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Freckle Productions present

PARTNERS WITH THE MONTAGUE ON THE GARDENS THIS CHRISTMAS FOR WINTER LODGE DINING EXPERIENCE

STICK MAN TICKETS ON SALE HERE

WINTER FONDUE BOOKINGS HERE

STICK MAN WILL RUN AT THE BLOOMSBURY THEATRE

THURSDAY 4 DECEMBER – SUNDAY 4 JANUARY

This Christmas, Julia Donaldson and Axel Scheffler’s beloved Stick Man returns to the Bloomsbury Theatre, for their annual festive run in the capital, running from Thursday 4 December 2025 – Sunday 4 January 2026 with a press performance on Friday 5 December at 1pm. The production has partnered with The Montague on the Gardens hotel to offer theatre goers a unique family experience this festive season.

Nestled in the heart of Bloomsbury, The Montague on the Gardens’ enchanting pop-up Winter Lodge is adding a touch of magic to family outings. Children attending the Stick Man performance are invited to indulge in a complimentary signature hot chocolate, available before or after the show, and enjoy themed colouring sheets and posters — the perfect way to embrace the holiday spirit. For those looking to elevate the experience, families can upgrade to the lodge’s celebrated cheese fondue. Crafted with rich Swiss Gruyère and Vacherin, this indulgent treat is served with crusty bread, potatoes, gherkins and all the classic accompaniments. Curated children’s menus are also available.

The Winter Lodge offers an inviting retreat into warmth and charm, where freshly fallen snow and the gentle crackle of a fireplace transport guests far from the city into a serene winter escape. Styled as a traditional log cabin, this intimate setting is perfect for couples, friends, or groups of up to 30. Adorned with twinkling lights and infused with the scent of pine, it stands as Bloomsbury’s very own festive hideaway.

Jennifer Sutherland from Freckle Productions said,”We are elated to partner with the Red Carnation team again this year after our prior collaborations with our shows Zog and the Flying Doctors and The Baddies. Stick Man is a perennial family favourite, and we hope that this new dining experience will add another layer of fun this festive season! 

“We’re delighted to partner with the Bloomsbury Theatre for the return of Stick Man this Christmas,” comments Managing Director of The Montague on the Gardens, Dirk Crokaert. “Our Winter Lodge provides families with a touch of gourmet magic in the heart of Bloomsbury, and with its cosy log cabin setting, twinkling lights and festive charm, it’s the perfect way to make a theatre trip even more memorable. At The Montague, we pride ourselves on warm hospitality and outstanding service, ensuring every family feels truly welcome and cared for throughout their visit.”

‘Stick Man lives in the family tree 
With his Stick Lady Love 
and their stick children three…’ 

What starts off as a morning jog becomes quite the misadventure for Stick Man: a dog wants to play fetch with him, a swan builds a nest with him, and he even ends up on a fire! How will Stick Man ever get back to the family tree in time for Christmas?” 

Stick Man has become a much-loved festive tradition, enchanting audiences in London’s West End and across the UK for more than a decade.   This acclaimed adaptation from Freckle Productions, the team behind Zog, The Baddies, and Zog and the Flying Doctors, features a trio of top actors and is packed full of puppetry, songs, live music and funky moves! 

Tickets for Stick Man can be booked here.  

To redeem the children’s complimentary hot chocolate, please show your Stick Man theatre tickets to the hotel team upon arrival.

 The Cheese Fondue Experience at The Winter Lodge, The Montague on the Gardens starts from £60 for two people sharing. For more information, please see here. Instagram @montague_hotel.
Please note: The fondue is prepared with wine; however, the alcohol is fully cooked off during the process. Parents may use their discretion when deciding whether their children should enjoy the fondue.

The London cast features Shaun Mendum (CATS the Musical; Romeo & Juliet) as ‘Stick Man’, Eleni Papaioannou (Dear Santa, UK Tour; Stick Man, UAE and The Lowry) as ‘Stick Lady Love’, Elizabeth Ellen as Swing and Peter Shipway (Stick Man, The Lowry, Salford) as ‘Actor/Musician’.  

The creative team includes director Mark Kane, composer Benji Bower, musical director Brian Hargreaves, assistant director Emily Pollet, designer Katie Sykes lighting designer Eleanor Higgins, production manager Suzie Normand, and costume supervisor Louise Smith. 

Stick Man is adapted from the book by Julia Donaldson, the multi award-winning author of some of the world’s best loved children’s books including The Gruffalo and Zog. Julia is best known for her popular rhyming stories for children, especially those illustrated by Axel Scheffler, which have sold over 75 million copies and have been published in over 100 languages. 

Stick Man is a perennial bestseller and has been translated into 23 languages. In 2015, Magic Light Pictures premiered the animated film of Stick Man with an all-star cast including Martin Freeman, Jennifer Saunders and Hugh Bonneville. The film was the 4th most-viewed 2015 Christmas Day TV programme in the UK, and the book went to number one in the children’s chart. Stick Man celebrates its 18^th anniversary this year. 

Facebook, Instagram – @StickManOnStage 

TikTok – @freckle_prods 

CHANNING TATUM’S

MAGIC MIKE LIVE IN LONDON

EXTENDS RUN

AT THE HIPPODROME CASINO

TO SUNDAY 3 JANUARY 2027

ON SALE TODAY

MARKING THE SHOW’S 7^th BIRTHDAY

Channing Tatum and his co-producers are delighted to announce a new booking period for Magic Mike Live at The Theatre at the Hippodrome Casino in London. Patrons will be able to book performances through to Sunday 3 January 2027 from today, Friday 28 November 2025 at 12pm, marking the West End production’s 7^th Birthday.

The cast of Magic Mike Live in London currently includes Espoir Alpha, Clare Billson, Nick Brown, Jo Calderwood, Jake Cocca-Brewer, Reece Darlington-Delaire, Taylor Diamond-Lord, Ryan Elson, Carles Escoms Ferrer, Myles Harper, “Sweeney” Todd Holdsworth, Jack Manley, Amy Nic, James Percy, Charlotte Perry, Shane Scarth, Kevin Velez and Marcus Vrondas.

