Grease Review


New Victoria Theatre, Woking – until 11 September 2021

Reviewed by Elizabeth J Smith

4****

When Grease hit our cinemas back in 1978 I was a wide eyed 13 year old enthralled by the story, the music and the Grease feeling. So much so as I went to see the film 6 times! This was a time before video tapes, DVD’s and streaming.

I am a huge fan, I knew the whole film of by heart and the sound track is still my go to album if I want a lift. So I was excited to be invited to the gala evening of Grease at the New Victoria Theatre, Woking.

As the audience arrived, with a number of Pink Ladies and T Bird’s you could feel the anticipation rising in the auditorium, we were all waiting to start toe tapping and silently singing along to our favourite show.

The scene was set with 50’s sounds and images playing on the opening curtain with the stage set visible behind the translucent curtain. The curtain rises and you hear the sugary, sickly, sweet voice of DJ Vince Fontaine introducing “Grease is the Word” it has begun.
The stage erupts with the cast and we meet the new but well loved characters.

Unfortunately, for me this production had reverted to calling the T Birds the Burger Palace Boys, BPB. This was the original name, but not one I knew, which for me felt foreign. Some of my best loved characters, like Eugene and Patty, didn’t have the same comic impact I’d seen in earlier performances and I began to feel slightly detached from the show. The BPB open with all the same banter and jostling of teenage boys and the giggly gossip of the Pink ladies, it’s feeling like home again, Summer Nights have returned.

Dan Partridge played the iconic John Travolta role of Danny Zuko. I liked his interpretation of this role. Much more bad boy, who doesn’t love a bad boy. He also had two songs from the original script and not in the film, How Big I’m Gonna Be, a solo about his ambitions for the future and with the male ensemble Tattoo Song. Both performed well but again alien from the Grease I know and love.

Georgia Louise, Sandy Dumbrowski, was Sandy. Her voice was fantastic but more operatic than school playground. Some scenes were played more of a resemblance to a Disney princess than the girl next door.

Tendai Rinomhota, Betty Rizzo, played it edgy. You could recognise her as a bit of a bully to
those not in her circle, but still showed the vulnerability of a teenager who could be knocked up! “Sandra Dee” lost it’s micking taking persona. However, “There are Worse Things I Could Do” showed her vocal talent and won me over.

Paul French, Kenickie, did feel like a bad boy with a well hidden heart. Grease Lightening was a lively number and the rework of the stable fist pump was ingenious. Although the audience still made the old moves.

The Burger Palace Boys were all played like true teenage boys with greater emphasis on sexual innuendo and awkwardness when around girls. The pink ladies stayed true to the much loved movie characters. Inez Budd, Marty, making her debut, proved her worth singing Freddy My Love, with passion and power of a teenager in love or so she thought. Haroun Al’Jeddal and Kalisha Johnson, stood out from the ensemble with their dance routines.

Peter Andre, played the smooth talking DJ Vince Fontaine with the essence of Elvis, James Brown, and someone who knows the effects of happy baccy. His Teen Angel was a truthful, sarcastic voice from above. This scene gave a new energy to Beauty School Drop Out with humour, great choreographer and superb costumes.

This production isn’t a replay of Grease the movie it has a much grittier feel, more street cred, less Hollywood sweetness. The songs were in a different order than I remember and the some scenes played out differently.

This production of Grease is a caricature of the movie, not in a bad way just different.
A die hard fan may feel little disconcerted with unfamiliar songs and strange layout but will still leave the theatre feeling uplifted and trying to repeat the words to Ram a Lama Lama
Kadingeekadingadong on their way home.

CASTING, TOUR DATES & VENUES ANNOUNCED FOR THE BRAND-NEW PRODUCTION OF GEORGE ORWELL’S SATIRICAL MASTERPIECE ANIMAL FARM – ADAPTED & DIRECTED BY ROBERT ICKE

CASTING, TOUR DATES & VENUES ANNOUNCED FOR 

THE BRAND-NEW PRODUCTION OF GEORGE ORWELL’S  

SATIRICAL MASTERPIECE 

ANIMAL FARM 

ADAPTED & DIRECTED BY THE CRITICALLY ACCLAIMED & MULTI AWARD-WINNING 

ROBERT ICKE 

WITH DESIGNS BY BUNNY CHRISTIE & PUPPETRY BY TOBY OLIÉ 

RUNNING FROM 22 JANUARY – 28 MAY 2022  

 PRESENTED BY THE CHILDREN’S THEATRE PARTNERSHIP 

IN ASSOCIATION WITH BIRMINGHAM REP 

Full casting and the complete tour schedule are announced for the highly anticipated upcoming production of George Orwell’s classic satirical fable, Animal Farm, adapted and directed by the multi award-winning Robert Icke (The DoctorHamletMary StuartOresteia1984). 

