The Piccadilly Theatre – until Sunday 9 September 2018

Reviewed by Sharon and Georgia Kennedy

5*****

 

THE TIGER WHO CAME TO TEA – A MUSICAL PLAY ADAPTED & DIRECTED BY DAVID WOOD OBE BASED ON THE BOOK BY JUDITH KERR OBE

STARRING: Abbey Norman as Sophie

Stephanie Summers as Mummy

Thomas O’Connell as Daddy/Milkman/Postman/Tiger

This much loved children’s classic story was brought to life in this charmingly sweet adaption. The set design by Susie Caulcutt, was a perfect facsimile of the illustrations in the book. Even the costumes worn by the cast were in keeping with book right down to Sophie’s multi-patterned tights!

Sophie’s character played by Abbey Norman, was very enthusiastic in her role as a small excited girl. She looked quite small compared to her colleagues who played mummy and daddy. Casting a short actor in this role made the character of Sophie very believable.

Although it regards itself as a musical play at times it took on the genre of a pantomime. The Tick Tock chorus song by Sophie and her Mummy became annoyingly repetitive. A small child behind us groaned as it started again and again.

Once again the costumes were brilliantly designed. Of particular note was the Milkman’s outfit! This was comically put together to great effect. The Tiger was, once again, authentic to the original book.

On the whole this was a fun adaptation of a much loved children’s book.

The children in the audience loved, it as did my little girl. Its wonderful that this play will be touring the UK introducing more generations of children to this special little story.

 

WEST END THEATRES TO DIM LIGHTS IN MEMORY

OF DAME GILLIAN LYNNE

MONDAY 2 JULY 2018

Theatres across London’s West End will be dimming their lights at 19:00 tonight (2 July) in memory of the British choreographer Dame Gillian Lynne, who died on Sunday evening aged 92.

Before this evening’s performances begin, lights will be dimmed for one minute as a tribute by the theatre industry and audience members to the legendary choreographer, who began her career as a ballet dancer and went on to work on more than 60 shows across the West End and Broadway, including Andrew Lloyd Webber’s long-running musicals Cats and The Phantom of the Opera.

Dame Gillian received a Special Olivier Award in 2013 for her contribution to theatre. Last month, the New London Theatre (current home of Lloyd Webber’s School Of Rock The Musical) was renamed the Gillian Lynne Theatre – making her the first non-royal woman to receive this honour.

The tradition of dimming theatre lights has long been performed in the West End to pay respects to theatre’s most renowned contributors.

Julian Bird, Chief Executive of Society of London Theatre, said:

‘Dame Gillian Lynne’s contribution to theatre was inestimable. Her career, which spanned over seven decades, encompassed performance, choreography and directing. She worked across so many of the West End and Broadway’s top venues and productions, and won numerous awards and accolades. We are proud to celebrate her extraordinary legacy tonight in the West End.’

BRADFORD THEATRES ANNOUNCE
AUTUMN 2018 SEASON

The 2018 autumn season at Bradford Theatres boasts brand new productions, reimagined classics and timeless favourites at the Alhambra Theatre, some great names in comedy and entertainment coming to King’s Hall, Ilkley and drama and comedy at the Studio

Adam Renton, General Manager Bradford Theatres says: “We hope you are looking forward to our exciting Autumn 2018 season – we’re sure you’ll agree that there’s something for everyone to enjoy.

We welcome a number of brand new productions which will be touring into the Alhambra Theatre this autumn, including An Officer and a Gentleman The Musical, Benidorm Live, Madagascar The Musical and Touring Consortium Theatre Company’s drama, Dracula.

Plus don’t miss your opportunity to book for Cameron Mackintosh’s acclaimed new production of Miss Saigon; or for a return visit of Matthew Bourne’s Swan Lake, which has a fresh look for the 21st Century. Yorkshire’s biggest and most lavish pantomime, Aladdin, is a must-see treat this festive season too! We also have an array of personalities at King’s Hall in Ilkley, including Jimmy Osmond,
Suggs and Susie Dent.

I look forward to welcoming you all to Bradford Theatres in the near future.”

Still Booking
Fame The Musical – Monday 27 August – Saturday 1 September, Alhambra Theatre
Signed: Fri 31 Aug 7.30pm, Audio Described: Sat 1 Sept 2.30pm
Featuring the Oscar-winning title song and a cast of outstanding dancers, singers, musicians and rappers as they transform from star struck pupils to superstars, Fame The Musical will indeed live forever. [Age recommendation 12+ with some sexual, drug, mental health references and mild swearing]

September
An Officer And A Gentleman – Monday 3 – Saturday 8 September, Alhambra Theatre
Captioned: Fri 7 Sept 7.30pm, Audio Described: Sat 8 Sept 2.30pm
The world premiere of a new musical that will simply sweep you off your feet!  Its feel-good soundtrack includes the hit song from the movie Up Where We Belong along with many 80s classic anthems including Girls Just Want to Have Fun, Livin’ On A Prayer, Heart of Glass, Material Girl and The Final Countdown. [Please be advised An Officer and a Gentleman contains themes of an adult nature and strong language.]

Darkside: performing The Pink Floyd Show You Gotta Be Crazy Tour – Saturday 8 September, King’s Hall, Ilkley
Susie Dent – The Secret Lives of Words – Monday 17 September, King’s Hall, Ilkley

Miss Saigon – Wednesday 19 September – Saturday 20 October, Alhambra Theatre
Signed: Thur 4 Oct 7.30pm, Audio Described: Wed 10 Oct 2pm, Captioned: Thur 11 Oct 7.30pm
Cameron Mackintosh’s acclaimed new production of Boublil and Schönberg’s legendary musical Miss Saigon lands at the Alhambra Theatre in Bradford this September.

