the size of their gift. The huge amount of money raised through donations has been an extraordinary testament to our audience, their loyalty and generosity. Their gifts have made our dreams of The Nest a reality.’

A free foyer exhibition, New Ventures, will explore the rich history of fringe theatre spacesat CFT, supported by the National Heritage Lottery Fund

A Man for All Seasons Review

Everyman Theatre, Cheltenham – until 15th February 2025

Reviewed by Jacqui Radford

4****

An award-winning play written by Robert Bolt and first performed in the 1960s, A Man for All Seasons explores the path that led to Henry VIII becoming Head of the Church of England. A cast packed with talent, a set that transports you back to Tudor times and a plot that focusses on Henry’s relationship with Thomas More all combine perfectly to bring Tudor England to life.

Set in the last few years of More’s life, we are walked through the tensions created by Henry’s desire for a divorce and More’s devout commitment to his Catholicism. More’s principled stance against divorce and recognising Henry as the Head of the Church in England ultimately leads to his execution.

Gary Wilmot as The Common Man adds a splattering of humour to a storyline that could otherwise be too intense. The character is not only endearing but also an anchor or ‘explainer’ for each short, sharp scene; a relatable character for everyone.

Martin Shaw as Thomas More skilfully portrays the various aspects of family, politics and service life and the tensions between them. His views on the sanctity of the Catholic Church and marriage are well known to all but he is careful to protect his family from retribution. Amongst his peers, he chooses his words carefully to protect himself but none of that protects him from Henry’s self-indulgence and power.

Designed by Simon Higlett, the whole performance is pulled together by an imposing, wood panelled set and stunning costumes that transport you back in time.

At a time when Tudor England is dramatised in so many ways, this play stands up well against the alternatives. Whether you are fascinated or confused by Henry VIII and the mark he left on the Church in England, catch this play on its whistle stop tour.

Olivier Awards 2025 partnerships announced

Olivier Awards with Mastercard unveils sustainably focused partnerships for 2025

·         Mastercard returns as headline sponsor for the 15th year

·         New and returning partners have been announced, including Cunard, Piper-Heidsieck and Addison Lee, forging a commitment to sustainable partnerships

Partners for the Olivier Awards 2025 with Mastercard, the most prestigious night in British theatre, have been announced. The star-studded ceremony takes place on Sunday 6 April at London’s Royal Albert Hall, hosted by the recently announced Beverley Knight & Billy Porter. 

Mastercard returns as headline sponsor for the 15th year, championing the very best of London theatre with their support of the Mastercard Best New Musical category, which they have proudly sponsored since 2014. Mastercard have provided priceless opportunities, solely for cardholders, including exclusive access to public ticketing. 

Charlie Carrington, Senior Vice President Marketing & Communications at Mastercard, said: 

“We are delighted to partner with the Olivier Awards for the 15th consecutive year. As a sponsor of the arts, we’re passionate about helping the next generation of talent break through. This is why we’re this year proud to work with the Society of London Theatre to offer students at the BRIT School, the leading performing and creative arts school in the UK, the opportunity to gain valuable work experience at the Olivier Awards and be part of the most prestigious night in UK theatre.” 

Kash Bennett, President of the Society of London Theatre, said:  

“The Society of London Theatre is hugely grateful to Mastercard for their continued and generous support of the Olivier Awards. This important partnership enables us to shine a spotlight on the very best of London theatre and celebrate the magic of the stage. Mastercard, along with all our valued partners and supporters, remain true champions of theatre and the arts!” 

Together with Mastercard, the Society of London Theatre is committed to continuing the evolution of the Olivier Awards as a sustainable celebration of theatre. Recognising the importance of responsible practices, the Olivier Awards takes pride in partnering with organisations that share this dedication to sustainability. From eco-conscious production methods to the use of renewable materials, its chosen partners prioritise sustainability in their operations, ensuring that this prestigious event not only celebrates excellence in theatre but also contributes to a more sustainable future for the industry. 

Broadcast partners ITV, STV, ITVX and STV Player will air a highlights programme on the evening of Sunday 6 April, with additional coverage by Magic Radio. TikTok will return to provide Green Carpet coverage as the official mobile entertainment platform. 

Cunard is returning as partner for the Nominees’ Celebration and sponsors of the Best Revival category for the sixth year, further strengthening their long-standing connection with world-class theatre. Cunard’s commitment to supporting the arts is prevalent both on board their ships and ashore. Through the London Theatre at Sea in partnership with the Olivier Awards voyage, Cunard takes the wonder of the West End to the open ocean, offering guests extraordinary and exclusive performances from leading talent. 

