THE BARN THEATRE LAUNCHES NEW LOCKDOWN SHAKESPEARE SERIES WITH AARON SIDWELL AND HAL CHAMBERS

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THE BARN THEATRE LAUNCHES NEW LOCKDOWN SHAKESPEARE SERIES WITH AARON SIDWELL AND HAL CHAMBERS

The cast of Bard From The Barn
  • THE BARN THEATRE HAVE ANNOUNCED A SERIES THAT REIMAGINES SHAKESPEARE’S CLASSIC MONOLOGUES TO MODERN DAY LOCKDOWN
  • THE SERIES IS PRODUCED BY AARON SIDWELL, HAL CHAMBERS AND JAMIE CHAPMAN DIXON FOR THE BARN THEATRE
  • THE CAST INCLUDES WEST END STARS AARON SIDWELL, TRICIA ADELE-TURNER, MAX HUTCHINSON AND DAVID HAYDN

The Barn Theatre in Cirencester have announced a new Shakespeare series which sees the Bard’s beloved monologues reimagined to fit into modern day lockdown amid the coronavirus pandemic. The series will release a new monologue every weekday to the Barn Theatre’sFacebookYouTube and Twitter accounts, beginning 20th April 2020.

The series, which is co-produced by actor Aaron Sidwell, director Hal Chambers and the Barn Theatre, forms part of the Barn Theatre’s free Behind The Barn Door streaming service, which airs on their FacebookYouTube and Twitter accounts. The series is production co-ordinated by company stage manager Emma Smith.

Aaron Sidwell says of the upcoming series, “Just as Shakespeare was locked out from his theatres during various plague outbreaks, the Barn’s actors are in a similar predicament. Now, literally barred from our places of work, The Actors of the Barn Theatre present some of Shakespeare’s most memorable speeches and moments via the wonders of modern technology. This is Shakespeare’s work inspired and influenced by our strange new lockdown world”.

The series takes inspiration from the Barn Theatre’s 2019 re-imagining of Shakespeare’s Henry V, which was directed by Hal Chambers and starred Aaron Sidwell in the titular role. The production was described by the Telegraph’s Dominic Cavendish as a “populist Hal for a post-Brexit world” and can now be streamed on the Barn Theatre’s Facebook and YouTube channel for free as part of Behind The Barn Door and to fundraise for the theatre’s SAVE OUR BARN campaign.

The cast for Bard From The Barn have all previously performed at the Barn Theatre in their Built by Barn productions, including cast members from their debut production, The Secret Garden, and the final production before their temporary closure, Patrick Barlow’s Ben Hur.

The series will release a new monologue every weekday at 5pm to the Barn Theatre’s FacebookYouTube and Twitter accounts, beginning Monday 20th April 2020. The series will also comprise of a weekly roundup show, hosted by Aaron Sidwell every Friday at 9pm, that will take a closer look at the week’s new work, featuring the actors and creatives. The roundup show launches at 9pm on 24 April 2020.

The monologues will be reimagined and directed by Phil BartlettHal ChambersJess DanielsKirstie DavisRobert ForknallDavid MercataliJoseph O’MalleyJoe PitcherDominic ShawJake SmithMichael Strassen and Sean Turner.

