Grand Theatre, Leeds – 15 April 2015

Mr Phineas T Barnum has pitched up in Leeds and now you should follow the band to the Grand to see the “greatest Show on Earth”

Brian Conley plays the title role of Barnum – American Showman extrodinaire. Showing off his “miracles” and acts with a hint of “humbug” with his motto that there’s a sucker born every minute. Conley more than earns the applause that welcomes him on stage, he is the perfect person for the role – acting, singing performing magic tricks and circus skills including walking a tightrope.

The show introduces PT Barnum just before he sets up his famous American Museum in New York in 1841 leading up through his time in office right up to the time he meets Mr Bailey (John Stacey) and they open their world famous circus. While Barnum introduces his most famous attractions – including a 160-year-old lady and a 25-inch man, who have great song and dance routines of their own – a ringmaster introduces the main action. This includes the dramatic unveiling of Mrs Barnum, “the female of the species”, about to meet her husband having been kept waiting for an hour and 14 minutes … the sparky, loving wife, Chairey (Linzi Hateley) who has a few tricks of her own, including a double headed coin.

While maybe short on memorable songs, the show has some great scenes especially ones with elements of comedy. Landi Oshinowo is really good as the 160 year old nurse of George Washington and Mikey Jay-Heath as Tom Thumb. And of course the act with class, Jenny Lind (Kimberly Blake). The show has an impressive set designed by Scott Pask, great lighting designed by Paule Constable, magical effects and imaginative choreography from Andrew Wright. Paul Wills’ colourful Victorian circus costumes  and Linda McKnight’s wonderful wigs.And to the orchestra who are elevated above the stage rather than down in the pit. Even the Grand itself is transformed with lighting to look like the inside of the big top.  And even before the show starts we are treated to some breathtaking and hilarious performances from the versatile cast.

Cameron Mackintosh’s touring production, which was developed from the hit Chichester Festival Theatre 2013 production, is a spectacular show. Its a gentle love story and a a mix of never giving up and triumphing over adversity. By the end of the show, however, it does not really matter whether you are there for the music, the aerial work, circus tricks or the storyline; ultimately, this show oozes class and it is clear that no expense has been spared in the staging. its a fabulous show, ideal for all the family.

 

“MAMMA MIA!”

NOW BOOKING TO 23 APRIL 2016

AT LONDON’S NOVELLO THEATRE

WITH CHRISTMAS 2015/16 PERFORMANCE SCHEDULE CONFIRMED

 

The global smash hit musical MAMMA MIA! at London’s Novello Theatre is now extending its booking period until 23 April 2016, taking the show through to its 18^th playing year in London.

From West End to global phenomenon, MAMMA MIA! is Judy Craymer’s ingenious vision of staging the story-telling magic of ABBA’s timeless songs with an enchanting tale of family and friendship unfolding on a Greek island paradise.  To date, it has been seen by more than 54 million people in 49 productions in 16 different languages grossing more than $2 billion at the box office.

MAMMA MIA! originally opened in London at the Prince Edward Theatre on 6 April 1999, before transferring to the Prince of Wales Theatre in 2004.  The musical re-opened at the Novello Theatre in 2012.

 

The London production of MAMMA MIA!, which celebrated its 16^th birthday on 6 April, has been seen by more than 10% of the entire UK population.  The show has celebrated over 6,500 performances in London and has broken box office records in all three of its London homes.  In 2011, it became the first Western musical ever to be staged in Mandarin in the People’s Republic of China.  

 

Produced by Judy Craymer, MAMMA MIA! The Movie, starring Meryl Streep and Pierce Brosnan, is the highest grossing live action musical film of all time.

 

With music & lyrics by Benny Andersson & Björn Ulvaeus, MAMMA MIA! is written by Catherine Johnson, directed by Phyllida Lloyd and choreographed by Anthony Van Laast. The production is designed by Mark Thompson, with lighting design by Howard Harrison, sound design by Andrew Bruce & Bobby Aitken, and musical supervision, additional material & arrangements by Martin Koch.

 

MAMMA MIA! is produced by Judy Craymer, Richard East & Björn Ulvaeus for Littlestar in association with Universal.