The brand-new production will embark on an extensive UK tour, opening at Birmingham Rep from 22 January 2022, with press night on Wednesday 2 February.  The play then tours to Cambridge, Newcastle, Bath, Norwich, Salford, Plymouth, Nottingham, Coventry, Blackpool, Liverpool, Canterbury, Richmond and Wolverhampton, completing its run on 28 May 2022 at Bromley’s Churchill Theatre.  

The cast of Animal Farm includes Matt ChurcherDarcy CollinsEnrico D. WeyAilsa DallingElisa De GreyEdie EdmundsonMichael Jean-MarainRayo PatelYana PenroseMarkus SchabbingSharon SzeBen Thompson and Matt Tait.  

The production also combine the forces of some of UK theatre’s most talented creatives, including designs by the four-time Olivier Award-winning Bunny Christie (A Midsummer Night’s DreamCompanyInkThe Curious Incident of the Dog in the Night-Time), and puppetry by Toby Olié (War HorseRunning WildThe Grinning ManGoodnight Mister Tom).  

The animals of Manor Farm drive out the farmer and run the farm themselves.  

A revolution. And then what? Then freedom. Every animal will be free. 


Old Major, the prize boar, calls the animals of Manor Farm together.  

He has had a strange dream of a better future. 

George Orwell’s world-famous, biting political novel was first published in 1945 and tells the story of a revolution and its aftermath. Re-imagined by an award-winning creative team, Animal Farm is a dynamic, daring and contemporary take on a timeless story. 

Icke previously worked on another of Orwell’s classics, 1984, which he co-adapted and directed alongside Duncan Macmillan, garnering him his first Olivier Award nomination for Best New Play in 2014, enjoying smash-hit runs in both the West End and on Broadway. Animal Farm also reunites Icke and Christie following their celebrated 2016 collaboration on The Red Barn at the National Theatre.   

The production is produced by Children’s Theatre Partnership (CTP) in association with Birmingham Rep. CTP creates bold and imaginative theatre for young people, engaging new audiences and aiming to inspire a life-long love of theatre. 

 

DATES

Birmingham Repertory Theatre                                             birmingham-rep.co.uk

22 January – 05 February 2022                                              0121 236 4455  

Cambridge Arts Theatre                                                         cambridgeartstheatre.com

08 February – 12 February 2022                                            01223 503333 

Newcastle Theatre Royal                                                       theatreroyal.co.uk

22 February – 26 February 2022                                            08448 11 21 21 

Bath Theatre Royal                                                                theatreroyal.org.uk

01 March – 05 March 2022                                                    01225 448844 

Norwich Theatre                                                                    norwichtheatre.org

08 March – 12 March 2022                                                    01603 630 000 

Salford Lowry                                                                         thelowry.com 

22 March – 26 March 2022                                                    0343 208 6000 

Plymouth Theatre Royal                                                        theatreroyal.com

29 March – 02 April 2022                                                       01752 267222 

Nottingham Theatre Royal                                                    trch.co.uk

05 April – 09 April 2022                                                          0115 989 5555 

Coventry Belgrade Theatre                                                    belgrade.co.uk 

12 April – 16 April 2022                                                          024 7655 3055 

Blackpool Grand Theatre                                                       blackpoolgrand.co.uk

19 April – 23 April 2022                                                          01253 290 190 

Liverpool Playhouse                                                               everymanplayhouse.com 

26 April – 30 April 2022                                                          0151 709 4776 

Canterbury Marlowe Theatre                                                marlowetheatre.com

03 May – 07 May 2022                                                           01227 787787 

Richmond Theatre                                                                  atgtickets.com/venue/richmond 

10 May – 14 May                                                                    0844 871 7615 

Wolverhampton Grand Theatre                                            grandtheatre.co.uk