The full cast of Bard From The Barn are: Tricia Adele-Turner (Dear Evan Hansen, The 39 Steps), Ryan Bennett (The Importance of Being EarnestDaddy Long Legs), Ben Boskovic (Zorro the Musical, The Secret Garden), Jonathan Bourne (Nativity! The Musical, The 39 Steps)Dominic Brewer (Sweeney Todd, Hound of the Baskervilles), Hadley Brown (The Rise and Fall of Little Voice), Jasper Cartwright (War HorseThe Butterfly Lion), Alicia Charles (Faustus That Damned Woman, Henry V), Tom Chudley-Evans (A Christmas Carol), Rebecca Crankshaw (One Minute), Duncan Drury (Just So), Colin Elmer (The 39 Steps), Rosalind Ford (Once, Just So), Imogen Halsey (Just So), Aidan Harkins (The Pirate QueenThe Importance of Being Earnest), Hilary Harwood (The Butterfly Lion), David Haydn (Girl from the North CountryThe Secret Garden), Liam Horrigan (The Play That Goes WrongBen Hur), Sarah-Louise Hughes (The Rise and Fall of Little Voice), Max Hutchinson (The Woman in BlackThe 39 Steps), Rebecca Jayne-Davies (Singin’ in the RainDaddy Long Legs), Grace Liston (A Christmas Carol), Abigail Mathews (The Butterfly Lion), Sophie May Wake (Mr SelfridgeOne Minute), Gillian McCafferty (The Rise and Fall of Little Voice), Stephen Omer (The Rise and Fall of Little Voice), Elin Phillips (Henry V), Matt Ray Brown (Henry V), Aaron Sidwell (EastEndersHenry V), Adam Sopp (Grange HillHenry V), Bronte Tadman (Ben HurA Christmas Carol), Sarah Waddell (Henry V) and Jonathan Woolf (Henry V).

Over 400 third year drama school students have applied for thirty places in the next cast of Bard From The Barn after a call out on Aaron Sidwell’s Twitter account.

Bard From The Barn forms part of the Barn Theatre’s free live-streaming service Behind The Barn Door. The series joins medical show Live From The Clinic with Dr Dawn Harper, British record holder Kenton Cool’s mountaineering show, Cool Conversations with Kenton Cool, a children’s entertainment show with Gifford Circus’ Tweedy the ClownTweedy’s Lost & Found, and high-energy workout series Disco Fitness with CrossFit Cirencester. The servicealso livestreams weekly programmes with Cotswold District Council leader Joe Harris and local MP Sir Geoffrey Clifton-Brown.

Since launching in 2018, the Barn Theatre has gained national recognition by producing 12 Built By Barn shows to upwards of 80,000 audience members and being awarded The Stage Awards’ Best Fringe Theatre of the Year Award 2019. Their contribution to the local community stretches further than just the theatre with large scale outreach programmes, school workshops and collaborative projects around the centenary of the First World War, the ‘record-breaking’ Cirencester Human Poppy, and The Cirencester Advent Festival that have enhanced the well-being of the community and draw thousands of visitors to the town.

The theatre has also worked extensively with disadvantaged communities working with charities including Cirencester Housing for Young People (CHYP) and Age UK Gloucestershire.

The Barn Theatre (registered charity no. 1174253), which is facing a loss of £250,000 and possible permanent closure, have launched their SAVE OUR BARN via their website and social media platforms.

Spitalfields Music announces postponement of Festival due to take place 24 – 28 June 2020

SPITALFIELDS MUSIC ANNOUNCES POSTPONEMENT OF FESTIVAL DUE TO TAKE PLACE 24 – 28 JUNE 2020


Spitalfields Music has today announced the postponement of the 2020 festival which was due to take place over the weekend of 24-28 June at Christ Church Spitalfields, East London. Following Government advice and to protect the safety of audiences, artists and workforce during these unprecedented times, the festival is set to be rescheduled to Autumn 2020 with further dates and details to be announced in due course.

Spitalfields Music Festival has brought artists, audiences and communities together, staging extraordinary performances in the heart of East London for 43 years. The 2020 festival, titled Metamorphosis and Transformation with a programme from Artistic Curators Edmund FinnisKate Molleson, Errollyn Wallen CBE and CEO Sarah Gee, will feature world premieres and new music alongside classic repertoire, celebrating the extensive range of classical music and the power of music to speak across cultures, communities and language.

Spitalfields Music CEO Sarah Gee said: “Based on the available HM Government information on coronavirus, and to keep artists, audiences and staff safe, we have taken the very difficult and sad decision not to proceed as planned with this June’s Music Festival.

