Home

FOLLOWING HUGE WEST END SUCCESS

INSIDE NO.9 STAGE / FRIGHT

ANNOUNCES UK TOUR

FROM SEPTEMBER 2025

TICKETS ON SALE AT 12 NOON ON WEDNESDAY 2 APRIL FROM INSIDENO9ONSTAGE.COM

Following a sold out West End season, Steve Pemberton and Reece Shearsmith are taking the critically acclaimed Inside No.9 Stage / Fright, to theatres around the UK this autumn. Tickets for the 12 week tour go on sale at 12 noon on Wednesday, 2 April.

Pemberton and Shearsmith will once again star in the “Dazzlingly Entertaining” (The Sunday Times) stage version of their award-winning television comedy Inside No.9. Receiving rave reviews across the board, with the Mail on Sunday’s five star review lauding the show as “absurdly entertaining. There’s simply nothing like it”, this is the chance for fans outside of London to witness the “wildly clever” (Financial Times) show. “A Bold West End debut… Bravo” (The Daily Telegraph).

Nominated for a prestigious Olivier Award this year in the Best New Entertainment or Comedy Play category, Stage / Fright features comedic, spooky and dramatic moments as fans of the TV show have come to expect, with some familiar characters and stories mixing with brand new material. Further casting will be announced soon.

Steve Pemberton and Reece Shearsmith said: “We have been bowled over by the success of Inside No 9 Stage / Fright at the Wyndham’s Theatre. Selling out every performance before the

run started and being nominated for an Olivier Award was fantastic enough, but the nightly reaction from fans and newcomers alike has been exhilarating and really quite moving.

So we are delighted to be able to bring the show to a wider audience around the country. The phrase ‘swan-song’ refers to a final performance, often associated with the ancient belief that swans sing beautifully just before their death. Which is a load of bollocks of course as all swans do is shit and honk. So come along to the swan-song tour of Inside No 9 and see for yourselves how we bow out. There won’t be a dry seat in the house.”

Each performance will see a different celebrity ‘hostage’ perform with Steve and Reece. The West End run included cameos from Stephen Fry, Lenny Henry, Mel Giedroyc, Matt Lucas, Michael Sheen, Tamsin Greig, Adrian Dunbar, Bob Mortimer, David Walliams, Micky Flanagan, Meera Syal, Mackenzie Crook, Emilia Fox and Rob Brydon, as well as many others. Which famous faces will join them on stage for the regional dates?

Kicking off in Milton Keynes on 9 September, Inside No. 9 Stage / Fright visits 11 theatres across the UK including Sunderland, Canterbury, Birmingham, Manchester, Woking, Hull, Oxford, Stoke and Liverpool, before culminating in Edinburgh on 29 November.

The ninth, and final, season of the critically acclaimed TV series – for which Steve and Reece have been nominated in the upcoming BAFTA Writer Award category – was screened last year and is now available on BBC iPlayer.

Inside No.9 Stage / Fright is presented by Phil McIntyre Live and IN9 Theatre Company.

★ ★ ★ ★ ★

“absurdly entertaining. There’s simply nothing like it”

Mail on Sunday

★ ★ ★ ★ ★

“a thrilling ride that shouldn’t be missed”

Radio Times

★ ★ ★ ★

“Bravo”

Daily Telegraph

★ ★ ★ ★

“madly innovative”

Financial Times

★ ★ ★ ★

“dazzlingly entertaining”

The Sunday Times

★ ★ ★ ★

“this is one play you won’t be checking your watch in”

The independent

Inside No.9 Stage / Fright UK Tour 2025

Tuesday 9 – Saturday 13 September Milton Keynes Theatre

Tuesday 16 – Saturday 20 September Sunderland, Empire Theatre

Tuesday 23 – 27 September Canterbury, Marlowe Theatre

Tuesday 7 – 11 October Birmingham, Alexandra Theatre

Tuesday 14 – 18 October Manchester, Opera House

Tuesday 21 – 25 October Woking, New Victoria Theatre

Tuesday 28 October – Saturday 1 November Hull, New Theatre

Tuesday 4 – Saturday 8 November Oxford, New Theatre

Tuesday 11 – Saturday 15 November Stoke-on-Trent, Regent Theatre

Tuesday 18 – Saturday 22 November Liverpool, Empire Theatre

Tuesday 25 – 29 November Edinburgh Playhouse

Theatres Trust funds 10 Theatres at Risk on the
road to reopening

Theatres Trust, the national advisory and advocacy body for theatres, has announced the third round of grants to be awarded through its Resilient Theatres: Resilient Communities programme.

