LOCAL CHOIR SHARES SPOTLIGHT WITH ‘THE VOICE’

A North East choir will join Russell Watson on stage as he brings his new show – Songs From The Heart, to Darlington Civic Theatre on Friday 6 May.

Russell Watson’s career to date has seen some incredible achievements; his debut album ‘The Voice’ held simultaneous number one slots in the US and UK (a world first), spending a record breaking 52 weeks at number one in the UK. Russell has sold in excess of 7 million albums and won 4 Classical BRITS.

His current ‘Songs From The Heart’ UK tour features a stunning collection of well-loved songs, plus an exclusive preview of selected tracks from his forthcoming studio album.

Russell has always been a strong supporter of community choirs, especially after his time as a judge on the BBC prime time show ‘Last Choir Standing’. Russell enjoyed being part of the show immensely and as a result, last year’s Up Close & Personal tour featured local community choirs at each show. Following the success of the choirs last year, Russell is once again inviting local choirs to join him on stage.

Russell said “Last year’s choirs brought an added energy to the show, something you can only achieve when a range of voices come together as one, and I’m delighted to have the opportunity to perform with local choirs once again this year.”

When Russell comes to Darlington Civic Theatre he will be joined by the Darlington based Vocal Soul Community Choir which is directed by Steve McGarvie.

Steve said “Vocal Soul Community Choir is thrilled to be given the opportunity to perform alongside one of the country’s best-loved entertainers. Rehearsals are going very well; it’s a nice challenge to sing pieces that are not part of our normal repertoire, in fact in a style and languages which we don’t usually perform at all! The choir are rising to the occasion and will do singers right across Darlington proud.”

Russell Watson – Songs From The Heart is at Darlington Civic Theatre on Friday 6 May. Tickets* are priced £33.50 to £45.

*All prices include a £1 restoration levy

To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk

Award-winning Regan De Wynter Williams

Productions are proud to present the UK Tour of

Or The Lass That Loved a Sailor

By W.S. Gilbert & Arthur Sullivan

LIZZI GEE nominated for BEST CHOREOGRAPHER      

H.M.S. PINAFORE at the OffWestEnd Awards

          The award-winning company that gave you all-male productions of ‘The Pirates of Penzance’, ‘Iolanthe’ & ‘Patience’ is proud to present Gilbert & Sullivan’s fourth collaboration and first blockbuster: “H.M.S. Pinafore”, or “The Lass That Loved a Sailor”

Set in the hold of a WW11 ship, the setting allows the cast of 16 to switch between burly sailors, in the working underbelly of the vessel, to lady visitors. A playful, innovative and heartfelt production.

A simple set with a beautiful costume design by Ryan Dawson Laight have allowed maximum scope for inventive playing by the cast, whereby physicality and voice is key to telling the story.

One of the most popular G&S operas, dealing with the age old conundrum of love between social classes, Pinafore has infectious tunes and a beautifully constructed libretto, a perfect match for this creative teams inimitable style.

Hysterically funny and highly effective. G&S’s score is irresistibly delightful and utterly timeless. Performed with joy and enthusiasm.  It is so rare to see such a timeless production staged with such love and care.                                    * * * * WestEnd Frame

 

A joy from Start to Finish.    * * * * Public Reviews

 

Tickets: From £13.50

Box Office: 0844 8713024

Online Booking: www.atgtickets.com/york

 

UK Tour 2016

Cambridge Arts Theatre:          20^th – 23

London Hackney Empire:         27^th – 1^st May

York Grand Opera House:       3^rd – 7^th May

Winchester Theatre Royal:      12^th – 14^th May

Beverley East Riding Theatre: 23^rd – 25th May

Bridlington Spa Theatre:           26^th – 28^th May

Bath Theatre Royal:                    31^st – 4^th June

London Richmond Theatre:    14^th – 18^th June

Brighton Theatre Royal :           21^st – 25^th June

Truro Hall for Cornwall:           30^th – 2^nd July

Malvern Malvern Theatres:     5^th – 9^th July

Bromley Churchill Theatre:     11^th – 13^th July

Salford The Lowry:                      14^th – 16^th July

Shrewsbury Severn Theatre:   18^th – 20^th July

Leicester Curve:                             21^st– 23rd July

Dynamic choreography… excellent…priceless. An extraordinary adventure.