“However, we will do our very best to reschedule Festival events across the autumn, to honour our promises to curators, artists, ensembles and composers.  We will contact all ticket holders as soon as possible, and announce new performance dates in the coming weeks.

“Thank you for your understanding, and for now, stay home and stay safe.  We’ll be back with more music after this extended interval.”

King’s Head Theatre Online: Apr 14th – Apr 17th

King’s Head Theatre Online

Apr 14th – Apr 17th

For free, every weekday at 1pm for 30 minutes, the King’s Head Theatre will be streaming a different window into the theatre accessible to everybody: our entire community, from artists to audiences to just Facebook followers, we can stay connected and we can develop together.

This Tuesday a Q&A with our staff members: this week, Something for the Weekend marketing manager Rhiannon Morris on Edinburgh Fringe marketing.

Wednesday will be aimed at small companies where you can ‘Ask Us Anything’ – this week, featuring theatre director Andrew Keates.

Thursday will be a Skills Session with a leading industry professional: this week, theatre artwork design with graphic designer Rebecca Pitt.

Friday is our Book Club, with a leading theatre practitioner taking us through one of their favourite plays: this week, playwright Jon Brittain with Martin McDonagh’s The Pillowman.

You can find these on our Facebook and Instagram.

Shaking up self-isolation with Shakespeare in Quarantine | New weekly podcast

Shaking up self-isolation with new podcast
Shakespeare in Quarantine

Weekly podcast from Proud Haddock in association with Arsalan Sattari Productions

Director Jimmy Walters (The Trackers of Oxyrhynchus, Finborough Theatre; Mrs Orwell, Southwark Playhouse) and actress Alexandra Evans (Silent Witness, BBC; Crown for Christmas, Hallmark) invite you to their virtual book club, Shakespeare in Quarantine, a new weekly podcast exploring the extensive back catalogue of the infamous William Shakespeare.

For book and earworms alike, the stimulating podcast provides a fresh and interesting take on some of the Bard’s greatest plays from Othello to Taming of the Shrew. Featuring exciting guest appearances each week, they aim to unpick the story, unravel the language and make Shakespeare accessible. Offering a light-hearted insight into the texts, the podcast is the perfect antidote for those who would run in fear from Shakespeare – you don’t need to be theatrical or historically inclined, you can just simply enjoy reading.

With the lockdown in full swing, it’s the perfect time to settle down with Shakespeare and become better acquainted. From betrayals, to murder and cross-dressing, it’ll keep you on your toes. For the first episode the team will be joined by actors Paul Tinto (1917, Entertainment One; King Lear, BBC) and Phoebe Sparrow (Downton Abbey, ITV; Inside No.9, BBC) to discuss the great Scottish tragedy, Macbeth. Episode one is available to stream and download now.

Jimmy Walters comments, Shakespeare to many people is the greatest storyteller to ever draw breath. In these unprecedented times where the world is standing still, we want to give people the chance to discover each of his fascinating plays through our online podcast. These stories are at their most powerful when used as a form of escapism. There seems no better time than now

Co-host Alexandra Evans added, We hope that our new podcast encourages people who may have been intimidated or bored by Shakespeare in the past to join us and see the magic in it now. Did you know taming of the shrew is ‘10 things I hate about you’ or that ‘Breaking Bad’ runs parallel to Macbeth? It’s as relevant today as it was then.

Frantic Assembly launch Frantic Digital

FRANTIC ASSEMBLY TAKE AUDIENCES BEHIND THE SCENES OF SOME OF THEIR  BEST LOVED SHOWS WITH NEW DIGITAL RESOURCE

World leaders in devising and collaborative theatre, Frantic Assembly has launched a new virtual resource, Frantic Digital, which will give audiences exclusive insight into the creation of some of the company’s most iconic productions, including Beautiful BurnoutLovesong, Othello and Things I Know to be True.

