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Actress, singer and musical theatre star Dianne Pilkington sat down with fairypowered to answer 20 questions. Dianne will be playing Dr Westfeldt Dracula, A Comedy Of Terrors at The Menier Chocolate Factory  Tickets can be found here

Let’s start with a few favourites

Favourite show (whether you have been in it or not)? 

Sweeney Todd. Dianne joined the cast of Sweeney Todd at the Bridewell Theatre in 2000, a production she had played the role of Mrs Lovett in whilst training at GSA

Favourite book? 

The Witching Hour by Anne Rice

Favourite theatre? 

I love them ALL . But I did fall in love with the Swan at the RSC

Favourite song? 

Currently Brooklyn Baby by Lana Del Rey

Favourite music? 

Lana Del Rey

Favourite food? 

Cheese

Favourite drink? 

Dry Martini

What is your favourite role? 

Too hard, but I miss Eglantine the most.  Dianne created the role of Eglantine Price in the Bedknobs and Broomsticks adaptation, a collaboration between Disney and Michael Harrison, directed by Candace Edmunds and Jamie Harrison, written by Neil Bartram and Brian Hill. The tour completed in May 2022

What was your first role? 

Mary, a shepherd, a wise man and a Christmas tree in the Nursery Nativity during a chickenpox outbreak.

And what role would you really like to play? 

Sally in Follies. Miss Hannigan in Annie

If you weren’t a performer what would you be? 

A librarian, or a Tea Shop Owner, with cakes

What made you decide to be a performer? 

I felt most at home and most myself in the theatre

Do you enjoy touring? 

I enjoy seeing other cities but I’m a homebody

What advice would you give 16 year old you? 

Stop worrying about not fitting in. It’s overrated

Do you fancy branching out in Producing or Directing? 

Absolutely not- much respect for that kind of brain

What was the last stage show you saw and really enjoyed? 

Twelfth Night at the RSC. What a cast, and concept. Brilliant

Favourite line from any show? 

“I don’t think we’re in Kansas any more”

If you could be anyone else for the day, who would it be? 

The Education Secretary

What are the nicest/weirdest things you have ever received from fans? 

Face masks! And some lovely fan art- nothing weird!

Can you tell us what you will be up to next? 

I could but then Dracula would have to kill you.

Dracula, A Comedy Of Terrors is at The Menier Chocolate Factory, from March 8th to May 3rd.   Tickets can be found here

CHICHESTER FESTIVAL THEATRE ANNOUNCES

FESTIVAL 2025

Chichester Festival Theatre’s Festival 2025 has today been announced by Artistic Director, Justin Audibert and Executive Director, Kathy Bourne.

Festival 2025 includes five world and two UK premieres, two musicals, and masterpieces from world drama. The company includes Mark Addy, Natalie Dormer, Beverley Knight, Tom Rosenthal, Jenna Russell and Giles Terera; directors making their Chichester debuts include Gregory Doran, Katy Rudd, Phillip Breen, Monique Touko, Kathleen Marshall, Hannah Joss, Anthony Lau and Roy Alexander Weise.

Musicals:

· Kathleen Marshall directs and choreographs a brand new production of Irving Berlin’s classic tap extravaganza Top Hat

· A new musical, The Unlikely Pilgrimage of Harold Fry, adapted by Rachel Joyce from her bestselling novel, with music and lyrics by Passenger, directed by Katy Rudd, starring Mark Addy and Jenna Russell

World premieres:

· Gogol’s sparkling satire The Government Inspector in a new adaptation by Phil Porter, directed by Gregory Doran, starring actor and comedian Tom Rosenthal

· Choir, a new play by Gurpreet Kaur Bhatti celebrating music and togetherness, directed by Hannah Joss

· Safe Space, a new play by Jamie Bogyo, delving into volatile campus politics, directed by Roy Alexander Weise

Classic and modern dramas:

· Natalie Dormer in Anna Karenina, Tolstoy’s romantic masterpiece in a new adaptation written and directed by Phillip Breen

· Beverley Knight in Marie and Rosetta by George Brant, directed by Monique Touko in a co-production with Rose Theatre and ETT

· Giles Terera plays the title role in Hamlet, directed by Justin Audibert in Chichester’s first ever production of Shakespeare’s great tragedy

· William Golding’s compelling adventure Lord of the Flies, adapted by Nigel Williams, directed by Anthony Lau

For family audiences:

· The first stage production of Matt Haig’s A Boy Called Christmas, adapted by Philip Wilson with music by Tom Brady, performed by Chichester Festival Youth Theatre to mark their 40th anniversary and directed by Dale Rooks

· Stiles and Drewe’s The Three Little Pigs, a co-production with the Unicorn Theatre for young families at Christmas

· Looking ahead to Festival 2026, Roald Dahl’s The BFG, adapted by Tom Wells, in a co-production with the Royal Shakespeare Company and Roald Dahl Story Company, will be directed by Daniel Evans

· The Nest, a new studio space for work by emerging artists, creative development and community projects, will open in summer 2025 after a successful fundraising campaign

· 12,000 £10 tickets across the season; 9,000 £5 Prologue tickets for 16 – 30 year olds

· Off-stage events, exhibitions, free live music, family activities, and CFT Lates

Justin Audibert and Kathy Bourne said:

‘We’re delighted to share our new season, which aims to include all the ingredients we know our audiences love – including, of course, an unmissable summer musical. In fact, music of all kinds features strongly in several productions, from stimulating new work to classic masterpieces from the world stage.

‘A sense of lives and society in flux is central to many of the dramas this season, with vivid characters facing momentous change – making for compelling storytelling.

‘We’re continuing our policy of maximum theatricality in the Festival Theatre, with large casts and striking designs; while in the intimate Minerva, we have four premieres as well as Chichester’s first ever production of Hamlet.

‘We will welcome two Resident Assistant Directors, Becca Chadder and Nathanael Campbell; and this summer, we’ll launch our exciting new studio space, The Nest. December brings the first stage adaptation of Matt Haig’s contemporary classic, A Boy Called Christmas, which will mark our brilliant Chichester Festival Youth Theatre’s 40th anniversary.

‘It’s a pleasure to be working in partnership with Rose Theatre, ETT, the Unicorn Theatre and – looking ahead to 2026 – the RSC and Roald Dahl Story Company on our forthcoming co-production of The BFG. Meanwhile, Oliver!, our collaboration with Cameron Mackintosh, continues its triumphant run in the West End; and our co-production with Headlong, The House Party is on tour in the UK – taking Chichester’s work to audiences across the country.’

FESTIVAL 2025 PRODUCTIONS – APRIL TO OCTOBER

World Premiere

Tom Rosenthal in

THE GOVERNMENT INSPECTOR

By Nikolai Gogol A new adaptation by Phil Porter

Directed by Gregory Doran

25 April – 24 May, Festival Theatre

Gogol’s brilliantly inventive 19th century satire of skulduggery, mistaken identity and human absurdity spirals into dizzying levels of comic hysteria in Phil Porter’s sparkling new version.

The bureaucrats in a remote provincial town are panicking. Word has gone round that a bigwig government inspector is heading their way. And things are far from ideal: for a start, the hospital’s hopeless, the post office has gone to pot, and the streets are filthy. The Mayor and the Judge are keen to brush their own indiscretions under the nearest carpet.

