An Inspector Calls Review

His Majesty’s Theatre, Aberdeen – until 29th March 2025

Reviewed by Fiona Leyman

5*****

Who doesn’t enjoy a gripping ‘Who Dunnit’ thriller? J.B.Priestley’s Multi-Award Winning An Inspector Calls is once again touring and delighting audiences across the UK. Having originally appeared on London’s West End in 1946, this timeless tale never fails to hook an audience from its opening scene.

The Birley’s are celebrating their daughter Sheila’s (Leona Allen) engagement to Gerald Croft (Tom Chapman) when a mysterious Inspector calls at their door. The death of a young lady has brought him to their household in the middle of the night and as the story unfolds, each member of the family has secret links leading to the tragic suicide of this poor girl. So, who’s most at fault?

Ian MacNeil, who designed the West End and International set for this production is back with this touring company. The Birley House is the focal point of this productions striking set. A remarkable structure that unfolds to reveal a working Birling’s dining room inside. The simplicity of the rest of the set, including a red phone box, the iconic streetlamp synonymous with this story and its cobbled street characteristic of those in the 1910s all complemented the stage and gave the home the attention it deserved. The added feature of pouring and misty rain gave this thriller the tension it required. It is common knowledge that touring companies sometimes struggle with their set design due to having to move them so frequently, but MacNeil was able to give this little theatre a taste of a large West End production.

The lighting in this performance is another noteworthy aspect. Having first worked on this production in the 1990s for the National Theatre, Award-Winning Lighting Designer Rick Fisher uses straightforward but impactful lighting to evoke mystery and drama. He adds intensity by using spotlights to draw attention to the characters shadows, giving this thriller the atmosphere it needed.

In his role of enigmatic Inspector Goole, Tim Treloar (Silent Witness, Maleficent) excels. His appearance on stage captivates you with the drama playing out in front on stage. Where necessary, his witty remarks to the Birley’s answers, injects humour into this serious drama. Trelour, in my opinion, was the ideal casting for this role.

Leona Allen (Amazon Prime’s The Devil’s Hour, The Crucible) as Sheila Birley was another outstanding performance. Having seen her previously on stage at Alexander Palace, London in Mark Gatiss’s adaptation of A Christmas Carol – A Ghost Story, she did not disappoint in this role. The light-hearted character who first appears on stage abruptly develops feelings of regret about her role in this young girl’s death. Her portrayal of this part lends credibility to the talent of this young actress.

From its debut on the West End in the 1940s to its continued popularity across the nation today, An Inspector Calls has shown itself to be a timeless production. An intense thriller where simple actions of those in a higher socioeconomic class can have devastating effects of those of a lower class. A message from real life that is still relevant in today’s culture.

Wilko: Love and Death and Rock’N’Roll Review

Southwark Playhouse (Borough), London – until 19 April 2025

Reviewed by Phil Brown

4****

I think it’s the first time I’ve ever seen a theatre programme say “Spoiler Alert – we advise you to read this article after seeing the play – not before”.  It’s a very good piece by the way, but an interesting approach to introducing what is certainly an intriguing event.

However, it seems unlikely that anyone planning to see Jonathan Maitland’s extraordinary play isn’t already acquainted to some degree with Wilko (well played by Willis Johnson).  But for the record, John Wilkinson, otherwise known as Wilko Johnson, (and “don’t ever call me John ‘cos I’ll hit you”), was a guitarist/songwriter that came to prominence as a key member of Dr Feelgood  – a four piece band that stormed to the front of the burgeoning pub rock scene in the mid to late 1970s with a take no prisoners, kick-ass show.  

Although musically much more derivative of the 60s R&B era, the band is often cited as influential on the nascent punk rock scene thanks to Wilko’s unique guitar style and the frantic on stage energy .  In a remarkable eruption of creativity matching output levels of earlier times, the Feelgoods recorded 4 albums in the two year period 1975-1977 – ‘Down by the Jetty’, ‘Malpractice’, ‘Stupidity’ (Live) and ‘Sneaking Suspicion’ – all based around Wilko’s songs and selected cover material.  

The brutal truth is though, Wilko’s relatively brief spell in Dr Feelgood was the highpoint of his music career, at least until his farewell tour in 2013 with Roger Daltrey.  He removed himself from his own band over the time-honoured musical differences (actually more lyrical than musical).  As a consequence, the core music in Maitland’s play all comes from that period, and casting wise, the play is built around performers who can also play the Feelgoods music, even though it covers a much broader sweep of Wilko’s life.  Of the remaining Feelgoods, singer Lee Brilleaux is played brilliantly by Jon House who also blows a mean gob-iron, whilst bass player Sparko (Georgina Field) and drummer Big Figure (David John) form a powerful rhythm section.  (Following Wilko’s departure, the Feelgoods carried on successfully, surviving Lee Brilleaux’s death in 1994, and like Trigger’s broom, continue to this day but with none of the original parts). 