Piper-Heidsieck joins for the first time as official Champagne partner. A long-standing favourite among the entertainment industry’s elite, Piper-Heidsieck has a rich heritage of supporting the arts, from the golden age of Hollywood to today’s most prestigious cultural events. As the first B Corp-certified Champagne house, Piper-Heidsieck is not only committed to excellence in craftsmanship but also to making a meaningful social and environmental impact. This year, the Maison proudly sponsors the Best Musical Revival category, raising a glass to the timeless storytelling. 

Also joining for the first time as official car partner, Addison Lee will ensure VIPs arrive safely, comfortably and sustainably. With a commitment to both premium service and environmental responsibility, Addison Lee’s executive fleet of zero-emission vehicles offers a seamless and eco-friendly way to travel. As a trusted name in transport, Addison Lee is proud to support the arts whilst driving towards a more sustainable future. 

The Launch Event and Nominees’ Celebration will be hosted by longtime hotel partner The Londoner, who will also sponsor the Best New Play category.  

The Lynne & Land Foundation, established by the late esteemed choreographer Gillian Lynne and her husband Peter Land, returns to sponsor the Gillian Lynne Award for Best Theatre Choreographer. 

The Noel Coward Foundation will again sponsor the Best Entertainment or New Comedy Play category, which is named in honour of the great British playwright. 

Each bringing their unique support to the celebration of theatre’s finest talent, additional sponsors include AKT London, Fujifilm, Global, Heart of London Business Alliance, Newman Displays and See Tickets. 

Continuing as production partners for the ceremony are Blue I Theatre Technology, d&b audiotechnik, TAIT, Unusual Rigging and White Light. 

Public tickets for the Olivier Awards 2025 are now on sale exclusively to Mastercard cardholders via priceless.com. 

OlivierAwards.com | Facebook | X | Instagram | TikTok | YouTube 

#OlivierAwards 

BUTTS IN THE WEST END! Prehistoric Parody Roars Into The Arts Theatre

PREHISTORIC PARODY ROARS INTO THE WEST END!

SALLY CADE HOLMES AND HEATHER SHIELDS ANNOUNCE

WEST END PREMIERE OF RECENT CUTBACKS’ CRITICALLY ACCLAIMED HIT

HOLD ON TO YOUR BUTTS

AT THE ARTS THEATRE THIS EASTER

Due to popular demand, Sally Cade Holmes and Heather Shields, producers of critically acclaimed off-West End hit Hold On To Your Butts, today announce a limited Easter West End engagement at the Arts Theatre from 7-12 April 2025 under The Choir of Man with performances on sale now. The five-star (WhatsOnStage) show ran at the Arcola Theatre in London over Christmas and is now on tour with sold out performances!

Recent Cutbacks’ live shot-for-shot parody of the greatest dinosaur film of all time is performed by just two actors and a live Foley artist.

The tour began at the Curve Theatre in Leicester on 7 February and continues at Lowry in Salford, Norden Farm in Maidenhead, Macready Theatre in Rugby, Swan Theatre in Worcester, Octagon Theatre BoltonBirmingham Repertory TheatreExeter Northcott TheatreNorwich PlayhouseThe Dukes in Lancaster, Hull Truck Theatre, and Slung Low in Leeds.

Tickets for West End performances and tour venues are on sale now at www.holdontoyourbutts.co.uk.

A wildly inventive tour-de-force of comedy, physical theatre and live Foley, Hold On To Your Butts was created by Recent Cutbacks, directed by Kristin McCarthy Parker (Puffs, Or: Seven Increasingly Eventful Years at a Certain School of Magic and Magic, Off-Broadway), developed with Nick Abeel, Kyle Schaefer Blair Busbee, and stars Jack Baldwin (The Play That Goes Wrong and The Comedy About A Bank Robbery, West End) and Charlie Richards (The Play That Goes Wrong West End, The Unfriend West End) who also serves as associate director, with live sound and foley by Charlie Ives (A Christmas Carol – A Ghost Story, Nottingham Playhouse and Alexandra Palace; Private Lives, West End). The company is completed by James Physick (The Unseen, Riverside Studios). A Cappella arrangements are by Kelsey Didion, and Lighting Design is by Christopher Nairne.

Recent Cutbacks is a New York-based creative ensemble founded in 2014. Their critically acclaimed work sits at the intersection of comedy and theatre. They’re best known for live movie parodies that fuse humour, nostalgia, and lo-fi spectacle.

Their projects invite audiences to see the world with a newfound exuberance and remind us why we fell in love with movies, theatre, and storytelling in the first place.

Sally Cade Holmes and Heather Shields present

Recent Cutbacks’

HOLD ON TO YOUR BUTTS

Created by Recent Cutbacks

Starring Jack Baldwin, Charlie Ives, Charlie Richards & James Physick

A Cappella Arrangements by Kelsey Didion

Directed by Kristin McCarthy Parker

Developed with Nick Abeel, Kyle Schaefer Blair Busbee

Associate Producer FutureHome Productions

65 million years ago, dinosaurs ruled the Earth…
30 years ago, a movie about dinosaurs ruled the box office…

This year, you are advised to HOLD ON TO YOUR BUTTS!