The influential theatre company has inspired thousands of young theatre makers over the last 25 years and helped transform the language of British theatre with the Frantic Method. In response to the current lockdown, Frantic Assembly will release a series of videos each week based on a different production,  that  will enable people, of any age all over the UK and abroad, to engage with Frantic Assembly’s work, through creative challenges, practical warm-ups and deep dives into how shows were made.

Each week, Scott Graham, co-founder and Artistic Director of Frantic Assembly will reconnect with performers, actors, writers and creative practitioners for Frantic Flashbacks, videos which will share insights into the creative and rehearsal process. Frantic Flashbacks will combine specially recorded conversations with former cast members and the creative team, with never-before seen rehearsal footage and archive production material.

Audiences will be invited to take part in different creative challenges in Frantic Create. Led by Scott Graham and Frantic Associates, these weekly challenges will involve everything from creating your own boxing-inspired choreography to rewriting Shakespeare. 

Frantic Associates Simon Pittman and Sophie Shaw, will lead warm-ups inspired by the rehearsal process of that week’s production in Warm Up With Us.

Last month, due to the Covid-19 pandemic, Frantic Assembly’s touring production I Think We Are Alone, which formed the centrepiece of their 25th anniversary programme along with their Learn and Train activity, were paused. Frantic Digital will enable the company and its audiences to stay connected during the current lockdown and continue to share skills and collaborate.

Scott Graham, co-founder and Artistic Director of Frantic Assembly says:  

“The need for connection is even greater in these strange times but Frantic Digital looks beyond our current situation. We are creating meaningful ways for people to connect with the work and the processes behind it, for us to help unlock creativity in artists, teachers and students, empowering each to find their voice. The ambition is beyond a retrospective and ultimately aims to find new creative outlets for Frantic Assembly.”

Frantic Digital: Weeks 1 -4 

Week 1: Beautiful Burnout

W/c 6 April

Frantic Flashback

Scott Graham will take you through how the boxing choreography for Beautiful Burnout was created and the stages of development and training the actors underwent. The film features unseen rehearsal footage as well as archive production material.

Warm Up With Us

Simon Pittman leads a vigorous warm up inspired by the rehearsal process of Beautiful Burnout.

Frantic Creative

Frantic Associate Simon Pittman leads a practical task, challenging you to create choreography based on the physicality of boxing.

Frantic Flashback interview

Scott Graham chats to performer and Frantic Assembly practitioner Maggie Ann Bain about her experience in Beautiful Burnout.

Week 2: Lovesong

W/c 13 April

Frantic Flashback

Scott Graham talks through the genesis and development of this collaboration with writer Abi Morgan. Lovesong is about a relationship in its final moments, as a couple look back over their life together. Scott focusses on the significance of a particular physical section of the play where their memories and the present come crashing together. The film features unseen rehearsal footage as well as archive production material.

Warm Up With Us

Frantic Associate Sophie Shaw leads a gentle, stretchy warm-up, which was used in the Lovesong rehearsal process.

Frantic Creative

Simon Pittman sets a creative task inspired by a scene from Lovesong.

Frantic Flashback interview

Scott Graham chats to actor Ed Bennett about his role and experience performing in Lovesong.

Week 3: Othello

W/c 20 April

Further details to be released on Monday 20 April

Week 4: Things I Know To Be True

W/c 27 April

Further details to be released on Monday 27 April

Frantic Digital’s programme for May and June will be announced shortly.

For further information visit: https://www.franticassembly.co.uk/frantic-digital

Award-winning Yorkshire theatre company Slung Low to premiere exciting new short film online

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Award winning Yorkshire Theatre company Slung Low to premiere exciting new short film online

The award-winning Leeds theatre company Slung Low are delighted to announce that on Friday 1 May they will be streaming online for free the premiere of their new short film The Good Book.

