Niamh McGrady and Will Featherstone will star as Olivia and Dan respectively in the national tour of Emlyn Williams’s psychological thriller, NIGHT MUST FALL, directed by Luke Sheppard, joining the previously announced Gwen Taylor as Mrs Bransom and Daragh O’Malley as Inspector Belsize, along with Alasdair Buchan as Hubert, Anne Odeke as Nurse Libby, Mandi Symonds as Mrs Terence and Melissa Vaughan as Dora.

Niamh McGrady is best known for playing the regular characters Mary-Claire Carter in Holby City (BBC) and PC Danielle Ferrington in three series of The Fall (BBC). Her theatre credits include Twelfth Night (Chichester Festival Theatre) and Macbeth (Chichester Festival Theatre, West End and Broadway).

Will Featherstone’s theatre credits include Dr. Scroggy’s War, Romeo and Juliet, As You Like It and Anne Boleyn for Shakespeare’s Globe, A Midsummer Night’s Dream and The Comedy of Errors for Propeller, and The History Boys for Sheffield Crucible. Screen credits including Fresh Meat (Channel 4), Endeavour (ITV), Ashes to Ashes (BBC) and Midsomer Murders (ITV), as well as the forthcoming feature film A United Kingdom, starring Rosamund Pike and David Oyelowo.

When charming, smooth-talking Dan arrives at old Mrs Bramson’s remote woodland home, he soon ingratiates his way into her life and that of her niece, Olivia. But when a local woman goes missing and is later found murdered, Olivia begins to suspect her aunt’s new private assistant. She resolves to find out the truth.

Emlyn Williams wrote NIGHT MUST FALL in 1935 and played the lead role in the first stage production. The play was noted for its exploration of the killer’s complex psychological state, a step forward for its genre. Robert Montgomery starred in the film version in 1937 and Albert Finney in the 1964 re-make.

Emlyn Williams’ Night Must Fall Trailer

NIGHT MUST FALL will be designed by David Woodhead, with sound and music by Harry Blake and lighting by Howard Hudson. The national tour is produced by Alastair Whatley and Tom Hackney for The Original Theatre Company and Sebastian Warrack for Salisbury Playhouse, in association with Eastbourne Theatres.

Website: www.originaltheatre.com
Facebook: TheOriginalTheatre
Twitter: @OriginalTheatre

Age guidance 12+

TOUR SCHEDULE
19 August – 3 September Devonshire Park Theatre, Eastbourne
www.eastbournetheatres.co.uk 01323 412000

6 – 24 September Salisbury Playhouse
www.salisburyplayhouse.com 01722 320333

28 September – 1 October Belgrade Theatre, Coventry
www.belgrade.co.uk 024 7655 3055

4 – 8 October Festival Theatre, Malvern
www.malvern-theatres.co.uk 01684 892277

17 – 22 October New Wolsey Theatre, Ipswich
www.wolseytheatre.co.uk 01473 295900

25 – 29 October Exeter Northcott Theatre
www.exeternorthcott.co.uk 01392 726 363

1 – 5 November Palace Theatre, Southend
www.palacetheatresouthend.co.uk 01702 351135

8 – 12 November Everyman Theatre, Cheltenham
www.everymantheatre.org.uk 01242 572573

15 – 19 November York Theatre Royal
www.yorktheatreroyal.co.uk 01904 623568

29 November – 3 December Yvonne Arnaud, Guildford
www.yvonne-arnaud.co.uk 01483 440000

West End stars Jenna Russell (Merrily We Roll Along, Sunday In The Park With George) and John Owen-Jones (Les Misérables, Phantom of the Opera) will lead the cast in the roles of John and Emily. Owen-Jones is currently performing as Jean Valjean on Broadway, while Russell was most recently seen in Jamie Lloyd’s production of Doctor Faustus at the Duke of York’s Theatre.

Matthew Seadon-Young (Billy Elliot, Urinetown) will appear in the role of Jackson, while John’s brothers Isaac and Seth will be played by Nigel Richards(Phantom of the Opera) and Stewart Clarke (Assassins) respectively. Clarke’s parents, actors Paul Clarkson and Julia Hills, created the roles of John and Emily in the original production of The Hired Man.

