Our War Review

Jack Studio Theatre – until 23 October 2021

3***

Reviewed by Claire Roderick

The horrors of WW1 have been fair game for historians and film makers for many years, but the mythologising of WW2, which began as propaganda to remind the UK that right was on OUR side, and for many decades we were bombarded with films, books and documentaries about our heroes and their heroic deeds is still ongoing in many quarters, with no mention of morally dubious actions and blatant whitewashing of the narrative, making it appear that the war was won by brave white men and their chirpy lower-class troops. While in the 1980s, TV characters like Uncle Albert and his constant stories about the war were figures of fun, now that the people who recall those dark days are becoming fewer and fewer the myth of WW2 and Blitz Spirit is being used more and more by some press and politicians to diminish, abuse and alienate those who do not fit into their ideology. This makes productions like Imole Theatre Company’s Our War vital – reminding us of and celebrating the Black African and Caribbean men and women who fought and contributed to the war effort.

Andrew Ashaye has written a sometimes-lyrical play which begins with a grandmother being asked if any Black people fought in the war and develops at a leisurely pace, circling and repeating, as the old lady’s memories and stories are portrayed. Director Debo Oluwatuminu’s approach gives the play the feel of sitting on the knee of the elderly narrator while she reminisces but means that some sections lose momentum.

The recruitment drive in Nigeria, insisting that the men should fight for the Mother Counrty, is full of colonial hypocrisy and empty promises, with Ed Petrie spouting the banal slogans with the right amount of officious pomposity, but Tommy (Tobi Olutayo) and Christian (Beko Wood) still join up for very different reasons – Tommy is from a rich family and wants to fly planes, and Christian sees it as the only way he can earn enough to provide for his mother. Their experiences in the military seem to contrast at first, but Tommy’s joy for flying that has made him accept or ignore inequalities soon disappears when he is injured and reality hits. Christian’s explanation of the way that the army views and treats the Black troops is much more honest and visceral, with Hamish Somers’ capturing the incredulity of his white colleague who had never questioned or thought about his own inherent racism before. Olayinka (Lola Oteh-Cole) is a nurse who has come to London and faces the prejudice of civilians every day. Even as she and a Black doctor help victims of a bombing in Deptford, people question their skills and motives, and there is a stark reminder that the air raid shelters were segregated, with Olayinka being turned away and told to go to the Coloured Shelter. Beko Wood impresses as the tragic Christian and Lola Oteh-Cole is wonderful as the determined Olayinka, showing her softer side during her courtship with Tommy. Tommy’s shift from cocky pilot to a broken man with no purpose is handled nicely without melodrama by Tobi Olutayo.

Our War is a heartfelt and hard-hitting production with scenes that will make your blood boil, but the presence of the older women characters throughout the play creates a calm, almost soothing storytelling effect that channels that anger to educate and inspire.

Poleroid Theatre celebrate 10th anniversary and support Fleabag Support Fund

Poleroid Theatre celebrate 10th anniversary with
‘10 years in development’ charity event
Southwark Playhouse, 77-85 Newington Causeway, London SE1 6BD
Sunday 21st November 2021, 7.30pm

Celebrating their 10th anniversary, the multi-award winning new writing company Poleroid Theatre are presenting a one-off charity event showcasing the hottest new talent, in aid of the Fleabag Support Fund. The evening will reignite the experimental, eclectic, supportive spirit of Poleroid’s first new writing nights; some of the UK’s most celebrated young theatre makers and Poleroid alumni will join up with a selection of new graduate talent for a joyful night of short work premieres and a look back at Poleroid’s last 10 years.

Featuring new writing from Royal Court Pinter Commission winner Brad Birch (Black Mountain, The Brink), Olivier Award nominee Ella Road (The Phlebotomist), BAFTA nominated Essex stage and screenwriter Kenny Emson (Terrorism, Plastic), rising talent and resident Mercury Theatre playwright Ava Pickett, award winning theatre and screenwriter Camilla Whitehill (Where Do Little Birds Go?, Mr Incredible), BIFA nominated writer & director of BBC’s Ladhood Jonathan Schey (The Entertainer with Toby Jones), Funny Women Award Winner Kathryn Bond, award winning Daniella Isaacs (Hear Me Raw, Mush & Me), sketch duo Omar & Lee, and more to be announced.

The event is curated by Artistic Director and actor Molly Roberts (Old Vic 12/Pressure – West End) and director Bethany Pitts (Spine – Soho Theatre, Fringe First Award Winner).

Poleroid Theatre’s Artistic Director Molly Roberts comments, I am so utterly delighted to be joined by such a generous group of rising & celebrated talent to mark Poleroid reaching 10 years old. For it to be in aid of a charity that supports emerging freelancers feels even more fitting. It is incredibly special to be able to take an evening to reconnect with the amazing community of emerging artists we’ve met over the years and look back at the projects, opportunities & space Poleroid has strived to give them. But more importantly we’ll be looking to the future, and celebrating our post-Lockdown togetherness by making some brand new work, in Poleroid’s true
fun, collaborative, energised spirit! I think we all deserve a party that’s for sure.