Hold On To Your Butts is a must see “shot-for-shot” parody of the greatest dinosaur film of all time.  After selling out in New York and at the Edinburgh Festival Fringe, this wildly inventive tour-de-force of comedy, Foley sound and physical theatre is now touring the country and transferring to the West End following a hugely successful London run. 

Don’t walk, RUN to get your tickets!

www.holdontoyourbutts.co.uk

Instagram/TikTok: @HoldOnToYourButtsUK

Facebook: /HoldOnToYourButtsUK

WEST END LISTINGS

HOLD ON TO YOUR BUTTS

Age guidance: 8+

Length: 75 mins

Arts Theatre, London

Monday 7 – Saturday 12 April 2025

Mon:                     7.30pm

Tues:                    3pm

Wed & Thurs:     1pm & 3pm

Fri & Sat:             11am

Website: www.artstheatrewestend.co.uk

6-7 Great Newport St, WC2H 7JB

020 7836 8463

TOUR LISTINGS

Lowry (Quays Theatre), Salford

Wednesday 12 – Saturday 15 February 2025

Website: www.thelowry.com

Norden Farm, Maidenhead

Wednesday 19 February 2025

Website: www.norden.farm

Macready Theatre, Rugby

Thursday 20 – Friday 21 February 2025

Website: www.macreadytheatre.co.uk

Swan Theatre, Worcester

Saturday 22 February 2025

Website: www.worcestertheatres.co.uk

Bolton Octagon

Monday 17 – Wednesday 19 March 2025

Website: www.octagonbolton.co.uk

Birmingham Repertory Theatre

Friday 21 – Saturday 22 March 2025

Website: www.birmingham-rep.co.uk 

Exeter Northcott Theatre

Tuesday 25 – Wednesday 26 March 2025

Website: www.exeternorthcott.co.uk

Norwich Playhouse

Sunday 30 March – Tuesday 1 April 2025

Website: www.norwichtheatre.org

The Dukes, Lancaster

Friday 4 – Saturday 5 April 2025

Website: www.dukeslancaster.org

Hull Truck Theatre

Tuesday 15 – Wednesday 16 April 2025

Website: www.hulltruck.co.uk

Slung Low, Leeds

Saturday 19  April 2025

Website: www.slunglow.org

Animal Farm Review

Festival Theatre, Malvern – until 15th February 2025

Reviewed by Courie Amado Juneau

4****

George Orwell’s classic work of allegorical fiction, Animal Farm, gets the full stage treatment at Malvern Theatres tonight and it turned out to be an impactful production.

The set (from Lighting and Set Designer Ciarán Bagnall) was interesting – although set on a farm, it was more industrial than field. A stroke of genius since factory fodder (read “mechanical progress”) rather than pastoral peace hit all the right notes. It gave the cast plenty of opportunities for ingress and egress and a rather useful place for the 7 commandments to be writ large. Masks hanging around the set gave one a teaser of the action to come (as well as some conveniently placed props for when needed).

The music (from Dylan Townley) was superb. Just like in the best films, it set the scene and provoked an emotional reaction. Plenty of low subsonic noises combined with other discordant, disjointed sounds reminiscent (to this vegetarian at least) of the anguish of animals… It all reminded me of the works of Angelo Badalamenti (composer for many of David Lynch’s concoctions, including Twin Peaks).

The actors gave their all both emotionally and physically. The mannerisms that they produced really brought to life the creatures they were portraying. The horses Boxer (Sam Black) and Clover (Natalia Campbell) were two of the highlights and (along with Benjamin the Donkey (Soroosh Lavasani) and Mollie the selfish mare (Olivia Chandler)) represented us, the common folk, the workers and those who look the other way. The scene where Boxer is taken off to “hospital” is particularly affecting, almost visceral, as was the aftermath scenes. Brilliant work from all involved, including Director Iqbal Khan.

The pigs were real swine (their joke, not mine but a clever pun nonetheless) with Rhian Lynch thoroughly enjoying herself as porky dictator Napolean. But the star of the show was Lewis Griffin as Squealer (an apt character name if ever I saw one!). If he gets tired of the stage he could certainly slot in nicely as a believable politician! I mean that as a compliment to his acting skills in this role btw.