So when they discover the inspector is already staying at the inn, incognito, the whole town lavishes flattering attention on him. This suits ‘the inspector’ just fine, since in reality he’s a lowly and broke government pen-pusher, nursing extravagant fantasies of fame and fortune…

Actor and comedian Tom Rosenthal (Friday Night Dinner, Plebs, Manhood) plays Khlestakov.

The cast also includes Joe Dixon (Renegade Nell, Imperium I & II) as the Judge, Joe Eyre (Young Sherlock, EastEnders) as Waiter/Gendarme, Nick Haverson (The Cat and the Canary CFT, Charlie & Stan) as Osip, Lloyd Hutchinson (Dear England, King Lear) as the Mayor, Sylvestra Le Touzel (The Crown, Intelligence) as Anna, Christopher Middleton (Henry IV, Time) as Head of Schools, Laurie Ogden (The Ocean at the End of the Lane, Great Expectations) as Marya, Oscar Pearce (Bring Up The Bodies, Colleseum) as The Charity Commissioner, Paul Rider (The Comedy of Errors, Dangerous Liaisons) as Dobchinsky, and Miltos Yerolemou (Foundation, Back to Black) as Bobchinsky.

Gregory Doran, former Artistic Director of the RSC (2012 – 2023), makes his Chichester debut as director.

The designer is Francis O’Connor, lighting designer Emma Chapman, composer Paul Englishby, sound designers Claire Windsor and Jonathan Ruddick, movement director Mike Ashcroft, and casting director Helena Palmer CDG.

World Premiere

Mark Addy and Jenna Russell in THE UNLIKELY PILGRIMAGE OF HAROLD FRY A new musical

Based on the novel by Rachel Joyce Book by Rachel Joyce Music and Lyrics by Passenger

Directed by Katy Rudd

5 May – 14 June, Minerva Theatre

Funny, profound, deeply moving and uplifting, The Unlikely Pilgrimage of Harold Fry is a joyous new musical adapted by Rachel Joyce from her own multi million-selling novel, featuring irresistible modern folk songs by the chart-topping indie musician, Passenger (Let Her Go).

Harold Fry – grey, tired and lonely – receives a letter from an old friend and heads out to post his reply. And keeps walking. From South Devon to Berwick upon Tweed. Leaving his bewildered wife Maureen behind.

Because Harold is trying to make up for lost time, confront the ghosts in his past, and – perhaps – keep someone alive.

As word spreads of his unlikely pilgrimage, a whole company of lost souls join him on his quest. And the horizons for both Harold and Maureen open wider than they could ever have imagined.

Mark Addy, whose innumerable screen credits include The Full Monty, The Rig and Game of Thrones, plays Harold. Jenna Russell, whose award-winning musicals include Sunday in the Park with George and Hello, Dolly!, makes a welcome return to Chichester as Maureen.

Director Katy Rudd (Ballet Shoes, The Ocean at the End of the Lane NT/West End) makes her Chichester debut.

The designer is Samuel Wyer, choreographer Tom Jackson Greaves, arranger and orchestrator Jeremy Holland-Smith, musical supervisor Phil Bateman, lighting designer Paule Constable, sound designers Ian Dickinson and Gareth Tucker for Autograph, musical director Chris Poon, and casting director Anna Cooper CDG. Adaptation co-created by Rachel Joyce, Peter Darling and Katy Rudd.

UK Premiere

Natalie Dormer in ANNA KARENINA By Leo Tolstoy 

A new adaptation by Phillip Breen

Directed by Phillip Breen 

7 – 28 June

Phillip Breen’s witty and sensual version of Tolstoy’s masterpiece Anna Karenina – blending period dress with a contemporary tone – takes us into the hearts and minds of its conflicted, very human characters. A surprisingly funny, romantic and unforgettable portrait of infidelity, passion and the search for fulfilment.

Across the vast panorama of 19th-century Russia – from the glittering salons of Moscow and St Petersburg to its remote country estates – everyone is searching for answers in a society on the brink of collapse.

Anna Karenina, the beautiful wife of a powerful government official, dares to step outside the bounds of society to risk a dangerous and destructive love affair with the magnetic Count Vronsky.

Meanwhile, country landowner Levin is in pursuit of a new way to live and wrestling with his thwarted devotion to Kitty, who’s been left broken-hearted by Vronsky. Her sister Dolly struggles to reconcile constant child-bearing with her husband’s constant philandering.

Their dreams and despairs are mirrored in the tensions between individual and society, modernity and tradition, city and countryside, faith and doubt.

Natalie Dormer (Game of Thrones, The Hunger Games) makes her Chichester debut as Anna; David Oakes (Victoria, Vikings: Valhalla) also comes to Chichester for the first time as Levin.

The cast also includes Donna Berlin (The Chalk Garden CFT, Wicked) as Countess Vronskaya, Jonnie Broadbent (The Norman Conquests CFT, Much Ado About Nothing) as Stiva, Seamus Dillane (The Invention of Love, Richard II) as Vronsky, Tomiwa Edun (Romeo and Juliet, Trigger Point) as Karenin, Sandy Foster (Mr Turner, Fisherman’s Friends) as Countess Lydia, Ivan Ivashkin (Mission: Impossible) as Nikolai, Shalisha James-Davis (The Comedy of Errors, Romeo and Juliet) as Kitty, Anne Lacey (The Secret Garden, Shetland) as Agafya, Marcia Lecky (Coriolanus, Brian and Maggie) as Princess Scherbatskaya, Riad Richie (Casualty, Infamous) as Titus, and Naomi Sheldon (The Girlfriend, Witness for the Prosecution) as Dolly.

The set designer is Max Jones, costume designer Ruth Hall, lighting designer Anna Watson, composer Paddy Cunneen, sound designer Dyfan Jones, movement director Ayse Tashkiran, and casting director Helena Palmer CDG.

For ages 14+; contains strong language and scenes some people may find upsetting.

UK Premiere Beverley Knight in

MARIE AND ROSETTA 

By George Brant

Directed by Monique Touko A co-production with Rose Theatre and ETT

25 June – 26 July, Minerva Theatre 

Sister Rosetta Tharpe, the roof-raising ‘godmother of rock ‘n’ roll’, influenced countless musicians from Elvis to Johnny Cash. This sparkling, intimate portrait of Rosetta and her beloved singing partner, Marie Knight, restores these forgotten musical heroines to the spotlight as one of the most remarkable and revolutionary duos in music history.

Mississippi, 1946. Sister Rosetta has changed the face of gospel music with her exuberant, electric guitar-playing style. Shunned by straitlaced church folk for performing in nightclubs and glorying in rhythm and blues, she’s persuaded the saintly young singer Marie to join her on a tour of the segregated southern States. But first she has to convert Marie’s pure Sunday sound into something that has just a little more swing…

Featuring a wealth of joyous rock and gospel hits including Didn’t It Rain and Peace in the Valley, the show will feature live musicians accompanying Olivier Award-winning West End star

Beverley Knight (Memphis, The Drifters Girl, Sylvia, Sister Act), who makes her Chichester debut as Rosetta Tharpe.

George Brant is an award-winning American playwright whose work includes Grounded (Fringe First and Off-West End Awards).