Over the last 10 years, Poleroid, led by Molly Roberts, have provided support for exceptional emerging and mid-career artists to develop their skills through innovative new writing events, productions & development opportunities. Their notable productions include Plastic by Kenneth Emson at the Old Red Lion & Mercury Theatre (Top Theatre Pick in The Stage & TimeOut, OffWestEnd Theatre Award Finalist), This Must Be The Place by Brad Birch and Kenneth Emson at Latitude/Vault (Vault Show Of The Year Award), Free Fall by Vinay Patel at Pleasance (nominated for 3 OffWestEnd Theatre Awards), The Allotment by Andrew Thompson at Live
Theatre, and Write It: Mic It – an acclaimed multi-discipline performance event which has given opportunities to over 300 artists and been hosted at the Paines Plough Roundabout, numerous festivals and cities across the UK. In 2020, as a response to Covid-19, they launched Poleroid: Play In, a pilot series of sell out online seminars connecting entry level artists with the UK’s hottest theatre makers

All profits from the event will go to the Fleabag Support Fund, providing support to freelancers working in theatre, comedy and cabaret.

SIMON LIPKIN JOINS DAN SKINNER IN THE WORLD PREMIÈRE OF BRIAN & ROGER – A HIGHLY OFFENSIVE PLAY, OPENING THE MENIER CHOCOLATE FACTORY’S NEW SPACE – THE MIXING ROOM

SIMON LIPKIN JOINS DAN SKINNER IN THE WORLD PREMIÈRE OF

BRIAN & ROGER – A HIGHLY OFFENSIVE PLAY,

OPENING THE MENIER CHOCOLATE FACTORY’S NEW SPACE – THE MIXING ROOM

With the critically acclaimed Tony Award-winning Indecent currently playing on the main stage, the Menier Chocolate Factory today announces that Simon Lipkin joins Dan Skinner in Brian & Roger – A Highly Offensive Play inspired by Skinner and Harry Peacock’s hit podcast Brian & Roger. Artistic Director of the Menier David Babani directs the production which previews from 22 October. The production opens the company’s new smaller studio space, The Mixing Room, runs until 18 December. Lipkin replaces Peacock who has withdrawn from the production on medical advice.

Harry Peacock said today, “I’m enormously grateful to Simon for stepping in at such short notice to enable the run of Brian & Roger to go ahead as planned at the Menier. Stepping back from the show was an incredibly difficult decision, but ultimately the right one for my health and the production, and I can’t wait to enjoy the show from the comfort of the auditorium. There may however be action if he’s better than me…”

David Babani added, “Harry and Dan have created an incredibly funny, rude, genius podcast, and have brought all of that to the stage. It’s with Harry’s blessing that we welcome Simon back to the Menier to join Dan and bring this piece to life on the stage, and we’ll continue to have Harry’s support and brilliance as we move forward to production.”

Simon Lipkin commented, “Can you please go away. I’m trying to learn my lines.”

THE MIXING ROOM

The Menier Chocolate Factory presents

The world première of

BRIAN & ROGER – A Highly Offensive Play

Written by Harry Peacock and Dan Skinner

Director: David Babani; Set and Costume Design: Robert Jones;Video Design: Timothy Bird

Lighting Design: Paul Anderson; Sound Design: Gregory Clarke

22 October – 18 December

Brian and Roger met at a support group for recently divorced men. Roger was attending because he was genuinely grieving the loss of his marriage. Brian was instructed to attend by his solicitor if he wanted to dodge paying alimony. Roger is in need of guidance and support, which Brian willingly supplies. Both are starting again. Both are finding it hard. One of them is nice.

Described as ‘Best British comedy happening right now’ (Daily Telegraph), the original podcast Brian & Roger was written and performed by Harry Peacock and Dan Skinner. It was produced by Marc Haynes and Joel Morris for Great Big Owl.  

Simon Lipkin returns to the Menier, having previously appeared in Assassins. His other theatre work includes Ghost Stories (Lyric Hammersmith and Ambassadors Theatre), All in a Row, As You Like It (Southwark Playhouse), Nativity! The Musical, Spamalot, The Wedding Singer (UK tours), The Wind in the Willows, Honeymoon in Vegas, I Can’t Sing (London Palladium), Whisper House (The Other Palace), Guys and Dolls (Phoenix Theatre), Oliver! (Grange Park Opera), Miss Atomic Bomb (St James Theatre), The Lorax (The Old Vic), I Love You, You’re Perfect, Now Change (Above the Arts), Rock of Ages (Shaftesbury Theatre), Alice in Wonderland (Nuffield Southampton), A Christmas Carol (Arts Theatre), Austentatious (Landor Theatre), and Avenue Q (Noël Coward Theatre). For television, his work includes Doctor Who and The Amazing World of Gumball; and for film, Show Dogs, Nativity 3: Dude, Where’s my Donkey?!, and Nativity Rocks!.

Harry Peacock’s theatre credits include Henry IV (Parts 1&2), His Dark Materials, Cyrano de Bergerac (National Theatre), Macbeth (Chichester Festival Theatre), The Low Road, Chicken Soup with Barley (Royal Court Theatre), The Ladykillers (Gielgud Theatre), The Cherry Orchard (Birmingham Rep Theatre), As You Like It (Sheffield Crucible). His previous television credits include Toast of LondonStar Stories, The Kennedys, Kingdom; and for film, Gulliver’s Travels, Far from the Madding Crowd, Cinderella the Musical and Judas.  

