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NEW DATES ADDED TO THE 2026 UK TOUR OF

THE BOY AT THE BACK OF THE CLASS

INCLUDING SOUTHAMPTON, EDINBURGH, BRISTOL &

THE SOUTHBANK CENTRE’S QUEEN ELIZABETH HALL

Children’s Theatre Partnership and Rose Theatre are delighted to announce new dates as part of the 2026 UK Tour of The Boy at the Back of the Class.  The tour will now also play at Southampton’s Mayflower Studios, Edinburgh’s Festival Theatre, Eastbourne’s Devonshire Park Theatre, Bristol Old Vic and the Southbank Centre’s Queen Elizabeth Hall in London.  Nick Ahad’s critically and publicly acclaimed adaptation of Onjali Q. Raúf’s award-winning and best-selling novel is a celebration of friendship, kindness and compassion and will once again be directed by The Stage Debut Award-winner, Monique Touko.  Following a two-week run at Rose Theatre, from 6-22 February 2026, the tour will run through to 23 May 2026. 

There used to be an empty chair at the back of the class, but now a new boy called Ahmet is sitting in it. He’s nine years old (just like me), but he’s very strange. He never talks and never smiles and doesn’t like sweets – not even lemon sherbets, which are my favourite!

After learning that he has fled his own war-torn country, Ahmet’s classmates have ‘The Greatest Idea in the World’ – a magnificent plan to reunite Ahmet with his family. An unexpected and often hilarious adventure follows, all topped off with a terrific twist.

Told from a child’s perspective, balancing heart and humour, The Boy at the Back of the Class highlights the power of friendship and kindness in a world that doesn’t always make sense and reminds us that everyone needs a place to call home.

The cast is to be announced.

The creative team includes Monique Touko (Director), Amy Crighton (Co-Revival Director), Lily Arnold (Set & Costume Designer), Ryan Day (Lighting Designer), Giles Thomas (Composer & Sound Designer), Kloé Dean (Movement Director) and Sophie Parrott CDG (Casting Director).

Winner of the Blue Peter Book Award 2019

Winner of the Waterstones Children’s Book Prize 2019

Age Guidance: 7+

theboyatthebackoftheclass.co.uk

Instagram and Facebook: @BoyAtBackPlay

TOUR SCHEDULE

6-22 February                      Rose Theatre, Kingston                                                                  020 8174 0090
                                                www.rosetheatre.org

25-28 February                    Belgrade Theatre, Coventry                                                          024 7655 3055

                                                belgrade.co.uk                                                                                  

10-14 March                         Mayflower Studios, Southampton                                              02380 711811

                                                www.mayflower.org.uk

19-21 March                         Festival Theatre, Edinburgh                                                         0131 529 6000

                                                www.capitaltheatres.com

24-28 March                         Eastbourne Devonshire Park Theatre                                        01323 412000

                                                www.eastbournetheatres.co.uk                                                 on sale 31 October

31 March – 4 April               Bristol Old Vic                                                                                 0117 987 7877

                                                bristololdvic.org.uk                                                                          

7-12 April                              Queen Elizabeth Hall, London                                                     020 3879 9555

                                                southbankcentre.co.uk                                                                on sale 31 October

15-18 April                            Lowry, Salford                                                                                0161 876 2000

                                                www.thelowry.com                                                                        

28 April – 2 May                  Hall for Cornwall, Truro                                                                01872 262 466

                                                www.hallforcornwall.co.uk                                                          

5-9 May                                 Blackpool Grand Theatre                                                             01253 290190

                                                blackpoolgrand.co.uk                                                                     

12-16 May                             New Theatre, Cardiff                                                                    0343 310 0041

                                                newtheatrecardiff.co.uk                                                               

19-23 May                            Alhambra Theatre, Bradford                                                        01274 432000

                                               bradford-theatres.co.uk                                                               

DANIEL BROCKLEBANK

TO STAR IN

YOUNG FRANKENSTEIN THE MUSICAL

LIVERPOOL PLAYHOUSE TRANSFER

FOR LIMITED 5 WEEK RUN

3 DECEMBER 2025 – 3 JANUARY 2026

Hope Mill Theatre are delighted to announce that Coronation Street’s Daniel Brocklebank will be taking over the role of Dr Frederick Frankenstein in their production of Mel Brooks’ YOUNG FRANKENSTEIN THE MUSICAL when it transfers to Liverpool Playhouse for a limited 5-week run over the Christmas season. Performances start on 3 December 2025 running through to 3 January 2026.