Chris Ramsey Live 2018 (The just happy to get out of the house tour) – Friday 21 September, King’s Hall, Ilkley
Jimmy Osmond and 70’s Jukebox – Tuesday 25 September, King’s Hall, Ilkley

Martin Roscoe (Piano) – Friday 28 September, Bradford Cathedral – Part of Bradford International Classical Concert Season 2018/19: Bradford 31st Chamber Season

October
Ben Goldscheider (Horn), Callum Smart (Violin), Richard Uttley (Piano) – Friday 19 October, Bradford Cathedral – Part of Bradford International Classical Concert Season 2018/19: Bradford 31st Chamber Season

Showaddywaddy – Friday 19 October, King’s Hall, Ilkley
Suggs What A King Cnut – A life in the realm of Madness… Tuesday 23 October, King’s Hall, Ilkley

Madagascar The Musical – Tuesday 23 – Saturday 27 October, Alhambra Theatre
Join Alex (X-Factor 2016 winner Matt Terry), Marty, Melman and Gloria as they bound out of the zoo and onto the stage in this live musical spectacular. [Recommended age 5+]

Some Guys Have All The Luck – Thursday 25 October, King’s Hall, Ilkley
Celebrating the career of one of rock’s greatest icons, Rod Stewart – from street busker through to international superstar!

Benidorm – Monday 29 October – Saturday 3 November, Alhambra Theatre
Signed: Wed 31 Oct 7.30pm, Captioned: Thur 1 Nov 7.30pm, Audio Described: Sat 3 Nov 2.30pm
Starring Jake Canuso (Mateo), Janine Duvitski (Jacqueline), Adam Gillen (Liam), Sherrie Hewson (Joyce Temple-Savage), Shelley Longworth (Sam), Tony Maudsley (Kenneth) and featuring Neptune’s very own Asa Elliott, the official world premiere of Derren Litten’s smash-hit ITV comedy Benidorm is set to bring
sunshine and smiles to Bradford in the stage debut production of the hugely popular TV show. [Suitable for ages 12+]

November
Tour de Ned – Tuesday 6 November, King’s Hall, Ilkley
Phil Nichol Your Wrong – Thursday 8 November, The Studio [Age recommendation 14+]

Matthew Bourne’s Swan Lake – Tuesday 6 – Saturday 10 November, Alhambra Theatre
Audio Described: Sat 10 Nov 2.30pm, Post Show Q&A Tue 6 Nov – free to ticket holders
Retaining the iconic elements of the original production loved by millions around the world, Matthew Bourne and award-winning designers Lez Brotherston (Set and Costumes) and Paule Constable (Lighting) will create an exciting re-imagining of the classic production.

Matthew Bourne’s Swan Lake Open Workshop for Beginners – Saturday 10 November, The Studio
A unique opportunity for those aged 18+ to work with leading New Adventures artists and explore movement from the legendary production of Matthew Bourne’s Swan Lake.

The Real Thing – Feel the Force Tour 2018 – Friday 9 November, King’s Hall, Ilkley

Partition – Tuesday 13 – Thursday 15 November, The Studio
Partition tells the tale of how, 70 years after it was abruptly divided, the history of the Indian subcontinent continues to tear families apart.

Brendan Cole – All Night Long – Tuesday 13 November, Alhambra Theatre
For his 10th Anniversary tour, Brendan is joined by his sensational cast of guest dancers, a captivating leading lady and superbly talented 14-piece band and singers, to whip up an extravagant mix of Latin fever and ballroom magic.

Ruby Wax – How to be Human – Wednesday 14 November, Alhambra Theatre
Ruby has a little help from monk Gelong Thubten, who explains how the mind works, and neuroscientist Ash Ranpura who explains where everything that makes us ‘us’ can be found in the brain.

King of Pop starring Navi – Thursday 15 November, Alhambra Theatre
Led by the world’s number one Michael Jackson tribute artist Navi

Sounds of the 60s with The Zoots – Thursday 15 November, King’s Hall, Ilkley
GaGa – A Tribute to Queen – Friday 16 November, King’s Hall, Ilkley
Paul Foot – Image Conscious – Friday 16 November, The Studio [Age recommendation 14+]
Chicago Blues Brothers – Motown Mission – Friday 16 November, Alhambra Theatre

Pieter Wispelwey (Cello) and Danny Driver (Piano) – Friday 16 November, Bradford Cathedral – Part of Bradford International Classical Concert Season 2018/19: Bradford 31st Chamber Season

Sarah Millican – Control Enthusiast – Saturday 17 November, Alhambra Theatre (Ages 16+ only) SELLING FAST!

Saturday Night Fever – Tuesday 20 – Saturday 24 November, Alhambra Theatre
Signed: Thur 22 Nov 7.30pm, Captioned: Fri 23 Nov 7.30pm, Audio Described: Sat 24 Nov 2.30pm
Whilst paying homage to the 1977 John Travolta classic, this new stage version promises more drama, more music and hot new choreography, which is sure to have you dancing in the aisles!

An Evening with Julian Norton – Wednesday 21 November, King’s Hall, Ilkley
The star of the popular Channel 5 Television series The Yorkshire Vet, recounts tales from his life as a vet, the huge variety of animals he has treated, as well as the human characters he’s met along the way!