Monique Touko, winner of the 2022 Stage Debut Award for Best Director, whose acclaimed productions include The Boy at the Back of the Class, School Girls; Or, the African Mean Girls Play, Wedding Band and G, directs this UK premiere.

The set designer will be Lily Arnold, lighting designer Matt Haskins, sound designer Tony Gayle, movement director Kloé Dean and casting director Jacob Sparrow.

This co-production with Rose Theatre and ETT will play at the Rose in Kingston from 2 – 24 May, prior to its Chichester run.

Maria and Rosetta is presented by arrangement with Concord Theatricals Ltd on behalf of Samuel French Ltd concordtheatricals.co.uk.

TOP HAT 

Music & Lyrics by Irving Berlin

Based on RKO’s Motion Picture

Adapted for the stage by Matthew White & Howard Jacques 

Directed and Choreographed by Kathleen Marshall 

14 July – 6 September, Festival Theatre 

There may be trouble ahead,

But while there’s moonlight, and music, and love, and romance… Let’s face the music and dance.

You’re invited to the musical equivalent of a finest vintage champagne. Effervescent, elegant and exhilarating, Top Hat is a heady romantic cocktail laced with sparklingly witty dialogue, stunning choreography, lavish sets and gorgeous costumes. Irving Berlin’s irresistible score includes some of Hollywood’s greatest songs: the immortal Cheek to Cheek, Let’s Face the Music and Dance, Top Hat White Tie and Tails and Puttin’ on the Ritz.

When Broadway star Jerry Travers arrives in London to open a new show, he crosses paths with model Dale Tremont, whose beauty sleep is rudely interrupted by Jerry tap dancing in the hotel suite above hers. Instantly smitten, Jerry vows to abandon his bachelor life to win her –

but the path of true love never does run smooth. Especially since Dale has mistaken Jerry for his hapless producer Horace, who’s trying to avoid the wrath of his formidable wife Madge, and Dale’s own fiery Italian admirer is planning a trip to Venice for her to showcase his couture gowns…

Based on the classic 1935 film which starred Fred Astaire and Ginger Rogers, the stage adaptation’s West End premiere won the 2013 Olivier Award for Best New Musical and the Evening Standard Award for Best Night Out. Acclaimed American director and choreographer Kathleen Marshall, whose Tony and Olivier Award-winning production of Anything Goes recently wowed audiences and critics in London and on television, comes to Chichester to stage this brand-new production.

The set designer for Top Hat will be Peter McKintosh; the musical supervisor will be Gareth Valentine, orchestrator & arranger Chris Walker, lighting designer Tim Mitchell, sound designer Paul Groothuis, and casting director Natalie Gallacher CDG for Pippa Ailion and Natalie Gallacher Casting.

There will be a Dementia Friendly performance on 31 July and a Relaxed Performance on 26 August. A Summer Gala on 29 August will support Chichester Festival Youth Theatre.

World Premiere

CHOIR By Gurpreet Kaur Bhatti 

Directed by Hannah Joss 

2 – 30 August, Minerva Theatre 

Heartwarming, funny and packed with glorious arrangements of contemporary songs, Gurpreet Kaur Bhatti’s new comedy with music promises a thoroughly entertaining night out.

Morgan runs a community choir who meet weekly in a room above the local pub to sing great pop songs, chat and drink. There’s Paul, a former West End performer who now does local radio voiceovers; Esther and Joy, best friends who can’t stand each other; Anna, whose seemingly perfect life hides a secret; Ken, good egg and perennial loser; and Sheila, dark horse and pathological liar.

The choir are busy rehearsing a concert to raise money for young Freddie to go to music college. And when a TV producer invites them to perform on national television, Morgan seizes her opportunity to hit the big time.

But – are her eccentric group up to it? And what is Morgan prepared to sacrifice to get the acclaim she so desires? Home truths are revealed and secrets laid bare in this feelgood comedy, which explores loneliness and connection while celebrating the joy and power of community art.

Gurpreet Kaur Bhatti is an award-winning writer for stage, screen and radio, whose work includes A Kind of People (Royal Court), Silence (Donmar Warehouse) and Radio 4’s The Archers.

CFT’s Associate Director Hannah Joss, previously Resident Director at the National Theatre Studio, directs.

The designer is Anisha Fields, lighting designer Jai Morjaria, music & sound designer Alexandra Faye Braithwaite, arranger Rich Forbes, musical director Michael Henry, movement director Annie-Lunnette Deakin-Foster, and casting director Jacob Sparrow.

Giles Terera in

HAMLET

By William Shakespeare 

Directed by Justin Audibert 

6 September – 4 October, Minerva Theatre 

Something is rotten in the state of Denmark.

The death of his father, the king, turns Hamlet’s world upside down. Stunned by the horrifying secrets revealed, he loses all trust in the people closest to him.

Amidst a maelstrom of grief, suspicion and doubt, he embarks on a profound journey of self-discovery in which the betrayal of friends and family – and the decay at the heart of the state – are laid bare.

Justin Audibert, Artistic Director of CFT, directs Chichester’s first ever production of Shakespeare’s supreme tragedy.

Giles Terera, winner of an Olivier Award for Hamilton (West End), and Critics’ Circle Best Actor Award for Blues for an Alabama Sky and the title role in Othello at the National Theatre, plays Hamlet.

The designer will be Lily Arnold, lighting designer Ryan Day, sound designer Ed Clarke, movement director Lucy Cullingford, fight director Cristian Cardenas and casting director Matilda James CDG.

William Golding’s

LORD OF THE FLIES 

Adapted for the stage by Nigel Williams 

Directed by Anthony Lau 

19 September – 11 October, Festival Theatre 

Which is better – law and rescue or hunting and breaking things up? To have rules and agree or to hunt and kill like a pack of savages?

William Golding’s compelling adventure takes us into the heart of darkness.

A plane crash on a desert island abandons a group of young survivors to fend for themselves. Quickly, tribal loyalties start to form. Despite attempts by Ralph and Piggy to keep order, school rules are shed along with their uniforms, and friendly alliances fast become ferocious divisions.

As the children threaten to turn feral, a deadly struggle ensues between Ralph and his leadership rival, Jack. Will chaos overcome humanity – or, with a world at war beyond the island, can rescue come in time to save them?

A modern classic, Lord of the Flies has lost none of its riveting power since its publication in 1954; frequently ranked high in lists of iconic novels, and a constant presence on the school syllabus. Nigel Williams’s much admired stage adaptation premiered at the RSC in 1995.

Anthony Lau, Associate Artistic Director at Sheffield Theatres 2020-2024, where his productions included The Crucible, Miss Saigon, Rock/Paper/Scissors and The Good Person of Szechwan, directs.

The casting director will be Jacob Sparrow.

For ages 13+; please note this production contains scenes some people may find upsetting.

World Premiere

SAFE SPACE

By Jamie Bogyo 

Directed by Roy Alexander Weise 

11 October – 8 November, Minerva Theatre 

What’s in a name?

The winds of change are blowing through the elite ivy-league halls of one of America’s most prestigious universities. For students Isaiah, Connor, Annabelle, Omar and Stacy, on the precipice of starting their adult lives, life is no longer about getting through a political science lecture with a hangover and auditioning for the school acapella group. Confronting the injustices of the past is top of the agenda – starting with the fact that the college is named after a notorious defender of slavery.