The Good Book will be the first production for the newly formed Leeds People’s Theatre and is produced by Slung Low with the support of Leeds 2023.  

Set in a future Leeds, The Good Book,  tells the story of a society that is divided between loyalists of the powerful Queen Bear and radical followers of Galahad. Avalon is a young woman desperate not to take sides, but as civil war begins, she must undertake a dangerous mission to rescue a precious relic from destruction.

The short film features a cast of invited actors including Bradford actress Riana Duce (The D-Road, Claybody Theatre), Angus Imrie (FleabagThe Boy Who Would Be KingThe Hollow CrownEmma, and The Archers), Katie Eldred (Hunger, Arcola Theatre), along with over 100 members of the local Leeds community. Filming took place in late January at Slung Low’s base, The Holbeck Social Club and at Holbeck Cemetery, Leeds Central Library and Leeds Town Hall. 

Directed by Sheffield film makerBrett Chapman, The Good Book continues James Phillips’ future dystopia, which begun in The White Whale at Leeds Dock in 2013, continued in 2014 with Camelot, a Slung Low and Sheffield Theatres outdoor co-production and was last seen as a centre piece of Hull, UK City of Culture 2017’s performance programme and on the BBC with the epic Flood.

Leeds People’s Theatre has been created by Slung Low and will be a dedicated division for large-scale professional arts projects with communities in Leeds at the heart of them. This involves the community participating in and with professional artists and creative teams, offering an opportunity to learn, gain more experience or simply be part of a community. The Good Book will be the first of several projects that Slung Low are currently planning for Leeds People’s Theatre.

The Good Book, which is supported by Leeds City Council, Leeds 2023, Arts Council and Leeds People’s Theatre will be available to stream online for free from 12pm on Friday 1st May at www.slunglow.org/TGB

Meet the Team

Meet Baby Fairypowered – Alex

Favourite show? That would be a tie between WWRY, Bat Out of Hell and & Juliet.

Favourite theatre? New Victoria Theatre, Woking because it is in a shopping centre and I can buy slush puppies! It’s also the theatre I did my first review at. It’s also very disabled friendly

Role I want to play? Either Scaramouche, Zahara or Juliet. Unfortunately I can’t sing, act or dance so I will just have to dream.

How I began reviewing? Last minute cover was needed for a show so I got asked to go and do it and I’ve not looked back since

About me? Currently at uni in London doing Early Childhood studies but originally from Yorkshire. I’m also a Scout and Guide leader so spend a lot of time outside camping and hiking. When I’m not doing any of that I’m either curled up with a good book or at the theatre watching a show.

DAME VERA LYNN UNITES WITH WEST END STARS FOR “WE’LL MEET AGAIN”: MORALE-BOOSTING VIDEO TO CHAMPION THE THEATRE INDUSTRY

DAME VERA LYNN UNITES WITH WEST END STARS

 FOR WE’LL MEET AGAIN”: 

MORALE-BOOSTING VIDEO TO CHAMPION THE THEATRE INDUSTRY

Dame Vera Lynn will convey her personal message of love and best wishes to the theatre industry in an exclusive new online video. This unique production of “We’ll Meet Again” features socially-distanced West End stars united in song, assuring the nation that West End and UK theatres shall once more rise and thrive – some sunny day.

EPSON MFP image

Sharon D Clarke, Louise Dearman, Kerry Ellis, Maria Friedman, Cassidy Janson, Hannah Waddingham, Michael Xavier and choreographer Bill Deamer are amongst those appearing in the cinematically designed music video, with further musical theatre stars to be announced. 

Classical Brit Award winning vocal group Blake, which has previously performed “We’ll Meet Again” with Dame Vera, also join the line-up, alongside writer and broadcaster Gyles Brandreth and comedian and actor Joe Pasquale. The stars are joined by a fifteen-strong choir provided by Capital Voices.

