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Ovalhouse’s Demolition Party Season 2019:

final season at Kennington before move to Brixton

Ovalhouse, 52-54 Kennington Oval, London SE11 5SW

Thursday 26th September – Thursday 14th December 2019

For the final season in their Kennington home, Ovalhouse’s Demolition Party Season will see collaboration between engineers and companies to allow artists dismantle parts of the building as part of their creative process. After 80 years as a community venue and 55 years as a professional theatre, Ovalhouse will relocate to Brixton, opening a brand new, purpose-built theatre in spring 2021.

A venue that has been packed full of exceptional artists making fearless new plays was never going to have a traditional send-off, and rather than reverentially memorialising what has come before, Ovalhouse are ready to tear it down. Structural engineers alongside building and materials specialists have worked with theatremakers to create a truly unique opportunity to dismantle the physical structures that contain them. Ovalhouse are giving their artists the freedom to take risks on stage, off stage and with the very stage itself.

The Demolition Party Season will see Emma Frankland assemble an international cast of trans artists to focus our attention on a global trans genocide in We Dig. Carolyn Defrin and Abigail Boucher will also invite audiences to consider how to respond to dark times with ‘a lot, a lot of love’ in Kissing Rebellion. Returning to Ovalhouse, Christopher Brett Bailey brings back his apocalyptic beat poetry This Is How We Die while Rachel Mars and Greg Wohead poke at plot holes and political lies in Gaping Hole: Story #3.

Ovalhouse’s FiRST BiTE programme sees Associate Artist Xana bring their incredible skill with live loop to Swallowing Your Idols, a powerful exploration of black childhood. Sometimes I Leave is Vijay Patel’s work-in-progress show that promises an honest look at being neurodivergent and navigating social experiences.

Finally, to see the season off in style, four companies will takeover Ovalhouse with parties that give new meaning to “bring the house down”. Bar Wotever, The Cocoa Butter Club, Brazilian Wax, and The R.A.P. Party will ensure the theatre closes with big hits and a smashing good time.

Owen Calvert-Lyons, Ovalhouse’s Head of Theatre & Artist Development, comments, As Ovalhouse prepares to relocate to Brixton and to mark the end of this extraordinary space, we wanted to do something special. We have brought together inspirational artists to create a unique season of work in which artists are given licence to demolish elements of the building as part of their creative process. It is not the walls of this building that have given Ovalhouse its unique position in London’s cultural landscape, but the artists who have filled it with acts of revolution and the audiences who have witnessed them. It is the natural order that from destruction comes new growth. So put on your dancing shoes and pick up a sledgehammer: Welcome to The Demolition Party.

The full programme is as follows:

Ovalhouse and Emma Frankland & Company present We Dig by Emma Frankland

Fri 4 – Sat 19 October, 7.30pm (press night: Mon 7 October, 7.30pm)

Built from conversations with trans women and trans feminine people around the world, particularly the UK, Indonesia, Canada and Brazil, We Dig centres around the actual excavation of a giant hole – a literal representation of a queer community needing to bury itself for protection.

This exhilarating new theatre project led by Emma Frankland, alongside very special guests, will see them taking complete control as they dig deep into the historic Ovalhouse building to initiate the final season at Kennington. We Dig focuses on trans artists, communicating elements of their global situation, particularly targeting the needs of women and girls. Guests include Travis Alabanza, whose 5 star show Burgerz sold out in London and Edinburgh; One From the Vaults host Morgan M Page; and Indonesian celebrity and performance artist Tamara.

Ovalhouse and Christopher Brett Bailey present This Is How We Die Fri 25 Oct – Sat 2 Nov, 7.30pm

Written and performed by Christopher Brett Bailey, This Is How We Die is a motor-mouthed collage of spoken word and storytelling. Tales of paranoia, young love and ultra-violence; a spiralling odyssey of pitch-black humour and nightmarish prose. With echoes of Lenny Bruce, William Burroughs, beat poetry and B-movies, This Is How We Die is a prime slice of surrealist trash, an Americana death trip and a dizzying exorcism for a world convinced it is dying…

Ovalhouse, Greg Woehead and Rachel Mars present Gaping Hole (Story #3) by Greg Woehead and Rachel Mars Fri 8 – Sat 23 November, 8pm (press night: Mon 11 November, 8pm)

In the Shawshank Redemption, wrongly convicted Andy Dufresne spends years digging a tunnel to freedom from his prison cell. He hides his work under a large picture of Rita Hayworth. On the day of his escape, Andy crawls his way towards the outside world and perfectly replaces the poster on the wall to mask his escape route. We’re so emotionally satisfied when Andy rips off his prison uniform in the rain that we forget to ask how he could possibly have replaced the poster from inside the tunnel. But how could he have possibly have replaced the poster from inside the tunnel? What holes are we prepared to overlook in order to stay comfortable?

Following Mars and Wohead’s cult hit Story #1, Gaping Hole (Story #3) is the third part in a non-linear trilogy about radical narrative.

Ovalhouse, Carolyn Defrin and Abigail Bouher present Kissing Rebellion Fri 15 – Sat 30 November, 7.30pm (press night: Mon 18 November, 7.30pm)

Exploring the impact of global crises and personal heart breaks, Kissing Rebellion is a new dance theatre performance inspired by the social media message that followed the Paris attacks in 2015: “Il va falloir beaucoup, beaucoup, beaucoup d’amour”- “It’s going to take a lot, a lot, a lot of love.”

