ROCK ‘N’ ROLL PANTO ‘FOOL’ KENNY DAVIES TELLS ALL

ROCK ‘N’ ROLL PANTO ‘FOOL’ KENNY DAVIES TELLS ALL

In what will be his ninth year playing ‘The Fool’ in the legendary Rock ‘n’ Roll Pantomime at City Varieties Music Hall, Leeds lad Kenny Davies reveals why he keeps coming back for more.

Kenny knew he wanted to be an actor from a very early age when his grandmother bought him a plastic guitar that he ‘played’ for family and friends. A pupil at Intake High School, he performed in most school plays and swapped his plastic guitar for a real one, also learning to play the keyboard and drums. He went on to study at Rose Bruford College, London, from where he graduated with a BA Hons Degree in Actor Musicianship. With stage and TV credits to his name, Kenny is best known in his home city for appearing in the Rock ‘n’ Roll Pantomime at The Varieties.

Q: This will be your ninth Rock ‘n’ Roll Pantomime – what keeps you coming back for more?

A: Apart from Yorkshire being the best county in the UK (!), one of the main reasons I keep coming back is because Leeds is my home town and I feel that I have a connection with The Varieties; I have been performing in shows at the world-famous venue since my first Youth Theatre appearance back in 2000. It’s a tradition now; when I think of Christmas, I think of the Rock ‘n’ Roll Panto!

Q: Why do you prefer Rock ‘n’ Roll Pantomime over traditional?

A: The reason I love to perform in Rock ‘n’ Roll Pantos over traditional ones is because you get two shows in one – as well as the acting and dancing, you also have the live music aspect. The thrill of being an actor-musician in a show like this is being able to play multiple instruments on stage in front of a live audience – I think this truly improves the experience as the band forms a connection with the audience; it’s organic.

Q: You always play The Fool who never gets the girl – do you not fancy playing Prince Charming to ensure your ‘happily ever after’?!

A: I love playing The Fool as I love slapstick and making people laugh. As for getting the girl, who knows, maybe this year will be my lucky year!

Q: What has been your favourite Rock ‘n’ Roll Pantomime to date? And for what reason?

A: I have loved all the Rock ‘n’ Roll Pantos, I couldn’t possibly pick a favourite.

Q: What has been your favourite part to play? And favourite song to sing?

A: I’ve enjoyed every part I’ve played over the years, but I feel like Buttons has the edge. I’ve played Buttons twice (2012 and 2018), but both times have felt completely different because I’ve worked with a different cast each time. As for my favourite song, I loved singing I’m Gonna Be (500 Miles) in Robin Hood.

Q: Can you share any funny stories?

A: When I played Buttons in 2018, I had to wear a yellow wig as part of my costume. In one scene I get bashed on the head and thrown in the well. All was going fine until in one performance, when, as I was bashed, my wig flew off my head and landed in an audience members lap. It was rather embarrassing for both me and the audience member who politely passed it back to me!

Q: Can you divulge any times when things have gone wrong?

A: Due to the nature of the part I play, there are lots of times when I must fall over, walk into a wall, get bashed on the head etc. During Robin Hood there was one scene where I get hit with a mallet – due to a spacing issue, instead of the mallet missing my head, it connected with my face and bust my lip – the show still went on!

Q: Any quirky pre-show rituals?

A: No rituals but I do love pre-show as we (the cast) get the chance to interact with the audience as they are taking their seats. It gives us an opportunity to fire them up and get them excited. We also get to tell the children to shout and be loud – and it provides a great excuse to pinch the audience’s sweets!

Q: And finally, what would be your dream role in any musical?

A: I would love to play the Phantom in Phantom of the Opera; it’s a role I could really get my teeth into.

Kenny can be seen playing Ruffles/Jack Frost in this year’s Rock ‘n’ Roll PantomimeRed Riding Hood at City Varieties Music Hall from Friday 29 November 2019 to Sunday 12 January 2020.