Created and co-directed by Channing Tatum, Magic Mike Live, celebrates its 7^th Birthday in London, having performed 2800 shows in the West End and wowed over 850,000 people in London and more than 2,000,000 worldwide. It is a large-scale, live production show based on the hit films Magic Mike and Magic Mike XXL, which opened at The Theatre at the Hippodrome Casino in London’s Leicester Square in November 2018.  Magic Mike Live inspired a new television series on HBO Max, Finding Magic Mike, and the third instalment of the Magic Mike film franchise, Magic Mike’s Last Dance. Magic Mike Livehas become an international sensation since opening in Las Vegas in April 2017.  In addition to breaking box office records and performing to sold-out audiences in Las Vegas and London, the show has thrilled audiences around the world with engagements in Berlin, Australia, and Miami and Dallas in North America.

From the bespoke entrance off Cranbourn Street, to the specially curated lounge and bar experience, to the cast of world-class performers, Magic Mike Live is a complete evening of unparalleled entertainment for guests aged 18 and up.  Audience members enter Magic Mike’s mythical club and marvel as a group of extraordinary artists perform a 360-degree dance and acrobatic spectacular in front of, behind, and above them.  Sexy dance routines intertwined with one-of-a-kind acts, are presented by a diverse cast of performers from around the world.

Guests can also enjoy pre and post-show cocktails and cuisine at two bespoke bar and lounge experiences – Permission and Archive & Myth – designed and curated by Magic Mike Live designer Rachel O’Toole. Patrons can either book their spots in advance or drop in if they fancy an intimate and luxurious space to unwind in the heart of London’s West End.

Permission was recently voted one of Open Table’s ‘Top 10 Best Restaurants in London.’ The intimate and atmospheric lounge, located just steps from the theatre entrance offers a range of food and beverage options, as well as live music curated by the Magic Mike Live team.

Recently named one of the UK’s Top 50 Cocktail Bars, Archive & Myth is hidden beneath the Hippodrome Casino and is accessed by a password-protected door off Cranbourn Street.  This secret bar offers a stylish escape from the Square’s hustle and bustle, with a tempting menu of elevated classic cocktails, bespoke vintage spirits and light bites, enjoyed in an elegant space that is richly-inspired by the heritage and legends of the venue itself.

Patrons can also book a VIP Luxe Seats package, guaranteeing the best seats in the house, complimentary cocktails, and entry to Permission with a personal concierge escort to the show. The VIP Luxe package also includes a meet and greet with some of the dancers after the show. For more information visit magicmikelondon.co.uk

Magic Mike Live in London is co-directed by Channing Tatum and Alison Faulk, with Luke Broadlick as associate director, and choreography by Alison Faulk and Luke Broadlick.The Executive Producer is Vincent Marini with General Management by Crossroads Live. The production designer is Rachel O’Toole, with scenic design by Rob Bissinger and Anita LaScala (Arda Studio), costume design by Marina Toybina, lighting design by Philip Gladwell and video design by Luke Halls.  Musical supervisor is Jack Rayner, with sound design by Nick Kourtides. Dreya Weber is aerial choreographer & aerial apparatus designer and Ross Sands is resident choreographer. 

Magic Mike Live is produced in London by Channing Tatum, Reid Carolin, Greg Jacobs, Peter Kiernan, Steven Soderbergh, Nick Wechsler and United Talent Agency in association with Warner Bros., Vincent Marini, The Hippodrome Casino, Bruce Robert Harris and Jack W. Batman, TSG Entertainment & Ashley DeSimone, Richard Winkler and The Creative House.

LISTINGS INFORMATION

Magic Mike Live

The Theatre at the Hippodrome Casino

Cranbourn Street

Leicester Square

London WC2H 7JH

Website:  www.magicmikelondon.co.uk  

Twitter:  @MagicMikeLDN

Facebook:  @MagicMikeLDN

Instagram:  @MagicMikeLiveLDN

TikTok:  @Magicmikelivelondon

Box Office:  tickets@magicmikelondon.co.uk

Ticket Prices from: £42 (including booking fee)

Current Booking Period: Sunday 28 June 2026

Running Time:  approximately 90 minutes (no interval)

Performances: Wednesday 7pm, Thursday 7pm & 9.30pm, Friday 7pm & 9.30pm, Saturday 4pm, 7pm & 9.30pm, Sunday 4pm & 7pm.

Please note there are no performances w/c 5 January 2026, w/c 31 August 2026 and w/c 7 September 2026.

Magic Mike Live London is also introducing the following accessible performances:

Captioned – Stagetext for those who are D/deaf / Hard of Hearing

Wednesday 28 January 2026, 7pm

Audio Described – Vocal Eyes for those who are SI/SSI (Sight Impaired/Severely Sight Impaired)

Wednesday 29 April 2026, 7pm

BSL – Theatre Sign for those who are D/deaf / Hard of Hearing and whose main communication is BSL

Wednesday 3 December 2025, 7pm

Wednesday 3 June 2026, 7pm

Customers attending with Nimbus access card are entitled to tickets for these performances at the reduced rate of £67.50 per person. Those entitled to an essential companion will receive that ticket complimentary. For further information on our access performances please email access@magicmikelondon.co.uk or call the box office 020 3978 4400. Customer Service hours are between 12pm – 6pm Tuesday through Sunday.