Hosting dinners over the last three years in London, Paris, Chicago and Los Angeles, co-creators Carolyn Defrin and Abigail Boucher audio-recorded their guests’ humorous, passionate and sorrowful stories that began with a kiss. With connections to family, friends, lovers, identities, places and histories, these original recordings are woven together with live performance to investigate the capacity to heal and care in the wake of what has been shattered.

Ovalhouse’s eclectic new FiRST BiTES are:

Ovalhouse and Lost Kid Collective present Swallowing Your Idols

Thurs 26 – Sat 28 September, 8pm (Upstairs Theatre)

Memories don’t forgive. Children don’t forget. Adults don’t grow up. Swallowing Your Idols is a show about black childhood, about returning, reconnecting, and journeying towards forgiveness so that you can find joy and do more than just survive. Told through synths, hacked toys, looping, and poetry, Swallowing Your Idols brings the child, the teenager and the adult together in an apology owed to your past selves, to be accountable for who you have become and who you want to be. Created and performed by live loop artist, Xana it is a visceral exploration into the experience of Aggressor, Protector, and Victim.

Ovalhouse and Vijal Patel present Sometimes I Leave

Thu 10 – Sat 12 October, 8pm (Upstairs Theatre)

Sometimes I Leave is a new show by Vijay Patel, which takes you on a neurodivergent journey through the process of needing to leave situations. It is fuelled by anxiety, the violence of ‘curing’ (through experimental treatment) and our differently wired brains. Vijay exploits his almost 20-year experience with Asperger’s syndrome since diagnosis. Through performance art, video and theatre, he repeats and reclaims his own lived experiences. This is a show that smashes the stigma against ‘othered’ brains, that imagines existing in a world that, as opposed to discriminating unique ways of thinking, celebrates and cares for them.

Ovalhouse’s unique, one-off Demolition Parties are:

Bar Wotever Takeover

Thurs 5 December, 8pm (Downstair Theatre)

Bar Wotever’s weekly night at Royal Vauxhall Tavern and their eclectic mix of London’s leading queer performance artists come to Ovalhouse for one night only. Renowned for presenting a vibrant stage for both up-and-coming and well-established LGBT and queer performers, spoken word artists and musicians, Bar Wotever’s audience welcomes everyone. They will bring some of their community, chaos and excellence with them so expect the unexpected!

Brazilian Wax takeover: Demolition Party!

Sat 7 December, 8pm (Downstairs Theatre)

It’s the end of an era, and raucous queer Latinx disco Brazilian Wax is giving Ovalhouse a truly smashing send-off by demolishing walls, taboos and piñatas in this special one-off takeover. Expect the finest pole-dancing, tassel-swinging, floor-f*cking Latinx acts in town; to get sweaty on the dance floor; and games, prizes with some sexy surprises. This party is a safe space for queers, sex workers, migrants, POC, and attendees must abide by the code of respect for all bodies and all identities and to engage fully in this communal moonlight ritual. Enter at your own risk. Prepare to be changed forever.

Cocoa Butter Party

Thurs 12 December, 8pm (Downstairs Theatre)

The Cocoa Butter Club are throwing a leaving party to make sure Ovalhouse goes out with a bang! Celebrating over 50 years of performance, conversations, adventures and, most importantly, people, they’re bringing a one-off Queer Cabaret with everything from neo-burlesque and poetry to drag, hoops and voguing; not to forget the nipple tassel making.

So, lotion up baby, because Sadie Sinner The Songbird will have you screaming.

The R.A.P Party

Sat 14 December, 8pm (Downstairs Theatre)

What might eloquent voices from contemporary poetry and spoken word movements have to say about hip-hop’s past, present and future? Come chill and find out at Inua Ellams’ Rhythm And Poetry Party, a nostalgic, no-clutter, no-fuss, night of hip-hop-inspired poems and favourite hip-hop songs.

Array of stars take part in special OneTrackMinds event to launch The Beautiful Word campaign at Wilton’s Music Hall

Last night, September 15 at Wilton’s Music Hall, an eclectic line-up from the entertainment world came together for an evening of music and storytelling to launch The Beautiful Word campaign, raising funds to enhance the acoustics and seating in the auditorium.

Led by BAFTA award-winning actor David Suchet C.B.E who is chair of the fundraising campaign, the world’s oldest working music hall and East London theatre institution played host to a very special version of the legendary event OneTrackMinds, where a panel of esteemed guests share the one song that changed their life.

Last night the wonderful line up included; comedian and TV presenter Mark Dolan who shared his experience of growing up above a pub in North London with his Irish immigrant parents, legendary actor Tim McInnerny on his filming a music video with Kate Bush in 1988 (and he could scarcely believe his luck!), pop starlet Katie Melua’s insight into attending parties and how Joni Mitchell helped her overcome her anxieties, comedian and author Helen Lederer’s hilarious story on hope and perseverance, The Guilty Feminist founder Deborah Frances-White and her moving piece on how The Beatles’ Hey Jude has been significant at all points of her life, and rounding off the evening in style was esteemed star of stage and screen David Suchet C.B.E, whose tale on discovering classical music later in life and how that led to him learning to play the clarinet aged 40 was one of poignance and joy.

The campaign has kicked off spectacularly, raising funds to enhance the acoustics and seating of the auditorium.