“One of the secrets of its success lies with its cast of actor-musicians who waste no time in developing a great rapport with the audience in the intimate atmosphere of this historic old theatre. Full of audience participation you can cheer the goodies, hiss the baddie and shout until you are hoarse and that’s what pantomime is all about.”

(YORKSHIRE EVENING POST – Aladdin, 2017).

Book online at cityvarieties.co.uk or call Box Office on 0113 243 08 08.

Christmas Concert of West End Misfits at the Other Palace in Dec 2019

The Other Palace, December 2nd, 8pm

Giving performers the opportunity to present the material that they feel best represents themselves, West End Misfits return at The Other Palace for a night of ground-breaking musical theatre and holiday cheer as we celebrate the diversity and imagination of West End performers who just don’t seem to fit into the casting they want to be.

Imagine Evan Hansen sung by a woman, the leading lady taken on by the characterful bass, or the young cast of Matilda replaced with their future selves!

Presenting several contestants from BBC One’s All Together Now, as well as exciting West End royalty, West End Misfits: The Christmas Edition will include such performers as: Chloe Rice (Bugsy Malone, Mayflower Theatre; Liberty Rides Forth, Waterloo East Theatre; Hairspray, Gaiety), Amie Miller (Midlife Cowboy, Jack & the Beanstalk, Carmen), Ben Lancaster (Mythic, Charing Cross Theatre; Victoria, ITV; The Voyager with Josh Garcia, NBC), Ellie Ordish (Beauty and the Beast, CAST; Voices of Power, Pheasantry; Peter Pan, Lamphouse Theatre).

It will be presented by Lara de Belder (Sing: Ultimate A Cappella, Sky One; Comedy Bigmouths, Channel 5), Nic Chiappetta (Beans from Bella and Beans TV; All Together Now, BBC One; Sing: Ultimate A Cappella, Sky One; Vocalist for Avatar World) and Boris Alexander (The Ivan & Andrey Show and Sutreshen Blok (The Morning Show), Bulgarian National TV; Joseph and the Technicolour Dreamcoat, UK tour with Bill Kenwright Productions), as well as being musically directed by Ben Levy (Sweet Charity, Emil Dale Academy; Stars in Your Eyes, Carriageworks Theatre; BBC Children in Need 2019).

This is a show celebrating the unique, different and unusual with a cast of fantastic talent from the stage and your television screen, presenting seasonal favourites for a night of fun, frolics and festive entertainment.

Darlington Hippodrome 100,000th panto visitor

YOU COULD BE 100,000th PANTO VISITOR – OH YES YOU COULD!

One lucky theatre-goer is set to become the 100,000th visitor the annual pantomime since the re-opening of Darlington Hippodrome – and it could be you!

The annual festive family pantomime is an opportunity to share magical theatre memories with friends and family. It’s a chance to immerse yourself in the zany antics, fun and sheer delight of the annual tradition of pantomime. This year, one lucky visitor will be the 100,000th to attend Darlington Hippodrome’s pantomime since our re-opening in November 2017. The lucky individual will be presented with a whole host of goodies including a signed programme and an opportunity to meet the cast of this year’s pantomime – Jack and the Beanstalk.

This year Darlington audiences will be spell-bound with Strictly Come Dancing head judge Shirley Ballas, Britain’s Got Talent winner George Sampson, comedian Phil Walker and comedy actor Daniel Taylor heading the cast of what promises to be another Hippodrome pantomime spectacular.

Shirley Ballas said “This is only my second pantomime having been encouraged to give it a try last year by fellow Strictly judge Craig Revel Horwood. I’m so excited to be appearing in Darlington and this wonderful theatre – the restoration is absolutely stunning.”

Britain’s Got Talent winner George Sampson said “This will be my eleventh panto and I am so looking forward to teaming up with Shirley to be able to do some dancing. It has been a dream of mine to do a panto in the north east, this year my dream has come true.”