Dan Skinner often appears as comedy character Angelos Epithemiou and is a member of the British five-man sketch troupe Dutch Elm Conservatoire. His theatre credits include Angelos Epithemiou: Live at the O2 (Soho Theatre), Angelos and Barry: A Matter of Life and Death (Edinburgh Fringe Festival 2018), The Warp (Wol Wontok) and Dutch Elm Conservatoire (Soho Theatre/Latchmere Theatre). His previous television credits include The Angelos Epithemiou Show, My Family, Friday Night Dinner, Tracey Ullman’s Show, Katy Brand’s Big Ass Show and Not Going Out; and for film, The Spy Who Dumped Me, Swallows and Amazons, and Horrible Histories. 

Age recommendation 16+

LISTINGS INFORMATION

MENIER CHOCOLATE FACTORY

53 Southwark Street, London, SE1 1RU

INDECENT

Until 27 November

BRIAN & ROGER

22 October – 18 December

HABEAS CORPUS

3 December 2021 – 26 February 2022

Box Office:                         020 7378 1713 (£2.50 transaction fee per booking)

Website:             www.menierchocolatefactory.com (£1.50 transaction fee per booking)

Tickets:                               Prices vary, as below from discounted preview tickets to premier seats. With the emphasis on ‘the sooner you book, the better the price’:

Please note at this time the restaurant is unable to open due to circumstances beyond the company’s control.

www.menierchocolatefactory.com

Twitter: @MenChocFactory

Instagram: @menierchocolatefactory

WHITE CHRISTMAS Announces Sally Ann Triplett

SALLY ANN TRIPLETT TO JOIN

DAN BURTON, MATTHEW JEANS

JESSICA DALEY, EMILY LANGHAM AND DUNCAN SMITH IN

UK TOUR OF

IRVING BERLIN’S

WHITE CHRISTMAS

THE MUSICAL

OPENING AT

THE NEW VICTORIA THEATRE, WOKING

28 OCTOBER 2021

Jamie Wilson, Mark Goucher, Gavin Kalin and Kevin McCollum are thrilled to announce Broadway and West End star Sally Ann Triplett will join the Made at Curve’s production of Irving Berlin’s WHITE CHRISTMAS as ‘Martha Watson’ as it embarks on a UK tourThe show also stars Dan Burton as ‘Phil Davis’, Matthew Jeans as ‘Bob Wallace’, Jessica Daley as ‘Betty Haynes’, Emily Langham as ‘Judy Haynes’ and Duncan Smith as ‘General Waverly’. WHITE CHRISTMAS opens on Thursday 28 October at the New Victoria Theatre, Woking, before visiting The Bristol Hippdrome, Canterbury Marlowe, Manchester Palace Theatre, Plymouth Theatre Royal and Edinburgh Playhouse. The previously announced Sheila Ferguson has withdrawn from the production.

The cast is completed by Phillip Bertioli, Imogen Bowtell, Isabel Canning, Freddie Clements, Meg Darcy, Adam Denman, Beth Devine, Kirsty Fuller, Ashton Harkness, Sam Holden, Matt Holland, Samuel John-Humphreys, Aoife Kenny, Ella Kemp, Joshua Lovell, Martin McCarthy, Benjamin Mundy, Oliver RamsdaleKayleigh Thadani and Kraig Thornber.

Sally Ann Triplett’s West End credits include leading roles in Mamma Mia!, Chicago, Cats, Anything Goes, Guys and Dolls and Chess. She has also appeared on Broadway in Finding Neverland and Sting’s The Last Ship. She is well known for representing the United Kingdom twice at the Eurovision Song Contest in the 1980s.

Dan Burton reprises his role as ‘Phil Davis’, a part he played in this production of White Christmas at both the Dominion Theatre in London’s West End and at Curve, Leicester. He was nominated for an Olivier Award for his performance as Tulsa in Gypsy at the Savoy Theatre and his other West End credits include Jersey Boys, The Pajama Game, Chicago, Legally Blonde, Betty Blue Eyes and Guys and Dolls at the Royal Albert Hall.

Matthew Jeans’ West End credits include Les Misérables and Miss Saigon, he has also appeared in the international tours of Hairspray and We Will Rock You and in Funny Girl, Joseph and the Amazing Technicolour Dreamcoat, Singin’ in the Rain and Mrs Henderson Presents.

Jessica Daley’s theatre credits include the UK and Ireland tours of An Officer and a Gentleman and The Sound of Music, the international tours of Evita, Les Misérables and Grease The Musical and Mamma Mia! in the West End.

Emily Langham has most recently been seen in Carousel at Regent’s Park Open Air Theatre. Her other theatre credits include The Boy Friend, Oklahoma!, West Side Story, Follies, Mrs Henderson Presents and Les Misérables.

Duncan Smith’s theatre credits include The Phantom of the Opera, Marguerite, Anything Goes, Evita and Calamity Jane in the West End, and the UK Tours of Fame, The Sound of Music, Chitty Chitty Bang Bang and Kiss Me, Kate.

A timeless romantic comedy to warm hearts of all ages, WHITE CHRISTMAS features the classic songs “Blue Skies”, “Sisters”, “I Love A Piano”, “Count Your Blessings (Instead of Sheep)” and the most famous festive song of all… “White Christmas”.