* * * * Sam Smith of music OMH

Following the phenomenon which was Matthew Bourne’s all-male Swan Lake, another thrilling all-male version of a much-loved classic… Sasha Regan returns with one of the most popular G&S operas, following her hugely successful

award-winning all-male production The Pirates of Penzance at Cate Blanchett’s Sydney Theatre and  UK Tour

Directed by Sasha Regan

Theatre directing credits include; ‘We’re all doing Time’ (CRITICS CHOICE), ‘Chelinot’ (SUNDAY TIMES CRITICS CHOICE), Kander & Ebb’s ‘Cabaret’, ‘Sweeney Todd’ (CRITICS CHOICE) and ‘Pirates of Penzance’ (WINNER OF THE WHAT’SONSTAGE, BEST OFF WEST END PRODUCTION, 2010). After performing at The Prince of Wales Theatre for the What’sonStage.com Awards, ‘Pirates’ then transferred to the beautiful Wilton’s Music Hall and then moved to The Rose Theatre in Kingston.  ‘Pirates’ has just completed a Number One tour of Australia, including a month’s run at The Sydney Theatre.

Sasha also worked with Chris O’Dowd at The British Independent Film Awards.

Other directing credits include ‘Iolanthe’ (CRITICS CHOICE & TIME OUT’s top 10 musicals of 2010). ‘Iolanthe’ transferred to Wilton’s Music Hall where the cast enjoyed a sold-out run and broke all Wilton’s box office records from the previous 12 years. ‘Patience’ (CRITICS CHOICE).  Most recently Sasha directed the European Premiere of ‘Pipe Dream’, the musical has been nominated for both Best Production and Best Direction in the Broadway World Awards this year.

Choreographed by Lizzi Gee

 

Recent Credits include: Film: ‘Pride’ (Pathe dir. Matthew Warchus).

Theatre: The Winter’s Tale (RSC/ UK Tour 2013), ‘Goodnight Mr. Tom (Phoenix Theatre / chichester /UK Tour), ‘Pipe Dream’ (Union), ‘Rocket to the Moon’ (National Theatre), ‘Love Story’ (Duchess Theatre), ‘Onassis’ (Novello Theatre), ‘Buddy’ (UK Tour), ‘Vernon God Little’ (Young Vic), All Male Pirates of Penzance – Union Theatre/Wilton’s Music Hall, and Kingston Rose, Australia 2012, (Winner of Best off West End Production Whatsonstage awards)

Designed by Ryan Dawson-Laight

Ryan is a designer for performance. His credits include set and costume design for ‘HMS Pinafore’ (Union Theatre) set and costume design for ’BLACK’ (Unity Theatre),  ‘Henry V’ (Oxford Castle), ‘Chess’ (Union Theatre), ‘IN DRAG’ (Purcell Rooms/Southbank Centre), ‘Good Morning Midnight’ (Jermyn street Theatre), set design for Le Gateau Chocolat (Menier Chocolate Factory).  Artistic Director for ‘Starting Line’, a large scale performance piece that celebrated the arrival of the torch as part of the Paralympic Games. He is currently working with Drew McOnie and his company The McOnie Group on a brand new piece called ‘Drunk’, which premieres at the Leicester Curve before making its way to the Bridewell Theatre.