Completing the front line as May is Evelyn Hoskins, currently appearing in Alan Ayckbourn’s Hero’s Welcome in New York and recently seen in Carrie at Southwark Playhouse and Wonder.land at the National Theatre.

As previously announced, the concert is to be narrated by Lord Melvyn Bragg himself, upon whose novel the musical was based. Bragg is perhaps best known to London audiences as the face of The Southbank Show for over three decades on BBC and ITV.

Set in the agricultural and industrial heartlands of Cumbria at the turn of the 20th century, The Hired Man tells the tale of John and Emily Tallentire as they go from two young lovers setting off in married life together to parents struggling to eke out an existence for their family as war looms across the continent. As the 100th anniversary of the first world war is commemorated and with communities in industrial towns across the country struggling to hold onto their way of life, this powerful tale of labour and love is more poignant now than ever.

The ensemble and live orchestra bringing this timeless score to life will be under the baton of conductor Andrew Linnie (The Commitments). The production will also feature evocative projections by designer Barret Hodgson and direction by Samuel Hopkins.

The original West End production in 1984 earned four Olivier nominations, and was proclaimed ‘Best New Musical’ by the Ivor Novello awards, The Guardian, The Stage and Time Out.

Tickets are now on sale through Cadogan Hall’s Box Office on 020 7730 4500, or at www.cadoganhall.com.
Twitter @hiredmanconcert

The London Palladium 29 June.  Reviewed by Claire Roderick

Choosing to perform a concert version of a brand new musical at the London Palladium rather than in a 50 seater pub theatre means that the producers have either HUGE faith in their show, or a huge contact list on social media. Looking at the crowds waiting patiently to enter the theatre, it may be a bit of both.

Either way, the gamble paid off with fantastic audience response and a well-deserved standing ovation – although that was partly down to the spectacular performances of the astonishingly stellar cast the producers managed to put together.

Before the show, I did wonder whether the world really needs an 80s geek musical, but Eugenius is so uplifting and joyous that I was rapt within minutes.

Eugene is a comic book writing high school geek (not a nerd – there’s a technical difference apparently) whose ideas are chosen to be adapted into a Hollywood movie. Eugene is uprooted to LA, abandoning his friends and falling under the influence of megalomaniac producer Lex. Meanwhile Evil Lord Hector, twin brother of Eugene’s hero Toughman, is searching the galaxy for his sibling, and the two worlds collide on the set of the movie. Will Eugene find the hero inside himself and save the day?

Yes, the plot is cheesy and predictable, but that’s exactly how most films and TV shows WERE in the 80s.

Ben Adams and Chris Wilkins embrace the cheese in both book and lyrics, creating a feel good nostalgia laden evening. The references may not resonate for younger audience members, but there is so much humour and energy on display that it just doesn’t matter. Perhaps they’ll go home and discover the wonders of He Man and The Fraggles through YouTube? The language does get a little fruitier in the second act, and there is one jarringly ill-judged line about stepchildren that caused a tumbleweed moment, but generally this is a show for all the family.

Every song is memorable, riffing on 80s classics and performed with panache by the cast, with Go Eugenius and Comic Book Kind of Love being the earworms of the show. (Handily distributed to the audience on cassette tape as they left.) Summer Strallen as Carrie / Super Hot Lady wowed with her “audition” piece – a super spoof of Flashdance’s “Maniac”, and David Bedella oozed malevolence as Lex. Louis Maskell (Eugene) and Amy Lennox (Janey) blended their powerful voices beautifully in their beautifully sweet duets, and Daniel Buckley as Ferris nailed his smoooooth 80s rap and inept dance moves – just hysterical. Stealing every scene was Samuel Holmes as Lex’s assistant – best character in the show – please give him more lines! And to cap it all, Brian Blessed provided the voice overs!

