Classic New York love story comes to Theatre N16

Theatrum Veritatus and Theatre N16 present:

DANNY AND THE DEEP BLUE SEA
April 3rd – April 14th 2016, Theatre N16

A fierce dance of the displaced, Danny and the Deep Blue Sea opens at Theatre N16 for a two week limited run on Sunday 3 April, produced by Theatrum Veritatus, starring Gareth O’Connor (Once, West End) and Megan Lloyd Jones, and directed by Courtney Larkin.

“Larkin’s staging of Martin McDonagh’s The Pillowman steps in and jolts us uncomfortably, brilliantly, into remembering that at our core, we love being an audience” (Charlebois Post)

John Patrick Shanley’s classic play is an explosive, deeply affecting study of alienation and the redemptive power of love. Two castaways, Danny and Roberta, fight their way to each other and cling violently in a sea of hardship for a chance at the happiness afforded to most but denied to them. Here lies the ingredients that make us human: the need to be heard, understood, loved and accepted, and the fear of not being any of them. New York is many things, but forgiving is not one of them.

**** “Veritatus Theatre have put a lot of love and thought into this play (…) a tightly written and engagingly executed piece of theatre” (London Theatre 1)

Theatrum Veritatus is a new theatre company of emerging professional artists who are passionate about the cross-fertilization of the North American and British theatrical traditions. They bring together cultures from both sides of the pond to explore shared heritage, and collective futures.

Courtney Larkin is an international Theatre Director currently residing in London, England. She holds a Masters of Fine Arts in Theatre Directing from East 15 Acting School along with a Bachelors of Fine Arts in Theatre Performance from Montreal’s Concordia University. She has been working in the theatre for over a decade and has dedicated her life in the arts to exploring the human condition. Theatre as Director includes: Good King Richard (The Drayton Arms Theatre and The White Bear Theatre), Auld Acquaintance (Bread and Roses Theatre), I’m Not Here (The Cockpit Theatre), Home free! (Etcetera Theatre and Bread and Roses Theatre), Tuesdays and Sundays (Otherplace at the Basement), The Pillowman (Mainline Theatre, Montreal).

SHEFFIELD THEATRES SHOW COMMITMENT TO ACCESSIBILITY BY GETTING INVOLVED IN DISABLED ACCESS DAY

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SHEFFIELD THEATRES SHOW COMMITMENT TO ACCESSIBILITY BY GETTING INVOLVED IN DISABLED ACCESS DAY

 

As part of Disabled Access Day on Saturday 12 March, Sheffield Theatres are hosting accessible performances of David Walliams’ Gangsta Granny at the Lyceum Theatre.

 

A Relaxed Performance will take place in the morning at 10.30am.  Relaxed Performances enable people to come to the theatre who may not usually feel comfortable in a theatre environment.  Any loud sound effects or extreme lighting is minimised, the conventional ‘rules’ of theatre, such as sitting still throughout and being as quiet as possible are completely relaxed and a quite area is available for anyone who may need to take some time out of the auditorium.  Later in the afternoon at 2.30pm, a signed and audio described performance of the show will also take place.

 

Disabled Access Day is a nationwide event that encourages disabled people to visit somewhere with friends and/or family that they’ve never been before, whether that’s a coffee shop, cinema, sports centre or theatre. The event takes place on Saturday 12 March with over 200 organisations involved.

The day is sponsored by Euan’s Guide, the disabled access review website and app, and has the support of VisitScotland, VisitEngland and Visit Wales.

Commenting on Sheffield Theatres’ involvement in Disabled Access Day, Claire Murray,Communications and Fundraising Director commented:  ‘We want everyone to be able to enjoy our venues and hope that by getting involved in this event, people will come and discover just how accessible theatre can be!’

 

Gangsta Granny is at the Lyceum Theatre from Wednesday 9 – Saturday 12 March.  Tickets can be purchased from Sheffield Theatres’ Box Office in-person, by phone on 0114 249 6000 or online at sheffieldtheatres.co.uk and are priced from £12.00 – £22.00 (a transaction fee of £1.50 (£1.00 online) applies to all bookings made at the Box Office, excluding cash).  Family tickets and discounts are available.

HIP-HOP FAIRYTALE HITS THE LYCEUM

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HIP-HOP FAIRYTALE HITS THE LYCEUM

 

ZooNation Dance Company bring a newly revamped production of their award-winning hip-hop fairytale dance show Into the Hoods: Remixed to the Lyceum Theatre from Tuesday 22 – Wednesday 23 March.

