Anna Zavelson as Christine Daaé in PHANTOM OF THE OPERA, London from 18 May 2026

CAMERON MACKINTOSH ANNOUNCES 

ANNA ZAVELSON

AS CHRISTINE DAAÉ

IN

ANDREW LLOYD WEBBER’S

PHANTOM OF THE OPERA

AT HIS MAJESTY’S THEATRE FROM MONDAY 18 MAY 2026

Cameron Mackintosh is delighted to announce that Anna Zavelson will play the role of Christine Daaé in Andrew Lloyd Webber’s PHANTOM OF THE OPERA at His Majesty’s Theatre for 11 weeks only, from Monday 18 May 2026 until Saturday 1 August 2026.

Anna Zavelson played Christine Daaé in Masquerade, the immersive adaptation of Phantom of the Opera in New York. Other theatre credits include her Broadway debut as Younger Allie in The Notebook (Gerald Schoenfield Theatre), Chinese Republicans (Laura Pels Theatre Off-Broadway) and Light in the Piazza (New York City Center).

Anna will perform alongside Dean Chisnall as The Phantom, Ashley Gilmour as Raoul, Joanna Ampil as Carlotta Giudicelli, Martin Ball as Monsieur Firmin, Adam Linstead as Monsieur André, Helen Hobson asMadame Giry, Bradyn Debysingh as Ubaldo Piangi and Millie Lyon as Meg Giry. At certain performances the role of Christine Daaé will be played by Colleen Rose Curran.

The cast is completed by George Arvidson, Michael Baxter, Embla Bishop, David Burilin, Polly Clarke, Leonard Cook, Hywel Dowsell, Connor Ewing, Florence Fowler, James Gant, Emily George, Melanie Gowie, Molly Hall, Eilish Harmon-Beglan, Will Hawksworth, Matt Hayden, Nicholas Hepher, Mandy Kwan,Verity Marlow, Tim Morgan, Inguna Morozova, Skye November, Taylor Pardell, Johnny Randall, Zoë Soleil Vallée, Rachel Spurrell, Jasmine Wallis, Victoria Ward and Ralph Watts.

Experience the thrill of the West End’s most haunting love story, as Phantom of the Opera enters its 40th year, marking four extraordinary decades at His Majesty’s Theatre.

Cameron Mackintosh’s production of Andrew Lloyd Webber’s Phantom of the Opera is widely considered one of the world’s most beautiful and spectacular musicals. Since 1986, Phantom of the Opera has become a global phenomenon, with productions playing to 160 million people in 217 cities, 52 territories and in 23 languages. Lloyd Webber’s celebrated romantic and soaring score includes The Music of the NightAll I Ask of YouWishing You Were Somehow Here AgainMasquerade and the iconic title song.

Phantom of the Opera tells the haunting story of Christine Daaé, a young soprano whose extraordinary voice enchants a mysterious masked figure known as The Phantom. A brilliant yet tormented musical genius, The Phantom dwells in the depths of the Paris Opera House, casting fear over all who inhabit it.

Drawn to Christine’s sensational talent, The Phantom becomes her mentor, believing she alone can truly bring his music to life, and as he guides her from the shadows, he falls deeply and dangerously in love. When Christine is reunited with her childhood sweetheart, Raoul, now the young patron of the Opera House, she has to wrestle with the unpredictable nature of a powerful love triangle. The Phantom’s obsession with his new star sets off a dramatic turn of events where devotion, jealousy and passions collide.

PHANTOM OF THE OPERA – Produced by Cameron Mackintosh, Music by Andrew Lloyd Webber, Lyrics by Charles Hart, and Additional Lyrics by Richard Stilgoe. Book by Richard Stilgoe and Andrew Lloyd Webber, based on the novel ‘Le Fantôme de l’Opera’ by Gaston Leroux, with Orchestrations by David Cullen and Andrew Lloyd Webber. Musical Supervision is by Simon Lee. The Production Design is by Maria Björnson and the Set Design is adapted by Matt Kinley with Associate Costume Design by Jill Parker, Lighting is by Andrew Bridge with Associate Lighting Design by Warren Letton, Sound is by Mick Potter. The Musical Staging and Choreography is by Gillian Lynne, recreated and adapted by Chrissie Cartwright. Originally Directed by Harold Prince, this production is Directed by Seth Sklar-Heyn.

PHANTOM OF THE OPERA is a Cameron Mackintosh and LW Entertainment production.

Anna Zavelson is appearing with the support of Equity UK, incorporating the Variety Artistes’ Federation, pursuant to an exchange program between American Equity and Equity UK.

West End leading actress Natalie Kassanga completes the cast of THE JONATHAN LARSON PROJECT

West End leading actress 

Natalie Kassanga Satine in Moulin Rouge the Musical
Irene Roth in Crazy For You
Deena Jones in Dreamgirls
Diana Ross in Motown the Musical
Original West End cast of Dear Evan Hansencompletes the cast of 

THE JONATHAN LARSON PROJECT

THE JONATHAN LARSON PROJECT
Music and Lyrics by Jonathan Larson

The celebrated New York tribute featuring previously unheard songs
from the legendary composer of Rent
Conceived by Jennifer Ashley Tepper
Directed by John SimpkinsSouthwark Playhouse Borough
Thursday 9 July – Saturday 22 August, 2026 for 6 weeks only!

This new production commemorates 30 years since Larson’s death
on the very eve of his greatest success

Please note – only single press seats are available
West End leading actress Natalie Kassanga completes the cast of The Jonathan Larson Project, an electrifying celebration of the ground breaking composer behind Rent and tick, tick… BOOM! which will make its highly anticipated European premiere at Southwark Playhouse Borough from Thursday 9 July to Saturday 22 August 2026.

Following a critically acclaimed Off Broadway run, The Jonathan Larson Project is being reimagined for London by original Off Broadway director John Simpkins.

Natalie has starred in many leading musicals in both the West End and on tour, including playing Satine in Moulin Rouge the Musical, Irene Roth in Crazy For You, Deena Jones in Dreamgirls, Diana Ross in Motown the Musical and she was in the original West End cast of Dear Evan Hansen.

She joins the previously announced Max Harwood (breakout star as Jamie New in the film Everybody’s Talking About Jamie), Marcus Collins (original West End cast of Kinky Boots), Michael Mather (Fiyero on the international tour of Wicked) and Imelda Warren-Green (Kathy and Stella Solve a Murder in the West End), plus Georgie Butler and Edward Flynn Haddon, who were chosen over 600 performers in an open search led by Emmy-nominated casting director Rob Kelly, to make their professional debuts as covers.

The Jonathan Larson Project is a show about a young man following his heart in New York City trying to change the world. The show offers a rare and exhilarating window into Larson’s creative world, featuring previously unheard songs from the late composer’s archives. They illuminate the artistry, activism, and restless imagination of one of musical theatre’s most influential voices.

The 2026 London production holds special significance, marking 30 years since Jonathan Larson’s death in January 1996 from an aortic dissection just one day before Rent’s first performance in New York.

This exciting UK cast of West End stars will bring Larson’s early, experimental, and never-heard work to life with bold theatricality and contemporary resonance.

The Jonathan Larson Project recently captivated critics and audiences alike, leading to a 16-week Off Broadway season at the Orpheum Theatre.

Creative team:
Director John Simpkins
Casting: Rob Kelly
Producers: Thomas Hopkins  SAMS Entertainment
Co-Producer: Cason Cane
Executive Producer: Julie Larson

Jonathan Larson – Composer
Jonathan Larson (1960–1996) transformed the American musical with Rent. Despite his tragic death before opening night, Rent went on to enjoy critical and commercial success, and transferred to Broadway, becoming the 12th longest-running Broadway production. Larson posthumously received three Tony Awards and the Pulitzer Prize for Drama. Rent was also adapted into a 2005 film. Tick, Tick… Boom! received an Off-Broadway production in 2001, and was also adapted into a 2021 film, directed by Lin-Manuel Miranda and starring Andrew Garfield (in an Academy Award nominated performance) as Larson. Larson’s work continues to inspire new generations of artists and audiences around the world. The Jonathan Larson Project invites theatre lovers to discover the breadth of his talent beyond his most famous works.

John Simpkins – Director
John has directed New York productions of the three-time Drama Desk nominated Bloodsong of Love (Joe Iconis) at Ars Nova; Things to Ruin (which he co-conceived and directed) at Second Stage, Zipper Factory, Ars Nova; The Plant That Ate Dirty Socks at the Lortel Theatre; The Black Suits at SPF/ Public Theatre; The Bus (James Lantz) at 59E59; and ReWrite at Urban Stages. Additional world premieres include Joe Iconis’ Love in Hate Nation (Two River Theater) and The Black Suits (Center Theatre Group/ Kirk Douglas Theatre), Jacques Lamarre’s Raging Skillet (Theaterworks Hartford), and Andrea Daly/ Jeff Bienstock’s Legendale (Fredericia Teater in Denmark).

Thomas Hopkins Productions (THP) – Producer
Thomas Hopkins Productions (THP) was founded in 2019 by award-winning theatre, film, television, and radio producer Thomas Hopkins. Since its inception, THP has worked on over 150 live theatrical productions and numerous productions created and filmed specifically for platforms such as Sky, BBC, Amazon Prime, BroadwayHD, Broadway On Demand, and the educational platform Digital Theatre Plus. THP is recognised as an industry leader, specialising in transatlantic partnerships and supporting productions through its full-service organisation.

THP’s recent productions include; the critically acclaimed UK tour of The Talented Mr. Ripley and on Broadway; Robert Icke’s Oedipus, new musical Two Strangers (Carry a Cake Across New York),  Liberation and seven-time Tony®-nominated John Proctor is the Villain. In London, THP produced This Bitter Earth, directed by Grammy Award, Emmy, and three-time Tony Award®-winning Billy Porter, at Soho Theatre in London’s West End; as well as the highly regarded Rose, starring Dame Maureen Lipman at the
Ambassadors Theatre.