The choreographed numbers, inspired by the Paula Abdul/Janet Jackson school of dance, with shades of Legs and Co., were very funny. I think we were all longing to see what those Fish people will look like in full costume, and then there’s Kevin the robot…

There is still some work to be done polishing and pruning the promising script, but I for one can’t wait to see Eugenius! as a full production. Fantastic – I’m still grinning like a loon. Go Eugenius!

THE COMMITMENTS ROCK INTO LEEDS DIRECT FROM THE WEST END

 

Coronation Street legend, Kevin Kennedy, is to star as in the critically acclaimed musical The Commitments when it hits Leeds this December.

 

The UK tour features many of the cast from the record-breaking show’s two year run at London’s Palace Theatre, including Brian Gilligan who will reprise his starring role of Deco and Andrew Linnie who will star as Jimmy Rabbitte.

 

Kevin takes the role of Jimmy Rabbitte’s Da in the show that is written by Roddy Doyle, the author of the best-selling novel of the same name.

 

Roddy Doyle said: “The Commitments were born in Dublin, moved to London, and will soon be hopping all over the shop. I wrote the novel – invented the characters – in 1986, and it thrills me to think that they will be entertaining audiences throughout the UK and Ireland 30 years later, in 2016.”

 

Kevin Kennedy won the hearts of the nation when he starred as Curly Watts in Coronation Street. Since leaving Coronation Street, Kevin has regularly appeared in theatre productions including: Chicago, The Rocky Horror Show, Chitty Chitty Bang Bang and We Will Rock You.

 

Kevin said: “After working abroad, I am delighted to be returning to such an iconic musical as The Commitments. It is a pleasure to travel around the country playing to enthusiastic audiences who love this show.”

 

Brian Gilligan originally played the role of drummer Billy ‘The Animal’ Mooney in the West End production.  Several months later, he was overheard singing to himself in the stairwell at The Palace Theatre and blew away the director, leading to him being cast as Deco a few weeks later.

 

Brian said: “I am very fortunate to be returning to a role and show that I really love. It’s gonna be exciting bringing the show back home to Dublin.”

 

Andrew Linnie was originally part of the West End production’s ensemble, but saved the day when the actor playing Jimmy Rabbitte damaged his knee and both of the understudies were unavailable. Despite not having performed the role before on stage, Andrew stepped up to the plate to take over that the role that evening, and received a standing ovation after just a few hours rehearsals. He then carried on playing the role for the rest of the week getting great reviews for his performances.  After performing the role in the West End, Andrew will now play Jimmy Rabbitte on the UK tour.

 

Andrew said: “I made my West End debut in this show and couldn’t be more delighted to be returning to play the wonderful music again.”

 

The Commitments tells the story of Jimmy Rabbitte, a young working class music fan, who shapes an unlikely bunch of amateur musicians into an amazing live act, the finest soul band Dublin has ever produced. The show follows the journey of two members of a frustrated synthesiser band – the opening scene has them playing, but ignored, in a shop window – who turn to Jimmy, the local music expert, for help.

 

The Commitmentettes will be played by sisters Amy Penston, (Natalie) and Leah Penston (Imelda), while Christina Tedders (Bernie) will complete the talented trio.

 

Amy said: “I’m absolutely over the moon to be back with The Commitments playing Natalie. I’m so looking forward to working with some of the old gang and rock the stage together again. Not only that, but it’s a dream come true to back on stage with my wonderful sister, Leah. We’re just elated to be working together again!”

 

Leah said: “I’m so thrilled to be joining the cast of The Commitments, playing the role of Irish icon Imelda Quirke, which was originally portrayed in the film by Angeline Ball. I have some pretty big shoes to fill! The fact that I get to perform alongside my amazing big sis makes it all the more special. It’s going to be a tour to remember!” 

 

Christina said: “I have loved The Commitments since I was a little girl – my nightly renditions of ‘Mustang Sally’ were both the joy and bane of my parent’s evenings! I’m totally thrilled to be playing the role of Bernie.”