The 10 theatres to receive a share of the £74,835 fund are Amulet Theatre in Shepton Mallet, Derby Hippodrome, Doncaster Grand, Margate Theatre Royal, Mechanic’s Institute in Swindon, Morecambe Winter Gardens, Oswaldtwistle Civic Centre and Theatre, Prince of Wales Theatre in Cannock, Salford Victoria and Theatr Ardudwy in Harlech. The theatres are all on the Theatres at Risk Register 2025, published by Theatres Trust in January, and are at various stages in their journey towards restoration and revitalisation.

The grant programme aims to help the restoration, reopening or revitalising process for Theatres at Risk through funding expert support with focuses on increasing organisational resilience, improving skills and engaging more people with community and heritage projects. Work funded in this round includes condition surveys, business planning, fundraising and audience development strategies, a viability study and a governance review

Joshua McTaggart, CEO of Theatres Trust says, All the theatres on our Theatres at Risk Register are special buildings that have real potential to bring joy and opportunities to their communities. We are thrilled to support 10 of these fantastic theatres with essential strategic projects that will lay the foundations for their revival. We look forward to supporting them through this journey and seeing the progress they make.

Funded thanks to a grant from The National Lottery Heritage Fund as well as funding from the Pilgrim Trust and Swire Charitable Trust, Resilient Theatres: Resilient Communities aims to reduce the threat to At Risk theatres and strengthen the theatre sector’s resilience as it deals with the challenges of the cost-of-living crisis and difficult funding landscape.

Stuart McLeod, Director England – London & South at The National Lottery Heritage Fund, says It’s fantastic that the next round of theatres that will benefit from this important project by the Theatres Trust have been announced. Theatres are integral to our communities but have faced unprecedented challenges in recent years, with many at risk.Thanks to money raised by National Lottery players, they will have a chance to adapt and change for a thriving future, with the legacy of this project felt for many years to come.

Sue Bowers, Director of Pilgrim Trust says, We are delighted that this funding partnership continues to provide encouragement and support for these important theatrical buildings at the heart of their communities, helping to chart their way forward to sustainable futures

Darlington Hippodrome – until Saturday 5 April 2025

Reviewed by Adam Craddock

4****

Tonight I took a jump to the left and a step to the Darlington Hippodrome to catch the latest leg of Richard O’Brien’s “The Rocky Horror Show”, starring Adam Strong as the legendary Dr Frank N Furter and Jackie Clune as The Narrator, the first time I have actually seen a woman in the part myself! 

Strong was… well, strong as Frank N Furter, with a delicious vocal that blew other Franks I have seen out of the water on this front and a brilliant drag energy to the character, although sometimes slightly lacking some of that sexuality and perviness that we have come to expect from Frank over the years. This was particularly noticeable when Frank created Rocky, with there being no noticeable lust for his new creation. Clune was brilliant as The Narrator, with a dry wit and command of her audience second to none in a particularly rowdy Darlington crowd. Her quote of “Make America gay again… that’s what MAGA stand for right?” Particularly got me!

Lauren Chia was fabulous as Janet. Her non verbal storytelling in scenes like the “birth” of Rocky were brilliant, with this clearly being the start of her turn to the dark side (wink). It was also an absolute pleasure to catch understudy Alex Hetherington as Brad. Hetherington had a brilliant all American air about his Brad, with just the right balance of nerdiness and old fashioned machismo when needed.

Job Greuter was solid as Riff Raff, with a mighty impressive vocal and some brilliant physical comedy skills. Natasha Hoeberigs was strong as Usherette/Magenta, showcasing her range in abilities with two very different characters and a brilliant twangy vocal in the shows opener “Science Fiction Double Feature”. Edward Bullingham was good as Eddie/Dr Scott, as we’re Morgan Jackson and Jayme-Lee Zanoncelli as Rocky and Colombia respectively, with Zanoncelli really showing off her acting chops at the end when she gets gassed, this really got a giggle out of me! The ensemble too were very strong and consistent throughout. 