Christmas 2025 Performance Schedule

Monday 22 December – No Performance

Tuesday 23 December – 7pm & 9:30pm

Wednesday 24 December – 4pm

Thursday 25 December – No Performance

Friday 26 December – 7pm & 9:30pm

Saturday 27 December – 4pm, 7pm & 9:30pm

Sunday 28 December – 4pm & 7pm

Monday 29 December – No Performance

Tuesday 30 December – No Performance

Wednesday 31 December – 7pm

Thursday 1 January – 7pm & 9:30pm

Friday 2 January – 7pm & 9:30pm

Saturday 3 January – 4pm, 7pm & 9:30pm

Sunday 4 January – 4pm & 7pm

Christmas 2026 Performance Schedule

Tuesday 22 December 2026 – 7pm & 9:30pm

Wednesday 23 December 2026 – 7pm & 9:30pm

Thursday 24 December 2026 – No Performance

Friday 25 December 2026 – No Performance

Saturday 26 December 2026 – 7pm & 9:30pm

Sunday 27 December 2026 – 4pm & 7pm & 9:30pm

Tuesday 29 December 2026 – 7pm

Wednesday 30 December 2026 – 7pm & 9:30pm

Thursday 31 December 2026 – 4pm & 7pm

Friday 1 January 2027 – 7pm

Saturday 2 January 2027 – 4pm, 7pm & 9:30pm

Sunday 3 January 2027 – 4pm & 7pm

Magic Mike Live guests must be at least 18 years to attend – appropriate photo ID will be requested on arrival at the venue – GambleAware.org

Lyceum, Sheffield – until November 29th 2025

Reviewed by Sharon Farley

4****

Midsomer Murders has been a household name and one of ITV’s biggest hits for decades, demonstrating how much people enjoy both the intricate puzzle of a whodunnit and a giggle provoked by subtle – and not so subtle – tongue-in-cheek humour. Albeit a rather twee take on village life set in the eternal summer of the English countryside, it has carved out a seemingly immovable spot in TV viewing since 1997.

Now, writer and director Guy Unsworth (Joyride, Bring It on, Sweet Smell of Success) has chosen the pilot episode of this long- running series to adapt for the stage. ‘The Killings at Badger’s Drift’ is brimming over with eccentric characters, all dripping with received pronunciation and afternoon teas. Over the course of this two hour production, the audience is blasted with a vast number of characters and plot lines that are almost too much to keep track of. Fortunately, the well designed set provides various methods of invoking snapshots from the past to help refresh your memory.

The cast are excellent, most of them showcase their talents by taking on multiple roles, keeping track of who each of them play is a formidable challenge. Stand out performances include those from John Dougall (The Girl on the Train, The Wars of the Roses, Waking the Dead) and Rupert Sadler (The Deep Blue Sea, Jekyll and Hyde, My Phone Genie) as iris and Dennis Rainbird, the peculiar mother and son duo who take curtain twitching to a professional level, and Chandrika Chevli as Dr Lessiter’s flirty wife, Barbara; between them, these three provide some of the most comic moments of the performance.

Though the cherry on the Bakewell Tart has to be the premium credentials of the leading man, Daniel Casey. The role of the quietly watchful Detective Chief Inspector Tom Barnaby, originally made famous by John Nettles, is perfectly inhabited by Casey (Cluedo, Abigail’s Party, Steel River Blues), as well it might be. Back in 1997, it was Casey who starred alongside Nettles as Detective Sergeant Gavin Troy, and he spent six years in the role. Here, that mantle is bravely taken up by James Bradwell (The Beautiful Future, Bridgerton, Victoria) who very much makes the part of Troy his own. Between them, Barnaby and Troy wade through the twisted mass of interviews and evidence, and piece by piece uncover various murders and the many sordid secrets obscured beneath the thin veil of respectability donned by the residents of Badger’s Drift.

Overall, this is an excellent production, with a brilliantly mobile set, marvellous performances, and enough intrigue to satisfy any murder mystery fan. But where Midsomer Murders proves itself exceptional in the genre is through its caricatures of stereotypical British eccentricity and that, despite the gruesome storylines, it never takes itself too seriously. One wonders if this stage tour is just the start of something as enduring as the TV series.

Mayflower Theatre Southampton – until 29 November 2025

Reviewed by Joanna Huggett

5*****

The English National Ballet’s Sleeping Beauty, directed by Aaron S. Watkin, is a beautifully polished revival that blends Kenneth MacMillan’s choreography with Peter Farmer’s elegant set designs. It stays true to the classical story while feeling fresh and full of life. The whole production was brought to life by the orchestra, whose warm, expressive playing enhanced the performance, giving it energy and emotional depth. The familiar music of Tchaikovsky was brought to the forefront.

The whole company danced superbly, with the male dancers especially standing out for their strength, precision, and perfect synchronisation. The production was filled with lovely solo moments. Aurora’s radiant musicality, the calm authority of the Lilac Fairy, and the sparkling jumps of the Bluebird. As well as the polished duet by the Bluebird and Princess Flourine. The divertissements add real charm, including the playful character dance of Puss-in-Boots and the White Cat, which delighted the audience.

The formations throughout were clean, expressive, and beautifully arranged—MacMillan’s choreography really shines through Watkin’s clear, story-focused direction. The sets drift like a dream, and the Act II wedding scene bursts with colour and celebration.

I attended with my 16-year-old daughter, who studies ballet, and who was especially struck by the costumes—she said they were the nicest she had ever seen in a ballet. It was hard to disagree. They were colourful, rich, and flattering, and they genuinely enhanced the storytelling.

Overall, this Sleeping Beauty is charming, confident, and visually enchanting. A strong, engaging production that highlights the company at its best. A must see!

LA VOIX

TO PLAY MISS HANNIGAN

ALONGSIDE

ALEX BOURNE

AS OLIVER WARBUCKS

IN THE

UK AND IRELAND TOUR

OF THE MUSICAL

OPENING AT NEW WIMBLEDON THEATRE

ON

SATURDAY 23 MAY 2026

Michael Harrison and David Ian are delighted to announce that La Voix will star as Miss Hannigan, alongside Alex Bourne as Oliver Warbucks, in the UK and Ireland tour of the musical ANNIE, opening at New Wimbledon Theatre on Saturday 23 May 2026. La Voix will play the role in Wimbledon, Birmingham, Manchester, Plymouth and Canterbury, with casting for the role of Miss Hannigan from Cardiff onwards, and full company, to be announced soon. Tour schedule and on sale details below with further dates to be announced. www.anniethemusicaltour.uk

La Voix was most recently a participant in Series 23 of Strictly Come Dancing. She previously appeared on Season 6 of RuPaul’s Drag Race UK, reaching the grand finale and being awarded runner up. Her other TV credits include appearances on ITV’s Queens For The Night, becoming a semi-finalist on Britain’s Got Talent, and her film credits include Absolutely Fabulous: The Movie. With her live show, La Voix Meets, she’s interviewed legends such as Dawn French, Joanna Lumley, Su Pollard, and Vanessa Feltz, and performed for the British Royal Family at their exclusive New Year’s Eve ball.

