Casting announced for Legally Blonde The Musical

Winner of three Olivier Awards including ‘Best New Musical’, Legally Blonde The Musical is an all-singing, all-dancing romantic comedy. The show follows the story of sorority president Elle Woods as she crosses the country on a mission to find love at Harvard Law School.

Reviving the role of Paulette is JODIE JACOBS whose West End credits include Regina in the original cast of ROCK OF AGES and who recently appeared in the Kilworth House production of LEGALLY BLONDE.

Recent graduate ABBIE CHAMBERS will be playing the lead role of Elle.

Playing Warner is ROBERT COLVIN who has just completed a UK tour of JOSEPH AND THE AMAZING TECHNICOLOUR DREAMCOAT. Emmett will be played by ROSS BARNES who was Leo Frank in the London Theatre Workshop production of PARADE; and taking on the role of Professor Callahan is HUGH OSBORNE who has recently returned from playing Max in the international tour of THE SOUND OF MUSIC. Also in the cast are SUZIE ARIES, AIMEE BARRETT, ADAM CROSSLEY, LILY DE-LA-HAYE, CHRIS DURTNAL, EMMA INGRAM, and SCOTT NORTON.

Director – John Plews
Musical Director – Matt Abrams
Choreographer – Anthony Whiteman
Lighting Designer – Sam Waddington
Designer – Isobel Power Smith
Costume Supervisor – Yasmin Kaberry
Sound Designer – Jon Raper
Casting – Harry Blumenau

PRODUCED by KATIE PLEWS for OVATION

Listings Information
Upstairs At The Gatehouse
HIGHGATE VILLAGE, LONDON N6 4BD
Box Office: 020 8340 3488
http://www.upstairsatthegatehouse.com/

Performances:
Tuesday – Saturdays at 7.30pm
Sunday Matinees at 4.00pm
Extra Performances:
Mon 21st December – 7.30pm
Mon 28th December – 7.30pm
Tue 29th December – 3.00pm
Wed 30th December – 3.00pm
Thur31st December – 3.00pm
Sat 2nd January – 3.00pm
No shows Christmas Eve, Christmas Day and Mondays in January

New images for ELF The Musical London

New video footage for the London premiere of ELF The Musical, ahead of tonight’s Gala performance in aid of Alzheimer’s Society at the Dominion Theatre London.

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The lastest production images for the London premiere of ELF starring Ben Forster, Kimberley Walsh, Joe McGann and Jessica Martin which is running at the Dominion Theatre until 2nd January, 2016. The Gala Opening Night is on Thursday 5th November which is in aid of Alzheimer’s Society. ELF is based on the 2003 New Line Cinema hit starring Will Ferrell and features a book by Thomas Meehan and Bob Martin, with songs by Matthew Sklar and Chad Beguelin.
LISTINGS INFORMATION
24 October 2015 to 2 January 2016
Dominion Theatre
268-269 Tottenham Court Road
London W1T 7AQ

 

Performances: Monday to Saturday at 7.30pm*, Wednesdays and Saturdays at 2.30pm**
*7.00pm on Thursday 5 November, no evening performance Thursday 24, Friday 25, Saturday 26, Thursday 31 December & Friday 1 January
**extra 2.30pm matinees on Thursday 29 October, and, in December, on Monday 21st, Tuesday 22nd, Thursday 24th, Monday 28th, Tuesday 29th & Thursday 31st
www.elfthemusical.co.uk / www.dominiontheatre.com
Running Time: 2 hours 25 minutes (including interval)