17 May – 21 May 2022                                                           01902 42 92 12 

Bromley Churchill Theatre                                                     churchilltheatre.co.uk 

24 May – 28 May 2022                                                           020 3285 6000 

GREGORY DORAN, ROYAL SHAKESPEARE COMPANY ARTISTIC DIRECTOR, TO TAKE COMPASSIONATE LEAVE

GREGORY DORAN, ROYAL SHAKESPEARE COMPANY ARTISTIC DIRECTOR, TO TAKE COMPASSIONATE LEAVE

Today we are sad to announce that Gregory Doran will be taking a period of compassionate leave as Artistic Director of the RSC to care for his husband, Sir Antony Sher. Antony has a long and celebrated association with the Company and is an RSC Honorary Associate Artist.

Gregory Doran writes

“I am very sorry to say that my husband, Tony Sher, has been diagnosed with a terminal illness, and in order to look after him, and with the agreement of the Board, I will be taking a period of compassionate leave with immediate effect. I expect to return in early 2022.

During this period RSC Deputy Artistic Director, Erica Whyman, will take on the role of Acting Artistic Director until Gregory’s return.  This arrangement has been agreed by the RSC Board, and Erica will have overall artistic responsibility as well as wider organisational accountability which she will share with Catherine Mallyon, Executive Director.

Erica has been Deputy Artistic Director since 2012 working alongside Gregory and the Artistic Programming Team on all aspects of our activity, with specific responsibilities for our approach to inclusion, new writing and The Other Place.  This work will continue in Gregory’s absence.
 

Nigel Hugill, RSC Chair commented:

“All our thoughts are very much with Greg and Tony at this extremely difficult time.  The Board thank Erica for agreeing to take on the role of Acting Artistic Director and alongside Catherine as Executive Director, the RSC remains in very safe hands.”

We will be making no further comment regarding this personal matter, and we ask that Gregory and Antony’s privacy is respected at this difficult time.

Vision Centre for Actors to offer free actor training at Birmingham Hippodrome

Vision Centre for Actors partners with Birmingham Hippodrome and Bouncing Statistics to offer free actor training for underprivileged 16-30 year olds

Vision Centre for Actors is offer acting classes for free, taking in a cohort of 32 actors over the next year. This actor training centre is the first of its kind in Birmingham, targeting those coming from financial hardship.

Vision will address the disparity in class within the theatre and television industry by providing young people with the tools they need but may not be able to afford, to pursue a career in the arts. Taking a cohort of 32 students every year, students will have access to free auditions and workshops with drama schools through partnerships including ALRA, LAMDA and RCSSD. Throughout the year, students will participate in talks and workshops with industry professionals such as casting directors, agents and production company representatives, completing the course with a package to be industry ready including showreels, headshots and showcases. Auditions for the 21/22 cohort are being held on Saturday 2, Sunday 3 and Tuesday 5 October at Birmingham Hippodrome.

Founded by actor and writer Corey Weekes, Vision will begin to redress the imbalance within the theatre industry, be a beacon of working class artists and an agent for change. 

Founder Corey Weekes said: “This was only made possible thanks to public funding from the National Lottery through Arts Council England and we are so grateful, as this year, research has found that only 27% of actors come from a working-class background. It’s time for young people who come from underprivileged backgrounds to truly be able to follow their dreams if they so wish to. Financial strain should not make anyone’s aspirations feel unreachable and that’s what we look to change here at Vision.

Corey adds: “When I initially wanted to get into acting, I had all the passion and drive to learn but unfortunately none of the money to afford the classes on offer in Birmingham. I was lucky enough to be blessed with mentorship of a great teacher in Philip Hedley, but I couldn’t help but wonder how many young people give up on their dreams because they were not afforded that same blessing. I started Vision to provide hope to young people from humble beginnings that they can make their dreams materialise.”

Vision have also teamed with Bouncing Statistic to ensure that the students develop not only professionally, but personally. Director of Business Development Rackeem Reid says: “Bouncing Statistics is a community interest company placed at the heart of serving others. They are on a mission to create a world where generations are inspired to look beyond their normality. They do this by delivering mentoring and wellbeing sessions to young people who occupy a multitude of settings.”