Bram Stoker’s Dracula – Tuesday 27 November – Saturday 1 December, Alhambra Theatre
Captioned: Wed 28 Nov 7.30pm, Audio Described: Sat 1 Dec 2.30pm
This brand-new multi-sensory stage adaptation is brought to irresistible life in a contemporary, visceral interpretation of Bram Stoker’s book that includes all the familiar characters. With breath-taking illusions and spine chilling effects, this classic tale of obsession and horror will keep you on the edge of your seat!
December

Del Boy & Rodney The Comedy Dinner Show – Mon 3 & Tue 4 December, Restaurant 1914 at The Alhambra Theatre
René & Edith The Comedy Dinner Show – Wed 5 December, Restaurant 1914 at The Alhambra Theatre
[Entertainment by Laughlines Comedy Entertainment. Includes a three course dinner.]

Aladdin – Saturday 8 December 2018 – Sunday 20 January 2019, Alhambra Theatre
Signed: Thur 20 Dec 2.30pm, Audio Described: Wed 2 Jan 2pm & 7.15pm, Relaxed Performance: Tue 8
Jan 6pm, Captioned: Sun 13 Jan 1pm
Hop aboard a magical carpet and fly to Old Peking in this year’s must-see festive show Aladdin. Starring the undisputed King of Bradford Panto, Billy Pearce, stage, screen and pantomime legend, the one-and-only
Christopher Biggins and Blue star Simon Webbe.

Dear Santa – Sunday 9 & Monday 10 December, King’s Hall, Ilkley
From the author of the well-loved children’s book Dear Zoo, Rod Campbell
You Win Again – Celebrating the Music of the Bee Gees – Thursday 13 December, King’s Hall, Ilkley

Coming soon
Dirty Dancing – Monday 28 January – Saturday 2 February 2019, Alhambra Theatre
Captioned: Thur 31 Jan 7.30pm, Audio Described: Sat 2 Feb 3pm

Club Tropicana The Musical – Monday 4 – Saturday 9 February 2019, Alhambra Theatre
Signed: Thur 7 Feb 7.30pm, Captioned: Fri 8 Feb 7.30pm, Audio Described: Sat 9 Feb 2.30pm

Royal Shakespeare Company – Romeo and Juliet – Tuesday 12 – Saturday 16 February 2019, Alhambra
Theatre. Captioned: Thur 14 Feb 7.30pm, Signed: Fri 15 Feb 7.30pm, Audio Described: Sat 16 Feb 2pm

Matilda The Musical – Tuesday 19 February – Saturday 23 March 2019, Alhambra Theatre
Audio Described: Wed 6 Mar 2pm, Captioned: Thur 7 Mar 7.30pm, Signed: Thur 14 Mar 7.30pm

Amateur
Stage 84 presents Christmas Spectacular – Sunday 25 November, Alhambra Theatre

To book for all of these shows please contact the Box Office on 01274 432000
or visit our website: bradford-theatres.co.uk
Booking fees apply:
Phone/Counter – £1 per ticket plus postage charge where applicable.
Online – £1.50 per ticket plus £1 per transaction for postage.

RICHARD FLEESHMAN & GEORGE BLAGDEN

AMONGST NEW CAST MEMBERS

ANNOUNCED FOR

 Stephen Sondheim and George Furth’s musical

COMPANY

Directed by Marianne Elliott

Gielgud Theatre, Shaftesbury Avenue, London

 

Previews from 26 September 2018

Opening Night 17 October 2018

 

Further casting was announced today (Friday 29 June 2018) for Marianne Elliott’s highly anticipated new production of George Furth and Stephen Sondheim’s COMPANY which previews from 26 September 2018.  Cast already announced are: Rosalie Craig in the central role of Bobbie, Broadway star Patti LuPone as Joanne and Mel Giedroyc as Sarah.

Announced today are the actors playing Bobbie’s three boyfriends: RICHARD FLEESHMANas Andy, GEORGE BLAGDEN as PJ and MATTHEW SEADON-YOUNG as Theo. All three characters have been re-gendered for this new production, which includes their classic songYou Could Drive a Person Crazy. Stephen Sondheim has renamed the roles. Andy was originally April, PJ was originally Marta and Theo was Kathy.   

Also announced today are: GAVIN SPOKES as Harry, who is married to Sarah (Mel Giedroyc), RICHARD HENDERS and JENNIFER SAAYENG playing David and Jenny,ASHLEY CAMPBELL as Peter and BEN LEWIS playing opposite Patti LuPone as Joanne’s husband Larry.

Richard Fleeshman is currently starring in the UK and Ireland tour of Sting’s new musical,The Last Ship.  His many other credits include: the lead role of Sam Wheat in Ghost the Musical on Broadway and in the West End, Legally Blonde the Musical, Guys and Dolls,Damsel in Distress and UrineTown: The Musical.  His television work includes Call the Midwife, the lead role in the six part BBC series,  All the Small Things, and Craig inCoronation Street.

George Blagden, is currently playing the lead role of Louis XIV in Versailles on BBC TV and playing Damis in Tartuffe at the Theatre Royal Haymarket.  His other theatre work includes Jamie Lloyd’s The Pitchfork Disney at Shoreditch Town Hall and Platinum at Hampstead Theatre.  He played Grantaire in the film version of Les Miserables and other TV work includes Black Mirror: Hang the DJ (Netflix) and Athelstan in The Vikings.

Matthew Seadon-Young recently appeared in Sondheim’s Assassins at the Gate Theatre in Dublin.  His other stage work includes: Big Fish, Beautiful in the West End, Sweeney Todd for English National Opera and UrineTown: The Musical.  He also appeared in the feature film, Pride.