YOUNG FRANKENSTEIN is currently having its regional premiere at Hope Mill Theatre in Manchester starring Ore Oduba in the lead role. The show continues its run there until 30 November 2025.

Also joining the cast with Daniel will be Amelia Adams (Grace Farrell in Annie, UK Tour; Mary Delgado in Jersey Boys, UK Tour & West End) as Elizabeth Benning alongside current cast members Jessica Martin as Frau Blücher, Pete Gallagher as The Monster, Curtis Patrick as Igor, Simeon Truby as Inspector Hans Kemp/Harold the Hermit and Julie Yammanee as Inga. The cast is completed by Belle Kizzy Green, Robin Kent, Bryan Mottram, Alanna Panditaratne, Nathan Ryles, Hakeem Tinubu, Patricia Wilkins and Jessica Wright.

Daniel Brocklebank is an award-winning actor best known for his portrayal of Billy Mayhew in Coronation Street. In 1999 Daniel won a Screen Actors Guild Award for his performance in the multi award-winning Shakespeare In Love (Miramax) and in 2010 he won a Best Actor Award at LesGaiCineMad International Film Festival for his role in British indie film Release (FAQs Ltd).

On screen, Daniel has played much loved character Billy Mayhew in Coronation Street since 2014. He played Ivan Jones in ITV’s Emmerdale between 2005 – 2006, and Carl Saunders in seasons 2-3 of BBC’s WPC 56. Other credits include Finding Joy (Acorn TV); Midsomer Murders, Chasing Shadows, The Bill, Emmerdale, Oliver Twist (ITV); Born and Bred, Down To Earth, Doctors, Ed Stone Is Dead, Captain Lamar and Casualty (BBC); Fair City (RTE). He was also crowned winner of ITV’s All Star Musicals in 2019.

On film, Daniel’s work includes The Hole starring opposite Keira Knightley and Thora Birch; The Hours opposite Meryl Streep; Another Life, Merlin, The Devil’s Arithmetic and The Criminal with Eddie Izzard. Further credits include Admiral; Soft Lad; Native; The Vintage; Cal; Age of Heroes, and Little Deaths/Mutant Tool. Daniel’s theatre credits include numerous productions for the Royal Shakespeare Company including Silvius in As You Like It; Chiron in Titus Andronicus; and Ralph in Lord of the Flies. Further theatre includes The Hallowe’en Sessions (Leicester Square Theatre); The Importance of Being Earnest (Rose Theatre Kingston); A Dolls House (The Lowry); His Dark Materials (Birmingham Rep / West Yorkshire Playhouse); John Rutherford in Rutherford and Son (Manchester Royal Exchange); John Honyman in Cressida (Almeida Theatre).

Adapted by Mel Brooks from his legendary 1974 film starring Gene Wilder, YOUNG FRANKENSTEIN tells the story of the grandson of the infamous Victor Frankenstein, Frederick Frankenstein (pronounced “Fronk-en-steen”) who inherits his family’s estate in Transylvania. With the help of a hunchbacked sidekick, Igor (pronounced “Eye-gore”), and a leggy lab assistant, Inga (pronounced normally), Frederick finds himself in the mad scientist shoes of his ancestors. “It’s alive!” he exclaims as he brings to life a creature to rival his grandfather’s. Eventually, of course, the monster escapes and hilarity continuously abounds.

YOUNG FRANKENSTEIN marks the 10th Anniversary year of Hope Mill Theatre, which opened its doors in October 2015. Founded by Joseph Houston and William Whelton the Award-Winning venue has gained a reputation Nationally and Internationally for its in-house musical productions.

Every bit as relevant to audience members who will remember the original as it will be to newcomers, YOUNG FRANKENSTEIN has all the panache of the screen sensation with a little extra theatrical flair added. It will surely be the perfect opportunity for a production company to showcase an array of talents. With such memorable tunes as The Transylvania Mania, He Vas My Boyfriend and Puttin’ on the Ritz by Irving Berlin, YOUNG FRANKENSTEIN is scientifically proven, monstrously good entertainment.

Mel Brooks’ YOUNG FRANKENSTEIN has a book by Mel Brooks and Thomas Meehan, with music and lyrics by Mel Brooks, orchestrations by Doug Besterman & Mark Cumberland and original direction and choreography by Susan Stroman. This production will have direction and choreography by Nick Winston, musical direction and co-musical supervision by Francesca Warren, set design by Sophia Pardon, orchestration and co-musical supervision by Charlie Ingles, sound design by Ben Harrison, lighting design by Aaron J Dootson, video and projection design by Matt Powell, costume design by Lorraine Parry, wigs and make-up design by Jackie Sweeney, prosthetics design by Noah Ehrhardt, associate choreography by Lauren Kate Hampton and casting by Jim Arnold CDG.