WHITE CHRISTMAS has Music and Lyrics by Irving Berlin and a Book by David Ives and Paul Blake. It is based on the original production by Curve Artistic Director Nikolai Foster (Annie, Breakfast at Tiffany’s). It is directed by Ian Talbot OBE (High Society, Anything Goes) and choreographed by two-time Olivier Award-winning choreographer Stephen Mear CBE (Mary Poppins, Gypsy). Set Design is by Michael Taylor and Costume Design is by Diego Pitarch. Musical Supervision is by Stephen Brooker, Lighting Design by Mark Henderson and Sound Design by Tom Marshall. Orchestrations are by Larry Blank with New Musical arrangements by Jason Carr.

Presented by special arrangement with Concord Theatricals Ltd. on behalf of R&H Theatricals.

WHITE CHRISTMAS is produced by Jamie Wilson, Mark Goucher, Gavin Kalin and Kevin McCollum with Hunter Arnold, Jason Haigh-Ellery, Laurence Myers, InTheatre, Curve and Carlos Candal.

FULL CAST & CREATIVE TEAM ANNOUNCED FOR THE PREMIERE OF THE MUSICAL PLAY THE BROTHERS GRIMM PRESENT: CINDERELLA

FULL CAST & CREATIVE TEAM ANNOUNCED FOR THE PREMIERE OF THE MUSICAL PLAY

THE BROTHERS GRIMM PRESENT: CINDERELLA

WRITTEN BY ALAN POLLOCK

COMPOSED & ARRANGED BY TAREK MERCHANT

DIRECTED BY FRANCESCA GOODRIDGE

RUNNING AT THE BARN THEATRE FROM

16 NOVEMBER 2021 – 2 JANUARY 2022

The Barn Theatre in Cirencester have today announced the full cast and creative team for the premiere of the musical play The Brothers Grimm Present: Cinderella, which will run at the Cotswold venue from 16 November 2021 – 2 January 2022.

The production, which is based on the folk tale of Cinderella from the Brothers Grimm’s Grimms’ Fairy Tales, was originally planned to debut in Winter 2020 as part of the theatre’s 2020 Built by Barn Season but was postponed due to the pandemic. The Brothers Grimm Present: Cinderella also marks the third production by Alan Pollock to debut as the Barn Theatre’s Winter offering, following 2019’s A Christmas Carol starring Patrick Ryecart and 2020’s Peter Pan starring Waylon Jacobs.

Wilhelm and Jakob are the ultimate odd couple. They are the Brothers Grimm. It’s late and the brothers are arguing. A young girl appears, Cinderella and we are launched into a tale of kindness, cruelty, music and magic, slippers, pumpkins, and wolves. Blending song, illusion, and puppetry this production will be Cinderella as you’ve always known it but never seen before.

The Brothers Grimm Present: Cinderella, written by Alan Pollock and composed & arranged by Tarek Merchant, will be directed by Francesca Goodridge with design by Cory Shipp, musical direction by Dylan Townley, movement direction by Jodie Cole and Christina Fulcher, casting direction by Polly Jerrold, lighting design by Sam Rowcliffe-Tanner, sound design by Harry Smith and animation by Barn Digital Media.

The full actor-musician cast of the production are: Jesse Ashby (Mr Tipsy’s Down the Hatch)as Jakob, The Father, Regent, Scarecrow and Stepmother, Matthew Romain (Holes) as WilhelmTom and PrinceTanya Bridgeman (Shoes to Fill, Off West End Commendation) as Girl (Cinderella), Emily Panes (Spectra) as Anastasia and Jester 1, Anna Fordham (Women in Power) as Drusilla and Jester 2, Elzbieta Kalicka (theatrical debut) and Celia Cruwys-Finnigan (The Secret Garden) as Ensemble.

Alan Pollock is renowned as the co-creator of the long-running BBC 2 drama Attachments, starring David Walliams, as well as a staff writer on ITV series such as The Bill, A&E and Crossroads. He has had over 10 stage plays and 4 BBC radio plays produced, with his play One Night in November becoming one of the most successful new plays ever produced at Coventry’s Belgrade Theatre.

Tarek Merchant has created a range of new scores for theatre productions, including The Prince and the Pauper (Watermill Theatre), First Encounters: The Merchant of Venice (RSC), Can’t Wait for Christmas! (Orange Tree Theatre), Arabian Nights (Lyceum Theatre, Edinburgh), The Borrowers Sleeping Beauty(also Musical Director, both for the Watermill Theatre) as well as various commissions for BYMT (formerly YMTUK) and composing the songs for Marcy Kahan’s BBC 4 radio play Big In Samoa. He is also an Associate Artist for the Watermill Theatre.

Francesca Goodridge is the first recipient of the Carne Traineeship for Directors in Wales at Theatr Clwyd and co-founder of The Far Away Plays – an online play reading company that champions Welsh and Wales based creatives. Her credits include BARK! The Musical (Edinburgh Festival Fringe) and Adam, Eve and Steve (The Kings Head Theatre) and she also directed two episodes of the Barn Theatre and Aaron Sidwell’s Shakespeare in lockdown digital series Bard From The Barn; directing Natasha Barnes and Georgina Squires in Season 2 and Lorna Fitzgerald in Season 3.