Gavin Spokes starred in James Graham’s play Quiz in the West End and at Chichester Festival Theatre.  His other theatre work includes: Against at the Almeida Theatre, Carouselfor English National Opera, he received an Olivier-award nomination for his role as Nicely Nicely in Guys and Dolls in the West End, 1984 at the Almeida and in the West End, Francis Henshall in the National Theatre production of One Man, Two Guvnors and Oliver Hardy inLaurel and Hardy at the Watermill.  His TV credits include: Man Down and Utopia for Channel 4.

Richard Henders’ National Theatre credits include The Beaux Stratagem, The White Guardand Trevor Nunn’s productions of Anything Goes, Love’s Labour’s Lost and The Cherry Orchard, and John Caird’s production of Candide.  His TV work includes Warren in Kingdom,The Inspector Lynley Mysteries and Foyle’s War.

Jennifer Saayeng’s recent theatre credits include: Caroline or Change at the Chichester Festival Theatre, Ragtime at the Charing Cross Theatre, Les Liaisons Dangereuses and City of Angels at the Donmar Theatre, The Etienne Sisters at the Theatre Royal Stratford East andThe Color Purple at the Menier Chocolate Factory. Her TV work includes Vera, Eastendersand Emerald City.

Ashley Campbell recently played Sammy Davis Jr in The Rat Pack Live from Vegas at the Theatre Royal Haymarket. His other theatre credits include Sunny Afternoon in the West End, The Color Purple at the Menier Factory, Five Guys Named Moe at the Theatre Royal, Stratford East and he recently completed a season at the RSC in Much Ado about Nothing, Macbeth,The Rover and Two Noble Kinsmen.   He features in the 2017 film: Mamma Mia: Here we Go Again! with Cher.

Ben Lewis is currently appearing as The Phantom in The Phantom of the Opera at Her Majesty’s Theatre in the West End.  His many other credits include: Annie Get your Gun at the Crucible Theatre, Sheffield, Forbidden Broadway at the Vaudeville Theatre, Side by Side by Sondheim at the Theatre Royal, Sydney, A Little Night Music for Opera Australia, Monty Python’s Spamalot and Priscilla, Queen of the Desert.  Ben played the Phantom the filmed version of Love Never Dies.

At Bobbie’s 35^th birthday party all her friends are wondering why she isn’t married; why she can’t find the right man and why she hasn’t settled down to have a family. The multi-award winning musical comedy about life, love and marriage includes Stephen Sondheim’s iconic songs, The Ladies who Lunch, Being Alive, Side by Side and You Could Drive a Person Crazy.

Marianne Elliott, Artistic Director of Elliott & Harper Productions, a company she founded in 2016 with producer Chris Harper, was awarded an OBE in The Queen’s Birthday Honour’s List 2018 for her services to theatre. Elliott is the first woman in Broadway history to win two Tony Awards for Best Director and her recent Broadway transfer of Tony Kushner’s Angels in America received the 2018 Tony Awards for Best Revival of a Play, Best Actor (Andrew Garfield) and Best Featured Actor (Nathan Lane).  Angels in America at the National Theatre also received the 2018 Olivier Award for Best Revival of a Play.

Marianne’s ground-breaking production of The Curious Incident of the Dog in the Night-Time received 7 Olivier Awards in London, including Best New Play and Best Director and 5 Tony Awards for its run on Broadway, including Best Play and Best Director. It continues to tour internationally. Her production of Saint Joan earned her the Olivier Award for Best Revival of a Play and Pillars of the Community earned her the Evening Standard Award for Best Director.  War Horse, which she co-directed, and has been seen by over 7 million people world-wide, and is on its second UK tour.

 

Joining Marianne Elliott on the creative team for Company are:  musical supervisor and conductor Joel Fram, choreographer Liam Steel, designer Bunny Christie, lighting designer Neil Austin, sound designer Ian Dickinson (for Autograph Sound), illusions designer Chris Fisher, orchestrator David Cullen, dance arranger Sam Davis and casting directors Alastair Coomer CDG and Charlotte Sutton CDG.  Further casting will be announced shortly.

 

The producers for Company at the Gielgud Theatre are: Elliott & Harper Productions,Catherine Schreiber, Grove Entertainment, Jujamcyn Theaters, LD Entertainment, David Mirvish, Aged in Wood Productions/Ricardo Hornos, Bob Boyett/Tom Miller, Bruno Wang Productions/Salman Al-Rashid, Across the Pond Theatricals/ Trio Theatricals andGreek Street Productions/Christopher Ketner.

 

BAT OUT OF HELL PARTNERSHIP WITH INVICTUS GAMES FOUNDATION

 

STARS OF BAT OUT OF HELL – THE MUSICAL PERFORM

IN AID OF INVICTUS

 

FANS OF THE HIT WEST END MUSICAL CAN DONATE DIRECT TO INVICTUS WHEN BUYING THEIR TICKETS

 

BAT OUT OF HELL – THE MUSICAL DONATING PERCENTAGE OF EVERY TOP PRICE TICKET SOLD TO INVICTUS

 

In April 2018, hit West End show, Bat Out Of Hell – The Musical, announced a wide-ranging global partnership to support the Invictus Games Foundation, the governing body of the Invictus Games, a global sporting event for wounded, injured and sick servicemen and women, both serving and veterans.

Last Friday (29 June), the head of the Invictus Games Delegation, Air Vice-Marshall Garry Tunnicliffe, on behalf of the UK Invictus Games Partnership Board, invited the cast to the Dorchester Hotel, London to perform at their fundraising gala.