Website: everymanplayhouse.com/event/young-frankenstein

Facebook: @HopeMillTheatre

X: @hopemilltheatre

Instagram: @hopemilltheatre

LISTING INFORMATION

3 December 2025 – 3 January 2026

Liverpool Playhouse

Williamson Square,

Liverpool

L1 1EL

Performances: Tuesday to Saturday – 7.30pm / Thursdays & Saturdays 2pm

No performances on 24, 25 & 26 December and 1 January.

Tickets from: £22

Box Office: 0151 709 4776

Thomas Hopkins
& The Hope Mill Theatre
PRESENT

LITTLE SHOP OF HORRORS
  Music by                       Book and Lyrics by
ALAN MENKEN                  HOWARD ASHMAN

MAJOR NEW PRODUCTION, DIRECTED AND CHOREOGRAPHED BY TONY AND OLIVIER AWARD NOMINATED
CARRIE-ANNE INGROUILLE

TO PLAY AN EXTENDED CHRISTMAS SIT DOWN SEASON AT THE LIVERPOOL PLAYHOUSE NEXT YEAR
THURSDAY 3 DECEMBER 2026 – SATURDAY 9 JANUARY 2027
TICKETS ARE ON SALE NOW
Little Shop the Musical

Following its major revival at Manchester’s Hope Mill Theatre next autumn, the cult musical comedy LITTLE SHOP OF HORRORS will transfer to the Liverpool Playhouse for a special Christmas season from 3 December 2026 to 9 January 2027 with a Press Night on Friday 4 December 2026. Tickets are on sale now via Little Shop the Musical.

This run in Manchester – from Friday 25 September to Sunday 29 November 2026 – plus Liverpool will be the longest sit-down production to play in the UK since the 2007 West End production

Directed and choreographed by Tony and Olivier Award-nominated Carrie-Anne Ingrouille, this brand-new production will bring Alan Menken and Howard Ashman’s beloved musical to life, with its killer tunes, outrageous comedy, and one very hungry plant!

Joining Carrie-Anne on the creative team is the award-winning set and costume designer Morgan Large (Sister Act, This Bitter Earth, Newsies); musical supervisor and arranger Paul Schofield (Hair, BatBoy ) lighting designer Rory Beaton (Burlesque The Musical, Jesus Christ Superstar, For Black Boys…), sound designer Kelsh Buckman-Drage (associate on Evita, Hamilton, Mamma Mia!), and casting director Rob Kelly (Hadestown, This Bitter Earth, Geek Girl). Further creative team and casting will be announced next year.

Nathan Powell, Creative Director of Liverpool Everyman and Playhouse said “We’re really looking forward to welcoming this cult classic musical to the Playhouse next Christmas. Little Shop of Horrors is wonderfully odd, full of cracking tunes, and offers a brilliantly different take on festive entertainment. After bringing The Rocky Horror Show to the Playhouse in 2024 and preparing to present Young Frankenstein this Christmas, Little Shop of Horrors will be another chance to enjoy a gloriously offbeat holiday season with plenty of laughs and, yes, a rather hungry plant.”

Thomas Hopkins said, “I am truly honored to be entrusted with the opportunity to produce the first major sit-down production, not in one city but two, of Little Shop of Horrors since its celebrated West End run in 2007. With Carrie-Anne and such an exceptional creative team, it’s a dream collaboration. When the team at the Liverpool Playhouse invited us to follow our already announced ten-week run at Hope Mill, we couldn’t be more grateful. This production promises to be one of the most exciting and faithful interpretations of Little Shop of Horrors the UK has seen in many, many years.”

Little Shop of Horrors has music by Alan Menken, book and lyrics by Howard Ashman.

Presented by arrangement with Music Theatre International mtishows.co.uk

New Wimbledon Theatre – until Saturday 1^st November 2025

Reviewed by Carly

5*****

Wimbledon brings you the well known story from the book series of Percy Jackson written by Rick Riordan, made into a tv series and now a broadway show directed by Lizzi Gee.

It tells the story of a young teenage boy Percy Jackson (Vasco Emauz) who throughout his life has found it difficult to fit in, so far being expelled from a number of schools and generally just struggling to find his way in life. Things begin to take a massive turn, when he is sent of to a half-blood camp only to discover that he is infact a demigod and that his father is actually Poseidon! This is all discovered whilst being on a school trip which goes from good to bad within no time at all. Leading him to fighting against monsters such as mythical creatures blowing his mind and questioning his whole life!