THP is passionate about creating new theatrical experiences and productions. Among THP’s current slate of development, some of the highlights include a new version of Boy George’s autobiographical musical Taboo, with plans to open in 2027; a new family musical by Olivier Award-winning composer Vikki Stone, based on the iconic BAFTA-winning BBC TV show Maid Marian and Her Merry Men by Sir Tony Robinson.

In 2026, THP are also producing the 20th anniversary tour of the hit comedy Glorious! starring Wendi Peters, along with the major UK revival of Alan Menken and Howard Ashman’s hit musical Little Shop of Horrors, directed by Tony®-nominated Carrie-Anne Ingrouille.
www.thproductions.co.uk

SAMS Entertainment- Producer

SAMS Entertainment, founded by Tony Award–winning producers Sam Houlihan and Sam Biondolillo, is a New York–based producing company dedicated to theatre that is both artistically vibrant and accessible. The company is guided by the belief that producing should be collaborative, transparent, and rooted in trust-opening doors for new voices while supporting work that resonates with contemporary audiences.

On Broadway, the Sams have produced award‑winning productions including Thornton Wilder’s Our Town, the acclaimed revival of Merrily We Roll Along, Gutenberg! The Musical!, and Alicia Keys’ Hell’s Kitchen. Off‑Broadway, their credits include DATA at the Lucille Lortel Theatre and Prince Faggot at Studio Seaview. Beyond Broadway, SAMS’ producing work spans the United Kingdom, where credits include the UK tour of The Talented Mr. Ripley, the UK tour of Glorious!, The Frogs at Southwark Playhouse, and Little Shop of Horrors at Hope Mill Theatre in Manchester and in Liverpool.

In addition to producing, SAMS Entertainment offers comprehensive management and consulting services. The company partners with artists and creative teams from the earliest stages of development through performance, providing structure and support that encourages both artistic freedom and financial clarity. Their model invites collaborators and investors into the creative and commercial process itself, not solely the final result, fostering an environment of openness, shared purpose, and long‑term sustainability.

Driven by a belief in the transformative power of theatre, Sam Houlihan and Sam Biondolillo are committed to creating work that inspires, challenges, and endures-building theatre for today’s audiences and for generations to come.

Southwark Playhouse
Southwark Playhouse is a registered charity that delivers a year-round programme of entertaining and enriching work. Southwark Playhouse operates two separate venues ‘Southwark Playhouse Borough’ and its newest theatre ‘Southwark Playhouse Elephant’ which opened in January 2023. Southwark Playhouse has always prided itself in telling stories and inspiring the next generation of storytellers and theatre makers, where support for the community has been rooted at the core of the organisation.

Website: southwarkplayhouse.co.uk
BlueSky: @swkplay.bsky.social
Facebook: SouthwarkPlayhouse
Instagram: @swkplay
TikTok: swkplay
YouTube: southwarkplayhouse

LISTINGS INFO

Thomas Hopkins  SAMS Entertainment
&
Julie Larson
proudly present

The Jonathan Larson Project
Music and Lyrics by Jonathan Larson

Conceived by Jennifer Ashley Tepper

By arrangement with
Music Theatre International

Directed by John Simpkins

Southwark Playhouse Borough
77-85 Newington Causeway
London SE1 6BD

Thursday 9 July – Saturday 22 August, 2026

7pm Monday  Saturday
2.30pm Matinee Tuesday & Saturday

How To Get There: The nearest stations are
Borough and Elephant & Castle

Tickets are available from: www.jonathanlarson.co.uk

Instagram: @jonathanlarsonproject

Ticket Prices: £10 – £35
Age Guidance: 12+
Running time:90 mins (no interval)

2026 Further casting, on-sale and dates confirmed at the National Theatre

FURTHER CASTING, DATES AND ONSALE ANNOUNCED FOR

2026 SHOWS AT THE NATIONAL THEATRE

  • BAFTA Award-winning actor Anne-Marie Duff to join the world premiere of Some Woman – an exciting new play from celebrated British playwright Helen Edmundson, directed by Blanche McIntyre.
  • Rebecca Humphries, Eloka Ivo, Tom Mothersdale, Charlotte RitchieEllen RobertsonStuart Thompson and Sam Troughton are cast in multi-award-winning playwright Caryl Churchill’s landmark play Cloud 9,directed by Dominic Cooke.
  • Dates and on sale for Benedict Andrews’ new play Electra/Persona featuring two-time Oscar winner Cate Blanchett, Nina Hoss and Ella Lily Hyland.  
  • For a limited, one-week run in September, famed Portuguese playwright and director Tiago Rodrigues will make his National Theatre debut by bringing his compelling play Catarina and the Beauty of Killing Fasciststo the National Theatre for its UK premiere.
  • Dorfman dates confirmed for a brand-new production of Jim Cartwright’sThe Rise and Fall of Little Voice, starring Francesca Mills and directed by Robert Hastie.
  • Tickets for Electra/PersonaCatarina and the Beauty of Killing FascistsSome Woman, Cloud 9 and The Rise and Fall of Little Voice will be on general sale from 12 noon BST on Thursday 21 May 2026.

2026 at the National Theatre – new shows on sale

Lyttelton theatre

Electra/Persona
19 August – 10 October 2026

Lyttelton theatre

In August,director and adapter Benedict Andrews (A Streetcar Named Desire) makes his National Theatre debut with the world premiere of Electra/Persona. Fusing ancient myth with Ingmar Bergman’s Persona in a powerful exploration of identity and the fragile line between who we are and who we play.

Benedict Andrews has assembled a stellar cast that includes Academy Award-winner Cate Blanchett (Blue Jasmine)and Nina Hoss (Tár) and rising talent Ella Lily Hyland (Black Doves).

Which role undid you in the end?  

Electra. A daughter consumed by grief and rage, clinging to the idea of justice as her world comes apart.

Persona. During a performance of Electra, an actress suddenly falls silent. What follows is a rupture: two women drawn into an intense, unsettling encounter where speech breaks down and the boundaries between self and role give way.

Joining Benedict is set designer Magda Willi, costume designer Merle Hensel, composer Hildur Guðnadóttir, lighting designer Jon Clark, video designer Ash J Woodward,casting by Alastair Coomer CDG, associate director Danica Selem, music associate Deanna H. Choi and staff director Oliver Hurst.

Tickets on sale from midday on Thursday 21 May 2026, nationaltheatre.org.uk

Cloud 9
2 November 2026 – 13 January 2027

Lyttelton theatre

This autumn, multi-award-winning playwright Caryl Churchill (Top Girls) returns to the National Theatre for the first time since 2019 with her landmark play Cloud 9, which continues to challenge how we think about gender, power and the legacies of empire. Dominic Cooke (The Normal Heart) reunites with Churchill to direct a bold new production that brings fresh urgency to this daring and satirical classic.

Principal casting announced includes Rebecca Humphries, Eloka Ivo, Tom Mothersdale, Charlotte Ritchie, Ellen Robertson, Stuart Thompson and Sam Troughton.

In Victorian Africa, where Clive is a colonial administrator and patriarch, his wife, son and servant struggle to be what’s expected of them.

When the family turn up a hundred years later in 70s London, what can they make of themselves in a world where empire lingers and freedom calls?

Dominic Cooke is joined by set designer Miriam Buether, costume designer Samuel Wyer, lighting designer Jessica Hung Han Yun, sound designer Donato Wharton, casting by Naomi Downham, dialect coach Penny Dyer, voice coach Shereen Ibrahim and staff director Max Harrison.

Further casting to be announced.

Tickets on sale from midday on Thursday 21 May 2026, nationaltheatre.org.uk

Dorfman theatre

Catarina and the Beauty of Killing Fascists
19  – 26 September 2026

Dorfman theatre

For a limited, one-week run in September, famed Portuguese playwright and director Tiago Rodrigues (Director of Festival d’Avignon) will make his National Theatre debut by bringing his compelling play Catarina and the Beauty of Killing Fascists to the National Theatre for its UK premiere. This confronting, politically charged production will be performed in its native Portuguese with English surtitles. 

The cast includes Isabel AbreuRomeu CostaAntónio FonsecaBeatriz MaiaMarco MendonçaAntónio Afonso ParraCarolina Passos Sousa and João Vicente.

South Portugal, 2028. Catarina is about to kill her first fascist.

It is a rite of passage, steeped in tradition and family lore. A day of celebration, of beauty and death.

But when Catarina refuses to kill the hostage, her decision drives a wedge between the family. As ghosts of the past arise, unresolved questions emerge – what is the price of democracy? Is there room for violence in the fight for a better world?

Writer and director Tiago Rodrigues is joined in the creative team by artistic collaborator Magda Bizarro, set designer F.Ribeiro, lighting designer Nuno Meira, lighting adaptation for National Theatre Rui Monteiro, costume designer José António Tenente, composer and sound designer Pedro Costa, choir conductor and vocal arranger João Henriques, voiceover artists Cláudio de CastroNadezhda BocharovaPedro Moldão, Paula Mora, choreographers Sofia Dias and Vítor Roriz, technical weapons advisor David Chan Cordeiro, English translation by Daniel Hahn, surtitles by Patrícia Pimentel.

Production Teatro Nacional D. Maria II (Lisboa)

Executive production Festival d’Avignon

Co-production Wiener FestwochenEmilia Romagna Teatro Fondazione (Modena), Théâtre de la Cité – CDN Toulouse Occitanie & Théâtre Garonne Scène européenne ToulouseFestival d’Automne à Paris & Théâtre des Bouffes du NordTeatro di Roma – Teatro Nazionale, Comédie de Caen, Théâtre de Liège, Maison de la Culture d’Amiens, BIT Teatergarasjen (Bergen), Le Trident – Scène nationale de Cherbourg-en-CotentinTeatre Lliure (Barcelona), Centro Cultural Vila Flor (Guimarães), O Espaço do Tempo (Montemor-o-Novo).