 

LISTINGS INFORMATION

Novello Theatre

Aldwych

London WC2B 4LD

Monday to Friday Prices:  £65.00, £37.50, £20.00, £15.00

Saturday Prices:  £67.50**, £52.50, £39.50, £20.00*, £15.00

*£25.00 from 27 April 2015, **£69.50 from 26 October 2015

Please note: Saturday pricing applies to all performances 25-30 May, 27 July-29 August and 26-30 October 2015, 28 December 2015 – 2 January 2016, 15-20 February and 25 March – 9 April 2016

A £2.25 per ticket booking fee applies to tickets booked online, and a £2.75 per ticket booking fee applies to tickets booked by phone. No booking fee on tickets purchased in person at the Novello Theatre Box Office.

All prices include £1 restoration levy, which will increase to £1.25 for performances from 27 April 2015.

Early Bird Pricing – anyone booking four months or more in advance of the performance they are attending (Monday to Thursday performances only) will be able to purchase £65 tickets for £45, a saving of £20 on the regular top price, but only through Delfont Mackintosh Theatres, either online, in person at the theatre, or by calling the Novello Theatre Box Office.

Performance Times:

Monday – Saturday 7.45pm

Matinees – Thursday & Saturday 3.00pm*

*extra Tuesday matinees on 11 August & 27 October 2015 & 16 February 2016

Christmas 2015/16 Performance Schedule

Monday 21 December                                           7.45pm

Tuesday 22 December                                           3.00pm and 7.45pm

Wednesday 23 December                                    3.00pm and 7.45pm

Thursday 24 December                                         NO PERFORMANCE

Friday 25 December                                               NO PERFORMANCE

Saturday 26 December                                          3.00pm and 7.45pm

Monday 28 December                                           3.00pm and 7.45pm

Tuesday 29 December                                           3.00pm and 7.45pm

Wednesday 30 December                                    3.00pm and 7.45pm

Thursday 31 December                                         3.00pm

Friday 1 January                                                      7.45pm

Saturday 2 January                                                 3.00pm and 7.45pm

Currently booking to 23 April 2016

The performance lasts 2 hours and 35 minutes (including a 15-minute interval)

Box Office: 0844 482 5115

http://www.mamma-mia.com/

http://www.facebook.com/mammamiamusical

http://twitter.com/MammaMiaMusical

Fiery Angel presents
PLAYS AT THE GARRICK
KENNETH BRANAGH THEATRE COMPANY

A YEAR OF UNMISSABLE THEATRE

• THE WINTER’S TALE, HARLEQUINADE, THE PAINKILLER, ROMEO AND JULIET AND THE ENTERTAINER MAKE UP THE INAUGURAL SEASON OF WORK FOR THE KENNETH BRANAGH THEATRE COMPANY

• THE COMPANY WILL BE RESIDENT AT THE GARRICK THEATRE FOR A YEAR FROM OCTOBER 2015

• THE CENTRAL CREATIVE TEAM INCLUDES ARTISTIC ASSOCIATES ROB ASHFORD AND CHRISTOPHER ORAM, AND DIRECTOR/ADAPTOR SEAN FOLEY

• ADDITIONAL MEMBERS OF THE CREATIVE TEAM WILL INCLUDE NEIL AUSTIN, CHRIS SHUTT, LUCY BEVAN AND PATRICK DOYLE

• WITH ROB BRYDON, JUDI DENCH, LILY JAMES AND RICHARD MADDEN ALREADY CONFIRMED, THE COMPANY WILL ASSEMBLE A GROUP OF EXCEPTIONAL ARTISTS

• BOX OFFICE OPENS TODAY, FRIDAY 17 APRIL AT 9AM. www.branaghtheatre.com

The Box Office opens today at 9am for the inaugural season of the Kenneth Branagh Theatre Company. The Company presents Plays at the Garrick, a series of plays that bring together an exciting group of actors, led by Rob Brydon, Judi Dench, Lily James and Richard Madden. Performances begin on 17 October 2015.

THE WINTERʼS TALE
By William Shakespeare
17 October 2015 – 16 January 2016
Press performance: 7 November 2pm
Shakespeareʼs timeless tragicomedy of obsession and redemption is reimagined in a new production co-directed by Rob Ashford and Kenneth Branagh, following their triumphant staging of Macbeth in Manchester and Manhattan. Judi Dench will play Paulina, Kenneth Branagh will play Leontes.