Director Sasha Regan

Choreographer Lizzi Gee

Designer Ryan Dawson-Laight

Musical Director Richard Bates

Lighting design Tim Deiling

Producer Regan De Wynter Williams Ltd

Casting Adam Braham Casting

 

CAST To be confirmed

 

If you are lucky enough a show comes along that is so inventive and brilliant it takes your breath away.  Sussex Express

You can’t not enjoy it.     British Theatre Guide

 

 

 

 

Doctor Faustus announces three-week extension and full casting

• The Jamie Lloyd Company’s production of Doctor Faustus will extend its run at the Duke of York’s Theatre by three weeks, until 25th June

• Jenna Russell to play the role of Mephistopheles

• Further casting: Jade Anouka, Tom Edden, Danielle Flett, Brian Gilligan, Forbes Masson, Craig Stein and Gabby Wong

• As previously announced, Kit Harington (Game of Thrones) plays the title role in Colin Teevan’s version of Christopher Marlowe’s masterpiece

• Press previews from 21st April 2016 with Gala Night 25th April 2016

Due to unprecedented demand, a 3 week extension is announced today for The Jamie Lloyd Company’s production of Doctor Faustus. Full casting has also been announced with Jenna Russell taking the role of Mephistopheles. Jade Anouka (Wagner), Tom Edden (Good Angel), Danielle Flett (Valdes), Brian Gilligan (Cornelius), Forbes Masson (Lucifer), Craig Stein (Evil Angel) and ensemble member Gabby Wong join Kit Harington.

This anarchic production of Doctor Faustus will run at the Duke of York’s Theatre, London, from 9th April 2016. Directed by Jamie Lloyd, Christopher Marlowe’s masterwork, with two acts written by Colin Teevan, is now booking until Saturday 25th June.

With Teevan’s darkly comic scenes replacing the extant middle acts (widely believed not to have been written by Marlowe), the story of this 400-year-old play will be transported to a celebrity-obsessed society of greed and instant gratification, offering a fresh perspective that chimes with our times.

Faustus makes a pact with the Devil, selling his soul in return for the ability to perform anything he pleases with the power of black magic. This fatal decision catapults him into an intoxicating world of celebrity, as he becomes a world-renowned conjuror, international heartthrob and friend of the rich, famous and powerful. But what is the cost of his insatiable thirst for wealth and fame?

The production will be designed by Soutra Gilmour, with lighting by Jon Clark, and music and sound by Ben and Max Ringham.  Movement direction is by Polly Bennett, with fights by Kate Waters.

As with The Jamie Lloyd Company’s previous productions, all tickets for Monday performances will be £15. Some of these will be made available through a special outreach scheme, targeted at schools and first-time theatregoers. The remainder will be released monthly to the public each month, and will be available online or at the Duke of York’s box office.

Jade Anouka makes her West End debut in Doctor Faustus having previously won The Stage Award for Acting Excellence for her performance in Chef (Edinburgh Fringe).  Jade has received Ian Charleson Award Commendations for Hamlet at Shakespeare’s Globe andJulius Caesar at the Donmar Warehouse and New York. Other theatre includes; Hotspur inHenry IV (Donmar Warehouse and St Ann’s Warehouse), So Here We Are (Manchester Royal Exchange), The Vote (Donmar Warehouse/Channel 4) and Moon on a Rainbow Shawl(National Theatre). On screen, Anouka’s credits include Doctor Who, Sky’s Lucky Man and Mike Leigh’s A Running Jump.

Tom Edden originated the role of Alfie in One Man Two Guvnors (National Theatre, West End, Broadway) for which he was awarded a Drama Desk Award and was nominated for awards at the Critic’s Circle and Tony Awards. Further theatre credits include Measure for Measure (Young Vic), Peter Pan Goes Wrong (Apollo Theatre), Oliver! (Sheffield Crucible) and Les Misérables (Queen’s Theatre). Film and television appearances include Star Wars Episode VII: The Force Awakens, Mr Turner, Cinderella and Upstart Crow.

Since graduating from Rose Bruford College, Danielle Flett has appeared on stage inHatched ‘n’ Dispatched (Park Theatre), Noises Off (Old Vic, UK Tour), Vera, Vera, Vera(Royal Court Theatre and Theatre Local Peckham).  Flett has been seen on screen inSilent Witness, Top Boy and Lewis.

Brian Gilligan recently starred as Deco in The Commitments (Palace Theatre).  Further credits include Fiddler on the Roof (Jim Molloy Productions), Songs for a New World(Mermaid Arts Centre), The Wizard of Oz (Helix DCU), The Pirates of Penzance (Festival Productions) and La Bohème (Lyric Opera).