And in this pressure cooker environment, everyone has to pick a side.

Beneath the passionate speeches, do old prejudices die hard? What happens to friendship and love amidst frank debate?

Jamie Bogyo’s whip-smart, hilarious and bracing new play takes us into the volatile quicksand of campus politics in the dying months of Obama’s presidency, and asks how – and if – we can escape the past.

Roy Alexander Weise, whose recent productions include The Hot Wing King and Nine Night (National Theatre) and Untitled F*ck M*ss S**gon Play (Royal Exchange/Young Vic/Headlong), directs.

The casting director will be Isabella Odoffin CDG.

For ages 14+; contains strong language and scenes of an adult nature.

Stiles and Drewe’s

THE THREE LITTLE PIGS

Music by George Stiles

Book and lyrics by Anthony Drewe

A co-production with Unicorn Theatre 

6 – 28 December, Minerva Theatre 

From the award-winning Stiles and Drewe (The Billy Goats Gruff, Honk!, Half a Sixpence) comes The Three Little Pigs – a “very curly musical tail” that is perfect for the whole family.

This charming and witty adventure is full of catchy songs and clever rhymes which will have you squealing with glee as three superstar piglets set about defeating the Big Bad Wolf.

Devoted Mother Pig is raising her three little pigs – sporty Bar, nature-loving Bee and bookworm Q – after Father Pig was gobbled by the Big Bad Wolf. But when their home starts looking like a really messy pigsty, Mother encourages her fast-growing youngsters to make their own way in the big wide world. Bar, Bee and Q set about building their own houses from straw, sticks and bricks. But can they get the better of the huffing, puffing, always hungry (and a bit misunderstood) Big Bad Wolf?

A co-production with the Unicorn Theatre, this hugely entertaining adaptation of the classic tale is a perfect musical Christmas treat for young families.

Performed by arrangement with Music Theatre International.

For ages 3 – 7. There will be a Relaxed Performance on 28 December.

World Premiere Chichester Festival Youth Theatre

A BOY CALLED CHRISTMAS

By Matt Haig

Adapted for the stage by Philip Wilson 

Music by Tom Brady 

Lyrics by Philip Wilson and Tom Brady 

Directed by Dale Rooks

15 – 31 December, Festival Theatre

An enthralling, charming and magical tale that tells the true story of Father Christmas.

For 11-year-old Nikolas, whose nickname is Christmas because he was born on 25 December, life isn’t easy. With only a doll made out of a turnip to keep him company, he believes in happiness but isn’t happy very often. Until the day he sets out – with his pet mouse Miika and a reindeer called Blitzen – on an extraordinary quest to follow his father and to find Elfhelm, the fabled village of the elves.

Join Nikolas on this life-changing adventure, full of fantastic characters and beautiful moments, and watch how one little boy comes to be the very symbol of Christmas itself. Full to bursting with festive wonder, this story from the award-winning writer Matt Haig – adapted for the stage by Philip Wilson (Cinderella, Grimm Tales), with original live music and songs by Tom Brady (Pinocchio, The Butterfly Lion) – will warm the hearts of audiences young and old.

In their 40th anniversary year, Chichester Festival Youth Theatre bring their magical gifts for storytelling to another captivating Christmas production, directed by Dale Rooks (The Wind in the Willows, Hey! Christmas Tree).

For ages 7+. There will be a Gala Performance on 21 December, and a Relaxed Performance on 30 December.

World Premiere

Roald Dahl’s

THE BFG

Adapted by Tom Wells 

Directed by Daniel Evans

A Chichester Festival Theatre, Royal Shakespeare Company, and Roald Dahl Story Company production

Monday 16 March – Sunday 12 April 2026

Roald Dahl’s unforgettable story comes to life for Festival 2026 in a magical new adaptation by Tom Wells (The Kitchen Sink, Jumpers For Goalposts), directed by RSC Co-Artistic Director (and former CFT Artistic Director) Daniel Evans, whose previous productions include Quiz, South Pacific and Our Generation.

Full details and booking will be announced in September 2025

FESTIVAL 2025 EVENTS

A lively programme of events and activities will complement the shows on stage.

Join us for a free Cricket Match at beautiful Goodwood, and bag a bargain at our Costume Sale. Green Week celebrates the UK’s annual push for positive climate action. Enjoy live music from local talent at our free Summer Sessions. The Minerva Bar sees the return of CFT Lates, our monthly series of late night entertainment for ages 16+.

A Hamlet Experience Weekend will offer an insight into director Justin Audibert’s theatre-making process. Free Pre- and Post-Show Talks, with the director and cast members, are held for each production, while Theatre Days and Backstage Tours unveil backstage secrets.

Family Friendly activities range from Roman Week crafts, performances This Tree Belongs To Me and Baby Gospel, to the return of Creation Station and free Storytime Saturdays.

THE NEST 

Incubating, hatching and showcasing the creative talent of the future

After a successful fundraising campaign, raising £1.8m over the past year, our exciting new venue, The Nest – a vibrant space for dynamic work and the talent of tomorrow – will open this summer. Like the smaller theatre spaces that popped up at CFT over the years, such as The Tent, Theatre on the Fly and The Spiegeltent, The Nest will feel similarly informal and agile: a home for emerging artists alongside community groups, and a place to kick-back for some eclectic nightlife. We look forward to sharing the fresh programme of activities and events soon.

Sarah Mansell, Appeal Director, comments: ‘We would like to thank everyone who supported The Nest Appeal – the trusts, foundations and individuals, together with Chichester City Council – whatever the size of their gift. The huge amount of money raised through donations has been an extraordinary testament to our audience, their loyalty and generosity. Their gifts have made our dreams of The Nest a reality.’

A free foyer exhibition, New Ventures, will explore the rich history of fringe theatre spacesat CFT, supported by the National Heritage Lottery Fund

Everyman Theatre, Cheltenham – until 15th February 2025

Reviewed by Jacqui Radford

4****

An award-winning play written by Robert Bolt and first performed in the 1960s, A Man for All Seasons explores the path that led to Henry VIII becoming Head of the Church of England. A cast packed with talent, a set that transports you back to Tudor times and a plot that focusses on Henry’s relationship with Thomas More all combine perfectly to bring Tudor England to life.

Set in the last few years of More’s life, we are walked through the tensions created by Henry’s desire for a divorce and More’s devout commitment to his Catholicism. More’s principled stance against divorce and recognising Henry as the Head of the Church in England ultimately leads to his execution.

Gary Wilmot as The Common Man adds a splattering of humour to a storyline that could otherwise be too intense. The character is not only endearing but also an anchor or ‘explainer’ for each short, sharp scene; a relatable character for everyone.

Martin Shaw as Thomas More skilfully portrays the various aspects of family, politics and service life and the tensions between them. His views on the sanctity of the Catholic Church and marriage are well known to all but he is careful to protect his family from retribution. Amongst his peers, he chooses his words carefully to protect himself but none of that protects him from Henry’s self-indulgence and power.

Designed by Simon Higlett, the whole performance is pulled together by an imposing, wood panelled set and stunning costumes that transport you back in time.