HARLEQUINADE
by Terence Rattigan
24 October 2015 – 13 January 2016
Press performance: 7 November 7.30pm
In this rarely seen comic gem, a classical theatre company attempts to produce The Winter’s Tale and Romeo and Juliet, while the intrigues and dalliances of the company members are accidently revealed with increasingly chaotic and hysterical consequences… The behind-the-scenes world takes centre stage in Terence Rattiganʼs affectionate celebration of the lunatic art of putting on a play. Kenneth Branagh will perform and co-direct with Rob Ashford.

THE PAINKILLER
by Francis Veber
In an adaptation by Sean Foley
5 March 2016 – 30 April 2016
Press performance: 17 March 7pm
Two men. Two lonely hotel rooms. An adjoining door…
One of them is a killer… one of them wants to die… What could possibly go wrong?
Sean Foley directs his darkly hilarious adaptation of Francis Veberʼs classic French farce as Kenneth Branagh and Rob Brydon reprise the roles they played to great acclaim at Belfast’s Lyric Theatre in this comic tour-de-force.

ROMEO AND JULIET

By William Shakespeare
12 May 2016 – 13 August 2016
Press performance: 25 May 7pm
Reuniting the stars of his celebrated film of Cinderella, Kenneth Branagh directs Richard Madden and Lily James who play the leads in Shakespeareʼs heartbreaking tale of forbidden love.

THE ENTERTAINER
By John Osborne
20 August 2016 – 12 November 2016
Press performance: 30 August 7pm
Set against the backdrop of post-war Britain, John Osborneʼs modern classic conjures the seedy glamour of the old music halls for an explosive examination of public masks and private torment. Rob Ashford directs Kenneth Branagh as the unforgettable Archie Rice.

 

LISTINGS INFORMATION

Garrick Theatre
2 Charing Cross Road
London, WC2H 0HH

Box Office: 0844 482 9673
Online Bookings: www.branaghtheatre.com
Tickets from £15

No booking fees or transaction fees on any ticket booked direct through branaghtheatre.com, nimaxtheatres.com, direct telephone bookings at the Garrick Theatre and to personal callers at the Garrick Theatre.

THE WINTERʼS TALE

17 October 2015 – 16 January 2016
Press performance: 7 November 2pm
Captioned Performance: 9 December 7.30pm
Audio Described Performance: 16 December 7.30pm

The Winter’s Tale will play in repertory with Harlequinade. Performances of The Winter’s Tale will be as follows:
17, 19, 20, 21, 29, 30 & 31 October at 7.30pm
31 October at 2.30pm
3, 6, 12, 13, 14, 19, 20, 21, 24, 25, 26 & 30 November at 7.30pm
4, 14, 21 & 25 November at 2.30pm
1, 2, 7, 8, 9, 16, 17, 18, 22, 23, 31 December at 7.30pm,
2, 9, 16, 23, 24 & 31 December at 2.30pm
2, 7, 8, 9, 14, 15 & 16 January at 7.30pm
2, 9 & 16 January at 2.30pm

HARLEQUINADE
24 October 2015 – 13 January 2016
Press performance: 7 November 7.30pm
Captioned Performance: 10 December 7.30pm
Audio Described Performance: 15 December 7.30pm

Harlequinade will play in repertory with The Winter’s Tale. Performances of Harlequinade will be as follows:
24, 26, 27 & 28 October at 7.30pm
28 October at 2.30pm
2, 4, 5, 9, 10, 11, 16, 17, 18, 23, 27 & 28 November at 7.30pm
11, 18 & 28 November at 2.30pm
3, 4, 5, 10, 11, 12, 14, 15, 19, 21, 24, 28, 29 & 30 December at 7.30pm
5, 12, 19 & 28 December at 2.30pm
4, 5, 6, 11, 12 & 13 January at 7.30pm
6 & 13 January at 2.30pm

THE PAINKILLER
5 March 2016 – 30 April 2016
Press performance: 17 March 7pm
Captioned Performance: 22 March 7.30pm
Audio Described Performance: 29 March 7.30pm
Performances Monday – Saturday with 2.30pm matinee performances on Wednesdays and Saturdays excluding Wednesday matinees on 5 March, 6 April, 13 April, 20 April and 27 April.