 

The show that took the West End by storm when it debuted in 2008, returns to the stage with all the wit and charm of the original under the direction of Sadler’s Wells Associate Artist Kate Prince. Set in the ‘Ruff Endz Estate’, the story follows two lost school children who have been tasked to find an iPhone as white as milk, trainers as pure as gold, a hoodie as red as blood and some weave as yellow as corn. Along the way, they encounter familiar fairytale characters with an urban twist – DJ Spinderella, wannabe singer Lil Red, vivacious rapper Rap On Zel, budding music producer Jaxx and embark upon a storybook adventure into the heart of a pulsating community.

 

An upbeat feel-good family show Into The Hoods: Remixed, the first ever hip-hop dance show to appear in the West End, will delight with its street attitude, infectious energy and slick moves.

Into the Hoods: Remixed is at the Lyceum Theatre from Tuesday 22 – Wednesday 23 March. Tickets can be purchased from Sheffield Theatres’ Box Office in-person, by phone on 0114 249 6000 or online at sheffieldtheatres.co.uk and are priced from £16.00 – £23.00 (a transaction fee of £1.50 (£1.00 online) applies to all bookings made at the Box Office, excluding cash). Discounts are available.

ROYAL BALLET’S LONGEST-SERVING PRINCIPAL BALLERINA RETURNS HOME TO AUSTRALIAN HONOURS

ROYAL BALLET’S LONGEST-SERVING PRINCIPAL BALLERINA RETURNS HOME TO AUSTRALIAN HONOURS

830af4aa779191c9_orgMore than three decades after she left regional Queensland as a teenager to pursue her dreams on the international stage, one of Australia’s most accomplished dancers, Leanne Benjamin, will return home to be appointed a Member of the Order of Australia (AM).

The award comes more than a decade after the London resident was appointed an Officer of the Order of the British Empire (OBE) for her services to dance, and two years after she officially hung up her pointe shoes.

Benjamin said: “I am incredibly honoured to receive this award, particularly as I am a proud Australian, and it also recognises all the sacrifices my parents made, who still live in Rockhampton, to enable me to follow my dreams.”

One of the greatest ballerinas Australia has ever produced, Leanne Benjamin was raised in Rockhampton and left Australia to join the Royal Ballet School in London at the age of 16. Within a year she had won two of the most prestigious ballet competitions in the world, the Adeline Genee Gold Medal and Prix de Lausanne.

After graduating into Sadler’s Wells Royal Ballet in 1983, where she became a principal and moving to London Festival Ballet in 1988, she joined Deutche Oper Ballet in Berlin in 1990. During her time there Leanne worked with choreographer Kenneth MacMillan – her “mentor” – who convinced her to join The Royal Ballet in 1992. MacMillan died backstage at the Royal Opera House the night before she was due to premiere in his production of Mayerling.

Leanne has performed almost every role in the classical canon and has had an exceptional number of roles created on her by choreographers including Wayne McGregor, Christopher Wheeldon, Twyla Tharp and Alexei Ratmansky. Leanne also worked with Frederick Ashton and Ninette De Valois, one of the last dancers to have first hand experience of working with the founders of The Royal Ballet.

Leanne was twice named Female Dancer of the Year at the UK’s Critics’ Circle Awards and in 2013 won their Lifetime Achievement Award. She retired in 2013 at the age of 49, becoming the Royal Ballet’s longest-serving Principal Ballerina.

After her retirement as a dancer, Leanne graduated from the Chelsea College of Art and Design with a degree in Architectural Design. She mentors and coaches students and professional dancers, is a patron of the Tait Memorial Trust that gives an Australian student financial aid towards training at a Vocational School in London. She is a frequent public speaker represented by Chartwell Speakers and is developing a book.

“I am so grateful and proud to have enjoyed a career as a professional ballet dancer. Since my retirement as a ballerina, I am thrilled to have been able to find new ways to contribute to the ballet world, passing on the knowledge I have, and to pursue new areas of interest I can grow into. I am very excited about what the future holds.”

Leanne was appointed an AM for significant service to the performing arts, as a dancer and role model.  She will receive her award at a ceremony in Sydney on April 6, with her mother and father from Rockhampton and son Thomas in the audience.

Darlington Civic Theatre – Local dance school to feature in The Wizard of Oz

Civic Theatre Hi Res Logo (1)STUDENTS ON THE YELLOW BRICK ROAD TO STARDOM

North East dance school pupils to feature in the Easter pantomime, The Wizard of Oz at Darlington Civic Theatre in April.

Aycliffe Dance Academy, based in Newton Aycliffe, has again been selected to star alongside Bobby Davro and Dani Harmer in this year’s Easter pantomime, The Wizard of Oz at Darlington Civic Theatre in April.

