It was never going to be subtle, but the transformation of Piccadilly Theatre into a glitzy and garish Parisian nightclub is worth a couple of stars before the show even starts. With the iconic blue elephant facing the sparkling red windmill across the auditorium, the design of this production is jaw dropping, creating a buzz in the audience that reaches fever pitch when the familiar beat of Lady Marmalade begins.
John Logan’s adaptation is shinier and more perky than Baz Luhrmann’s film, and the addition of songs from the 20 years since the film was made works wonderfully, releasing the stage show from the shackles of comparison. The tragic love story remains, with American country boy Christian and Satine, the star of the Moulin Rouge, falling in love but having to hide their affair from the Duke who agrees to bankroll the Moulin Rouge on condition that he owns Satine. All this while Satine is dying of consumption. The plot is still paper thin, but it doesn’t really matter as the audience is swept away on a dazzling wave of colour, dance and incredible renditions of familiar songs (there’s even a snippet of Rick Astley thrown in!).
Liisi LaFontaine is a spectacular Satine – captivating and full of emotion. She is matched beautifully by Jamie Boygo, capturing the naivety and passion of Christian in his stunning professional debut. Clive Carter is great fun as the manic but caring Zidler, and Simon Bailey’s dastardly Duke is fantastically slappable. Jason Pennycooke steals every scene as Toulouse-Lautrec with his heart-breaking unrequited love for Satine, and Elia Lo Tauro is hilarious as Santiago.
Every dance number is spectacular, but Backstage Romance will blow your mind, with stripped back design keeping the focus on the brilliant ensemble and the inspired choreography to a mashup of Lady Gaga, White Stripes and Britney.
A visual feast, with an uplifting soundtrack and stellar performances, Moulin Rouge is unmissable.
Sigmund Freud, one of the most renowned neurologists of his time, changing the way the world thinks with his views and published works on, love, god and sex. C.S Lewis, an atheist recently turned chritistan is writing books that completely undermine the works and career of freud. Putting the two in a room together the very day World War II is declared makes for an extremely interesting and captivating debate, on the meaning of life and everything entangled in our very existence.
The King’s Head theatre was a perfect choice for this play to be put on. The cosy feel of the theatre led to an intense and intimate atmosphere throughout. No line was missed and no beat was skipped. Both Séan Browne and Julian Bird delivered their lines with distinction and clarity being completely in sync with their characters and emotions. Particularly surrounding the false air raid scene, Browne captured the torture and distress associated with an ex World War I soldier suffering PTSD.
The chemistry between these two characters was almost father son like in its debating. With Freud feeling like the superior because of his old age. Bird played Freud as a stubborn man who has simply become more stubborn and insufferable as age tightens her cruel grip on him. However, it is completely contradictory that Browne emits an atmosphere of youthful naivety despite fighting in the previous war, and being almost half the age of Freud. Both of these characters had an air of fascination around them and both Browne and Bird lit the spark and made this debate simply magnetic.
The set design of this production was simple albeit effective. Freud’s desk was true and authentic to the man himself, filled ironically, with pictures and statues of gods and goddesses, something that doesn’t fail to get mentioned and noticed throughout this play. Despite the fact the stage designers had little space to work with, they made it work with clever lighting and furniture; it felt as if the audience really had taken a step into Freud’s office.
The structure of the play is something completely different, while the story doesn’t visibly appear to have an arc, it doesn’t feel as though it is running round in circles either. It is simply an interesting debate neither rising or falling unnaturally with the way it is getting delivered. It is safe to say the aura of this play was alive and beating on with strong electricity from the chemistry of the two onstage and was a fantastic night of theatre to expand one’s mind on how we view life
KHT:50 BARSTOOLS TO BROADWAY CELEBRATING 50 YEARS OF THE KING’S HEAD THEATRE
DETAILS FOR OPENING EVENT AT THE V&A CONFIRMED – PANEL DISCUSSION ON NEW WOMEN’S THEATRE AND LUNCHTIME THEATRE WITH DAME HARRIET WALTER, TIMBERLAKE WERTENBAKER, SUSAN CROFT AND HANNAH PRICE
FESTIVAL TO CLIMAX WITH READINGS OF ELEGIES FOR ANGELS, PUNKS AND RAGING QUEENS MARKING THIRTY YEARS SINCE THE FIRST PERFORMANCE AT THE KINGS HEAD TO BE CAST IN ASSOCIATION WITH THE GRAD FEST
Further details have been announced for KHT50 Barstools to Broadway from The Kings Head Theatre the celebration taking place from 14 – 19 February, marking the successes of the world-renowned pub theatre’s first 50 years with a series of readings of plays that started their lives there, with cast and creative teams with links to the playwrights and original shows.
