When Dan Gallagher (Oliver Farnworth) a successful New York Attorney enjoys an evening out with a friend, due to his wife Beth (Louise Redknapp) and their daughter being away for the weekend. He meets the chatty confident beautiful and easy to talk to Alex (Susie Amy). As the night presses on they realise they have things is common. their companies are well known to one another. When the conversation begins flowing with a desire from both sides being shown they make the decision to spend a passionate night together.
Although Dan is about to discover that being unfaithful to his wife wasn’t the best decision, he could have made. With Alex starting to show signs of being slightly unhinged and not leaving him alone will Dan be able to escape what hes started or will things simply become too much to handle!
Susie Amy played her part exceptionally well. She was very believable to watch as she built on her character throughout the production. Taking the audience through a whole range of emotions as well as acting out some excessive and extreme meltdowns that she achieved with excellence.
Oliver Farnworth played a very complexed character that started out quite cocky and arrogant at times. Then followed by torment which he played remarkably along with the self-pity and regret. He was amazing to watch as he went through the different stages of his character.
Louise Redknapp played a very understated person but she couldn’t have done it any better by being the complete opposite contrast to the other women. She done this with ease and was wonderful to watch.
The stage was very intelligently done, with all the different scenes brought to you using the many screens on stage. One moment an apartment in New York then changed to being in the country to a swanky bar, office. With the ability for props to come out from certain sections like a bed or a bar making it even more affective to watch.
Some scenes were very intense with the screens adding to the situations showing visually to enhance your experience along with the tremendous sounds and lighting helping your imagination through the dramatic parts giving it a whole new depth!
All in all, a dark thriller of affairs, mystery and revenge served up at its very best!
Australian star singer and actor Jason Donovan will play Teen Angel at certain performances in a new production of Jim Jacobs & Warren Casey’s iconic musical GREASE, opening at the Dominion Theatre on Tuesday 17 May 2022, with previews from Tuesday 3 May 2022. Donovan’s first performance will be Wednesday 29 June. Patrons are advised to check the website for his performance schedule.
GREASE is directed by Nikolai Foster and choreographed by Arlene Phillips.
Jason Donovan first appeared as Scott Robinson in the hit Australian series Neighbours in the 1980s. He then followed on as a recording artist and had several hit songs in the late 1980s. His album Ten Good Reasons was the best-selling album of 1989. His hit songs included Too Many Broken Hearts, Especially For You (with Kylie Minogue), Any Dream Will Do, Sealed With A Kiss, and many more. On stage, he had a record-breaking run in Joseph and the Technicolor Dreamcoat and subsequently starred in The Rocky Horror Show, Chitty Chitty Bang Bang, Priscilla, Queen of the Desert, The Sound of Music, Annie Get Your Gun, The King’s Speech, Million Dollar Quartet, Jeff Wayne’s The War Of The Worlds and Chicago. In 2019 and 2021, Jason spent the summer months at the London Palladium as Pharaoh in Joseph and the Amazing Technicolor Dreamcoat and is currently starring in the UK tour. Jason’s recent TV credits include ITV’s Dial M for Middlesbrough and Dave’s Meet the Richardson’s.
Jason Donovan said “As a lifelong fan of the show, I’m thrilled to be joining the cast of Grease in the role of Teen Angel at the Dominion Theatre for 6 weeks this year. While I may have missed the boat on playing Danny, the Teen Angel seemed like the perfect fit. I especially look forward to those few performances I get to perform with Peter Andre as Vince Fontaine. Who would have thought two Aussie’s would take to the West End in such a well-loved musical, singing the most iconic songs? Roll on June.”