To donate please use this link: https://www.wiltons.org.uk/support/donation

STETSONS AT THE READY AS COMEDY MUSICAL ACHY BREAKY BRIDE COMES TO TOWN

HILARIOUS NEW COUNTRY JUKE BOX MUSICAL GETS ITS LIVERPOOL PREMIERE

From the producers that brought audiences Rita, Sue and Bob Too! and The Salon, Regal Entertainments are back with brand-new comedy musical, Achy Breaky Bride this October.

After a well-received run at St Helens Theatre Royal earlier this year, this hilarious jukebox country musical makes its Liverpool premiere.

Written by Emma Culshaw and David Paul and directed by Sylvie Gatrill, it comes to The Epstein Theatre from Wednesday 9 – Saturday 19 October.

This brand-new comedy includes all the biggest classic country hits to sing along to, including: Crazy, Jolene, Rhinestone Cowboy, Rose Garden, Achy Breaky Heart and many more!

The shows stellar cast includesRadio City’s Leanne Campbell; Brookside and Benidorm’s Philip Olivier; Liverpool favourite Lindzi Germain; The X Factor’s David Heath; and Rita, Sue and Bob Too! star Olivia Sloyan.

The Ruby Slippers’ Emma Vaudrey; The Salon’s Jenna Sian O’Hara; and Liverpool Theatre School alum Adam Curtis complete the line-up.

It’s never a dull day in Dolly’s Dream Dresses, Liverpool’s boutique Bridal shop run by A Boy Named Sue (Olivier) and his sister Jolene (Campbell).

Radio City breakfast host Leanne Campbell is always an audience favourite. She is well-known to audiences through her many panto appearances and other stage roles, including Carolin The Salon at St Helens Theatre Royal in 2016 and The Epstein Theatre in 2017.

Joining Leanne is Brookside and Benidrom star Philip Olivier.

Philip spent seven years playing Tinhead in Channel 4 soap opera Brookside and appeared in season six and seven of ITV comedy Benidorm. Stage appearances include The Ale House at St Helens Theatre Royal and The Dome in Liverpool, Dirty Harry in the UK tour of Never Forget and The Salon at St Helens Theatre Royal and The Epstein Theatre  

Also in the line-up is the sensational Lindzi Germain. The Liverpool actress and writer is a favourite across the city and Lindzi has appeared in countless productions including Bon Voyage at The Epstein Theatre; Scouse Pacific and The Royal at The Royal Court Liverpool; and The Ale House at St Helens Theatre Royal and Liverpool Grand Central.

X Factor star David Heath also joins the cast. The Bootle native was a member of boyband Eton Road on the 2006 series of the hit ITV show, finishing in fifth place. David’s stage credits include the title role in Aladdin at St Helens Theatre Royal and The Wizard of Oz at The Epstein Theatre.

Emma Vaudrey is a successful stage and screen actress with credits including Lady Killers and Springhill. She recently appeared in psychological thriller Blood Runs Deep at The Unity Theatreand starred with Divina De Campo in 2016’s The Ruby Slippers.

Olivia Sloyan returns. Her theatre credits include Sue in Rita, Sue and Bob Too, Tia in The Salon, Princess Jasmine in Aladdin, and both Linda and Brenda in Blood Brothers.

Audiences may recognise Jenna Sian O’Hara from 2017’s production of The Salon, and completing the cast is Adam Curtis. Since graduating from Liverpool Theatre School Adam’s credits include the UK tour of Ken Dodd’s The Happiness Show and UK tour of Stardust.

Producer, Chantelle Nolan said: “I am delighted to bring Achy Breaky Bride to audiences of Liverpool. It has an incredibly funny script and is filled with some of the biggest classic country hits which is certain to have everyone up in the aisles singing and dancing.”

Watch all the Crazy antics unfold as Sue and Jolene work non-stop from 9-5 to help these blushing brides-to-be prepare for their big days!

Will they make it down the aisle without a hitch? Will they stand by their man proclaiming I Will Always Love You? Don’t count on it!

Grab your stetsons and put on your cowboy boots as they are made for walking down The Epstein Theatre this October. You’ll have an Achy Breaky Heart if you miss it!

WHAT THE CRITICS SAY

★★★★ North West End

“A hilariously funny, light-hearted entertaining show”

★★★★ Fairy Powered Productions

“Have not laughed so much in a long time…The whole cast were excellent and really connected with the audience”

What’s Good To Do

“A light-hearted play with great country music and a wonderful cast.”

The Reviews Hub

“You can’t go wrong with Achy Breaky Bride…Pure unadulterated fun”

LISTING INFORMATION

ACHY BREAKY BRIDE

Date: Wednesday 9 – Saturday 19 October
Time: Wed & Thu 7:30pm / Fri & Sat 8pm / Sat Matinee 4pm / Sun 6pm (no shows Mon 14 & Tue 15 October)
Tickets: From £15

To book tickets please call 0844 888 4411* or go online at www.epsteinliverpool.co.uk * or in person at The Epstein Theatre Box Office from 12pm – 6pm Monday – Saturday.

*Subject to booking fee. All prices include a £1 per ticket venue restoration levy

For more details check out www.epsteinliverpool.co.uk and join our mailing list. Follow us on Facebook www.facebook.com/EpsteinTheatre and twitter @EpsteinTheatre.