Tickets are now on sale from £11.50, with family ticket deals and school offerings available at barntheatre.org.uk.

Pride & Prejudice* (*sort of) Set-Up Images

PRIDE & PREJUDICE* (*SORT OF)

TO OPEN AT THE CRITERION THEATRE

IN LONDON’S WEST END

IN NOVEMBER 2021

PRIDE & PREJUDICE* (*SORT OF)

TO OPEN AT THE CRITERION THEATRE

IN LONDON’S WEST END

IN NOVEMBER 2021

Isobel McArthur’s unique and audacious retelling of Jane Austen’s classic love story was critically acclaimed when it played at Glasgow’s Tron Theatre. Men, money and microphones are fought over in this irreverent but affectionate adaptation, which includes pop classics such as Every Day I Write the Book, Young Hearts Run Free, Will You Love Me Tomorrow, I Got You Babe and You’re So Vain. Five actresses portray the young female servants who retell one of literature’s most famous stories, and these same five actresses play every other character, as well as singing and playing instruments.

Writer and director Isobel McArthur once again plays Darcy and Mrs Bennet. Also in the cast are Tori Burgess as Lydia and Mr Collins, Christina Gordon as Lady Catherine de Bourgh and Jane, Hannah Jarrett-Scott as Charlotte Lucas and Charles Bingley and Meghan Tyler as Lizzie Bennet.

PRIDE & PREJUDICE* (*SORT OF) is directed by Isobel McArthur and Simon Harvey, with comedy staging by Jos Houben, design by Ana Inés Jabares-Pita, lighting by Colin Grenfell, musical supervision by Michael John McCarthy, sound design by Michael John McCarthy and Luke Swaffield for Autograph and choreography by Emily Jane Boyle.

David Pugh presents Tron Theatre Company, the Royal Lyceum Theatre Edinburgh and Blood of the Young’s production of PRIDE & PREJUDICE* (*SORT OF) with co-producers Birmingham Repertory Theatre, Bristol Old Vic, Leeds Playhouse, Northern Stage and Oxford Playhouse.

LISTINGS INFORMATION

Criterion Theatre

218-223 Piccadilly

Piccadilly Circus

London W1V 9LB

Box Office: 033 33 202 895

Tickets: £9.50-£59.50 (Previews £9.50 – £25)

Performances: Tuesday to Friday at 7.30pm, Saturday 3pm & 7.30pm, Sunday 2.30pm & 7pm

The photos have been taken by Bowie photographer, Tony McGee (www.tonymcgee.co.uk).

Further dates announced for Original Theatre Company and Octagon Theatre Bolton’s The Hound of the Baskervilles tour

Further dates announced for 

Original Theatre Company and Octagon Theatre Bolton’s 2021/22 tour of 

The Hound of the Baskervilles by Sir Arthur Conan Doyle 

Adapted for the stage by Steven Canny and John Nicholson for Peepolykus 

Directed by Tim Jackson  

Original Direction Lotte Wakeham 

Cast: Jake Ferretti, Serena Manteghi and Niall Ransome   

The award-winning Original Theatre Company and Octagon Theatre Bolton has announced further dates for the 2021/22 tour of Sir Arthur Conan Doyle’s most celebrated adventure, The Hound of the Baskervilles. Adapted for the stage by Steven Canny and John Nicholson for Peepolykus, in a production which was first performed at the Octagon Theatre in summer 2021, the classic detective tale gets a brilliantly farcical overhaul in Lotte Wakeham’s acclaimed production which is directed on tour by Tim Jackson

In 2022, the whodunnit for all ages will head to Theatre Royal Bath (25-29 January), The Lowry, Salford (1-5 February), Belgrade Theatre, Coventry (8-12 February), Perth Theatre (15-19 February) and His Majesty’s Theatre, Aberdeen (22-26 February).  

The production, which is currently garnering 5-star reviews on tour, will also visit the previously announced York Theatre Royal (19-23 October), Devonshire Park Theatre, Eastbourne (26-30 October), Richmond Theatre (2-6 November), The New Wolsey Theatre, Ipswich (9-13 November), Salisbury Playhouse (15-20 November) and Theatre Royal Nottingham (24-27 November). 

A hit in the West End, this ingenious adaptation combines an exhilarating collision of farce, theatrical invention and wonderfully comic performances to offer a brand-new twist on the greatest detective story of all time. 

Mr Holmes, they were the footprints of a gigantic hound… World-renowned detective Sherlock Holmes and his colleague Dr. Watson are asked to unravel the mystery surrounding the untimely death of Sir Charles Baskerville. With rumours of a cursed giant hound loose on the moors, they must act fast in order to save the Baskerville family’s last remaining heir. 

The cast of The Hound of the Baskervilles is Jake Ferretti (The Kitchen, The Curious Incident of the Dog in the Night TimeThe Understudy) as Sherlock Holmes, Serena Manteghi (Welcome To Iran, To Build a Rocket, Mrs Wilson) as Sir Henry and Niall Ransome as Dr. Watson (Mischief Movie NightThe Comedy About A Bank RobberyFcuk’d)

The UK Tour is directed by Tim Jackson (The Season, Royal & Derngate, New Wolsey, Treasure Island, Bolton Octagon). Original Direction is by Lotte Wakeham, Artistic Director of the Octagon Theatre Bolton who has directed sell-out productions in London, New York, and throughout the UK. Francesca Tennant is Assistant Director. The Designer is David Woodhead, Lighting Designer is Derek Anderson, Sound Designer is Andy Graham, Costume Supervisor is Chrissy Maddison and Production Manager is Tammy Rose. 