Maitland has done a thoughtful job of structuring this fascinating play to present and link the decisive episodes in Wilko’s life dramatically and smoothly.  You are hooked from the opening scene and it doesn’t let go until the very end.  It starts with Wilko getting the news he has pancreatic cancer and his decision to eschew chemotherapy in order to properly enjoy his remaining days.  The apparent certainty invigorates him, lifting a predisposition to depression.  

This leads to moments of reflection where we see teenage Wilko seeing the beauty in home (Canvey Island), meeting his future wife Irene Knight (a superbly convincing Georgina Fairbanks), locking horns with his dad (Jon House), challenging his English teacher at Westcliffe High School for Boys (also Jon House) and as a member of the Jug Band playing a charming skiffle version of “Route 66” outside the Monico on Canvey to impress Irene.  They marry as teenagers and Wilko goes off to study English Language and Literature at Newcastle University (not Cambridge – “they don’t have people who speak like me – bastards”).  It was a happy time –  Wilko quoting Wordsworth says “bliss was it in that dawn to be alive, But to be young was very heaven”.  Maitland makes good but sparing use of such poetic quotations to underline Wilko’s deep love of literature.  Apparently, he knew all of Shakespeare’s sonnets by heart. 

Regarded as an English eccentric, this sequence highlights some key facets of Wilko’s personality – his romanticism, his literary and artistic aspirations and his childlike impatience with conventional attitudes and authority.  But for all his scholarship (poetry and later astronomy), he was far from being a sophisticate and this play gives an unvarnished view of a someone who was fundamentally lacking in maturity – he could be naive, selfish, impulsive, prickly, arrogant, unfaithful and contrarian.

The remainder of Part 1 whisks us through the post Feelgood bands – Solid Senders and the Blockheads (who were too musical for him) – and as a solo artist until the life changing moment Irene dies of cancer in 2004. 

Part 2 opens with Wilko, still not over the death of Irene in 2013, having 12 months to live.  Cue more philosophical reflections on the Feelgoods – the perfect four piston engine, and life in general – “be not afraid of death, be afraid of a life unlived”.  Determined to follow this philosophy, Wilko undertakes a pilgrimage to Japan and then returns to record and tour the “Going Back Home” album with Roger Daltrey.  Meanwhile, part time rock photographer and cancer doctor Charlie Chan notices something unusual at the final Camden gig – Wilko seems far too healthy to be sprauncing around on stage with terminal pancreatic cancer.  This leads to a second opinion and an entirely successful 12 hour operation at Addenbrookes to remove the growth along with several other internal organs.  The play concludes with more Dr Feelgood regrets, neatly bringing the band back to the stage for a couple of concluding songs.

In truth, no performer could have choreographed a better ending to their career than Wilko. It has certainly confirmed his place amongst the legends of rock music.  Whilst I think the balance of music to speech was a little uneven (ie not enough), Jonathan Maitland’s play, well directed by Dugald Bruce-Lockhart is a fond and touching fan’s tribute to a singular character.  An unusual, immaculately produced real life drama with superb music.

Multi Olivier Award-winning hit musical SUNNY AFTERNOON returns for a 2025/26 UK Tour

THE MULTI OLIVIER AWARD-WINNING HIT MUSICAL

SUNNY AFTERNOON

RETURNS FOR A 2025/2026 UK TOUR

OPENING AT THE

MANCHESTER PALACE THEATRE

ON 10 OCTOBER 2025

Sonia Friedman Productions and ATG Productions are delighted to announce that the multi Olivier Award-winning hit musical SUNNY AFTERNOON will return for a 2025/2026 UK tour opening at the Manchester Palace Theatre on 10 October 2025, where it will play until 18 October 2025. Tour schedule below with further dates and casting to be announced soon. thekinksmusical.com/uktour

Ray Davies said today, “In these times of political uncertainties, it is a relief to know that SUNNY AFTERNOON is on the horizon to lift our spirits”.

Producer Sonia Friedman said today, “From the moment Ray Davies, Joe Penhall, Ed Hall, and I began developing this musical, I knew it was something extremely special, and it proved to be so as we opened to rave reviews and won many awards. Now, I’m thrilled that we’re bringing back our joyous, celebratory, Olivier Award-winning Best New Musical for a new UK tour. Ray Davies’ music and lyrics capture the poetry and poignancy of everyday life with honesty and wit, and The Kinks’ music, attitude and vibe shaped a generation. Their astonishing legacy continues to resonate, making SUNNY AFTERNOON as exhilarating and relevant today as ever. Whether you’re discovering it for the first time or experiencing it all over again, I can’t wait for audiences across the UK to see it — I’ve truly missed it.”