The celebrations will kick off on Monday 14 February with an event at the V&A in South Kensington, including a staged reading of Timberlake Wertenbaker’sThe Third, directed by Audrey Sheffield with leading stage and screen actor Dame Harriet Walter performing the titular role, followed by a Panel Discussion on New Women’s Theatre and Lunchtime Theatre, where Dame Harriet is joined by playwright Timberlake Wertenbaker, and King’s Head Theatre co-Artistic Director and Joint CEO Hannah Price, hosted by theatre historian Susan Croft. The Panel Discussion will be available to access online, with the play reading only accessible to the in-person audience. Tickets are available now as part of the KHT50: Barstools to Broadway Sovereign experience and will go on sale to the general public on Monday 24 January via the V&A website.
As previously announced, the readings at the Kings Head will be Artist Descending a Staircaseby Tom Stoppard, directed by Tim Luscombe (Tuesday 15 February at 7.00pm), Stephen Jeffreys’ Like Dolls or Angels directed by Annabel Arden (Wednesday 16 February at 7.00pm), Bryony Lavery’s Grandmother’s Steps directed by Abigail Anderson, (Thursday 17 February at 7.00pm) and with Victoria Wood’s Good Fun, directed by Annabel Leventon (Friday 18 February at 7.00pm). Full casting to be announced.
The KHT50 Barstools to Broadway celebrations will close on Saturday 19 February with a double bill reading of Elegies for Angels, Punks and Raging Queens written by Janet Hood and Bill Russell and directed by Bill Russell. This special day also serves to celebrate 30 years since the original 3 King’s Head Theatre production of Elegies for Angels, Punks and Raging Queens, and is taking place during LGBTQIA+ month.
The King’s Head Theatre is working with The Grad Fest to cast the show. The Grad Fest is an organisation set up in 2020 as a response to the lack of professional opportunities 2020 Graduands had access to, due to the Covid-19 pandemic. More information regarding The Grad Fest is available via their website https://www.thegradfest.co.uk/
Mark Ravenhill from The King’s Head said, “King’s Head Theatre are proud to be partnering with The Grad Fest for part of their KHT50: Barstools to Broadway celebration. Putting on a week of readings that reflects on the successes of the last 50 years, we feel it’s important to look forwards to the new talent entering the industry – The Grad Fest perfectly captures the essence of the future of theatre and we’re delighted to be closing the week on that note.”
Bill Russell said, “Directing the London premiere of Elegies for Angels, Punks and Raging Queens at the King’s Head Theatre in 1992 with the largest cast ever to appear on that stage was one of the highlights of my career and life. The power of having 33 extraordinary performers in that intimate space was thrilling. I will treasure those memories forever and am excited to revisit the show for the 50th anniversary celebration of this historically important theatre.
Liam Gartland from The Grad Fest said, “We are thrilled to be working with The Kings Head Theatre and Bill Russell to present ‘Elegies for Angels, Punks & Raging Queens’. This will mark a special moment for The Grad Fest to be able to champion graduate voices and especially those within the queer community during LGBT history month. After the success of our ‘Beyond Proud Festival’ last year which raised funds for Schools Out UK we are very passionate about creating such a pointiate piece of theatre as part of KHT50: Barstools to Broadway.”
Founded by original Artistic Director Dan Crawford, The King’s Head Theatre opened its doors behind a pub on Upper Street in 1970. Over the last 50 years, playwrights, plays and creatives that have passed through its doors have gone onto great heights: spring-boarding them from the Fringe into the West-End, Broadway and beyond. KHT50 Barstools to Broadway celebrates the last fifty years, whilst looking forward to the next 50 years in a new purpose built 220 seat Islington theatre due to open in late 2022.
Ticket prices will range from £10 – £250, with funds going towards supporting and sustaining the theatre’s work in the future.
Co-Artistic Director Mark Ravenhill said, “It’s been fascinating to rummage in the Kings Head archives. This week of readings is a fantastic celebration of some of our best work with audiences who have fond memories of the original productions and to others who were too young to enjoy them first time around. It’s a great way to begin the process of saying goodbye to our beloved but knackered pub theatre as we prepare for our move next door to a purpose built 220 seat theatre, a space for the next generation of theatre makers who I’m hoping will have the same cultural impact as the playwrights we’re celebrating in Kings Head 50’.
The company of Jim Steinman’s Bat Out of Hell the Musical here in the UK is deeply saddened to hear of the passing of their great friend and producer, Meat Loaf. He was with us when the show first launched in London at the Coliseum and in Manchester at the Opera House back in 2016 and then came to the show at the Dominion Theatre in London on 25 July 2018.
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The current UK & Ireland Tour of the musical will perform this evening’s show at the New Wimbledon Theatre in Meat’s memory.
Disney’s beloved Olivier Award-winning stage musical Beauty and theBeast – re-imagined and re-designed in a completely new production staged by members of the original award-winning creative team – will come to London in Summer 2022, as part of its UK & Ireland Tour.