Chris Sudworth, Director of Artistic Programme at Birmingham Hippodrome added: “We are delighted to be partnering with Vision to be able to open our space for aspiring actors who want to sharpen their skills and progress towards the careers they’re aiming for. Working with Corey and his team gives us a way to make sure the Hippodrome is open for anyone who wants to push themselves forward and that money isn’t a barrier to do that.”

More information about the programme and Vision acting can be found at www.visionacting.co.uk

Vision Centre for Actors are supported by Arts Council England, Birmingham Hippodrome, the Academy of Live and Recorded Arts, London Academy of Music and Dramatic Arts, Central School of Speech and Drama, Sandwell College, Vision Patrons Director Emiritus of Theatre Royal Stratford East Philip Hedley and Deputy Artistic Director of the National Theatre Clint Dyer

www.visionacting.co.uk

Twitter: @VisionActing

Instagram: @VisionActing

Facebook: Vision Centre for Actors

MATILDA THE MUSICAL RELEASE NEW VIDEO OF CAST SINGING ‘WHEN I GROW UP’ AHEAD OF RE-OPENING ON 16 SEPTEMBER 2021

Twitter // Instagram // Website       

  • AHEAD OF REOPENING ON 16 SEPTEMBER, THE ROYAL SHAKESPEARE COMPANY ANNOUNCE BOOKING EXTENSION FOR MATILDA THE MUSICAL AT THE CAMBRIDGE THEATRE, LONDON
  • A NEW VIDEO OF THE CAST SINGING ‘WHEN I GROW UP’ IN THE REHEARSAL ROOM IS RELEASED TODAY IN THE LEAD-UP TO THE REOPENING OF THE SHOW ON 16 SEPTEMBER. THE VIDEO CAN BE DOWNLOADED HERE
  • AN EXTRACT FROM ROALD DAHL’S MATILDA READ BY LANDI OSHINOWO (MRS PHELPS) TO CELEBRATE ROALD DAHL STORY DAY WILL BE AVAILABLE TO WATCH ON THE PUFFIN SCHOOLS YOUTUBE CHANNEL ON 13 SEPTEMBER 

Ahead of reopening their production of Matilda The Musical on Thursday 16 September at the Cambridge Theatre in London, the Royal Shakespeare Company is delighted to announce a booking extension through to 29 May 2022 for individuals and through to 16 December 2022 for groups and schools. For further information visit www.matildathemusical.com.

A video of the full company singing ‘When I Grow Up’ in the rehearsal room together has been released today to celebrate the return of the musical to London’s West End. To download the video, please click here.  

To celebrate Roald Dahl Story Day on 13 September, Landi Oshinowo who plays Mrs Phelps will read an extract from the original Roald Dahl story, Matilda, which will be available to watch from Monday on the Puffin Books YouTube Channel.  

Audiences will once again be treated to a free, live performance from some of the cast of Matilda The Musical as part of West End LIVE 2021, presented by Westminster City Council and the Society of London Theatre with support from the Mayor of London.  West End LIVE 2021 will take place in Trafalgar Square on 18- 19 September. 

Celebrating 10 years since the multi award-winning show opened in London, this iconic British musical has won 99 international awards including 24 for Best Musical and has been seen by more than 10 million people across more than 90 cities worldwide.

A tonic for audiences of all ages, this anarchic production about a strong and determined heroine with a vivid imagination has welcomed almost 4 million audience members in London. Adapted from the much-loved Roald Dahl book and commissioned by the Royal Shakespeare Company, the musical premiered at the RSC’s Stratford-upon-Avon home in 2010, before transferring to the West End in October 2011, where it opened to rave reviews.

Matilda The Musical swept the board at the 2012 Olivier Awards, with a record-breaking seven awards, and won four Tony Awards and a Tony Honor for Excellence in the Theater for the four girls sharing the title role on Broadway. It has since toured North America, Australia, New Zealand, the UK and Ireland, South Africa and China and played its first non-English language production in Seoul, South Korea in 2018/19.  Matilda The Musical will also play the Netherlands for the first time, translated into Dutch for a run at the Oude Luxor Theater Rotterdam. Tickets are now on sale for Matilda De Musical in Rotterdam at matilda-demusical.nl

With the upcoming film adaptation from the same core creative team as the theatre production (direction by Matthew Warchus, adapted for the screen by Dennis Kelly, with the music and lyrics of Tim Minchin), Roald Dahl’s themes of bravery and standing up for what you believe in will continue to inspire young audiences all over the world. Produced by Tim Bevan and Eric Fellner of Working Title, Jon Finn, and Luke Kelly of The Roald Dahl Story Company. Sony Pictures U.K. and Tristar Pictures will release Matilda across the U.K. and Ireland exclusively in cinemas on 2nd December 2022 for Christmas. Netflix will release the film in the rest of the world in December 2022.