Percy Jackson is then accused of stealing Zeus’s lightning bolt, which then sends him on a quest across the United States with two of his friends Annabeth (Kayna Montecillo) a demigod of Athena, and Grover (Cahir O’Neill) a Satyr, to prevent a war happening amongst the Gods.

Along their journey they face a series of trials that involve encounters with mythical creatures and challenges that they must navigate as a team and overcome, showing personal growth and a bond that will become unforgettable!

This was an exceptional show to watch. There was a strong connection between all actors on stage, that was definitely clear to see! The choreography also done by Lizzi Gee was outstanding and it was amazing to see so much talent on one stage. I also feel that the vocals need a mention as all actors just smashed it alongside some great songs. The whole performance I thought was just exceptional. The props were simple but very effective alongside the lighting just gave it that wow factor!

I took my 13 years old daughter to see this and she had a blast smiling from start to finish. I would definitely recommend this show for a family day out, it definitely didn’t disappoint!

Sheffield Lyceum – until Saturday 1st November 2025

Reviewed by Claire Moore

3***

Inspector Morse: House of Ghosts brings Oxford’s most famous detective to the stage for the first time. Written by Alma Cullen, who penned several episodes of the much-loved TV series back in the ’80s and ’90s, it’s set in 1987 and combines classic murder mystery with a touch of the personal. When Morse and Lewis are called to investigate the mysterious death of a young actress during a performance of Hamlet, the case begins to stir up ghosts from Morse’s own past — blurring the lines between professional duty and personal pain.

Fans of the TV series will find plenty of familiar nods — from Morse’s fondness for real ale to his sharp eye for the tiny details everyone else overlooks. But rather than the elusive, emotionally guarded Morse we know from television, this story digs a little deeper. As the investigation unfolds, we see glimpses of Morse’s own past and the memories that still haunt him, as the sinister events on stage begin to connect to something that happened twenty-five years earlier.

Tom Chambers delivers a strong performance, putting his own stamp on Morse while still giving the occasional echo of John Thaw’s beloved portrayal. His Morse has the same quiet intelligence and dry wit, but it’s refreshing to see a more personal, reflective side. His partnership with Lewis (Tachia Newall) works well — there’s an easy warmth and respect between them that makes their relationship believable and engaging to watch.

Robert Mountford works well as the arrogant and slightly sleazy director Lawrence — he could have stepped straight out of a 1980s episode. He’s the perfect opposition for Morse, who we know can’t help but loathe that kind of man. Eliza Teale gives a layered performance as Rebecca, the cast member who’s fallen off the wagon, while Teresa Banham brings a steady, grounded presence as Ellen, giving the story a touch more emotional weight. Unfortunately, what’s missing is that real sense of suspense — the tension never quite builds in the way you hope it will.

The scene changes are smooth as the cast move the furniture on and off with slick precision, keeping the action flowing without any awkward pauses. I did find myself missing those familiar shots of beautiful Oxford though; with everything set in the theatre, pub or police station, it all felt a little dark and enclosed at times.

Overall, it won’t keep you on the edge of your seat, but fans of the TV show will enjoy a nostalgic trip into familiar territory. And there are just enough twists and turns to keep everyone else entertained.

CRITICALLY ACCLAIMED TOUR OF

THE TALENTED MR RIPLEY

EXTENDS INTO 2026

WITH NEW UK DATES

ANNOUNCED

Following rave reviews and sold-out performances throughout its 2025 season touring the UK, producers Jack Maple, Thomas Hopkins, SAMS Entertainment and Carl Moellenberg are delighted to announce that the first ever UK and International tour of Patricia Highsmith’s iconic thriller THE TALENTED MR RIPLEY extends into 2026 ahead of a planned West End transfer.

The tour will recommence from 19 January 2026 in York and runs through to 2 May 2026 in Salibsury. Ed McVey (The Crown, Netflix), Maisie Smith (Eastenders, BBC) and Bruce Herbelin-Earle (Free Reign, Netflix) continue in the roles of Tom Ripley, Marge Sherwood and Dickie Greenleaf respectively.

The new dates will cover York, Aberdeen, Windsor, Salisbury and more in the UK as well as heading out internationally.