The next Invictus Games will be held in Sydney, Australia 20-27 October, with 500 international competitors in a multi-sport extravaganza and the UK will sending a strong team.

Stars of Bat Out Of Hell – The Musical, Andrew Polec, Christina Bennington, Rob Fowler, Sharon Sexton, Danielle Steers and Wayne Robinson, performed Bat Out Of Hell, For Crying Out Loud, AllComing Back to Me and Dead Ringer for Love at the event.

The Duke of Sussex sent an uplifting video message to all in the room at the Dorchester, in which he mentioned his “Congratulations to the UK Team. Fantastic to be selected and I hope you are all looking forward to Sydney. I think its going to be an amazing journey and one hell of an experience. Thank you for everyone’s continued support of the team and the Invictus Games as a whole, as it simply wouldn’t be possible without the enthusiasm and passion that everybody shares.”

Andrew Polec, who plays Strat in the musical, said, “It was such an amazing honour to perform in support of Invictus. What a rocking night! Our whole cast is looking forward to further building this incredibly special relationship.”

The Musical is also announcing new ways for fans to donate to Prince Harry’s Invictus Games Foundation, to assist as it delivers its transformational work.

Bat Out Of Hell fans can now donate directly to Invictus when buying their ticket on www.batoutofhellmusical.com and the show is also donating a percentage of all top price tickets sold.

In April, an initial donation of a six-figure number was gifted by Bat Out Of Hell – The Musical to the Invictus Games Foundation and an exclusive charity gala performance will be held in the not too distant future.

Hundreds of tickets are being made available for veterans and their families to experience the hit show. To support those who live outside of London, the show’s producers have also made funds available that will assist with travel costs for those outside of the Capital.

There will be private tours, family theatre workshops and the producers have agreed to run a special employment programme to help assist wounded, injured or sick serving or ex-service personnel interested in a career in the theatre.

Bat Out Of Hell – The Musical producer, Michael Cohl said, “We are so pleased to deepen our partnership with this wonderful charity and make our contribution towards the success of the Invictus Games 2018.”

The winner of the Evening Standard Radio 2 Audience Award for Best Musical 2017, Bat Out Of Hell – The Musical wowed critics and public alike when it played limited seasons at Manchester Opera House, London Coliseum and Toronto’s Ed Mirvish Theatre in 2017, and has been seen by nearly 500,000 people to date.  It began previews at London’s Dominion Theatre on Monday 2 April and is currently booking to 27 October 2018.

Bat Out Of Hell became one of the best-selling albums in history, selling over 50 million copies worldwide.  16 years later, Steinman scored again with Bat Out Of Hell II: Back Into Hell, which contained the massive hit I Would Do Anything For Love (But I Won’t Do That).

Jim Steinman’s Bat Out Of Hell – The Musical is a romantic adventure about rebellious youth and passionate love, set against the backdrop of a post-cataclysmic city adrift from the mainland.  Strat, the forever young leader of The Lost, has fallen for Raven, daughter of Falco, the tyrannical, ruler of Obsidian.

Bat Out Of Hell – The Musical has book, music and lyrics by Jim Steinman, direction by Jay Scheib, choreography by Emma Portner, with musical supervision and additional arrangements by Michael Reed, set design by Jon Bausor, costume design by Jon Bausor and Meentje Nielsen, video design by Finn Ross, lighting design by Patrick Woodroffe, sound design by Gareth Owen, orchestration by Steve Sidwell, casting by David Grindrod CDG, fight direction by Stuart Boother and musical direction by Robert Emery.

The German language premiere will be held at the Stage Metronom Theatre, Oberhasuen, Germany in November 2018.

Jim Steinman’s Bat Out Of Hell – The Musical is produced by David Sonenberg, Michael Cohl, Randy Lennox & Tony Smith.

53two, Manchester – 30th June 2018.

Reviewed by Sally Richmond

4****

On Saturday the 30th of June, MancMade at 53two returned in the form as a one-day celebration of some of Manchester’s finest and multi-talented performers. Earlier in the year, MancMade had been spread over three days but today it was a non-stop showcase of live acts just in one.

53two is a unique and fascinating Arts venue, being part of the mysterious Deansgate abandoned underground tunnels, it is operated as a charity and is Manchester’s largest performing space for artists. The beautiful red-bricked under-dwelling has two rooms under the one roof, which are extremely versatile as they have multi-faceted uses from being a theatre, wedding or gig venue, exhibition room and the list goes on.

Dave Viney, a very funny and also poignant local poet who performed at the festival said “This is Manchester, we do things differently here.” and I certainly agree with him as it was different to other performing arts festivals I’ve been to before, as it just seemed to run effortlessly from one act to the next with, pardon the pun, no drama – even the audience returned back on time from the mini breaks throughout.

Fresh, new and talent are some words that could be used to describe the evening, alongside a sense of new beginnings and the feeling that you may be witnessing something or someone who’ll be “on the telly” or “that new play-write” sometime soon. But at the heart of it all was Manchester; a place that has created some of the greatest pioneers of our time and the best ‘chunes’ too … (another Viney quote) and tonight the talent was evident.

There was something for everyone at MancMade as the five plays were very diverse in their delivery and content from the playful but thought provoking ‘Heart to Heart’ written by Chloe Mclaughlin and directed by Lauren Sturgess ( brilliantly performed by Victoria Oxley, Ethan Holmes, Lucy Avison and Rob Mitchell-Jones), in which we had to imagine a world with no NHS and had choose which deserving citizen got a heart transplant to the laugh out loud ‘The Anniversary’, written by Victoria Connerty, directed by Simon Naylor (performed by two hilarious ladies the charming and witty Karen Henthorn and Meriel Schofield). As mentioned earlier, Dave Viney, performed some amusing and also nostalgic poems which were both down to earth and gave a no frills description of life in Manchester but with an underlying and undeniable love for his city.