SUNNY AFTERNOON celebrates the raw energy, passion and timeless sound of one of Britain’s most iconic bands, THE KINKS. Charting the euphoric highs and agonising lows, it tells their story through an incredible back catalogue of chart-toppers, including “You Really Got Me,” “Lola,” and “All Day and All of the Night.” 

SUNNY AFTERNOON was the recipient of four Olivier Awards, including Best New Musical and Outstanding Achievement in Music for Ray Davies

Set against the backdrop of Britain on the cusp of the rebellious ’60sSUNNY AFTERNOON is an exhilarating and moving celebration of the music, life, and the band that changed it all. 

Following a sell-out run at Hampstead Theatre, SUNNY AFTERNOON opened to critical acclaim at the Harold Pinter Theatre in London’s West End where it ran for two years ahead of its sensational sell-out tour of the UK and Ireland throughout 2016/17.

SUNNY AFTERNOON has music and lyrics by Ray Davies with a book by Joe Penhall and original story by Ray Davies. It is directed by Edward Hall and designed by Miriam Buether with choreography by Adam Cooper. Lighting design is by Rick Fisher with sound design by Matt McKenzie. Musical and vocal adaptations are by Ray Davies and Elliott Ware based on original Kinks’ recordings.

 

SUNNY AFTERNOON 2025/2026 UK TOUR LISTINGS

thekinksmusical.com/uktour

10 – 18 OCTOBER 2025

MANCHESTER PALACE THEATRE

https://www.atgtickets.com/shows/sunny-afternoon/palace-theatre-manchester

ON SALE 28 MARCH 2025

21 – 25 OCTOBER 2025

BIRMINGHAM ALEXANDRA THEATRE
https://www.atgtickets.com/shows/sunny-afternoon/the-alexandra-theatre-birmingham 

ON SALE 28 MARCH 2025

28 OCTOBER – 1 NOVEMBER 2025

GLASGOW KING’S THEATRE

https://www.atgtickets.com/shows/sunny-afternoon/kings-theatre-glasgow

ON SALE 28 MARCH 2025

4 – 8 NOVEMBER 2025

SUNDERLAND EMPIRE

https://www.atgtickets.com/shows/sunny-afternoon/sunderland-empire

ON SALE 28 MARCH 2025

11 – 15 NOVEMBER 2025

GRAND OPERA HOUSE, YORK

https://www.atgtickets.com/shows/sunny-afternoon/grand-opera-house-york

ON SALE 28 MARCH 2025

18 – 22 NOVEMBER 2025

NEW VICTORIA THEATRE, WOKING
https://www.atgtickets.com/shows/sunny-afternoon/new-victoria-theatre 

ON SALE 28 MARCH 2025

25 – 29 NOVEMBER 2025

WIMBLEDON NEW THEATRE

https://www.atgtickets.com/shows/sunny-afternoon/new-wimbledon-theatre

ON SALE 28 MARCH 2025

2 – 6 DECEMBER 2025

SWANSEA BUILDING SOCIETY ARENA

https://www.atgtickets.com/shows/sunny-afternoon/swansea-arena

ON SALE 21 MARCH 2025

17 DECEMBER 2025 – 3 JANUARY 2026

BRIGHTON THEATRE ROYAL

https://www.atgtickets.com/shows/sunny-afternoon/theatre-royal-brighton
ON SALE 28 MARCH 2025

15 – 31 JANUARY 2026

ALEXANDRA PALACE, LONDON
https://www.alexandrapalace.com/whats-on/sunny-afternoon/ 

ON SALE 28 MARCH 2025

3 -7 FEBRUARY 2026

MARLOWE THEATRE, CANTERBURY

ON SALE 7 APRIL 2025

10 -14 FEBRUARY 2026

MILTON KEYNES THEATRE

https://www.atgtickets.com/shows/sunny-afternoon/milton-keynes-theatre

ON SALE 28 MARCH 2025

17 – 21 FEBRUAURY 2026

NOTTINGHAM THEATRE ROYAL
https://trch.co.uk/whats-on/sunny-afternoon/ 

ON SALE 31MARCH 2025

24 – 28 FEBRUARY 2026

LEEDS GRAND THEATRE

https://leedsheritagetheatres.com/whats-on/sunny-afternoon-2026

ON SALE 4 APRIL 2025

3 – 7 MARCH 2026

MALVERN THEATRE
https://malvern-theatres.co.uk/ 

ON SALE 4 APRIL 2025

17 – 21 MARCH 2026

PRINCESS THEATRE, TORQUAY
https://www.atgtickets.com/shows/sunny-afternoon/princess-theatre-torquay 

ON SALE 28 MARCH 2025

24 – 28 MARCH 2026

NEW THEATRE, OXFORD
https://www.atgtickets.com/shows/sunny-afternoon/new-theatre-oxford 

ON SALE 28 MARCH 2025

31 MARCH – 4 APRIL 2026

RICHMOND THEATRE
https://www.atgtickets.com/shows/sunny-afternoon/richmond-theatre 