At a time when Tudor England is dramatised in so many ways, this play stands up well against the alternatives. Whether you are fascinated or confused by Henry VIII and the mark he left on the Church in England, catch this play on its whistle stop tour.

Olivier Awards with Mastercard unveils sustainably focused partnerships for 2025

·         Mastercard returns as headline sponsor for the 15^th year

·         New and returning partners have been announced, including Cunard, Piper-Heidsieck and Addison Lee, forging a commitment to sustainable partnerships

Partners for the Olivier Awards 2025 with Mastercard, the most prestigious night in British theatre, have been announced. The star-studded ceremony takes place on Sunday 6 April at London’s Royal Albert Hall, hosted by the recently announced Beverley Knight & Billy Porter. 

Mastercard returns as headline sponsor for the 15^th year, championing the very best of London theatre with their support of the Mastercard Best New Musical category, which they have proudly sponsored since 2014. Mastercard have provided priceless opportunities, solely for cardholders, including exclusive access to public ticketing. 

Charlie Carrington, Senior Vice President Marketing & Communications at Mastercard, said: 

“We are delighted to partner with the Olivier Awards for the 15^th consecutive year. As a sponsor of the arts, we’re passionate about helping the next generation of talent break through. This is why we’re this year proud to work with the Society of London Theatre to offer students at the BRIT School, the leading performing and creative arts school in the UK, the opportunity to gain valuable work experience at the Olivier Awards and be part of the most prestigious night in UK theatre.” 

Kash Bennett, President of the Society of London Theatre, said:  

“The Society of London Theatre is hugely grateful to Mastercard for their continued and generous support of the Olivier Awards. This important partnership enables us to shine a spotlight on the very best of London theatre and celebrate the magic of the stage. Mastercard, along with all our valued partners and supporters, remain true champions of theatre and the arts!” 

Together with Mastercard, the Society of London Theatre is committed to continuing the evolution of the Olivier Awards as a sustainable celebration of theatre. Recognising the importance of responsible practices, the Olivier Awards takes pride in partnering with organisations that share this dedication to sustainability. From eco-conscious production methods to the use of renewable materials, its chosen partners prioritise sustainability in their operations, ensuring that this prestigious event not only celebrates excellence in theatre but also contributes to a more sustainable future for the industry. 

Broadcast partners ITV, STV, ITVX and STV Player will air a highlights programme on the evening of Sunday 6 April, with additional coverage by Magic Radio. TikTok will return to provide Green Carpet coverage as the official mobile entertainment platform. 

Cunard is returning as partner for the Nominees’ Celebration and sponsors of the Best Revival category for the sixth year, further strengthening their long-standing connection with world-class theatre. Cunard’s commitment to supporting the arts is prevalent both on board their ships and ashore. Through the London Theatre at Sea in partnership with the Olivier Awards voyage, Cunard takes the wonder of the West End to the open ocean, offering guests extraordinary and exclusive performances from leading talent. 

Piper-Heidsieck joins for the first time as official Champagne partner. A long-standing favourite among the entertainment industry’s elite, Piper-Heidsieck has a rich heritage of supporting the arts, from the golden age of Hollywood to today’s most prestigious cultural events. As the first B Corp-certified Champagne house, Piper-Heidsieck is not only committed to excellence in craftsmanship but also to making a meaningful social and environmental impact. This year, the Maison proudly sponsors the Best Musical Revival category, raising a glass to the timeless storytelling. 

Also joining for the first time as official car partner, Addison Lee will ensure VIPs arrive safely, comfortably and sustainably. With a commitment to both premium service and environmental responsibility, Addison Lee’s executive fleet of zero-emission vehicles offers a seamless and eco-friendly way to travel. As a trusted name in transport, Addison Lee is proud to support the arts whilst driving towards a more sustainable future. 

The Launch Event and Nominees’ Celebration will be hosted by longtime hotel partner The Londoner, who will also sponsor the Best New Play category.  

The Lynne & Land Foundation, established by the late esteemed choreographer Gillian Lynne and her husband Peter Land, returns to sponsor the Gillian Lynne Award for Best Theatre Choreographer. 

The Noel Coward Foundation will again sponsor the Best Entertainment or New Comedy Play category, which is named in honour of the great British playwright. 

Each bringing their unique support to the celebration of theatre’s finest talent, additional sponsors include AKT London, Fujifilm, Global, Heart of London Business Alliance, Newman Displays and See Tickets. 

Continuing as production partners for the ceremony are Blue I Theatre Technology, d&b audiotechnik, TAIT, Unusual Rigging and White Light. 

Public tickets for the Olivier Awards 2025 are now on sale exclusively to Mastercard cardholders via priceless.com. 

OlivierAwards.com | Facebook | X | Instagram | TikTok | YouTube 

#OlivierAwards 

PREHISTORIC PARODY ROARS INTO THE WEST END!

SALLY CADE HOLMES AND HEATHER SHIELDS ANNOUNCE

WEST END PREMIERE OF RECENT CUTBACKS’ CRITICALLY ACCLAIMED HIT

HOLD ON TO YOUR BUTTS

AT THE ARTS THEATRE THIS EASTER

Due to popular demand, Sally Cade Holmes and Heather Shields, producers of critically acclaimed off-West End hit Hold On To Your Butts, today announce a limited Easter West End engagement at the Arts Theatre from 7-12 April 2025 under The Choir of Man with performances on sale now. The five-star (WhatsOnStage) show ran at the Arcola Theatre in London over Christmas and is now on tour with sold out performances!

Recent Cutbacks’ live shot-for-shot parody of the greatest dinosaur film of all time is performed by just two actors and a live Foley artist.

The tour began at the Curve Theatre in Leicester on 7 February and continues at Lowry in Salford, Norden Farm in Maidenhead, Macready Theatre in Rugby, Swan Theatre in Worcester, Octagon Theatre Bolton, Birmingham Repertory Theatre, Exeter Northcott Theatre, Norwich Playhouse, The Dukes in Lancaster, Hull Truck Theatre, and Slung Low in Leeds.

Tickets for West End performances and tour venues are on sale now at www.holdontoyourbutts.co.uk.

A wildly inventive tour-de-force of comedy, physical theatre and live Foley, Hold On To Your Butts was created by Recent Cutbacks, directed by Kristin McCarthy Parker (Puffs, Or: Seven Increasingly Eventful Years at a Certain School of Magic and Magic, Off-Broadway), developed with Nick Abeel, Kyle Schaefer & Blair Busbee, and stars Jack Baldwin (The Play That Goes Wrong and The Comedy About A Bank Robbery, West End) and Charlie Richards (The Play That Goes Wrong West End, The Unfriend West End) who also serves as associate director, with live sound and foley by Charlie Ives (A Christmas Carol – A Ghost Story, Nottingham Playhouse and Alexandra Palace; Private Lives, West End). The company is completed by James Physick (The Unseen, Riverside Studios). A Cappella arrangements are by Kelsey Didion, and Lighting Design is by Christopher Nairne.

Recent Cutbacks is a New York-based creative ensemble founded in 2014. Their critically acclaimed work sits at the intersection of comedy and theatre. They’re best known for live movie parodies that fuse humour, nostalgia, and lo-fi spectacle.