The original novella ended with the animals looking in the windows of Manor Farmhouse, watching the pigs and the humans playing cards. Napolean and Farmer Pilkington each simultaneously played an ace of spades, meaning of course that they both cheated. The animals could not distinguish between the pigs and humans. A satisfying conclusion that left no ambiguity as to the ultimate message the author wished to convey. This adaptation by Ian Wooldridge had no such payoff which, I’m sad to say, resulted in a rather confusing jumble without that very certain moral point.

When the show worked well it did so convincingly. With an accomplished, committed and full blooded performance from all on stage, and a thoroughly modern interpretation that is all the rage at this time, it’s bound to be a crowd-pleaser. An uncomfortable watch at times as it’s too close to the bone (of human nature) and too reflective of the political world we still, sadly, see. Having much to say to our present generations, I hope that many of them take the opportunity to catch this hard-hitting literary classic.

Mel Brooks’ YOUNG FRANKENSTEIN THE MUSICAL to have Regional Premiere at Hope Mill Theatre

MEL BROOKS’

YOUNG FRANKENSTEIN THE MUSICAL

TO HAVE REGIONAL PREMIERE

AT HOPE MILL THEATRE

FROM 10 OCTOBER 2025

Hope Mill Theatre are delighted to announce Mel Brooks’ YOUNG FRANKENSTEIN THE MUSICAL will have its regional premiere from 10 October to 30 November 2025, with a press night on 15 October. YOUNG FRANKENSTEIN will be directed and choreographed by Nick Winston.

Adapted by Mel Brooks from his legendary 1974 film starring Gene Wilder, YOUNG FRANKENSTEIN tells the story of the grandson of the infamous Victor Frankenstein, Frederick Frankenstein (pronounced “Fronk-en-steen”) who inherits his family’s estate in Transylvania. With the help of a hunchbacked sidekick, Igor (pronounced “Eye-gore”), and a leggy lab assistant, Inga (pronounced normally), Frederick finds himself in the mad scientist shoes of his ancestors. “It’s alive!” he exclaims as he brings to life a creature to rival his grandfather’s. Eventually, of course, the monster escapes and hilarity continuously abounds.

Casting to be announced.

Director and choreographer Nick Winston returns to Hope Mill Theatre after the success of Mame in 2019 and most recently the Manchester premiere of Burlesque the Musical at the Opera House.

About joining the show Nick said: “I am beyond excited to direct YOUNG FRANKENSTEIN the uproarious musical comedy based on the classic film by Mel Brooks and to be doing so at the brilliant Hope Mill Theatre. The immediacy of this space mixed with Mel Brooks’ iconic humour and the musical’s brilliant score will create a cocktail of laughter, love and a bit of mad science!

YOUNG FRANKENSTEIN marks the 10th Anniversary year of Hope Mill Theatre, which opened its doors in October 2015. Founded by Joseph Houston and William Whelton the Award-Winning venue has gained a reputation Nationally and Internationally for its in house Musical productions.

William Whelton co-founder and CEO said: “Young Frankenstein the musical marks Hope Mill Theatre’s 10th anniversary celebrations and in true Hope Mill style we are bringing a Regional Premiere of the classic Mel Brooks musical. Since opening we have always strived to bring the very best in Musical theatre titles and talent to the City and we are thrilled to have Nick Winston at the helm, who last worked at the venue back in 2019, when he directed and choreographed MAME the musical. Myself and Joe could not have imagined that we would be reaching such a milestone in our journey, and we have so much to be grateful for as we reflect on what has been an incredible decade. The future is full of hope for us, and we have so many exciting plans afoot, as we continue to secure the legacy of Hope Mill Theatre, and this production is just one of many exciting announcements to come.”

Every bit as relevant to audience members who will remember the original as it will be to newcomers, YOUNG FRANKENSTEIN has all the of panache of the screen sensation with a little extra theatrical flair added. It will surely be the perfect opportunity for a production company to showcase an array of talents. With such memorable tunes as The Transylvania Mania, He Vas My Boyfriend and Puttin’ on the Ritz by Irving Berlin, YOUNG FRANKENSTEIN is scientifically proven, monstrously good entertainment.

Mel Brooks’ YOUNG FRANKENSTEIN has a book by Mel Brooks and Thomas Meehan, with music and lyrics by Mel Brooks, orchestrations by Doug Besterman & Mark Cumberland and original direction and choreography by Susan Stroman.

Website: hopemilltheatre.co.uk/event/young-frankenstein

Facebook: @HopeMillTheatre

X: @hopemilltheatre

Instagram: @hopemilltheatre

LISTINGS INFORMATION

10 October 2025 – 30 November 2025

Hope Mill Theatre

113 Pollard St

Manchester

M4 7JA

Preview Performances: 10 – 14 October 2025.

Performances: Tuesday to Saturday/ 7.30pm & 2.30pm/ Sundays 2pm, 3pm or 6pm

Tickets from: £27

Box Office: 0161 275 9141