NORFOLK AND NORWICH FESTIVAL 2016 FIRST PROGRAMME ANNOUNCEMENTS

8e5fe386b75e49dd_800x800arNORFOLK & NORWICH FESTIVAL 2016 FIRST PROGRAMME ANNOUNCEMENTS

  • NORFOLK & NORWICH FESTIVAL ANNOUNCES UK  AND WORLD PREMIERES FOR 2016

  • 2016 FESTIVAL RUNS FROM FRIDAY 13 – SUNDAY 29 MAY WITH PUBLIC  BOOKING OPEN FROM WEDNESDAY 11 NOVEMBER

Norfolk & Norwich Festival, one of the biggest arts festivals in the UK, has today announced the first shows of its 2016 Festival. With more to be announced, highlights for 2016 so far include: a ground-breaking UK Premiere from contemporary circus cabaret troupe Race Horse Company; the World Premiere of a major new commission from one of the UK’s foremost young composers – Kemal Yusuf; excerpts from electro-acoustic polymath Max Richter’s intensive investigation in the power of the human brain – Sleep; Aurélien Bory’s industrial robot’s dance with acrobats Sans Objet; Twenty Feet From Stardom’s Lisa Fischer’s first ever solo UK concert; an epic staging of Mahler’s Symphony of a Thousand by Norwich Philharmonic and a revival of Rona Munro’s critically acclaimed The James Plays. The festival runs 13 – 29 May 2016 with full line up still to be announced.

The flagship arts organisation for the east of England, Norfolk & Norwich Festival showcases some of the world’s most renowned international artists alongside regional talent, drawing audiences from across the UK. On the 2016 programme the Festival’s Artistic Director William Galinsky said: “We are hugely excited to announce some of the first shows for the 2016 Festival. Next year’s programme continues our commitment to nurturing the best of local and national talent as well as bringing in the best new international work. 2016 is shaping up to be one of our most ambitious Festivals to date and I look forward to announcing the full programme for the Festival early next year.”

Full information on all Norfolk & Norwich Festival events at www.nnfestival.org.uk.

 

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Race Horse Company presents
WHITE NIGHTS
UK Premiere

Race Horse Company presents a sophisticated circus cabaret. White Nights is made of Race Horse blood; classy and edgy with an international cast.

Be led into the night by soulful and mesmerising New York City singer and host Sophia Urista, while Race Horse Company’s Finnish circus boys provide danger, fun and fury. Dancer and wild child Iona Kewney completes this ensemble of delicious performers.

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Bournemouth Symphony Orchestra
FESTIVAL CHORUS
David Parry
conductor
Savitri Grier violin
Jeni Bern soprano
Christopher Diffey tenor
Alexander Robin Baker baritone

Chausson                Poème Op. 25
Kemal Yusuf           Cain (World Premiere)
Franck                    Symphony in D minor

The World Premiere of an ambitious choral work is flanked by two masterpieces of nineteenth century Romanticism. From one of the foremost young composers today, Kemal Yusuf’s Cainrecounts the Biblical story of the first-born human in music of breathtaking scope and power. It contrasts exquisitely with Chausson’s rhapsodic Poème and Franck’s richly textured Symphony.

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MAX RICHTER ENSEMBLE

Hailed as the most influential composer of his generation, British electro-acoustic artist Max Richter is inspired equally by Bach, punk rock and ambient electronica. Richter’s sonic world blends a formal classical training with modern technology, with work including scores for the award-winning films Waltz with Bashir and Martin Scorsese’s Shutter Island.

Richter and his ensemble will perform selections from SLEEP, his landmark work scored for piano, strings, electronics and voice, which was broadcast as part of BBC Radio 3’s Why Music?. Described by Richter as his ‘personal lullaby for a frenetic world,’ don’t miss an astounding night from this leading contemporary classical artist.

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Aurélien Bory presents
SANS OBJET

In the 1970s it made cars. Now transplanted from assembly line to stage, an industrial robot stars with acrobats Olivier Alenda and Olivier Boyer in a spectacular dance between man and machine. By turns friendly and frightening, the robot is the unlikely hero of a remarkable futurist fantasy.

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LISA FISCHER

The star of the Oscar-winning Twenty Feet From Stardom, Lisa Fischer is best-known as the woman who sings her heart out with the Rolling Stones – the YouTube of her Gimme Shelterduet with Mick Jagger has had millions of hits.

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National Theatre of Scotland, National Theatre and Edinburgh International Festival present
THE JAMES PLAYS
By Rona Munro
Directed by Laurie Sansom

Exhilarating and vividly imagined, The James Plays trilogy brings to life three generations of Stewart kings who ruled Scotland from 1406 to 1488. The productions include: James I: The Key Will Keep The Lock; James II: The Day Of The Innocents and James III: The True Mirror.

