WINNERS OF THE SECOND ANNUAL TONIC AWARDS ANNOUNCED RECOGNISING WOMEN ACROSS THE THEATRE INDUSTRY

WINNERS OF THE SECOND ANNUAL TONIC AWARDS ANNOUNCED

RECOGNISING WOMEN ACROSS THE THEATRE INDUSTRY

Recipients of the second annual Tonic Awards were announced tonight at an awards ceremony held at the May Fair Theatre hosted by Dame Jenni Murray. The awards celebrate the achievements of game-changing women in theatre and the performing arts, and significant organisations, projects and productions that redefine the role of women in the performing arts, both on and off stage. The recipients honoured in this evenings event were: Emma de SouzaClean Break theatre companyWalking the FeministsThe Royal Exchange Theatre ManchesterSteffi Holtz and Gina AbolinsKully ThiaraiLyn GardnerCaryl Churchill and Katie Mitchell.

Lucy Kerbel, Director of Tonic Theatre, said: ‘I’m delighted that we’ve been joined by colleagues from across the theatre industry tonight to celebrate the work of inspirational women who are changing our industry. It’s a great opportunity to bring people together, creating new partnerships and sharing ideas. This last year has shown that a shared voice can make profound change, and the atmosphere of community here tonight reflects that.’

Sita McIntosh, Chair of Tonic’s Board of Trustees, said: “Tonight has been about celebrating the success stories, and this brilliant group of women have achieved extraordinary things, leading the way for a new generation. The Tonic Awards is an inspiring and unique event, and we’re thrilled with the support its had from across the industry. It shows a desire to platform the success stories and come together to drive for further change and greater representation of women across the theatre industry.”

This year’s recipients were:

Emma de Souza, for her tireless commitment to bringing new audiences into London’s West End through Kids Week, which offers families the opportunity to experience theatre together at an affordable price.

The award was presented to Emma by Caro Newling, Vice President of the Society of London Theatres.

 

Clean Break theatre company, for forty years of work on the theme of women and the criminal justice system, giving opportunities to generation after generation of female creatives, and giving voice to women whose experiences are all too often silenced by society.

The award was presented to Chief Executive Lucy Perman MBE and other representatives of Clean Break theatre company by Jennifer Joseph, an actor and Clean Break theatre company member.

Waking the Feminists, for a brave and creative campaign to effect positive change in regard to representation of women in Irish theatre. The campaign was ultimately successful in its clear demands, and has gone on to effect wider change across the theatre industry in Ireland and beyond.

The award was presented to Lian Bell on behalf of Waking the Feminists by playwright Ursula Rani Sarma.

 

The Royal Exchange Theatre, Manchester, for the consistency with which the theatre has programmed and foregrounded work about women, and within that, the diversity of women’s experiences. It has acted as a beacon of enlightened, exciting and nuanced programming.

The award was presented to Sarah Frankcom, Artistic Director of the Royal Exchange Theatre, by actress Maxine Peake, whose recent credits at the Royal Exchange include A Streetcar Named Desire, The Striker and Hamlet, and who will shortly appear in Beckett’s Happy Days at the venue.

Steffi Holtz and Gina Abolins, for their brave decision to speak up about inappropriate behaviour in their workplace, in spite of potential personal and professional repercussions, giving voice to the often unseen and unheard experiences of those working behind the scenes and in less high profile positions.

The award was presented to Steffi and Gina by Vicki Featherstone, Artistic Director at the Royal Court Theatre.

Kully Thiarai, for her achievements and ethos as an artistic director. In particular, her dedication and energy to creating theatre and artistic experiences for the communities around which the organisation she has led are based.

The award was presented to Kully by theatre director and Soho Theatre Associate Charlotte Bennett.

Journalist Lyn Gardner, for her dedication to showcasing new voices and productions as a theatre critic and her thoughtful contributions to debate within the theatre industry as a journalist.

The award was presented to Lyn by Kwame Kwei-Armah, Artistic Director of the Young Vic.

Caryl Churchill, for an extraordinary career, in particular her consistent daring to defy form, leading the way for a new generation of female playwrights, breaking down walls within the theatre industry.

The award was presented by playwright and screenwriter Moira Buffini.

Director Katie Mitchell, for her game-changing artistic work, proactive support of younger female theatre artists, and dedication to foregrounding feminism on stage.

The award was presented to Katie by Lucy Kerbel, Director of Tonic Theatre.

Attending the ceremony tonight were senior figures from across the UK theatre industry including Gemma Arterton, Haydn Gwynn, Tracy Ann Oberman, Dame Rosemary Squire and Timberlake Wertenbaker. The Tonic Awards will return in March 2019 with another cohort of recipients.