Written by Dennis Kelly, with music and lyrics by Tim Minchin and developed and directed by Matthew Warchus, the theatre production is designed by Rob Howell, with choreography by Peter Darling, orchestrations, additional music and musical supervision by Christopher Nightingale, lighting by Hugh Vanstone, sound by Simon Baker and the special effects and illusions are by Paul Kieve.

Matilda The Musical is the story of an extraordinary little girl who, armed with a vivid imagination and a sharp mind, dares to take a stand and change her own destiny.

Matilda The Musical is produced by Executive Producers Denise Wood and Griselda Yorke for the Royal Shakespeare Company.  The production was developed with the support of Jeanie O’Hare and the RSC Literary Department.

André Ptaszynski had worked as one of the Executive Producers of the production from 2011 until his untimely death in 2020.  He is much missed by all of his colleagues.

Full performance schedule & newly added acts revealed for West End LIVE 2021

Full performance schedule – including newly added acts – revealed for West End LIVE 2021

Saturday 18 & Sunday 19 September 2021

westendlive.co.uk 

  • Nearly 50 shows and acts now featuring in best ever West End LIVE line-up
  • Jason Manford and Ruthie Henshall among Magic Radio presenters hosting the stage
  • Thousands of theatre fans due to flock to Trafalgar Square for free event’s triumphant return
WEL2019SATPR Pamela Raith Photography

With just over a week to go until West End LIVE transforms London’s Trafalgar Square into an open air theatre like no other, the schedule of performances across the weekend has been released.

WEL2019SUNPR Pamela Raith Photography

2021’s event will see the best line-up in West End LIVE history, with previously unannounced Wicked performing alongside debuts from long-running favourites Hamilton and The Book Of Mormon – as well as a plethora of new hit shows including Disney’s Frozen, Andrew Lloyd Webber’s Cinderella, The Prince Of Egypt, Dear Evan Hansen, Back To The Future: The Musical, Pretty Woman: The Musical and many more.

WEL2019SATPR Pamela Raith Photography

Other newly revealed acts include Vanara The Musical, Bring It On The Musical, What’s New Pussycat?, Pippin, Roles We’ll Never Play, The Barricade Boys, Best Of British Pop, Children Of Eden 30th Anniversary Concert, Queenz – The Show With Balls!, Stop The Show – Mark Read, MTFestUK2021, Ben Stock’s West End Sing-a-long and Ferris & Milnes.

WEL2019SATPR Pamela Raith Photography

The full roster of Magic Radio presenters hosting the West End LIVE stage has also been unveiled – comedian, actor and presenter Jason Manford and West End legend Ruthie Henshall join previously announced Emma B, Tom Price and Sonali Shah.

WEL2019SATPR Pamela Raith Photography

Official London Theatre will be backstage throughout the weekend sharing exclusive behind-the-scenes content across our social channels.

WEL2019SATPR Pamela Raith Photography

West End LIVE, a co-production between the Society of London Theatre (SOLT) and Westminster City Council, will remain free and unticketed as in previous years. To keep everyone safe, however, all attendees aged 18 and over will be asked to demonstrate their Covid status to gain entry to the event.  

WEL2019SATPR Pamela Raith Photography

West End LIVE will be BSL interpreted by Sue MacLaine, Marco Nardi and Caroline Richardson.

westendlive.co.uk / @WestEndLIVE / @westendlive / @westendLIVE

#BackOnStage

Crimes in Egypt Review

Yvonne Arnaud Theatre, Guildford – 8th and 9th September 2021

Reviewed by Antonia Hebbert

3***

Bang! (That was a gunshot.) A glamorous newlywed has been murdered on her honeymoon cruise on the Nile. Who did it? Her ex-best friend? Her husband? Or someone else entirely from the eccentric passengers and crew? Not to worry – top detective Artemis Arinae is on hand to solve the mystery with the help of her leetle grey cells.