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Norwich Philharmonic Orchestra & Chorus present
MAHLER’S SYMPHONY OF A THOUSAND
Matthew Andrews
conductor
Kirstin Sharpin
soprano
Katherine Broderick
soprano
Catherine May
soprano
Anne Marie Gibbons
alto
Anna Burford
alto
Peter Wedd
tenor
James Harrison
baritone
Richard Wiegold
bass

To celebrate its 175th Anniversary, the massed ranks of the Norwich Philharmonic are joined by eight outstanding soloists and several choirs from across Norfolk for a spectacular staging in the Norfolk Showground Arena of Mahler’s epic and rarely-performed Symphony of a Thousand.

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LISTINGS

Norfolk & Norwich Festival 2016 will run from 13 – 29 May.

Tickets are on sale to the public from 9.30am on Wednesday 11 November with priority booking opening at 9.30am on Thursday 5 November.

Box Office 01603 766400, online www.nnfestival.org.uk or in person at Norwich Theatre Royal Box Office.

Concessions and Under 25s discounts available

 

 

NATIONAL YOUTH THEATRE ANNOUNCES WE NEED TO TALK ABOUT CONSENT

 

  • ‘WE NEED TO TALK ABOUT CONSENT’ – NATIONAL UNION OF STUDENTS JOIN THE NYT IN THE WEST END TO DISCUSS CONSENT & SEX EDUCATION
  • DISCUSSION TAKES PLACE AROUND EVAN PLACEY’S ACCLAIMED NEW PLAY CONSENSUAL
  • ‘WE NEED TO TALK ABOUT CONSENT’ IS ON 10 NOVEMBER AT THE AMBASSADORS THEATRE WHERE CONSENSUAL RUNS UNTIL 2 DECEMBER

The National Youth Theatre of Great Britain has announced that they will present a one-off panel discussion, ‘We Need to Talk about Consent’ on Tuesday 10 November. The panel will take place after the evening performance of Consensual, the NYT’s brand new and critically acclaimed production exploring similar themes and experiences in the classroom.

In the month after both the Crown Prosecution Service and the National Union of Students launched full scale awareness campaigns attempting to change society’s view of sexual consent, the NYT are exploring an issue that affects young people in particular.  ‘We Need to Talk about Consent’ will look at the issues young people face around consent and how we might bring about greater awareness as artists, audiences and human beings.

Joining the panel will be prominent voices across campaigns for consent awareness and gender equality: founding member of StudentFems and NUS National Women’s Officer Susuana Amoah who leads on work with women students and women’s liberation and pioneered sexual consent lessons for students; The Great Initiative’s David Brockway, who manages the ‘Great Men’ project, running workshops in schools for boys on issues around sexuality and consent and coordinates a team of male volunteers who work with young men on gender equality and Consensual Playwright and former sexual health outreach worker Evan Placey. The panel will be chaired by broadcaster and writer Janet Ellis.

The event forms part of the NYT’s REP season in London’s West End.  The REP season instills companys of the NYT’s very best actors into West End theatres, giving members a chance to train by performing in front of paying audiences. Following the success of previous seasons the 2015 programme includes Consensual – a brand new play exploring issues around young people and sexual consent written by Evan Placey; Wuthering Heights, in a new adaptation of Emily Brontë’s novel by Stephanie Street and The Merchant of Venice – Shakespeare’s play abridged especially for the NYT by Tom Stoppard.

Susuana Amoah is NUS Women’s Officer. Susuana leads on NUS’ work with women students and women’s liberation. She was also founding member of StudentFems.

David Brockway is responsible for managing the Great Men project at the Great Initiative. He recruits, trains and mentors volunteers and matches them up to schools for them to deliver workshops. He gets schools on board, develops workshop delivery and content, and promotes the project externally at meetings and events. David is also a strong advocate for working with men/boys and helps build the capacity of other organisations to do this effectively.

Janet Ellis trained at the Royal Central School of Speech and Drama.  She has appeared in theatres up and down the country and on TV in everything from Dr Who and The Sweeny to Jigsaw.  She presented Blue Peter for four years in the Eighties, and since leaving has worked as an actress, presenter, broadcaster and writer. She is a regular panellist on C5’s The Wright Stuff and is a regular contributor to radio and TV, newspapers and magazines. Janet’s debut novel, a coming-of-age story set in 18th century London, will be published by Two Roads in spring 2016.