Dr Faustus marks Forbes Masson’s fourth production with The Jamie Lloyd Company. Hehas an extensive stage career including roles in Mr Foote’s Other Leg (Theatre Royal Haymarket and Hampstead Theatre), The Ruling Class, Richard III and Macbeth (all Trafalgar Studios), As You Like It (RSC Residency in New York).  Recent on screen roles include Catastrophe, Shetland and Doctors.

Jenna Russell recently appeared in Grey Gardens at the Southwark Playhouse.  Her acclaimed theatre career includes multiple credits with the Almeida theatre including The Odyssey, The Iliad and Mr Burns as well as Di Viv and Rose (Vaudeville), Urinetown (St James and Apollo), Merrily We Roll Along (Menier Chocolate Factory and Harold Pinter) and Soho Cinders (Soho Theatre). TV appearances include Call the Midwife, The Paradise,Holby City and Minder. 

Craig Stein has appeared in Carousel, Nation and FELA! (all National Theatre), Wig Out(Royal Court), Wicked (original London cast), Ghost the Musical (Piccadilly Theatre) andRent (Duke of York’s).

Gabby Wong’s theatre credits include Volpone, Love’s Sacrifice, Jew of Malta (RSC),Compliance (NT Studio), Shangri-La (Finborough), Beat My Time Machine Skipped (Soho Theatre) and Takeaway (Theatre Royal Stratford East).

Park Theatre  23 February – 19 March.  Reviewed by Claire Roderick

Truth or fantasy?

Lynnie is holed up in a cheap Hollywood motel after running away from her Essex nursing home. When her gay grandson Joe arrives to take her home, she reveals her secret. Lynnie is, in fact, Marilyn Monroe. She faked her death and fled to Essex, but now, in 2003, the world needs her again. Lynnie sets Joe on a quest to find 4 proofs of her story, hidden around Hollywood, before she reveals herself to the public. Joe’s responses sway back and forth from disbelief to complete faith in Lynnie’s story, and the audience is kept guessing too. Joe’s imaginary friend – the young Marilyn – is along for the ride, voicing everyone’s doubts and disbelief, while Joe begins to imagine a new life of privilege as Marilyn Monroe’s grandson.

Dylan Costello has written a beautifully emotional play, with every character, real and imaginary, yearning to be loved for who they are . Trying to sort fact from fiction in a town built on fantasies, reinventions and fickle fame gives all the plot twists and machinations an extra dimension, and the melodrama mixes coherently with lots of fantastic funny lines and ludicrous situations, making for a satisfying and heartwarming whole.

Vicki Michelle is in fine form as Lynnie. Despite a few stumbles over lines, she gives a wonderfully measured performance, full of spark and humour, but tinged with regret and hints of dementia. Jamie Hutchins gives a charmingly physical performance as Joe, portraying the frustration of dealing with a dotty old lady, and his moments of despair brilliantly. It is hard to play an icon, so Farrel Hegarty wisely avoids an impersonation, instead giving Marilyn a breathlessly nagging and sarcastic edge, which is perfect for Joe’s mindset. Her American TV host is a triumph, all the fake sincerity in glances to camera and dramatic pauses. Peter McPherson as Bobby manages to strip away the layers of bravado as his scenes progress, finally showing us the lost soul underneath with a gentleness that is in stark contrast to his early histrionics. He also takes his shirt off. Which is nice.

One character admits that “Pretending to be someone else is quite addictive.”

And so is watching performances and writing of this quality and soul

Theatre Royal Drury Lane, London – 20 February 2016

Sam Mendes’ production of the musical adaptation of Charlie and the Chocolate Factory is magically beautiful, a good old-fashioned Broadway musical, with a score and lyrics from tried and true Broadway collaborators: Marc Shaiman and Scott Wittman.