Described by The Stage as a “thrilling adaptation” (★★★★) and WhatsOnStage as “ingenious stories and brilliantly multi-faceted characters” (★★★★),  THE TALENTED MR RIPLEY is adapted and directed by Mark Leipacher (Mary Stuart, New Diorama, UK tour and international; A Midsummer Night’s Dream, Wilton’s Music Hall/Theatre Royal Bath Ustinov/UK tour).

Starring Ed McVey as Tom Ripley, Maisie Smith as Marge Sherwood and Bruce Herbelin-Earle as Dickie Greenleaf with Christopher Bianchi (Othello, Tobacco Factory) as Herbert Greenleaf/Roverini, Cary Crankson (Death of England, National Theatre) as Freddie Miles/Alvin McCarron, Leda (Antigone, UK Tour) as Cleo/Dottie and Jason Eddy (Othello, Royal Shakespeare Theatre) as Peter/Fausto. The cast is completed by Lachlan McCall (A Christmas Carol, OVO Theatre), Hollie Sullivan (The Mousetrap, UK)and Aldous Ciokajlo-Squire (Doctor Who, BBC/Disney+).

2025 marks the 70^th anniversary of Patricia Highsmith’s gripping novel, the source material for the 2000 Oscar nominated film starring Matt Damon, Jude Law and Gwyneth Paltrow, the 2024 Netflix adaptation starring Andrew Scott and the stage adaptation.

“I never wanted to murder anyone.  It was necessary.”

Step into a world of deception, desire, and deadly ambition.

Tom Ripley is a nobody – until he’s offered an unexpected opportunity: travel to Italy and bring home the wealthy and carefree Dickie Greenleaf. But as Tom is drawn into Dickie’s glittering world of privilege, his obsession takes a dark turn. What begins as an innocent invitation spirals into a web of lies, identity theft, and murder.

Set against the sun-drenched backdrop of 1950s Italy, this gripping stage adaptation of The Talented Mr. Ripley brings Patricia Highsmith’s iconic novel to life in a thrilling new production. With razor-sharp dialogue, psychological intensity, and a chillingly charismatic antihero, this is Ripley as you’ve never seen him before.

How far would you go to be someone else?

THE TALENTED MR RIPLEY is adapted and directed by Mark Leipacher (Mary Stuart, New Diorama, UK tour and international; A Midsummer Night’s Dream, Wilton’s Music Hall/Theatre Royal Bath Ustinov/UK tour), with set and costume design by Holly Pigott (Fleabag, Wyndham’s Theatre), associate set and costume design by Ellen Farrell, lighting design by Zeynep Kepekli (The Little Mermaid, Bristol Old Vic), sound design by Max Pappenheim (The Night of the Iguana, Noel Coward Theatre), movement direction by Sarita Piotroswki (Cyrano De Bergerac, RSC), wigs, hair and make-up designed by Craig Forrest-Thomas (Friends The Musical Parody, UK Tour), fight and intimacy direction by Haruka Kuroda (Rodeloinda, Garsington Opera) and casting by Marc Frankum CDG (The Woman in Black, Fortune Theatre).

THE TALENTED MR RIPLEY is produced by Jack Maple, Thomas Hopkins, SAMS Entertainment and Carl Moellenberg. The production was created by The Faction (Macbeth, Stephen Joseph Theatre; My Last Duchess, film commissioned by The Lowry).

Website: TheTalentedMrRipleyPlay.com

Instagram & Facebook: @RipleyOnStage

2025/26 TOUR LISTINGS

3 – 8 November                                  Bristol Old Vic                                               

                                                            bristololdvic.org.uk                                         

10 – 15 November                              Richmond Theatre

                                                            atgtickets.com/richmond                     

17– 22 November                               Salford Lowry

thelowry.com

19 – 24 January                                  York Grand Opera House

                                                             atgtickets.com/York

26 – 31 January                                  Aylesbury, Waterside

atgtickets.com/Aylesbury

9 – 14 February                                  Aberdeen, His Majesty’s Theatre

                                                            aberdeenperformingarts.com

16 – 21 February                                Guildford, Yvonne Arnaud

                                                            yvonne-arnaud.co.uk

24 – 28 February                                Windsor, Theatre Royal

                                                            theatreroyalwindsor.co.uk

16 – 21 March                                    Poole Lighthouse

                                                            lighthousepoole.co.uk

30 March – 4 April                               Eastbourne, Congress Theatre

eastbournetheatres.co.uk

6 – 11 April                                          Colchester, Mercury Theatre

                                                            mercurytheatre.co.uk

13 – 18 April                                        Coventry, Belgrade Theatre

                                                            belgrade.co.uk 

20 – 25 April                                        Wolverhampton, Grand Theatre

grandtheatre.co.uk

27 April – 2 May                                 Salisbury Playhouse

                                                            salisburyplayhouse.com

Further dates to be announced.