More information at www.nyt.org.uk

LISTINGS
Ambassadors Theatre, WC2H 9ND
Running until 4 December 2015

‘We Need to Talk about Consent’ takes place post-show on 10 November, 9.30-10.30pm.

Consensual
No matinee performances
Evening performances (7:30pm):
10, 11, 18, 24 November; 2 December

Wuthering Heights
Matinee performances (2:30pm):
6, 10, 11, 24, 27 November; 1, 4 December
Evening performances (7:30pm):
17, 25 November;

The Merchant of Venice
Matinee performances (2:30pm):
13, 17, 18, 25 November; 2 December
Evening performances (7:30pm):
1 December

Schools Rates
£12 per pupil, free teacher ticket with every 10 tickets booked.

Box Office
www.theambassadorstheatre.co.uk
08448 112 334

or

www.nationaltheatre.org.uk
020 7452 3000

 

Full casting announced for UK Tour of Tom. A Story of Tom Jones. A Musical

Full casting has been announced today for next year’s UK tour of Tom. A Story of Tom Jones. The Musical, presented by Theatr na nÓg.

Kit Orton stars in the title role of the musical biopic, which will open on Monday 7th March 2016 at the Wales Millennium Centre, Cardiff. Also featured in the touring cast are Elin Phillips as Linda, Nicola Reynolds as Vi, Phylip Haries as Jack Lister, Richard Corgan as Gordon Mills, Deborah Thomas as Jo Mills, John McClarnon as Vernon Hopkins, Daniel Lloyd as Mickey Gee, Kieran Bailer as Chris Slade, Tom Connor as Dave Cooper and Nicola Bryan as Freda and Val. Tim Bonser also joins the company to perform the role of Tom Jones at certain performances.

Step back in time to the dance halls, working men’s clubs and recording studios of the ‘60s where the legend of Tom Jones was born: a Valleys boy with a heart-stopping voice who dreamed of making the big time, no matter what it took.

This inspirational story of self-belief and determination is performed live on stage by a phenomenal cast of actors and musicians, celebrating an ordinary man with an extraordinary talent who became a superstar on a world stage.

Tom. A Story of Tom Jones. The Musical chronicles the rise to stardom of singer Tom Jones and includes an array of hits of the era, from ‘Ghost Riders in the Sky’, ‘Spanish Harlem’ and ‘Lucille’ to ‘It’s Not Unusual’, ‘Delilah’, ‘Green, Green Grass of Home’ and ‘What’s New Pussycat’, along with many more.

The TNN production is written by Mike James and directed by Geinor Styles, with musical direction and arrangements Ben Goddard, designs by Sean Crowley and sound design by Mike Beer.

It made its world premiere at the Muni Arts Centre in Pontypridd on 1st March 2014, forty-nine years after Tom Jones gained his first No. 1 single with ‘It’s Not Unusual’. The musical ran there from 1st to 8th March 2014, and then embarked on a small tour that visited venues in Rhyl, Neath, Carmarthen, Dundee, Windsor and Ipswich.

Speaking about Tom, Geinor Styles said: “We are over the moon to welcome back Kit Orton and this great company of talented actors/musicians alongside newcomers John Mclarnon; Deborah Thomas; Richard Corgan, Nicola Bryan and Tim Bonser to take this inspirational story of a true Welsh icon to audiences throughout the UK. This Rock and Roll musical laced with great Welsh humour and charm is guaranteed to have audiences up on their feet in celebration of this living legend’s story.

Kit Orton is a Welsh actor and composer who played Tom Jones in the workshop of Tom and in the original production, and made his West End debut playing Sir Lancelot in Spamalot (West End/UK Tour). His other stage credits include Oliver!(Watermill Newbury Theatre), Dickens Abridged (Arts Theatre) and The Hired Man (Mercury Theatre Colchester/Leicester Curve). His composing work includes the musical My Land’s Shore, for which he wrote the music and lyrics, with Robert Gould (book and lyrics).

The development of this production has been supported by the Arts Council of Wales, Welsh Government, RCT, NPT Theatres and Wales Millennium Theatre.