The sound and lighting design for the theatre were both good, with a noticeable improvement in the sound quality from when I last saw The Rocky Horror Show in Sheffield, no longer was I struggling to hear the words to songs!

All in all, I had an absolutely fantastic evening and while there was things that were perhaps more of a personal preference to be done differently at times, I would 100% recommend catching The Rocky Horror Show while you can at Darlington Hippodrome. The Show is in town until Saturday 5th April and is not to be missed at all!

Charing Cross Theatre – until 14 July 2025

Reviewed by Elizabeth J Smith

5*****

Stiletto is a story of castration, infidelity, racism, and bigotry—topics that might not immediately draw audiences in. Yet, it is also a tale of love, passion, devotion, and justice, making it a deeply compelling theatrical experience.

Set in 18th-century Venice, the musical explores a time when thousands of impoverished young boys were bought and sold to be castrated, preserving their pure, female-like voices for opera performances. Think of modern-day pop stars, but in a world plagued by emotional, physical, and sexual abuse. Stiletto takes this unsavory subject and transforms it into a breathtaking night of enchanting music, stunning costumes, imaginative staging, and outstanding performances.

The cast delivers powerful performances, capturing the story’s sadness, heartbreak, and humor. The opening number is an uplifting start to the show and lingers in the mind long after the final curtain falls.

The comic pairing of Azure (Kelly Hampson) and Pietro (Douglas Hanwell) provides an amusing insight into a loveless marriage, with their anthems “Without Me” and “Without You” humorously encapsulating their strained relationship.

At the heart of the production is Jack Chambers as Marco Borroni. His delivery of the complex score is both passionate and beautifully nuanced, making him the true jewel of this crown.

Greg Barnett, as Maestro Faustino Conti, gives a heartfelt performance, portraying his deep love and devotion for Marco. Jewelle Hutchinson shines as Gioia, a feisty young woman with an extraordinary talent that society refuses to acknowledge. Sam Barret’s Luigi (Lulu) undergoes a transformation from a submissive figure to a justice-seeking advocate. Meanwhile, Alex Anstey brings great humor to the role of Don Ricci.

A standout moment comes from mezzo-soprano Jennie Jacobs, whose powerful voice brings the house to its feet, even overcoming the challenge of the train station rumbling above.

With a strong ensemble, exquisite costumes, imaginative staging, and a wonderfully orchestrated score, a trip to Charing Cross Theatre to see Stiletto is a must. This small venue delivers a grand production, offering everything one seeks in musical theatre: outstanding acting, stellar singing, humour, and melodies that stay with you long after the show ends.

MISCHIEF

ON ICE

MISTAKES ON SKATES

A BRAND-NEW ADVENTURE FROM THE COMPANY

BEHIND

THE PLAY THAT GOES WRONG &

THE COMEDY ABOUT SPIES

WORLD PREMIERE ON 31 FEBRUARY 2026

Tuesday April 1^st 2025 – Mischief are excited to announce the World Premiere of MISCHIEF ON ICE –an innovative new show performed entirely on ice from the company behind the multi-award winning The Play That Goes Wrong and the upcoming West End Premieres The Comedy about Spies and Christmas Carol Goes Wrong.Performances will begin in a specially built ice-rink in central London on 31 February 2026.

The show will be a mix of all Mischief’s previous award-winning shows but all performed on ice.  All the original cast of The Play that Goes Wrong, including Henry Lewis, Henry Shields, Nancy Zamit, Greg Tannahill and Jonathan Sayer are going to spend the summer at a special skate school, learning to glide on the ice.

Jonathan Sayer said:  ‘I can’t wait to get started on MISCHIEF ON ICE;  it definitely feels like the most logical genre for us to tackle next. The notion that in many of our shows anything can go wrong at any time, combined with the added thrill of anyone slipping over at any time, will really keep audiences on the edge of their seats. The process will begin with the hiring of 4 new health and safety advisors, followed by sending the entire Mischief company to ice skating school, with the exception of Greg Tannahill, who can already ice skate perfectly.’

Tickets will be available to buy via Mischief Tickets at 10am today from  Tuesday 1 April 2025 for one hour only at www.MischiefComedy.com..

Mischief On Iceis written by original Mischief company members Henry Lewis, Henry Shields and Jonathan Saye..  Cast and further creatives to follow.

Mischief on Ice is presented by Kenny Wax and Stage Presence in association with Jo Danvers.