Lotte Wakeham previously said: “I’ve been blown away by the wonderful response to this production of The Hound of the Baskervilles; it’s been a real joy to have audiences back in the theatre, laughing uproariously every night. I’m absolutely thrilled to be teaming up with Original Theatre Company so that this production can now embark on a national tour and be enjoyed even more widely. I think it’s exactly the sort of joyful, energetic and entertaining show that audiences will be hungry for and I’m delighted to be sharing the Octagon’s work across the UK. Our top-notch cast and superb creative and technical team are raring to go, and we’re looking forward to giving our audiences a fantastic night out.” 

Alastair Whatley, Artistic Director of Original Theatre Company, said:“Audiences up and down the country have been enjoying Lotte and Tim’s wonderful production over the last few months on tour. We are thrilled that even more people all over the UK will now get to experience this ingenious adaptation of The Hound of The Baskervilles with this extension into 2022. After the year we’ve all had, the production is a tonic sure to make theatres buzz with the sound of laughter. ” 

For further information, visit the Original Theatre Company website: https://www.originaltheatre.com/our-productions/the-hound-of-the-baskervilles/about-the-show.  

THE GREATEST PREHISTORIC SHOW ON EARTH IS COMING TO A TOWN NEAR YOU!

THE GREATEST PREHISTORIC SHOW ON EARTH IS COMING TO A TOWN NEAR YOU!

RED Entertainment is thrilled to announce a brand-new show for 2022 – Dinosaur Adventure Live.

This awe-inspiring, thrilling family adventure plans to captivate both the young and young at heart. Dinosaur Adventure Live immerses audiences in an enchanting and realistic world of Dinosaurs.

Dinosaur Adventure Live allows you to journey to a world of living, breathing, life-like Dinosaurs. This brand-new ROAR-some adventure will take you on an unforgettable interactive journey through the Jurassic era, introducing you to some of the most incredible species that ever walked the Earth.

Feel the thrill of meeting real-life-like Dinosaurs and hearing the terrifying roar of a T-Rex. Learn about their history and even feed them but be careful – you might end up on the menu!

Dinosaur Adventure Live, a show that has been 65 million years in the making… Are you ready for the adventure?

Duration 1 hour – not interval.