ROMEO AND JULIET
12 May 2016 – 13 August 2016
Press performance: 25 May 7pm
Captioned Performance: 31 May 7.30pm
Audio Described Performance: 7 June 7.30pm
Performances Monday – Saturday with 2.30pm matinee performances on Wednesdays and Saturdays excluding 14 May and 25 May.

THE ENTERTAINER
20 August 2016 – 12 November 2016
Press performance: 30 August 7pm
Captioned Performance: 6 September 7.30pm
Audio Described Performance: 13 September 7.30pm
Performances Monday – Saturday with 2.30pm matinee performances on Wednesdays and Saturdays excluding 20 August.

PLAY ABOUT GAY WELSH RUGBY LEGEND GARETH THOMAS LOOKS AT THE MAN AND THE TOWN THAT MADE HIM – BRIDGEND

Crouch, Touch, Pause, Engage – the critically-acclaimed play about Gareth Thomas, the first professional rugby player to come out while still playing – comes to Arcola Theatre this spring (20 May – 20 June 2015) following its current tour. Directed by Max Stafford-Clark, and written by Robin Soans, the play is a co-production by Out of Joint, National Theatre Wales and Arcola Theatre.

A cast of six play all the characters, and each plays Gareth himself at different stages in his story. Full cast: Rhys ap William, Patrick Brennan, Katie Elin-Salt, Daniel Hawksford, Lauren Roberts and Bethan Witcomb.

“I was doing something nobody had done before, and if you’re the first to do something, you have to be prepared to take the sh*t for it.”

On the eve of one of the most important games of his career, Welsh rugby legend Gareth Thomas received a warning: The Sun newspaper was going to “out” him as gay.

This is the story of two Welsh names bruised, but not beaten, by media speculation; Gareth “Alfie” Thomas, 100 caps for Wales, once its captain, now the world’s most prominent gay sportsman; and his hometown, Bridgend.

Working with Alfie himself, and young people in Bridgend, two of the UK’s most exciting theatre companies – Out of Joint and National Theatre Wales – have teamed up to tell a great story about sport, politics, secrets, life and learning to be yourself.

Writer Robin Soans is celebrated for his documentary verbatim plays based on interviews with real people, including Out of Joint’s acclaimed shows Mixed Up North, A State Affair and Talking to Terrorists which was nominated Best Play at the TMA awards and has had subsequent productions overseas including in Tehran. Others include Life After Scandal about Christine and Neil Hamilton, andThe Arab-Israeli Cookbook, which also spawned a book of recipes. His most recent play was the fictional drama Perseverance Drive, which played to great praise at the Bush Theatre in 2014.

Director Max Stafford-Clark co-founded Joint Stock Theatre Group in 1974 following his Artistic Directorship of The Traverse Theatre, Edinburgh. From 1979 to 1993, he was Artistic Director of The Royal Court Theatre, after which he founded Out of Joint. His work as a director has overwhelmingly been with new writing, and he has commissioned and directed first productions from writers including Sue Townsend, Stephen Jeffreys, Timberlake Wertenbaker, Sebastian Barry, April de Angelis, Mark Ravenhill, Andrea Dunbar, Alistair Beaton, David Hare and Caryl Churchill. Additionally he has directed for the RSC, Sydney Theatre Company, New York’s Roundabout Theater and most recently The Seagullfor Culture Project, New York. His books are Letters to George, Taking Stock and Journal of the Plague Year.

The show forms part of a season of work about the state of the British media at Arcola Theatre.

Listings Information

Out of Joint, National Theatre Wales & Arcola Theatre with Sherman Cymru present
CROUCH, TOUCH, PAUSE, ENGAGE
Written by Robin Soans
Directed by Max Stafford-Clark

20 May – 20 June 2015
Arcola Theatre, London

Box Office: www.arcolatheatre.com
By phone: 020 7503 1646
24 Ashwin Street, London E8 3DL

Monday – Saturday evenings at 7:30pm
£19 / £15 concessions
Saturday matinees at 3:00pm
30 May, 6 June – £17 / £14 concessions
13 June, 20 June – £19 / £15 concessions
Opening performances (20-23 May) – All tickets £12
Pay What You Can Tuesdays (tickets in person from 6pm – limited and subject to availability)
Tickets are £10 or less with Arcola Passport