Emma Cox, Principal of the Aycliffe Dance Academy said: “I am absolutely delighted for Aycliffe Dance Academy to have been invited to perform in the Easter Panto this year. This will be the third time the dance school has worked with Enchanted Entertainment. This year, six of our senior dancers will be taking to the stage to perform tricky dance routines alongside the professionals and well-loved celebrities. Many of the girls taking part want to dance as their chosen career so this is a fantastic opportunity for them. Their dreams are to be professional dancers, dance teachers and to even work for Disney so taking part in productions like this will help make their dreams come true.”

Aycliffe Dance Academy teamEmma continued: “Rehearsals are going great so far. The routines this year are more complex and faster so the girls are having to work harder than ever. They are very excited to get to the theatre to meet the production team and cast. They are especially excited to meet Bella, the adorable dog that will be playing the part of Toto. We are very privileged to be involved in The Wizard of Oz and can’t wait to perform to a live audience.”

Come and join in the fun over the rainbow as Enchanted Entertainment presents this wonderful Easter pantomime version on L. Frank Baum’s much-loved fairy-tale. Packed with well-known pop songs, brilliant dance routines, lots of audience participation and plenty of laughter for all the family.

The Wizard of Oz is at Darlington Civic Theatre on Friday 8 & Saturday 9 April.

Tickets* are priced £18 & £20 for adults, £16 & £18 for children. Family tickets £69, group 10+ £1 off, 20+ £2 off.

To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk

*Includes a £1 restoration levy

Picture: The Aycliffe Dance Academy team appearing in The Wizard of Oz, from L to R:

Katya Seaman, Kennedy Wilson, Emma Sandford, Sarah Murray (Swing Dancer), Rebecca Carney, Chloe Hutchinson, Megan Elvidge.

ARTHUR MILLER’S FIRST EVER PLAY NO VILLAIN TRANSFERS TO THE WEST END

ARTHUR MILLER’ S FIRST EVER PLAY

NO VILLAIN

TRANSFERS TO THE WEST END

Following the critically acclaimed, sell-out world premiere at The Old Red Lion in 2015, Arthur Miller’s first ever play, No Villain, transfers to the West End, playing at Trafalgar Studios 2 from 14 June – 9 July, with a press night on 20 June. Directed by Sean Turner, with design by Max Dorey, lighting design by Jack Weir and sound design by Richard Melkonian, the cast will include David Bromley as ‘Abe Simon’, Nesba Crenshaw as ‘Esther Simon’, Kenneth Jay as ‘Grandpa Barnett’, Stephen Omer as ‘Roth/Dawson/Man’, and George Turvey as ‘Ben Simon’.

 

Over six days during spring break 1936 at the University of Michigan, a twenty year old college sophomore wrote his first play, No Villain. His aim was to win the prestigious Avery Hopwood award and, more importantly, the $250 prize he needed in order to return to college the following year. Miller won the award, and the subsequent one, but the play was never produced.

 

My first attempt at a play, rather inevitably, had been about industrial action and a father and his two sons, the most autobiographical dramatic work I would ever write.

– Arthur Miller

No Villain tells the story of a garment industry strike that sets a son against his factory proprietor father. Here, Miller explores the Marxist theory that would see him hauled before the House Un-American Activities Committee years later.

This remarkable debut play gives us a tantalising glimpse of Miller’s early life, the seeding of his political values and the beginning of his extraordinary career.

Director Sean Turner said, “I am thrilled to be continuing my journey with this remarkable play in the West End, it’s been an absolute pleasure to make and see audiences respond to, I am delighted that many more will be able to discover Miller’s playwriting roots, the same way I did two years ago.”

Darlington Civic Theatre – Rumours of Fleetwood Mac

Civic-Theatre-Hi-Res-Logo-1-117x300THE RUMOURS ARE ALL TRUE

Rumours of Fleetwood Mac bring their spectacular new stage show to Darlington Civic Theatre on Saturday 26 March

Having performed to over half a million fans around the world since they formed over a decade ago, Rumours of Fleetwood Mac return to the UK to present a spectacular new stage production, celebrating the music of the legendary rock supergroup Fleetwood Mac.

Recognised internationally as the world’s leading Fleetwood Mac tribute show, the group has the priceless golden seal of approval from founding member Mick Fleetwood.

Replicating perfectly the power and subtlety of Fleetwood Mac at their brilliant best, timeless classics such as Black Magic Woman, Albatross, Go Your Own Way, Dreams, Little Lies and Everywhere will send you on a nostalgic journey of breathtakingly outstanding musicianship; and all performed in the context where the songs work best – a live stage.

“They do Fleetwood Mac better than Fleetwood Mac” Mail on Sunday

Rumours of Fleetwood Mac appear at Darlington Civic Theatre on Saturday 26 March.