She recently released her debut original pop single, The Show Isn’t Over, followed by her second original single, Hitchcock Blonde. Her hotly anticipated EP The Show Isn’t Over was released in autumn of 2025 alongside a UK tour of the same name, with dates in London’s West End as well as Glasgow, Manchester, Cornwall, Brighton and more. 

Alex Bourne returns to Annie as Oliver Warbucks, having played the role in the West End, in Toronto and on a UK Tour. His other theatre credits include The Wizard in The Wizard of Oz at the Gillian Lynne Theatre and on a UK Tour, Edna Turnblad in the UK Tour of Hairspray, Sam Carmichael in the UK Tour of Mamma Mia!, Khashoggi in We Will Rock You at the Dominion Theatre, Billy Flynn in Chicago at the Adelphi Theatre and on an international tour, and Lex Hogan in Eugenius! at The Other Palace. He also played Fred Graham in Kiss Me, Kate at the Chichester Festival Theatre and the Old Vic Theatre, for which he was nominated for the Olivier Award for Best Actor in a Musical. On film he can be seen in Sony Pictures’ Cinderella.

Set in 1930s New York during The Great Depression, brave young Annie is forced to live a life of misery and torment at Miss Hannigan’s orphanage. Her luck soon changes when she’s chosen to spend a fairytale Christmas with famous billionaire, Oliver Warbucks. Meanwhile, spiteful Miss Hannigan has other ideas and hatches a plan to spoil Annie’s search for her true family…

With its Tony^® award-winning book and score, this stunning production includes the unforgettable songs ‘It’s the Hard Knock Life’, ‘Easy Street’, ‘I Don’t Need Anything But You’ and ‘Tomorrow’.

ANNIE has Music by Charles Strouse, Lyrics by Martin Charnin and a Book by Thomas Meehan. It is directed by Curve’s Artistic Director Nikolai Foster with set and costume design by Colin Richmond, choreography by Nick Winston, lighting by Ben Cracknell and sound design by Richard Brooker.

ANNIE is produced by Michael Harrison and David Ian. This tour was licensed by Music Theatre International (MTI).

ANNIE UK TOUR 2026-27

LISTINGS

SATURDAY 23 – SATURDAY 30 MAY 2026

NEW WIMBLEDON THEATRE

www.atgtickets.com/venues/new-wimbledon-theatre/

ON SALE NOW

La Voix starring as Miss Hannigan.

TUESDAY 2 – SATURDAY 6 JUNE 2026

THE ALEXANDRA, BIRMINGHAM

ON SALE NOW

La Voix starring as Miss Hannigan.

TUESDAY 9 – SATURDAY 20 JUNE 2026

PALACE THEATRE MANCHESTER

www.atgtickets.com/venues/palace-theatre-manchester/

ON SALE NOW

La Voix starring as Miss Hannigan.

MONDAY 22 – SATURDAY 27 JUNE 2026

THEATRE ROYAL PLYMOUTH

https://theatreroyal.com

ON SALE NOW

La Voix starring as Miss Hannigan.

TUESDAY 30 – SATURDAY 4 JULY 2026

MARLOWE THEATRE, CANTERBURY

ON SALE NOW

La Voix starring as Miss Hannigan

TUESDAY 7 – SATURDAY 18 JULY 2026

WALES MILLENIUM CENTRE, CARDIFF

https://www.wmc.org.uk/en

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 21 – SUNDAY 26 JULY 2026

MILTON KEYNES THEATRE

www.atgtickets.com/venues/milton-keynes-theatre/

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 28 – SATURDAY 1 AUGUST 2026

BLACKPOOL OPERA HOUSE

www.wintergardensblackpool.co.uk/our-venues/large-venues/opera-house/

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 4 – SATURDAY 8 AUGUST 2026

THEATRE ROYAL, NEWCASTLE

https://www.theatreroyal.co.uk

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 11 – SUNDAY 16 AUGUST 2026

BORD GAIS ENERGY THEATRE, DUBLIN

www.bordgaisenergytheatre.ie/

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 18 – SUNDAY 23 AUGUST 2026

BRISTOL HIPPODROME

www.atgtickets.com/venues/bristol-hippodrome/

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 1 – SUNDAY 6 SEPTEMBER 2026

CONCERT HALL, NOTTINGHAM

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 8 – SUNDAY 13 SEPTEMBER 2026

HULL NEW THEATRE

https://www.hulltheatres.co.uk/hull-new-theatres

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 15 – SUNDAY 20 SEPTEMBER 2026

EDINBURGH PLAYHOUSE

www.atgtickets.com/venues/edinburgh-playhouse/

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 22 – SATURDAY 26 SEPTEMBER 2026

LIVERPOOL EMPIRE

www.atgtickets.com/venues/liverpool-empire/

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 29 – SUNDAY 4 OCTOBER 2026

HALL FOR CORNWALL, TRURO

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 6 – SUNDAY 11 OCTOBER 2026

THE EVERYMAN THEATRE, CHELTENHAM

https://www.everymantheatre.org.uk

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 13 – SUNDAY 18 OCTOBER 2026

REGENT THEATRE, STOKE-ON-TENT

www.atgtickets.com/venues/regent-theatre/

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 20 – SATURDAY 24 OCTOBER 2026

THE HAWTH THEATRE, CRAWLEY

www.parkwoodtheatres.co.uk/the-hawth

ON SALE SOON

The role of Miss Hannigan to be announced soon.

TUESDAY 27 – SATURDAY 31 OCTOBER 2026

GRAND OPERA HOUSE, BELFAST

https://www.goh.co.uk

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 3 – SUNDAY 8 NOVEMBER 2026

HIS MAJESTY’S THEATRE, ABERDEEN

www.aberdeenperformingarts.com/his-majestys-theatre/

ON SALE NOW

The role of Miss Hannigan to be announced soon.