Please note: the play includes swearing and sensitive material

AWARD WINNING SINGER AND PLATINUM SELLING ARTIST

MICA PARIS

TO STAR AS ‘SYLVIA’ IN THE UK AND IRELAND TOUR OF

PRODUCED BY ADAM SPIEGEL PRODUCTIONS, ROBERT G. BARTNER

AND THE AMBASSADOR THEATRE GROUP

 

OPENING ON FRIDAY 5 JUNE 2015

AT THE MANCHESTER OPERA HOUSE

Adam Spiegel Productions, Robert G. Bartner and the Ambassador Theatre Group are delighted to announce that award-winning singer and platinum selling artist MICA PARIS will star as ‘Sylvia’ in the UK and Ireland tour of “LOVE ME TENDER” – the new musical inspired by and featuring the music of Elvis Presley. The tour will open on Friday 5 June 2015 at the Manchester Opera House. Full casting to be announced shortly. Full tour schedule below. www.LoveMeTenderMusical.com

Producer Adam Spiegel said: “I’m a huge fan of Mica Paris and as soon as I heard her audition I knew she was perfect for the role of Sylvia. Her incredible, powerful voice and presence does true justice to the greatest hits of the one and only King of Rock and Roll, Elvis Presley”.

Mica Paris is one of the UK’s most respected female singers with a career of Top 10 hit singles and albums worldwide. The range, power and beauty of Mica Paris’ singing made an immediate impact on the UK music scene in 1988 when she released her debut, platinum-selling album, ‘So Good’ from which she had her first top ten hit, ‘My One Temptation’. More worldwide hit albums and singles followed including ‘Black Angel’, ‘Stay’ and ‘Carefree’.

 

An incredible live performer worldwide, Mica has collaborated with, and been a special guest for many respected artists including Prince, Michael Bolton, Dionne Warwick, Paul Rodgers, David Gilmour and Jools Holland.

 

Mica has also turned her talents to the stage, appearing in the West End productions of ‘Mama I Want To Sing’, ‘The Vagina Monologues’ and ‘Sweet Lorraine’ as well as a sell-out residency at Ronnie Scott’s Club. Her TV credits including being a regular host on BBC1’s ‘What Not to Wear’ and an expert judge on ‘Gok Wan’s Miss Naked Beauty’ for Channel 4. Mica has also presented the Radio 2 programme ‘Soul Solutions’. Enjoyed by over a million listeners it one of the most successful soul and R&B shows in the UK.

 

From the producers of Hairspray, Jersey Boys and West Side Story “LOVE ME TENDER” is a hilarious feel-good musical featuring Elvis Presley’s greatest hits. In a small town in 1950s America, a guitar-playing, hip-swivelling stranger rides his motorbike into town. Is he The Devil in Disguise or a Hound Dog in hisBlue Suede Shoes? The townsfolk are about to be All Shook Up and could be headed for Heartbreak Hotel, but for Natalie, the love-struck, tomboy mechanic, it really is Now or Never.

Packed with 25 of the best loved songs by The King himself, “LOVE ME TENDER”, by the writer of the award-wining West End and Broadway smash hit Memphis, is a funny and moving tale of hope, second chances and the healing qualities of Rock ‘n’ Roll.

“LOVE ME TENDER” is Written by Tony Award Winner Joe DiPietro (Memphis) and Directed and Choreographed by Olivier Award Winner Karen Bruce (Saturday Night Fever, Dance ’Til Dawn, Pacific Overtures) with Set Design by award nominated Morgan Large (Flashdance, Cat On A Hot Tin Roof), Lighting Design by James Whiteside (Never Forget, Footloose) Costume Design by Vicky Gill (Dance ‘Til Dawn, Strictly Come Dancing) and Casting by James Orange (The Producers, Sweeney Todd).

JASON DONOVAN & RAY COULTHARD IN

 

THE KING’S SPEECH AT LEEDS GRAND THEATRE

 

THE ORIGINAL PLAY THAT INSPIRED THE OSCAR-WINNING MOVIE

 

Jason Donovan is set to take to the stage in Leeds next month with The King’s Speech – the original play that inspired the Oscar-winning successful film.  Raymond Coulthard will play King George VI and Jason Donovan the Australian speech therapist Lionel Logue.

 

Telling the iconic story of King George VI’s relationship with his speech therapist, the play comes to Leeds Grand Theatre from Tuesday 26^th to Saturday 30^th May.