Tickets on sale from midday on Thursday 21 May 2026, nationaltheatre.org.uk

Some Woman

7 October – 21 November 2026

Dorfman theatre

Later this year, the Dorfman will host the world premiere of Some Woman – a provocative new play from celebrated British playwright Helen Edmundson (Small Island), her first since Queen Anne in 2015. 

Blanche McIntyre (Tartuffe) returns to the National Theatre to direct BAFTA-winning actor Anne Marie-Duff (Bad Sisters) who will play central character Julie Robson.

‘I don’t want to be this woman’

Julie Robson is used to being overlooked. At work, at home, everywhere in between.

But when an encounter on a station platform goes wrong and all eyes are suddenly on Julie, something shifts within her and she feels compelled to make a stand.

What happens when an ordinary woman pits herself against the forces that shape the world? What happens when she refuses to be quiet?

Director Blanche McIntyre is joined by set and costume designer Robert Jones and casting by Martin Poile CDG.

Further casting to be announced.

Tickets on sale from midday on Thursday 21 May 2026, nationaltheatre.org.uk

The Rise and Fall of Little Voice

2 December 2026 – 23 January 2027

This winter in the Dorfman, a new production of Jim Cartwright’s modern classic The Rise and Fall of Little Voice, will reunite Francesca Mills as Little Voice and director Robert Hastie following Hamlet in the Lyttelton last year. A joyful, tender and bittersweet celebration of music, ambition and the courage it takes to be heard with iconic music from the likes of Judy Garland, Shirley Bassey and more.

Alone in the sanctuary of her small bedroom, Little Voice fills the air with pitch‑perfect renditions of her deceased dad’s prized record collection of the great divas, from Judy Garland to Billie Holiday.

But when her mother Mari’s latest fling, local wheeler dealer Ray, hears her sing he’s certain he’s struck gold. Will Little Voice be pushed into a spotlight she never asked for?

Director Robert Hastie is joined in the artistic team by set and costume designer Janet Bird, lighting designer Paul Pyant, sound designer Mike Walker, composer and music director David Shrubsole, voice coach Shereen Ibrahim and casting by Alastair Coomer CDG.

The production is due to tour directly following a mainstage run. Further details to be announced.

Further casting to be announced.

Tickets on sale from midday on Thursday 21 May 2026, nationaltheatre.org.uk

2026 at the National Theatre – shows currently on sale

Olivier theatre

War Horse
16 May – 30 July 2026

Olivier theatre

The National Theatre’s global smash-hit production War Horse returns to its original home nearly two decades after its debut and following a recent acclaimed tour of the UK and Ireland. Based on Michael Morpurgo’s beloved novel, adapted by Nick Stafford and originally directed by Marianne Elliott and Tom MorrisWar Horse has become the most successful play in the history of the National Theatre, winning more than 25 major awards including the Tony Award for ‘Best Play’ and has been seen by over 8.8 million people worldwide.

War Horse tells the remarkable story of a young boy called Albert and his horse Joey, set against the backdrop of the First World War. It is a timeless story of love, courage and friendship, brought to life by astonishing life-sized horses from Handspring Puppet Company and a stirring musical score. War Horse has inspired a generation of theatre-makers since its premiere in 2007.

The full cast of 35 includes: Anita Adam Gabay (Emilie / Joey as a Foal), Rianna Ash (Joey / Topthorn head), Eloise Beaumont-Wood (Joey as a Foal), Stephen Beckett (Ted Narracott/Strauss), Ike Bennett (David Taylor / Thomas Bone), Jo Castleton (Rose Narracott), Owen Dagnall (Geordie / Alternate Albert Narracott), Alexandra Donnachie (Joey / Topthorn head), Felicity Donnelly (Joey / Topthorn hind), Sam Goodchild (Joey / Topthorn hind), Danny Hendrix (Veterinary Officer Martin), Jasmin Hinds (Matron Callaghan), Linford Johnson (Sergeant Fine), Andrew Keay (Joey / Topthorn hind), Nicholas Khan (Arthur Narracott / Brandt), Manuel Klein (Friedrich / Priest), Michael Larcombe (Joey / Topthorn hind), Matthew Lawrence (Joey / Topthorn head), Madeleine Leslay (Paulette / Sarah Carter), Wade Lewin (Joey / Topthorn head), Jack Lord (Klausen / Allan), Damian Lynch (Thunder / Carter), Lewis McBean (Joey / Topthorn heart), Chris Milford (Joey / Topthorn heart), Corey Montague-Sholay (Billy Narracott / Klebb), Jordan Paris (Joey as a Foal), Anne-Marie Piazza (Nell Allan / Schnabel), Daniel Rock (Captain Stewart / Ludwig), Simon Stanhope (Manfred), Tom Sturgess (Albert Narracott), Sally Swanson (The Singer), Lucy Thorburn (Jenny Bone / Annie Gilbert), Chris Williams (Captain Nicholls / Dr Schewyk), Niko Wirachman (Joey / Topthorn heart) and Rafe Young (Joey / Topthorn heart).

At the outbreak of the First World War, young Albert’s beloved horse Joey is sold to the cavalry and shipped to France. Too young to enlist, Albert refuses to forget him, embarking on an extraordinary journey from the fields of rural Devon to the trenches of wartime France – determined to bring Joey home.

This tour revival of War Horse has been  created by director Tom Morris with revival director Katie Henry, drawings, set and costume designer Rae Smith, puppet designer Adrian Kohler for Handspring Puppet Company, lighting designer Rob Casey, director of movement and horse choreography Toby Sedgwick, puppetry director Matthew Forbes, animation and projection design by 59 Studio.Music is by Adrian Sutton with songmaker John Tams, sound designer Christopher Shutt and music director Dom Coyote. Casting is by Jill Green CDG with Paul Benzing as fight director, Patricia Ojehonmon as wellbeing consultant, Rebecca Daltry as dialect coach and Cathleen McCarron and Shereen Ibrahim as voice coaches.

Completing the team are, Anna Marshall as associate director, William Fricker as associate set designer, Johanna Coe as associate costume designer, Tom Turner as associate lighting designer, Lewis Howard as associate puppetry director, Matthew Gough as music associate, Rob Bettle for Sound Quiet Time as associate sound designer, Emma Laxton as associate sound designer and Olivia Laydon and Tom Shiels as casting associates.

Tickets on sale now, nationaltheatre.org.uk

The Story

27 August – 24 October 2026

In autumn 2026, the Olivier theatre will host the British premiere of The Story, by leading American playwright Tracey Scott Wilson (The Americans). Focusing on an ambitious black reporter who defies her editor to pursue an incendiary lead, choosing to go to any length to get ‘the story’, BAFTA Award-winner Letitia Wright (Black Panther: Wakanda Forever) will make her National Theatre debut in this examination of racial politics and journalistic ethics. Gripping and adrenaline-fuelled, this seminal newsroom thriller is directed by Clint Dyer (Death of England).

Casting includes Antonia Bernath as Jessica Dunn, Josh Goulding as Tim Dunn, Aliyah Odoffin as Latisha, Wilf Scolding as Jeff, Jay Simpson as Detective, Unique Spencer as Adrienne, Ashley Thomas as Neil, Lorraine Toussaint as Pat and Letitia Wright as Yvonne. They are joined by Tee ArnoldDonna Augustin, Reanna Bleu, Katie Buchholz and Linseigh Green in the ensemble.

When a white teacher is killed in a black neighbourhood, four journalists race to get the headline – at any cost. But when shocking new evidence pulls them into the dark heart of the

case, they are each forced to confront what they’re prepared to risk to tell their version of the truth.

Joining Director Clint Dyer in the artistic team will be set designer Anna Fleischle,costume designer Natalie Pryce,lighting designer Paul Anderson,sound designer Benjamin Grant, movement director Lucie Pankhurst, co-video designers Gino Ricardo Green and Tal Yarden, intimacy director Ingrid Mackinnon, casting directors Alastair Coomer CDG and Martin Poile CDG, dialect coach Hazel Holder, voice coach Cathleen McCarron and staff director Emily Aboud.

Further casting to be announced.

Tickets on sale now, nationaltheatre.org.uk

The Jungle Book

13 November 2026 – 6 February 2027

Olivier theatre

This festive season, the National Theatre will stage Anupama Chandrasekhar’s (The Father and the Assassin) new play, a theatrical retelling of Rudyard Kipling’s beloved family tale The Jungle Book, directed by Indhu Rubasingham. With innovative puppetry by Lume: Nick Barnes and Finn Caldwell, this thrilling new adaptation will bring the jungle roaring to life on the Olivier stage.

Initial casting announced today includes Hiran Abeysekera as Mowgli. Hiran is joined by Sarah AmankwahKazeem Tosin AmoreDarcy BraimohSebastian CharlesLaura CubittFred DavisAyesha DharkerAli GoldsmithValentine HansonRomina HyttenTony JayawardenaAvye LeventisShaun Yusuf McKeeKel MatsenaSifiso Mazibuko, Jordan Metcalfe and Sharita Oomeer.

In the mangroves of the Sundarbans, wolves howl, birds soar and tigers roar. At the heart of this wild and vibrant kingdom, an unlikely child is growing up… Mowgli.

Danger stalks the shadows, and threats lie hidden beneath every rock. To protect his family, his friends and the only home he has ever known, this young hero must first discover who he really is and where he truly belongs.

Directed by Indhu Rubasingham with set and costume design by Rajha Shakiry, puppetry by Lume: Nick Barnes and Finn Caldwell, movement director Finn Caldwell, composer Fernando Velázquez, lighting designer Oliver Fenwick, sound designer Benjamin Grant, casting directors Bryony Jarvis-Taylor CDG and Martin Poile CDG, voice coach Cathleen McCarron, associate director John Young,  associate set designer Ruth Hall, associate puppetry director Scarlet Wilderink and associate puppetry designer Caroline Bowman

Further casting to be announced.