MONDAY 16 – SATURDAY 21 NOVEMBER 2026

NEW VICTORIA THEATRE, WOKING

www.atgtickets.com/woking/

ON SALE NOW

The role of Miss Hannigan to be announced soon.

MONDAY 23 – SATURDAY 28 NOVEMBER 2026

ALHAMBRA THEATRE, BRADFORD

www.bradford-theatres.co.uk/alhambra-theatre

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 15 DECEMBER 2026 – SUNDAY 3 JANUARY 2027

NEW THEATRE OXFORD

www.atgtickets.com/venues/new-theatre-oxford/

ON SALE NOW

The role of Miss Hannigan to be announced soon.

MONDAY 18 – SATURDAY 23 JANUARY 2027

THE SUNDERLAND EMPIRE

www.atgtickets.com/venues/sunderland-empire/

ON SALE NOW

The role of Miss Hannigan to be announced soon.

MONDAY 25 – SATURDAY 30 JANUARY 2027

MAYFLOWER THEATRE, SOUTHAMPTON

www.mayflower.org.uk/

ON SALE SOON

The role of Miss Hannigan to be announced soon.

TUESDAY 2 – SUNDAY 7 FEBRUARY 2027

NORWICH THEATRE ROYAL

https://norwichtheatre.org/your-visit/norwich-theatre-royal

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 16 – SUNDAY 21 FEBRUARY 2027

GRAND THEATRE, WOLVERHAMPTON

https://www.grandtheatre.co.uk

ON SALE NOW

The role of Miss Hannigan to be announced soon.

TUESDAY 23 – SATURDAY 27 FEBRUARY 2027

LYCEUM THEATRE, SHEFFIELD

www.sheffieldtheatres.co.uk/

ON SALE SOON

The role of Miss Hannigan to be announced soon.

TUESDAY 2 – SUNDAY 7 MARCH 2027

KING’S THEATRE, GLASGOW

www.atgtickets.com/venues/kings-theatre-glasgow/

ON SALE NOW

The role of Miss Hannigan to be announced soon.

FURTHER DATES TO BE ANNOUNCED

Aylesbury Waterside – until Saturday 29th November 2025

Reviewed by Rachel Clark

3***

Based on an Iconic TV Detective Series

Inspector Morse was a British TV Drama based on novels by Colin Dexter, based in Oxford with Inspector Morse played by the great John Thaw and Lewis played by Kevin Whatley. The series ran from 1987 to 2000 and is still playing on catch up TV. It is an iconic detective series. So I was looking forward to what this show would bring.

The show was brought to the Aylesbury Waterside by Melting Pot and Birmingham Rep, Melting Pot is an independent theatre and film production company that have won Academy Awards and Baftas, and one one their productions was the film The Father starring Anthony Hopkins whilst the Birmingham Rep is well known for the production of The Snowman at London Theatres.

The initial start of the show wasn’t the best, it was set in the theatre at a production of Hamlet, Justin played by Spin Clancy seemed to mumble his first lines and you were then expecting a voice to boom out of him but it didn’t and he didn’t have the most clear of voices nor the volume, I didn’t feel his character was as strong as it could/should have been, throughout the show.

Then there is a death, and Morse (played my Tom Chambers) who was in the audience of Hamlet with his friend Ellen (played by Teresa Banham), gets involved with solving the murder.

Tom Chambers is known for playing many parts including Father Brown, Midsomer Murders, Casualty to name a few and even Strictly Coming Dancing, whist Teresa Banham has also played in many TV and Films to include The Crown, Dr Who and Call the Midwife.

Tom Chambers played Morse well and got some of Morses characteristics right, but you couldn’t help but warm to Lewis played by Tachia Newall, he was very good and a clear voice so you could hear everything said he, and he made you chuckle with the odd bits of Lewis wit, he also has been in many TV shows to include Dr Who and he played the character well , having to put up with Morse.

The one character I did enjoy watching was Verity played exceptionally well by Charlotte Randle another actor from Father Brown and Call the Midwife – in her scene she was slightly drunk at the bar with Morse and Lewis made you smile if not let out a giggle.

Lawrance was played by Josh Katembala and was played well BUT he also played Paul with no different wig other than a change of clothes and glasses and in the beginning I was confused as I had missed some of the comment, as you did have to concentrate to get all the clues and information, I unfortunately I had cougher near me, who seemed to cough at that crucial points.

One very positive thing I will say about the show is you haven’t a clue on who did the crime or crimes even until the very end, some of the audience were discussing and guessing in the interval but I wasn’t aware of anyone who got it right ! and I felt the second half was better than the first half, but this was also due to the volume being slightly increased so you could hear clearer – this was thanks to the feedback of some of the Audience that the theatre quickly acted on and took the feedback and reacted immediately.

The sets were cleverly changed between scenes by the actors themselves, and the set was simple and effective , I liked the way you were at one point on the stage looking into the audience.

Worth seeing if you are a who-dunnit fan.

Festival Theatre, Malvern – until 29th November 2025

Reviewed by Courie Amado Juneau

5*****

Anyone who grew up in the 90’s (and millions since) will remember Friends fondly or be unfashionably in the minority! Personally, I loved the show, so was really looking forward to Friends The Musical Parody.

After “warm up guy” played by Edward Leigh had whipped up the crowd, the show literally exploded with “Friends Like Us” and “Typical Day at Central Perk” setting the scene nicely – basically replaying lots of moments from the show in roughly the original story arc, though in highly condensed form, hitting many key points.

The writers Bob and Tobly McSmith must be massive fans as they weaved in some clever allusions to what the audience thought (or critics perhaps mentioned – such as in the song “495 Grove Street”; a song about suspending disbelief in the show’s premise. This song, btw, gave Alicia Belgarde (playing Monica) the chance to display a vocal performance that was stratospheric – what a rock voice!