 

 

The Commitments is at Leeds Grand Theatre from Monday 5^th to Saturday 10^th December

 

Tickets are on sale now priced from £25 to £50.50

 

Book online at leedsgrandtheatre.com or call Box Office on 0844 848 2700

 

REVIEW: JACKIE THE MUSICAL (Empire Theatre, Sunderland)

July 6, 2016 

For: West End Wilma 

https://www.westendwilma.com/review-jackie-sunderland/

Jackie the Musical is a wonderfully nostalgic journey into the gentler, more innocent times of the 1970’s. When I used to read my sisters copy of Jackie on a Thursday before she came home from school.

This Jackie is 54, mother of a 19 year old David who wants to give up education to play music. She is going through a divorce and moving house because husband of 20 years, John, ran off with Gemma. Best friend Jill is encouraging Jackie to move on and find someone else. Nights are spent in Frankies eating sticky toffee pudding and drinking prosecco.

After a prosecco filled evening, Jackie starts to sort boxes from the attic and discovers her collection of Jackie magazine, resulting in her teenage self manifesting in her life.

Enter blind date Max and the story can begin, with lots of wonderful 70’s songs to move the story along and some brilliant comedy moments. Eventually Jackie realises the valuable lessons she learnt in her youth made her into the one person in control of her life – herself.

Young Jackie (Daisy Steere), who manages to bring a sense of realness to an unreal character, full of innocence and enthusiasm. Whilst Janet Dibley’s older Jackie is more cynical, still full of hurt, not knowing where life is going. Other strong female comic performances come from Gemma (Tricia Adele-Turner) and Jill (Lori Haley Fox), both fabulous and both under used.

The males of the show bring up the rear, Graham Bickley (John), Nicholas Bailey (Max) Sam O’Halon (Keith) and Michael Hamway (David). But for me, star of the show was Bob Harms as Frankie the bartender – what a performance! What a voice!

The live band on stage, lead by Dan de Cruz, play us on an exquisite musical journey from David Cassidy to the Osmonds via David Essex.

Director Anna Linstrom and book writer Mike James together with Set and Costume Designer Tim Shortall have ensured that the world of Jackie the magazine bursts off the stage. The magazine’s infamous speech bubbles, period fashions is combined with mirror-balls to ensure that Jackie the musical was imbued with fun and love from start to finish.

We’re taken back to an uncomplicated period with no mobile phones, no texting, no e-mails and no twitter! A time when teenage girls sought advice from resident agony aunts, Cathy and Claire, who provided advice on how to deal with the opposite sex, and important issues like, how to have soft elbows, and iron your hair!

This is truly a 5 star production. Everything about the show is first class, the performances, the costumes, the set. This is a fabulous feel good night out and comparisons are going to be made with Mamma Mia. But I think there is space for both shows and Jackie deserves a West End run if only for the Puppy Love scene.

Sunderland Empire was filled with ladies of a certain age, all wanting to relive their youth and wallow in the sea of nostalgia that came with the show. And it was a much deserved standing ovation – which lead quite nicely into a bit of a boogie at the end

Go and see this show now and enjoy possibly the best night out this year.

As the Bennet sisters haplessly search for love in Jane Austen’s ultimate romantic comedy, it is Mr. Darcy who unwittingly finds his match.  Celebrating the legacy of Jane Austen in the bicentennial year of her death, Regent’s Park Theatre’s critically acclaimed production of Pride and Prejudice arrives at the Theatre Royal Spring 2017.

 

Adapted for the stage by Simon Reade, Regent’s Park Theatre’s production of Jane Austen’s Pride and Prejudice comes to the region as part of a major UK tour following sell-out performances in London and tells the story of the Bennet family and their five unmarried daughters.

 

Matthew Kelly – has appeared several times in the West End, as the original Stanley in Funny Peculiar,  Waiting For Godot with Ian McKellan and Roger Rees, Tim Firth’s play Sign of the Times, the musical Lend Me A Tenor!  Matthews’ best known television work is probably presenting You Bet! and Stars in Their Eyes.