As the world stands on the brink of war, King Edward VIII sparks controversy with his love for married socialite, Wallis Simpson. As Edward’s position become increasingly untenable, his brother Bertie, who has previously shied away from the public eye because of a terrible stammer, is thrust in to the spotlight as his likely successor.

With the support of his wife Elizabeth (the much-loved future Queen Mother), Bertie meets maverick speech therapist and failed actor, Lionel Logue, at an office in Harley Street. Together they embark on an unlikely journey to prepare Bertie to lead his country as King George VI.

 

The King’s Speech is the true and heart-warming story of one man’s struggle to overcome his personal affliction and, in his country’s darkest hour, deliver the now iconic speech broadcast across the globe to inspire his people.

 

One of the most successful British films of all time, The King’s Speech won four Academy Awards, including Best Picture, Best Actor and Best Director, as well as seven BAFTAs, including Best Film.

The play also stars Nicholas Blane, Jamie Hinde, Felicity Houlbrooke, Claire Lams, Katy Stephens and Martin Turner.

The King’s Speech is at Leeds Grand Theatre from Tuesday 26^th to Saturday 30^th May.

 

Tickets are on sale now priced from £18.50 to £34.

 

Book online at leedsgrandtheatre.com or call Box Office on 0844 848 2700.

 

Interview with Mike Goble, Presenter of Ministry of Science Live.

Ladies and Gentlemen, boys and girls, please keep your head firmly on your shoulders and your arms and legs inside the ride at all times – Ministry of Science Live explodes onto a stage near you soon!

This is not your ordinary science show – it comes jam packed with fun, laughter and plenty of amazing science and history which includes a fully operational hovercraft, massive cannons with lots of bangs, a push bike that makes the best smoothie ever and look out for Darth Vader playing with plasma! Investigating the inventors and engineers who have shaped the modern world we live in, the audience experience everything from liquid nitrogen flowers to hydrogen bottle rockets, Buzz Aldrin to Virgin Galactic, cat food tins to hovercraft and methane to the invention of the battery. Expect loud explosions and more!

Ministry of Science Live is a fully engaging interactive experience that explores energy and engineering using brilliantly designed demonstrations and historical references as a narrative. Combining stimulating live entertainment with the world of education the show’s primary aim is to inspire and educate young people through the medium of live theatre.

We spoke to the show’s presenter, Mike Goble, to find out more.

In your own words, tell us about the stage show.

Ministry of Science Live is a show that is very exciting to be a part of, having launched in Northern Ireland to a staggering 7,500 people across a week at the CultureTech festival, we’ve just returned from touring the UAE and now we’re embarking on our first UK Theatre tour. I love being part of live theatre – especially when it’s something the whole family can enjoy. One aim of the show is to prove that science is actually fun and to hopefully inspire, not only the kids, but the grown-ups as well to enjoy exploring and learning about the world around us. Maybe one day someone in our audience will be the next great inventor or make a huge scientific discovery….

What can people expect?

I guess people can expect to go away from the show hopefully both entertained and having learnt something new. It’s fun and entertaining with a few loud bangs thrown in for good measure!

Is it really educational as well as fun?

Yes. The starting point of everything in the show is always the science. Then we find a way of presenting it that’s clear, engaging and enjoyable. I present the show with a girl called Emma Blackwell and we have a lot of fun working together and hopefully that comes across to the audience as well.

Is it dangerous in any way for the presenters?

The show is live science and uses a number of gases such as our demonstration that explains the fire triangle which includes igniting hydrogen and oxygen balloons, which when ignited makes a rather large bang right in front of you on the stage. A lot of the elements of the show are dangerous if not handled correctly and by professionals. All the cast and crew are experienced in handling chemicals and gases and have been trained by both scientists and health & safety personnel in order to be able to deliver the show safely to audiences. However, none of the demonstrations on Ministry of Science Live should be recreated at home or school.

How did Ministry of Science come about?

Mark Thompson, the shows writer and director has been involved in family shows for over 13 years working with some of the biggest brands that perform in the UK and around the world. Mark is incredibly passionate about science communication having written the touring productions of Brainiac Live, which recently made it’s west end debut, Science Museum Live!, Guinness World Records Officially Amazing Science Live and BBC Hidden World Live previously. Ministry of Science is his own brand combining the best of education with entertainment. He’s incredibly passionate about science and seriously wants to inspire youngsters about science and engineering – in a fun way.