Recommended Age 6+

Listings

MARCH 2022

Friday 05 – Saturday 06 March 2022 – Swan Theatre, Worcester

Saturday 26 March 2022 – Harlequin Theatre, Redhill

APRIL 2022

Sunday 03 April 2022 – Regent, Ipswich

Monday 04 April 2022 – Beck Theatre, Hayes

Tuesday 05 April 2022 – The Woodville, Gravesend

Wednesday 06 April 2022 – Camberley Theatre, Camberley

Thursday 07 April 2022 – Corn Exchange Hall, Stamford

Sunday 10 April 2022 – Grand, Lancaster

Monday 11 April 2022 – Playhouse, Whitley Bay

Wednesday 13 April 2022 – Walsall Arena and Arts Centre, Walsall

Thursday 14 April 2022 – Albany Theatre, Coventry

Saturday 16 April 2022 – Grove Theatre, Dunstable

Sunday 17 April 2022 – Pavilion Theatre, Weymouth

Monday 18 April 2022 – Bedford Corn Exchange, Bedford

Tuesday 19 – Wednesday 20 April 2022 – Royal Spa Centre, Leamington

Thursday 21 April 2022 – Victoria Theatre, Halifax

Friday 22 April – Sunday 24 April 2022 – Middleton Arena, Middleton

MAY 2022

Saturday 28 May 2022 – The Muni Theatre, Colne

Sunday 29 May 2022 – Lyceum Theatre, Crewe

Monday 30 May 2022 – Tuesday 31 May 2022 – Cheltenham Town Hall, Cheltenham

JUNE 2022

Wednesday 01 June 2022 – Watersmeet, Rickmansworth

Thursday 02 June 2022 – Landmark Theatre, Ilfracombe

AUGUST 2022

Thursday 04 August 2022 – Aberdeen Arts Centre, Aberdeen

Friday 05 August 2022 – Empire, Consett

Saturday 06 August 2022 – The Forum, Northallerton

Sunday 07 August 2022 – Albert Halls, Bolton

Monday 08 August 2022 – Northwich Memorial Court, Northwich

Tuesday 09 August 2022 – Ellesmere Port Civic Hall, Ellesmere Port

Saturday 13 – Sunday 14 August 2022 – South Mill Arts, Bishop’s Stortford

Tuesday 16 – Wednesday 17 August 2022 – Brangwyn Hall, Swansea

Thursday 18 August 2022 – Pavilion Theatre, Exmouth

Friday 19 August 2022 – Babbacombe Theatre, Babbacombe

Saturday 20 – Sunday 21 August 2022 – Kings Theatre, Portsmouth

Tuesday 23 – Wednesday 24 August 2022 – Roses Theatre, Tewkesbury

Thursday 25 – Friday 26 August 2022 – The Stiwt, Wrexham

Saturday 27 August 2022 – The Brindley Theatre, Runcorn

Sunday 28 August 2022 – Prince Of Wales Centre, Cannock

Monday 29 August 2022 – Garrick Playhouse, Altrincham

OCTOBER 2022

Saturday 22 October 2022 – The Central, Chatham

Monday 24 October 2022 – Dorking Halls, Dorking

Tuesday 25 October 2022 – Lighthouse, Kettering

Wednesday 26 October 2022 – Cresset, Peterborough

Thursday 27 October 2022 – Bridlington Spa, Bridlington

Saturday 29 October 2022 – Forum Theatre, Billingham

Sunday 30 October 2022 – Towngate Theatre, Basildon

Being Mr Wickham Review

York Theatre Royal – 14 October 2021

Reviewed by Michelle Richardson

5*****

Co-written by Adrian Lukis and Catherine Curzon, Being Mr Wickham, tells the story of Wickham 25+ years after the unforgettable 1995 BBC adaptation of Jane Austen’s Pride and Prejudice. Lukis is revisiting his role, reminiscing on his past and filling us in on what has occurred in the intervening years. Has the rogue changed since we last saw him?

He has been out celebrating his 60th birthday, but has infuriated his wife Lydia, yes, their marriage has stood the test of time, with his forever wandering eye. He has been locked out of their bedroom and settles down with a glass of wine as he engages the audience.

This story sees him living in lesser circumstances, probably outside of London, after flittering his money away. We can only imagine what he does a living now. He regales us with stories of Waterloo, the Bennetts, Pemberley and of course Darcy. He admits to his disgraceful behaviour in the past, and may not be wholly respectable, but his lust for life, charm, and wit shine through.

After a short interval there was a question-and-answer session, make sure you do stay behind for this. Lukis comes back on stage, after a quick change of clothing, and freely answers questions thrown at him, including what he was really drinking, which was the talk around us during the interval. There were more interesting questions, and it was fascinating hearing Lukis’s thoughts on alternate character avenues and the thought process in creating this new piece of work. My companion for the evening never goes to the theatre, she never sits still long enough, but she really enjoyed the show, opting to stay behind for the Q&A, thankfully we did, and even asking a question.

This is a one man show, and though we hear Lydia behind closed doors we never set eyes on her. At only an hour long the time just flew past, gone far too quickly, enthralling from start to finish.

Answering my original question, has Wickham changed? Maybe, maybe not, I would say that he’s definitely mellowed but he still has that wicked glint in his eye, and you can’t teach an old dog new tricks. Afterall would you rather a night out with the rakish Wickham or the staid Darcy?

IN THE WINGS SERIES 3 – HIT SERIES SEEN BY OVER 100,000 RETURNS

‘IN THE WINGS’ RETURNS FOR A THIRD SERIES

Hugely-successful new British musical series is back with live performances by West End performers and emerging artists.

Following on from the success of the first and second series,In the Wings is returning in October for a third series. In the Wings is a series of filmed human interest interviews with composers, writers, and creatives of musical theatre productions. The series takes a focused look at a variety of new musical theatre writing, and provides a platform for creatives to present their work to a wide audience.

Series Three will air weekly from Friday, October 22nd at 7.30pm on the In the Wings YouTube Channel. The series is free to watch on-demand indefinitely with musical direction by Henry Brennan, visual design by Justin Williams, and casting by Kelly Everitt

The third series features six shows: AmélioreDeptford Wives, Fiver, Reality Bites: The Interactive MusicalThe Red Side of the Moon, and Tarrytown. As the theatre industry reopens, this series will look to the future of theatre beyond the shutdown. Michael Auger will interview creatives from each of the shows, discussing their work, inspiration, and the future of their productions. 

Each episode also includes variety of performances of songs from those shows, as well as already known musicals. The West End cast is made up of Emma Lindars (Groundhog DayMade in Dagenham), Nikita Johal (Broken WingsWhat the Ladybird Heard), and Cleve September (Hamilton, Jesus Christ Superstar).

Weekly, episodes also feature a number of performances by 2021 Graduates from MT colleges across the U.K. The graduate cast is made up of Naomi Alade (London College of Music),  Anna Amelia (Royal Conservatoire of Scotland), Olivia Brookes (ArtsEd), Owen Clayton (ArtsEd), Georgia Dixon (Italia Conti), and Sydnie Hocknell (ArtsEd).

The band for the third series is made up of Henry Brennan (Keys/MD), Leon Stenning (Guitars), Mark Fincham (Bass Guitar), and Nick Anderson (Drums).

With the addition of the third series, ‘In the Wings’ will have championed sixteen new musicals, and provided showcasing opportunities for eleven west end performers, and twelve new musical theatre graduate performers. The series has gathered over 100,000 views on YouTube, with an average of 11,000 viewers tuning in weekly to watch each episode.

The first series of In the Wingsaired during the U.K.’s first lockdown in June, 2020, and consisted of four episodes, with a core ‘cast’ of four performers and an interviewer, supported by a live three-piece band. The performers had one slot on each episode to perform a song; These slots were interspersed with the interview, which discussed their show, the industry shutdown, how it had affected the interviewee and their show, etc. The first series focused on No Limits: A Song Cycle, Legends of Arahma, Gretel!: The Musical, and Dorian: A Rock Musical.