Also in the cast are Dan Partridge (Link Larkin in Hairspray UK tour & Pepper in MAMMA MIA! West End) and Olivia Moore (Waitress at the Adelphi Theatre & Heathers at Theatre Royal Haymarket) as Danny and Sandy respectively, with Jocasta Almgill (& Juliet at Shaftesbury Theatre) as Rizzo, Paul French (Grease UK tour) as Kenickie, Noah Harrison (Arts Educational School graduate) as Roger, Mary Moore (Little Women at Park Theatre) as Jan, Jake Reynolds (professional debut) as Doody, Lizzy-Rose Esin-Kelly (A Chorus Line at Curve) as Marty, Damon Gould (Pretty Woman: The Musical at Savoy Theatre) as Sonny, Eloise Davies (Be More Chill at The Other Palace) as Frenchie, Darnell Mathew James (Urdang Academy graduate) as Eugene, Jessica Croll (Hairspray UK tour) as Patty Simcox, Katie Lee (Matilda The Musical at Cambridge Theatre) as Cha Cha, Ronan Burns (West Side Story at Curve) as Johnny Casino and Corinna Powlesland (An Officer and A Gentleman at Regents Park Open Air Theatre) as Miss Lynch. Darren Bennett (Dirty Rotten Scoundrels at the Savoy Theatre) will play Officer Mailie and Vince Fontaine at certain performances. They are joined by Jack Harrison-Cooper, Pearce Barron, Ben Culleton, Rishard-Kyro Nelson, Ellie Kingdon, Kamilla Fernandes, Remi Ferdinand, Kalisha Johnson, Zack Guest, Imogen Bailey, Kevin O’Dwyer and Carly Miles.
GREASE originally opened in Chicago in 1971, followed by a move to Broadway in 1972, where it received seven Tony Award nominations, including one for Best Musical. During the show’s eight-year run at the time, little known actors including Peter Gallagher, Patrick Swayze and John Travolta all appeared in the production, with Richard Gere understudying many roles before going on to star as Danny Zuko in the 1973 London premiere. GREASE was first performed at the Dominion Theatre in 1993 before transferring to the Cambridge Theatre in 1996. It returned to the West End, opening at the Piccadilly Theatre in 2007.
The 1978 film adaptation starring John Travolta and Olivia Newton-John is the fourth highest-grossing live action musical of all time. The musical features beloved songs, including Summer Nights, Greased Lightnin’, Hopelessly Devoted To You and You’re The One That I Want.
GREASE has designs by Colin Richmond, orchestrations and musical supervision by Sarah Travis, lighting design by Ben Cracknell, sound design by Tom Marshall and Richard Brooker, video and projection design by Douglas O’Connell and casting by David Grindrod CDG.
This production of GREASE is produced by Colin Ingram for InTheatre Productions, Donovan Mannato, Playing Field, Gavin Kalin, and Curve.
LISTINGS INFORMATION
3 May – 29 October 2022
Dominion Theatre
268-269 Tottenham Court Road
London
W1T 7AQ
Performances: Monday to Saturday at 7.30pm, Thursday* & Saturday at 2.30pm
York Theatre Royal – until Saturday 26th March 2022
Reviewed by Michelle Richardson
3***
Northern Broadsides, with their 30th production, are once again gracing the stage at York Theatre Royal with their adaption, in conjunction with New Vic Theatre, of the Shakespearian comedy As You Like It.
As You Like It follows its heroine Rosalind (EM Williams) as she flees persecution in her uncle’s court. Accompanied by her cousin Celia (Jo Patmore) and disguising herself as a boy, they both eventually finding safety and love in the Forest of Arden. This is a show of drama, full of treachery, unrequited love, silliness, but ultimately it ends up being a love story, with everything falling into place and coming right in the world.
The set comprises of vintage clothes hanging mid-air, various hat stands around the stage, with a large one centre stage, which is used as a maypole in the show’s finale. The hat stands are well utilised to depicts the Forest of Arden and a sheep’s pen. Clothes rails are used for actors to change clothing on stage, with actors jumping through them to exit the stage. The costumes are very eclectic, bold and beautiful.
The ensemble cast, with Patmore taking on the role of Celia, as well as her other roles, and Robin Simpson stepping in to take on the role as Jacques, bring an energy to the piece. The comedy element of the play is most evident in the bizarre, hilarious sheep piece, where we see three of the actors on all fours, clip clopping around on the stage. Joe Morrow as Touchstone the Clown is a good fit with his improvised comedy. He has a great rapport with the audience, not surprising due to his background in compering and cabaret, very natural in his sparkly red shoes.
Patmore not only makes us laugh as William, fully of swagger in his exceedingly large puffer coat, but brings a warmth to proceedings with her Celia. She also has a beautiful voice, she is the whole package. The most notable performance though must surely go to Williams. They bring so much vitality and physicality to their character, Rosalind/Ganymede and show great dexterity with their, what I would describe as pole dancing, on the largest of the hat stands.
At times I did struggle to hear what was being said and found a few sections overly long, the play could have been shorter. To be fair I’m not the biggest fan of Shakespeare, yes, I’ve said it, but this is worth a watch for the performances alone.