Jack and the Beanstalk runs at Darlington Hippodrome from Friday 6 December 2019 to Sunday 5 January 2020. To be in with a chance to be the 100,000th pantomime visitor at the newly restored theatre visit www.darlingtonhippodrome.co.uk or call 01325 405405.

Stephen Tompkinson in 40th Anniversary Production of Educating Rita

STEPHEN TOMPKINSON & JESSICA JOHNSON STAR IN

THE 40TH ANNIVERSARY PRODUCTION OF WILLY RUSSELL’S

EDUCATING RITA

IN 2020 UK TOUR

David Pugh and Theatre by the Lake are delighted to announce that their highly acclaimed production of Willy Russell’s EDUCATING RITA, which toured the UK earlier this year, will have a 40th anniversary production in 2020, once again touring the UK and starring Stephen Tompkinson as Frank and Jessica Johnson as Rita.  The production is directed by Max Roberts.

The 40th anniversary production of EDUCATING RITA will open at the Oxford Playhouse on 4 February and the tour will continue through to 23 May, where it finishes at Newcastle Theatre Royal.

EDUCATING RITA tells the story of married hairdresser Rita, who enrols on an Open University course to expand her horizons, and her encounters with university tutor Frank. Frank is a frustrated poet, brilliant academic and dedicated drinker, who is less than enthusiastic about teaching Rita. However, Frank soon finds that his passion for literature is reignited by Rita, whose technical ability for the subject is limited by her lack of education, but whose enthusiasm Frank finds refreshing. The two soon realise how much they have to learn from each other.

The play was commissioned by the Royal Shakespeare Company and played at the Warehouse Theatre, London in 1980, starring Julie Walters and Mark Kingston. Julie Walters reprised her role in the BAFTA, Golden Globe and Academy Award-winning film opposite Michael Caine.

Born in Liverpool in 1947, Willy Russell left school at 15 and became a women’s hairdresser and part-time singer/songwriter before returning to education to retrain as a teacher. Russell’s other writing credits include the Olivier Award-winning musical Blood Brothers, and the hugely successful play Shirley Valentine, which won the Olivier Awards for Best New Comedy and Best New Actress, and a  Tony Award for Best Performance by a Leading Actress in a Play. The play was adapted for film and nominated for a host of BAFTA and Academy Awards. Willy Russell continues to be one of the most celebrated writers of his generation with works constantly in production throughout the world as well as in the UK.

Willy Russell said of this tour, “I am delighted that Stephen and Jess are returning next year to play Frank and Rita in the 40th anniversary production of Educating Rita, directed once again by the wonderful Max Roberts – I’m extremely proud to be associated with this marvellous production.”

Stephen Tompkinson’s television credits include ITV’s Torvill & Dean, BBC’s The Split, five series of DCI Banks, four series of Trollied, seven series of Wild at Heart, six series of Drop the Dead Donkey (British Comedy Award Winner for Best TV Comedy Actor) and three series of Ballykissangel, and his films include Phil in Brassed Off. His theatre work includes SpamalotRattle of a Simple Man and Arsenic and Old Lace in the West End, Cloaca and A Christmas Carol (Old Vic), Art and Tartuffe (National Tours). 

Stephen Tompkinson said, “We had such a wonderful time touring and performing this last year around the UK.  Audiences respond so well to Willy Russell’s brilliant two-hander.  The response Jess and I receive and their affection for this play and these characters are overwhelming.  I’m thrilled to be a part of this production and to be sharing the stage with Jess again in even more cities next year.”

Jessica Johnson’s theatre credits include Call Me Mary Poppins, Goth WeekendKings and Queens, Each Piece and Anti-Gravity at the Live Theatre, Newcastle. She previously played Rita in Rebecca Frecknall’s 2017 production of Educating Rita at the Gala Theatre, Durham. Her television credits include Wire In The Blood (ITV), Coronation Street (ITV) and Cuckoo (Channel 4).

Jessica Johnson said, “Working with Willy, Max and Stephen earlier this year and developing the role of Rita in front of incredible audiences, has been the highlight of my career so far.  It has been a total honour and now I get to do it again in the 40th anniversary production.  I couldn’t be happier.”