ON SALE 28 MARCH 2025

7 – 11 APRIL 2026

NEW VICTORIA THEATRE, STOKE ON TRENT

https://www.atgtickets.com/shows/sunny-afternoon/regent-theatre

ON SALE 28 MARCH 2025

14 – 18 APRIL 2026

STOCKTON GLOBE

https://www.atgtickets.com/shows/sunny-afternoon/stockton-globe

ON SALE 28 MARCH 2025

21 – 25 APRIL 2026

CURVE, LEICESTER
https://www.curveonline.co.uk/ 

ON SALE SOON

28 APRIL – 2 MAY 2026

BLACKPOOL GRAND
https://www.blackpoolgrand.co.uk/event/sunny-afternoon

ON SALE 28 MARCH 2025

5 – 9 MAY 2026

EDINBURGH PLAYHOUSE
https://www.atgtickets.com/shows/sunny-afternoon/edinburgh-playhouse 

ON SALE 28 MARCH 2025

12 – 16 MAY 2026
EDEN COURT, INVERNESS
https://eden-court.co.uk/event/sunny-afternoon

ON SALE 4 APRIL 2025

10 – 23 MAY 2026

LIVERPOOL EMPIRE
https://www.atgtickets.com/shows/sunny-afternoon/liverpool-empire

ON SALE 28 MARCH 2025

26 – 30 MAY 2026

WALES MILLENNIUM CENTRE, CARDIFF
https://www.wmc.org.uk/en/whats-on/2026/sunny-afternoon

ON SALE 4 APRIL 2025 

Motherland’s Jackie Clune to star in Rocky Horror at Richmond Theatre

FURTHER CASTING ANNOUNCED FOR

THE ROCKY HORROR SHOW

★★★★★

“Fresh, subversive, essential”

Daily Telegraph

The producers of Richard O’Brien’s legendary rock ‘n’ roll musical the Rocky Horror Show, have added further casting for the 25 major UK Tour.

An exceptional cast will be bringing their biggest party yet to audiences across the country. Adam Strong (We Will Rock You / Disney’s Aladdin) will be making his Rocky debut, playing Frank. Motherland star Jackie Clune is set to bring star power to the show, stepping into the spotlight as The Narrator.

Brad will be played by Connor Carson, Janet by Lauren Chia, Riff Raff by Job Greuter and Magenta / Usherette by Natasha Hoeberigs. Columbia will be played by Jayme-Lee Zanoncelli, Rocky by Morgan Jackson and Eddie / Dr Scott by Edward Bullingham.

Completing the cast are Phantoms Ryan Carter-Wilson, Arthur Janes, Hollie Nelson, Erica Wild with on-stage swing Alex Hetherington and on-stage swing/dance captain Stacey Monahan. 

The Rocky Horror Show defies space and time as it continues to captivate audiences around the world featuring all the outrageous characters and infectious energy that has made the show a global phenomenon for over five decades. Directed by Christopher Luscombe, the smash hit show features all the famous musical numbers which have made the Rocky Horror Show such a huge hit for 50 years and counting, including “Sweet Transvestite”, “Science Fiction/Double Feature”, “Dammit Janet” and, of course, the timeless floor-filler, “Time Warp”.

The show tells the story of Brad and his fiancée Janet, two squeaky clean college kids who meet Dr Frank’n’Furter by chance when their car breaks down outside his house whilst on their way to visit their favourite college professor. It’s an adventure they’ll never forget, with fun, frolics, frocks and frivolity, bursting with timeless songs and outrageous outfits. The Rocky Horror Show is a guaranteed party, which famously combines science-fiction, horror, comedy and music while encouraging audience participation – meaning, of course, getting dressed-up in the most outrageous fancy dress.

The Rocky Horror Show first began life in 1973 before an audience of just 63 people in the Royal Court’s Theatre Upstairs. It was an immediate success and transferred to the Chelsea Classic Cinema, before going on to run at the Kings Road Theatre, 1973-79 and the Comedy Theatre in the West End, 1979-80.

Since it first opened, the Rocky Horror Show has become the longest continuous run of a contemporary musical anywhere in the world. The show has been seen by over 30 million people worldwide in more than 30 countries and translated into 20 languages as it continues to delight audiences on its sell-out tour.

In 1975 it was transformed into a film called ‘The Rocky Horror Picture Show’. This film adaptation took over $135 million at the Box Office and is still shown in cinemas around the world more than 40 years after its premiere, making it the longest running theatrical release in cinema history. Many stars including Russell Crowe, Tim Curry, Susan Sarandon, Jerry Springer, Jason Donovan and Meatloaf have appeared in the Rocky Horror Show over the past 50 years.

Ready to thrill you with fun and naughty moments, the Rocky Horror Show is the boldest bash of them all. But be warned, this show has rude parts!

The Rocky Horror Show comes to Richmond Theatre 28th April – 3rd May.