All the cast were spot on with their characterizations. Amelia Atherton captured Pheobe’s weirdness, Enzo Benevuti got Ross’s geekyness, Ronnie Burden inhabited Joey’s special brand of charm and Eva Hope was a dead ringer for Rachel. But Daniel Parkinson… Wow! As Chandler, he really captured the character’s mannerisms – to an incredible extent.

The first half was good, the second even better. Launching with another superb song based around a very familiar catchphrase “We Were On A Break”, this song served to fast forward through the series. Edward Leigh again proved himself a crowd pleaser, this time in a rather fetching “outfit” with “I Am Marcel”, which had us in stitches.. There was also some very clever fleshing out of Gunther’s character with a fantastic song which broke the heart; “Part of Their Gang” (by Jake Brunger and Pippa Cleary). If I were in this show, Leigh’s parts are the ones I would crave – either that or Chandler, whose actor returned in “OMG It’s Janice”, this time to even more hilarious effect than before since he was accompanied by a killer track and a winning dance routine on. Undoubtedly one of the highlights of the entire show!

I hope I’ve given enough examples of the thrilling spectacle on offer in this show but, in case not… With so many wonderful moments from the show making an appearance – some fleeting (like 7 erogenous zones popping up in song) and some (like Ross’s leather pants) that have more stage time; but all wonderful… If you still have doubts then the touching ballad “Could I Be Any More In Love With You” is all you’d need – believe me, it’s worth seeing the show just for that track alone!

I loved the way the show’s creative team (including composer Assaf Gleizner) weaved the title song into the show at various points – sometimes using just the opening line of the lyrics to launch off into an original lyric. Very inventive.

In short, this is a brilliant musical that will appeal to everyone – particularly if you loved the original show. I wholeheartedly recommend it. Indeed, why not take your Friends along? You (and they) won’t regret it.

New Wimbledon Theatre, Wimbledon – until 29 November 2025

Reviewed by Phil Brown

4****

A welcome ray of sunshine to brighten 2025 UK – the brilliant KInks musical, Sunny Afternoon returns!   Having premiered at the Hampstead Theatre in 2014, spending two successful years in London’s West End and completing a sensational first UK and Ireland tour, the OIivier award winning Best New Musical is erupting once again onto UK stages.  As the most literate of all UK bands, and deeply rooted in British culture, the Kinks are as iconic as red phone boxes, black cabs and Carnaby Street.  By rights, they should never have been away…

This well produced two act musical, which covers The Kinks’ early years – 1964 through to around 1970 – makes the compelling case for the band to be the equals of the Beatles and the Stones in the pantheon of British rock gods, courtesy of Ray Davies’ unique ability to combine musical-rhythmic intelligence with his sometimes caustic pinpoint reflections of real life.  There is nothing confected about Davies’ songwriting – it is painfully honest but laced with humour and clever observation.  A sample rhymes “regatta” with “get at her”.  (I’ve heard of yacht rock, but how many times does “regatta” feature as a lyric in a rock song?)

Ray Davies is credited not only with music and lyrics, but also the original story for this musical.  (He’s no stranger to musicals – this is his fourth project).  That probably explains the intense focus on his concerns and perception of events whilst the other members of the Kinks feature less.  Nevertheless, I think the script (Joe Penhall) does a skilful job of balancing the different personalities and it certainly weaves an absorbing story of the band’s progression, linking the different musical numbers cleverly and as smoothly as the lacquering on Ray’s Fender Telecaster.  Even for fans of the Kinks, there are some revealing insights, decent jokes, great lines, and apart from the rather corny opening scene, the dialogue with management, promoters, other parasites (as Ray Davies might think of them) and between the band feels properly authentic.

But it’s the performers who have turned this story of a working class North London band into something rather special.  I can’t praise the performance highly enough.  It’s engrossing, moving and infectious.  Director Edward Hall has pitched this well paced show perfectly with well timed moments of high energy, introspection and vulnerability.  When the band is performing the musical numbers, it has all the thrill of a real gig and the performers are on superb form. 

Casting Director Natalie Gallacher has played a blinder with the two leads  – Danny Horn (Ray Davies)  and Oliver Hoare (Dave Davies) mesh like real brothers.  Both are consummate musicians and portray the contrasting personalities so convincingly, you can feel the sibling rivalry and tension between them.  

Ray is a driven man who tries desperately not to be steamrollered.  He is principled with experience of life’s ups and downs (like the death of an older sister who gave him his first guitar), but feels weighed down by the relentless pressure to feed the monster that is the music business.  At the same time he can be surprisingly sensitive.  Lead guitarist Dave on the other hand is an underage teenager in 1964 and a bit of a tearaway.   

The other members of the band Harry Curley (bassist Pete Quaife) and Zakarie Stokes (drummer Mick Avory) provide sterling support in both acting their parts and as members of the band which is suitably raw and seriously rocking.  Stokes plays an extended drum solo early in Act 2 ( a feature of most acts in those days) and does not miss the opportunity to impress working through an interesting repertoire of skills with precision and crucially not outstaying his welcome (not a feature of drum solos in those days…).  Curley gets his chance to solo trying out the bass line to “Waterloo Sunset”.

The story has other key parts:  the Kinks’ many managers including the infamous Allen Klein (a brilliant James Chisholm) and the original two, played rather as contenders for upper class twit of the year;  Rasa (Lisa Wright), Ray Davies’ first wife has a big presence in the story but a relatively small role, doubling up well as a backing singer; and the Davies family make brief appearances with Dad memorably saying that “Dave’s got straight fingers, good strong hands, but Ray, he boils at a different temperature”.

The stage set is simple but imaginatively appropriate (Miriam Buether) – three walls lined with various speaker cabinets and a studio control room behind visible from time to time.  Sound (Matt McKenzie) is superb and the “on stage Kinks” are well accompanied by Michel Cullen (Music Director) and various brass instrumentalists from the cast. 