What age group would be most interested in the show?.

The show works around the curriculum of 6-12 year olds as we want inspire children at a young age to be enthused by Science. However, the style of the show is slick, fun, and full of action so it gets good feedback from the adults as it brings out the big kid in them.

Can the audience get involved?

Audience participation is used throughout the show and some people get to join us up on stage to get a bit closer to the action doing everything from piloting a hovercraft to making a smoothie using a pedal power bike that powers a blender.

What is your favourite part of the show?

Tough question. I have always performed in family friendly shows but this one allows me to play with some very cool gases – so it’s that part of Ministry of Science I enjoy!

If you were not involved with the show, why would you want to come see it?

Well, its jam backed with explosions, chemicals, science, history, engineering and all round a lot of fun. I like seeing live entertainment and this is a show that the younger members of my family would love but also Grandad could come along too and thoroughly enjoy it. I’d come and see it because it would be a fun family trip and just maybe you might discover something about the world we live in that you didn’t know before…

Ministry of Science Live! is at Darlington Civic Theatre on Saturday 6 June. Tickets* are £14.50 for adults and £12.50 for children

To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk

*Includes a £1 restoration levy

•  ‘THE INVISIBLE’ BY REBECCA LENKIEWICZ (WORLD PREMIERE)
  NEW PLAY EXAMINING HUMAN IMPACT OF CUTS TO THE LEGAL AID SYSTEM

• ‘F*CK THE POLAR BEARS’ BY TANYA RONDER (WORLD PREMIERE)
  SURREAL FAMILY DRAMA ABOUT THE POWER OF THE INDIVIDUAL TO AFFECT CHANGES TO OUR PLANET

• ‘FORGET ME NOT’ BY TOM HOLLOWAY (EUROPEAN PREMIERE)
  NEW PLAY ABOUT THE TRANSPORT OF BRITISH ORPHANS TO AUSTRALIA IN THE 1940s, 50s AND 60s

• RADAR
  RETURN OF THE BUSH’S NEW WRITING FESTIVAL

The world premiere of F*CK THE POLAR BEARS by Tanya Ronder, and the European premiere of FORGET ME NOT by Tom Holloway will follow the previously announced play THE INVISIBLE by Rebecca Lenkiewicz in the Bush Theatre’s autumn season. The Bush’s acclaimed new writing festival RADAR will also return in November.

First announced in 2014, THE INVISIBLE (3 July – 15 August 2015) is a new play by Rebecca Lenkiewicz about the current government’s reforms to the provision of legal aid. Following cuts totalling £350m, many ordinary people will find their access to justice restricted as their entitlement to free legal aid is withdrawn. Based on interviews with real people at all levels of the British justice system, this play aims to tell the stories of those ordinary people affected by the reforms and to examine how these cuts are driving deeper cracks into the fabric of our society.

Commissioned by the Bush Theatre, F*CK THE POLAR BEARS (11 September – 24 October 2015) by Tanya Ronder is a funny and surreal new family drama about the power of the individual in a world obscured by politics. Gordon has worked hard to get where he is. He’s on the verge of a massive promotion at one of the Big Six energy companies. His wife Serena has worked hard too, and now dreams of a bigger house, a slimmer body, a happier life. But behind their perfect front door, light bulbs are blowing, the drains keep blocking, and a phone inexplicably refuses to charge. As Gordon chases the spectres behind these mysterious events, he spirals out of control and the family are forced to ask whether the life they desire is worth its cost.

FORGET ME NOT (8 December 2015 – 16 January 2016) by Tom Holloway is a co-production between the Bush Theatre and HighTide Festival Theatre. Under an agreement between the British and Australian Governments, between 1945 and 1968, over three thousand British children were told they were orphans and sent to Australia on a promise of warmth, fresh air, abundant food and boundless opportunity. Instead they arrived to deprived institutions where neglect and abuse were the norm. Tom Holloway’s tender new play unearths a secret buried by time that, in turn, exposes a world of historical injustices currently in the limelight. This European premiere reunites the Bush with HighTide Festival Theatre (Incognito by Nick Payne, 2014) and is directed by HighTide’s Artistic Director, Steven Atkinson.