Tickets on sale now, nationaltheatre.org.uk

Lyttelton theatre

Les Liaisons Dangereuses

Until 6 June 2026

Lyttelton theatre

Broadcast globally in cinemas via National Theatre Live from 25 June 2026

Returning to the National Theatre after nine years, Marianne Elliott (Angels in America) will direct a major revival of Les Liaisons Dangereusesin the Lyttelton theatre in spring 2026. Christopher Hampton’s(The Father) acclaimed adaptation of Pierre Choderlos de Laclos’ epistolary novel will have its first staging at the National Theatre with a stellar cast that includes Monica Barbaro (A Complete Unknown), Gabrielle Drake (Time and the Conways), Lesley Manville (Phantom Thread) and Aidan Turner (Rivals).

They are joined by Ishmail Aaron, Sharif Afifi, Curtis Angus, Charlotte Avery, Nandi BhebheLucia Chocarro, Liz Ewing, Ali Goldsmith, Darragh Hand, Georges Hann,Spike KingDianté Lodge, Katie Lusby, Amy Macken, Aisha Naamani, Bryony PenningtonCat Simmons and Hannah van der Westhuysen.

The pen is mightier than the sword.

Among the glittering salons of the super-rich, patriarchy equals power, reputation is everything – and for women, one misstep can mean ruin.

Marquise de Merteuil, master in the art of survival, wields her influence with intelligence and control. Alongside the magnetic Vicomte de Valmont, they turn seduction into strategy and weaponise desire. But when their alliance collapses into rivalry, the battle between them threatens to destroy everyone in their path.

Director Marianne Elliott is joined in the artistic team by set designer Rosanna Vize, costume designer Natalie Roar, choreographer Tom Jackson Greaves, composer Jasmin Kent Rodgman, lighting designer James Farncombe, sound designer Ian Dickinson forAutograph, intimacy director Ingrid Mackinnon, fight director Sam Lyon-Behan, casting directors Alastair Coomer CDG and Naomi Downham, voice and dialect coach Hazel Holder, associate director Mumba Dodwell and associate wigs, hair and make-up designer Adele Brandman.

Tickets now on sale, nationaltheatre.org.uk

The Misanthrope

16 June – 1 August 2026

Lyttelton theatre

Golden Globe winner Sandra Oh (Killing Eve) will make her exciting National Theatre debut in a new adaptation of Molière’s The Misanthrope from Martin Crimp (Cyrano de Bergerac), written in contemporary verse. Directed by Indhu Rubasingham, this biting adaptation will interrogate 21st-century private relationships and public debate, with Molière’s infamous character – the misanthropic Alceste – here reimagined as Alice.

Cast includes Paul Chahidi as John, Abigail Cruttenden as Claire, Imogen Elliott as Esmée, Rina Fatania as Indira, Freddie MacBruce as Allen, Tom Mison as Stefan, Sandra Oh as Alice and Jemima Rooper as Elaine.  Young performers include Arthur Blanc and Teddy Holton-Frances as Benjamin and Francesca Fullilove and Poppy Townsend White as Madeleine.

The understudy cast completing the company includes Niamh James as understudy Esmée/Allen, Amira Matthews as understudy Claire/Indira/Elaine, Scott Sparrow as understudy Stefan, John Vernon as understudy John and Gabby Wong as understudy Alice.

Alice, a brilliant novelist, despises the hollow contemporary mantras of kindness and respect. But the bolder she becomes in speaking out, the more colleagues avoid her, and the more her personal relationships begin to fracture. As she challenges fashionable ideas and lends her voice to causes others are afraid to touch, she faces intense criticism and backlash. Alice will soon learn the price she must pay as an artist and as a woman for daring to speak her mind.

Joining Indhu Rubasingham in the artistic team are set and costume designer Robert Jones, lighting designer Tim Lutkin, composer Anna Meredith, sound designer Alexander Caplen, movement director Lucy Hind, casting Alastair Coomer CDG and Martin Poile CDG,voice coach Jeannette Nelson, associate director Gitika Buttoo and associate set and costume designer Ethan Cheek.

Tickets now on sale, nationaltheatre.org.uk

Dorfman theatre

Pride  

11 June – 12 September 2026

After receiving an overwhelming response from audiences during a sold-out preview run at Cardiff’s Sherman Theatre, producers P&P Productions, with the National Theatre in association with PathéCalamity Films and David Binder Productions, bring the world premiere of the new musical Pride to the Dorfman theatre this summer. Based on the award-winning film which reunites director Matthew Warchus (Matilda The Musical) and writer Stephen Beresford (The Last of the Haussmans), this incredible true story is set during the 1984 miners’ strike, when a group of friends formed Lesbians and Gays Support the Miners (LGSM) before helping a small village in south Wales.

Full casting includes Samuel Barnett as Jonathan, Lewis Cornay as Bromley, Matthew Durkan as Mike, Gillian Elisa as Gwen, Robin Hayward as Martin, Chris Jenkins as Gethin, Darren Lawrence as Cliff, Jhon Lumsden as Mark, Kirsty Malpass as Hefina, Sarah Pugh as Siân, Jordan Shaw as Reggie, Courtney Stapleton as Steph, Caroline Sheen as Maureen, Mared Williams as Margaret and Matthew Woodyatt as Dai. 

They are joined by an ensemble that includes Daniel ForresterMadeleine MorganCatherine MorrisHelen Siveter and Graham Vick.

Funny, fierce and filed with joy, Pride is set to an original score by Christopher Nightingale (A Christmas Carol), Josh Cohen (Sylvia) and DJ Walde (Sylvia), with songs inspired by protest anthems, pop, rock, disco and the Welsh choral tradition. 

Summer, 1984. With miners on strike across the country, 24-year-old activist Mark Ashton tries to rally a group of friends into supporting the beleaguered strikers. The newly formed Lesbians and Gays Support the Miners (LGSM) quickly finds itself entwined with a small pit village in south Wales.  

What follows is the remarkable true story of two threatened communities joining forces – and discovering they have more in common than they ever imagined.  

Pride has a book and lyrics by Stephen Beresford, music by Christopher NightingaleJosh Cohen and DJ Walde, developed and directed by Matthew Warchus. The artistic team is completed by set and costume designer Bunny Christie, choreographer Lizzi Gee, orchestrations Christopher Nightingale and Tom Kelly, music supervision Tom Kelly, additional orchestrations Josh Cohen and DJ Walde, lighting designer Hugh Vanstone, sound designer Bobby Aitken, music director Jo Cichonska, hair, wig & make-up design Campbell Young Associates, casting director David Grindrod CDG, dialect coach Nick Trumble, voice coach Charlie Hughes D’Aeth, associate director Jamie Manton, associate set designer Verity Sadler, associate choreographer Ashley Andrews, associate lighting designer Luca Panetta, associate sound designer Jonas Roebuck, associate music director Natalie Pound and staff director Jennifer Lane Baker.

Tickets now on sale, nationaltheatre.org.uk

2026: Beyond the National Theatre

Hadestown (West End)

West End’s Lyric Theatre

The multi award-winning musical sensation Hadestown continues to perform at the Lyric Theatre eight years after its sold-out engagement at the National Theatre in 2018.  Now in its third year in the West End, the show is currently booking through to 27 June 2027.

A joyful combination of folk, jazz and blues, Hadestown intertwines two ancient Greek mythic love stories – that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone – taking audiences on an unforgettable journey to the underworld and back. Come and see how the world could be.

Hadestown features music, lyrics, and book by acclaimed Grammy®-winning singer-songwriter and BBC Radio 2 Folk Award-winner Anaïs Mitchell, who originatedHadestown as anindie theatre project and acclaimed album.  Mitchell then transformed the show into a genre-defying new musical alongside artistic collaborator and Tony® Award-winning director Rachel Chavkin, whose theatre credits include Mission Drift (National Theatre) and American Clock (The Old Vic).

The West End cast ofHadestown includes Rachel Adedeji as Persephone, Bethany Antonia as Eurydice, Marley Fenton as Orpheus, Alastair Parker as Hades, and Clive Rowe as Hermes.  The company is completed by Melanie Bright, Spike Maxwell and Lauran Rae as the Fates; Femi AkinfolarinMichelle Andrews, Gabriela Benedetti, Ollie Bingham and Sebastian Lim-Seet as the Workers, with Juan Jackson, Oisín Nolan-Power, Lindo Shinda, Jasmine Triadi and Milly Willows as Swings.

Hadestown is produced in London by Mara IsaacsDale FranzenHunter Arnold, Tom Kirdahy and the National Theatre in association with JAS Theatricals.

For more information and to purchase tickets, please visit uk.hadestown.com

Inter Alia

Until 20 June 2026 – West End’s Wyndham’s Theatre

10 November 2026 until 21 February 2027 (Opening performance 1 December 2026) – Broadway’s The Music Box Theatre.

TheNational Theatre’s sold-out production of Inter Alia, is currently running in the West End at the Wyndham’s Theatre until 20 June 2026, in a co-production with Playful Productions.

Following its West End run, this autumn the National Theatre with Sue WagnerJohn JohnsonNo Guarantees Productions, P3 Productions and Playful Productions will transfer Inter Alia to Broadway’s Music Box Theatre for a strictly limited season, from 10 November 2026 until 21 February 2027, with the Opening performance on 1 December 2026.

Golden Globe®, Emmy Award® and Olivier Award-winning and BAFTA, Academy Award-nominee Rosamund Pike, will reprise her riveting performance as Jessica Parks, as she makes her Broadway debut.  Pike recently won ‘Best Actress in a Play’ at the 2026 Olivier Awards for her acclaimed performance.

Created by the duo behind the West End and Broadway hit Prima Facie, BAFTA-Award-winning director Justin Martin and Olivier Award-winning writer Suzie Miller, bring you this ‘swaggering epic’ (Independent) that is valiant, sharp and deeply human. Inter Alia premiered at the National Theatre’s Lyttelton theatre from 10 July to 13 September 2025, garnering critical and box office acclaim. It has been broadcast via National Theatre Live to cinemas worldwide and has already been seen by over 450,000 people around the globe.

inter alia /ˌɪntər ˈeɪliə,ˈaliə/

adverb                                                                                     

among other things.