This is not Shakespeare quite as you imagine it, it is Shakespeare with northern accents, reimagined for a modern audience. With the lead being played by non-binary actor EM Williams and other roles where gender, race or disability have no bearing, this is a truly inclusive cast, indicative of today’s world
Due to phenomenal demand, the smash-hit, Olivier-nominated THE CHOIR OF MAN returns to The Arts Theatre in London’s West End this autumn, with performances beginning 1 October 2022. Tickets will be on sale from 10.00am, Friday 25 March.
Casting is to be announced.
The initial limited season at The Arts Theatre will finish on Sunday 3 April 2022. This month, it was announced that the show has received an Olivier nomination for Best Entertainment or Comedy Play.
THE CHOIR OF MAN has previously played three sell-out seasons at the Sydney Opera House and multiple sold-out US and European tours.
THE CHOIR OF MAN is the best lock-in at your local you’ll ever have, featuring amazing reinventions of folk, pop, Broadway and rock chart-toppers from artists including Guns ‘N’ Roses, Fun!, Adele, Avicii, Paul Simon, Sia and many more. It’s a party, it’s a concert and it’s a lock-in like no other.
The multi-talented cast combine beautiful harmonies and foot-stomping singalongs with world-class tap dance and poetic meditations on the power of community. This is a riotously feel-good homage to that gathering place we all love: the pub, complete with a real working bar on stage.
THE CHOIR OF MAN is created by Nic Doodson and Andrew Kay, directed by Nic Doodson, with musical supervision, vocal arrangements and orchestrations by Jack Blume, movement direction and choreography by Freddie Huddleston, monologues written by Ben Norris, scenic design by Oli Townsend, lighting design by Richard Dinnen, costume design and associate scenic design by Verity Sadler, sound design by Sten Severson, casting by Debbie O’Brien. Associate Choreographer is Rachel Chapman and Associate Musical Director is Hollie Cassar.
The show is produced by Immersive Everywhere, Nic Doodson, Andrew Kay, Wendy & Andy Barnes and AK Theatricals.
AT THE TURBINE THEATRE FROM 30 JUNE TO 7 AUGUST 2022
Based on real events from the perspective of the writer and the autistic community, A-Typical Rainbow, running at The Turbine Theatre for a limited run from 30 June until 07 August, is an uplifting play about the experience of growing up neurodivergent and queer in early 2000s Britain. Both comedic and poignant, it explores how, through repression and shame, autistic people are made to feel by both adults and peers alike, shaping the adult they become today.
The production will be directed by Bronagh Lagan, who recently directed Cruise, which has just been nominated for an Olivier for Best Play, and is currently directing Broken Wings and The Rise and Fall of Little Voice.
An overly imaginative autistic child’s vast and glorious fantasy worlds rule his life in beautiful and horrific ways from an early age. His mother decides to seek help for him in the early 2000’s to allow him to adapt to the ‘real world’ that we all must live in. This removes him from the fantasy realm and gives him a chance at normalcy, all be it at the significant cost of his own authenticity.
From the household kitchen to employment at a world-famous travelling circus, the young boy faces the trials of choosing between being honest in an unaccepting world, or attempting to fit in. It is through love, friendship, harsh lessons, bigotry, reality, and fantasy that he learns he ultimately must make a choice – be honest and risk stigma or continue to hide unhappily and unprogressively?
JJ Green, Writer, has said “this play was written by an autistic writer, has been read and approved by many autistic artists & marks the first time a piece of theatre has been written about us, by us, for you. It is commonplace for stories to be told about us – without us. This play aims to change that. It feels surreal & entirely golden to see what started off as words on a page finally come to life on stage. I feel incredibly lucky, excited and proud to be bringing Atypical Rainbow to the Turbine Theatre and can’t wait to share my world with others in such a unique way, properly, for the first time with a team of creatives and cast performing telling a story about autism through our own lens.”
JJ has amassed a supportive and engaged following on social media during the pandemic due to his insightful and passionate advocacy for autistic artists like himself in theatre spaces. He has been an integral part of shaping Actor’s Equity’s most recent guide for working with autistic artists.
Atypical Rainbow has composition and sound design by Max Alexander-Taylor (soon to star in The Lion at Southwark Playhouse), who is autistic, and choreography by William Spencer, who is neurodivergent.