RADAR (November 2015) is the Bush Theatre’s annual festival of new writing, now in its fourth year. Since its inception in 2011 the festival has showcased electrifying new work from Bryony Kimmings, Caroline Horton and Inua Ellams, and has premiered shows including Kieran Hurley’s Beats, Luke Barnes’ Chapel Street and Michaela Coel’s award-winning Chewing Gum Dreams. Last year’s festival also included Simon McBurney in a one-off performance of White Rabbit Red Rabbit. RADAR is hand-picked and curated by the Bush Theatre’s creative team. Full line-up and ticket information to be announced.

The Bush Theatre’s 2015 season has already seen The Royale, directed by Artistic Director Madani Younis, sell out to public and critical acclaim, while Caroline Horton’s Islands split opinion like few other shows in the Bush’s recent history. James Graham’s political thriller The Angry Brigade is the next show in the main house, opening on 6 May – the day before the General Election.

July 2015 will see the Bush Theatre join with Shubbak, London’s festival of contemporary Arab culture, to present Nahda by Sevan K. Greene, produced by Sandpit Arts (15  – 18 July 2015). A collection of four new plays, Nahda examines what it means to be Arab across four strata: familial, political, economical, and social. Initiated by the Mayor of London in 2011, the third edition of Shubbak Festival of Contemporary Arab culture returns to London from 11 to 25 July 2015 and takes place across many of the capital’s leading cultural institutions, including the Bush Theatre.

 

 

The gripping courtroom drama that’s captivated the West End – Twelve Angry Men is set to visit Newcastle Theatre Royal this summer starring Tom Conti.  Take your seat courtside as battle commences 15 – 20 June 2015.    

 

Lauded as one of the great ‘must-see’ movies of all time, Reginald Rose’s Twelve Angry Men originated as a television play and has been successfully adapted for film, radio and stage. The 1957 three-time academy award nominated film version starred andwas produced by Henry Fonda.

 

The story follows twelve jurors who have murder on their minds and a life in their hands as they decide the fate of a young delinquent accused of killing his father. But what appears to be an open and shut case soon becomes a dilemma for the twelve, as their prejudices and preconceived ideas about the accused, the trial and each other turn the tables every which way, until the nail-biting climax…

 

The production proved a huge hit in London where it had a record-breaking run playing to sold out houses and receiving multiple five-star reviews, being hailed as the ‘classiest, most intelligent drama in the West End’ (Daily Express).

 

Olivier Award winner, Tony Award winner and Oscar nominee Tom Conti returns as Juror Number 8, the role made famous by Henry Fonda. Tom is one of the most respected and celebrated actors of his generation – unforgettable as the leading man in hit films such as Merry Christmas Mr Lawrence and Shirley Valentine. Tom and Dame Judi Dench were recently voted the most popular actors in the West End in the last 25 years.

Tom will be joined by six of the original West End cast – Robert Duncan, best known for his role as the as jargon-spouting chief executive Gus Hedges in Drop The Dead Donkey; Andrew Frame, who starred as P.C Hargreaves in Eastenders; David Calvitto, whose many theatre credits include These Shining Lives and The Odd Couple; Mark Carter, whose TV credits include Hollyoaks, Utopia and The Knock and Sean Power, who starred in ITV’s Secret Diary Of A Call Girl and Fright Night 2. Jon Carver, who has had a recurring role in Doctors, returns to play the guard. Taking a seat for the tour will be new jury member Andrew Lancel, best known for playing the villainous businessman Frank Foster in Coronation Street.

 

Forming the rest of the jury will be Denis Lill, who starred in The Royal and Only Fools And Horses, Paul Beech, whose theatre credits include King Lear and A Tale of Two Cities, Alexander Forsyth, who has starred in stage productions of Porcelain and It Never Ends, Edward Halsted, who starred in Holby City and Jonathan Creek, and Gareth David-Lloyd, who is best known for his role as Ianto Jones in the Doctor Who spin-off Torchwood.

 

This production is directed by Christopher Haydon, artistic director of the Gate Theatre, Notting Hill.

 

Twelve Angry Men is at Newcastle Theatre Royal Mon 15 – Sat 20 June 2015. Tickets are available from £14.50 (save 50p per ticket by booking online) and can be purchased from the Theatre Royal Box Office on 08448 11 21 21 or select your own seat and book online at www.theatreroyal.co.uk