 

Matthew joins Felicity Montagu – best known for playing long-suffering PA Lynn in the TV series I’m Alan Partridge and the 2013 film Alan Partridge: Alpha Papa ­– is to play Mrs. Bennet who, alongside her husband, sees the perfect opportunity to improve her family’s social standing when the wealthy Mr. Bingley and his eligible friend Mr. Darcy move to the neighbourhood.  But while Bingley takes an immediate liking to their eldest daughter Jane, the dismissive Darcy instantly clashes with the Bennet’s headstrong second daughter, Elizabeth.

 

One of the most universally loved and quintessentially English novels of all time, Pride and Prejudice marks the return of Regent’s Park Theatre to Newcastle Theatre Royal following their smash hit productions of To Kill a Mockingbird and Lord of the Flies.

 

First published in 1813, Pride and Prejudice has remained one of the most popular novels in English literature, selling over 20 million copies and spawning numerous adaptations, most notably the 1940 film starring Laurence Olivier and the 1995 BBC adaptation starring Colin Firth.

 

Further casting is to be announced.

 

Pride and Prejudice is at Newcastle Theatre Royal from Tue 14 until Sat 18 February 2017, playing evenings at 7.30pm, matinees on Wed and Thu 2pm and Sat 2.30pm. Tickets from £14.50 and can be purchased from the Theatre Royal Box Office on 08448 11 21 21.  Calls cost 7ppm plus your phone company’s access charge or book online at www.theatreroyal.co.uk

Empire Theatre, Sunderland – Tuesday 5th to Saturday 9th July 2016

Jackie the Musical is a wonderfully nostalgic journey into the gentler, more innocent times of the 1970’s.  When I used to read my sisters copy of Jackie on a Thursday before she came home from school

This Jackie is 54, mother of a 19 year old David who wants to give up education to play music.  She is going through a divorce and moving house because husband of 20 years, John, ran off with Gemma.  Best friend Jill is encouraging Jackie to move on and find someone else.  Nights are spent in Frankies eating sticky toffee pudding and drinking prosecco.

After a prosecco filled evening, Jackie starts to sort boxes from the attic and discovers her collection of Jackie magazine, resulting in her teenage self manifesting in her life.

Enter blind date Max and the story can begin, with lots of wonderful 70’s songs to move the story along and some brilliant comedy moments.  Eventually Jackie realises the valuable lessons she learnt in her youth made her into the one person in control of her life – herself.

Young Jackie (Daisy Steere), who manages to bring a sense of realness to an unreal character, full of innocence and enthusiasm.   Whilst Janet Dibley’s older Jackie is more cynical, still full of hurt, not knowing where life is going.  Other strong female comic performances come from Gemma (Tricia Adele-Turner) and Jill (Lori Haley Fox), both fabulous and both under used.

The males of the show bring up the rear, Graham Bickley (John), Nicholas Bailey (Max) Sam O’Halon (Keith) and Michael Hamway (David).  But for me, star of the show was Bob Harms as Frankie the bartender – what a performance! What a voice!

The live band on stage, lead by Dan de Cruz, play us on an exquisite musical journey from David Cassidy to the Osmonds via David Essex

Director Anna Linstrom and book writer Mike James together with Set and Costume Designer Tim Shortall have ensured that the world of Jackie the magazine bursts off the stage. The magazines infamous speech bubbles, period fashions is combined with mirror-balls to ensure that Jackie the musical was imbued with fun and love from start to finish.

We’re taken back to an uncomplicated period with no mobile phones, no texting, no e-mails and no twitter! A time when teenage girls sought advice from resident agony aunts, Cathy and Claire, who provided advice on how to deal with the opposite sex, and important issues like, how to have soft elbows, and iron your hair!

This is truly a 5 star production.  Everything about the show is first class, the performances, the costumes, the set. This is a fabulous feel good night out and comparisons are going to be made with Mamma Mia.  But I think there is space for both shows and Jackie deserves a West End run if only for the Puppy Love scene.