The audio montage and music video for “We’ll Meet Again” is produced by Dominic Ferris, with visual sequences directed by Martin Milnes. They both participate in the film as their West End musical theatre duo Ferris & Milnes. The collaborative effort amongst West End artistes has been championed by producer Anthony Cherry, who rallied his Friday Night Is Music Night team to the morale-boosting cause.

Anthony, Dominic and Martin said: “Our special thanks is given to visual editor Tom Large for his cinematic contribution. Mostly, we extend our sincere gratitude to Dame Vera Lynn and her team for their blessing and kind support throughout this very special project.”

“We’ll Meet Again” is now in production with a release date to be announced shortly.

SAMANTHA BARKS AND STEPHANIE McKEON LEAD THE COMPANY OF DISNEY’S FROZEN IN THE WEST END

SAMANTHA BARKS AND STEPHANIE McKEON

LEAD THE COMPANY OF

DISNEY’S FROZEN IN THE WEST END

Today, on National Siblings Day, Disney Theatrical Productions announce that Samantha Barks and Stephanie McKeon will play Elsa and Anna in Frozen when it reopens the newly refurbished Theatre Royal Drury Lane later this year. The production opens on 11 November, with previews from 30 October 2020; and has extended booking until 30 May 2021. With music and lyrics by Kristen Anderson-Lopez and Robert Lopez, and book by Jennifer LeeFrozen is directed by Michael Grandage.

Michael Grandage said, “Frozen tells the story of two extraordinary women and we’re thrilled to have found Samantha and Stephanie who will bring their incredible talent to the roles of Elsa and Anna, allowing us to create a production of Frozen especially for London. Now more than ever, we’re looking forward to the day we can all get together in a rehearsal room to bring their story to the stage.”

Frozen – produced by Disney Theatrical Productions under the direction of Thomas Schumacher – opened on Broadway in March 2018 and quickly established itself as the biggest musical hit of its season, nominated for the Tony Award® for Best Musical. In addition to the opening in London, the musical recently embarked on a North American tour, and new productions will open in Australia, Japan, and Hamburg.

Frozen was released in cinemas in 2013, winning multiple awards, including two Academy Awards® for Best Animated Feature and Best Original Song (“Let It Go”), the Golden Globe for Best Animated Feature Film and the BAFTA for Best Animated Film. It was written and directed by Jennifer Lee and Chris Buck, withmusic and lyrics by Kristen Anderson-Lopez and Robert Lopez. Frozen 2, which debuted in November 2019, had the biggest ever opening for an animated film worldwide and is the highest grossing animated film of all time. 

Samantha Barks plays Elsa. For theatre, her work includes Chess (Umeda Arts Theater Main Hall / Tokyo International Forum Hall), Pretty Woman (Chicago and Broadway), The Last Five Years (St James Theatre), Amelie (Berkley Rep), City of Angels (Donmar Warehouse), Chicago (Hollywood Bowl), Oliver! (UK tour), Les Misérables (Queen’s Theatre), and Cabaret (Birmingham Rep). She was one of the participants on the BBC series I’d Do Anything. For film, her credits include Chocolate Cake, For Love or Money, Bitter Harvest, The Revenger, Interlude in Prague, The Devil’s Harvest, The Christmas Candle and as Eponine in Les Misérables (recipient of Empire Award for Best Female Newcomer; and nomination for Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture). She also reprised her performance as Eponine for Les Misérables in Concert: The 25th Anniversary.

Stephanie McKeon plays Anna. For theatre, her work includes Beautiful – The Carole King Musical (Aldwych Theatre), Jacques Brel is Alive and Well and Living in Paris (Gate Theatre, Dublin), Close to You: Bacharach Reimagined (Criterion Theatre and Menier Chocolate Factory), and The Commitments (Palace Theatre). Her screen work includes, for television, Fair City – as series regular Aisling O’Brien; and as the voice of Asuka in the Netflix English-dubbed version of the critically acclaimed Japanese Anime series/films Neon Genesis: Evangelion.