The Tonic Awards were made possible by the generosity of our headline sponsor White Light Ltd, and the following sponsors: Boom Ents, Dewynters, JHI Marketing, Kate Morley PR, The May Fair Hotel, Nick Hern Books and WhatsOnStage.

Champions of Magic UK Tour

2018 UK TOUR

 

The 5 world-class illusionists of Champions Of Magic tour the UK from March 25th to May 5th following sold out shows across the globe, five star rave reviews and a run in London’s West End.

 

With over 30 million online views between them, this cast of Britain’s top magicians includes award winning tricksters presenting daring grand illusions, stunning close-up magic and incredible mind reading. Their skills have been seen around the world with appearances on TV including ITV’s ‘The Next Great Magician’, ‘Good Morning Britain’, ‘Penn & Teller: Fool Us’ and NBC’S ‘Access Hollywood’.

Following a 6 month international tour the show returns to the UK with brand new illusions, huge special effects and more incredible magic. Each performance features ‘blink and you miss it’ disappearances, impossible teleportation across the theatre, impossible escapes and interactive magic.

Broadway World described the cast as “5 of the world’s finest magicians”, Wales Online called the magic “So mind-boggling that I won’t even attempt to describe it” and The List added “Spectacular feats of mindreading, vanishing tricks and close-up magic will have you guessing for weeks”. In the USA NBC called Champions Of Magic “the most incredible show” with FOX saying “Incredible… you guys are rock stars”.

The show’s producer, Alex Jarrett, said “Following a huge tour across North America we’re excited to bring the show home to the UK with some never before seen magic that’s been in development for the last year. With every tour the team add new illusions, bigger special effects and more incredible tricks making the show more unbelievable than ever. Interest in magic has rocketed over the last few years with some brilliant TV programs, but you haven’t seen magic until you’ve seen it live – and this team are the best in the business”.

Champions Of Magic has been seen by thousands across the UK and North America, now is your chance to see why fans return to be amazed by the country’s biggest touring illusion show time and time again.

Tickets are now on sale –

Day

Date

City

Venue

Box Office

Tickets & Information

Sunday

25th March

Yeovil

Octagon Theatre

01935 422884

www.ChampionsOfMagic.co.uk

Friday

30th March

Dunstable

Grove Theatre

01582 602080

www.ChampionsOfMagic.co.uk

Saturday

31st March

Camberley

Camberley Theatre

01276 707600

www.ChampionsOfMagic.co.uk

Sunday

1st April

Norwich

Theatre Royal

01603 630000

www.ChampionsOfMagic.co.uk

Monday

2nd April

Stoke

Regent Theatre

0844 871 7649

www.ChampionsOfMagic.co.uk

Tuesday

3rd April

Stoke

Regent Theatre

0844 871 7649

www.ChampionsOfMagic.co.uk

Friday

6th April

Torquay

Princess Theatre

0844 871 3023

www.ChampionsOfMagic.co.uk

Saturday

7th April

Torquay

Princess Theatre

0844 871 3023

www.ChampionsOfMagic.co.uk

Sunday

8th April

Richmond

Richmond Theatre

0844 871 7651

www.ChampionsOfMagic.co.uk

Monday

9th April

Guildford

G Live

01483 369350

www.ChampionsOfMagic.co.uk

Wednesday

11th April

Edinburgh

Assembly Rooms

0871 220 0260

www.ChampionsOfMagic.co.uk

Thursday

12th April

Edinburgh

Assembly Rooms

0871 220 0260

www.ChampionsOfMagic.co.uk

Friday

13th April

Edinburgh

Assembly Rooms

0871 220 0260

www.ChampionsOfMagic.co.uk

Saturday

14th April

Edinburgh

Assembly Rooms

0871 220 0260

www.ChampionsOfMagic.co.uk

Sunday

15th April

Reading

Hexagon

0118 960 6060

www.ChampionsOfMagic.co.uk

Friday

20th April

York

Grand Opera House

0844 871 3024

www.ChampionsOfMagic.co.uk

Saturday

21st April

York

Grand Opera House

0844 871 3024

www.ChampionsOfMagic.co.uk

Saturday

28th April

Brighton

Brighton Centre

0844 847 1515

www.ChampionsOfMagic.co.uk

Sunday

29th April

Plymouth

Theatre Royal

01752 267222

www.ChampionsOfMagic.co.uk

Tuesday

1st May

Aylesbury

Waterside Theatre

0844 871 7607

www.ChampionsOfMagic.co.uk

Wednesday

2nd May

Aylesbury

Waterside Theatre

0844 871 7607

www.ChampionsOfMagic.co.uk

Friday

4th May

Southsea

Kings Theatre

023 9282 8282

www.ChampionsOfMagic.co.uk

Take That perform with the cast of The Band to launch West End Season

TAKE THAT’S MUSICAL

THE BAND

BY TIM FIRTH, WITH THE MUSIC OF TAKE THAT

ANNOUNCED WEST END SEASON

WITH A PERFORMANCE ON THE ROOF OF

THE THEATRE ROYAL HAYMARKET, LONDON

Take That, co-producers of the new musical THE BAND, joined the show’s cast to perform on the roof of the Theatre Royal Haymarket at 1pm today, Monday 19 March, to launch the six-week West End run of the musical at the theatre this Christmas, from 1 December 2018 to 12 January 2019.