Mayflower Theatre, Southampton  – until 8 November 2025 

Reviewed by Jo Gordon

5*****

If happiness could be bottled, it would probably sound a lot like Mamma Mia!  From the first glimmer of sunshine on that Greek island to the final, glorious explosion of sequins and lycra this production is a glitter cannon of joy that fires straight at your heart  and quite possibly your dancing feet.

The fact it has been running, globally for over 26 years makes it clear this isn’t just another jukebox musical. The story, centred on Sophie’s quest to discover which of the three charmingly confused men is her father before her wedding, is both chaotic and heartwarming. What could go wrong when you invite three of your Mum’s old flames to an island wedding without telling her? (Answer: everything, but in the most delightful way imaginable!)

Sophie ( Lydia Hunt) played with infectious enthusiasm and a voice that could probably power a small village, is a total delight. Her chemistry with Sky (Joe Grundy) is genuine, her excitement palpable, and her rendition of “I Have a Dream” sweet enough to melt the toughest cynic. However, the show truly belongs to Donna (Jenn Griffin). When she belts out “The Winner Takes It All” it’s as if every heartbreak you’ve ever had suddenly decided to join in and I don’t believe anyone who says they do not have a tear in their eye at “Slipping Through my Fingers“ The emotion is raw and  the vocals spine-tingling.  

Donna’s partners-in-chaos (we all have our version!) Tanya (Sarah Earnshaw) and Rosie (Rosie Glossop) provide a masterclass in comedic brilliance. Tanya, glamorous and gloriously sassy, nails her timing with the precision of a Swiss watch, especially during “Does Your Mother Know”, where she effortlessly turns the tables on a much younger admirer. Rosie, meanwhile, is the friend we all need, bold, hilarious, and utterly unfiltered. Her flirtation with Bill had the audience roaring with laughter, and when she launches into “Take a Chance on Me”, resistance is futile.

The three Dads, Sam (Luke Jasztal), Harry (Richard Meek) and Bill (Mark Goldthorp) each bring their own charm to the mix. Sam’s emotional honesty grounds the chaos, Harry’s awkward earnestness is endearing, and Bill’s carefree humour adds warmth and mischief in equal measure. Together, they’re a wonderfully mismatched trio who make you root for all of them.

Of course, it wouldn’t be Mamma Mia! without the music. Every ABBA hit lands perfectly, from the cheeky fun of “Lay All Your Love on Me” to the euphoric energy of “Voulez-Vous.” The choreography bursts with life, the costumes shimmer like a disco ball’s daydream, and the ensemble cast radiates such joy that it’s impossible not to join in.

By the time the encore hits complete with those legendary jumpsuits, the audience is on its feet, clapping, cheering and dancing. It’s silly, it’s heartfelt, it’s gloriously over the top and that’s exactly the point.

Mamma Mia! isn’t just a musical; it’s a holiday for the soul. You’ll leave humming ABBA, grinning from ear to ear and wondering how soon you can see it again. 

FOLLOWING HIGH DEMAND AHEAD OF OPENING

EXTENSION ANNOUNCED FOR

WEST END PREMIERE OF

BOOKING AT THE AMBASSADORS THEATRE EXTENDS THROUGH TO SATURDAY 28 MARCH 2026.

US PREMIERE FINISHES AN ACCLAIMED, SELL-OUT RUN AT CHICAGO SHAKESPEARE THEATRE THIS WEEK PRIOR TO TRANSFER TO AHMANSON THEATRE IN LOS ANGELES.

www.paranormalonstage.com

Written by acclaimed playwright Levi Holloway

and directed by Felix Barrett, visionary director behind Punchdrunk

Based on the Paranormal Activity films, first written and directed by Oren Peli and brought to the screen by Blumhouse and Solana Films

As the nights darken and shadows lengthen, Melting Pot today announces that the West End transfer of Paranormal Activity is set to extend its spine-tingling run to Saturday 28 March 2026, giving thrill seekers more time to face the fear, live on stage. Performances begin at the Ambassadors Theatre, Saturday 5 December, 2025.

Simon Friend, Producer at Melting Pot, says: ”It is wonderful to see such excitement for our upcoming show, following hugely successful initial engagements in Leeds last year, and now Chicago as well this month. We can’t wait for West End audiences to experience the exceptional stagecraft from our dynamite creative team, in a show which has proven itself to be mysterious, macabre and enormously entertaining as well.”