Apparently there are 30 songs crammed into Sunny Afternoon.  The show band works almost as hard as the actual Kinks did!   Mostly the hits but all are top quality – highly original and superbly crafted.  The very helpful Kinks discography in the programme shows how productive they were in the seven years up to the single “Lola” which is the final song of the show.  No wonder Ray Davies felt over worked and under rewarded.  All songs hit the spot but particularly stand out performances include “You Really Got Me”,  “This Strange Effect”, “Sunny Afternoon”, “A Rock and Roll Fantasy”, the beautiful acapella “Days”  and of course “Waterloo Sunset”.

This is a proven hit show that most definitely warrants revisiting.  It reminds us The Kinks were an essential part of the soundtrack of the 60s and 70s.   But it’s neither a soulless run through of The Kinks’ discography nor a particularly feel good story – there is an undercurrent of sadness starting with the death of Ray’s sister, and continuing with the long periods away from home and Rasa, not helped by business struggles, the work schedule, run-ins with publishers and unions and inter band dissatisfaction.  

As the final chords of “Lola” ring out and the spotlight fades — you marvel at the passion shown by the performers for the genius of Ray Davies and an incredible body of work and thrill at seeing it performed live.  For fans of The Kinks, or of ’60s rock in general, this remains a wonderfully nostalgic and deeply satisfying ride.

Indigo Productions and Crossroads Live in association with Curve present

WORLD STAGE PLAY PREMIERE TO OPEN AT LEICESTER CURVE

AHEAD OF MAJOR UK AND IRELAND TOUR

Acclaimed psychological thriller adapted for the stage by

celebrated playwright Gina Gionfriddo

from the multi-million-selling novel by Thomas Harris

Directed by Nikolai Foster

Dr Hannibal Lecter will see you now.

www.silenceofthelambsplay.com

Indigo Productions and Crossroads Live, in association with Curve, are thrilled to announce a new chapter in the legacy of The Silence of the Lambs, as the global cultural phenomenon prepares to make its world stage play premiere in 2026. Acclaimed television writer and playwright Gina Gionfriddo (Law & Order (NBC), Rapture, Blister, Burn) brings Thomas Harris’ gripping literary masterpiece to the stage in a new modern adaptation directed by Nikolai Foster. This electrifying new production will open at Leicester’s Curve theatre, where it plays from Saturday 01 August – Saturday 15 August 2026, ahead of a major UK and Ireland tour.

When FBI trainee Clarice Starling is sent to interview the psychiatrist and infamous murderer Hannibal Lecter, it’s hoped his brilliant mind will help catch sadistic new serial killer, Buffalo Bill. Another girl is missing, and time is running out. But Dr Lecter has questions of his own, and now Clarice must decide: keep a safe distance, or let Hannibal ‘The Cannibal’ into her head?

Gina Gionfriddo’s theatrical adaptation delves into the psychological tension of Thomas Harris landmark novel, drawing the audience deep into Clarice and Lecter’s intelligent, intricate, and bone-chilling game of cat-and-mouse, as the FBI scramble to catch Buffalo Bill, a serial killer still at large. Gionfriddo’s screenwriting credits include Law & Order, Law & Order: Criminal Intent (NBC), Cold Case (CBS), House of Cards (Netflix) and The Alienist (Netflix). Her plays Becky Shaw and Rapture, Blister, Burn were finalists for the Pulitzer Prize for Drama in 2009 and 2013, respectively.

Thomas Harris’ quartet of Lecter novels, Red Dragon (1981), The Silence of the Lambs (1988), Hannibal (1999) and Hannibal Rising (2006) have sold over 50 million copies worldwide and have influenced countless modern thrillers. Famed for his scalpel-sharp prose, Harris created in Hannibal Lecter an erudite and urbane serial killer who continues to fascinate the cultural imagination. Clarice Starling remains one of our most compelling fictional heroines — a woman who steps into the darkness to see justice served, armed with intellect, empathy, and unshakable resolve. Harris’ four novels have been adapted into multiple film and TV adaptations featuring acclaimed performances by Brian Cox, Anthony Hopkins, Mads Mikkelsen, Jodie Foster, Julianne Moore and directorial masterclasses by Jonathan Demme and Ridley Scott.

Nikolai Foster is Artistic Director at Curve, Leicester, one of the UK’s leading regional theatres, described as “world class” by The Daily Telegraph and a “powerhouse” by The Times. Born in Copenhagen, Denmark, Nikolai grew up in North Yorkshire and trained at Drama Centre London and at the Crucible, Sheffield. He has created work for many of the UK’s major producing theatres, touring houses and international venues. Nikolai has been director on attachment at the Sheffield Crucible, the Royal Court Theatre and National Theatre Studio and served as an Associate Director at Leeds Playhouse. In 2024, Nikolai was awarded an Honorary Doctor of the Arts by Leicester’s De Montfort University for his contribution to theatre in Leicester. At Curve, Nikolai has worked on numerous musical revivals, new plays, musicals and championed emerging artists. Many of the Made at Curve productions Nikolai has directed have transferred to London, toured the UK and internationally. 

Playwright Gina Gionfriddo says: “Thomas Harris’ novel speaks so eloquently to the interior terrors that fuel his iconic characters – both the monsters and the heroes who slay them.  What a privilege it has been to bring these stories to the stage.”

Director Nikolai Foster continues: “We’ve long wanted to present a Made at Curve thriller onstage in Leicester, and The Silence of the Lambs is surely the most electrifying and frightening of this genre. At the heart of this play is the remarkable relationship between Clarice Starling and Hannibal Lecter; through their gripping meetings, these two fascinating characters develop a compelling relationship. Harris’ novel is filled with stunning iconography and imagery that is ripe for theatrical invention. We can’t wait to see it burst to life onstage.”

Producers for Indigo Productions and Crossroads Live, James Lane and Ed McGovern conclude: “We are deeply honoured to have been entrusted with Thomas Harris seminal story and iconic characters. Gina and Nikolai have crafted something truly thrilling for the stage, and we cannot wait to welcome audiences into Hannibal Lecter’s cell to witness it first hand for the very first time.“

Full creative team and cast to be announced.

The Silence of the Lambs is produced by Indigo Productions and Crossroads Live in association with Curve.