Tim Firth’s award-winning new musical THE BAND, with the music of Take That, opened at Manchester Opera House on 8 September 2017 to hugely critical acclaim and has broken box office records around the UK.

The musical stars Rachel Lumberg as Rachel, Alison Fitzjohn as Claire, Emily Joyce as Heather, Jayne McKenna as Zoe, AJ Bentley, Nick Carsberg, Curtis T Johns, Yazdan Qafouri and Sario Solomon, winners of BBC’s Let It Shine, as The Band, Faye Christall as Young Rachel, Katy Clayton as Young Heather, Rachelle Diedericks as Debbie, Sarah Kate Howarth as Young Claire, Lauren Jacobs as Young Zoe, Martin Miller as Jeff and Andy Williams as Dave.

David Pugh said of the West End transfer, “Our co-producers, Gary, Howard, Mark and Robbie, are totally chuffed that London’s glittering West End will see this award-winning production at the historic Theatre Royal Haymarket this Christmas season.”

THE BAND is a new musical about what it’s like to grow up with a boyband. For five 16 year-old friends in 1992, ‘the band’ is everything. 25 years on, we are reunited with the group of friends, now 40-something women, as they try once more to fulfil their dream of meeting their heroes.

THE BAND is directed by Kim Gavin and Jack Ryder, designed by Jon Bausor and choreographed by Kim Gavin, with lighting design by Patrick Woodroffe, video design by Luke Halls and sound design by Terry Jardine and Nick Lidster.

THE BAND is produced by David Pugh & Dafydd Rogers and Gary Barlow, Howard Donald, Mark Owen, Robbie Williams.

Website – www.thebandmusical.com

Twitter – @TheBandMusical

Instagram – BandMusical

Facebook – /TheBandMusical

 

LISTINGS INFORMATION

1 December 2018 – 12 January 2019

Theatre Royal Haymarket

18 Suffolk Street

London SW1Y 4HT

Box Office: 020 7930 8800

Performances: Monday to Saturday at 7.30pm

Ticket Prices From: £16.50

2018/19 TOUR SCHEDULE

Leeds Grand Theatre

20 March 2018 – 31 March 2018

 

Newcastle Theatre Royal

3 April 2018 – 14 April 2018

 

Bristol Hippodrome

17 April 2018 – 28 April 2018

 

Birmingham Hippodrome

1 May 2018 – 12 May 2018

 

Plymouth Theatre Royal

15 May 2018 – 26 May 2018

 

Northampton Royal & Derngate

29 May 2018 – 9 June 2018

 

Nottingham Theatre Royal

12 June 2018 – 23 June 2018

 

Glasgow King’s Theatre

26 June 2018 – 7 July 2018

 

Edinburgh Playhouse

10 July 2018 – 14 July 2018

 

Southend, Cliffs Pavilion

18 – 29 September 2018

 

His Majesty’s Theatre, Aberdeen

3 – 13 October 2018

 

Sheffield Lyceum Theatre

16 – 20 October 2018

 

Wimbledon Theatre

23 – 27 October 2018

 

New Theatre, Oxford

30 October – 3 November 2018

 

Bord Gáis Energy Theatre, Dublin

6 – 10 November 2018

 

Grand Opera House, Belfast

13 – 24 November 2018

 

The Lowry, Salford

15 – 26 January 2019

 

Grand Theatre, Swansea

29 January – 2 February 2019

 

Orchard Theatre, Dartford

5 – 9 February 2019

 

Regent Theatre, Ipswich

12 – 16 February 2019

 

Woking, New Victoria

19 – 23 February 2019

 

Wolverhampton Grand

26 February – 2 March

 

Milton Keynes Theatre

5 – 9 March 2019

 

Mayflower Theatre, Southampton

12 – 16 March 2019

Win a chance to appear in La Traviata at Hull New Theatre

Appear On Stage with International Opera Company

Win a walk on part in La Traviata.

Ever dreamt of appearing in an opera? Those dreams could become reality thanks to a new competition from Ellen Kent’s Ballet and Opera International in association with Hull New Theatre.

The world renowned ballet and opera producer brings her latest spectacular productions, La Traviata and Madama Butterfly to Hull New Theatre next week and is offering one lucky person the chance to appear on stage alongside the international cast.