The second series of In the Wingsaired in September and October of 2020, and consisted of six episodes, with a larger cast than the first series. Four West End professionals were joined by emerging artists from the 2020 Graduate pool from various musical theatre colleges across the UK. Featured in the second series were The Wicker Husband, You and I, Millennials, Terror at the Sweetshop, Plan Bea, and The Rise. Interviews in this series focused less on the initial industry shutdown, and looked at how the industry had begun to adapt to a new normal.

In the Wings can be found on Facebook, twitter, instagram, and YouTube at /inthewingslive. Head to YouTube.com/InTheWingsLive

Tarrytown, with Adam Wachter – October 22nd

Adam Wachter’s original musical “Tarrytown” is a contemporary story loosely based on Washington Irving’s story “The Legend of Sleepy Hollow”. A finalist for the Richard Rodgers Award and winner of the Craig Noel Award for Best New Musical, “Tarrytown” is a funny, tuneful, intense, and romantic 90- minute musical for three singing actors. 

Book, music, and lyrics by Adam Wachter

Deptford Wives, with Anthony Kosky and Tania Azevedo – October 29th

Deptford Wives tells the remarkable true story of Mary Lacy, the female shipwright. 

In 1773, Mary Lacy, a poor girl from Kent facing a lifetime as a domestic servant, ran away from home, disguised herself as a man, and joined the British Navy. 

She became an apprentice shipwright, but when her gender was revealed, she was expelled from the Navy, leaving her to find her identity as a woman in a man’s world. 

Mary went on to become an architect and builder, building a row of houses now known as Deptford High Street, found time to write her memoirs and was the first woman to be granted a pension from the British Admiralty. 

This musical explores the passionate love affair between Mary and her soon-to-be ‘wife’, Elizabeth Slade and how the impossible became possible. 

Original book by Jennie Buckman, book and lyrics by Nikki Racklin, music by Anthony Kosky, with additional music and lyrics by Daniel Jarvis. Concept and adaptation by Tania Azevedo

Fiver, with Alex James Ellison – November 5th

FIVER, follows the story of a humble five pound note as it passes through the hands and pockets of people in London. Often unnoticed and obviously unaware, the fiver is present for significant moments of connection in each person’s life – whether it be an appreciation of their skills as a street performer; the start or end of a relationship; or the simple realisation that they can afford a bed for the night. 

This beautifully crafted series of musical vignettes explores the value of money, relationships between people, and the relationships between people and their money. In a world where connection has been lacking, the show uses a five pound note to emphasise the importance of connection between ordinary people. 

The diverse characters in FIVER are explored through a broad variety of musical styles as we follow our unusual hero through the ups and down of what is – to a fiver – just a normal day. 

Book, music and lyrics by Alex James Ellison

The Red Side Of The Moon, with Kathryn Tindall and Zoe Woodruff – November 12th

The Red Side Of The Moon is the story of two young women in the early 00’s who meet at an open mic night and connect through their music. And as the world is falling in love with them and their music, they are falling in love with each other. When their management team find out, they have a difficult choice to make, stay together or stay in the public eye and chase their dreams. It is a queer folk inspired musical, that focuses on love, friendship, the pressures of fame on women and whether it is ever okay to be queer and in the spotlight. 

Music and lyrics by Kathryn Tindall, book by Zoe Woodruff

Reality Bites: The Interactive Musical, with Dave Payne and Aron Sood – November 19th

Nine ‘celebrities’ enter Purgatory — the newest and biggest reality TV show on the planet. Nine strangers, plucked from a world of instant, tenuous fame who will do anything to achieve true icon status, the public’s affection and the chance to extend their fifteen minutes. But who will ascend to the heavenly heights of worldwide notoriety and who will plunge into Z list obscurity hell?

Reality Bites: The Interactive Musical is a satirical and hilarious romp through an iconic genre. With nods to classic shows such as Big Brother, Love Island, and Drag Race, a glimpse into the dark side of fame, a truly modern love story, an interactive twist that gives YOU the power to banish a contestant, four alternative second acts and loads of popular culture Easter eggs to find, Reality Bites is not just a musical — it’s an experience that can be enjoyed again and again. 

Book and Lyrics by Dave Payne, music and additional lyrics by Aron Sood, orchestrations by Will Tuckwell

Améliore, with Melissa Boyce-Hurd and Matteo Ressa – November 26th

Améliore follows the journey of Amelia in the emotional aftermath of her best friend’s wedding. Tormented by her own past failed relationships and dwindling job prospects, she battles with her ever-worsening mental health as she desperately tries to build a future that her mother will be proud of. 

Améliore prides itself on starring a 3-dimensional, queer, POC character whose story isn’t defined purely by their race or sexuality. 

While charismatic, Amelia is far from perfect, and her journey is fraught with disappointments and traumas that threaten to dim her light. But she will build from her pain rather than wallow in it, and she will get better. 

Music, lyrics, and book by Melissa Boyce-Hurd, score and orchestrations by Matteo Ressa

In the Wings can be found on Facebook, twitter, instagram, and YouTube at /inthewingslive. Head to YouTube.com/InTheWingsLive