Performances will begin at the London Palladium from Friday 24 June 2022, for a strictly limited season until Saturday 17 September.
Tickets will go on-sale for London at 10am on Friday 28 January. Customers can sign up to be amongst the first to access tickets and can find all tour dates and information at BeautyAndTheBeastMusical.co.uk
The UK tour opened at Bristol Hippodrome on 25 August 2021 and is currently playing at the Sunderland Empire.
Spectacular new designs and state-of-the-art technology fuse with the classic story, as the timeless romantic tale is brought to life on stage like never before, with all the charm and elegance audiences expect from Belle and her Beast.
Courtney Stapleton and Shaq Taylor will play the iconic lead roles. Courtney’s credits include Dear Evan Hansen, Six, Les Misérables and Bat Out of Hell, and Shaq is best known for performing in Girl from the North Country, Hadestown and Hex.
Gavin Lee (Mary Poppins, SpongeBob SquarePants, the Broadway Musical, Les Misérables) plays Lumiere and Tom Senior (The Pirates of Penzance, Eugenius!) is Gaston.
Sam Bailey (The X-Factor winner 2013, Blood Brothers) plays the legendary role of Mrs Potts, with Nigel Richards (The Phantom of the Opera, Les Misérables) as Cogsworth.
Martin Ball (Les Misérables, Wicked, Top Hat) takes the role of Maurice, Samantha Bingley (Martha In The Secret Garden) is Wardrobe, Emma Caffrey (Curtains, 42nd Street, Funny Girl) is Babette and Louis Stockil (Miss Saigon, Mamma Mia!) plays Le Fou.
The full company is completed with Richard Astbury, Sarah Benbelaid, Jake Bishop, Pamela Blair, Liam Buckland, Jasmine Davis, Matthew Dawkins, Autumn Draper, Daisy Edwards, Alyn Hawke, George Hinson, Jennifer Louise Jones, Brontë Lavine, Thomas-Lee Kidd, David McIntosh, Aimee Moore, Sam Murphy, Ashley-Jordon Packer, Emily Squibb, Grace Swaby, India Thornton and Rhys West.
Beauty and the Beast is reimagined in startling new designs which use the latest theatrical innovations. Among the many new features is an exuberant tap dance within the legendary production number Be Our Guest, created expressly for Gavin Lee, recognised as one of the great tappers on either side of the Atlantic.
Olivier Award nominee Matt West directs and choreographs this new production, leading a team that includes composer Alan Menken, lyricist Tim Rice, bookwriter Linda Woolverton, scenic designer Stan Meyer, costume designer Ann Hould-Ward and lighting designer Natasha Katz. The team collectively received five Tony® nominations and a win for Hould-Ward’s costume design, when Disney first debuted Beauty and the Beast on Broadway 28 years ago.
The structure and tone of the story and score – as conceived for the 1991 film by its executive producer and lyricist Howard Ashman with a continued evolution for the Broadway adaptation three years later – made Disney history. Only once before – in Menken and Ashman’s previous film musical The Little Mermaid – had a Disney film been structured like a stage musical where the songs are integral to plot and characterisation rather than only ornamental or digressions. This Menken/Ashman innovation is credited with the 1990’s Disney animation renaissance that went on to create such film classics as Aladdin, The Lion King and Hunchback of Notre Dame and helped re-introduce the book musical form to popular culture.
This new Beauty, while retaining the lush period sound of the Oscar-winning and Tony®-nominated score – which brought classics including Be Our Guest and Beauty and the Beast, as well as Change in Me, added to the musical production in 1998 and retained thereafter – has new dance arrangements by David Chase, allowing original choreographer Matt West to re-visit his work. Longtime Menken collaborators Michael Kosarin and Danny Troob are musical supervisor/vocal arranger and orchestrator, respectively.
Completing the design team, Tony®-winner John Shivers is sound designer, Darryl Maloney is the video and projections designer, and David H. Lawrence is hair designer. Jim Steinmeyer is the illusions designer, as he was on the original 1994 production. Casting for the production is by Pippa Ailion Casting.
The original West End production of Beauty and the Beast opened at the Dominion Theatre in April 1997, playing over 1100 performances to more than two million people. It won the 1998 Olivier Award for Best Musical and enjoyed a hugely successful UK & Ireland tour in 2001.
Based on the 1991 film – the first animated feature ever nominated for an Oscar for Best Picture – Beauty and the Beast opened on Broadway in April 1994 and garnered nine Tony nominations and one win. It played for more than 13 years on Broadway, closing in 2007. It remains to this day – 28 years after it opened – among the top 10 longest running shows in Broadway history. The 2017 live-action retelling of the animated classic quickly became the highest grossing live action film musical of all time, a record only beaten by The Lion King live-action release in 2019.
Beauty and the Beast is produced by Disney Theatrical Productions, under the supervision of Thomas Schumacher.