Their projects invite audiences to see the world with a newfound exuberance and remind us why we fell in love with movies, theatre, and storytelling in the first place.

Sally Cade Holmes and Heather Shields present

Recent Cutbacks’

HOLD ON TO YOUR BUTTS

Created by Recent Cutbacks

Starring Jack Baldwin, Charlie Ives, Charlie Richards & James Physick

A Cappella Arrangements by Kelsey Didion

Directed by Kristin McCarthy Parker

Developed with Nick Abeel, Kyle Schaefer & Blair Busbee

Associate Producer FutureHome Productions

65 million years ago, dinosaurs ruled the Earth…
30 years ago, a movie about dinosaurs ruled the box office…

This year, you are advised to HOLD ON TO YOUR BUTTS!

Hold On To Your Butts is a must see “shot-for-shot” parody of the greatest dinosaur film of all time.  After selling out in New York and at the Edinburgh Festival Fringe, this wildly inventive tour-de-force of comedy, Foley sound and physical theatre is now touring the country and transferring to the West End following a hugely successful London run. 

Don’t walk, RUN to get your tickets!

www.holdontoyourbutts.co.uk

Instagram/TikTok: @HoldOnToYourButtsUK

Facebook: /HoldOnToYourButtsUK

WEST END LISTINGS

HOLD ON TO YOUR BUTTS

Age guidance: 8+

Length: 75 mins

Arts Theatre, London

Monday 7 – Saturday 12 April 2025

Mon:                     7.30pm

Tues:                    3pm

Wed & Thurs:     1pm & 3pm

Fri & Sat:             11am

Website: www.artstheatrewestend.co.uk

6-7 Great Newport St, WC2H 7JB

020 7836 8463

TOUR LISTINGS

Lowry (Quays Theatre), Salford

Wednesday 12 – Saturday 15 February 2025

Website: www.thelowry.com

Norden Farm, Maidenhead

Wednesday 19 February 2025

Website: www.norden.farm

Macready Theatre, Rugby

Thursday 20 – Friday 21 February 2025

Website: www.macreadytheatre.co.uk

Swan Theatre, Worcester

Saturday 22 February 2025

Website: www.worcestertheatres.co.uk

Bolton Octagon

Monday 17 – Wednesday 19 March 2025

Website: www.octagonbolton.co.uk

Birmingham Repertory Theatre

Friday 21 – Saturday 22 March 2025

Website: www.birmingham-rep.co.uk 

Exeter Northcott Theatre

Tuesday 25 – Wednesday 26 March 2025

Website: www.exeternorthcott.co.uk

Norwich Playhouse

Sunday 30 March – Tuesday 1 April 2025

Website: www.norwichtheatre.org

The Dukes, Lancaster

Friday 4 – Saturday 5 April 2025

Website: www.dukeslancaster.org

Hull Truck Theatre

Tuesday 15 – Wednesday 16 April 2025

Website: www.hulltruck.co.uk

Slung Low, Leeds

Saturday 19  April 2025

Website: www.slunglow.org

Festival Theatre, Malvern – until 15th February 2025

Reviewed by Courie Amado Juneau

4****

George Orwell’s classic work of allegorical fiction, Animal Farm, gets the full stage treatment at Malvern Theatres tonight and it turned out to be an impactful production.

The set (from Lighting and Set Designer Ciarán Bagnall) was interesting – although set on a farm, it was more industrial than field. A stroke of genius since factory fodder (read “mechanical progress”) rather than pastoral peace hit all the right notes. It gave the cast plenty of opportunities for ingress and egress and a rather useful place for the 7 commandments to be writ large. Masks hanging around the set gave one a teaser of the action to come (as well as some conveniently placed props for when needed).

The music (from Dylan Townley) was superb. Just like in the best films, it set the scene and provoked an emotional reaction. Plenty of low subsonic noises combined with other discordant, disjointed sounds reminiscent (to this vegetarian at least) of the anguish of animals… It all reminded me of the works of Angelo Badalamenti (composer for many of David Lynch’s concoctions, including Twin Peaks).

The actors gave their all both emotionally and physically. The mannerisms that they produced really brought to life the creatures they were portraying. The horses Boxer (Sam Black) and Clover (Natalia Campbell) were two of the highlights and (along with Benjamin the Donkey (Soroosh Lavasani) and Mollie the selfish mare (Olivia Chandler)) represented us, the common folk, the workers and those who look the other way. The scene where Boxer is taken off to “hospital” is particularly affecting, almost visceral, as was the aftermath scenes. Brilliant work from all involved, including Director Iqbal Khan.

The pigs were real swine (their joke, not mine but a clever pun nonetheless) with Rhian Lynch thoroughly enjoying herself as porky dictator Napolean. But the star of the show was Lewis Griffin as Squealer (an apt character name if ever I saw one!). If he gets tired of the stage he could certainly slot in nicely as a believable politician! I mean that as a compliment to his acting skills in this role btw.

The original novella ended with the animals looking in the windows of Manor Farmhouse, watching the pigs and the humans playing cards. Napolean and Farmer Pilkington each simultaneously played an ace of spades, meaning of course that they both cheated. The animals could not distinguish between the pigs and humans. A satisfying conclusion that left no ambiguity as to the ultimate message the author wished to convey. This adaptation by Ian Wooldridge had no such payoff which, I’m sad to say, resulted in a rather confusing jumble without that very certain moral point.

When the show worked well it did so convincingly. With an accomplished, committed and full blooded performance from all on stage, and a thoroughly modern interpretation that is all the rage at this time, it’s bound to be a crowd-pleaser. An uncomfortable watch at times as it’s too close to the bone (of human nature) and too reflective of the political world we still, sadly, see. Having much to say to our present generations, I hope that many of them take the opportunity to catch this hard-hitting literary classic.

MEL BROOKS’

YOUNG FRANKENSTEIN THE MUSICAL

TO HAVE REGIONAL PREMIERE

AT HOPE MILL THEATRE

FROM 10 OCTOBER 2025

Hope Mill Theatre are delighted to announce Mel Brooks’ YOUNG FRANKENSTEIN THE MUSICAL will have its regional premiere from 10 October to 30 November 2025, with a press night on 15 October. YOUNG FRANKENSTEIN will be directed and choreographed by Nick Winston.

Adapted by Mel Brooks from his legendary 1974 film starring Gene Wilder, YOUNG FRANKENSTEIN tells the story of the grandson of the infamous Victor Frankenstein, Frederick Frankenstein (pronounced “Fronk-en-steen”) who inherits his family’s estate in Transylvania. With the help of a hunchbacked sidekick, Igor (pronounced “Eye-gore”), and a leggy lab assistant, Inga (pronounced normally), Frederick finds himself in the mad scientist shoes of his ancestors. “It’s alive!” he exclaims as he brings to life a creature to rival his grandfather’s. Eventually, of course, the monster escapes and hilarity continuously abounds.

Casting to be announced.

Director and choreographer Nick Winston returns to Hope Mill Theatre after the success of Mame in 2019 and most recently the Manchester premiere of Burlesque the Musical at the Opera House.

About joining the show Nick said: “I am beyond excited to direct YOUNG FRANKENSTEIN the uproarious musical comedy based on the classic film by Mel Brooks and to be doing so at the brilliant Hope Mill Theatre. The immediacy of this space mixed with Mel Brooks’ iconic humour and the musical’s brilliant score will create a cocktail of laughter, love and a bit of mad science!”