TREVOR ASHLEY IS LIZA IN TYPSY AT THE MENIER CHOCOLATE FACTORY FOR 5 NIGHTS ONLY

TREVOR ASHLEY IS LIZA IN TYPSY

AT THE MENIER CHOCOLATE FACTORY

FOR 5 NIGHTS ONLY

“I had a drink…”

Legendary, unpredictable and utterly fabulous—Liza Minnelli is back… well, almost! Trevor Ashley returns to the Menier Chocolate Factory after his unforgettable turn as Roger De Bris in The Producers, bringing his signature wit, powerhouse vocals and dazzling impersonation to LIZA in TYPSY! running from 7 to 11 May.

Described by The Guardian as elevating comedy to a “hysterical pitch,” Ashley has wowed audiences as Liza from the Sydney Opera House to New York’s Sony Hall and the West End’s Vaudeville Theatre. Now, he takes it to the next level with outrageous gags, jaw-dropping vocals and more sequins than Studio 54—all with a few too many cocktails.

Backed by a sensational live seven-piece band, this is Liza as you’ve never seen her before—dazzling, decadent and delightfully drunk!

Trevor Ashley’s Australian theatre work includes Les Misérables, Hairspray, Priscilla Queen of the Desert, Jesus Christ Superstar and Joseph and the Amazing Technicolor Dreamcoat. His television work includes RFDS – Royal Flying Doctor Service, Les Norton and Significant Others; and for film, Seriously Red. Also a renowned cabaret performer, he has performed Liza (on an E), I’m Every Woman and Diamonds are for Trevor. He was the runner-up on Queen of the Universe. He will reprise his role of Roger De Bris for the West End transfer of The Producers later this year.

LISTINGS INFORMATION

MENIER CHOCOLATE FACTORY

DRACULA, A COMEDY OF TERRORS

Until 3 May

LIZA in TYPSY!

7-11 May

Box Office: 020 7378 1713 (£2.50 transaction fee per booking) Public booking from 26 March

Website: www.menierchocolatefactory.com (£1.50 transaction fee per booking)

www.menierchocolatefactory.com

Twitter: @MenChocFactory

Instagram: @menierchocolatefactory

TALKING FRANKLY WITH ADAM STRONG

TALKING FRANKLY WITH ADAM STRONG

North East born Adam Strong will be donning his best pair of fishnet stocking as he struts on to the Darlington Hippodrome stage as Frank n Furter in the UK Tour of The Rocky Horror Show at the end of March. We spoke to Adam about the show, his role and his stage highlights.

Age, partner, kids, pets?? Where you live now? When did you first realise you had some talent – was it encouraged at school? At home?

I have 5 dogs at the family home, I’m based just outside of Durham, but I’m always on the tour. My sister was a dancer for many years, and I used to love watching her, especially in the Panto at the Sunderland Empire, which she did for many years. She was the one who encouraged me to get started in musical theatre and helped me land my first role in South Pacific at the Sunderland Empire.

Tell me a bit about your childhood, growing up in the North East. Do you still consider yourself a North-Easterner? Do you still have your Sunderland accent?

I very much consider myself as someone from the North East. My accent is quite mild now. But it certainly comes out when I speak to my Mam, or when I’m at home.

What was the first major role you played and where?

My first musical as an adult was Jesus Christ Superstar, the Arena tour, Starring Tim Minchin and Mel C, I played a priest and understudied the role of Annas. I had the most amazing time touring the world with that show and performing in an arena was just unbelievable.

You’ve performed all over the world. What have been the highlights (venues and roles).

I have many career highlights, I think performing opposite Brian May for our Gala Performance of We Will Rock You will always stick out as being one of my proudest moments. The North East always has a special place in my heart, so anytime I get to come home to perform is a blessing.

Have you played Frank n Furter before – what do you love about the role?

I haven’t played Frank before until this tour, it has always been a dream and goal of mine. It’s such an empowering role and I get to sing all of my favourite songs and be part of the cult musical’s history.

Are you looking forward to performing back in the region and will you be visiting family while you are here? Do you get to come back home to Sunderland much? And when you do, what are your favourite places in the region to visit?

I can’t wait to bring the show back to the North East, I’ve got a lot of friends and family who are coming to support me. I’ll be staying at my house which is rare and my parents live on the same street as me, so I can’t wait for some home cooked food and to get to see the dogs. I get back home when I can, it just all depends on my tour schedule, I’m quite south for a lot of this tour, so not as much as I’d like. I’m looking forward to getting some fresh sea air when I’m home and having some proper fish and chips, nobody does it like we do.

What’s next on the Adam Strong agenda?

As for what’s next, it’s way too early to say, I’m with Rocky Horror until the end of August, so I haven’t even started auditioning for the next project as yet.