Tickets* are priced £21.50 & £23.50. To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk

*Includes a £1 restoration levy

Forget Making a Murderer – British miscarriage of justice drama comes to Theatre N16

Theatre N16 presents:

YOUR EVER LOVING
April 18th – May 5th 2016, Theatre N16

1974, Guildford. Pub bombs in Guildford and Woolwich murdered seven people and shocked the nation – but why were the wrong men arrested? Forget Making a Murderer – this new play by journalist and playwright Martin McNamara uncovers the holes in our own judicial system through the story of Paul Hill and the Guildford Four, directed by Jamie Eastlake.

“McNamara’s dialogue is well–observed, sparklingly comic” (British Theatre Guide on Martin McNamara’s The Magic Hour)

After the Guildford and Woolwich bombings, Paul Hill and the Guildford Four were arrested and jailed for 15 years for crimes they did not commit, their convictions based solely on confessions extracted during brutal interrogation. Forensic evidence and witnesses that pointed to their innocence were never disclosed at the original trial. Detectives used violence, intimidation and threats to extract the confessions. It would take 15 long years of campaigning before the Four were exonerated and their convictions quashed.

Inside, Paul was beaten and brutalised; he was ‘ghosted’ (moved from prison to prison without notice) more than 50 times and spent a total of five years in solitary confinement. But he never gave up hope. Using the letters Paul sent to his mother and family over the course of his imprisonment, Your Ever Loving charts his fight to maintain his dignity and prove his innocence, as well as uncovering one of the greatest miscarriages of justice in British legal history.

Paul Hill says, “It appears nothing has been gleaned from miscarriages of justice, especially those with political overtones. We live in an age where you can be subject to torture, while Ivy League educated politicians play verbal gymnastics with the meaning of the word.”

“Jamie Eastlake is going to break the big time and do the North East proud” (The Newcastle Chronicle)

The play is written by Martin McNamara (2014 Royal Court Writers Group), a London writer and freelance journalist and radio producer, directed by Theatre N16 artistic director Jamie Eastlake, and stars Stefan McCusker as Paul Hill and James Elmes as The Rest of the World.

Darlington Civic Theatre – Ray Mears

Civic-Theatre-Hi-Res-Logo-1-117x300TALES OF ENDURANCE WITH RAY MEARS

Enjoy an unforgettable evening of stories from the edge with Ray Mears at Darlington Civic Theatre on Wednesday 23 March.

Have you ever wondered how you might cope faced by seemingly impossible odds? In this heart stirring presentation be prepared to be shocked, amazed and inspired to succeed by the stories of our fellow human beings and the incredible circumstances they have overcome.

As humans we have extraordinary ability in terms if ingenuity, adaptability and sheer determination, but how can we access these abilities in a crisis. Through carefully selected stories Ray Mears explores all of these topics and more providing an insight to what makes a survivor.

Ray said ‘Our ability to find humour in times of adversity and to motivate ourselves by focusing on returning to our loved ones is astonishingly powerful. Stripped bare by adversity survivors cling to the most fundamental emotions, instincts and human qualities. This in its own way can be an instructional guide to living outside of adversity.’

In an uncertain world this could be the most important evening of your life.

Ray Mears – Tales of Endurance comes to Darlington Civic Theatre on Wednesday 23 March at 7.30pm.

Tickets* are £20 & £22. U16s £16, family ticket £72, groups 10+ 1 free. Discounts are available.

To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk

*All prices include a £1 restoration levy

Flood Relief in York with Rory Bremner

RORY BREMNER – ‘COME HELL AND HIGH WATER’ TOUR – FLOOD RELIEF FUNDRAISING SHOWS

                                            

Top TV impressionist Rory Bremner will be stopping off in York as he performs a series of special charity shows to raise money for those affected by flooding over the festive season across the north of England.

 

Having played to sellout crowds in Penrith, Kendal, Keswick and Lancaster, Bremner will star in, and compere a two hour comedic extravaganza, alongside top UK comedians, donating their services. So far confirmed are: Barry Cryer; Jess Robinson; Rob Rouse and Katie Mulgrew with others being added in the coming weeks.

 

The show at York Grand Opera House on MONDAY 16TH MAY starts at 8.00pm.

Tickets are priced at £21.25 and can be booked through the venue book office –

0844 871 3024 – www.atgtickets.com/york   

 

Proceeds from the show will go to The York Disaster Fund managed by Two Ridings Community Foundation to help victims of the recent flooding.

The tour is being organised by Bremner’s promoters, Lakin McCarthy Entertainment.

 

TV presenter and comedian Rory Bremner, said: “It was heart breaking to see the devastation caused by the floods in Yorkshire, Cumbria and Lancashire over the Christmas and New Year period. To help out, I’m bringing a top line-up of comics for some special fund-raisers. Come along for a great evening of comedy and variety and support those hardest hit!”