Max Roberts is Emeritus Artistic Director of Newcastle’s Live Theatre. Under his direction, the Live Theatre has become one of the country’s most successful theatre companies with an outstanding reputation for developing new work. His Olivier Award-nominated production of Lee Hall’s Cooking With Elvis transferred to the West End’s Whitehall Theatre (now Trafalgar Studios) before touring nationally. He also directed The Pitman Painters, which transferred to the National Theatre and won Best Play at the Evening Standard Theatre Awards before opening on Broadway.

EDUCATING RITA will have set and costume designs by Patrick Connellan, lighting design by Drummond Orr and sound design by David Flynn.

EDUCATING RITA is produced by David Pugh and co-produced by Theatre by the Lake.

Website: educatingrita.co.uk

Twitter.com/EducatingRitaUK

Facebook.com/EducatingRitaPlay

TOUR SCHEDULE 2020

4-8 February                                    Oxford Playhouse                                                    01865 305305

                                                         www.oxfordplayhouse.com                                     

10-15 February                                Kings Theatre, Portsmouth                                      023 9282 8282

                                                         www.kingsportsmouth.co.uk 

17-22 February                                Devonshire Park Theatre, Eastbourne01323 412000                                                                                                                                               www.eastbournetheatres.co.uk  

24-29 February                                Theatre Royal, Glasgow                                           0844 871 7647                                                                                                                                             www.atgtickets.com/venues/theatre-royal-glasgow

3-7 March                                         Queen’s Theatre, Barnstaple                                   01271 316 523                                                                                                                                              www.queenstheatre-barnstaple.com9-14 March                                       Guildford Yvonne Arnaud                                        01483 44 00 00      
www.yvonne-arnaud.co.uk                                     on sale 25 November

16-21 March                                     Grand Theatre, Blackpool01253 290 190                                                                                                                                               www.blackpoolgrand.co.uk

24-28 March                                     Rose Theatre Kingston020 8174 0090 

                                                         www.rosetheatrekingston.org                                 

30 March – 4 April                            Lyceum Theatre, Crewe                                           01270 368 242                                                                                                                                              crewelyceum.co.uk                                                 

20-25 April                                        New Theatre, Cardiff        029 2087 8889       www.newtheatrecardiff.co.uk

27 April – 2 May                               Royal & Derngate, Northampton                               01604 624811                                                                                                                                           www.royalandderngate.co.uk                                   on sale 18 November

4-9 May                                            Wycombe Swan, High Wycombe                              01494 512 000

                                                         www.wycombeswan.co.uk                                        on sale 15 November

11-16 May                                        King’s Theatre Edinburgh0131 529 6000

                                                         www.capitaltheatres.com                                         on sale 6 January

18-23 May                                        Newcastle Theatre Royal                                         0844 811 2121

                                                         www.theatreroyal.co.uk                                           

Mamma Mia! The Party Announces New Booking Period

MAMMA MIA! THE PARTY

ANNOUNCES NEW BOOKING PERIOD

TO SUNDAY 31 MAY 2020

TICKETS ON SALE FROM 09:00 FRIDAY 15 NOVEMBER 2019

Photographer: www.lukedyson.com

 MAMMA MIA! THE PARTY, the new immersive theatrical and dining experience, now open at The O2 London, is extending its booking period to Sunday 31 May 2020 due to popular demand. New tickets will go on sale from 9.00am on Friday 15 November 2019.

Photographer: www.lukedyson.com

Created by ABBA’s Björn Ulvaeus, MAMMA MIA! THE PARTY is a unique concept that puts guests in the heart of the action: over the course of four hours, they can enjoy a spectacular show, a four-course Mediterranean feast and an ABBA disco, all in one unforgettable evening.