The UK tour of Tom. A Story of Tom Jones. The Musical launches at the Wales Millennium Centre, Cardiff on Monday 7th March 2016, where performances will continue until Saturday 12th March 2016). The other confirmed tour dates for 2016 are listed below:
www.tomthemusical.co.uk

Tom. A Story of Tom Jones. The Musical
Monday 7th March – Saturday 12th March 2016
www.wmc.org.uk
Tuesday 15th March – Saturday 19th March (Festival Theatre Edinburgh)
www.edtheatres.com
Wednesday 30th March – Saturday 2nd April (Leicester Curve)
www.curveonline.co.uk
Tuesday 5th April – Saturday 9th April (Aylesbury Waterside theatre)
http://www.atgtickets.com/venues/aylesbury-waterside-theatre/
Tuesday 12th April – Saturday 16th April (Sheffield Lyceum)
www.sheffieldtheatres.co.uk
Tuesday 19th April – Saturday 23rd April (Alhambra Theatre, Bradford)
www.bradford-theatres.co.uk
Tuesday 26th April – Saturday 30th April (Churchill Theatre, Bromley)
http://www.atgtickets.com/venues/the-churchill-theatre-bromley/
Tuesday 3rd May – Saturday 7th May (Theatre Royal, Newcastle)
www.theatreroyal.co.uk/
Tuesday 10th May – Saturday 14th May (Venue Cymru, Llandudno)
www.venuecymru.co.uk
Tuesday 17th May – Saturday 21st May (Richmond Theatre)
http://www.atgtickets.com/venues/richmond-theatre/
Wednesday 25th May – Saturday 28th May (The Lowry)
www.thelowry.com
Wednesday 1st June – Saturday 4th June (New Alexandra Theatre Birmingham)
http://www.atgtickets.com/venues/new-alexandra-theatre-birmingham/

The Happiness Project Review

The Roundhouse 3-14 November. Reviewed by Claire Roderick

Well, the audience certainly found happiness tonight!

The Happiness Project is a response to the 2007 UNICEF report “An overview of child well-being in rich countries”. Two years have been spent exploring the issues raised, and the show fuses the viewpoints of young people, scientists and academics.

The show centres around Eden, a teenager wondering about her future plans, whose mother has told her “I don’t mind what you do with your life – I just want you to be happy.”

Eden’s friends discuss what makes them happy, give themselves scores out of 10 and talk about experiments to find out what “Happiness =” – and are rudely interrupted by the scientists. Neuroscience, psychiatry, human geography and the scientific method are all discussed – to the dismay of the teenagers. Their expressions of disdain are brilliant. A wonderful explanation of dopamine responses in the brain while one lad eats a bacon sandwich is delivered to explain happiness as a system of rewards and expectations. The scientists’ questions about the teenagers’ actions are hysterical. One tries to explain the happiness felt whilst dressing up as Iron Man using Nietzsche’s theories.

The company use a chalk board to illustrate and annotate their findings. This is a fantastic device, showing the huge divide between the thinking of the two groups when the adults look at the teenagers’ simplistic landscape drawing and begin to label each item with psychiatric and scientific ideas.

The various ideas and ways to find happiness are abandoned until finally talk of finding your flow begins. This seems to appeal to the teenagers until a powerful and moving speech about the stresses and pressures young people have to deal with today. The effects used to convey these pressures are fantastic, considering the limited budget and space. Just as it seems that we cannot define happiness, talk turns to childhood memories, and how we can decide how we remember things. The company then begin to write what happiness is to them on the board. And this is delightful. A wide range of things, deep and meaningful or banal, all equate to happiness. Highlights were – “when you smile”, “when the monkeys stole our passports”, “my 7th birthday”, “bacon” (of course!) and “drumming”. The young boy and the scientist who wrote drumming then deliver a fantastic duet on the drums that left the audience breathless, before an almost wordless and moving finale.

This is a sincere and thought-provoking show, performed by a talented young company. The audience has their own chalkboard to write on as they leave, and this was full of happy and appreciative comments.

Who would have thought that sometimes, Happiness = Drumming?

Matthew Dunster appointed associate director at Shakespeare’s Globe

Shakespeare’s Globe have announced today that Matthew Dunster has been appointed as associate director.