Other acts included a moving play about a young man who had the heart wrenching decision of giving up his child after his partners early demise called, ‘The Whistling Kettle’, written and performed by Joey Ellis and directed by Sushil Chadasama, ‘Cross Words’ written by John Cooper, directed by David Whitney with outstanding performances from David Howell, Patricia Jones and George Astbury exploring the complexities of human relationships and Kate Anita performing her fusion of acoustic folk and alternative pop.

They always say they save the best till last and for me and many others in the audience judging by the laughter volume, that came in the form of actress Karen Henthorn, who played Debbie in The Anniversary and never as anyone made the act of eating a chocolate biscuit so intriguingly funny since the girl in the Cadbury flake ads.

After the plays, as always with Manchester came the music with one outstanding performer, James Holt, who surprisingly blew me away with song after that I can’t wait to Spotify! MancMade is a festival that I will definitely go to again and 53two is now on the top of my list to visit when I’m next here and want to grab a bit of that lovable, Mancunian culture, in those cosy caverns in the belly of the city.

Yvonne Arnaud Theatre, Guildford – until 30 June 2018.

Reviewed by Antonia Hebbert

5*****

Fun, fun, fun. Bugsy Malone performed by kids was always going to be cute, but this production by the Yvonne Arnaud Youth Theatre was seriously good. Where to begin? Alan Parker’s musical is a popular classic, but it still depends on the performers, and tonight everyone performed their socks off. Everybody on stage seemed to have a character and an important role, even if they didn’t have a big part. Apparently the cast themselves created each scene, so all credit to them, and to the directors (Ally Manson, Ellie Johnson and Julia Black) for getting such creativity and commitment from the performers.

This was a lovely looking show too. Lighting and set designs were by Declan Randall, whose projections were beautiful and atmospheric, with ingenious touches such as the fold-out telephones. Molly Fraser designed the stylish costumes. The dancing was cheeky and charming, and had some magical moments (choreography by Vicky Jukes). Musical director David Perkins and a lively little band kept everything going along briskly, and the singing was always full of commitment.

Yes, it probably helps to have an audience full of mums, grans, friends and other supporters, but that doesn’t detract from the sheer quality and attention to detail throughout this production. Special mentions for all, but especially Robyn Mirmak’s Fat Sam, Judy Kingaby and Anya Newall’s narrator-singers, and Cole Flaherty’s Fizzy, whose big solo was breathtaking.

As someone said as we came out of the theatre, “I didn’t want it to end – I just wanted them all to keep on singing!”

LAMBERT JACKSON ANNOUNCE DEBUT PRODUCTION

THERE’S NOTHIN’ LIKE A DAME –

100 YEARS OF WOMEN IN MUSICAL THEATRE AT CADOGAN HALL

 

Lambert Jackson present

There’s Nothin’ Like a Dame

100 Years of Women in Musical Theatre

 

Cadogan Hall

Thursday 30 August, 7.30pm

 

Lambert Jackson presents its debut show There’s Nothin’ Like a Dame – 100 Years of Women in Musical Theatre a one-night celebration of women in musical theatre. Louise Dearman, Ria Jones, Alexia Khadime and Rachel Tucker come together to perform songs from some of the most famous female roles over the past century.

 

This super group of amazing leading ladies will perform for one night at the stunning Cadogan Hall in London to celebrate 100 years of female characters in musical theatre. From classics like Rogers and Hammerstein to modern smash hits, from Andrew Lloyd Webber and Stephen Schwartz, this show has something for everyone, and is a unique opportunity to see these four incredible performers in concert together in a beautiful, historic London venue.

Jamie Lambert, CEO of Lambert Jackson, “We feel like this is the year of the woman and so it seems the perfect moment for There’s Nothin’ Like a Dame, which will be a glorious celebration of women in musicals over the past 100 years. This is our debut production and we can’t wait to show fans of musical theatre what more we have planned. Coming from a performance background, we are determined to be a company who are fair, who look after their performers and who put on fantastic, creative and beautiful shows.”

Louise Dearman’s theatre credits include Grease (Victoria Palace Theatre/UK tour), Guys and Dolls (Piccadilly Theatre/UK tour), Debbie Does Dallas (Edinburgh Festival Fringe), Tell Me On A Sunday (international tour), Joseph and the Amazing Technicolor Dreamcoat, Evita, Judy (UK tour), The Waterbabies (Curve), Wicked (Apollo Victoria) and Sideshow (Southwark Playhouse). She has also performed as a soloist in concerts across the UK in venues including Royal Albert Hall and Royal Festival Hall. Dearman has released four solo albums, You and I, Here Comes the Sun, It’s Time and Bond and Beyond.

 

Ria Jones’ theatre credits include (UK tour), Evita (Opera House, Manchester), Chess (Prince Edward Theatre), Cats (New London Theatre), Les Miserables (UK tour/Queen’s Theatre),  Joseph and the Amazing Technicolor Dreamcoat (Apollo Hammersmith/UK tour), Nine (Donmar Warehouse), Personals  (New End Theatre, Hampstead), A Little Night Music  (Leicester Haymarket), Romance Romance, Victor Victoria (Bridewell Theatre), High Society (UK tour/Shaftesbury Theatre), 42nd Street (Curve), Acorn Antiques, Sunset Boulevard,The Witches of Eastwick and Anything Goes (UK tour) for which she was nominated for a UK Theatre Award for best performance in a musical.