Jessica Parks is a maverick London Crown Court Judge; sharp, compassionate, and determined to change a system she knows isn’t always just. But her career exists inter alia (‘among other things’) as she balances motherhood, friendship and the elusive notion of ‘having it all’

So, when an unthinkable event rocks her finely tuned life, can she hold her family together – or will everything fall apart?

The creative team for Inter Alia includes Miriam Buether as set and costume designer, Natasha Chivers as lighting designer, Ben and Max Ringham as sound designers, Willie Williams for Treatment Studios as video designer, Erin LeCount & James Jacob PKA Jakwob as composers, Lucy Hind as movement and intimacy director, Nick Pinchbeck as music supervisor. Casting in the UK is by Alastair Coomer CDG and Naomi Downham, dialect coach William Conacher, voice coach Shereen Ibrahim and in the US by Jim Carnahan CSA.

Tickets for Inter Alia in the West End are on sale via interaliaplay.com

Tickets for Inter Alia on Broadway are on sale via interaliabroadway.com. Further casting and information for Inter Alia on Broadway will be announced soon.

Hamlet (New York)

Until 17 May 

Harvey Theater, Brooklyn Academy of Music

Kicking off an ongoing partnership between BAM and London’s National Theatre, director Robert Hastie (Operation Mincemeat) brings his witty, fearlessly contemporary take on Hamlet across the Atlantic for a four-week run. Since its first staging at BAM in 1861, Hamlet has returned more than a dozen times, helmed by luminaries like Ingmar Bergman, Peter Brook and Thomas Ostermeier. Now, Hastie’s fresh new production marks yet another groundbreaking entry into BAM’s legacy of daring Hamlets.

The production features previously announced Olivier Award-winner Hiran Abeysekera as Hamlet, joined by Maureen Beattie as First Player, Joe Bolland as Guildenstern, Matthew Cottle as Polonius, Tim Dewberry as Marcellus / Captain, Ayesha Dharker as Gertrude, Ryan Ellsworth as Ghost / Player King / First Gravedigger, Tom Glenister as Laertes, Mary Higgins as Osric / Voltemand, Liz Jadav as Nurse / Priest, Kiren Kebaili-Dwyer as Fortinbras, Hari Mackinnon as Rosencrantz, Francesca Mills as Ophelia, Sophia Papadopoulos as Cornelius/English Ambassador / Second Gravedigger, Alistair Petrie as Claudius, Seb Slade as Francisco / Reynaldo, Noel White as Bernardo and Tessa Wong  as Horatio.

Robert Hastie is joined in the artistic team by set and costume designer Ben Stones, lighting designer Jessica Hung Han Yun, sound designer Alexandra Faye Braithwaite, composer Richard Taylor, movement director Ira Mandela Siobhan, fight director Kate Waters, casting directors Alastair Coomer CDG and Martin Poile CDG and associate director Georgie Staight.  

Tickets on sale now, bam.org

Connections Festival (The Lowry) and New Views Festival (National Theatre)

Connections Festival, 25-29 June 2026, the Lowry in Salford

New Views Festival, 2-3 July 2026, National Theatre

Platforming the voices and talent of young people nationwide this summer, the National Theatre’s Connections Festival takes place at the Lowry in Salford for the first time. From 25 – 29 June, eight youth theatre groups from across the UK will perform their versions of new plays written especially for young people. Tickets are on sale via the Lowry on 22 May.

The New Views Festival also returns to the National Theatre from 2-3 July, showcasing six original plays written by young people through the NT’s nationwide playwriting programme.

Free tickets will be available to book via the NT website from 19 May.

Bacchae schools tour

Following Indhu Rubasingham’sproduction in the Olivier theatre in autumn 2025, in 2026 Bacchae will go on to tour secondary schools and colleges around the country in an adapted version by writer Nima Taleghani (Heartstopper). Directed by Hannah Hauer-King (The Ministry of Lesbian Affairs), this new era of school touring forms part of the National Theatre’s ambition to reach and impact every schoolchild in the UK before they leave school. 

Further information to be announced.

REGENT’S PARK OPEN AIR THEATRE IN PARTNERSHIP WITH COMMUNION ONE ANNOUNCES, DOVES, JOINING FOR LIVE MUSIC WEEK

REGENT’S PARK OPEN AIR THEATRE
IN PARTNERSHIP WITH COMMUNION ONE
ANNOUNCES

DOVES
JOINING FOR LIVE MUSIC WEEK

Regent’s Park Open Air Theatre in partnership with Communion ONE today announces Doves will perform on Friday 25 September as part of the Live Music Week running from 22 September – 27 September 2026. They join the previously announced Echo & The Bunnymen who are openingthe week,with further artists to be announced. A curated concert series celebrating the finest talent of today — from legendary icons to rising stars — set against the breathtaking backdrop of Regent’s Park. 

Inspiration is seldom elusive and motivation rarely fades for Doves as the boundary-clearing alchemists of yearning, scenic alternative sound return with their sixth studio album, 25 years after they arrived with their Mercury Award-nominated debut. Tested yet undiminished, the three members’ artistic impulses quietly raged on following 2020’s third No.1 album success of The Universal Want, getting to work almost immediately afterwards. Five years on, a baton passes to Constellations For The Lonely, ten new tracks of enkindled, future-facing, meticulous manipulation of mood.

Tickets for Doves go on sale for Members’ priority booking at 10am on Wednesday 6 May with general on sale at 10am on Friday 8 May.

Tickets for Echo & The Bunnymen are on sale now.

Visit openairtheatre.com for more information.  

BOX OFFICE INFORMATION

Box Office 0333 400 3562* | openairtheatre.com                              

Inner Circle, Regent’s Park, London, NW1 4NU

* Lines open Monday – Sunday, 10am – 4pm. A £2.50 per transaction booking fee applies. 0333 numbers are charged at the same rate as calls to 01 and 02 numbers as regulated by Ofcom. Please check with your provider for further details.

Visit openairtheatre.com for latest ticket prices, concessions and discounts.

#OAT2026

ABOUT REGENT’S PARK OPEN AIR THEATRE

Established in 1932, the multi-award-winning Regent’s Park Open Air Theatre is one of the largest theatres in London (at a capacity of 1,304). Passionate about producing popular, enriching and unexpected theatre that provides a lens into the here and now, the scale and ambition of our productions together with our magical outdoor setting, makes us unique in the capital’s cultural landscape. In 2025 we welcomed just under 177,000 people to our 20-week summer season.

Drew McOnie assumed the role of Artistic Director in January 2024, and James Pidgeon was appointed Executive Director in 2021.

Over the last fifteen years, our productions have won ten Olivier Awards, ten WhatsOnStage Awards, and four Evening Standard Awards. We were named London Theatre of the Year in 2017 by The Stage, and received the Highly Commended Award for London Theatre of the Year in 2021. Our productions have toured the UK, and have transferred to both the West End and the United States. Our 2016 revival of Jesus Christ Superstar has just finished tours of the UK, North America and Australia, and will visit Manila, Taipei, Singapore and New Zealand from May. Our Olivier Award-winning revival of Fiddler on the Roof transferred to the Barbican Centre in May 2025 ahead of a major tour of the UK & Ireland and is due to tour Australia from July this year.

As a registered charity that receives no regular public subsidy, we rely entirely on earned income and charitable contributions. Nevertheless, we have over 46,000 tickets at £25 or under available across the whole of 2026’s summer season, and we regularly work with a range of local charities. Each year, on average, we subsidise tickets for 6,000 school pupils.

Food and drink plays a significant role in the Open Air Theatre experience, with our in-house bars and restaurants including Covered Dining (certified as a Sustainably Run Restaurant), The Grill and The Pizza Oven. We also have our own picnic lawn and the West End’s longest bar!

Regent’s Park Open Air Theatre has become one of the most independently sustainable and financially successful producing theatres in the country, and we’re proud to embark on the next stage of our vision with ever-increasing artistic ambition and entrepreneurial spirit.

openairtheatre.com

Facebook: RegentsParkOpenAirTheatre

Instagram: @RegentsParkOAT

TikTok: @regentsparkoat

ABOUT COMMUNION ONE

Communion ONE promote some of the biggest and most exciting artists from around the globe, from the likes of Ed Sheeran, Noah Kahan, Sam Fender, Olivia Dean and Lewis Capaldi, to Phoebe Bridgers, Mitski, TEMS, The War and Drugs and Laufey. Creating incredible shows in grassroots venues up to arenas, stadiums and outdoor spaces across the UK.