Pleasance completes its autumn season
with Best of Edinburgh programme
Monday 30th September – Wednesday 4th December 2019
Pleasance Theatre, Carpenters Mews, London N7 9EF

Running as part of the already announced exciting autumn season Pleasance now announces their Best of Edinburgh Season with true crime sensations, award nominated shows, original musicals for children and frenzied cabarets. Pleasance’s 2019 Edinburgh programme saw over 560,000 festival goers enjoying 5,534 performances of 277 productions and this Best of Edinburgh season offers London audiences a slice of some of the action

True crime caught audiences’ attentions this Fringe with recipient of Pleasance’s Charlie Hartill Theatre Reserve 2019, Bible John at its fore. Using a real, unsolved series of murders that occurred in Glasgow at the Barrowlands Ballroom in the late 60s to interrogate the current cult of true crime and notions of victimhood, Bible John presents a riotous, furious, joyful exploration of violence and gender, looking at one of Scotland’s darkest mysteries

Total Theatre nominated the accident did not take place (YESYESNONO in association with Pleasance) summons hyper-reality to recreate a fictional accident. Each recreation is more frenetic than the last, moving from ‘truth’ to ‘truth’ but which is the truth? Using an unrehearsed guest performer each day, the show highlights the deeply human need to destroy the mystery of the other, to render ourselves transparent through both mass and social media

Shortlisted for the Popcorn Award 2019, A Womb of One’s Own follows a young woman on her journey of self and sexual discovery, exploring the emotional rollercoaster of an unwanted pregnancy, an abortion and the surrounding taboos. Supported in Edinburgh by The Pleasance’s Charlie Hartill Theatre Reserve 2019, this funny, clever and politically challenging coming-of-age story tackles a big painful subject with warmth, heart and humour

Jodie Irvine’s Gobby is a playlist of awkward encounters, starting over and growing up. A biting and heartfelt odyssey about what it really means to be loud, this new play is a darkly comic telling of survival, an exploration of self-awareness and a lesson in how to throw a really good party

Children’s show Mustard Doesn’t Go With Girls is an original musical tale for all the family from Lecoq-trained company, Bric à Brac. When the children of Bow-on-Tie start mysteriously disappearing, Abigail decides to investigate further. She embarks on a music-filled adventure to uncover the town’s secrets, topple the cabinet of treacherous animals in charge and prove girls are made of more than just sugar and spice

Can Heroin(e) put the “Great” back into “Britain”? Three flatmates battle Marilyn Monroe, cultural identity and snowflake mediocrity to save us all! Recently named by the British Library as a Culturally Important Playwright of the 21st century, Philip Stokes’ hilarious and shocking award-winning Heroin(e) for Breakfast now celebrates its 10-year anniversary, reloaded uncensored, relevant and never more needed. A play that is more relevant today than it was 10 years ago!

Winner of the inaugural COMMON Award, The Land of My Fathers and Mothers and Some Other People is an all-singing, all-dancing re-enactment of what Rhys’s Mam wrote down 40 years ago. This frenzied one-man cabaret mixes stand-up, dance and good old-fashioned singalong to breathe life into his Mam’s stories and bring Treherbert rugby club back to life. Celebrating small town life it shows you why dancing in the same spot your parents met is really amazing

Other shows as part of the transfer season include Madame Ovary, Tom Brace: Brace of Spades, Endless Second, A Brief History Of The Fragile Male Ego, In Loyal Company, Fragility of Man, Murder on the Dancefloor, It’ll Be Alt Right On The Night, Algorithms, Wireless Operator and Honeybee

Anthony Alderson, Director of the Pleasance, comments, We had an incredible summer, a truly inspirational month of great art and great friends. It’s a privilege to be able to bring just a taster of this amazing work to our London venue. Working with those including the recipient of the Charlie Hartill Theatre Reserve, the winner of the inaugural COMMON Award and many other ground-breaking artists to continue their journey is a thrill and we can’t wait to share this great work with London audiences

The rest of the Pleasance autumn season which includes Tony Hawks’ Midlife Cowboy, Figs In Wigs’ Little Wimmin, London Horror Festival and Sink The Pink’s Escape From Planet Trash is as follows:

Midlife Cowboy
Friday 13th September – Sunday 6th October (Press Night: Thursday 19th September)
Debra Stephenson (Coronation Street) and Tony Hawks (Just a Minute) star in this new musical, written and directed by Hawks. A warm, funny and entertaining new musical Midlife Cowboy is tale of heartache, love, and friendship with some great new country, blues

London Horror Festival
Tuesday 8th October – Friday 25th October
The UK’s largest festival of live horror performance returns for its 9th year, expanding over 2 venues and 3 theatre spaces. This year Pleasance Theatre is delighted to join the Old Red Lion Theatre as a host venue, with an eclectic programme of shows by new and established horror companies. This programme of almost 30 shows is guaranteed to rattle your bones and send shivers down your spine

Little Wimmin
Wednesday 6th – Saturday 9th November
The acclaimed UK based performance company Figs in Wigs present the London Premiere of Little Wimmin. If you don’t know the book don’t worry, their show will be the definitive version. Figs in Wigs are Pleasance London Associate Artists in 2019, making work that is an unconventional mix of theatre, live art, comedy and dance. They are Rachel Gammon, Suzanna Hurst, Sarah Moore, Rachel Porter and Alice Roots

Escape from Planet Trash
Wednesday 13th November – Sunday 22nd December
Following from last year’s smash hit How To Catch A Krampus, Sink the Pink’s Escape From Planet Trash sees the collective stage the second of their queer Christmas trilogy – set in 2050, the show follows a motley crew living on a junk planet. It will feature performances by Ginger Johnson, Mahatma Khandi, Maxi More, David Cumming, Mairi Houston and Lavinia Co-op

Knitmas: A Winter Yarn
Saturday 7th December – Sunday 22nd December
Take a sideways look at what really makes Christmas special in SharkLegs’s adventure for children 4+. In a workshop before the show, get crafty and make something that will help our heroes light up the forest and realise that they are not alone in this mischievous and magical world. Join LongSleeves, a Christmas jumper whose arms aren’t the right size and they aren’t the same length!