Most of the first half is taken up with the story of Charlie’s impoverished family, relieved by inserts of a garish TV spectacle showing the winners of the golden tickets.   You really feel for Charlie as he yearns for both chocolate and the golden ticket that will grant him entrance to Willy Wonka’s mysterious factory – and bravely bears the disappointment when it looks as though he never will.  What’s more, the scene in which he writes a letter to Wonka, makes it into a paper dart and throws it out across the audience so that it flies up into the gods is somehow more exciting and affecting than any of the more spectacular tricks that follow.  The four children who get to accompany Charlie on the tour are: the greedy Augustus Gloop  who is Bavarian, the spoilt Veruca Salt defiantly English, the gum-chewing Violet Beauregarde Californian and the computer game-obsessed Mike Teavee a product of American suburbia.

The second half is little more than a sequence of “get the brats” as Charlie’s unpleasant companions on the guided tour all meet sticky ends in the sweet factory.  Pretty much all the sets are a scrumptious treat – from a nut-sorting room populated by squirrels to the inventing room complete with emotionally unstable robots. The sets are brought to life by the army of little Oompa-Loompas, whose numbers, choreographed with natty innovation by Peter Darling, are hilariously kooky.  The various calamities are staged with panache, and the special effects involving killer squirrels and the Oompa-Loompas are highly ingenious.

Jonathan Slinger is a splendidly charismatic and disconcerting Willy Wonka, brilliantly combining jokes with a twitchy hint of the psycho, and the child performers are superb.  Slinger, despite his more edgy idiosyncrasies, does bring a real sense of humanity to the character. He’s a man clearly moved by Charlie’s politeness, thoughtfulness and caring, which makes the final bond between the two a little more believable

The biggest star of the show remains designer Mark Thompson’s startling, imaginative sets, that conjure the right Dickensian gloom for the black-and-white scenes set in the eponymous hero’s impoverished home life — where dad is unemployed, the elderly family relatives share beds and electricity to power the television is generated by cycling really hard on a stationary bicycle — but then spring into vivid 3D colour for the scenes set in the factory.

This scrumdiddlyumptious production is perfect for children and adults alike, a completely fabulous sugar coated nostalgia fest.  Go and see it now before it closes

Harold Pinter Theatre, London – 19 February 2016

Joe Penhall’s Olivier Award winning musical tells the story of how Ray and Dave Davies, ordinary lads from Muswell Hill, came to form one of the defining bands of the Sixties. And it does more than chart the Kinks’ early highs and lows using the best of their back-catalogue.

Even at their chirpiest, the songs contain an undertow of melancholic solitude. But Penhall also shows how the most delicate on-stage harmonies were accompanied by deep personal disharmonies, with Ray constantly at war with his madcap brother, Dave, or the band engaged in battles with exploitative middle-men or American unions

Danny Horn is exceptionally good in the central role of Ray Davies. His singing voice is beautiful. Making us buy the idea of Davies as an unusual, brooding creator, the off-beat, stammering Muswell Hill lad who found he was best able to express himself on a guitar.

Oliver Hoare is suitably manic as Ray’s brother and band mate Dave. Tom Whitelock plays shy bass guitarist Pete, and Damien Walsh is fabulous drummer Mick. A live band at the back of the stage helps the cast perform the songs.

Although the story isn’t massively substantial, there are some emotional moments, particularly towards the end when things really start to unravel for the front man Ray Davies. There is also a neat political subtext, as their Tory managers have to face up to the fact that heartthrobs like The Kinks are starting to become the true aristocracy.

The play works hard to set the scene, referencing other contemporary bands, although some of the jokes are a bit too knowing at times (of the ‘there’s a little band called The Who, you won’t have heard of them” ilk). The script is at its best when it is rife with tension; the turbulent end to the first half is gripping and matches the intensity of some of the high tempo rock and roll on display.

The Kinks’ records are fantastically showcased, and Penhall’s book is seamlessly smooth and sprinkled with wit. Each number finds its moment, with the biggest hits evenly spaced. “Sunny Afternoon” celebrates that euphoric summer of ’66 with a ticker tape drop to mark England’s World Cup win. “Days” becomes a gorgeous acapella nostalgia trip, and “Waterloo Sunset” is artfully de-constructed to reveal its workings as the band re-find their rhythm. Five or six songs with guttural guitar riffs rip through the theatre to thrilling effect.