Sunderland Empire was filled with ladies of a certain age, all wanting to relive their youth and wallow in the sea of nostalgia that came with the show.  And it was a much deserved standing ovation – which lead quite nicely into a bit of a boogie at the end

Go and see this show now and enjoy possibly the best night out this year

 

“THE BEATLES” AT THE GRAND THEATRE NEXT WEEK

Leeds Grand Theatre is gearing up to Twist and Shout as the biggest ever tour of The Beatles’ celebration show LET IT BE takes to its stage next week.

Let It Be celebrates the music of the world’s most successful rock ‘n’ roll band in a spectacular concert charting the band’s meteoric rise from their humble beginnings in Liverpool’s Cavern Club, through the height of Beatlemania, to their later studio masterpieces. Bursting with timeless hits, show-stopping sets, dazzling costumes – and a brilliant portrayal of the Fab Four from a talented cast of musicians – promises to continue to entertain audiences all over the country.

Derek Nicol, joint Managing Director of Flying Entertainment, commented:

 

“We have an extremely talented cast who have performed the show to audiences on New York’s Broadway, in London’s West End, and toured across Europe and Japan. The show’s most recent run was in Liverpool, where they certainly know their stuff when it comes to The Beatles. They truly welcomed LET IT BE into their hearts, the response was fantastic and we knew it was time to share the show with the rest of the country through a 26-venue tour spanning seven months.”

 

“The show will have audiences on their feet from the very start. They won’t be able to help themselves thanks to the iconic songbook from the world’s biggest band. We’re also looking forward to entertaining the next generation of Beatles’ fans.”

The show celebrates music history’s greatest ever worldwide phenomenon and is packed with over 40 of The Beatles’ greatest hits, including Twist and Shout, She Loves You and Drive My Car, as well as global mega hits Yesterday, Hey Jude, Come Together and, of course, Let It Be.

Let It Be is at Leeds Grand Theatre from Monday 11^th to Saturday 16^th July

Tickets are priced from £19.50 to £35

Book online at leedsgrandtheatre.com or call Box Office on 0844 848 27 00

 

CARDBOARD CITIZENS ANNOUNCE NEW TOUR INSPIRED BY CATHY COME HOME AHEAD OF THEIR ONE-OFF COMMUNITY STAGING OF THE FILM THIS EVENING  

• 50 YEARS ON FROM THE ORIGINAL KEN LOACH FILM HIGHLIGHTING HOMELESSNESS, CARDBOARD CITIZENS PERFORMS A THEATRICAL RESTAGING OF CATHY COME HOME AT THE BARBICAN TONIGHT, FOR ONE NIGHT ONLY

• PERFORMANCE OF CATHY COME HOME & PANEL DISCUSSION ON HOMELESSNESS  WILL BE LIVE STREAMED ACROSS THE WORLD THIS EVENING
  
• CARDBOARD CITIZENS ANNOUNCE BRAND NEW PRODUCTION CATHY BY ALI TAYLOR, INSPIRED BY CATHY COME HOME, TO TOUR THEATRES, PRISONS AND HOSTELS ACROSS THE UK FROM OCTOBER 2016 – FEBRUARY 2017

 

This evening, at the Barbican in London, the award-winning theatre company Cardboard Citizenswill perform their one-off theatrical re-staging of Ken Loach’s seminal work Cathy Come Home.The production marks the 50th anniversary of the film and the beginning of the 25th anniversary of the theatre company who work making theatre with and for homeless people. The performance will be followed by a panel discussion, ‘Homelessness 50 years on – what’s changed?’ Both the production and the subsequent panel will be live streamed by the Guardian Stage here, on the Cardboard Citizens website, by Shelter and a number of  hostels, and by various housing associations to ensure maximum accessibility.  Alongside Cathy Come Home, the company have today announced a brand new touring production for October, Cathy, based around similar themes.