Known as a radio play it is read in an authentic studio setting, brought to life with live sound effects in the style of a vintage radio drama live on stage. It depends on dialogue, music and sound effects to tell its story. Theatre Royal Windsor proved to be an ideal venue for The Unexpected Guest.
The play opens with sounds of a crash and thunder and the appearance of Michael Starkwedder, played by Khris Marshall, arriving at a country house late at night. He finds Laura Warwick, played by Sally Bretton, holding a gun, with her husband lying dead. Both leading actors gave strong convincing performances whilst they tried to assess and make sense of what had just happened. They set the scene of what was to follow.
Other outstanding performances were from Inspector Thomas, played by Robert Duncan and Mrs Warwick, played by Marti Webb. The other members of the cast, actors Jeffrey Harmer, Martin Carroll, Rosie Thomson and Joe Trancini, all gave strong supporting performances.
The dialogue and clear diction from all the cast made the play a pleasure to watch. The final twist at the end of the play, although predictable to some, achieved a gasp from the audience. The performance was very well received and is to be thoroughly recommended.
Five individuals have been honoured with Special Recognition Awards ahead of the Olivier Awards 2022 with Mastercard, recognising their outstanding contributions to the theatre industry.
Lisa Burger, Executive Director and Joint Chief Executive of the National Theatre for the past 20 years, has been awarded for her role in expanding the theatre’s reach, forging partnerships UK-wide and playing a key part in the industry’s pandemic recovery through initiatives like NT At Home.
Designer Bob King receives an award for creating some of theatre’s most iconic and instantly recognisable visuals for hit shows in the West End over a 40-year career – including the artwork for Oliver!, Back To The Future, Frozen, Mary Poppins, Tina – The Tina Turner Musical and many more.
Gloria Louis is awarded for her trailblazing career, which began front of house at the Strand Theatre (now the Novello), progressed into theatre management and now to a role as the inclusion and diversity lead for Delfont Mackintosh Theatres, using her knowledge, passion and dedication to inspire young people from all backgrounds about theatre careers.
Also recognised is Susie Sainsbury, whose long-time philanthropy and support of the arts has made a significant difference to theatre in London and beyond. She founded The Backstage Trust to fund live arts projects and was also instrumental in the creation of the Theatre Artists Fund during the pandemic.
Influential theatre school founder Sylvia Young has been recognised for giving countless students opportunities to study performing arts and go on to prolific careers in theatre, film and TV, since she first started teaching in 1972.
Julian Bird, Chief Executive of Society of London Theatre and Executive Producer of the Olivier Awards, said:
‘The Special Recognition Olivier Awards shine a spotlight on inspirational individuals doing vital work, often behind the scenes, who have been a force for good and helped shape our industry in a wide range of ways. The five people we are honouring this year have all inspired generations of colleagues and theatre audiences, been pioneers in their fields and are hugely deserving of this long-due recognition. It is a privilege to celebrate their achievements as part of this year’s Olivier Awards.’
The Olivier Awards will take place on Sunday 10 April at the Royal Albert Hall, hosted by Jason Manford. This year will see sustainability take centre stage, with guests walking a ‘Green Carpet’ of real, reusable grass, and headline sponsor Mastercard pledging to plant a tree for every public ticket sold via Priceless.com.
“Oh What a NIght!” – It’s easy to see why Jersey Boys is such an award winning and popular musical. It’s a feel good night out and jam packed with more than 30 hits and as you sit back and listen it’s easy to forget just how many top songs this quartet produced over the years. Seeing this musical for the first time you may be fooled into thinking you’re unfamiliar with the songs, but once you hear them, they are all recognisable.
Telling the story of the Four Seasons, each band member gets a season to tell his tale. But as they say in the show “take four different men and you’ll get four different versions”. It turns out there was a lot more to the group than close vocal harmonies and hit records, their colourful story – of ducking and diving, wise guys and hustles, failed relationships, rows, retribution and eventual redemption – makes this a jukebox musical with a real story to tell.
Cleverly the show is split into the four seasons – Spring, Summer, Fall and Winter, giving each band member a chance to tell the audience their side of the story; all of them working their way into the audience’s affections. Regardless of their various differences, we know and care about Bob Gaudio, Tony DeVito, Nick Massi and Frankie Valli, and it’s that which gives their song lyrics extra resonance.