Directed by Edward Hall, the show is nippy, colourful and euphoric.  The set has been designed with a long ramp running out into the stalls, enabling the action to flow constantly into the audience and back onto the stage. The scene can switch fluently from lounge or studio to hotel room or the interior of an aircraft, with dancing girls, screaming fans or a TV studio full of technicians available at the snap of a finger. The musical performances sizzle with gig-like energy.  It helps that all the cast members actually play their own instruments and even are at the back of the stage playing during scenes they aren’t involved in. It gives that rare feeling that you’re actually seeing a live band in a musical

Sunny Afternoon has to the noisiest, wildest, most fun musical in London’s West End at the moment.  Totally deserving of its awards.  Full of life – buy your ticket today

 

HIT TV PROGRAMME, CITIZEN KHAN, COMES TO LEEDS STAGE

 

Starring Adil Ray

 

Following four hugely successful BBC series Adil Ray is bringing the much-loved, self-appointed Community Leader, Mr Khan, to the stage.  His new show Citizen Khan: Everybody Knows Me is at Leeds Grand Theatre on Thursday April 28^th.

Mr Khan, created and performed by Adil Ray, is a larger than life character with strong opinions and big dreams who is facing the challenge of how to make ends meet and keep his family happy.  Things would be much easier if everyone just listened to him and followed his lead; now he is hoping they finally will.

Citizen Khan is currently the most watched comedy show on British television and has been bestowed four awards by the Royal Television Society including ‘Best Performance in a Comedy’ awarded to Adil Ray for two years running.  Its success has been attributed to its family audience and its popularity with younger viewers over alternative comedies on TV.

 

On announcing his first ever solo live stage show, Mr Khan, Community Leader, said:

“Asalaam Alaikum and ‘hello how do you do’ to all you non-Muslim peoples. Mr Khan, Community Leader, speaking. I’m very pleased to be able to get the chance to meet you all in my busy schedule. I will be informing you all on how to deal with all areas of British life; family, fashion, food, school, and of course being a good Muslim. Oh Twaddi! This is a family show so bring everybodies but please, if you are Indian (or ginger) you must sit at the back and don’t drink too much!”

 

“This is a very special moment in the British calendar just like Justin Biebers & One Direction. As a Muslim we love to follow One Direction – towards Mecca. I look forward to answering any questions on the night too and if you’re lucky I’ll have a photo taken with you unless you’re from the tax office or immigration then you can stay at home.”

Citizen Khan: Everybody Knows Me is at Leeds Grand Theatre on Thursday 28^th April

Tickets go on sale on Monday 29^th February at 10am

(on sale to members on Friday 26^th February)

Book online at leedsgrandtheatre.com or call Box Office on 0844 848 2700

Best Actor in a Play sponsored by Radisson Blu Edwardian:

Benedict Cumberbatch, Hamlet

James McAvoy, The Ruling Class

Bradley Cooper, The Elephant Man

Mark Rylance, Farinelli and the King

Alex Hassell, Henry V

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Best Actress in a Play sponsored by The Umbrella Rooms:

Nicole Kidman, Photograph 51

Denise Gough, People, Places and Things

Lia Williams, Oresteia

Rosalie Craig, As You Like It

Harriet Walter, Death of a Salesman

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Best Actor in a Musical sponsored by Century:

Killian Donnelly, Kinky Boots

Michael Ball, Mack and Mabel

Matt Henry, Kinky Boots

Sam Mackay, In the Heights

Ben Forster, Elf the Musical

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Best Actress in a Musical:

Imelda Staunton, Gypsy

Beverley Knight, Cats

Kimberley Walsh, Elf the Musical

Lily Frazer, In the Heights

Katie Brayben, Beautiful: The Carole King Musical

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Best Supporting Actor in a Play:

Ciaran Hinds, Hamlet

Mark Gatiss, Three Days in the Country

Bertie Carvel, Bakkhai

Johnny Flynn, Hangmen

Kobna Holdbrook-Smith, Hamlet

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Best Supporting Actress in a Play sponsored by The Tonic Theatre Company:

Sian Brooke, Hamlet

Anastasia Hille, Hamlet

Imogen Doel, The Importance of Being Earnest

Patsy Ferran, As You Like It

Judi Dench, The Winter’s Tale

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Best Supporting Actor in a Musical:

Lucas Rush, American Idiot

Alexis Gerred, American Idiot

David Bedella, In The Heights

Jack Edwards, Mack and Mabel

Peter Davison, Gypsy

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Best Supporting Actress in a Musical sponsored by Newman:

Lara Pulver, Gypsy

Jennie Dale, Elf the Musical

Amy Lennox, Kinky Boots

Lauren Samuels, Bend It Like Beckham

Victoria Hamilton-Barritt, In The Heights

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Best New Play:

Hangmen

Oppenheimer

Photograph 51

People, Places and Things

Farinelli and the King

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Best New Musical sponsored by Shine Creative Solutions:

Kinky Boots

Bend It Like Beckham

Elf the Musical

Beautiful

In The Heights

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Best Play Revival:

Hamlet

Importance of Being Earnest

The Ruling Class

Death of a Salesman

Oresteia

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Best Musical Revival sponsored by R&H Theatricals:

Gypsy

Cats

High Society

Mack and Mabel

American Idiot

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Best Direction:

Hamlet, Lyndsey Turner

In The Heights, Luke Sheppard

American Idiot, Racky Plews

Kinky Boots, Jerry Mitchell

Gypsy, Jonathan Kent

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Best Choreography sponsored by Capezio:

Kinky Boots, Jerry Mitchell

In The Heights, Drew McOnie

High Society, Nathan M Wright

Gypsy, Stephen Mear

American Idiot, Racky Plews

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Best Set Design sponsored by the Theatre Cafe:

Hamlet, Es Devlin

American Idiot, Sara Perks

Kinky Boots, David Rockwell

In The Heights, Takis

Gypsy, Anthony Ward

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Best Lighting Design sponsored by White Light:

Hamlet, Jane Cox

In The Heights, Howard Hudson

American Idiot, Tim Deiling

Kinky Boots, Kenneth Posner

Gypsy, Mark Henderson

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Best Off-West End Production sponsored by Les Misérables:

Shock Treatment, King’s Head Theatre

Carrie the Musical, Southwark Playhouse

You Won’t Succeed on Broadway If You Don’t Have Any Jews, St James’s Theatre

Grand Hotel, Southwark Playhouse

Assassins, Menier Chocolate Factory

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Best Regional Production:

Mack and Mabel, Chichester Festival Theatre and tour

Mary Poppins, tour

Anything Goes, Sheffield Crucible and tour

Hairspray, tour

Henry V, RSC

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Best West End Show sponsored by The Wine Treasury:

Wicked

Les Miserables

Kinky Boots

Miss Saigon

Matilda

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Equity Award for Services to Theatre:

Kenneth Branagh

CELEBRATION OF A LEGEND

Legend – A Tribute To Bob Marley comes to Darlington Civic Theatre on Thursday 10 March.

Combining superb, distinctive vocals with flawless musicianship, timeless, million-selling hits Could You Be Loved, Is This Love, One Love, No Woman No Cry, Jamming, Buffalo Soldier and more reggae classics come to life in Legend – A Tribute to Bob Marley.

Taking you from Marley’s ska roots with the Wailers, to the 70s and 80s pinnacle of his recording career, enjoy an authentic taste of Jamaican sunshine as this compelling treat brings Marley’s musical genius to the stage.

A truly talented cast capture to perfection the charismatic cultural icon that was Bob Marley. Prepare for a legendary night of happy vibes.

Legend – A Tribute To Bob Marley is at Darlington Civic Theatre on Thursday 10 March. Tickets* are priced £21.50 and £23.50.

*All prices include a £1 restoration levy

To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk

Iphigenia in Splott embarks on UK Tour following outstanding critical acclaim at The National Theatre.