First broadcast in 1966 on the BBC, Cathy Come Home depicts a young family’s slide into homelessness. The first screening of the film led to public outrage at the state of housing in Britain and became a defining cultural landmark, demonstrating the power of art to effect social and political change. The panel discussion that follows this evening will ask what has changed in the fifty years since the film was made and will be held with leading figures from politics and the charity and arts sectors, including BBC journalist Samira Ahmed, the Chief Executive of Shelter, Campbell Robb, Artistic Director and CEO of Cardboard Citizens, Adrian Jackson, Deputy Mayor for Housing, James Murray and singer-songwriter Eska. The public are encouraged to have their say in the conversation using #CathyComeHome on Twitter. The performance and panel forms part of the Institute of Fundraising’s annual Fundraising Convention from 4 – 6 July, which brings together 2,500 fundraising professionals to discuss issues facing the charity sector.

In October, Cardboard Citizens will continue their exploration of the state of housing and homelessness with Cathy, a powerful and emotive new Forum Theatre show by award-winning playwright Ali Taylor (Cotton Wool, OVERSPILL), exploring how life might be for a Cathy today. Based like the film on true stories, this timely reflection will look at the social and personal impact of spiralling housing costs and the challenges of the forced relocation out of London experienced by many people on council waiting lists. The production has been researched with the support of housing and homelessness charity Shelter and each performance will end with a debate in classic forum theatre style. The production will begin at the Pleasance Theatre in London on 11 October and will tour the UK with confirmed performances taking place in: Nottingham, Oxford, Peterborough, Colchester, Kent, Exeter, Sheffield, Newcastle, Birmingham, Croydon, Bridport, Warwick and Wakefield. Further venues and performance timings are still to be announced.

#CathyComeHome
Twitter: @CardboardCitz
Facebook: www.facebook.com/cardboardcitizens
YouTube: www.youtube.com/user/cardboardcitztv
www.cardboardcitizens.org.uk/

One German’s perspective on how to survive Fringe: Familie Flöz is back!

Mask theatre specialists and Fringe veterans, Familie Flöz return to Edinburgh with their 2004 hitTeatro Delusio – a silent show, theatre about theatre – and company’s producer Gianni Bettucci shares their advice on how to survive August in Edinburgh (including: don’t bother with flyers and locate your nearest tumble dryer asap).

Familie Flöz presents

TEATRO DELUSIO

The art of saying everything without a single word

• Familie Flöz returns to the Pleasance after 2015’s sell out success HOTEL PARADISO
• World leading mask theatre specialist Familie Flöz presents TEATRO DELUSIO, 12 years after its acclaimed Festival Fringe premiere.
• The show takes over The Pleasance’s biggest stage in The Grand between 3 and 29 of August.
• Theatre in a theatre, TEATRO DELUSIO tells the story of three stage technicians fighting for their own happiness behind the scenes.

©Eckard-Jonalik

 

Established in 1994, Familie Flöz – Essen-originated and now Berlin-based physical theatre company – brings back their 2004 sell-out show TEATRO DELUSIO to this year’s Fringe to take over the biggest stage at The Pleasance for almost four weeks. The show is back on tour by popular demand after a four year break. This is Familie Flöz’s fourth visit to the Fringe, following the sell-out success of Hotel Paradiso in 2015.

From the world’s leading mask theatre specialist comes TEATRO DELUSIO, a dark comedy revolving around three stage technicians whose lives, usually hidden, take centre stage as the glamorous world of pretence blends with the down to earth life backstage in this silent show.

The efficient Bob is young, strong and unpredictable; the chronically tired and sickly Bernd is constantly bossed around and the idle, always hungry Ivan is permanently anxious not to lose control over the shows. This fantastic ensemble excels in breath-taking fighting scenes, deadly intrigues and heart-breaking arias of world-famous plays.

Familie Flöz is one of Europe’s most prolific touring theatre companies: with over 150 shows per year, they have performed in 34 countries worldwide. TEATRO DELUSIO premiered in the Arena Berlin in 2004 and toured South America, Asia and Europe.

Wordless and yet somehow so expressive, full of yearning and yet also filled with joy; this is splendid and immensely skillful character comedy. The Guardian

Every now and then, a show comes along that scoops you up from the start, whisks you along on a roller coaster ride and deposits you at the end of the track, gasping for breath and wanting to do it all again. This is one of those. Edinburgh Evening News