The winner will be invited along with a friend or partner to take part in the famous La Traviata ballroom scene. They will be fitted with elegant costumes and wigs, given a quick dance lesson and will then appear live on stage on Tuesday 27 March. The prize also includes two additional tickets for family or friends, as well as two souvenir programmes.

No experience necessary. To enter just send an email with the subject La Traviata competition to theatre.marketing@hcandl.co.uk. The winner will be drawn at random on Friday 23 March and notified soon after.

To book tickets for La Traviata on 27 March or Madama Butterfly on 28 March, visit the Hull City Hall box office, call 01482 300 306 or visit our new website www.hulltheatres.co.uk

MELANIE EUSEBE ANNOUNCED AS CHAIR FOR THE THEATRE AND TOURING SYMPOSIUM

MELANIE EUSEBE ANNOUNCED AS CHAIR FOR THE

THEATRE AND TOURING SYMPOSIUM

SOLT and UK Theatre have today announced that Melanie Eusebe will Chair the Theatre and Touring Symposium.

Melanie is the Founder and Chair of the Black British Business Awards, and was the Executive Producer for the Women of the World Festival (WoW), and is a Board member of the Creative Industries Federation.

Melanie has been profiled as one of the most influential women in Business and the Creative Industries in the UK and has a career that spans five continents working with some of the world’s biggest brands.

The Theatre and Touring Symposium will be held at the Brewery, London on Monday 18 June 2018.

Melanie will lead a day for the industry to tackle shared issues, leading to real and practical change. It will include discussions, practical workshops, inspiration from high profile speakers, and time for conversations and networking.

The programme will be shaped following consultation and conversations with the theatre and performing arts industry.

Melanie commented: “Theatre is close to my heart, so I’m thrilled to be a part of a day that will address change and drive developments in the industry.”

Cassie Chadderton, Head of UK Theatre said: “We’re so pleased to be working with Melanie. With her expertise and enthusiasm for our industry she’ll lead a day of lively discussions, and keep us focused on tackling shared issues”

Sponsors of the conference will be announced later this week. Speakers and will be announced at a later date.

#TTSymp18 / @UK_Theatre / @SOLTNews / @MelanieEusebe / uktheatre.org / solt.co.uk

For more information on or to buy tickets for the Theatre and Touring Symposium visituktheatre.org

The Lord of the Flies Review

Greenwich Theatre, London – until 24 March.  Reviewed by Claire Roderick

5*****

Lazarus Theatre continue their yearlong residency at Greenwich Theatre with a pulsating production of Lord of the Flies.

A plane full of British schoolboys, evacuated from an unspecified war, crashes on a remote island. No adults survive, so the boys must create their own society as they wait for a rescue that may never happen.

William Golding’s novel is polarising after being on the school curriculum for so long. My friends’ reactions when I asked if they wanted to be my plus one for press night were all pretty similar – groans and shudders as they relived long hours at school listening to the teacher’s droning voice murdering the entire novel and reminding us to mention original sin in every paragraph of our exam essays – even the lure of a Lazarus take on the story couldn’t tempt them. If only we’d had the chance to experience a production like this – the theatre was full of mostly GCSE students whose pre-show attitude didn’t bode well (one lad had bought his Nintendo with him) but this production had them gripped. I have never seen a young audience more engaged and affected by a play. This production should be recorded and distributed to schools.

Nigel Williams’ adaptation loses, by necessity, lots of the philosophical content of Golding’s novel, leaving the bare bones of the plot. Director Ricky Dukes takes this even further, foregoing any backdrop of sand and sea and instead having an empty, unadorned stage, with Ben Jacobs lighting design portraying the baking island sun or the eerie trails amongst the trees stunningly.

The action begins with a hoodie Haka to pulsing dance music (the first of many as the boys descend to savagery), setting the scene of the plane crash, before the cast scatter and emerge from around the auditorium at the call of Piggy’s precious conch. The use of the entire theatre space is inspired, with an entire seating area being used as ramshackle shelters, and action taking place in the aisles.

The casting is gender split, but the entire company play their characters as boys, meaning that the gender of each actor is soon forgotten. Amber Wadey is wide-eyed and energetic as Ralph, struggling to keep to the norms of society, but excited by the freedom of the island, and Luke MacLeod captures Piggy’s pedantic, annoying but thoroughly decent character brilliantly. Benjamin Victor as Simon is like a visitor from another world, in a beautifully judged performance. Nick Cope is stunning as Jack, bubbling with anger, pride and violence, but still recognisably a terrified little boy trying to cope in a strange new world. Georgina Barley also impresses as the odious and sycophantic Roger, prowling around the stage with a gleeful smile as the bloodshed increases.

The mounting terror on the island is handled with minimal stage effects and maximum horror and tension. The appearance of the parachutist will make you jump out of your seat, and the deaths are horrible. The discussions in the audience as we sat eating ice cream as Victor lay onstage throughout the interval after Simon’s murder completely validated the decision not to push straight through without a break. (I must admit I was a bit conflicted about the need to break when the lights came up at first.)