 

Iphigenia In Splott opened on the 29 January at the National Theatre’s Temporary Theatre and has received resounding audience and critical acclaim.  It now heads out on a tour of some of the leading UK venues from24 February – 16 April 2016.

Following its world premiere at the Sherman Theatre and a hugely successful run at the Edinburgh Festival Fringe 2015, Iphigenia in Splott went on to receive the UK Theatre Award for Best New Play, The Stage Award for Acting Excellence and the Theatre in Wales Award for Best Actress. 

Inspired by the enduring Greek myth, Gary Owen’s powerful drama drives home the high price people pay for society’s shortcomings. This one-woman play, directed by Rachel O’Riordan, looks at the world through the eyes of Effie, a hard-nosed, unemployed young woman who spends her days in a careless spiral of drink, drugs and drama.  The production has been called Gary Owen’s protest letter to a hard-hearted state and a call to arms for revolution and whilst it is set in the suburbs of Splott, in Cardiff it is hugely relevant and poignant to any city across the UK.

This is the first time a Welsh producing house has transferred to The National Theatre and it heralds another important milestone for the Sherman Theatre under Rachel O’Riordan’s Artistic Directorship.  The production’s success further cements the company’s drive and combined commitment to the development of new writing, alongside a programme of classic text.

The National Theatre’s Director, Rufus Norris said: “Audiences need the chance to see this vivid, intense and devastating piece. It’s exactly the type of programming the Temporary Theatre was created for and a powerful reminder of the essential new writing being produced by theatres across the country.”

Speaking about the tour, Director Rachel O’Riordan said “We are thrilled with the response we have had to this production so far, in Cardiff, Edinburgh and London. This is a powerful play that explores what it is to be a young woman on the outskirts of society. Although the piece is set in a suburb of Cardiff, we see young women like Effie every day wherever we are, it is relevant to audiences all across the UK. Iphigenia in Splott explores the current state of our society, communities, and the National Health Service.  Effie will break your heart.”

 

The Sherman is one of the main producing houses in Wales and is touring to leading regional theatres across the UK, representing the best of Welsh talent.  The Sherman Theatre is committed to developing and nurturing the work of Welsh and Wales based artists, and this is certainly true of this production.  Swansea born, Royal Welsh College of Music and Drama graduate, Sophie Melville is outstanding in her performance as Effie; Sam Jones from Cardiganshire, created the haunting and driven sound design and trained at the University of South Wales in Sound Design; Designer Hayley Grindle trained at Royal Welsh College of Music and Drama and works regularly in Wales and Sherman based Lighting Designer Rachel Mortimer completes the creative team..

The tour will visit various venues throughout England, Wales and Scotland from 24 February – 16 April.

 

 

For details please visit www.shermancymru.co.uk.

@ShermanCymru | #IphigeniaInSplott | www.shermancymru.co.uk

 

Running Time: 70 mins  

Contains strong language and sexual references

 

Company Information

Directed by Rachel O’Riordan                                    Written by Gary Owen          

Design by Hayley Grindle                                           Lighting Design by Rachel Mortimer

Sound Design by Sam Jones

Cast – Effie:  Sophie Melville

TOUR DATES:

Sherman Theatre, Cardiff                    29 February & 1 March

Shermancymru.co.uk                           029 2064 6900

The Traverse, Edinburgh                     3 -5 March

traverse.co.uk                                      0131 228 1404

Sheffield Theatres, Sheffield               8 & 9 March

sheffieldtheatres.co.uk                        011 4249 6000

Live Theatre, Newcastle                      11 & 12 March

live.org.uk                                           019 1232 1232

Birmingham Repertory Theatre,           15 – 19 March

birmingham-rep.co.uk                         012 1236 4455

Hull Truck, Hull                                  22 – 24 March

hulltruck.co.uk                                    014 8232 3638

Bristol Old Vic, Bristol                        29 March – 2 April

bristololdvic.org.uk                              0117 987 7877

North Wall, Oxford                             11 & 12 April

thenorthwall.com                                 018 6531 9450

The Everyman and Playhouse, 14 – 16 April

everymanplayhouse.com                     015 1709 4773