He joins Emma Rice as she begins her role as artistic director designate, officially taking over from current artistic director Dominic Dromgoole on 23 April 2016.

Dunster is an Olivier-nominated director and playwright whose world première production of Martin McDonagh’s Hangmen recently transferred from the Royal Court to the West End. His directorial credits for the Globe include The Frontline and Dr Faustus whilst other credits include Love’s Sacrifice (RSC) and The Seagull (Regent’s Park Open Air Theatre).

As a writer, his credits include Children’s Children (Almeida) and You Can See The Hills at the Royal Exchange and the Young Vic.

Commenting on the post, Emma Rice said: “Matthew Dunster is not only one of the best directors in the country, but also an artist of great knowledge, integrity and generosity. Beloved by staff, actors and audiences alike, he is a thrilling appointment and I look forward to the many adventures we will have as we open this next chapter for Shakespeare’s Globe.”

Watermill Theatre announces new season

A brand new production of Rona Munro’s adaptation of Watership Down will feature in the inaugural programme from new artistic director Paul Hart, as well as a new production of Shakespeare’s tragedy Romeo and Juliet.

The season opens on February 25 with Romeo and Juliet, staged in collaboration with the National Youth Theatre. The show will be staged in the round with live music and will be set in a bar. Hart will direct the show, which will feature an ensemble of young actors.

Craig Taylor’s One Million Tiny Plays About Britain will run from 12 April then on 5 May a new production of Alan Bennett’s double bill Untold Stories will open.

Watership Down, which is a stage adaptation of Richard Adams’ adventure novel about a group of rabbits, will run from 16 June 2016.

Paul Hart commented: “The programme represents just a taste of the broad scope of work I hope to present to audiences over time, a mixture of classics, new writing, great rediscoveries and new adaptations. I’m particularly excited to introduce audiences to the next generation of young talent, particularly in Romeo and Julietwhich we are working on in collaboration with The National Youth Theatre.”

Hart has taken over as artistic director and chief executive from Hedda Beeby, who stepped down after eight years in the role.

Booking for friends opens today, and public booking for the season opens on Monday.

Peter Polycarpou and Laura Pitt-Pulford star in Curve’s Oliver!

Casting has been announced for Curve’s productions of Roald Dahl’s The Witches and Lionel Bart’s classic musical, Oliver!, which both open at the Leicester theatre in December.

Seven Brides for Seven Brothers actress Laura Pitt-Pulford and The Bill star, Cat Simmons, are due to share the role of Nancy in Paul Kerryson’s production of Oliver!.

Simmons will play Nancy for the majority of the show’s run from 27 November to 2 January, with Pitt-Pulford taking over for all performances until 16 January.

The title role of Oliver will be shared by Liam Carr and Albert Hart whilst Joel Fossard-Jones and Kwame Kandekore will both play the Artful Dodger.

Sweeney Todd actor Peter Polycarpou will star as Fagin alongside Oliver Boot as Bill Sikes, Jenna Boyd (Widow Corney), James Gant (Mr Bumble), John Griffiths (Mr Brownlow), Natalie Moore-Williams (Mrs Sowerberry and Mrs Bedwin), Lucy Thomas (Bet) and Jez Unwin (Mr Sowerberry and Grimwig).

The cast will be completed by Cassie Clare, Jaye Elster, Ross Lee Fowkes, Ryan Gover, Ian Gareth-Jones, Emma Harrold, Tim Hodges, Bethany Linsdell, Sarah-Marie Maxwell, Louis Stockil and Dickie Wood.

Additionally, Nikolai Foster directs David Wood’s adaptation of The Witches from 16 December to 10 January.

The cast will feature Sarah Ingram (See What I Wanna See, Annie) as the Grand High Witch, Fox Jackson-Keen (Billy Elliot) as Boy, Karen Mann (Alice in Wonderland) as Grandma, Sioned Saunders (Calamity Jane) as Witch, Kieran Urquhart (Scuttlers) as Bruno, Elexi Walker (The Jungle Book) as Mrs Jenkins and Justin Wilman (The Kreutzer Sonata) as Mr Jenkins.

The show, a co-production with The Rose Theatre Kingston, will embark on a national tour in spring 2016.