The Rocky Horror Show runs at Darlington Hippodrome from Monday 31 March to Saturday 5 April. For full details or to book visit www.darlingtonhippodrome.co.uk or call the Box Office on 01325 405405

WEST END SHOW ALERT – Leave reality at the door and step into the surreal world of The Rock‘n’Roll Alien

WEST END SHOW ALERTLeave reality at the door and step into the surreal world of

The Rock‘n’Roll Alien
A multi-visual voyage into the music and artistry of David Bowie
featuring a cast of amazing singers, dancers and live band

One night only in the West End!

ADELPHI THEATRE
410 Strand
London WC2R 0NS

Tuesday 27 May, 2025 at 7.30pm

The Bowie Show sold out its West End debut at the Lyric Theatre and at venues across the UK earlier this year earning 5★ rave reviews. 

Now this multi-visual voyage into the music and artistry of David Bowie will return in triumph to the West End’s Adelphi Theatre for one night only on Tuesday May 27 with a new name – The Rock‘n’Roll Alien.

From the alter-ego of Ziggy Stardust, through the dark and desolate years of Berlin, the pure joy of Let’s Dance to the genius of Blackstar, this is a theatrical reimagining of Bowie’s artistry. Featuring world-class musicians, dancers, elaborate costumes, and stunning visuals, experience a night of breathtaking and otherworldly performances that celebrate his ever-evolving genius in a  way you’ve never seen before.

At the beating heart of this sensational show is an exceptional live band performing arguably the most sonically accurate versions of David Bowie’s greatest records with one or two surprises mixed in for good measure. The music at the core of the show has garnered praise from illustrious Bowie alumni such as longest serving bandmate Mike Garson, iconic Bowie producer Ken Scott and the legendary Rick Wakeman who – few know – played piano on the recording of Bowie’s  Life on Mars.

Exploring the fashion and musical treasure trove of a man who recorded the classic album Hunky Dory at only 23, this production respectfully curates his legacy and in so doing delivers a kick-ass rock n roll show. It is an absolute must for the “Kooks” and Bowie curious alike.

Created & Directed by Simon Gwilliam
Costume Director Sadie Yukon
Producers Simon Gwilliam and Sadie Yukon
Executive Producer John Dalston
Critical reaction to the show, reviewed at Golders Green Hippodrome

LISTINGS INFO

Tuesday 27 May, 2025
at 7.30pm

ADELPHI THEATRE
410 Strand
London
WC2R 0NS

Tickets:
from £25

Booking:
https://lwtheatres.co.uk/whats-on/the-rock-n-roll-alien/

www.therocknrollalien.com

Facebook
The Rock’n’Roll Alien

Instagram
@therocknrollalien

TikTok
@therocknrollalien

CBEEBIES STAR JENNIE DALE JOINS THE CAST OF SLEEPING BEAUTY AT YORK THEATRE ROYAL THIS FESTIVE SEASON

CBeebies star Jennie Dale joins the cast of Sleeping Beauty at York Theatre Royal this festive season

Star of CBeebies Swashbuckle, Jennie Dalehas been cast as Fairy Moonbeam in this year’s spellbinding family pantomime Sleeping Beauty at York Theatre Royal.

Jennie is known for playing Captain Captain in the beloved CBeebies TV series Swashbuckle and for presenting her show Jennie’s Fitness in 5 for CBeebies and CBBC. Her theatre credits include Elf (Dominion Theatre), The Pajama Game (Shaftesbury Theatre), Sister Act (London Palladium), The Lord of the Rings (Theatre Royal Drury Lane), and Mary Poppins (Prince Edward Theatre).

Jennie has appeared in a number of CBeebies’ pantomimes, including most recently as Growl in Beauty and the Beast, Sheriff in Robin Hood, Mrs Fitzwarren in Dick Whittington and his Cat and Jiffy in Christmas in Storyland.

The show is written by Paul Hendy, directed by Juliet Forster and co-produced with award-winning Evolution Productions – the team behind previous York pantomime hits All New Adventures of Peter Pan, Jack and the Beanstalk and last year’s Aladdin.

Juliet Forster, Creative Director at York Theatre Royal, said: “Fairy Moonbeam is such a fun role and I can’t wait to welcome Jennie to York Theatre Royal’s stage this Christmas. Jennie is fabulously talented and York audiences can expect a real treat with this year’s pantomime. Don’t miss it!”

Sleeping Beauty director Juliet Forster also previously directed Jennie as the Nurse in a CBeebies production of Romeo & Juliet.

Paul Hendy, Sleeping Beauty writer and producer, from Evolution Productions, said: “We’re delighted Jennie Dale will be joining the cast of Sleeping Beauty as Fairy Moonbeam. She’s an absolutely fantastic West End performer, and CBeebies’ star, who we know will amaze the pantomime audiences at York Theatre Royal. Sleeping Beauty is going to be a truly spectacular show, book now!”