YOUNG FRANKENSTEIN marks the 10th Anniversary year of Hope Mill Theatre, which opened its doors in October 2015. Founded by Joseph Houston and William Whelton the Award-Winning venue has gained a reputation Nationally and Internationally for its in house Musical productions.

William Whelton co-founder and CEO said: “Young Frankenstein the musical marks Hope Mill Theatre’s 10th anniversary celebrations and in true Hope Mill style we are bringing a Regional Premiere of the classic Mel Brooks musical. Since opening we have always strived to bring the very best in Musical theatre titles and talent to the City and we are thrilled to have Nick Winston at the helm, who last worked at the venue back in 2019, when he directed and choreographed MAME the musical. Myself and Joe could not have imagined that we would be reaching such a milestone in our journey, and we have so much to be grateful for as we reflect on what has been an incredible decade. The future is full of hope for us, and we have so many exciting plans afoot, as we continue to secure the legacy of Hope Mill Theatre, and this production is just one of many exciting announcements to come.”

Every bit as relevant to audience members who will remember the original as it will be to newcomers, YOUNG FRANKENSTEIN has all the of panache of the screen sensation with a little extra theatrical flair added. It will surely be the perfect opportunity for a production company to showcase an array of talents. With such memorable tunes as The Transylvania Mania, He Vas My Boyfriend and Puttin’ on the Ritz by Irving Berlin, YOUNG FRANKENSTEIN is scientifically proven, monstrously good entertainment.

Mel Brooks’ YOUNG FRANKENSTEIN has a book by Mel Brooks and Thomas Meehan, with music and lyrics by Mel Brooks, orchestrations by Doug Besterman & Mark Cumberland and original direction and choreography by Susan Stroman.

Website: hopemilltheatre.co.uk/event/young-frankenstein

Facebook: @HopeMillTheatre

X: @hopemilltheatre

Instagram: @hopemilltheatre

LISTINGS INFORMATION

10 October 2025 – 30 November 2025

Hope Mill Theatre

113 Pollard St

Manchester

M4 7JA

Preview Performances: 10 – 14 October 2025.

Performances: Tuesday to Saturday/ 7.30pm & 2.30pm/ Sundays 2pm, 3pm or 6pm

Tickets from: £27

Box Office: 0161 275 9141

Hull New Theatre – until 15th February 2025

Reviewed by Anne Walker

5*****

Stephen Daldry’s production of J.B. Priestley’s classic thriller “An Inspector Calls” has long been celebrated for its innovative staging and powerful social commentary. The production continues to showcase the brilliance of Daldry’s vision, bringing fresh energy to this timeless piece while remaining faithful to its core themes.

Set in the early 20th century, the play revolves around the Birling family, whose lives are turned upside down by the unexpected arrival of Inspector Goole. As the inspector interrogates each family member about their connections to a young woman’s tragic fate, the narrative unfolds with a gripping intensity that keeps the audience on the edge of their seats.

Daldry’s direction is masterful, blending a sense of urgency with moments of quiet reflection. The set design, featuring a strikingly elevated, unstable Birling house that opens up to reveal more than the interior, serves as a metaphor for the scrutiny the characters face. This design choice not only enhances the visual impact but also reinforces the play’s themes of social responsibility and moral accountability.

The cast delivered exceptional performances, with each actor bringing depth and nuance to their roles. The character of Inspector Goole, portrayed with a commanding presence by Tim Treloar, gave us just the right balance of calm, passion and authority as he unraveled the family’s secrets. The Birlings, ranging from the self-assured, arrogant Arthur to the naive, giddy Sheila, are portrayed with a mix of vulnerability and arrogance, making their eventual confrontations with the inspector all the more poignant.

The production’s pacing is expertly handled, maintaining a tension that builds throughout the evening. Daldry’s use of lighting and sound design further amplifies the emotional weight of the story, creating an atmosphere that is both haunting and thought-provoking.

One of the standout elements of this production is its relevance to contemporary issues. The themes of class disparity, social responsibility, age and gender resonate still as strongly in today’s world, making Priestley’s work feel as urgent as ever. Daldry’s interpretation invites audiences to reflect on their own responsibilities and the impact of their actions on others.

The theatre saw a full house this evening but unfortunately it was the noisiest audience we had ever experienced with lots of rustling packets and talking which was rather disappointing. Thankfully, Stephen Daldry’s An Inspector Calls has such gripping storytelling in this captivating production which made it an enjoyable experience nonetheless.

Whether you’re a longtime fan of the play or experiencing it for the first time, this production is not to be missed.

Sheffield Lyceum – until Saturday 15 February 2025

Reviewed by Adam Craddock

5*****

After my last few visits to the theatre at Sheffield Lyceum being all sunshine and roses with some happy go lucky musicals, myself and my partner decided to switch it up and pick up a review for Ghost Stories, the hit horror play by Jeremy Dyson and Andy Nyman.

This is the point where normally I would divulge a bit of a plot summary or some background info but one of the absolute delights about Ghost Stories is that it is a modern day enigma, a story that has largely remained spoiler free. We as reviewers were kindly requested to keep it that way and that I shall do! What I can tell you however is that Ghost Stories may be the best horror play I have seen in terms of holding the suspense right the way through from the first word to the last. The small cast of 4 remarkable actors had the audience in the palm of their hand throughout, playing with us like some prey that they could devour at any moment, yet also lightening the mood when necessary.

Dan Tetsell guides us through the show as the eloquent and charming Professor Goodman. Again it is hard to give a full and flowing review with the constraints on what can and can’t be said but just know that Tetsell is the glue that holds the show together and he performs this role admirably, as well as being given his true chance to shine in the final innings. David Carry is brilliant as Tony Mathews, with brilliant comedic timing and command of his stage. Eddie Loodmer Elliott is solid as Simon Rifkind, with an endearing awkwardness that makes you almost feel sorry for him. Last but not least, Clive Mantle is great as Mike Priddle, with a smarminess and disregard for the others so perfect that you almost want to get up and give him a slap at times!

The set for Ghost Stories is incredible, with scenery and special effects feeling like they were ripped straight out of a West End theatre and have no place being on tour. The scale and innovation of the illusions are awesome, leaving myself and my partner scratching our heads as to how they did most of it. The sound design was perfect for a show such as this, with the claustrophobic quality almost making you feel as if you are in a pressure cooker and could explode at any minute. The lighting was also perfect, lending itself to realism yet tension at the same time.

In conclusion, while I can’t say much about the actual show itself I can say this… go get a ticket YESTERDAY! Ghost Stories is not a play to be missed and I already wish I could re play it all over again for the first time and relive the feeling I got.