In a joint statement, Chris Stafford and Nikolai Foster said: “It is with great pride we present two British classics on our stages this winter. We are thrilled to welcome these incredibly talented acting companies and creative teams to our city and, in a first for Curve, The Witches will open in Hong Kong whilst Oliver! premieres in our home town.”

Wicked announces sixth year of Wicked Young Writers Award

WICKED, the award-winning classic musical that tells the incredible untold story of the witches of Oz, has announced the sixth year of the prestigious WICKED YOUNG WRITER AWARDS, which this year introduces a new non-fiction category. Entries open today 3rd November 2015 and close on 11th March 2016. Full details can be found at www.WickedYoungWriters.com.

Wicked has also announced that Her Royal Highness The Duchess of Cornwall has agreed to extend her patronage for a further five years.

The Duchess of Cornwall said at the award ceremony in 2011, “I believe passionately in nurturing a love of reading and writing in children and young people of all ages. Reading is not only the start of a voyage of personal development and pleasure, but the foundation stone of all education.

‘How to Train Your Dragon’ author-illustrator Cressida Cowell is also returning to the judging panel as Head Judge. She said, “I am thrilled to be asked to be a judge for the second time. It is wonderful to be involved in an award which fires up the imaginations and confidence of these young writers. As an ambassador for the National Literacy Trust, I’m a real advocate of anything that gets young people reading and writing.

As in previous years, entrants can enter one of five different age categories; 5-7, 8-10, 11-14, 15-17, 18-25. In addition, the 2016 awards scheme marks the launch of the FOR GOOD Award for Non-Fiction, encouraging 15-25 year olds to write essays or articles that recognise the positive impact that people can have on each other, their communities and the world we live in. The new category celebrates the WICKED: FOR GOOD programme, which supports the charitable causes at the heart of the stage musical.

The Awards were created by the producers of Wicked in 2010, in collaboration with the National Literacy Trust and spearheaded by bestselling author Michael Morpurgo, to recognise excellence in writing, encourage creativity and develop writing talent in young people. Since launching, over 20,000 young people, aged between 5 and 25, have entered original and thought-provoking pieces of writing that consistently reflect the interests, concerns and deepest thoughts of young people, providing a first-look at the emerging voices of a new generation.

A shortlist of 120 entrants from across the UK will see their work published in the WICKED YOUNG WRITER AWARDS Anthology. They are also invited to an exclusive ceremony at London’s Apollo Victoria Theatre, home to the hit musical since 2006, where judges and members of the Wicked cast will announce who has won in each category.

Previous winners include Charlotte Carter (Winner, 15-17 Category, 2015) who said, “The support shown by everyone involved in the award is fantastic, I cannot thank them enough for the passion, the joy and the hope that they have inspired in me.

Sophie Max who was short-listed four times and won in 2012 said “I am forever grateful for the impact it had on me; in consequence I will always have writing as a part of my life.”

Winner of the 18-25 Category Gregory Maguire Award 2014 Chris Pritchard has gone on to be published in a variety of journals and anthologies but his favourite part of the award was hearing the stories by the younger contestants!

Caitlin Jenkins, (Winner, 11-13 Category, 2010), said “The biggest thrill I had from the competition was seeing my writing in print, and of course meeting Michael Morpurgo the year I won.

The WICKED YOUNG WRITER AWARDS raises money for the National Literacy Trust, who campaign to improve public understanding of the vital importance of literacy. Jonathan Douglas, Director of the National Literacy Trust will be returning as part of the judging panel.

Michael McCabe, Executive Producer (UK) of Wicked said, “All of us at Wicked are incredibly proud of this project and greatly indebted to Her Royal Highness The Duchess of Cornwall, Michael Morpurgo and Cressida Cowell for their support. Their passionate commitment to encouraging creative writing and improving literacy standards amongst young people in the UK is an inspiration to us all”.

Pieces of original writing can be submitted, either individually or as part of a school group, until 11 March 2016. The overall winners from each category will win a VIP family experience to the West End production of Wicked, including an exclusive backstage tour and cast meet-and-greet, £50 book/eBook tokens, plus £100 worth of books for their school library donated by Hachette Children’s Books. The individual school with the highest number of entries will receive a bespoke writing workshop at their respective school.