THE TURBINE THEATRE

ANNOUNCES THE FIRST MUSICAL IN ITS INAUGURAL SEASON

THE UK PREMIERE OF

HIGH FIDELITY

A MUSICAL BASED ON THE BRITISH NOVEL BY NICK HORNBY

WRITTEN BY DAVID LINDSEY-ABAIRE

WITH MUSIC BY TOM KITT & LYRICS BY AMANDA GREEN

DIRECTED & CHOREOGRAPHED BY TOM JACKSON GREAVES

RUNNING FROM 21 OCTOBER – 7 DECEMBER 2019

& FOLLOWING THE CRITICAL HIT TORCH SONG

The UK premiere of the irresistible new musical comedy High Fidelity, based on the acclaimed British novel by Nick Hornby (State Of The Union/About A Boy/Fever Pitch), is the second production in Paul Taylor-Mills’ inaugural season at The Turbine Theatre. Directed and choreographed by Tom Jackson Greaves, the first musical to open at the new Battersea Power Station based theatre, runs from 21 October – 7 December.

While the acclaimed film adaptation of High Fidelity relocated Hornby’s story to Chicago, this new production of the musical will set it back home in London, with an adapted book by Pulitzer Prize winner David Lindsay-Abaire (Rabbit Hole), music by Pulitzer Prize winner Tom Kitt (Next to Normal) and lyrics by Tony Award nominee Amanda Green (Bring It On). Vikki Stone will join the team to work with the authors to relocate the action back to its London/Camden roots.

Rob is the thirty-something owner of a London record shop who’s mastered the art of finding rare vinyl and losing girlfriends. Laura just dumped him, and Rob is totally moving on. Hopefully. Well, there’s a chance it could still work out!

Could Laura actually be “the one?” Might this turn out to be one of the Top 5 Most Romantic Comebacks Ever?!

High Fidelity has designs by David Shields, sound by Dan Samson, lighting by Andrew Exeter, and casting by Will Burton CDG. Helen Siveter will be the Associate Director. Full casting will be announced in due course.

Paul Taylor-Mills, Artistic Director, The Turbine Theatre said, “I’m over the moon with how the opening of The Turbine has been received. Torch Song has been an absolute dream for me and it was always my ambition to follow up the first production with a musical. 

I’ve been obsessed with High Fidelity in its various incarnations for a long time. I’ve always been curious as to why it didn’t get the life I believe it deserved on Broadway and believe this may have been because of timing and geography. I have engaged Vikki Stone to relocate the story back to its London roots, where Nick Hornby’s book was originally set. I’m thrilled to have the blessing of the original writers of the musical and hope to build on the brilliant show they’ve created.”

High Fidelity is the second production to run at the newly opened Turbine Theatre, and follows the theatre’s critically acclaimed debut production of Harvey Fierstein’s groundbreaking play, Torch Song. The production is directed by the Olivier Award winning director/choreographer, Drew McOnie, stars Matthew Needham, Daisy Boulton, Dino Fetscher, Jay Lycurgo, Rish Shah and Bernice Stegers, and runs until 13 October 2019.

Captain Flinn and the Pirate
Dinosaurs: The Magic Cutlass
Christmas in Leicester Square, London WC2H 7LU
Saturday 7th December 2019 – Sunday 5th January 2020

This cracker of a show will have you sparkling with excitement this Christmas as Captain Flinn is back and is, once again, ready for a rollicking adventure! Following two highly successful runs at Edinburgh Festival Fringe and an extensive UK tour, it’s all aboard for a non-stop action-packed theatrical experience with catchy live music, spectacular puppetry and dastardly dinosaurs! This is a Christmas event for all the family to treasure

When Flinn, Pearl and Tom are in the middle of their school play their old nemesis, Mr T the TRex, appears and kidnaps the children, forcing them to hunt for the secretive Magic Cutlass – a sword that grants the holder any wish! The children are whisked away for another fantastic adventure to a world of devious dinosaurs, deep sea dangers and smelly sausages! Will fearless Flinn be able to outwit the pirate dinosaurs? Will pirate Pearl be brave enough to battle the dangerous dinos and will terrified Tom be back in time for tea?

Based on the award-winning book by Giles Andreae and Russell Ayto, this daring sequel has been adapted by Oliver Lansley, the Artistic Director of Les Petits Theatre and Les Enfants Terribles Theatre Company and writer of 2019 smash-hit TV series Flack. He is also co-writer of BBC2’s Whites starring Alan Davies, and actor in the BAFTA-winning show Best Possible Taste where he was nominated for Best Actor at the RTS Awards

Captain Flinn will be brought to life by the magical cast of incredible talent: Mark Middleton (Henry II, RBL; A Christmas Carol, RBL; The 39 Steps, Fiery Angel National Tour), Ellie Pawsey (Beauty and the Beast, West End In Schools; Mother Goose, Tour), Stephan Boyce (Macbeth, Iris Theatre; PC Fletcher in EastEnders, BBC; Romeo and Juliet, Salisbury Playhouse) and Tom Myles (Ricky Riddlegang And The Riddlegang, New Wimbledon Theatre; Playboy Of The Western World, Theatre Clwyd; Buddy, The Gate Theatre)