Photographer: www.lukedyson.com

MAMMA MIA! THE PARTY is set in a taverna on the island of Skopelos, where most exteriors of the first MAMMA MIA! film were shot. Nikos and his wife Kate run this exotic and wonderful restaurant together with their family and friends. Told through dialogue and ABBA songs, a warm, romantic and funny story evolves and unfolds during the evening, taking place around the guests as they sit at their tables enjoying a gourmet Greek meal. The evening ends with the main floor transforming into a 1970s disco, where audience members are welcome to stay to sing and dance to original ABBA recordings.

Photographer: www.lukedyson.com

MAMMA MIA! THE PARTY has music and lyrics by Benny Andersson and Björn Ulvaeus (some songs with Stig Anderson), and a story by Calle Norlén, Roine Söderlundh and Björn Ulvaeus, adapted for the UK by writer, comedian and broadcaster Sandi Toksvig.

Photographer: www.lukedyson.com

The London cast and musicians include (in alphabetical order) Oscar Balmaseda, AJ Bentley, Jonathon Bentley, Molly Cleere, John Donovan, Luke Higgins, Allie Ho Chee, Julia Imbach, Linda John-Pierre, Elin König Andersson, Joanna Monro, Steph Parry, Mark Pusey, Kimberley Powell, Steve Rushton, Jessica Spalis, Dawn Spence, Gregor Stewart, Pauline Stringer, Kathryn Tindall, Matt Wesley, Fed Zanni.

The London version of MAMMA MIA! THE PARTY, which originally opened in Stockholm in January 2016 and is now in its fourth sold-out year, is co-directed and choreographed by Stacey Haynes and Roine Söderlundh, with set designed by Bengt Fröderberg, lighting designed by Patrick Woodroffe, sound designed by Gareth Owen, costumes designed by Annsofi Nyberg, music supervision by Robin Svensson and casting by David Grindrod for David Grindrod Associates.

MAMMA MIA! THE PARTY is produced by Björn Ulvaeus and Ingrid Sutej for MM! The Party Ltd.

LISTINGS INFORMATION

MAMMA MIA! THE PARTYThe O2
Peninsula Square
London SE10 0DX

Box Office: www.mammamiatheparty.co.uk / 0844 844 9545Website: www.mammamiatheparty.co.uk
Facebook, Instagram, Twitter: @mammamiapartyuk
#mammamiatheparty

Currently Booking to 31 May 2020

Recommended Age: 5+

Tickets: From £85 (plus booking fees), to include admission, a four-course set meal and welcome drink (additional drinks extra)

Performances: Wednesday to Sunday doors open at 6:30pm, Saturday & Sunday at 12:00pm (N.B. Tuesday performances on 26 November and 17 & 31 December 2019, doors open at 6.30pm)

Christmas 2019/20 Performance Schedule:

Tuesday 17 December 2019 – 6.30pm

Wednesday 18 December 2019 – 6.30pm

Thursday 19 December 2019 – 6.30pm

Friday 20 December 2019 – 6.30pm

Saturday 21 December 2019 – 12.00noon & 6.30pm

Sunday 22 December 2019 – 12.00noon & 6.30pm 

Wednesday 25 December 2019 – No Performance 

Thursday 26 December 2019 – 12.00noon & 6.30pm 

Friday 27 December 2019 – 6.30pm

Saturday 28 December 2019 – 12.00noon & 6.30pm 

Sunday 29 December 2019 – 12.00noon & 6.30pm 

Tuesday 31 December 2019 – 12.00noon & 6.30pm 

Wednesday 1 January 2020 – 6.30pm

Thursday 2 January 2020 – 6.30pm

Friday 3 January 2020 – 6.30pm

Saturday 4 January 2020 – 12.00pm & 6.30pm 

Sunday 5 January 2020 – 12.00pm & 6.30pm 

THE PHANTOM OF THE OPERA UK and Ireland Tour Announces Further Dates

ANDREW LLOYD WEBBER AND CAMERON MACKINTOSH

ANNOUNCE THREE FURTHER VENUES

FOR THE UK AND IRELAND TOUR OF

THE BRILLIANT ORIGINAL PRODUCTION OF

THE PHANTOM OF THE OPERA

SUNDERLAND EMPIRE – 4 NOVEMBER – 5 DECEMBER 2020

WALES MILLENNIUM CENTRE CARDIFF

9 DECEMBER 2020 – 16 JANUARY 2021

PLYMOUTH THEATRE ROYAL – 20 JANUARY – 20 FEBRUARY 2021

Andrew Lloyd Webber and Cameron Mackintosh are delighted to announce three further venues for the UK and Ireland tour of the brilliant original production of THE PHANTOM OF THE OPERA. These are Sunderland Empire (4 November – 5 December 2020), Wales Millennium Centre, Cardiff (9 December 2020 – 16 January 2021) and Plymouth Theatre Royal (20 January – 20 February 2021).

As previously announced, the tour will open at Curve, Leicester on 22 February 2020 where it will run until 21 March 2020before playing Manchester Palace Theatre (26 March – 30 May 2020), Bord Gais Energy Theatre Dublin (10 June – 18 July 2020), Birmingham Hippodrome (29 July – 12 September 2020) and Edinburgh Festival Theatre (23 September – 31 October 2020).

Full venue details and on sale dates below with further dates and full casting to be announced soon.

Now in its 34th phenomenal year in the West End, THE PHANTOM OF THE OPERA is widely considered one of the most beautiful and spectacular productions in history. Andrew Lloyd Webber’s romantic, haunting and soaring score includes Music of the Night, All I Ask of You, Masquerade and the iconic title song.

THE PHANTOM OF THE OPERA tells the tale of a disfigured musical genius known only as ‘The Phantom’ who haunts the depths of the Paris Opera House. Mesmerised by the talents and beauty of a young soprano – Christine, the Phantom lures her as his protégé and falls fiercely in love with her. Unaware of Christine’s love for Raoul, the Phantom’s obsession sets the scene for a dramatic turn of events where jealousy, madness and passions collide.

THE PHANTOM OF THE OPERA is one of the most successful musicals in entertainment history playing to over 145 million people in 41 countries and 183 cities in 17 languages. It has won more than 70 major theatre awards, including seven Tony Awards and four Olivier Awards.

THE PHANTOM OF THE OPERA is the only show in history to have celebrated 30 years on both sides of the Atlantic. In October 2016 the London production celebrated its 30th Anniversary with a special gala performance at Her Majesty’s Theatre and in October 2011 the London production celebrated its 25th Anniversary with a spectacular staging of “The Phantom of the Opera at the Royal Albert Hall” which was screened live in cinemas all over the world and subsequently released on DVD. The musical became the longest running show in Broadway history on 9 January 2006 when it celebrated its 7,486th performance. On 1 January 2018 it celebrated its 13,000th performance and later that month on 24 January the Broadway production celebrated an amazing 30 years on Broadway.

THE PHANTOM OF THE OPERA has music by Andrew Lloyd Webber, Lyrics by Charles Hart, and Additional Lyrics by Richard Stilgoe. Book is by Richard Stilgoe and Andrew Lloyd Webber,   Based on the novel ‘Le Fantôme de l’Opera’ by Gaston Leroux, with Orchestraions by David Cullen and Andrew Lloyd Webber. It is produced by Cameron Mackintosh and The Really Useful Group Ltd.

THE PHANTOM OF THE OPERA is currently showing in London, New York, Prague and Sao Paulo, as well as on tour in the US and Asia. 