Presenters, performances and broadcast details announced for Olivier Awards 2025 with Mastercard

officiallondontheatre.com/olivier-awards

Final details have been announced for the Olivier Awards 2025 with Mastercard, which will take place this Sunday 6 April at the Royal Albert Hall, hosted by Beverley Knight and Billy Porter. 

A star-studded array of presenters will hand out the coveted awards to this year’s winners, including Hayley Atwell (currently in Much Ado About Nothing at Theatre Royal Drury Lane), Rose Ayling-Ellis (2023 Olivier Award nominee), Samantha Barks (fresh from her London Palladium concert), Cate Blanchett (The Seagull at the Barbican Theatre), Corbin Bleu (set to appear in The Great Gatsby at London Coliseum), Tom Burke (The Seagull), Naomi Campbell (model & actress), Elizabeth Debicki (My Master Builder at Wyndham’s Theatre), Idris Elba (recently produced Shifters), Marianne Elliot (set to direct The Unbelievers at the Royal Court Theatre), Jesse Tyler Ferguson (Here We Are at the National Theatre – Lyttelton), Martin Freeman (The Fifth Step at @sohoplace), Tom Hiddleston (Much Ado About Nothing), Celia Imrie (Backstroke at the Donmar Warehouse), Shobana Jeyasingh (choreographer), Jane Krakowski (Here We Are), Ewan McGregor (My Master Builder), Chris O’Dowd (The Brightening Air at The Old Vic), Elaine Paige (actress & BBC Radio 2 presenter), Harriet Scott and Gok Wan (Magic Radio presenters), Bryn Terfel (opera singer) and Jacqueline Wilson (children’s author).  

As announced via the Olivier Awards social media channels last week, the ceremony will also include performances from Mastercard Best New Musical nominees The Curious Case Of Benjamin Button, MJ The Musical, Natasha, Pierre & The Great Comet Of 1812 and Why Am I So Single?, and Piper-Heidsieck Award for Best Musical Revival nominees Fiddler On The Roof, Oliver!and Starlight Express. 

A highlights programme will air on ITV1 and STV at 10.15pm on Sunday 6 April, and will be available on catch-up on ITVX and STV Player. Magic Radio are set to broadcast highlights the same evening; catch the build up from 8pm, with highlights starting at 9pm. 

OlivierAwards.com | Facebook | X | Instagram | TikTok | YouTube

Stocton Arc – 28 March 2025

Reviewed by Hayley Warters

4****

The “Look After Your Knees Show” is an unconventional, quirky event that pulls you in with its thought-provoking narrative and unique presentation. It’s an experience that’s not just about the topic at hand, but more about how it makes you reflect on life, time, and seizing opportunities before it’s too late.

One of the most intriguing aspects of the show is the way it presents a variety of stories that all seem to unfold simultaneously, leaving you guessing about what’s really happening. Is she talking to a family member? Is she stranded on an island? Is she old and looking back on life? Has she passed away? The possibilities are endless, and the ambiguity invites you to create your own interpretation of the story as it plays out. It’s this open-ended nature that makes the show so captivating and allows the audience to engage on a deeper, more personal level.

The presenter’s quirky methods keep things lighthearted and entertaining, despite the weight of the underlying message. Her unconventional ways of storytelling create a fun contrast to the more serious themes of time running out and the importance of making the most of the present.

As a fellow thespian who appreciates great humour and theatre techniques, I really appreciate this style. The performance is a beautiful blend of storytelling, technique, and wit, showcasing an impressive use of theatrical methods that elevate the experience. It’s not just a show; it’s a well-executed piece of theatre that draws you in and keeps you thinking long after it’s over.

While the event is overall a great experience, there are moments where the narrative could be clearer for those looking for a more straightforward storyline. The ambiguity is part of the charm, but it might leave some feeling a bit lost at times. However, I couldn’t help but love this! 

In the end, “Look After Your Knees Show” is an enjoyable and thoughtful experience that challenges you to think about life and your own story. It’s a little quirky, a little mysterious, and a lot of fun. 4 out of 5 stars!