2026 SEASON AT A GLANCE

A Regent’s Park Open Air Theatre production

SHERLOCK HOLMES

Until Saturday 6 June 2026

Access Performances:

BSL Interpreted: Thurs 4 June, 7.45pm

Captioned: Fri 5 June, 7.45pm

Audio Described: Sat 6 June, 2pm

Age Recommendation: 12+

Tickets from: £15

OPEN AIR THEATRE SUNDAY EVENT: FAMILY DAY
Sunday 24 May 2026

Age recommendation: All ages welcome

Day Entry Tickets: Adults £18, Children £15

OPEN AIR THEATRE SUNDAY EVENT: JAMES ACASTER

Sunday 31 May 2026

Age recommendation: 14+

Tickets: £30

A Regent’s Park Open Air Theatre production

A LIFE IN FOUR SEASONS

Thursday 11 – Sunday 14 June 2026

Age Recommendation: 8+

Tickets from: £15

A Regent’s Park Open Air Theatre production

A MIDSUMMER NIGHT’S DREAM

Saturday 20 June – Saturday 18 July 2026

Access Performances:

BSL Interpreted: Sat 11 July, 12.30pm & Thurs 16 July, 7.45pm

Captioned: Fri 17 July, 7.45pm

Audio Described: Sat 18 July, 12.30pm

Age Recommendation: 10+

Tickets from: £15

Regent’s Park Open Air Theatre

with Michael Harrison for Lloyd Webber Harrison Musicals presents

CATS

Saturday 25 July – Saturday 19 September 2026

Access Performances:

Relaxed: Thurs 27 August, 2pm

BSL Interpreted: Tue 1 September, 7.45pm

Captioned: Fri 4 September, 7.45pm        

Audio Described: Sat 5 September, 2pm

Age Recommendation: 5+

Tickets from: £15

A Unicorn Theatre and Regent’s Park Open Air Theatre production

ANANSI THE SPIDER

Saturday 15 August – Sunday 6 September 2026

Age recommendation: 4+

Tickets from: £15

OPEN AIR THEATRE SUNDAY EVENT: TIM KEY: LOGANBERRY

Sunday 6 September 2026

Age recommendation: 14+

Tickets: £30

OPEN AIR THEATRE LIVE MUSIC WEEK: ECHO & THE BUNNYMEN

Tuesday 22 September 2026, 7pm

Tickets: £55 – 65

OPEN AIR THEATRE LIVE MUSIC WEEK: DOVES

Friday 25 September 2026, 7pm

Tickets: £55 – 65

BEYOND THE PARK

Roald Dahl Story Company present

The family musical based on Roald Dahl’s
THE ENORMOUS CROCODILE

UK Tour                                                             Until  26 July 2026

Lyric Hammersmith, London                        28 July – 22 August 2026

Originally produced by Roald Dahl Story Company, Regent’s Park Open Air Theatre and Leeds Playhouse

enormouscrocodilemusical.com

David Ian for Crossroads Live and Work Light Productions present

The Regent’s Park Open Air Theatre production of

JESUS CHRIST SUPERSTAR
Solaire Theatre, Manila                                Until 24 May 2026

National Theatre, Taipei                               18 – 21 June 2026

Marina Bay Sands, Singapore                     17 August – 13 September 2026

The Civic, Aukland                                          21 October – 15 November 2026

St James Theatre, Wellington                      18 – 28 November 2026

Isaac Theatre Royal, Christchurch              2 – 6 December 2026

Further tour dates to be added.

tour.jesuschristsuperstar.com

Michael Harrison for Lloyd Webber Harrison Musicals presents

The Regent’s Park Open Air Theatre production of

JESUS CHRIST SUPERSTAR
London Palladium                                          20 June – 5 September 2026
london.jesuschristsuperstar.com

Trafalgar Theatre Productions, Regent’s Park Open Air Theatre and Brian & Dayna Lee presents

The Regent’s Park Open Air Theatre production of

FIDDLER ON THE ROOF

Theatre Royal Sydney                                   31 July – 6 September 2026
QPAC Glasshouse Theatre, Brisbane         9 – 25 October 2026

Her Majesty’s Theatre, Melbourne            31 October – 27 December 2026

Further dates and venues to be announced.

fiddlerontherooftour.com

Michael Harrison for Lloyd Webber Harrison Musicals presents

The Regent’s Park Open Air Theatre production of

CATS

Theatre Royal Plymouth                               6 – 17 October 2026

Hull New Theatre                                           20 – 24 October 2026

Birmingham Hippodrome                            27 October – 7 November 2026

Palace Theatre Manchester                        10 – 21 November 2026

Bristol Hippodrome                                       24 – 28 November 2026

Venue Cymru Llandudno                             1 – 5 December 2026

Theatre Royal Glasgow                                 8 – 27 December 2026

Nottingham, Royal Concert Hall                 6 – 16 January 2027

Canterbury, Marlowe Theatre                  19 – 23 January

Sunderland, Empire Theatre                       26 – 30 January 2027

Aberdeen, His Majesty‘s Theatre               9 – 13 February 2027

Theatre Royal Norwich                                 16 – 27 February 2027

Grand Opera House Belfast                         2 – 13 March 2027

Oxford, New Theatre                                     23 – 27 March 2027

Mayflower Southampton                             30 March – 10 April 2027

Edinburgh, Playhouse Theatre                    20 – 24 April 2027

Bradford, Alhambra Theatre                        27 April – 1 May 2027

Liverpool, Empire Theatre                            5 – 15 May 2027

Woking, New Victoria Theatre                    18 – 22 May 2027

Wales Millennium Centre Cardiff               25 – 29 May 2027

Milton Keynes, Milton Keynes Theatre     1 – 5 June 2027

Newcastle, Theatre Royal                             8 – 19 June 2027 

catsthemusical.com

JERUSALEM REVIEW

Tower Theatre – until 9th May 2026

Reviewed by Jackie Thornton

3***

Jerusalem was hailed as the greatest play of our times and lavished with awards when Jez Butterworth first brought it to audiences in 2009. But has it stood the test of time? Director Jonathan Reed’s interpretation is faithful to the original and Rob Hebblethwaite and Sophie Clark’s detailed set coupled with the costume design of Kate Els certainly transports us to a recent, pre-Brexit history. Our story takes place by a crummy caravan in the middle of a Wiltshire forest on St George’s Day, from where our protagonist Johnny ‘Rooster’ Byron is on the verge of being evicted. Giles Fouhy strikes the right balance of hero and villain as local legend Rooster, who claims to be Romany, alludes to a past life as a dare devil but who also likes to spin a tall tale. His account of meeting a giant at Stone Henge is mesmerising.

Jerusalem is not an easy play to engage with, perhaps even more so if like me you’re not English. It chooses to present an image of a spoiled England and suggests through William Blake’s poem that its green and pleasant land has been besmirched. Through complex metaphors, Butterworth introduces to a range of outcasts designed to assist us in diagnosing where English society has gone wrong. There’s a learned professor, played with a spacey detachment by Richard Tinworth, as he rattles off verses and myths, much to the apathy of the youth who just want to party. This rich seam of humour never quite makes its mark. There are many funny moments though, not least Rooster’s physical humour as he downs a raw egg or Tim Waghorn’s Ginger as he talks to a coconut he’s won at the fair. Liam Stewart displays strong comic bones as clueless Davey, who can’t see the point of other countries, and despite their marginalised roles, Lulu Freeman as Tanya and Catherine Reid as Pea make an excellent duo as the dim-witted, ditzy young women who’s only goal is to get wasted and get laid.

Morgan Buckley’s Lee is another lost soul, representing the one character who has seen a way out but is now too scared to go. Martin Shaw’s depressed, drug guzzling pub landlord Wesley, replete in Morris dancing gear, represents what the future may hold if this next generation don’t buck up their ideas. There’s also a menacing performance from Ben Mulhearn as Troy, determined to punish Rooster for drawing his daughter Phaedra, the runaway May Queen played by Amy Bloomfield and a vision of innocence in a cloak of pale green gauzy wings lit up by fairy lights, into his web. Bloomfield does great work in combining teenage awkwardness with graceful beauty, reminding us how fleeting youth is. Finally Fiona Makia as Fawcett, the no nonsense council officer charged with evicting Rooser, and Emily Carmichael’s Dawn, the beleaguered mother of Rooster’s child, may not occupy the stage for long but their presence is deeply felt and it would have been nice to see more of them. Indeed, it’s perhaps the treatment of female characters, along with the dated references that are yet to feel nostalgic, that makes this play feel out of touch with today’s audiences.

Strong performances, good comic touches and a wonderful set but it’s a long three hours.

Joy to the World! Mischief’s Christmas Carol Goes Wrong returns to the West End, tours UK & opens in the US and Australia

JOY TO THE WORLD

MISCHIEF’S FESTIVE FIASCO RETURNS

TO THE WEST END

By Henry Lewis, Jonathan Sayer and Henry Shields

Directed by Matt DiCarlo

AT WYNDHAM’S THEATRE IN LONDON’S WEST END FROM

18 DECEMBER 2026 – 23 JANUARY 2027

ON TOUR IN THE UK FROM 27 OCTOBER 2026 – 27 FEBRUARY 2027

MAKES NORTH AMERICAN PREMIERE AT

THE AHMANSON THEATRE IN LOS ANGELES FROM

12 DECEMBER 2026 – 10 JANUARY 2027

PLAYS AUSTRALIA FROM 1-29 DECEMBER 2026

www.ChristmasCarolGoesWrong.com

Mischief, the multi-award winning company behind The Play That Goes WrongPeter Pan Goes Wrong and The Comedy About Spies, today announced that its hilarious festive fiasco, Christmas Carol Goes Wrong will return to the West End for a limited run at Wyndham’s Theatre, a Delfont Mackintosh Theatre, from Friday 18 December 2026 to Saturday 23 January 2027.

As well as a second West End run, Christmas Carol Goes Wrong will be taking its festive fun around the UK and the globe.  Its second UK tour begins at the Churchill Theatre in Bromley on 27 October 2026 and continues to bring Christmas cheer around the country until 27 February 2027.

Its North American premiere, produced by Kenny Wax, Stage Presence and Kevin McCollum, will be at the Ahmanson Theatre in Downtown Los Angeles with performances beginning on 12 December 2026 and running until 10 January 2027.

The show will play in Australia from 1 – 29 December, with venues yet to be announced.  Christmas Carol Goes Wrong is brought to Australia by GMG Productions & Stoddart Entertainment Group, following on the success of their recent tour of The Play That Goes Wrong.

Christmas Carol Goes Wrong sees The Cornley Amateur Drama Society bring tidings of chaos and joy as they tackle Charles Dickens’ classic, A Christmas Carol.  The Cornley crew battle miscommunication, delays to their set, actors missing in action and a growing feud over who will play the lead.  It’s a disastrous take on the much loved classic Christmas story of Ebenezer Scrooge and a festive slice of pure escapism.

Christmas Carol Goes Wrong played to sell-out houses, when it premiered at the Apollo Theatre in Shaftesbury Avenue last year.  It is written by original Mischief Members Henry Lewis, Jonathan Sayer and Henry Shields and the production is directed by Matt DiCarlo, who also helmed the award-winning The Comedy About Spies which is set to have its second West End run this summer at London’s Adelphi Theatre.