‘Will I be scared? Yes. How scared? Very. Cleverly, too.’ 

Chicago Tribune

James and Lou move from Chicago to London to escape their past, but they soon discover that places aren’t haunted, people are… Inspired by the iconic, terrifying film series, Paranormal Activity is a new story live on stage.

A new story inspired by the worldwide horror phenomenon, Paranormal Activity, is directed by immersive theatre pioneer and Punchdrunk’s Founder and Artistic Director, Felix Barrett and written by playwright Levi Holloway, whose pulse-pounding theatrical thriller Grey House chilled Broadway audiences.

Praised for its inventive storytelling and terrifying atmosphere, the West End transfer promises to amplify the experience even further, making it a must-see event for thrill-seekers and theatre lovers alike. Paranormal Activity is undertaking a North American tour this autumn, where it has recently opened at the Chicago Shakespeare Theatre to critical and audience acclaim, ahead of dates at the Center Theatre Group, Ahmanson Theatre, Los Angeles; Shakespeare Theatre Company, Washington DC and American Conservatory Theatre, San Francisco.

‘Delivers superior shocks with increasing frequency.’ 

Chicago Sun Times

Paranormal Activity reimagines the modern ghost story with an unsettling intimacy only theatre can provide. Immersing audiences in an atmosphere of creeping dread, unseen forces, and psychological tension, Levi Holloway’s script offers a bold reinterpretation of the original, blending domestic horror with mind-bending theatricality. Felix Barrett, known for breaking boundaries between audience and performer, brings his signature visionary style to the production. With innovative staging and chilling soundscapes, Paranormal Activity invites audiences to witness the inexplicable up close—and feel the fear in real time.

The creative team also includes Fly Davis as Set and Costume Designer, Illusions by Chris Fisher, Anna Watson as Lighting Designer, Gareth Fry as Sound Designer, Video Design by Luke Halls and Casting Direction by Stuart Burt CDG and Ginny Schiller CDG.

Released by Paramount Pictures in 2009, the original Paranormal Activity is a master class in psychological terror.  Reimagining the found footage genre for a new generation, the film became a global sensation, grossing nearly $200 million worldwide and kicking off a blockbuster franchise spanning seven feature films.  Now, the legacy of fear comes to the intimate world of the theatre as the terrifying phenomenon transitions to the West End stage. Get ready to experience Paranormal Activity in real life.

Paranormal Activity is produced by Simon Friend & Hanna Osmolska for Melting Pot in association with Gavin Kalin, Ken Davenport, Jenny King, Patrick Gracey, Jonathan & Rae Corr and Leeds Playhouse.

Age recommendation – 15 +

PARANORMAL ACTIVITY

A New Story Live on Stage

www.paranormalonstage.com

Friday 5 December 2025 – Saturday 28 March 2026

The Ambassadors Theatre

West Street

London

WC2H 9ND

PERFORMANCE TIMES

Matinee performances 3pm. Evening performances 8pm. Please see website for holiday booking schedule.

SOCIAL HANDLES

IG / TikTok: @paranormalonstage

The Little Theatre Leicester – until 1st November 2025

Reviewed by Amarjeet Singh

2**

Emlyn Williams’ play A Murder Has Been Arranged hinges on a rather convoluted and farfetched premise. Which unfortunately doesn’t wear well. The plot concerns an unusual party that takes place on the stage of an empty theatre, rented for the occasion of Lord Jasper’s 50th birthday. Lord Jasper is something of an expert in all things occult and the theatre is reputed to have its own ghostly apparitions, hence his choice of location. Legend has it that a murder once committed at the St. James Theatre, that a mute woman will appear on stage and reveal the murderer. In addition to this, according to the terms of a will, if Jasper can survive until 11 pm, he stands to inherit 2 million pounds. Also in the running for the money is Jasper’s only surviving relative, Maurice Mullins, who will inherit the money if Jasper doesn’t make it to midnight. Of course, the mysterious relative shows up.

Sadly, this rendition of the play offers nothing new or inventive. There is no mystery as we know who the murderer is, the spookiness falls flat and the flaws in the plot make for a wholly unsatisfactory piece of theatre. It’s all a bit ponderous, convoluted and unconvincing. There is no real fear or suspense and not for the first time this season, I was left questioning the choice of play.