Beauty and the Beast – 2022 Tour Dates & London Season Information
BAKE OFF THE MUSICAL TO OPEN AT CHELTENHAM’S EVERYMAN THEATRE
· Mark Goucher Productions Ltd presents Great British Bake Off:the Musical a brand new musical comedy inspired by the smash-hit TV series The Great British Bake Off
· World premiere at Cheltenham’s Everyman Theatre on 22 July 2022
· Original score by powerhouse song writing duo Jake Brunger and Pippa Cleary
· Endorsed and created in association with TV series Executive Producer Richard McKerrow and Love Productions
Today Mark Goucher Productions Ltd are delighted to announce Bake Off the Musical will open at Everyman Theatre, Cheltenham on 21 July 2022. Endorsed and created in association with Executive Producer Richard McKerrow and the producers of the TV phenomenon, Love Productions, this musical comedy has perfectly reimagined the nation’s favourite baking show into an ultimately hilarious and charming showstopper.
Follow eight amateur bakers as they compete to impress two iconic judges and battle their way to be crowned champion Star Baker. Each with their own stories to tell, be taken on a heart-warming journey as they face trials, tribulations and baking fails along the way. Throw in a pair of witty presenters and esteemed judges and it’s a recipe for truly wholesome stage entertainment.
It also features an original score, with numbers written by multi-award-winning duo Jake Brunger and Pippa Cleary (The Secret Diary of Adrian Mole, Aged 13¾; Red Riding Hood), critically acclaimed as “one of musical theatre’s most dynamic writing partnerships,” along with familiar West End faces and industry leading musicians.
Produced by Mark Goucher, CEO of eponymous theatre company Mark Goucher Productions Ltd whose current repertoire of worldwide touring shows include the Tony award-winning Priscilla: Queen of the Desert and Hairspray, alongside executive producer Richard McKerrow, CEO of Love Productions and co-creator along with Anna Beattie of The Great British Bake Off phenomenon (Celebrity Bake Off, Bake Off: The Professionals, Junior Bake Off, The Great British Sewing Bee, and The Great Pottery Throw Down) – with a host of smash-hit programmes for Channel 4, BBC One and Netflix – their impressive credentials create nothing short of a production tour de force.
Notwithstanding the devastating impact the pandemic has had on the theatre industry, the Everyman Theatre has had some prodigious successes in recent years attracting high audience occupation rates. It is now very much a try out theatre hosting some of the biggest shows on the touring circuit as well has big comedy names and the seasonal panto has established itself as the must do event for families at Christmas. Co-producing Bake off the Musical is a further example of how this key regional theatre is developing, framing new commercial partnerships and safekeeping its future.
Mark Goucher said “The TV phenomenon Great British Bake Off gets to the heart of the nation, and for a long time I felt that it could work wonderfully well on the stage. We started working on the production a couple of years ago and with this talented creative team and in association with the TV show’s creator I hope we have created a musical comedy that will win over our audiences here at the Everyman Theatre.”
Richard McKerrow said: “This brand-new Bake-Off Musical has been a creative labour of love that has taken several years of painstaking development. But thanks to Mark and his fantastic team of musical producers and writers, who remained passionately committed to the cause, we really hope that this musical version embraces the soulful warmth and humorous spirit of the television show. And that it proves to be a real treat for all the family and anybody who comes. We often say, “Love the Bakers, Love the Baking!” Now it’s time to Love the Singers, and Love the Songs!”
Art with Heart’s new show Stan roars into venues across the UK for Spring tour 10th February – 20th March 2022
Celebrating the power of play, the joy of communication and the positive force of friendship, Stan (named after the T-Rex at Manchester Museum) is a powerful and poignant new production, commissioned by Z-arts and developed by Art with Heart with the help of over 200 deaf and hearing primary school children from Greater Manchester. The production positively demonstrates how we can overcome language barriers, and challenges preconceptions of deafness.
Sam (Ross Thompson) is a happy, dinosaur loving 8-year-old whose world turns upside down after his parents separate. As he takes himself off to the far end of the school field, he meets Alex (Alexandra James), a deaf girl with a vivid imagination – and an impressive collection of dinosaurs. Alex is from a proud deaf family and despite being socially isolated at school, she is strong, smart, sociable and imaginative. The pair form an unlikely friendship and when things at home become too difficult for Sam, Alex whisks him away on an astonishing adventure to meet the almighty Stan, the gigantic T-Rex at Manchester Museum
Stan from Sarah Emmott (Secret Diaries, Declaration) is written and performed in English and British Sign Language and embeds creative captions within the set. The play will be accompanied by post-performance workshops, an education pack including a video of BSL signs to help hearing and deaf children communicate, three Deaf Awareness training events and a dinosaur object handling box with some fascinating objects from Manchester Museum’s collections. The post-performance workshop will be BSL Interpreted and has been designed with both deaf and hearing children in mind.