This is an exhilarating, energetic and brutal production that will leave you breathless. Another triumph for Lazarus Theatre.

Showstopper! The Improvised Musical Review

Grand Opera House York Thursday 15th March 2018. Reviewed by Michelle Richardson

5*****

After 10 years at the Edinburgh Fringe, a radio series, a West End run and an Oliver award under their belt, the Showstopper company bought their fantastic improvised show to the Grand Opera house on Thursday night. A new musical is promised each night, with the performers making it all up on the spot, so no two performances will ever be the same.

We, the audience, were encouraged to throw some ideas around after the narrator, Sean McCann, receives a phone call from “Cameron”. With arms up in the air, the audience comes out with locality suggestions ranging from The Vatican to a little bar in the West Midlands. The ancient city of Pompeii is ultimately chosen after receiving the biggest cheer. Other ideas, scenarios and musical styles are then thrown about, then we waited to see what happens.

After naming the new musical I Wish I’d Left Earlier, Andrea’s suggestion, the group of 5 actors, accompanied by 3 musicians, took to the stage, with McCann keeping the show on track and prompting new ideas, bring our musical to life. So, we were treated to “funk”, “falsetto”, “Rogers & Hammerstein”, “Cats”, “Rigoletto”, “Rocky Horror Show” (my personal favourite), plus several other influences, all in the one musical.

This was the story of Pompeii, telling you the story in a different way. What ensued was an hilarious story of Fred, the Collector of Sticks, Maximus, with his writings of Wine and Olives, 1, 2 and 3, Tiberius, Jacinta and her father, the 97 year old cleaner of sticks. With Mount Vesuvius and that little pub somewhere in the West Midlands thrown in, it made for a bizarre and fascinating tale.

The whole performance was slick and so very clever, with the cast, from actors, musicians and McCann, superb from the get go. No matter what was thrown at them they delivered, and their knowledge of musical theatre and musical styles was vast, and those brummie accents and Brew XI were the icing on the cake. There was never a dull moment with such talent on stage, improvising as they went along, never missing a beat, they all looked like they were having a blast.

It was bonkers, hilarious, so very funny and I would love to see another one, to find out where that journey would take me. Definitely not to be missed.

A CHILLER OF A THRILLER COMING TO DARLINGTON HIPPODROME

A CHILLER OF A THRILLER COMING TO DARLINGTON HIPPODROME

Middle Ground Theatre Company is to present a world premier stage adaptation at Darlington Hippodrome from Tuesday 27 to Saturday 31 March.

Gallowglass – a chilling thriller from the pen of Ruth Rendell (writing as Barbara Vine) – is coming to Darlington Hippodrome with a cast of familiar faces including Paul Opacic (Bad Girls, Emmerdale, Hollyoaks), Richard Walsh (London’s Burning) and Karen Drury (Brookside).

When Sandor snatches Joe from the path of a London tube train, he is quick to make clear the terms of the rescue. “I saved your life”, he told the homeless youngster, “so your life belongs to me now”.

Sandor begins to tell him a fairy tale: an ageing prince, a kidnapped princess, a missed rendezvous… But what does this mysterious story have to do with Sandor? Joe only understands his own role – he is a Gallowglass, the servant of a chief.

Gallowglass runs at Darlington Hippodrome from Tuesday 27 to Saturday 31 March.

For more information or to book contact the box office on 01325 405405 or visit www.darlingtonhippodrome.co.uk

FULL CASTING ANNOUNCED FOR MERCURY THEATRE COLCHESTER AND TBO PRODUCTIONS’ BRAND NEW MUSICAL PIECES OF STRING

FULL CASTING ANNOUNCED FOR

MERCURY THEATRE COLCHESTER AND TBO PRODUCTIONS’

BRAND NEW MUSICAL PIECES OF STRING

 

Developed by Perfect Pitch

Co-produced by the Mercury Theatre Colchester and TBO Productions

PIECES OF STRING

Book, Music & Lyrics by Gus Gowland

 

Directed by Ryan McBryde; Designed by Fin Redshaw; Musical Direction by Paul Herbert

Lighting Designed by Ben Cracknell; Movement Direction by Ellen Kane

20 April – 5 May

 

Made in Colchester production

 

Mercury Theatre Colchester and TBO Productions today announce full casting for the world première of their brand-new musical – Pieces of String, with book, music and lyrics by Gus GowlandRyan McBryde directs Carol Starks (Jane), Andy Coxon (Ed), Marilyn Cutts (Rose), Ella Dunlop (Gemma), Lauren Hall (Anna), Joel Harper-Jackson (Tom), Craig Mather (Edward) and Gary Wood (Harry). Open auditions were held in Colchester to cast Young Rose, and the part will be alternated by three young people local to the theatre. Pieces of String, designed by 2017 Linbury Prize Finalist Fin Redshaw, opens on 27 April at the Mercury, with previews from 20 April and runs until 5 May.