Joining Henry, Jonathan, Henry and Matt on the creative team are:  Libby Todd (set designer), Roberto Surace (costume designer), David Howe (lighting designer) and Alexandra Faye Braithwaite (sound designer and composer).  The cast are yet to be announced.

A 15 minute documentary about the making of Christmas Carol Goes Wrong will be released on YouTube.  Subscribe to @mischiefcomedy YouTube now.

Christmas Carol Goes Wrong in the West End is produced by Kenny Wax and Stage Presence. And presented globally in arrangement with Mischief Worldwide Ltd.

WEST END STARS TO HEADLINE THEATRE ROYALTY DRURY LANE ONE NIGHT ONLY CONCERT HOSTED BY BRIAN CONLEY 

WEST END STARS TO HEADLINE 

THEATRE ROYALTY DRURY LANE 

ONE NIGHT ONLY CONCERT HOSTED BY BRIAN CONLEY 

Featuring Samantha Barks, Zoe Birkett, Jordan Luke Gage, Cedric Neal, Georgina Onuorah, John Owen-Jones, Oliver Tompsett, and Rachel Tucker

All-new, one night only concert Theatre Royalty Drury Lane is announced to take place at the iconic theatre on Sunday 23 August. The evening will bring together a host of West End stars at Theatre Royal Drury Lane to celebrate the best of musical theatre. 

Hosted by Brian Conley, the all-star concert lineup features stars of The Greatest Showman at Bristol Hippodrome Samantha Barks and Oliver Tompsett; award winning actress, singer and presenter, Zoe Birkett (Tina: The MusicalThe Witches); Titanique’s Jordan Luke GageCedric Neal, most recently seen in the West End as Hermes in Hadestown;  double Olivier Award nominee Georgina Onuorah; and, completing the cast, John Owen-Jones (Les Misérables, The Phantom of the Opera) and WhatsOnStage Award-winning Rachel Tucker (Wicked, Come From Away), both currently starring in Into the Woods at Bridge Theatre. All performances will be accompanied by the Theatre Royalty Orchestra.

Presale opens on Thursday 30 April at 10am, with general on sale on Friday 1 May at 10am. 

THEATRE ROYALTY DRURY LANE

Sunday 23 August at 7pm

Step into the grandeur of London’s most iconic stage for an unforgettable evening of musical theatre brilliance. Theatre Royalty Drury Lane brings together a spectacular lineup of West End stars for one night only!

Headlined by a truly extraordinary cast – Samantha Barks, Zoe Birkett, Jordan Luke Gage, Cedric Neal, Georgina Onuorah, John Owen-Jones, Oliver Tompsett, and Rachel Tucker, and hosted by the legendary Brian Conley, this concert promises show-stopping vocals, beloved musical numbers, and thrilling collaborations that will leave audiences spellbound.

Whether you’re a lifelong fan or discovering the magic for the first time, Theatre Royalty Drury Lane is a must-see event that brings the very best of the West End together under one magnificent roof.

Cast lineup subject to change. 

Samantha Barks’ theatre credits include The Greatest Showman (Bristol Hippodrome), Live at the London Palladium, Frozen (Theatre Royal Drury Lane, and also filmed for Disney+), Chess (Umeda Arts Theater Main Hall / Tokyo International Forum Hall), Pretty Woman (Chicago and Broadway), The Last Five Years (St James Theatre), Amelie (Berkley Rep), City of Angels (Donmar Warehouse), Chicago (Hollywood Bowl), Oliver! (UK tour), Les Misérables (Queen’s Theatre), and Cabaret (Birmingham Rep). She was one of the participants on the BBC series I’d Do Anything, and won the most recent series of The Masked Singer. She was a judge on All Star Musicals and Mamma Mia! – I Have a Dream. For film, her credits include Tomorrow Morning, Chocolate Cake, For Love or Money, Bitter Harvest, The Revenger, Interlude in Prague, The Devil’s Harvest, The Christmas Candle and as Eponine in Les Misérables (recipient of Empire Award for Best Female Newcomer; and nomination for Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture). She reprised her performance as Eponine for Les Misérables in Concert: The 25th Anniversary and will return to make her debut as Fantine in the upcoming Les Misérables The Arena Concert Spectacular.

Zoe Birkett’s theatre credits include Tina: The Musical (Aldwych Theatre), The Witches (National Theatre), The Bodyguard (UK tour), The Great British Bake Off Musical (Noël Coward Theatre), Moulin Rouge (Picadilly Theatre), Rock of Ages (UK tour), Myth (The Other Palace), Thriller – Live (Lyric Theatre), Rent (Greenwich Theatre), Respect La Diva (Garrick Theatre), and Priscilla Queen of the Desert (Palace Theatre). Her television credits include Smoggy Queens. She was the female winner of ITV’s Pop Idol and subsequently signed by Simon Fuller’s 19 Management, her solo single Get Happy went straight to number one in the charts. As a presenter, her credits include Top of the Pops Awards, CD:UKITV’s Ant & Dec’s Saturday Night Takeaway and the UK Theatre Awards.

Brian Conley is an actor, comedian, singer, and television presenter. His theatre credits include Back to the Future: The Musical (Adelphi Theatre), 9 to 5 the Musical (Savoy Theatre), A Christmas Carol (Dominion Theatre), Oliver! (UK tour), and Hairspray (Shaftesbury Theatre and UK tour). His television credits include EastEnders (as series regular Tom Cotton), The Grimleys, and Time After Time. He was the presenter of The Brian Conley Show, and has hosted the Royal Variety performance eight times, with further television appearances including Strictly Come Dancing and I’m a Celebrity… Get Me Out of Here!.

Jordan Luke Gage‘s theatre credits include Titanique (Criterion Theatre), Bare, Bat Boy (London Palladium), Bonnie & Clyde (Garrick Theatre and Arts Theatre – WhatsOnStage nomination for Best Actor in a Musical), & Juliet (Shaftesbury Theatre and UK tour – WhatsOnStage nomination for Best Actor in a Musical), The Light in the Piazza (Alexandra Palace Theatre), Heathers (Theatre Royal Haymarket), and Bat Out of Hell (Dominion Theatre).

Cedric Neal’s theatre work includes Hadestown (Lyric Theatre), Natasha, Pierre & The Great Comet Of 1812 (Donmar Warehouse), Guys And Dolls – Olivier Award nomination for Best Supporting Actor in a Musical (Bridge Theatre), 42nd Street (Théâtre du Châtelet), Back To The Future (Adelphi Theatre), The View Upstairs (Soho Theatre), Chess (London Coliseum), Motown (Shaftesbury Theatre), After Midnight (Brooks Atkinson Theatre), The Gershwin’s Porgy and Bees (Regent’s Park Open Air Theatre), Dreamgirls (Signature Theatre), Stagger Lee, Death of a Salesman and It’s A Bird, It’s a Plane…It’s Superman (Dallas Theatre Centre).

Georgina Onuorah‘s theatre credits include Brigadoon – Olivier Award nomination for Best Actress in a Musical, Shucked – Olivier Award nomination for Best Actress in a Supporting Role in a Musical (Regent’s Park Open Air Theatre), Little Shop of Horrors (Sheffield Theatres), Kiss Me, Kate (Barbican Theatre),  Hamilton (Victoria Palace Theatre), The Wizard of Oz (London Palladium and Curve Theatre), Oklahoma! The Wizard of Oz (Curve Theatre), Millennials (The Other Palace), Cinderella (Gillian Lynne Theatre), and Dick Whittington (National Theatre).

John Owen-Jones’s theatre credits include in Into the Woods (Bridge Theatre). Owen-Jones is best known for his performances as The Phantom in The Phantom of the Opera, a role he played nearly 2,000 times, and Jean Valjean in Les Misérables. His West End debut was in Les Misérables in the West End in 1995 and he has since appeared in every London theatre in which the show has played. He also appeared in special finales for Les Misérables and Phantom 25th anniversary performances at the O2 and Royal Albert Hall, both of which were screened in cinemas worldwide and re-interpretated the role of Valjean in the re-imagined 2010 version of the production for a 25th-anniversary international tour (including Théâtre du Châtelet in Paris and the Barbican in London). He features on the 2010 album Les Misérables Live!,and in 2019 returned to play Valjean in the Les Misérables All-Star Concert in the West End. Other theatre includes The Great British Bake Off Musical (Cheltenham Everyman, Noël Coward Theatre – WhatsOnStage nomination for Best Actor in a Musical), La Cage Aux Folles, The Pirates of Penzance and Much Ado About Nothing (Regent’s Park Open Air Theatre), A Funny Thing Happened on the Way to the Forum (Lido2, Paris), If/Then (Savoy Theatre), The Great GatsbySweeney Todd (The London Coliseum), Tiger Bay (Cape Town Opera), and A Little Night Music  (National Theatre). His television includes Scott and Bailey, In The Flesh, Toast of Tinseltow. Concerts include many solo headline shows in the UK and abroad, with appearances at the Royal Albert Hall, Bunkamura Orchard Hall in Tokyo, The Bolshoi in Moscow, Sydney Opera House, Carnegie Hall in New York, and twice at the BBC Proms in the Park and twice on The Royal Variety Show. Owen-Jones runs his own production company (Jar Productions) and record label (JOJ Music) and has released seven solo albums: Hallelujah, John Owen-Jones, Unmasked, Rise, Bring Him Home, Spotlight (featuring The City of Prague Philharmonic Orchestra), and The Christmas Album with his next album slated for release in 2026. A third season of his theatrical podcast, The Last Show on Earth, hosted with fellow performer Alistair Brammer, will also be released in 2026.