Sarah Emmott comments Growing up, my parents lived very separate lives (so) my imagination was both my safe escape and my resource to help me understand myself, my feelings and our family situation. I wanted to create a play that reflected how vital imaginative play is as a form of communication, not only with others but with ourselves.
Z-arts commented Art with Heart have put children at the heart of the creation of Stan and tackled tricky issues whilst creating positive representation and a super fun show for families to enjoy. We are so excited to bring this show to Z-arts and for as many of our friends, families and schools to see it as possible.
Mischief brings us the hysterically funny ‘Groan Ups’, where we follow the lives of 5 children through their time at school and into adulthood.
The set was extremely clever and enhanced the performances of the cast with the use of forced perspective. Fly Davies, set director, deserves a special mention for her brilliance and ability. The costumes, Roberto Surace’s department, were also great and when the children grew up into adulthood, the costumes reflected the personalities we had all become accustomed to during the course of Henry Shields brilliant writing.
The 5 main characters, Yolanda Ovide as Moon, Dharmesh Patel as Spencer, Lauren Samuels as Katie, Matt Cavendish as Simon and Daniel Abbott as Archie were superb and together with such great rapport and comedic timing, it made the show really enjoyable and kept the pace so high that we never had a dull moment. For me, the stand out performance was Dharmesh Patel as Spencer. He was so funny and commanded the stage with ease, as well as throwing in some slapstick moments-such as ‘flopping the hamster!’ (You’ll find out when you see it!). Supported by Jamie Birkett and Killian Macardle in various roles, this cast is a sterling triumph.
The main 5 grow up through life and all segment into their own careers, but by the end of the show (the school reunion) they all get back together to divulge secrets once hidden and rekindle old romances.
This truly is a brilliant piece and the perfect pick me up for all ages. It hits home that in all of us, there is a child we never release and you really can grow up but never truly change!
Kenny Wax Family Entertainment in association with MAST Mayflower Studios 2022 tour dates announced for inspiring musical Fantastically Great Women Who Changed the World Friday 25th March – Sunday 17th July 2022
After a hugely successful autumn premiere, the inspiring girl power musical Fantastically Great Women Who Changed the World will return in 2022 for an extensive UK tour. This empowering stage adaptation of suffragette descendent Kate Pankhurst’s award-winning book is brought to life by an incredible all-female creative team.
Celebrated – and often forgotten – women from history are brought to life on stage, from Rosa Parks to Sacagawea, Amelia Earhart to Marie Curie, Mary Seacole to Frida Kahlo and Jane Austen, and Pankhurst’s own relative Emmeline. Inquisitive heroine Jade breaks away from her class trip to the local museum to take a peek at the Gallery of Greatness. Audiences can join Jade in meeting these incredible and inspiring women from the past: from explorers and scientists to artists and secret agents, hear the stories of some of history’s independent icons who really did change the world.
The amazing creative team bringing this uplifting stage show to audiences across the UK includes renowned dramatist Chris Bush (Pericles, National Theatre; Faustus: That Damned Woman, Headlong), with music by Miranda Cooper (Girls Aloud; Sugababes) and Jennifer Decilveo (Miley Cyrus; Ben Platt), director Amy Hodge (Mr Gum and The Dancing Bear – The Musical!, the National Theatre), designer Joanna Scotcher (Emilia, Shakespeare’s Globe/Vaudeville Theatre), choreographer Dannielle Lecointe (Dick Whittington, the National Theatre), lighting designer Zoe Spurr (Emilia, Shakespeare’s Globe/Vaudeville Theatre) and Carolyn Downing (Summer & Smoke, Almeida/Duke of York’s Theatre) as sound designer.
Fantastically Great Women Who Changed the World will be celebrated by anyone who is prepared to move and be moved. With characters and songs that pack a popstar punch, this thrilling show for ages 7+ is guaranteed to be one to remember!
ShowFantastically Great Women Who Changed the World Dates 25th March – 3rd April The Playhouse, Liverpool, Williamson Square, L1 1EL 5th – 9th April The Lowry, The Quays, Salford, Greater Manchester, M50 3AZ
12th – 16th April Rose Theatre, 24-26 High Street, Kingston upon Thames, KT1 1HL 25th – 30th April King’s Theatre, 2 Leven Street, Edinburgh, EH3 9LQ 4th – 7th May Hall for Cornwall, Playhouse, Back Quay, Truro, Cornwall, TR1 2LL 10th – 15th May Exeter Northcott, Stocker Road, Exeter, Devon, EX4 4QB 17th – 22nd May Everyman Theatre, Regent Street, Cheltenham, Gloucestershire, GL50 1HQ 25th – 29th May Oxford Playhouse, 11-12 Beaumont Street, Oxford, Oxfordshire, OX1 2LW 31st May – 4th June Lyceum Theatre, 55 Norfolk Street, Sheffield, South Yorkshire, S1 1DA 7th – 12th June Lighthouse, Poole’s Centre of the Arts, 21 Kingland Road, Poole, Dorset, BH15 1UG 15th June – 17th July Stratford East, Gerry Raffles Square, London, E15 1BN Ages Recommended for ages 7+ Website https://fantasticallygreatwomenthemusical.com/
FULL CAST AND CATALYST TRAINEES ANNOUNCED FORHENRY V
With Tim Price’s new stage adaptation of Ruben Östlund’s Force Majeure currently running, the Donmar Warehouse today announces full cast and CATALYST trainees for Donmar Associate Director Max Webster’s production of Shakespeare’s Henry V.