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AGATHA CHRISTIE’S ICONIC THRILLER

THE MOUSETRAP

TO EMBARK ON

75^TH ANNIVERSARY UK TOUR

FROM SEPTEMBER 2026

BOOKING EXTENDED IN THE WEST END

TO JANUARY 2027

Producer, Brian Fenty, is delighted to announce that Agatha Christie’s iconic thriller and the world’s longest running play, The Mousetrap will embark on a major UK tour from September 2026 running through to 2027. The tour forms part of wider plans to celebrate The Mousetrap’s 75th anniversary year with more exciting celebrations to be announced. The West End production will also extend booking into its 75^th year to 3 January 2027.

Full casting and creative team for the tour to be announced in due course.

SOLVE THEATRE’S MOST FAMOUS MYSTERY.

Since 1952, Agatha Christie’s The Mousetrap has captivated the world with silent clues, shifting shadows and the best kept secret in theatre history. Now, the record-breaking classic embarks on its 75th Anniversary Tour across the UK and Ireland.

A shocking murder rattles London. Far from the chaos, a remote country guesthouse welcomes seven strangers seeking refuge. But when a police sergeant battles through a deadly snowstorm with a warning no one expects, it becomes clear the threat is already within their walls.

Every whisper hides a clue. Every story masks a lie. And as suspicion tightens its grip, one question chills the room: Who among them is capable of murder?

Step inside, and solve the greatest murder mystery that has kept the world guessing for generations.

THE MANOR AWAITS.

Earlier this year the play celebrated its 30,000^th performance in the West End and was presented with a Guinness World Records certificate for the record title longest theatrical run. The genre-defining murder mystery opened in 1952 and continues to enthral audiences at London’s St Martin’s Theatre, now booking into its 75^th year in 2027.

The Mousetrap is produced by Brian Fenty.

The London production at St Martin’s Theatre is directedby Ola Ince with artistic direction by Denise Silvey.

Website:  www.themousetrap.com

Twitter:  @TheMousetrapOfficial

Facebook:  @TheMousetrapOfficial

Instagram:  @TheMousetrapOfficial

WEST END LISTINGS INFORMATION

The Mousetrap

St Martin’s Theatre,

West St,

London WC2H 9NZ

Ticket Prices from: £25

Current Booking Period: 3 January 2027

Running Time:  2hrs including interval

Performances:

Monday to Saturday at 7.30pm

Tuesday, Thursday & Saturday at 3.00pm.

CHRISTMAS 2025 WEST END PERFORMANCE SCHEDULE

Monday 22 December at 3pm & 7.30pm

Tuesday 23 December at 3pm & 7.30pm

Wednesday 24 December – No performance

Thursday 25 December – No performance

Friday 26 December at 7:30pm

Saturday 27 December at 3pm & 7.30pm

Sunday 28 December – No performance

Monday 29 December at 3pm & 7.30pm

Tuesday 30 December at 3pm & 7.30pm

Wednesday 31 December at 2pm

Thursday 1 January at 7.30pm

Friday 2 January at 3pm & 7.30pm

Saturday 3 January at 3pm & 7.30pm

Sunday 4 – No performance

2026/27 TOUR SCHEDULE

3 – 12 Sept 2026        Birmingham, The Alexandra

                                    atgtickets.com/Birmingham                                           

15 – 19 Sept               Princess Theatre, Torquay

                                     atgtickets.com/torquay

21 – 26 Sept               Everyman Theatre, Cheltenham                                           01242 572 573

                                    everymantheatre.org.uk

28 Sept – 3 Oct           Malvern Theatres                                                                   01684 892277

                                    malvern-theatres.co.uk 

5 – 10 Oct                   Lyceum Theatre, Crewe

                                    trafalgartickets.com/lyceum-theatre-crewe/en-GB

12 – 17 Oct                 Theatre Royal Windsor                                                         01753 853 888

                                    theatreroyalwindsor.co.uk

19 – 24 Oct                 Floral Pavillion, New Brighton

                                    floralpavilion.com

26 – 31 Oct                 Manchester Opera House

                                    atgtickets.com/manchester   

2 – 7 Nov                    Lyceum Theatre, Sheffield

                                    sheffieldtheatres.co.uk

9 – 14 Nov                  Aylesbury, Waterside

                                    atgtickets.com/Aylesbury

16 – 21 Nov                Devonshire Park Theatre, Eastbourne

                                    trafalgartickets.com/eastbourne-theatres-eastbourne/en-GB

23 – 28 Nov                Lighthouse Poole

                                    lighthousepoole.co.uk

30 Nov – 5 Dec           Palace Theatre, Southend

                                    trafalgartickets.com/palace-theatre-southend/en-GB

7 – 16 Jan 2027          Royal & Derngate, Northampton                                          01604 624811  

                                    royalandderngate.co.uk

19 – 23 Jan                 Cardiff New Theatre                                                              0343 310 0041

                                    newtheatrecardiff.co.uk         

25 – 30 Jan                 Woking New Victoria Theatre

                                    atgtickets.com/new-victoria-theatre              

1 – 6 Feb                     Theatre Royal Plymouth                                                       01752 267 222

                                    theatreroyal.com

15 – 20 Feb                Bromley Churchill Theatre                                                     0343 310 0020

                                    churchilltheatre.co.uk                                     

22 – 27 Feb                 Swindon Wyvern Theatre                                                      0343 310 0040

                                    swindontheatres.co.uk

1 – 6 March                 Stoke, Regent Theatre

atgtickets.com/stoke

8 – 13 March               Lichfield Garrick

                                    lichfieldgarrick.com  

22 – 27 March             Sunderland Empire Theatre

                                    atgtickets.com/sunderland

5 – 10 April                  Edinburgh Playhouse

                                    atgtickets.com/Edinburgh

12 – 17 April                Glasgow Kings Theatre

                                    atgtickets.com/Glasgow

26 April – 1 May          Milton Keynes Theatre

                                    atgtickets.com/miltonkeynes

24 – 29 May                Truro Hall for Cornwall                                                           01872 262 466

                                    hallforcornwall.co.uk  

21 – 26 June               Grand Opera House York

                                    atgtickets.com/York

Further venues to be announced