Andrew Webster’s portrayal of Lord Jasper misses the mark; his character lacks the eccentricity and edge needed to sell the occultist angle. Daniel Creedon’s Jimmy North, while technically proficient, veers into exaggerated territory, undermining the believability of his relationships on stage. Charlotte Brown brings charm to the role of Jasper’s young bride, though her scenes with North suffer from a lack of chemistry. Nadine Hossent, as the bride’s mother, injects energy with a performance that balances haughty elegance and maternal desperation. Angela Hill shines as Mrs Wragg, delivering a fiery and entertaining performance, while Joy Brankin-Frisby adds tension as the jittery Miss Groze—though her nervousness stems from reasons unrelated to the ghostly lore. Paul Large’s Maurice Mullins is flamboyant and commanding, but the character could benefit from more nuance. Dorota Wojtkowska’s portrayal of ‘The Woman’ lacks the eerie impact the role demands, coming across more as repetitive hysteria than chilling mystery.

I’m not sure if this is all performance based or if this was the intention of director John Ghent, whose nostalgic passion for the play is evident, but the staging feels static and outdated. The cast are often prone on stage, waiting for cues or their turn to speak, much like sim characters awaiting activation. The dialogue-heavy script demands dynamism to elevate the piece, but alas, there is none. The set is rather full; furniture fills it and there is a dining table that is repeatedly dressed by various characters. This play is long and drawn out, the humour does not land and the performances do not hold up. It takes an extraordinary amount of time to set the scenes, then it drifts in the doldrums for a while waiting for the clock to tick towards 11 o’clock when the unexplained and unnatural take over.

While there are occasional clever effects and moments, such as the manipulation of a character into writing a suicide note, the overall tension and fear factor fall short. With a fresher, more vigorous interpretation, this vintage piece might have found new life. As it stands, A Murder Has Been Arranged feels like a missed opportunity.

YORK THEATRE ROYAL’S PRODUCTION OF

SAMUEL BECKETT’S KRAPP’S LAST TAPE

– STARRING AND DIRECTED BY GARY OLDMAN –  

TRANSFERS TO THE ROYAL COURT IN SPRING 2026

As part of the Royal Court’s 70th anniversary season, London audiences will now have the opportunity to see Gary Oldman perform inKrapp’s Last Tape. The celebrated York Theatre Royal production of this Samuel Beckett masterpiece, first performed at the Royal Court in 1958, will run for four weeks in London next May following its original run in York.

Academy Award, BAFTA, SAG, BIFA and Golden Globe winner, Gary Oldman made his return to the York Theatre Royal stage earlier this year in Beckett’s one-act masterpiece. Having started his professional career at York Theatre Royal in 1979, Oldman returned over 40 years later to show his support for regional theatre. The show which ran from 14 Apr to 17 May 2025 was sold out across all performances, bringing thousands of people to the theatre from across the globe.

Paul Crewes, CEO of York Theatre Royal said, “Working with Gary on our production of Krapp’s Last Tape was remarkable and we are delighted that even more people will get the opportunity to see his extraordinary performance in this landmark play. It was first performed at the Royal Court 67 years ago and it’s so wonderfully fitting that it makes a return as part of their 70th anniversary celebrations.”

Royal Court Theatre and York Theatre Royal present

The York Theatre Royal production of

KRAPP’S LAST TAPE

By Samuel Beckett

Directed by Gary Oldman

By Arrangement with Douglas Urbanski

Friday 8 May – Sat 30 May 2026

Royal Court Theatre, London

(Jerwood Theatre Downstairs)

‘Perhaps my best years are gone. When there was a chance of happiness. But I wouldn’t want them back. Not with the fire in me now.’

On his 69th birthday, a man sits alone and listens to the echoes of his younger self.

Starring and directed by Gary Oldman (Slow Horses), Samuel Beckett’s Krapp’s Last Tape returns to the Royal Court, where it played in 1958, with a new production by York Theatre Royal.

Opening the performance every night is Godot’s To-Do List, a new Beckett-inspired short play by Jerwood New Playwright Leo Simpe-Asante. Winner of the 2025 inaugural Royal Court Young Playwrights Award, this curtain-raising comedy follows seven decades on from Krapp’s Last Tape’s own debut as a curtain-raiser on the Royal Court’s stage.

Samuel Beckett (1906 – 1989) was an Irish writer, dramatist and poet. He wrote in both English and French, and his principal works for the stage also include Endgame, Krapp’s Last Tape and Waiting for Godot. He was awarded the Nobel Prize for Literature in 1969.

Tickets for Krapp’s Last Tape at the Royal Court Theatre are onsale now.