Lansley comments, I’m very lucky to have the privilege of a diverse range of projects for a diverse range of audiences – from my television work on shows like Flack, immersive stuff like Alice’s Adventures Underground, but the children’s work we do always holds a special place because you know how much impact the power of a story can have on young minds. A fun trip to the theatre as a child is nearly always what people cite as their reasons for getting into our business, so it’s a lot of responsibility! I’m thrilled that Captain Flinn continues to entertain little people
across the country. As at the heart of the show is a story of friendship and fun. And what better message for us to be spreading to our young mind right now that that

Captain Flinn and the Pirate Dinosaurs: The Magic Cutlass is brought to life by Les Petits (David Walliams’ The First Hippo on the Moon and Adventures in Wonderland), the exciting children’s theatre company from the team behind internationally acclaimed theatre company, Les Enfants Terribles (Alice’s Adventures Underground)

An overwhelming sense of fantasy and fun (★★★★ Edinburgh Festivals Magazine)

Audiences can download a free Captain Flinn activity pack online from
www.lespetitstheatre.com

New Vic, Newcastle-under-Lyme – until Saturday 28 September 2019

Reviewed by Joanne Hodge

4****

Handbagged, written by Moira Buffini, and on this outing directed by her sister, Fiona, examines the relationship between Queen Elizabeth II and Margaret Thatcher, the British Prime Minister from 1979 to 1990. It imagines the conversations that might have taken place between Britain’s two most powerful women [at that time] during their behind-closed-door meetings.

For the most, the conversations are shown ‘as they happened’ with the feisty females brought to life by Zoe Aldrich as Mags and Melissa Collier as Liz. A narrative, yet reflective take on these exchanges is given by the older, maybe wiser, versions of themselves, with Jan Goodman as ‘T’, and Louise Bangay as ‘Q’. The ladies are all superb in their roles, cut-glass accents and pomp and circumstance in abundance.

As the tales unravel, guest appearances are made from Prince Phillip, Dennis Thatcher, Michael Hesseltine and Ron and Nancy Reagan, all played by Paul Mundell and Ashley Gerlach. The sheer number of characters being portrayed made for super-speedy costume changes, but the fact that this was comically referred to by the cast made you feel like everyone was in on the joke.

As someone who isn’t a royalist, or particularly interested in politics, the subject matter was quite educational for me, with the right mix of satire and witticism. The cast all displayed excellent comic timing, and the synchronicity between the younger and older versions of our leading ladies was sublime.

Whilst the interjections of the supporting cast – there to remind Mags/T and Liz/Q of events they’d rather have forgotten or glossed over – were, in the beginning, light-hearted and amusing, they soon became slightly annoying and somewhat preachy, and I felt they hindered, rather than helped the flow of the show.

That one minor bugbear aside, I thoroughly enjoyed the play. Added interest came from being in-the-round, giving Q the opportunity to circulate and engage with her subjects, which they seemed to appreciate. Credit must go to designer Olivia du Monceau, whose large golden crown hung over the ensemble like the Sword of Damacles. Though the set was minimal, with props mainly moved by the cast themselves between scenes, it was extremely effective, and aided beautifully by Daniella Beattie’s lighting.

For anyone thinking this play may go against their political leanings, or their feelings around the monarchy, I’d say give it a shot, it certainly surprised me

TICKETS GO ON SALE FOR THE JAMIE LLOYD COMPANY‘S

CYRANO DE BERGERAC STARRING JAMES McAVOY –

ALSO FURTHER INFORMATION ANNOUNCED FOR

THE 15,000 £15 AND 15,000 FREE TICKETS OFFERED ACROSS THE SEASON

The Jamie Lloyd Company presents

Edmond Rostand’s

Cyrano de Bergerac                                                                                                    

Freely adapted by Martin Crimp

Directed by Jamie Lloyd

Design: Soutra Gilmour; Lighting Design: Jon Clark; Sound and Composition: Ben and Max Ringham Fight Direction by Kate Waters; Casting by Stuart Burt CDG

Playhouse Theatre

27 November 2019 – 29 February 2020

Tickets go on sale at 8.30am today to ATG Theatre Card Members and British Airways Executive Club Members for The Jamie Lloyd Company’s production of Edmond Rostand’s Cyrano de Bergerac, freely adapted by Martin Crimp, directed by Jamie Lloyd and starring the Golden Globe and Olivier Award nominated James McAvoy. The Jamie Lloyd Company is the successful partnership between Ambassador Theatre Group, the UK’s leading theatre company, and artistic director Jamie Lloyd.

Public booking opens tomorrow, Tuesday 17 September at 8.30am.

Fierce with a pen and notorious in combat, Cyrano almost has it all – if only he could win the heart of his true love. There’s just one big problem: he has a nose as huge as his heart. Will a society engulfed by narcissism get the better of De Bergerac – or can his mastery of language set Roxane’s world alight?

Cyrano de Bergerac marks the first in a new season directed by Jamie Lloyd at the Playhouse Theatre from November 2019 to August 2020 – with further productions to be announced.

Also announced today are further details of The Jamie Lloyd Company and Ambassador Theatre Group’s offer of 15,000 free tickets and 15,000 £15 tickets for under 30s, key workers and those receiving job seeker’s allowance and other government benefits, supported by British Airways.

£15 tickets

These will be available for specific Monday evening and Thursday matinee performances across the season. The first four of these performances will go on sale on Monday 4 November at 12pm, and take place on 2 December (evening), 12 December (matinee), 16 December (evening) and 6 January (matinee).