Joining the previously announced Kit Harington (Henry V) are Jude Akuwudike (King of France/ Archbishop of Canterbury/Sir Thomas Erpingham), Seumas Begg (Jamy/Grey/Gloucester), Claire-Louise Cordwell (Bardolph/Bates), Kate Duchêne (Exeter/Constable of France), Olivier Huband (The Dauphin/Ely), Melissa Johns (Mistress Quickly/Williams/Macmorris), David Judge (Nym/Mountjoy), Danny Kirrane (Pistol/Westmoreland), Anoushka Lucas (Katherine/Gower), Adam Maxey (Orléans/Bedford), Steven Meo (Llewellyn/Falstaff), Marienella Phillips (Alice/Cambridge/Salisbury), Joanna Songi (Scroop/Rambures/Harfleur/Governor/York/Burgundy) and Millicent Wong (Chorus/Boy) with Gethin Alderman, Diany Bandza and Thomas Dennis. The production opens on 22 February, with previews from 12 February, and runs until 9 April.
CATALYST is the Donmar Warehouse’s pioneering career development programme aimed at developing talent which is underrepresented both at the Donmar and in the wider industry. The CATALYST trainees for Henry V are Liam Francis as Assistant Movement Director, Roisin Jenner as Assistant Designer, Jamie Lu as Assistant Sound Designer and Abi Turner asAssistant Lighting Designer.
Donmar Warehouse presents
HENRY V
By William Shakespeare
Directed by Max Webster; Designer Fly Davis; Lighting Designer Lee Curran; Sound Designer
Carolyn Downing; Casting Director Anna Cooper CDG; Video Designer Andrzej Goulding; Movement Director Benoit Swan Pouffer; Music Andrew T Mackay; Costume Supervisor Lisa Aitken; Fight Director Kate Waters; Dialect Coach Fabien Enjalric; Military Consultant Tom Leigh; Resident Assistant Director Dadiow Lin
12 February – 9 April 2022
“No King of England if not King of France!”
Shakespeare’s ever popular play is a thrilling study of nationalism, war and the psychology of power.
Kit Harington leads the cast in an exciting modern production directed by Donmar Associate Director Max Webster, exploring what it means to be English and our relationship to Europe, asking: do we ever get the leaders we deserve?
Jude Akuwudike plays King of France/Archbishop of Canterbury/Sir Thomas Erpingham. His theatre credits include Three Sisters, Moon on a Rainbow Shawl (National Theatre), The Convert (Young Vic), The Faith Machine (Royal Court Theatre), Great Expectations (English Touring Theatre) and Othello (Glasgow Citizens Theatre). His television credits include Gangs of London, Fortitude, In the Long Run and Chewing Gum.
Seumas Begg plays Jamy/Grey/Gloucester. His recent credits include Fantasio (Garsington Opera), The New Prince (Dutch National Opera), Fiddler on the Roof (Grange Park Opera), Navigate the Blood (NOISE) and Falstaff (Opera Bohemia).
Claire-Louise Cordwell playsBardolph/Bates.Her theatre credits include Paradise, Treasure Island (National Theatre), A Kind of People (Royal Court Theatre), A Tale of Two Cities (Regent’s Park Open Air Theatre), Imogen (Shakespeare’s Globe), The Saints (Nuffield Theatre), Carthage (Finborough Theatre), Dangerous Lady (Theatre Royal Stratford East), Beautiful Thing (Royal Exchange Theatre), Oleanna (York Theatre Royal), Orphans (Paines Plough), and Othello (Frantic Assembly). Her television credits include Line of Duty, Bodyguard, Beowulf, The Honourable Woman; and recent film credits include Phea and Snow in Paradise.