LUCIE JONES

TO GUEST STAR IN

‘QUEEN BY CANDLELIGHT’

A GALA CONCERT CELEBRATING

50 YEARS OF BOHEMIAN RHAPSODY

AT THE LONDON PALLADIUM

ON TUESDAY 8 APRIL 2025

Simon Gordon and Daniel Wood of Kinda Dusty Ltd. are delighted to announce that West End’s Lucie Jones will join the QUEEN BY CANDLELIGHT gala concert at the London Palladium on Tuesday 8 April. Lucie will be performing a number of huge Queen hits during the night, including No One But You and Who Wants To Live Forever.

 The concert is celebrating 50 years of Bohemian Rhapsody in a concert packed with over 25 of Queen’s biggest hits.

Lucie’s theatre credits include: Jenna Rink in the upcoming World Premiere production of 13 Going on 30 (Manchester Opera House); Jane Hayes in Austenland (Savoy Theatre Concert Workshop); Genevieve in The Baker’s Wife (Menier Chocolate Factory); Catherine in Pippin (Theatre Royal Drury Lane); Katie in Super You (Lyric Theatre); Fantine in Les Misérables (Sondheim Theatre); Elphaba in Wicked (Apollo Victoria); Jenna Hunterson in Waitress (Adelphi Theatre & UK Tour); Fantine in Les Misérables (Sondheim Theatre); Martha Percy in Treason (Cadogan Hall); Maureen in RENT (The Other Palace and UK Tour); Elle Woods in Legally Blonde (Leicester Curve, UK Tour and South Korea Opera House); Victoria in American Psycho (Almeida); and Cosette in Les Misérables (Queen’s Theatre).

TV credits include: Midsomer Murders and The Sarah Jane Adventures. X factor finalist, 2009. Eurovision finalist, 2017.

Over the last five years Lucie has performed sold-out solo concerts in the West End, Cadogan Hall and Cardiff and embarked upon a UK solo tour with the Fulltone Orchestra.

QUEEN BY CANDLELIGHT has played over 300 sold-out shows across the world including Carnegie Hall, New York, arenas and theatres in Dubai, Abu Dhabi, Australia, New Zealand and the UK and was the first ever live rock concert to play St Paul’s Cathedral. The concert boasts an incredible night of over 25 Queen Anthems, performed by candlelight and features a cast of West End singers who have previously all performed in QUEEN BY CANDLELIGHT, coming together for this special gala concert, accompanied by an epic live rock band.

The cast includes Georgia Carling (Matilda The Musical, Babies: A New Musical), Daniel Conway (Kinky Boots), Kinda Dusty co-director Simon Gordon (Bat Out of Hell, Heathers the Musical), Joel Harper Jackson (Cock, Jesus Christ Superstar), Nathan Lodge (Queen by Candlelight World tour), Patrick O’Sullivan (Bat Out of Hell, Dr Doolittle the Musical), Benjamin Purkiss (Bat Out of Hell, Zorro The Musical), Sandra Regan (Queen by Candlelight World tour), Rory Taylor (Thriller Live, RENT), Sam Toland Leigh (The Book Of Mormon, We Will Rock You) and Becca Wickes (SIX the Musical, Heathers the Musical).

QUEEN BY CANDLELIGHT includes some of the most iconic songs of all time, including Bohemian Rhapsody, It’s a Kind of Magic, We Are The Champions, Who Wants to Live Forever and many more.

QUEEN BY CANDLELIGHT is produced and directed by Simon Gordon and Daniel Wood of Kinda Dusty Ltd. with general management by Patrick O’Sullivan, orchestrations and musical supervision and direction by Sam Broadbere.

Website: concertsbycandlelight.com

Instagram: @concertsbycandlelight

LISTINGS INFORMATION

QUEEN BY CANDLELIGHT

Tuesday 8 April 2025, 7.30pm

The London Palladium

8 Argyll Street

London

W1F 7TF

lwtheatres.co.uk/the-london-palladium

Box Office: 020 3925 2998

Pre-sale: Wednesday 5 February,10am

General on sale: Friday 7 February, 10am

Tickets: from £24

Festival Theatre, Malvern – until 30th March 2025

Reviewed by Courie Amado Juneau

5*****

A handbag!!!!! Yes, we all know this wonderful story, Oscar Wilde’s finest moment, but this version has some unexpected surprises.

Set in genteel society, Gwendoline has her heart set upon marrying someone called Earnest and, luckily, there’s a handsome eligible bachelor of that name to hand. Much hilarity ensues when the motley cast of proper upper class misfits attempt to navigate the social mores of the time, not always successfully.