Please note that these tickets must be booked via a special link on the ATG Tickets website and can only be picked up from the theatre box office 45 minutes prior to the show, and valid ID must be presented upon collection, or entry will be denied.

Free tickets

A dedicated outreach manager will be distributing these tickets amongst both secondary state schools and community organisations who otherwise would not have access to the theatre. If you work with a group who does not have the means or opportunity to visit the theatre, please register your interest here.

Martin Crimp’s theatre credits include When We Have Sufficiently Tortured Each Other, In the Republic of Happiness, Play House, The City, Fewer Emergencies, Cruel and Tender, The Country, Attempts on Her Life, The Treatment, Play with Repeats, Dealing with Clair, Definitely the Bahamas, Four Attempted Acts and Living Remains. His work in the UK has been produced by Orange Tree Theatre, West Yorkshire Playhouse, Stephen Joseph Theatre, RSC, Young Vic and the Royal Court Theatre where he was writer-in-residence in 1997. In New York his work has been seen at the Public Theater and the Classic Stage Company, as well as on Broadway.

James McAvoy plays Cyrano de Bergerac. His theatre credits include The Ruling Class, Macbeth (Trafalgar Studios), Three Days of Rain (Apollo Theatre), Breathing Corpses (Royal Court Theatre), Privates on Parade (Donmar Warehouse) and Out in the Open (Hampstead Theatre). His television credits include Watership Down, Shameless, Early Door, State of Play and the upcoming His Dark Materials. His film credits include It 2, X-Men: Dark Phoenix, Glass, Sherlock Gnomes, Submergence, Atomic Blonde, Split, X-Men: Apocalypse, Victor Frankenstein, The Disappearance of Eleanor Rigby, X-Men: Days of Future Past, Filth – for which he won BIFA Best Actor Award, London Critics Circle Best British Actor Award, British Academy Scotland Best Actor Award andEmpire Award for Best Actor, X-Men: First Class, The Conspirator, Gnomeo and Juliet, The Last Station, Atonement – for which he won Best Actor at the London Film Critics Circle, Best Actor at Empire Film Awards and Richard Attenborough Film Awards; and was nominated for a BAFTA and Golden Globe, Becoming Jane, Starter for Ten, The Last King of Scotland – for which he won Best Actor BAFTA Scotland Award, The Lion, the Witch and the Wardrobe and Bright Young Things.

Jamie Lloyd directs. His credits for the company include Betrayal (Pinter at the Pinter, Harold Pinter Theatre/Bernard B. Jacobs Theatre), Pinter One, Two, Three, Six and Seven (Pinter at the Pinter, Harold Pinter Theatre), Doctor Faustus (Duke of York’s Theatre), The Maids, The Homecoming, The Ruling Class, Richard III, The Pride, The Hothouse, Macbeth (Trafalgar Studios). Other theatre credits include Evita (Regent’s Park Open Air Theatre), Apologia (Trafalgar Studios), Guards at the Taj (Bush Theatre), The Pitchfork Disney, Killer (Shoreditch Town Hall), Assassins (Menier Chocolate Factory), Urinetown (St James Theatre/Apollo Theatre), The Commitments (Palace Theatre), The Duchess of Malfi (The Old Vic), She Stoops to Conquer (National Theatre), The Faith Machine, The Pride (Royal Court Theatre – Olivier Award for Outstanding Achievement in an Affiliate Theatre), Inadmissible Evidence, The 25th Annual Putnam County Spelling Bee, Polar Bears, Passion (Donmar Warehouse – Evening Standard Award for Best Musical and Laurence Olivier Award nomination for Best Musical Revival), Piaf (Donmar Warehouse/Vaudeville Theatre – Olivier Award nomination for Best Musical Revival), The Little Dog Laughed (Garrick Theatre), Three Days of Rain (Apollo Theatre – Olivier Award nomination for Best Revival), The Lover, The Collection (Comedy Theatre), Elegies: A Song Cycle (Arts Theatre), The School for Scandal (Theatre Royal Bath), Salome (Headlong), Eric’s (Liverpool Everyman) and The Caretaker (Sheffield Theatres). Lloyd was Associate Director of the Donmar Warehouse from 2008 to 2011 and is a former Associate Artist of Headlong.

Listings                                                                                                                                                                                

Cyrano de Bergerac is on sale to ATG Theatre Card Members and British Airways Executive Club Members today 8.30am; public booking opens tomorrow, 17 September 8.30am.

CYRANO DE BERGERAC

Playhouse Theatre

27 November 2019 – 29 February 2020

Tickets: http://thejamielloydcompany.com

Twitter: @JamieLloydCo

Instagram: @jamielloydco

Howard Panter for Trafalgar Theatre Productions

and Eilene Davidson Productions

In association with Mallory Factor for Hill Street Productions,

Rupert Gavin for Incidental Colman and Cheryl Lachowicz

present

TRAFALGAR STUDIOS

PREVIEWS FROM SATURDAY 21 SEPTEMBER

TICKETS ON SALE NOW

DISABLED ACTOR CAST IN DISABLED ROLE FOR

THE FIRST TIME IN PLAY’S WEST END HISTORY

FULL CAST AND CREATIVE TEAM ANNOUNCED

When Peter Nichols wrote the ground-breaking playA Day in the Death of Joe Egg in 1967, it was inspired by his own personal experience of bringing up his disabled daughter. A story about family, the funny and moving play shines a light on her parents’ caring for their daughter, who is affectionately nicknamed Joe Egg.