We start with Tommy DeVito (Dalton Wood) and Spring. DeVito, a petty criminal, with a criminal record a mile long, but with a musical talent and a dream to escape. He put together a band with his brother Nick and Nick Massi (Lewis Griffiths) and gave Francis Castelluccio the big break that turned him into Frankie Valli (Michael Pickering and Luke Suri on alternate dates). With a few stints in prison, and brother Nick not coming out of jail for a long time, the band begins.
With the joining of Bob Gaudio (Blair Gibson) and the name The Four Seasons taken from the local bowling alley, the band hits big and Bob gives us his Summer.
A chance meeting with Bob Crew (Michael Levi) gives them the recording contract they desire and with Gaudio’s writing talent a slew of hits appear from Sherrie, to our first ovation of the night Walk Like A Man. But as the hits keep coming DeVito’s spending gets worse and by the end of the first half the boys are in a million dollars worth of debt to the tax and the Mob.
Nick Massi’s Fall comes next. Lewis Griffiths must be able to act the role in his sleep, having done it so many times before. But long may it reign, Massi is the quiet member of the band, big on harmonies and Griffiths has a lovely deep vibrancy in his vocals. We are then followed by Valli’s winter including the tragic death of his daughter.
But the hits continue and the second ovation is for Can’t Take My Eyes Off of You, the song none of the record producers wanted to touch but was a huge commercial success.
It’s a bittersweet story. Valli’s immediately recognisable distinctive voice gives rise to some amazing vocals during the show.
It would be all too easy to put this show on the road as another jukebox musical, a limp through the history of a household name, but the narrative is as strong as the score and really packs a punch in the emotional moments. Klara Zieglerova’s restrained design, a framework of scaffolding encloses the action. At the back of the stage, huge Roy Lichtenstein-style cartoons show comic-strip girls with ponytails, huge tears and speech bubbles, while against the oranges and reds of what seems to be a perpetual sunset is an industrial silhouette of chimneys and pylons.
The band is led by Griff Johnson with Ed Hewlett, Tara Litvack,Craig Oxley, Marcus Pritchard and Stephen Fawbert on a motorised drum set that travels the stage.
In Sunderland until 2 April and then on tour. This is a show not to be missed
Producers Immersive Everywhere, in association with Caryn Mandabach Productions and Steven Knight announce that PEAKY BLINDERS: THE RISE, a brand-new immersive theatre show, live at The Camden Garrison at the Stables Market, Camden, London is now on sale, with performances from Thursday 23 June 2022.
Tommy invites you to a family meeting in the heart of Camden Town, where the Shelby family have acquired new headquarters. From here, they will launch their ambitious campaign to take over London.
PEAKY BLINDERS: THE RISE is the first official fully immersive 360-degree theatre show set in the world of one of the most globally successful drama franchises, “Peaky Blinders”. Audiences will be welcomed to a specially adapted performance space, The Camden Garrison in Camden Market, just moments away from the setting for Solomons’ Yard from the TV series.
PEAKY BLINDERS THE RISE will follow the rise in the fortunes of Tommy and the Shelby family as the unfolding story and live actors place the audience right at the heart of the Peaky Blinders, their associates, and their enemies.
With multiple storylines and venues to explore from betting shops and The Garrison, all the way through to the infamous Eden Club, PEAKY BLINDERS THE RISE is the unmissable immersive show live in London from June 2022.
The Creative Director and Director of PEAKY BLINDERS: THE RISE is Tom Maller (Doctor Who: Time Fracture (Immersive Everywhere) and Arcane, Casino Royale, Romeo + Juliet and Blade Runner: Final Cut (Secret Cinema)) and Production Designer is Rebecca Brower (Doctor Who: Time Fracture (Immersive Everywhere), Arcane (Secret Cinema), Bat Out Of Hell).
Peaky Blinders, the TV series, was created and written by Steven Knight (Dirty Pretty Things, Eastern Promises and Locke) and recently returned for its final season, receiving five-star reviews and enjoying record viewing figures. The multi award-winning BBC One/iPlayer and Netflix series is owned and produced by Peaky Blinders’ official series and brand owner, Caryn Mandabach Productions and the television series is co-produced with Banijay Group’s Tiger Aspect Productions.