Kate Duchêne plays Exeter/Constable of France. Her theatre credits include Suzy Storck (Gate Theatre), Hedda Gabler, Everyman, Hansel and Gretel, A Woman Killed with Kindness, Beauty and the Beast, Attempts on Her Life, Women of Troy, Iphigenia at Aulis (National Theatre/Dublin Abbey Theatre), Waves (National Theatre/UK tour), The Forbidden Zone (Barbican/Amsterdam), Ten Billion (Royal Court Theatre/Avignon Festival), The Trail of Ubu (Hampstead Theatre), Henry VIII (Shakespeare’s Globe), A Midsummer Night’s Dream (City of London Sinfonia), The Sugar Syndrome (Royal Court Theatre), and The Herbal Bed, The Cherry Orchard, The Country Wife and Richard III (RSC). Her television credits include Cursed, Doctor Who, Foyle’s War, Afterlife, Family Life, and Kiss Me Kate;and for film, Roxane, All Good Children and An Education.
Kit Harington plays Henry V.His theatre credits include True West (Vaudeville Theatre), Doctor Faustus (Duke of York’s Theatre), Posh (Royal Court Theatre) and War Horse (NT/West End). His television credits include Game of Thrones, Criminal, Gunpowder, 7 Days in Hell and Modern Love; and for film, Eternals, The Death and Life of John F. Donovan, Brimstone, Spooks: The Greater Good and Testament of Youth.
Olivier Huband plays The Dauphin/Ely.His theatre credits include Barefoot in the Park (Pitlochry Festival Theatre), Such Filthy F*cks (Pleasance Theatre) and An Enemy of the People (Playground Theatre). His television credits include I Hate Suzie, Becoming Elizabeth and Informer; and for film, Mission Impossible: Fallout.
Melissa Johns plays Mistress Quickly/Williams/Macmorris.Her theatre credits include The Prize (Live Theatre), One Flew Over the Cuckoo’s Nest (Sheffield Crucible), and Macbeth and Othello (Lyric Hammersmith). For television, her credits include Life, The Split, I Hate Suzie, Flack and In the Long Run.
David Judge plays Nym/Mountjoy.His theatre credits include A Midsummer Night’s Dream (Manchester HOME), Romeo and Juliet, My Brilliant Friend (National Theatre), Sparkplug (UK tour), The Things We Shouldn’t Otherwise Find (West Yorkshire Playhouse), Fatherland (Lyric Hammersmith/Royal Exchange Theatre), Messiah (Bristol Old Vic), The Kitchen Sink (Oldham Coliseum), Scuttlers, Christmas is Miles Away (Royal Exchange Theatre), Statements (Jermyn Street Theatre), Coming Home, Afterbirth (Arcola Theatre), The Eleventh Capital (Royal Court Theatre) and An Argument About Sex (Glasgow Tramway/Edinburgh Traverse). His television credits include Romeo and Juliet, Prey II, New Street Law;and for film An American Haunting.
Danny Kirrane plays Pistol/Westmoreland. His theatre credits include Jerusalem (Royal Court Theatre), The Hunt, Vassa (Almeida Theatre), Gentleman (Arcola Theatre), We’re Staying Right Here (Park Theatre), As You Like It (Regent’s Park Open Air Theatre), A Little Hotel on the Side (Theatre Royal Bath), Three Sisters (Young Vic), Romeo and Juliet, Boys (Headlong Theatre) and The History Boys (National Theatre). For television his credits include Serpent Queen, Sandman, Safe Space, Don’t Forget the Driver, Wasted and Critical; and for film Peterloo, Game Over and The Hatching.
Anoushka Lucas plays Katherine/Gower.She is a singer, songwriter, actress and composer. Her theatre credits include After Life (National Theatre), Jesus Christ Superstar (Regent’s Park Open Air Theatre), Chiaroscuro (Bush Theatre), Faces in the Crowd (Bush Theatre) and Sparks (Edinburgh Festival/Vault Festival).
Adam Maxey plays Orléans/Bedford. He is a recent graduate of the Guildhall School of Music and Drama. His credits include Il Barbiere di Siviglia (Clonter Opera Theatre) and La Cenerentola (British Youth Opera).
Steven Meo plays Llewellyn/Falstaff.His theatre credits include Les Misérables (Sondheim Theatre), Pride and Prejudice (Regent’s Park Open Air Theatre/UK tour), Much Ado About Nothing, The Taming of the Shrew, Boeing Boeing, Portrait of the Artist as a Young Dog, Under Milk Wood (Theatr Clwyd), Flesh and Blood (Hampstead Theatre/UK tour), The Caucasian Chalk Circle (West Yorkshire Playhouse/UK tour) and Up ‘n’ Under (Bristol Old Vic). His television credits include Stath Lets Flats, Code 404, The Pembrokeshire Murders, Heartland, Torchwood;and for film, Love Without Walls, Viking Siege and Canaries.
Marienella Phillips plays Alice/Cambridge/Salisbury. Her opera credits include Dead Man Walking (Welsh National Opera), Hansel and Gretel (Longborough Festival Opera), Queen Margaret (Downpour Theatre Company), Le Nozze di Figaro (Hewletts Opera), Bradamante (Ensemble OrQuesta) and Alcina (Arcola Theatre).