In the first booking period, Frozen have scheduled the following access performances – Signed Performance (Sunday 7 February 2021 at 1pm), Relaxed Performance (Sunday 28 February 2021 at 12.30pm), Audio Described Performance (Sunday 21 March 2021 at 1pm) and Captioned Performance (Sunday 28 March 2021 at 5.30pm).

Andrew Lloyd Webber’s Theatre Royal Drury Lane, owned and managed by LW Theatres, is closed until autumn 2020 for a landmark £60 million restoration project and will reopen as Frozen begins previews.

The production features choreography by Rob Ashford,set and costume design by Christopher Oram, lighting design by Neil Austin, sound design by Peter Hylenski,video design by Finn Ross, puppet design by Michael Curry, and musical supervision and arrangements by Stephen Oremus.

Twitter @FrozenLondon

Facebook /FrozenLondon

Instagram @FrozenLondon

www.frozenthemusical.co.uk

LISTINGS  FROZEN

Theatre Royal Drury Lane

Catherine Street, Covent Garden, London WC2B 5JF

Tickets from £20

Group rates:

Groups 9 to 19*                              Stalls & Royal Circle £49.50, Grand Circle £39.50

Groups 20+*                                    Stalls & Royal Circle £45, Grand Circle £35

*Valid on Wednesday and Thursday 7pm performances and Thursday 2.30pm matinees from 6 January to 30 May 2021. Excludes school holidays and other blackout dates that may apply.

Education Groups 10+ †                Stalls & Royal Circle £29.50 | Grand Circle £22.50

Plus one free teacher ticket for every ten paid tickets

† Valid on Thursday 2.30pm performances from 7 January to 30 March 2021.

Valid on Wednesday & Thursday 7pm and Thursday 2.30pm performances from 31 March until 30 May 2021. Excludes school holidays and other blackout dates that may apply. Minimum group size is 10. Education rate valid for groups up to Year 11.

PREVIEW PERFORMANCES:

Fri 30 October                                 7.30pm

Sat 31 October                                7.30pm

Sun 1 November                             5.30pm

Mon 2 November                           No performance

Tue 3 November                             7.30pm

Wed 4 November                           7.30pm

Thu 5 November                             7.30pm

Fri 6 November                               7.30pm

Sat 7 November                              2.30pm & 7.30pm

Sun 8 November                             1pm

Mon 9 November                           No performance

Tue 10 November                           7.30pm

PERFORMANCES FROM 12 NOVEMBER:

Wednesday – Saturday                 7pm

Thursday & Saturday                     2.30pm

Sunday                                              1pm & 5.30pm

ACCESS & RELAXED PERFORMANCES:

Signed Performance                      Sunday 7 February 2021 at 1pm

Relaxed Performance                    Sunday 28 February 2021 at 12.30pm

Audio Described Performance    Sunday 21 March 2021 at 1pm

Captioned Performance                Sunday 28 March 2021 at 5.30pm

DISNEY THEATRICAL PRODUCTIONS (DTP) operates under the direction of Thomas Schumacher bringing live entertainment events to a global audience of more than 20 million people a year in more than 50 countries. Current London: The Lion King, which recently celebrated its 20th anniversary at The Lyceum, and Mary Poppins at the Prince Edward Theatre.  Other London credits: Aladdin, the Olivier-nominated play Shakespeare in Love and DTP’s inaugural production Beauty and the Beast, which won the Olivier Award for Best Musical.  Other productions on Broadway and around the world: Frozen, Newsies, Peter and the StarcatcherThe Little Mermaid, Mary Poppins, a co-production with Cameron Mackintosh, TARZAN® and Elton John & Tim Rice’s Aida.  Other successful stage musical ventures have included productions of Disney’s High School MusicalDer Glöckner Von Notre Dame in Berlin, and King David in concert.