Official cast members Terry (Guido Garcia Lueches playing Algernon) and Graham (Rhys Tees) launched the show with gusto and introduced the central premise masterfully. Watching them repeat the opening scene with slight, “unwanted” variations set the scene beautifully. Like The Play That Goes Wrong, the carefully prepared production soon begins to fray at the edges when the leading actor (playing Earnest) fails to show. This slight inconvenience is neatly negotiated by Director Simon Slough (Josh Haberfield) recruiting a willing audience member. Tonight’s Earnest was Matthew from the front row. And what a fabulous job he did! A confident entrance was followed by a spirited joining in and some delicious corpsing along the way.

Jennifer (Trynity Silk playing Gwendolen) and Eleanor (Judith Amsenga as Lady Bracknell) were both exceptional, making their new leading man’s entry to the thespianic realm as seamless as impossible. It’s hard to give examples of the nature of the hilarity without giving gags away and spoiling things…

Josh (Ben Mann) was the foil for our Director and a massive hit with the audience. He tried manfully to hold everything together with much running to and fro and was largely mute – beautifully conveying much with a facial expression and body language in a comedy acting masterclass. His on stage interactions with Director Simon made a particularly effective double act – especially during the “interval” merch stall debacle.

As the evening progressed more and more cast members became incapacitated, forcing more and more desperate measures. Obviously, each night of the run will be different as the audience mix varies. I’m sure half the fun and excitement is in not quite knowing what will transpire, how good the new recruits will be etc. Tonight’s auditorium debutantes were fabulous – proving both what a special place Malvern is and also how clever the writing and acting is. Rhys Tees was an especial standout with his multiple characters (and voice-overs).

The genius of this show is that it includes everything you could possibly want in an evening’s entertainment – the familiarity of a classic piece of theatre, the rollercoaster ride that is improvisation, the seat of the pants anything can happen moments when you work off script with amateurs… But mostly the generosity of a genuinely feel good comedy when everyone shares equally in the joke. The programme proclaims “the show that makes you a star” and that is absolutely the case – some of the biggest laughs came from the totally off the cuff remarks and reactions of the audience cast.

This wonderful show will have you roaring in the aisles and gagging for more. I cannot recommend this highly enough – it’s the show that I wish I could have reviewed all week long. A startling accomplishment from all concerned! Well done chaps, Oscar would be proud I’m sure.

Hull New Theatre 27th and 29th March 2025

Reviewed by Dawn Bennett

4****

With music by Wolfgang Amadeus Mozart and words by Emanuel Schikaneder (English version by Jeremy Sams) Opera North performed The Magic Flute to a very appreciative audience at Hull New Theatre last night. This is one of the Opera Norths performances in Hull the other being The Flying Dutchman on 28th March.

This was a superbly performed Opera, from the sets and costumes (designed by Colin Richmond) the lighting and the video (designed by Chris Davey and Douglas O’Connell respectively) which set the scene beautifully, to the fabulous cast who told the story faultlessly. The orchestra, conducted by Emilia Hoving, brought the production to life.

The Magic Flute is a fairy tale that they described in the programme as a “Singspiel (a sung play)” which includes singing and spoken dialogue. It tells the story of Tamino (Trystan Llŷr Griffiths) who is lost in a foreign land and is soon attacked by an enormous monster. He is rescued by three ladies (Charlie Drummond, Katie Sharpe, Hazel Croft). They kill the monster and show Tamino a picture of Pamina (Soraya Mafi) who is the beautiful daughter of the Queen of the Night (Nazan Fikret) and he falls in love with her and sets off on a quest to find his one true love helped, rather be reluctantly by bird catcher Papageno (Emyr Wyn Jones). What then follows is a story of love and betrayal and we find out if Tamino does succeed in his quest.

This is an excellent cast, stand out performances for me were Emyr Wyn Jones (Papageno) who was funny and his voice was stunning. Trystan Llŷr Griffiths (Tamino) and Soraya Mafi (Pamina) who were wonderful as the star-crossed lovers and Nazan Fikret (The Queen of the Night) who played the part brilliantly.

This is an excellent Opera to watch whether it is your first or you are an opera lover of many years.

Opera North never fail to impress and long may they continue to visit Hull and bring their fantastic and varied programme of Operas.