 

When Jane returns from her father’s funeral to start clearing the house she grew up in – packing away the family photographs, closing a chapter – she isn’t prepared for the untold story she’s about to discover threaded through her past, a story that threatens to unravel her relationship with her own children and shake her understanding of who she is.

 

A new musical set simultaneously in the 1940s and in the present day, Pieces Of String tells how Jane’s father, Edward, came back from the Second World War with a secret that would change his life forever – a secret that he would carry until the day he died.

 

With hauntingly beautiful music and a heart-rending human story, Pieces Of String is a tender, funny, emotionally-charged exploration of how three generations of one family learn to deal with a story that nobody’s been brave enough to tell until today. Times may have changed but some battles still need to be fought.

 

Carol Starks plays Jane. Her theatre credits include Roundabout (Park Theatre/59E59 Theatre NYC), Before the Party (UK tour), Dirty Dancing (Aldwych Theatre), Hedda Gabler (Donmar Warehouse – Ian Charleson award commendation), The Robbers and Aurelie, My Sister (Gate Theatre), Sweeney Todd and The Crucible (National Theatre). Her television credits include WallanderShamelessBlue MurderFamily AffairsWilliam & MaryRedcapPeak PracticeRecklessKeeping MumFamily MoneyTrust MeLipstick On Your CollarThe GuiltyMay To DecemberVincent Van Gogh and The Ginger Tree.

 

Andy Coxon plays Ed. His theatre credits include Hair (The Vaults), Yank! (Charing Cross Theatre), The Last Five Years (Kulturhaus, Frankfurt), Sister Act (Kilworth House Theatre), 20th Century Boy – The Marc Bolan Musical(UK tour), Another Way (Cockpit Theatre), Les Misérables (Queen’s Theatre), The Rocky Horror Show and Evita(European tour); and for film, Les Misérables and The Agency.

Marilyn Cutts plays Rose. Her theatre work includes Funny Girl (Menier Chocolate Factory and Savoy Theatre),The Mystery of Edwin DroodNever Forget (Savoy Theatre), Wicked (Apollo Victoria), The Rose Tattoo, Oklahoma! (National Theatre), La Traviata (Donmar Warehouse) and Show Boat (London Palladium). For film, her work includes Les Miserables.

Ella Dunlop plays Gemma. Her theatre credits include The Passing of The Third Floor Back (Finborough Theatre), The Comedy of Errors (Northcott Theatre, Exeter) and Conscience (Leicester Square Theatre).

Lauren Hall plays Anna. Her theatre credits includes Mrs Henderson Presents (Royal Alexander Theatre Toronto), Annie Get Your Gun (Sheffield Crucible Theatre), Annie (UK tour), Gypsy (The Savoy Theatre), Singin’ in The Rain (UK tour and Tokyu Theatre Orb Japan), Loserville (Garrick Theatre and West Yorkshire Playhouse), Jersey Boys (Prince Edward Theatre), 42nd Street (Chichester Festival Theatre), High School Musical 2 (UK tour) and The Showgirl Within (Garrick Theatre).

Joel Harper-Jackson plays Tom. His theatre credits include Myth: The Rise and Fall of Orpheus (The Other Palace), The Curious Incident of the Dog in the Night-Time (UK tour), Jesus Christ Superstar (Regent’s Park Open Air Theatre), Beautiful – The Carole King Musical (Aldwych Theatre) and Picture Perfect (St James Theatre).

Craig Mather plays Edward. For theatre his credits include The Wind in the Willows (London Palladium), Les Misérables (Queen’s Theatre), Sweeney Todd (Harrington’s Pie Shop/West End), Tonight’s the Night (UK tour) andSpring Awakening (English Theatre Frankfurt). His television credits include Pompidou; and for film, Alice Through the Looking Glass and Cinderella.

 

Gary Wood plays Harry. His theatre credits include A Pacifist’s Guide to the War on Cancer (National

Theatre and national tour), The House of In BetweenThe Infidel – The Musical (Theatre Royal Stratford East), Our Country’s GoodDara (National Theatre), A Chorus Line (London Palladium) and Wicked (Apollo Victoria); and for film, World War Z and Walking on Sunshine.