Worldwide, its ten Broadway titles have been seen by over 200 million theatregoers, and have been nominated for 20 Olivier Awards, winning the honour five times. With 20 productions currently produced or licensed, a Disney musical is being performed professionally somewhere on the planet virtually every hour of the day.

THEATRE ROYAL DRURY LANE

LW Theatres is in the middle of a £60 million restoration project of Theatre Royal Drury Lane. The ambitious scheme not only encompasses the complete refurbishment of the magnificent 1812 Greek Revival ‘front of house’ designed by Benjamin Wyatt, but also the reconstruction of the stage facilities and dressing rooms, the creation of new bars and a restaurant, plus the refashioning of the auditorium to make it able to play in both the traditional proscenium arch and in the round.

The theatre will re-open as ‘The Lane’ in autumn 2020. Whilst Theatre Royal Drury Lane will still showcase world class theatre, front of house facilities will be open to the public all day so the theatre’s iconic interiors can be enjoyed by everyone and not just those headed to a show. 

Wise Children comes to BBC iPlayer this weekend

Wise Children comes to BBC iPlayer this weekend

Wise Children today announce that Angela Carter’s Wise Children, their critically-acclaimed co-production with The Old VicBelgrade Theatre CoventryOxford Playhouse and York Theatre Royal, adapted and directed by Emma Rice, will be available to stream on BBC iPlayer from this 4pm today for 3 months as part of the BBC’s Culture in Quarantine programme. It will also air on BBC 4 in May 2020 – date to be announced.

Emma Rice said today, “I dreamt about adapting Angela Carter’s Wise Children for years before it became a reality, and, when I finally did make it, it was the first piece I made for my new company. It’s a show I carry deep in my heart; a love letter to theatre, to survival, to family and family of choice. When The Space commissioned us to film it for the BBC I almost burst with pride! I delight in the fact that we now get to share this glorious story with so many others, and hope that the fun, truth, love and generosity poured into it will find its way into sitting rooms across the country! What feels even more perfect is that we’re releasing it now. Today, more than ever, we need the joy, resilience, hope and love of life which runs through the veins of Wise Children. As Nora and Dora Chance, the show’s central characters, tell us: “What a joy it is to dance and sing!’. Never has this been more true. We hope you enjoy!”

Fiona Morris, CEO and Creative Director of The Space, added, “We were delighted to commission the filming of this fantastic production which has received acclaim, and applaud Wise Children for creating an impressive piece of theatre that can now be enjoyed by wider audiences as part of the Culture in Quarantine programming.”

A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope. Expect show girls and Shakespeare, sex and scandal, music, mischief and mistaken identity – and butterflies by the thousand. Emma Rice brings her unique, exuberantly impish vision to Angela Carter’s great last novel, Wise Children.

The production, which premiered at The Old Vic in 2018, was filmed at York Theatre Royal with support from The Space in March 2019 during its UK tour. The cast is Sam Archer (Young Peregrine), Ankur Bahl (Young Melchior), Stu Barker (The Band), Omari Douglas (Showgirl Nora), Mirabelle Gremaud (Young Nora), Alex Heane (TheBand), Paul Hunter (Melchior Hazard), Melissa James (Showgirl Dora), Bettrys Jones (Young Dora), Patrycja Kujawska (Lady Atalanta/Wheelchair), Etta Murfitt (Nora Chance), Katy Owen (Grandma Chance), Ian Ross (Band Leader), Gareth Snook (Dora Chance)and Mike Shepherd (Peregrine Hazard).

Wise Children

Created and led by Emma Rice, Wise Children launched in April 2018 and is an Arts Council England National Portfolio Organisation. Based in Bristol, they make ground-breaking work with exceptional artists, and tour it across the world. Alongside shows, Wise Children run a unique professional development programme, The School for Wise Children, training a new and more diverse generation of theatre practitioners.

Website:              www.wisechildren.co.uk

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