 

Alexia Khadime‘s theatre credits include The Lion King (Lyceum Theatre), Wicked (Apollo Victoria), Les Miserables (Queen’s Theatre) and The Book of Mormon (Prince of Wales Theatre – for which she won the WhatsOnStage Award for Best Supporting Actress in a Musical as well as a BroadwayWorld  Award and the West End Wilma Award for Best Supporting Role in a Musical). Her credits for film include, Les Miserables.

Rachel Tucker’s theatre credits include Two (Bridge House Theatre), The Last Ship (Neil Simon Theatre, New York/Bank of America Theatre, Chicago), Communicating Doors (Menier Chocolate Factory), Farragut North (Southwark Playhouse), We Will Rock You (Dominion Theatre) and Wicked (Gershwin Theatre/Apollo Victoria – for which she was awarded the WhatsOnStage Award for Best Takeover in a Role). Tucker has also released three solo albums, The Reason, Kingdoms and On the Road.

 

 

There’s Nothin’ Like a Dame – 100 Years of Women in Musical Theatre 

Cadogan Hall

5 Sloane Terrace, London SW1X 9DQ

 

Box Office: 020 7730 4500 

www.cadoganhall.com

               

Cadogan Hall

Thursday 30 August, 7.30pm

 

Tickets: from £28

UK AND IRISH PREMIERES ANNOUNCED FOR THE TONY AWARD-WINNING NEW MUSICAL

COME FROM AWAY

THE REMARKABLE TRUE STORY OF THE SMALL TOWN THAT WELCOMED THE WORLD

• PHOENIX THEATRE, LONDON FROM 30 JANUARY 2019.

• PRE-WEST END ENGAGEMENT AT THE ABBEY THEATRE IN DUBLIN FROM 6 DECEMBER 2018 TO 19 JANUARY 2019.

• TICKETS ON SALE FROM 12 NOON ON 29 JUNE 2018 VIA WWW.COMEFROMAWAYLONDON.CO.UK

The Tony Award-winning new musical COME FROM AWAY tells the remarkable true story of 7,000 stranded air passengers during the wake of 9/11, and the small town in Newfoundland that welcomed them. It will land in London for its long-awaited UK premiere at the Phoenix Theatre next year with performances from 30 January 2019 and opening night on 18 February 2019.

Prior to the West End, this heart-warming musical will have a limited engagement at the Abbey Theatre in Dublin from 6 December 2018 to 19 January 2019.

This joyous new musical recounts the incredible true story of how the residents of Gander, Newfoundland welcomed the passengers of planes from around the world. Cultures clashed, and nerves ran high, but as uneasiness turned into trust, music soared into the night and gratitude grew into enduring friendships.

On 11 September 2001 the world stopped. On 12 September, their stories moved us all.

Canada’s High Commissioner to the United Kingdom, Mrs Janice Charette, said: “I could not be more delighted that Come From Away is coming to the UK next year. A story that captures the kindness and humanity of the people of Canada – and the people of Newfoundland and Labrador in particular – at a crucial moment  in U.S. and global history. This show reminds us what good neighbours and true friendship is all about. Audiences in London are in for a treat.”

Earning widespread critical and audience acclaim, the multi award-winning musical continues sold-out, record-breaking engagements on Broadway, and in Canada, with a 60-city North American Tour launching in October in Seattle, an Australian production confirmed for summer 2019, and a feature film adaptation in the works.

Come From Away features a book, music and lyrics by Irene Sankoff and David Hein and is directed by Christopher Ashley, with musical staging by Kelly Devine, music supervision and arrangements by Ian Eisendrath, scenic design by Beowulf Boritt, costume design by Toni-Leslie James, lighting design by Howell Binkley, sound design by Gareth Owen, orchestrations by August Eriksmoen, and casting by Pippa Ailion CDG and Natalie Gallacher CDG.

The UK and Ireland cast for Come From Away will be announced in due course.

Book, music and lyric writers, Irene Sankoff and David Hein, said: “The humour, the music, and the infectious generosity of spirit of the people of Newfoundland inspired us to write this musical, however along the journey we discovered that this isn’t just a Canadian story – it’s a universal story of how, when faced with global atrocities, the world comes together to respond with kindness and cooperation. We are particularly thrilled to be sharing this story with audiences in the UK and Ireland.”

A “Best Musical” winner all across North America, Come From Away has won the Tony Award for “Best Direction of a Musical” (Christopher Ashley), 5 Outer Critics Circle Awards (NYC) including “Outstanding New Broadway Musical,” 3 Drama Desk Awards (NYC) including “Outstanding Musical,” 4 Helen Hayes Awards    (Washington DC)  including  “Outstanding   Production   of   a   Musical,”  4   Gypsy   Rose   Lee   Awards   (Seattle) including “Excellence in Production of a Musical,” 6 San Diego Critics Circle Awards including “Outstanding  New Musical,” 3 Toronto Theatre Critics Awards including “Best New Musical,” 3 Dora Awards (Toronto) including  “Outstanding  New  Musical/Opera”  and  “Outstanding  Production,”  and   the  2017   Jon   Kaplan Audience Choice Award (Toronto).