Jennie joins Robin Simpson who will return to York Theatre Royal as the Dame. With stunning costumes, gorgeous sets, dazzling special effects and lots of hilarious jokes, Sleeping Beauty is set to be a festive treat for the whole family.

Early birds who book before the end of March 2025 can benefit from a price freeze on ticket prices, with options ranging from £15 to £43.50.

Sleeping Beauty is at York Theatre Royal from 2 December to 4 January. Tickets are available Box office 01904 623568 | yorktheatreroyal.co.uk

BEFORE IT HITS – A NEW MUSICAL SHOWCASE FROM SOME OF THE WEST END’S BEST EMERGING WRITERS – 9 & 10 MAY, UPSTAIRS AT THE GATEHOUSE

BIG AND BRAVE PRESENTS

BEFORE IT HITS

DATES: 9 & 10 May @ 7:30pm

THEATRE: UPSTAIRS AT THE GATEHOUSE, Highgate N6 4BD

TICKETS: £22 – available to book here

A new “New Musical” showcase, Before It Hits brings snapshots of six in-development musicals by some of the West End’s best emerging writers to Upstairs At The Gatehouse for two nights only, on Friday 9 May and Saturday 10 May 2025.

 Hosted by stand up comedian FARAH SHARP (named ‘One to watch’ in the Funny Women Awards and featured on BBC Radio 4) and created by the team behind Olivier-nominated The Choir of Man, expect to see a variety of exciting, diverse new shows at various stages of their development.

The first outing of Before It Hits is set to feature works by established West End writers, creatives and performers, and will include guest performances by Grammy-longlisted songwriter and MT Composer CAROLINE KAY.

Featured Shows will include: 

  • Proud by Lee Freeman, Mark Anderson and Graham Lappin (9th and 10th May)
  • The Vigilante by Hilmi Jaidin (9th and 10th May)
  • Lightning Boy by Charlie Turner and Liv Warden (9th and 10th May)
  • Maison Mac by Rudy Percival and Sam Woof  (9th and 10th May)
  • This Is My Name by Dominique La Victoria and Melisa Camba (9th May only)
  • Love From Other People’s Lives by Tom Blacket and Ehsaan Shivarani (9th May only)
  • Sally In The Woods by P Burton-Morgan and James Joshua Otto (10th May only)
  • REANIMATOR by Ben Glasstone (10th May only)

 Contributing Writers:

MARK ANDERSON is a lyricist and bookwriter whose lyric work includes LADY CHATTERLEY’S LOVER (West End), TREASURE ISLAND (Barn Theatre), THE THREE MUSKETEERS (Barn Theatre), PROUD (MTfest), and WEST END BARES (lyricist for 5 years). LEE FREEMAN is a musical director, composer and orchestrator, whose work includes THE THREE MUSKETEERS (Barn Theatre), TREASURE ISLAND (Barn Theatre), CHAT! (Edinburgh Fringe Festival), BENT (Landor/Tabard Theatre) and THE MUSIC OF LEE FREEMAN (Page to Stage). He is currently orchestrating NYMT’s new musical LIGHTNING BOY. GRAHAM LAPPIN is a writer and composer, whose shows include RELIABLE FICTIONS: A SONG CYCLE, CLIMB WAY UP (Hope Mill Theatre and original cast recording), THE RISE (in development for production in 2026), BUT WHOSE HEART? (53Two) and A LITTLE MARK (Hope Mill Theatre).

HILMI JAIDIN is the lyricist for Gurinder Chadha’s upcoming movie musical CHRISTMAS KARMA and he also provided additional lyrics for the original run of the RSC’s MY NEIGHBOUR TOTORO.

CHARLIE TURNER is a songwriter whose work includes songs for Kerry Ellis ft Brian May and X Factor winner Shayne WardLIV WARDEN is a bookwriter whose work includes ANOMALY (Old Red Lion Theatre), Channel 4 screenwriting mentorship alumni.

SAM WOOF is an award-winning writer/director whose work includes FOUR FELONS AND A FUNERAL (Birmingham Hippodrome); ACTUALLY, LOVE (Orange Tree – Playbill Pick of the Fringe); SEX WITH FRIENDS (North Wall – Musical Theatre Review Award Winner). RUDY PERCIVAL is a composer whose credits include THE MOZART QUESTION (Barn Theatre) featured by The Guardian’s Observer in their ‘10 best shows of 2022; LESSONS ON REVOLUTION (Soho Theatre & Jermyn Street Theatre) selected for The Scotsman’s ‘Best Shows of the Fringe’; The Criterion Theatre’s 150th Anniversary Gala.