From Thursday 7 April 2022, Ellis Dackombe, Tamara Perks and Tasha Sheridan will join the cast of MAMMA MIA! THE PARTY at The O2 London. They will join Fed Zanni who plays Nikos, Kimberley Powell who will take over as Kate, Linda John-Pierre who plays Debbie, Jonathon Bentley who will take over as Adam, Molly Cleere who will take over as Kostantina, Allie Ho Chee who plays Bella, Jessica Spallis who will take over as Nina, Dawn Spence who plays Grandma, Gregor Stewart who plays Fernando and Oscar Balmaseda, Claudia Bradley, and Garrett Tennant. The musicians are John Donovan, Luke Higgins, Kathryn Tindall, Steve Rushton and Mark Pusey.
MAMMA MIA! THE PARTY, London’s premier dining experience, is currently booking until Sunday 2 October 2022.
Created by ABBA’s Björn Ulvaeus, MAMMA MIA! THE PARTY is a unique and magical experience in a class of its own, bringing all ABBA’s hits to life more vividly than ever before: over the course of four glittering hours, guests can immerse themselves in a spectacular musical extravaganza, a four-course Greek feast and an ABBA disco, all in one unforgettable evening of dancing, dining and singing!
MAMMA MIA! THE PARTY is set in a taverna on the beautiful Greek island of Skopelos, where most exteriors of the first MAMMA MIA! film were shot. Nikos and his wife Kate run this exotic and wonderful restaurant together with their family and friends. Told through dialogue and timeless ABBA songs, a warm, romantic and funny story evolves and unfolds during the evening, taking place around the guests as they sit at their tables enjoying a gourmet Greek meal. The evening ends with a 1970s disco, where audience members are welcome to stay to sing and dance to ABBA recordings.
Food is at the heart of the experience and a menu has been created that collects the finest Greece has to offer, made from the best, freshest ingredients. Guests are served with a traditional mezze followed by the iconic Greek salad of fresh cherry tomatoes, cucumber and feta. For the main course, confit lamb shoulder and slow-cooked beef are served with roasted garlic potatoes, courgettes peperonata, romesco and aromatic jus. For vegetarian and vegan guests, there is roasted cauliflower with a lemon-herb dressing and stuffed tomato with lentil ragout. A sumptuous Greek lemon cake served with confit orange skin and citrus yoghurt is the perfect end to this delicious meal. Vegan guests are served traditional loukoumades, delicious dough balls accompanied by a sweet fig jam.
Guests can get the ultimate MAMMA MIA! THE PARTY experience with one of the available packages. The Platinum Package provides a Tier A ticket in a prime location, a meet & greet and photo opportunity with members of the cast right at your table, champagne on arrival, half a bottle of wine and a MAMMA MIA! THE PARTY merchandise party pack. Guests can also upgrade their existing booking by adding the VIP upgrade package, taking their experience to the next level with champagne on arrival, half a bottle of wine and a MAMMA MIA! THE PARTY merchandise party pack.
MAMMA MIA! THE PARTY has music and lyrics by Benny Andersson and Björn Ulvaeus (some songs with Stig Anderson), and a story by Calle Norlén, Roine Söderlundh and Björn Ulvaeus, with the English book by writer, comedian and broadcaster Sandi Toksvig.
The London version of MAMMA MIA! THE PARTY, which originally opened in Stockholm in January 2016, is co-directed and choreographed by Stacey Haynes and Roine Söderlundh, with set designed by Bengt Fröderberg, lighting designed by Patrick Woodroffe, sound designed by Gareth Owen, costumes designed by Annsofi Nyberg, music supervision by Robin Svensson and casting by David Grindrod CDG for Grindrod Burton Casting.MAMMA MIA! THE PARTY is executively produced by Björn Ulvaeus and produced by Sally Davies for U-Live.
Tickets: From £99 to include admission, a four-course set meal and welcome drink (additional drinks extra)*
Platinum Package: From £195 to include a Tier A ticket, a four-course set meal, cast meet & greet, champagne on arrival, half a bottle of wine and Mamma Mia! The Party merchandise pack (limited Platinum Packages are available per party)*
VIP Upgrade Package: £25 in addition to the price of an existing booking to include; champagne on arrival, half a bottle of wine and a Mamma Mia! The Party merchandise party pack*
*All listed prices are per person plus booking fees.
Performances: Wednesday to Sunday doors open at 6:30pm, Saturday & Sunday at 12:00noon**