Joanna Songi plays Scroop/Rambures/Harfleur/Governor/York/Burgundy. Her opera credits include The Turn of the Screw (Glyndebourne Festival/Glyndebourne on tour/Opera de Tenerife), Imago Glyndebourne, The Finnish Prisoner (Paddock Productions) and Hansel und Gretel (West Green Opera).
Millicent Wong plays Chorus/Boy. Her theatre credits include Athena (Yard Theatre), After Life (National Theatre), The Doctor (The Adelaide Festival), The Lion, The Witch and The Wardrobe (Bridge Theatre), The King of Hell’s Palace (Hampstead Theatre) and Pah-La (The Royal Court). Her television credits include Silent Witness, Annika and Dracula.
Max Webster,Associate Director of the Donmar Warehouse, directs. As a theatre director, his work includes Life of Pi (Sheffield Crucible/and currently Wyndham’s Theatre), The Lorax (Old Vic/Children’s Theatre, Minneapolis/Old Globe, San Diego), Fanny and Alexander and Cover My Tracks (Old Vic), As You Like It and Twelfth Night (Regent’s Park Open Air Theatre), The Sea of Fertility and Mary Stuart (Parco, Japan), The Jungle Book and King Lear (Royal & Derngate, Northampton/UK tour), The Winter’s Tale (Lyceum, Edinburgh), The Twits (Royal & Derngate, Northampton), Much Ado About Nothing (Shakespeare’s Globe/World tour), James and the Giant Peach, My Generation (WYP), Orlando, To Kill a Mockingbird and My Young and Foolish Heart (Royal Exchange Theatre), The Chalk Circle (Aarohan Theatre, Kathmandu) and Carnival Under the Rainbow and Feast Kakulu (Hilton Arts Festival, South Africa). Film Credits include The Lorax: In Camera (Old Vic) and How the Grinch Stole Christmas: The Musical (Sky Arts/NBC). Opera credits include La Bohème (Goteborg Opera, Sweden), The Merry Widow (ENO) and Shostakovich’s Hamlet (City of London Sinfonia).
CATALYST TRAINEES
Liam Francis is Assistant Movement Director. He is a dancer and choreographer and has performed for Akram Khan, ZooNation and with Rambert for seven years.
Roisin Jenner is Assistant Designer. She graduated from LIPA’s Theatre and Performance Design course in 2021 and has previously worked as Dresser on The Life of Pi (Wyndham’s Theatre).
Jamie Lu is Assistant Sound Designer. Lu is a performance designer and sound artist and has previously work at Southwark Playhouse, Camden People’s Theatre and Arcola Theatre
Abi Turner (they/them) is Assistant Lighting Designer. They graduated from Rose Bruford’s Lighting Design course in 2020. They have previously worked on productions at Camden People’s Theatre and Theatre503.
HENRY V
LISTINGS
Donmar Warehouse, 41 Earlham Street, Seven Dials, London WC2H 9LX
12 February – 9 April 2022
Captioned: Monday 28 March at 7.30pm
Audio-Described: Saturday 2 April at 2.30pm, touch tour at 1pm
British Sign Language Interpreted: Saturday 26 March at 2.30pm
YOUNG+FREE tickets for 16-25 year olds released by ballot. Sign up at www.donmarwarehouse.com.
Generously supported by IHS Markit.
DONMAR DAILY
New tickets on sale every day at the Donmar. Allocations of tickets from £10 will be made available every day for performances 7 days later. Tickets will be available across the auditorium at every price band.
STANDING TICKETS
£10 standing tickets available from two weeks in advance 10am online, by phone and in person. (Except Press Nights. Subject to availability)
ACCESS
The Donmar Warehouse is fully wheelchair accessible. Guide dogs and hearing dogs are welcome in the auditorium. There is a Loop system and a Radio Frequency system fitted in the main auditorium and there are also hearing loops at all the front of house counters.
ASSISTED PERFORMANCES
If you require a companion to attend the Donmar, their ticket will be free. To book call 020 3282 3808 or email access@donmarwarehouse.com.
For all other access enquiries or bookings call 020 3282 3808.
SEASON AT A GLANCE:
FORCE MAJEURE
Until 5 February 2022
Captioned: 24 January at 7.30pm
Audio-Described: 29 January at 2.30pm, touch tour at 1pm
British Sign Language Interpreted: 31 January at 7.30pm
HENRY V
12 February – 9 April 2022
Captioned: 28 March at 7.30pm
Audio-Described: 2 April at 2.30pm, touch tour at 1pm
British Sign Language Interpreted: 26 March at 2.30pm
MARYS SEACOLE
15 April – 4 June 2022
Captioned: 23 May at 7.30pm
Audio-Described: 21 May at 2.30pm, touch tour at 1pm
British Sign Language Interpreted: 30 May at 7.30pm
The season is presented in partnership with Wessex Grove.