This is an Agatha Christie spoof with a cast of eleven (I think), but is played by just four actors, with very few props. The best moments are when they are stretched to the limit to keep the illusion of lots of characters. There’s a nicely choreographed tour of the pyramids and Sphinx, followed by a crocodile attack, mostly done with suitcases. There’s a camel race and much opening and closing of doors to reveal surprising people. And there was a lot of fun in the scene where Artemis Arinae got everyone together to explain whodunnit, requiring the cast to dash around changing hats, voices and mannerisms.

All very ingenious and entertaining, but for me the show didn’t quite lift off. There was a bit too much reliance on people drinking too much, which doesn’t seem all that funny these days. The innuendo seemed overdone too, though in a surprising change of tone, the relationship that developed between the steward and the American became genuinely sweet and snigger free.

Crimes in Egypt is directed by James Farrell, and is a production by New Old Friends, founded by Feargus Woods Dunlop to take shows round the country and entertain as many people as possible. They seem a jolly lot, and you can follow them in all the usual social media places.

Cast Announcement for World Premiere Into Battle

Cast Announcement for World Premiere Into Battle

Opening at Greenwich Theatre 13-31 October (Previews from 7th October) the world premiere of Hugh Salmon’s moving, affecting and humorous debut play Into Battle announces full casting.  TV Favourite Iain Fletcher (The Bill) plays the real-life figure Revd. Neville Talbot who steers audiences through the play based on the true story of a bitter feud at Oxford University.

‘The greatest danger to the British people is not among the enormous fleets and armies of Europe. No. It is here in our midst, close at home, close at hand, in the unnatural gap between rich and poor’.

(Winston Churchill)

In 1906, of the fifty-three freshers who went up to Balliol college Oxford, eighteen had been to Eton.  By 1910 they had formed an exclusive group, including the future war poets Hon. Julian Grenfell and Patrick Shaw Stuart.  Standing up to the behaviour of the Etonians were socially aware Keith Rae and future England rugby international Ronald Poulton, who were dedicated to improving the lives of the poor and hungry on the back streets of Oxford. By 1912, the feud has polarised Keith Rase and Hon. Billy Grenfell on an individual level.  After an incident between then Billy is sent down for a year, disgracing his aristocratic mother Lady Ettie Desborough.  Finally, Into Battle reveals the differences between Keith and Billy, and their destinies are resolved in the face of a far greater adversity.

Iain Fletcher will be joined on stage by Anna Bradley (Florence Smith/Walter Perkins) Alexander Knox (Patrick Shaw Stewart),  Gabriel Freilich (Hon. Julian Grenfell) Joe Gill (Keith Rae) Molly Gaisford (Lady Ettie Desborough) Nik Salmon (Hon. Billy Grenfell ) and Sam Barrett (Ronald Poulton-Palmer) and says:

“After a challenging 18 months for theatre I can’t wait to join the amazing cast of Into Battle on stage.  It’s truly exciting to be part of a play which tells very human stories to an audience who may not be aware of the fascinating backgrounds of some of these very well-known historical figures”.

James Hadrell, Artistic Director at Greenwich Theatre says:

“We are delighted to be hosting the world premiere of Into Battle at Greenwich Theatre. Once in a generation, a new play comes to London which transcends time and place and brings historical events and people back to life on a human level”.

Carefully researched over ten years by Writer Hugh Salmon Into Battle will be directed by Ellie Jones (ART, Made in Dagenham, Jane Eyre the Musical) and will be designed by Ellen Cairns with lighting design from Alexandra Stafford. Sound Design from James Cook and costumes by Leah Mulhern.  The Production is managed by Lewis Moore ( Core Productions).

Writer Hugh Salmon adds:

” The more I researched the Balliol Feud, and the people involved, the more I realised that I was uncovering and piecing together a story that has been buried in history but that I could bring back to life for today’s audiences. These individual real-life characters are so wildly full, interesting and engaging I wanted to share their journeys and let their voices be heard by a new generation. Whatever our differences, we can come together”.

Into Battle unearths a true story that has been buried for over 100 years: a story which shows how the political and social divisions tearing Britain apart were reflected in a ‘bitter feud’ at Balliol College Oxford.

Told with wit and humour, Into Battle exposes the inequalities of life and shows how human beings can be brought together by adversity. 

Book your tickets today at www.greenwichtheatre.org.uk for more information visit the website www.intobattleplay.co.uk .