THE PHANTOM OF THE OPERA

UK AND IRLEAND TOUR

SATURDAY 22 FEBRUARY – SATURDAY 21 MARCH 2020

Curve Theatre, Leicester

www.curveonline.co.uk

THURSDAY 26 MARCH – SATURDAY 30 MAY 2020

Palace Theatre, Manchester

www.atgtickets.com/venues/palace-theatre-manchester/

WEDNESDAY 10 JUNE – SATURDAY 18 JULY 2020

Bord Gáis Energy Theatre, Dublin

www.bordgaisenergytheatre.ie

WEDNESDAY 29 JULY – SATURDAY 12 SEPTEMBER 2020

Birmingham Hippodrome

www.birminghamhippodrome.com

WEDNESDAY 23 SEPTEMBER – SATURDAY 31 OCTOBER 2020

Festival Theatre, Edinburgh

www.capitaltheatres.com/your-visit/festival-theatre

WEDNESDAY 4 NOVEMBER – SATURDAY 5 DECEMBER 2020

Sunderland Empire

www.atgtickets.com/venues/sunderland
ON SALE 18 NOVEMBER 2019

WEDNESDAY 9 DECEMBER 2020 – SATURDAY 16 JANUARY 2021

Wales Millennium Centre, Cardiff

www.wmc.org.uk

ON SALE 25 NOVEMBER 2019

WEDNESDAY 20 JANUARY – SATURDAY 20 FEBRUARY 2021

Plymouth Theatre Royal

www.theatreroyal.com

ON SALE SPRING 2020

Poisoned Polluted Review

Old Red Lion Theatre – until 30 November 2019

Reviewed by Claire Roderick

4****

Kathryn O’Reilly’s Poisoned Polluted is a hard-hitting but moving two-hander examining the scars of childhood abuse and trauma. Two sisters, never named, just Her (Anna Doolan) and Sister (Kathryn O’Reilly) relive the same cycle of Her forlorn hope that Sister will be able to live cleanly without drugs, only for Sister to fall back into her habit.

Director Lucy Allan makes the story seem organic and allows the cast to shine on the minimalist set. The walls of the stage are covered in sheets of paper that form the image of a woodland – the forest of their childhood escapes – but the sheets are peeling away, just like their image of the forest as the women see their forest for what it was – a meagre stand of trees on the edge of the park which also became a scene of abuse.

As the sisters describe and re-enact their childhood, chasing each other with gleeful innocence until they reach the disturbing truth of their mother’s death and their father’s abuse, the two actors capture the innocent confusion and horror of young children suffering such horrors effortlessly. Their childhood arguments and teasing are sweet and authentic, and big Sister’s protection of her sister is instinctive. As the girls grow up, this instinct becomes blame as Sister spirals into addiction just like her parents, and O’Reilly writes and delivers the desperate, spiteful lines with passion and compassion. The script is non-judgmental, simply revealing the ongoing trauma of victims. The younger sister’s feelings of responsibility for her sister are holding her back from her dreams, but her guilt and love are overwhelming. Doolan and O’Reilly have wonderful chemistry, and both give passionate and physical performances. The movement pieces between scenes are hypnotic, and the sequence where a comforting hug from Sister turns into a relentless grip that Her cannot escape from is inspired.

Poisoned Polluted isn’t a comfortable play to watch, but is emotional and disturbing, with unexpected laughs and heartfelt performances.

Excluded Review

Intermission Theatre – until 30 November 2019

Reviewed by Claire Roderick

4****

Intermission Youth Theatre’s contributions to Shakespeare’s Globe’s Sonnet walks and Shakespeare within the Abbey have brought a fresh dynamism to those events and sparked the idea for Excluded. With many of the cast having been excluded from school, and the creeping exclusion of the arts in state education, Darren Raymond’s blending of Shakespeare’s works with modern issues that effect the young people in the cast has created a play that is fiercely funny, gritty and accessible.