DOMINIQUE LA VICTORIA is a writer whose works include TOWARD THE FIRES OF REVOLUTION (PETA Theater, Philippines and Panas Panas Theatre Company, Malaysia) and THE BOY IN THE DRUM (Cultural Center of the Philippines and Bindlestiff Studios, USA). MELISA CAMBA is a songwriter and performer, whose writing includes BOSES (Maiden Speech Theatre Festival) and Greta’s Song (NEWSFEED at The Southwark Playhouse)

EHSAAN SHIVARANI is a Composer, Orchestrator and West End Musical Supervisor whose recent credits include THE DEVIL WEARS PRADA (2024): Associate Music Supervisor, Additional Arrangements & Additional Orchestrations (Dominion Theatre & Theatre Royal Plymouth); TINA: THE TINA TURNER MUSICAL (2023-24): Associate MD, Keys 1 (Aldwych Theatre); STANDING AT THE SKY’S EDGE (2023): Associate MD, Keys 2, Guitar 2 (The Olivier Theatre at The National Theatre & The Crucible Sheffield). TOM BLACKET is a writer, lyricist and composer who trained at the Royal Academy of Music. He has previously worked as a freelance radio producer and reporter for the BBC. LOVE FROM OTHER PEOPLE’S LIVES is his debut musical.

P BURTON-MORGANis Artistic Director of Metta Theatre, and their recent work includes SHERLOCK HOLMES AND THE POISONWOOD (Watermill), THE RHYTHMICS (Southwark Playhouse), CELLS (YouTube), IN THE WILLOWS (Exeter Northcott/16 week tour, winner of WGGB MT book-writing award 2020). JAMES JOSHUA OTTO is a composer whose recent media work includes the 2023 Duracell Christmas commercial, and in theatre has orchestrated for the UK tour of TREASON THE MUSICAL, which culminated in a performance at The London Palladium.

BEN GLASSTONE won the Stiles and Drewe Mentorship prize in 2017, and his prolific body of work includes writing music and lyrics for THE RHYTHMICS (Southwark Playhouse) in 2021 and SHERLOCK AND THE POISONWOOD (Watermill) in 2024.

JACK BLUME, producer of Before It Hits says “With such a flourishing scene of new Musical writing in the UK, we are thrilled to present a selection of delicious tasters from a variety of new shows by a diverse pool of writers, and to be lifting the veil from the lengthy development process. Wouldn’t it have been cool to see 15 minutes of Hamilton, before it was Hamilton?”

Burlesque The Musical to make West End Premiere at The Savoy Theatre in London

ADAM PAULDEN & JASON HAIGH-ELLERY         SUE GILAD & LARRY ROGOWSKY

STEVEN ANTIN        CHRISTINA AGUILERA      CLINT CULPEPPER

present

THE WEST END

PREMIERE OF

BURLESQUE THE

MUSICAL

Featuring Songs By

Christina Aguilera

and Sia

New music by

Todrick Hall

and Jess Folley

SAVOY THEATRE

Thursday 10 July  – Saturday 6 September 2025

Gala Night: Tuesday 22 July 2025

www.burlesqueonstage.com

THE BIG NEW MUSICAL JUST GOT BIGGER!

London, Monday 24 March 2025 – The Producers of  Burlesque the Musical, based on the iconic Golden Globe Best Picture nominated film Burlesque,starring Christina Aguilera and Cher, are thrilled to announce its highly anticipated West End premiere. This follows the show’s record-breaking previews with over 120k tickets sold, where audiences agreed it’s the most exciting movie musical to come to the stage in decades.

Burlesque the Musical will begin performances at the Savoy Theatre on The Strand on Thursday 10 July 2025 and run until Saturday 6 September 2025.  The Gala Night is on Tuesday 22 July at 7pm.

Tickets go on general sale at 10am on  Wednesday 26 March 2025 from www.burlesqueonstage.com.

The new musical, written and produced by Steven Antin, with additional material by Kate Wetherhead is a scintillating journey of self-discovery that absolutely sizzles with songs by Christina Aguilera and Sia, with new music by Todrick Hall and Jess Folley. 

Christina Aguilera, Executive Producer of Burlesque the Musical and star of the original film said: 

“I’m proud that Burlesque the Musical is coming to London’s West End!  Our journey of making this film to bringing this show to the stage has been so special and exciting.  Following our successful previews, having the show land in the West End later this year is a dream come true!”

Welcome to Burlesque the Musical, the glamorous, gritty and outrageously fun new musical based on the much-loved hit movie that reminds us…Life Isn’t Fair…It’s Fabulous!

 Discover a club like no other…a place beneath the city lights where the sequins sparkle, seduction shimmers, and a life can change in the flick of a feather boa.

When Ali heads to New York in search of her mother, she finds herself drawn into a dazzling underground world where the beat of the music and the heat of the dance moves will change her life forever. Ali will unwittingly find her extraordinary voice and a most unlikely family of misfits, dreamers, and schemers.

Burlesque The Musical is produced by Adam Paulden & Jason Haigh-Ellery and Sue Gilad & Larry Rogowsky, Steven Antin & Christina Aguilera and Clint Culpepper.

Casting will be announced at a later date.