Now more than five decades later, a revival of this funny and moving masterpiece is to open at Trafalgar Studios next week, with the part of Joe Egg being played by Storme Toolis, an actor who herself suffers from cerebral palsy.  This is the first time in the play’s West End history that a disabled actor has been cast in this pivotal role.

Storme Toolis said: “I definitely feel that as a disabled actor there are interesting familiar relationships in this play, but I don’t draw a lot on my own experiences. Everybody is different, so my job is to portray Joe’s story. I’m interested in understanding how a family in an era that is not 2019 would deal with having a disabled child and whether what they would go through and what we go through now would be kind of similar.

I was really interested in the attitudes that were so prevalent towards disabilities in the 1960’s, but the play touches on so many other things, not just disability. It’s about how you put one foot in front of the other every single day, whatever your Joe Egg might be. Everybody has something that makes their life a little bit more difficult and it’s about what you use to help you get through that point.”

Toolis, best known for playing the daughter of Nicholas Lyndhurst’s retired policeman Danny Griffin in BBC ONE’s comedy crime drama New Tricks and firm favourite in The Inbetweeners Movie, has enjoyed a varied career on both the big and small screen. Her recent theatre work saw her partner with both The Barbican and RSC for Redefining Juliet, which proved so popular with audiences it was also filmed for a BBC documentary.

Further casting has also been announced with Clarence Smith (The Firm, RSC) taking the role of Freddie and Lucy Eaton (Daisy Pulls It Off, A Midsummer Night’s Dream) as Pam, completing the company alongside Toby Stephens (Oslo, Lost In Space), Claire Skinner (Outnumbered) and Patricia Hodge (Miranda, Downton Abbey).

Howard Panter said: “Storme is a brilliant actor and we are delighted she is joining the company alongside Toby, Claire, Patricia, Lucy and Clarence. At a time when there is so much division and despair in this country, Joe Egg shows that if we find a way to care, we all eventually find redemption.”

Other cast members include Athena Stevens (Scrounger, Redefining Juliet), Harry Attwell (Maleficent, Testament of Youth) and Rebecca Hands-Wicks (Monkey Bars, Portia’s Julius Caesar).

Directed by Simon Evans (Killer Joe, Arturo Ui), A Day in the Death of Joe Eggis abittersweet and startlingly funny, celebrated play which will break your heart one minute and fill it with warmth the next. The production is designed by Olivier Award winner Peter McKintosh, with lighting design by Prema Mehta and sound design and composition by Ed Lewis.

It opens on Saturday 21 September for a limited season until Saturday 30 November.

LISTINGS INFORMATION

Performances: Monday – Saturday at 7:30pm, Thursday and Saturday matinees at 2:30pm
Box Office: www.atgtickets.com/trafalgarstudios / 0844 871 7632

Ticket Prices: From £25

Access performance dates to be confirmed

Website: www.JoeEggPlay.com 

Grand Opera House York – until Saturday 21 September 2019

Reviewed by Marcus Richardson

5*****

York has a thriving theatre scene, and York Stage Musicals is one of the big reasons to thank for that. I have now seen a few of their shows and am very rarely disappointed, Shrek did not disappoint whatsoever. Pretty much everyone alive knows and loves the film Shrek, with iconic characters and unforgettable scenes, appealing to both young and old. The musical adaptation of Shrek was well received when it first came to stage, and YSM have certainly done it justice, continuing the legacy.

The cast are made up of actors who have a large background in theatre, and those who dabble in theatre from York area. The principal cast generally had some form of academic training. Nik Briggs, who played the character of Shrek and is also the shows producer, has been involved with YSM for several years, becoming the Artistic Director in 2014. Briggs did a good job with the character, both acting wise and singing, fully encapsulating the role of the loveable ogre. We mustn’t forget his sidekick Donkey, played by Chris Knight, who managed to pull off the Eddie Murphy accent for the whole show, with just the same amount of swagger.

Jacqueline Bell as Fiona, was one of the reasons I loved the show, her vocals were amazing and she created such an hilarious character with just the right amount of sass. Talking about singing, both Emily Ramsden as Dragon, and Alicia Roberts, loved her Gingerbread scenes, also gave stunning performances. Joe Wawrzyniak bought a pantomime feel to the stage with his portrayal of Lord Farquaad. It was so very camp, dastardly and over the top, lovely. Another stand out performer was Sam Rippon, who played Pinocchio. Having been in several YSM shows before, I’ve seen a fair share of him on stage, however I feel like this show really let him shine as the toy who so desperately wanted to be a boy. The whole entire cast did wonderfully though and I’m incredibly impressed with the level of professionalism that they held.

The set is something else, it really felt like we were watching a touring show that isn’t from an ‘Am-Dram’ company, it was so impressive and eye-catching, especially the stained-glass window. The costumes were superb, and so much better than I anticipated, especially Dragon. The only thing that brought the show down was the fact that the band, fab as they were, was just a bit too loud, which meant you couldn’t always hear the singing in some songs, hopefully this is changed in the other performances, but this is a minor niggle.

I’m so glad that York has such a good theatre scene, and this show is one of the reasons why I love it so much. YSM have the reputation of putting on some great shows, but this one is by far the best I’ve seen. This was as good as any professional show, the bar how now been set.

This is obviously is a family show and I would suggest it to anyone, especially those with children, you will not be disappointed. I loved the film and I’m glad that I also loved it on stage, “I’m a Believer”!