Oliver Tompsett’s theatre work includes The Greatest Showman (Bristol Hippodrome), A Knight’s Tale (Opera House Manchester), Ghost (Adelphi Theatre – concert), & Juliet (Broadway and Shaftesbury Theatre), In Dreams (Leeds Playhouse), Pretty Woman (Savoy Theatre), Kinky Boots (Adelphi Theatre), Starlight Express (The Other Palace), Guys and Dolls (Phoenix Theatre), The World Goes Round (St James Theatre), White Christmas (West Yorkshire Playhouse), We Will Rock You (Dominion Theatre), Rock of Ages (Shaftesbury Theatre), Wicked (Apollo Victoria), The Royal Hunt of the Sun (National Theatre), Notes from New York (Trafalgar Studios), Mamma Mia! (Prince of Wales Theatre), Kismet (Arcola Theatre), Our House (Cambridge Theatre), and West Side Story (Cannizaro Park). His film work includes Show Dogs and The Hard Way

Rachel Tucker’s theatre credits include Into the Woods (Bridge Theatre), Small Hotel (Theatre Royal Bath); in the West End The Great Gatsby (London Coliseum), Hadestown (Lyric Theatre), Sunset Boulevard (Savoy Theatre), Come From Away (Phoenix Theatre – Olivier and WhatsOnStage Award nominations for Best Actress in a Supporting Role in a Musical, Schoenfeld Theatre, Broadway), Wicked (Apollo Victoria – London 10th anniversary cast, Gershwin Theatre), We Will Rock You (Dominion Theatre), Wild About You (Theatre Royal Drury Lane), Communicating Doors (Menier Chocolate Factory), The Last Ship (New York and Chicago), Farragut North, John and Jen (Southwark Playhouse) and Songs for a New World (London Palladium). Concerts include Sideshow (London Palladium), Do You Hear the People Sing? (Sydney Opera House, Melbourne Arts Centre and The Hollywood Bowl) and New Year’s Concert (Japan Theatre Orb). Her television credits include Call the MidwifeHope Street, and Informer; and for film Prison and Frayed.

LISTINGS

Theatre Royal Drury Lane

Theatre Royal Drury Lane 

Catherine Street, 

Covent Garden, 

London WC2B 5JF

Box Office 020 3925 2998

https://lwtheatres.co.uk/theatres/theatre-royal-drury-lane

Sunday 23 August at 7pm

Instagram: @theatreroyaltydrurylane

Kiss of the Spider Woman Review

Bristol Old Vic – until 16 May 2026

Reviewed by Lucy Hitchcock

4****

From the duo of dreams, Kander and Ebb, comes a revival of Kiss of the Spider Woman to Bristol Old Vic. 

Directed by Paul Foster, we follow the story of Molina (Fabian Soto Pacheco) a prisoner convicted of sexual crimes with a minor, when his world is disrupted as he is forced to room with Valentin (George Blagden). This unlikely duo are frosty to each other to begin with, but through Molina’s storytelling of his favoured actress Aurora (Anna Jane Casey) they start to bond. Molina falls for Valentin, but with him being a war criminal, the prison wants names for his crimes and torture Molina into being an informant. Dodging the truth, hiding the lies and fabricating the reality, this unlikely duo deeply connect – but at what cost?

This was a performance I had never heard of, but was pleasantly surprised. Vocally, this was a stunning performance – with Casey leading the way with pizzazz and style and Pacheco adding deliciously emotional vocals, this was stellar. The juxtapositions between the raw, emotion of Pacheco to Casey’s glitzy, glamorous showcase was a nice reprieve from the hard hitting story line. Casey also played the fabled ‘spider woman’, whose kiss will end your life, with such poise and interesting movement, that it really shuddered the audience. The staging was superb, quite simple on stage, but complex with many moving parts and perfectly timed sequences and the lighting perfectly captured the inescapable, drab prison. 

There were points in the show where I found myself confused, as the story line is extremely hard hitting and it took me a minute to adjust to the fantasy versus the reality of the characters. I found the first half to be dark and lacking with the chemistry I found myself yearning for from the characters – with Blagden portraying a tough character from the offset. The second half was considerably more enjoyable (if it can be described as!) even with the subject matter being brutal and violent. 

This is worth a watch, but you need to be ready for violence, brutality and psychological necessity of the old Hollywood fantasy music. Compassionate, caring and loving – will you be able to escape her web and evade the Kiss of the Spider Woman

Full cast announced for Mamma Mia! The Party for 2026/27

LONDON’S PREMIER THEATRICAL DINING EXPERIENCE, 

MAMMA MIA! THE PARTY

ANNOUNCES FULL CAST FOR 2026/2027

  • Mamma Mia! The Party announces new cast to join the show, in addition to the previously announced singer-songwriter Peter Andre as Nikos and X Factor winner Sam Bailey as Debbie.
  • The new cast includes Inês Fernandez as Konstantina, Tom Fothergill as Carlos/Swing, Elena Gibson as Bella (at certain performances), Sophie Holdsworth as Loretta/Swing, GabriellaRose Merchant as Nina (Maternity Cover), James Mark McLoughlin as Ruben/Swing, and Andy Rose as Host/Fernando (from 24 July).
  • Tickets for London’s favourite night outare on sale through to 04 April 2027.

28 April 2026, London:Björn Ulvaeus’ Mamma Mia! The Party today announces a new cast for its 2026/27 run, joining the previously announced singer-songwriter Peter Andre and X Factor winner Sam Bailey from 14 May 2026.  

The two stars will be joined by Inês Fernandez as Konstantina, Tom Fothergill as Carlos/Swing, Elena Gibson as Bella (at certain performances), Sophie Holdsworth as Loretta/Swing, GabriellaRose Merchant as Nina (Maternity Cover), James Mark McLoughlin as Ruben/Swing, and Andy Rose as Host/Fernando (starting from 24 July). 

Mamma Mia! The Party is London’s premier theatrical dining experience, bringing ABBA’s hits to life more vividly than ever before. As the sun sets in Skopelos, guests take their seats at Nikos’ family-run taverna where they enjoy a delicious four-course Greek feast, whilst a romantic and heartwarming story unfolds all around them. Following the performance, which is filled with timeless ABBA anthems such as Mamma MiaDancing Queen and Waterloo, guests are encouraged to sing and dance the night away at a glittering ABBA disco.   

The newly announced cast members will join the standing cast of Kelly Aaron as Sue/Swing, Oscar Balmaseda as Host/Fernando (taking on the role of Nikos from 31 July), Constantine Andronikou as Robin/Swing, Marianne Benedict as Kate (at certain performances), Kimberly Powell as Kate (at certain performances, AJ Bentley as Adam, Deschenes Graham as Joyce/Swing, Allie Ho Chee as Bella (at certain performances), Dawn Spence as Grandma, Rebecca Stenhouse as Nina (at certain performances), and Claudia Bradley as Tia/Swing. 

Mamma Mia! The Party is executive produced by Björn Ulvaeus and Pophouse. Tickets can be booked here.  

New Casting Announced for HAMILTON at the Victoria Palace Theatre – from 15 June 2026

NEW CASTING ANNOUNCED FOR WEST END PRODUCTION

OF MULTI-AWARD WINNING
HAMILTON
AT THE VICTORIA PALACE THEATRE

FROM MONDAY 15 JUNE 2026

Jeffrey Seller and Cameron Mackintosh, producers of the West End production of Lin-Manuel Miranda’s HAMILTON, are delighted to announce new casting for the show from Monday 15 June 2026 at the Victoria Palace TheatreHAMILTON is currently booking to 13 March 2027.

Stephenson Ardern-Sodje will join the company as Alexander Hamilton, with Georgina Onuorah returning as Angelica Schuyler, Akmed Junior Khemalai as George Washington, Ashley J. Daniels as Marquis De Lafayette/Thomas Jefferson, Alexander Bellinfantie as Hercules Mulligan/James Madison and Shak Mancel James as John Laurens/Philip Hamilton.

Continuing in the show will be Yeukayi Ushe now playing the role of Aaron Burr, Bente Mulan as Eliza Hamilton, Jasmine Jia Yung Shen as Peggy Schuyler/Maria Reynolds and Daniel Boys as King George III.

As previously announced, Leslie Odom, Jr. will play the role of Aaron Burr from 3 July – 5 September. Leslie will not be appearing Monday 27, Tuesday 28 or Wednesday 29 July, during this time the role will be played by Yeukayi Ushe.

Continuing in the company will be Yuki Abe, Turrell Barrett-Wallace, Joshua Clemetson, Roxanne Couch, Manaia Glassey-OhlsonJack Harrison-Cooper, Olivia Kate Holding, Sergi Ibanez, Nicolais-Andre Kerry, Lily Laight, Tamara Morgan, Tim Nutt, Joshian Angelo Omaña, Aharon Rayner and Daisy Ward. Joining the ensemble will be John Browning, Milan Cacacie, Yesy Garcia, Riccardo Haerri, Jared Irving, Michael Lin, Avigalle Mendoza, Fallon Mondlane, Liam Morris and Phoebe Samuel-Gray.

HAMILTON has book, music and lyrics by Lin-Manuel Miranda, is directed by Thomas Kail, with choreography by Andy Blankenbuehler, musical supervision and orchestrations by Alex Lacamoire and is based on Ron Chernow’s biography of Alexander Hamilton. HAMILTON features scenic design by David Korins, costume design by Paul Tazewell, lighting design by Howell Binkley, sound design by Nevin Steinberg and hair and wig design by Charles G. LaPointe.

HAMILTON is produced in London by Jeffrey Seller, Sander Jacobs, Jill FurmanThe Public Theater and Cameron Mackintosh.

HAMILTON

Victoria Palace Theatre, Victoria Street, London SW1E 5EA

Dates: Now booking to 13 March 2027

Prices: Tickets from £20, no booking fee applies

Box Office: 0344 482 5151

Website: www.hamiltonmusical.com 

Social Media:

www.facebook.com/HamiltonWestEnd  

www.twitter.com/HamiltonWestEnd 

www.instagram.com/HamiltonWestEnd

#HamiltonLDN

Performance Schedule:

Monday           7.30pm

Tuesday           7.30pm

Wednesday     7.30pm

Thursday          2.30pm and 7.30pm

Friday               7.30pm

Saturday          2.30pm and 7.30pm