The students of William High School are preparing for their GCSEs, but these students are the 15 and 16-year-old modern versions of iconic figures from Shakespeare’s plays. Caesar (charismatic Alexander ‘X’ Lobo Moreno) – the new boy whose cult of personality upsets former top dog Brutus (a beautifully judged performance from Elijah Blunt as he finally succumbs to the masculine stereotype demanded by his negligent father), Bottom (Crerar Antony – a joy to watch) – the drama obsessed extrovert who can’t help interrupting the teacher, Romeo (hilarious Kai Jerdioui) – the ladies’ man who woos new girl Juliet with song lyrics and Shakespeare’s text. Hamlet’s (wonderfully intense Oliver Knight) mental health, grieving for his father and obsessing over his mother’s new relationship, changes from a running joke to a gloriously intense breakdown. Each character is instantly relatable to their adult counterparts in Shakespeare’s plays, but with their attitudes and actions completely at home with their modern situation. Ashley Hodges as teacher Miss Portia shows fantastic depths in her performance as she keeps trying to focus the class and prepare them for life, knowing that the system is failing them all. The ease with which Darren Raymond has slipped these characters into 21st century events without any jarring notes is a testament to his skill as a writer, the young cast’s engaging interpretations and the timeless qualities of the iconic figures. I’ve never felt so sorry for poor Isabel (beautifully understated Rakiya Hasan). Switching between Shakespearean text and modern English could feel awkward in less skilful hands, but the flow of the language feels organic and authentic and is often very funny.

With two casts playing on alternate performances, it would be fascinating to see both to witness the different nuances and relationships between the actors, but whichever cast you see, you are guaranteed an energetic, thoughtful and thoroughly modern take on Shakespeare that leaves you full of hope for the future of the arts in the hands of these inspiring actors.

Aladdin and the Feast of Wonders Review

The Vaults – until 15 January 2020

Reviewed by Claire Roderick

4****

It’s panto season again, and if you want to see beautiful princesses, plucky young heroes and hissable villains without a child in sight, then this is the perfect night for you.

Darling & Edge return to The Vaults and this year transform the space into the land of Agrablahblahblah. The Sultan is dead, and Princess Jizzmine must find a suitable suitor by midnight. Aladdin finds a mysterious lamp in Widow Hankey’s launderette and takes it to the palace, pursued by the dastardly Jaclose.

The bar area is transformed into Hankey’s Launderette – named to lampoon Hollywood’s whitewashing of Asian characters – and the audience gather here to try the jewel themed cocktails. The action soon moves to the Feast of Wonders at the place, where a delicious banquet is served, with courses punctuated by further nonsensical scenes, before returning to the launderette for the finale and dancing.

ShayShay’s script has some fantastic comedy moments, and the exuberant cast are a joy, handling the “hilarious” contributions of the merriest audience members with quick-thinking skill and wit. The gameshow aspect of the quest for Jizzmine’s suitor has the potential to bomb, but the audience members are corralled expertly by the cast.

With alcohol and food in abundance, and a relaxed, almost chaotic feel to the production, Aladdin and the Feast of Wonders is a perfect night for a fun filled Christmas outing with friends. Escape the twee traditional festivities and let your hair down in Agrablahblahblah

Winners announced for the West End Wilma Awards 2019

West End Wilma, the mother and son theatre blogging duo, are delighted to announce the winners of the sixth annual West End Wilma Awards in association with Free@Last TV Ltd and Martina Cole.

The ceremony took place this afternoon at Café de Paris in the West End of London. This year’s entertainment was sponsored by Encore Radio.

Waitress swept the board with four awards, including Best West End Show, Best Take Over In A Role (Lucie Jones) and Best Performer In A West End Show (Marisha Wallace).

Here are all of this year’s winners…

Best Touring Production
Sponsored by The Orchard Theatre, Dartford
Kinky Boots

Best Cabaret/Solo Performance
Sponsored by Royal Vauxhall Tavern
Lea Salonga (Nottingham Royal Concert Hall)

Best Ensemble Performer
Sponsored by The MTA
Clive Carter (Come from Away)

Rising Star
Sponsored by Concord Theatricals
Olivia Moore (Waitress)

Best Understudy
Grace Mouat (SIX)

Best Takeover In A Role
Lucie Jones (as Jenna in Waitress)

Best Performer In An Off-West End Show
Luke Bayer (Fiver – Southwark Playhouse)

Best Performer In A West End Show
Marisha Wallace (Waitress)

Best Off-West End Show
Little Shop Of Horrors (Regents Park Open Air Theatre)

Best West End Show:
Waitress (Adelphi Theatre)