Gus Gowland most recently wrote a short musical, Sick!, performed at LOST Theatre as part of Accidents & Emergencies, while his short play Clocks & Teapots was performed at RADA Studios and the London Transport Museum as part of London Omnibus. He co-wrote and directed Barren, Love Love Love (Canadian Fringe Tour), wrote and performed in Tell Me on A Thursday at the Camden Fringe and wrote two songs for Copyright Christmas, for Olivier Award-winning theatre collective Duckie at the Barbican. He has produced and directed a season of Miniscule Musicals at the Royal Vauxhall Tavern, one of which was performed at the Duckie 10th anniversary birthday party at South Bank Centre; he also co-wrote the song Home, with Alistair Brammer for the MAD Trust album – The West End Goes MAD for Christmas. Gowland was shortlisted for the inaugural Perfect Pitch award in 2013 and his songs Take Me Back and Turning Stones have been shortlisted for the Stiles & Drewe Best New Song Prize. In addition, he was also one of 5 music industry experts to form the UK jury for the Eurovision Song Contest in 2014.

Ryan McBryde directs. His credits include The Invisible Man (Queens Theatre, Hornchurch), Before the Party,Faust I, 1984, Spring Awakening,The Crucible (Schauspielbühnen, Stuttgart), Angus, Thongs and Even More Snogging (West Yorkshire Playhouse), Hamlet – The Musical (Royal & Derngate, Northampton and Richmond Playhouse), Saturday Night Fever (Theatre Royal Bath and UK tour), The House of Mirrors and HeartsThe Jabberwocky (Arcola Theatre), A Day at the Racists (Finborough Theatre), The RSC’s 50th Anniversary Gala, On the 20th Century (Union Theatre), The Life, The Ruling Class, Sweet Charity, Spring Awakening – The Musical, The Who’s Tommy, The Full Monty, Hysteria, Hair, Deathtrap and The Fox (The English Theatre, Frankfurt).

Production supported by the Linbury Trust

Listings Information

Pieces of String

20 April – 5 May

 

Performance times vary

Tickets £12 – £27 & discounts

www.mercurytheatre.co.uk

01206 573948

The Bunker’s Summer Season 2018 and Breaking Out Winners Announced

The Bunker’s Summer Season 2018 and Breaking Out
Winners Announced
May – August 2018
The Bunker, 53A Southwark Street London SE1 1RU

The Bunker’s Summer 2018 season celebrates exciting work from both emerging and established companies. A highlight of this season is Breaking Out – a new initiative introduced by Artistic Director Joshua McTaggart – which champions the most ambitious and innovative theatre companies who are embarking on their theatrical journey

The season opens with On The Buttons’ Don’t Panic! It’s Challenge Anneka. Inspired by real life stories, this rollercoaster one-woman show presents a frank, funny and open exploration of a topic that too often remains taboo: the challenge of overcoming anxiety

Following Don’t Panic! is the much-anticipated Breaking Out. Chosen from over 45 entries, the selected shows are: Poke in the Eye’s Libby’s Eyes – an experimental production about a young woman navigating a world she can’t see; Sleepless’ Nine Foot Nine – a fully accessible show that explores a world in which every self-identifying women suddenly grows to nine foot nine inches; This Noise’s No One is Coming to Save You which uses the nineties classic children’s movie Matilda as a lens into a tragic event of a young woman; Paper Creatures explore the life of a young man who is sectioned in Section 2; Second Circle Theatre will create an interactive date night with a difference in their production Kiss Chase, and leoe&hyde bring an electronic musical exploring the intricacies of Grindr and gay dating in Manchester

Following Breaking Out, The Bunker plays host to both the National Youth Theatre’s Playing Up project and Drama Studio London’s end of year showcase

The season concludes with Athenaeum Productions’ Breathe – the latest play by George Jaques. Directed by Hannah Hauer-King (from The Bunker’s resident company Damsel Productions), Breathe is a bold production exploring six young people impacted by teenage suicide. It is presented in partnership with ChildLine

Director Joshua McTaggart comments, I am thrilled that The Bunker’s Summer Season champions and celebrates ‘The Company’. From established ensembles to emerging artists, summer at The Bunker will see an incredible range of performances, styles, and ideas all presented by groups who collaborate and create their work together. At the centre of this programming are the six winners of our Breaking Out project, chosen from an incredible application pool of 45 companies. These six companies are just at the beginning of their journeys, but the work they are planning to create is sharp, contemporary, and ambitious, and I know our audiences are going to be fascinated by the stories these young artists have to tell

The Bunker’s Summer Season 2018 is as follows:

Don’t Panic! It’s Challenge Anneka (On The Button Theatre)
Tuesday 29th May – Saturday 9th June, 7pm (Saturday and Sunday, 3pm matinees)
Bum-bag? Check. Luminescent shell suit? Check. Positive attitude in the face of seemingly insurmountable challenges? Hell yeah! Inspired by real life stories, award-winning company on the button presents a frank, funny and open exploration of a topic that too often remains taboo: the challenge of overcoming anxiety. Starring Sophie Winter, this roller-coaster of a one-woman show channels the spirit of someone for whom no challenge is too big: Don’t Panic! It’s Challenge Anneka