Come From Away was originally co-produced in 2015 by La Jolla Playhouse and Seattle Repertory Theatre, and presented in 2016 by Ford’s Theatre in Washington DC and Mirvish Productions at the Royal Alexandra Theatre in Toronto, Canada, all in partnership with Junkyard Dog Productions. Come From Away (NAMT Festival 2013) was originally developed at the Canadian Music Theatre Project, Michael Rubinoff Producer, Sheridan College in Oakville, Ontario, Canada and was further developed at Goodspeed Musicals’ Festival of New Artists, in East Haddam CT. The Canada Council for the Arts, the Ontario Arts Council, and the 5th Avenue Theatre in Seattle WA also provided development support.

Come From Away is produced in the UK and Ireland by Junkyard Dog Productions and Smith & Brant Theatricals. The European premiere of Come From Away will be presented in partnership with The Abbey Theatre, Dublin.

LISTINGS

COME FROM AWAY

Website | Twitter | Facebook

Phoenix Theatre
Charing Cross Rd, London WC2H 0JP

First performance: 30 January 2019
Opening Night: 18 February 2019

Performance schedule

Monday to Saturday at 7.30pm
Wednesday and Saturday matinee performances at 2.30pm

Box office details

Website www.ComeFromAwayLondon.co.uk
Telephone 0844 871 7615
Prices  from £19.50 (from £10 during preview performances: 30 January to 16 February 2019)

Abbey Theatre
26-27 Abbey Street Lower, North City, Dublin, D01 K0F1, Ireland

First performance: 6 December 2018
Final performance: 19 January 2019
Opening Night: 11 December 2018

Performance schedule

Monday to Saturday at 7.30pm
Saturday matinee performances at 2.30pm

Box office details

website www.abbeytheatre.ie
telephone 00353 1 87 87 222
Prices  from €13

The Montgomery, Sheffield – until 30 June

Reviewed by Lottie Davis-Browne

4****

Every time I see an advertisement for Sheffield based theatre company Easy Street, I start singing the song of the same name from the 1982 musical Annie! Not only that I turn all “jazz hands” and start wishing I could physically kick my legs to one side and start copying the movie’s dance routine! You know you have an addiction to theatre when this happens……

However the latest instalment from Easy Street is the musical about the other rags-to-riches orphan – Lionel Barts’ adaptation of the classic Charles Dicken’s novel “Oliver!”, running from Wednesday 27th June to Saturday 30th June at The Montgomery Theatre.

Now in their ninth year, Easy Street Theatre Company has both a junior (up to Year 6) and a senior group, giving young performers in Sheffield a chance to be part of large productions. As they approach their tenth year, the company celebrates going from strength-to-strength as their team of young performers have increased over the years, putting their senior section at full capacity with a waiting list, and the junior section being close to full.

Oliver tells the story of a young orphaned boy in London, in the Victorian era. Oliver Twist is only hours old when he is orphaned following his mother’s death and taken to the local workhouse where this story starts, as we meet Oliver and his fellow workhouse orphans.

As the opening song “Food, Glorious Food” intro starts, the orphans enter the stage through the back of the aisles; these malnourished, dirty and disheveled young boys, forced to work long hours in Mr. Bumbles’ workhouse and live on a diet of gruel (that’s watered down porridge to you and I!). It’s meal time and the boys sit round long wooden tables with benches; above a wooden sign reads “God Is Love”, a measly portion of gruel is served and young Oliver approaches Mr. Bumble asking for more. Angered by this, cold hearted Mr. Bumble (Harry Foster-Major) decides enough is enough and takes to the streets to sell Oliver as a servant boy. Taken in by funeral director Mr. Sowerby (Jacob Broughton-Glerup) and Mrs. Sowerby (Hannah Prichard) young Oliver (is set to become an assistant, walking alongside the coffin bearers. That is until he gets into a fight and runs away. Soon he is picked up by a pickpocket who goes by the name of The Artful Dodger (Ben Storey) and taken to live with gang leader Fagin (Ethan Carley) and a load of other young pickpocket orphans.

Both the roles of Oliver and The Artful Dodger are shared between two boys (four boys in total), and this evenings two young leads certainly did not disappoint. Firstly, Benjamin Rossiter gave a splendid performance as the title character, his voice at times was angelic and he managed to hit most of those high notes, particularly in the more challenging songs such as “Where Is Love?” Ben Storey was equally charming and vocally mature, proving he could not only sing but dance and act – simultaneously too! Katherine Rice (“Nancy”) and Ethan Carley (“Fagin”) however were the real show stealers this evening.

Rice’s powerful vocals, especially in the solo “As Long As He Needs Me” were in another league; I’m sure it won’t be long until we are seeing Katherine Rice perform in bigger venues in even more challenging roles.

Carley’s Fagin was on dead ringer for Ron Moody’s portrayal in the 1968 movie adaptation. It was almost like they’d got Moody’s character on in hologram form because the similarities were uncanny. Carley was most definitely the highlight of the performance for me, and I am saddened to hear that this is his last role with Easy Street, but this can only lead to bigger and better things for Carley and I wish him every success for the future.

My only bug bear of this production was the major lack of scenery; the stage set was minimalist however this worked well but it was the over use of a cream back sheet for most of it. Surely with the amount of kids involved there’s enough budding artists to paint scenic backdrops to fit the scenes? Or how about having a separate section for kids set up for none performers who can learn everything from costume making to lighting and sound, front of house, advertising and media to stage sets and designs? This aside the level of performers has come on leaps and bounds since my last visit to an Easy Street production.

Tickets are still available, and at affordable prices meaning you won’t have to pick a pocket (or two!) to see this worthwhile performance.

For tickets please call the Montgomery Box Office on 0114 3273456.