The National Theatre adds new productions to streaming platform NT at Home

The National Theatre adds three new productions to streaming platform National Theatre at Home and announces productions coming up this autumn

– A Streetcar Named Desire, Under Milk Wood and Home added and available today

– Titles confirmed to launch this autumn include Antony & Cleopatra with Ralph Fiennes and Sophie Okonedo, Hedda Gabler with Ruth Wilson and Kae Tempest’s Paradise with Lesley Sharp.

The National Theatre has today announced the latest productions to be made available on its National Theatre at Home streaming platform. Launching today, the Young Vic and Joshua Andrews’ production of Tennessee Williams’ timeless masterpiece A Streetcar Named Desire featuring Gillian Anderson as Blanche DuBois, Ben Foster as Stanley and Vanessa Kirby as Stella, the NT’s recent production of Dylan Thomas’ Under Milk Wood with Michael Sheen and Nadia Fall’s verbatim play Home that explores homelessness in the UK featuring Michaela Coel. New productions are added each month and since launching in December 2020, there are now 31 productions available to stream on the platform.

It is also announced today some of the productions that audiences can expect to see on the platform in the coming months. Those productions are confirmed to include Antony & Cleopatra with Ralph Fiennes and Sophie Okonedo in the title roles; Hedda Gabler with Ruth Wilson in the title role; Caryl Churchill’s Top Girls in the Lyttelton theatre from 2019Sally Cookson’s 2017 production of Peter Pan; Yaël Farber’s Salomé and James Graham’s political drama This House, alongside current NT productions; Kae Tempest’s Paradise with Lesley Sharp and Winsome Pinnock’s Rockets and Blue LightsIan McKellen on Stage will also join the platform this autumn for audiences outside the UK and Ireland. It is currently available in the UK and Ireland for Amazon Prime subscribers.

Under Milk Wood and A Streetcar Named Desirewill also be available from today with audio-description to support blind and partially sighted audiences worldwide. There are now 19 National Theatre at Home titles available with audio-description. All productions on National Theatre at Home are available with captions.

National Theatre at Home is available at ntathome.com, with single titles available from £5.99 – £8.99, a monthly subscription for £9.99 or a yearly subscription for £99.99. 

National Theatre at Home is supported by Bloomberg Philanthropies.

National Theatre at Home is also supported by The Linbury Trust. 

#NationalTheatreatHome       

A Streetcar Named Desire
by Tennessee Williams

A Young Vic and Joshua Andrews Co-production                                 

As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.

Tennessee Williams’ timeless masterpiece features Gillian Anderson as Blanche DuBois, Ben Foster as Stanley and Vanessa Kirby as Stella.

Filmed by National Theatre Live at the Young Vic in 2014, Benedict Andrews (Three Sisters, Cat on a Hot Tin Roof) directs with design by Magda Willi, costumes by Victoria Behr, light by Jon Clark, sound by Paul Arditti, music by Alex Baranowski, dialect by Rick Lipton, voice by Richard Ryder, fight by Bret Yount and assistant direction by Natasha Nixon, with UK casting by Maggie Lunn CDG and Camilla Evans CDG and US casting by Jim Carnahan CSA.

The cast also includes Clare Burt, Lachele Carl, Branwell Donaghey, Otto Farrant, Nicholas Gecks, Troy Glasgow, Stephanie Jacob, Corey Johnson and Claire Prempeh.

Filmed by National Theatre Live, a production from the Young Vic and Joshua Andrews.

Available until at least 8 September 2022.

Under Milk Wood
by Dylan Thomas
additional material by Sian Owen

The retired sea captain yearning for his lost love. The landlady living in terror of her guests. A father who can no longer access his memories. A son in search of redemption.

As they awake to boiled eggs and the postman, the residents of a small Welsh village juggle old secrets and new realities.

Michael Sheen, Karl Johnson and Siân Phillips feature in the acting company breathing new life into Dylan Thomas’ poetic masterpiece. NT Associate Lyndsey Turner directs.

The cast also includes Susan Brown, Ifan Huw Dafydd, Alan David, Michael Elwyn, Kezrena James, Gaynor Morgan Rees, Anthony O’Donnell and Cleo Sylvestre.