Breaking Out – Monday 11th June – Saturday 7th July

Libby’s Eyes (Poke in the Eye)
Every Monday and Thursday – 7pm
Press Night: Thursday 14th June, 7pm
Libby is blind. But she works. And she’s a generally functioning adult. Inspirational. For being a functioning adult. And blind. Her life suddenly changes when she is forced to rely on Cortana – a government-issued robot. Cortana is constructed by a well-meaning engineer to describe things without bias and effectively be Libby’s eyes but when Libby starts to suspect that Cortana is
defective, she has an internal and external battle. Does she try and fix the defect to fit a society that is trying to ‘fix’ her? Written by disabled playwright Amy Bethan Evans and starring award nominated comedian and actor Georgie Morrell, Libby’s Eyes examines what it is to be disabled in today’s society and the problems of viewing it through the non-disabled gaze

Nine Foot Nine (Sleepless)
Every Monday and Thursday – 8:30pm
Press Night: Thursday 14th June, 8:30pm
Cara and Nate are a hard-working young couple looking to start a family. Together they’re bumbling through the daunting world of pregnancy tests, maternity clothes and flat pack cot building. That is, until suddenly a vast proportion of all the women in the world start to grow – centimetre by
centimetre, foot by foot, with science powerless to stop them. The awareness that women are now physically more powerful than men sends shockwaves through society, fracturing age-old assumptions and prejudices. How do political regimes react? What will happen to industry, media, families, sex? And, more importantly, what comes next? Brought to life by Sleepless Theatre Company, this innovative new play examines the changing labels of ‘masculine’ and ‘feminine’ and a world where the gender balance is forever altered

No One is Coming to Save You (This Noise)
Every Tuesday and Friday – 7pm
Press Night: Friday 15th June, 7pm
Two voices, two stories: an insomniac is watching TV in a language he doesn’t understand and a woman is stood in a garden stretching her arms to the sky. The whole world is asleep and something terrible is just around the corner. Lyrical, eerie and hypnotic, No One is Coming to Save You is the story of the wait for dawn in a suburban garden – a slow-build gasp from two lives lived in social,
political and economic fear. Supported by Arts Council England, This Noise makes theatre about the politics of the here and now, by, with and for young people

Section 2 (Paper Creatures)
Every Tuesday and Friday – 8:30pm
Press Night: Friday 15th June, 8:30pm
Following their highly successful debut show Flood, Paper Creatures Theatre return with this hardhitting drama by emerging playwright Peter Imms. Directed by Georgie Staight (Into The Numbers, Finborough Theatre) and with an original score composed by Benjamin Winter, this part verbatim drama is drawn from Imms’ personal experiences and hones in on an aspect of mental health that is
rarely addressed in theatre – sectioning. This bold new play shines a light on the desperate and determined measures taken to reconnect with someone on the road to recovery

Kiss Chase (Second Circle Theatre)
Every Wednesday and Saturday – 7pm
Press Night: Saturday 16th June, 7pm
Inspired by interviews with lovers across the UK, Second Circle Theatre’s Kiss Chase holds tales of first love, broken hearts, no sex before marriage, the walk of shame, holding hands and standing alone when the lights go up. Expect whispered secrets, dad dancing and relentless foreplay. Set far in the depths of the digital generation, this thrilling production follows Second Circle Theatre’s debut show Meeting at 33 which had a highly successful sell-out run at The Pleasance

GUY: A New Musical (leoe&hyde)
Every Wednesday and Saturday – 8:30pm
Press Night: Saturday 16th June, 8:30pm
From the creators of multi-award-winning The Marriage of Kim K, leoe&hyde return with an uplifting new musical about modern masculinity, body image, and the hook-ups and downs of dating in the 21st century. Sometimes sexy and always real, GUY is a game-changing gay rom-com for the 2010s. With nakedly honest characters, this is a thought-provoking glimpse behind the veil of modern masculinity, male beauty standards, and unspoken prejudices within marginal communities. Tied together with a pioneering and infectiously catchy electronic score, GUY channels floor-filling EDM anthems, indie electronica, queer hip-hop, and PC Music with the lyrical charm of Sondheim, and the earworm melodies of Schwartz

Breathe
Tuesday 31st July – Saturday 5th August – 7:30pm
Press Night: Wednesday 1st August, 7:30pm
‘Just breathe’. Often this is the best advice we have to offer anyone when the pressures of life get too much. But what about when these two words just aren’t enough? In our relentless pursuit for perfection – to look perfect, to act perfect, to be perfect – the overwhelming pressure cannot always be remedied by these two worn out words. Breathe, the latest play by George Jaques, explores the
anxieties of everyday life and how that manifests into three adolescent couples who are radically different but ultimately united by their shared burden. Directed by Hannah Hauer-King, this powerful production is presented in partnership with ChildLine