Park Theatre announces Summer and Autumn shows

• The Summer season spans Ireland, Japan and Italy with Irish Times Award-winner Conversations After Sex, Michinari Ozawa’s Our Cosmic Dust, and 20^th century scandal That Bastard, Puccini!
• Edinburgh Festival Fringe hits Outpatient and Jimmy by Adam Riches transfer to the North London venue
• The Park Laughs programme includes Fringe previews from comedians including Sophie Duker and Matt Forde
• Autumn season will feature former RSC Artistic Director Adrian Noble, Bruntwood Prize-shortlisted (the) Woman, and Olivier Award-nominated actor Issy van Randwyck
• For one night only, Sir Jonathan Pryce will appear at the venue for a special fundraising event

30 April – 25 October

X (Twitter): @ParkTheatre | www.parktheatre.co.uk

Park Theatre has unveiled an eclectic line up of theatre and comedy in its Summer and Autumn seasons, including shows set in Ireland, Japan and Italy, Edinburgh Festival Fringe hits, shows exploring the lives of artists and opera composers, and comedians performing their final previews in July before hitting the Fringe in August.

Ahead of the season, Park Theatre has announced, for one night only, An Audience with Jonathan Pryce(30 Mar). Exploring moments that have shaped the illustrious career of the knighted, award-winning actor of stage and screen, the evening will raise funds towards Park Theatre’s invaluable work in their local community, which includes three different programmes for those living with dementia and their carers, and sessions with young people aged 12 – 16 and 18 – 28.

Opening the Summer season, Conversations After Sex(30 April – 17 May)is a sharp and unflinchingly honest, Irish Times Award winning play by Mark O’Halloran about unexpected encounters with anonymous strangers in hotel rooms. When a woman in possession of her own sexuality meets a carousel of different men, she finds herself uncovering more than she expected. Grief. Loneliness. Promiscuity. Connection.

Next in Park90, Outpatient (21 May – 7 June) is an explosive autobiographical comedy exploring the world of Olive, a self-obsessed entertainment journalist who sets out to make her name interviewing people who are receiving palliative care, only to discover that she is living with an incurable and mysterious disease of her own. Determined to live what little time she has left to the fullest, she plans to sever all ties with her partner, throw herself into her work, and audition for a reality singing competition.Coming to Park Theatre following its Edinburgh Festival Fringe run, Outpatient explores the fantasies of human minds and the fragility of human bodies. 

In Park200, Our Cosmic Dust (2 Jun – 5 July) is an English-language debut of a three-time award-winning production created by Tokyo writer and director Michinari Ozawa. Meet Shotaro, a curious schoolboy who sets out on an adventure to find his late father among the stars. Behind him follows his mother, sick with worry and determined to bring him home. Along their journeys, they encounter a kaleidoscope of characters each with their own stories of love, loss, and the absurdities of life. Blending intricate puppetry, hand-drawn illustrations, and inventive video design, Our Cosmic Dust is a heartfelt and imaginative tale that explores how we find guidance in others and solace in the cosmos – all seen through the wide-eyed perspective of a child.

Another Edinburgh Fringe Festival hit, Jimmy (23 June – 12 July) is a theatre show from Edinburgh Comedy Award Winner Adam Riches. In 1974, Jimmy Connors was the greatest tennis player on Earth. In 1991, he’s getting annihilated at the US Open by his arch-nemesis’ little brother.  What happened next was one of the greatest comebacks in sporting history, when Jimmy, fuelled by ghosts of his turbulent past, winds back the clock to remind the world what happens when you rattle the cage of a geriatric tiger, one last time.

Taking the main stage in July, That Bastard, Puccini! (10 July – 9 Aug) stages the 20^th century race between composers Giacomo Puccini and Ruggero Leoncavallo to claim the enchanting love story of La Boheme. Giacomo Puccini needs to write an opera that will cement his reputation as the next great composer, but fellow composer Ruggero Leoncavallo has thought of La Boheme too. And worse still, he’s claiming Puccini stole his idea. A funny, chaotic and captivating new play by James Inverne, That Bastard, Puccini! brings to life an explosive professional rivalry, a plagiarism scandal that rocked Europe, and a friendship tested to the limit. Witness the story behind one of the world’s most famous masterpieces… and as a result, one of the least famous.

Also in July, Park Laughs will be presenting comedians, starting with Chris Grace: Sardines (20 July) in Park200, then a series of Avalon Edinburgh Previews (21 – 26 Jul) with double bills of comedians in the intimate Park90 just ahead of their Scottish runs: Matt Forde and Joe Kent-Walters, Glenn Moore and Johnny White Really-Really, Chloe Petts and Pierre Novellie, Sophie Duker and Bella Hull, Rob Auton, Andrew Doherty, and two more to be announced.

Moving into the Autumn, The Gathered Leaves (13 Aug – 20 Sept) returns to Park200 a decade after its sold-out run, directed by former RSC Artistic Director Adrian Noble, who makes his UK play-directing comeback after nearly 10 years of working on international opera productions. The Pennington family have not been in the same room for 17 years, yet on the eve of William’s 75th birthday all three generations gather to put the past well and truly behind them. But William knows he is running out of time to accept his family on their own terms – even if they cannot overlook his own shortcomings in return. The Gathered Leaves is a moving, poignant and funny family drama that sees the weight of history, of reputation, and of expectation, all descend on one family over Easter weekend in 1997.

Bruntwood Prize shortlisted play (the) Woman (24 Sept – 25 Oct) follows M: a writer, a mother, a woman. The triumph of M’s hit play is hijacked by motherhood – M is burnt out, angry, lonely, craving intimacy but disengaged, and terrified of the future. She wants to tell her story, her way. But, everyone around her shares their opinions on who she is, who she should be and how she’s f*cking everything up. Fiercely funny and brutally honest, Jane Upton’s play shatters the glossy veneer of motherhood, exposing its raw, messy truth, and dares to question the definition of (her) Self.

Finally, in Park90 Lee (24 Sept – 18 Oct) stars Olivier Award nominated actress Issy van Randwyck as real-life artist and wife of Jackson Pollock, Lee Krasner. A late summer afternoon, 1969, she is painting in her studio when local delivery boy and art student brings her a work of art to be authenticated. When Hank explains that Pollock gave the painting to his father many years ago to settle a debt, Lee accuses him of stealing the work from her home. What unfolds is a history of this particular painting that reveals a painful secret that could call into question the origin of her late husband’s ‘genius’.

Artistic Director Jez Bond said, “This season promises a broad array of shows for our audiences to enjoy – from the dark to the comic and the modern to the historic, with familiar names sitting alongside exciting new talent. All the while we’re thrilled to continue to present accessible stories in an intimate setting and to welcome new audiences.”

Park Theatre presents exceptional theatre in the heart of Finsbury Park, boasting two world-class performance spaces: Park200 for predominantly larger scale productions by established talent, and Park90, a flexible studio space, for emerging artists. In eleven years, it has enjoyed 10 West End transfers (including Rose starring Maureen Lipman, The Boys in the Band starring Mark Gatiss, Pressure starring David Haig and The Life I Lead starring Miles Jupp), two National Theatre transfers, 14 national tours, seven Olivier Award nominations, has won multiple OffWestEnd Offie Awards, and a Theatre of the Year award from The Stage as well as their inaugural Campaign of the Year award in 2025 for their work reaching underserved audiences with Canadian/ Korean comedy drama Kim’s Convenience.

Listings information

Park Theatre, Clifton Terrace, Finsbury Park, London N4 3JP

www.parktheatre.co.uk | 020 7870 6876*

* Telephone booking fee of £3 per transaction applies. All ticket prices are inclusive of a £1.50 building levy.

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