Set and costume design is by Merle Hensel, lighting design by Tim Lutkin, movement by Imogen Knight, songs composed by Edward-Rhys Harry, and sound design and additional compositions by Donato Wharton.

Under Milk Wood opened in the reconfigured Olivier-in-the-round theatre on 16 June 2021, reopening the Olivier after closures due to lockdown.

This is an enhanced recording from the National Theatre, available until at least 8 September 2022.

Home
by Nadia Fall

Bullet doesn’t want to call a hostel home. Eritrean Girl was smuggled here in a lorry. Singing Boy dreams of seeing his name in lights and Garden Boy just wants to feel safe.

Homelessness amongst young people in the UK is at a record high, so when the big society doesn’t work – where do you go? An inner-city high-rise hostel, TargetEast, offers a roof.

Nadia Fall’s verbatim play features performances from Michaela Coel, Antonia Thomas and Kadiff Kirwan.

The cast also includes Jonathan Coote, Trevor Michael Georges, Ashley McGuire, Grace Savage, Shakka and Toby Wharton.

Home is directed by Nadia Fall with designs by Ruth Sutcliffe, lighting by Ciaran Bagnall, movement by Jack Murphy, music by Tom Green and Shakka, music direction by Gareth Valentine, fight direction by Kate Waters, sound design by Mike Walker and company voice work by Richard Ryder.

Filmed in the Temporary Theatre at the NT in 2013, this is a recording from the National Theatre Archive and it’s available until at least 8 September 2022.

HOLLYWOOD GLAMOUR TREADING THE BOARDS AT DARLINGTON HIPPODROME

HOLLYWOOD GLAMOUR TREADING THE BOARDS AT DARLINGTON HIPPODROME

A chilling tale of murder, mystery and greed comes to Darlington with a stage adaptation of The Cat and The Canary starring Hollywood superstar Britt Ekland. The star of stage and screen tells us about her latest acting challenge.

Hi Britt. You’re starring in thriller The Cat and the Canary. What’s the play about?

It’s a story about a big, deserted mansion on the Bodmin Moor. The owner died 20 years earlier and he has instructed his solicitors to assemble all the possible heirs to go through the will. There’s an assortment of people from all over the world that come into this spooky house, and loads of surprises ensue from the start.

It is an interesting story with many twists and turns. It’s very much in the tradition of Agatha Christie and the type of thriller British audiences love. I think our audiences will get a big surprise and that’s all I’m going to say.

What made you want to be part of this production?

First, I’m always up for a challenge. I always have been. I have done almost everything you can think of in my career. This is definitely not a role I’m used to; this play is not a farce, for a start! It’s something a bit more challenging for me.

Fantastic. So, who are you playing?

I play the housekeeper. She has been in this house alone for 20 years before this midnight meeting with all the assembled heirs and the solicitor. She’s probably had quite a solitary life and had to find ways of surviving that solitude, the cold and the war. She hasn’t had any physical company, but she feels she has had spiritual company. She’s very stern. Her job is to guard this house until the heir takes it over and that’s what she’s done for 20 years.

What makes this such a challenge for you?

I haven’t been on stage since my last panto in 2013. And I was never a rep actor – I was a movie star. I finished school when I was 17 and went to drama school for two years, then toured with a variety show and did a film in Rome. The next thing I know, I have a contract with Twentieth Century Fox and I’m sent to London. That’s where I meet Peter Sellers and marry him. Although I wanted to be on stage, being a movie star didn’t hold the prestige of being a good stage actor – not in Sweden where I came from. I don’t have the background that most actors my age have, which is my main challenge on this tour.

You’ve been working for more than 60 years. How do you keep yourself fit enough to tour?

I’m very fortunate that I’ve always worked out. In March 2018, I did Strictly Come Dancing in Sweden as the oldest participant ever. But I don’t take anything for granted. You have to be alert and stay on top of everything. A lot of this is your own mental attitude to life as well, not just what you eat and how you move. You have to have a very mobile mental attitude.

That sounds like a fantastic philosophy.

As you get older and what you look like matters less, you’ve got to challenge yourself to stay relevant and continue working. I could just sit down with a cup of tea and biscuits and watch television… but I don’t do that!

The Cat and The Canary runs at Darlington Hippodrome from Tuesday 21 to Saturday 25 September.

For more information or to book call 01325 405405 or visit www.darlingtonhippodrome.co.uk