WILTSHIRE CREATIVE TODAY ANNOUNCES PATRICK BARLOW’S ADAPTATION OF THE 39 STEPS AT SALISBURY PLAYHOUSE
Wiltshire Creative today announces Patrick Barlow’s The 39 Steps which will commence their 2025 season at Salisbury Playhouse.
Adapted from John Buchan’s novel, Patrick Barlow’s The 39 Steps will be directed by Ryan McBryde – in a co-production with Mercury Theatre Colchester and Octagon Theatre Bolton. The production runsfrom 13 February until 8 March at Salisbury Playhouse ahead of a tour to Mercury Theatre Colchester (11 – 29 March) and Octagon Theatre Bolton (16 April – 10 May).
Director Ryan McBryde today said “This show is a high-energy blend of suspense, comedy, and theatrical ingenuity, offering something for everyone. It’s a brilliant homage to the classic Hitchcock film but with a playful, madcap twist that will have audiences on the edge of their seats one moment and laughing out loud the next. Whether you’re a fan of the original film or discovering it for the first time, this production will surprise and entertain you in the best possible way. I can’t wait to share this unique experience with new audiences across the country.”
Full programming for the Spring 2025 season to be announced.
Wiltshire Creative, Mercury Theatre Colchester and Octagon Theatre Bolton present THE 39 STEPS Adapted by Patrick Barlow From the novel by John Buchan
Thursday 13 February – Saturday 10 May 2025
Director: Ryan McBryde; Designer: Libby Todd
Experience the mystery of Alfred Hitchcock’s iconic spy thriller, The 39 Steps, in Patrick Barlow’s brilliantly hilarious stage adaptation. This Olivier and Tony Award-winning comedy is back on a UK tour after a phenomenal 10-year run in London’s West End.
Follow the dashing Richard Hannay as he embarks on a thrilling adventure filled with daring antics, romantic encounters and ghastly murders. Get set for a whirlwind of suspense taking you from the bustling streets of London to the remote Scottish Highlands, as four talented actors play over 150 characters. Don’t miss this exhilarating escapade that will have you laughing, gasping, and cheering for more!
Ryan McBryde is an award-winning theatre director. He is formerly the Creative Director for the Mercury Theatre, Colchester (2019 – 2024), where his productions include Midsummer, The Importance of Being Earnest, Great Expectations, They Don’t Pay? We Won’t Pay!, The Comedy of Errors, Baskerville,Sleeping Beauty, Aladdin,Oliver – the Musical, Moll Flanders, and Pieces Of String. Other directing credits include Romeo And Juliet (Theatre Trier), Faust, 1984 (Alte Schauspielhaus), Love On The Links, Before The Party, Beauty And The Beast, Cinderella, Aladdin, Jack and The Beanstalk (Salisbury Playhouse), The Invisible Man (Queen’s Theatre Hornchurch), Saturday Night Fever (UK tour), Angus, Thongs And Even More Snogging (West Yorkshire Playhouse), The Who’s Tommy (European tour), and Hamlet! The Musical (Royal and Derngate, Richmond Theatre).
STONES IN HIS POCKETS Salisbury Playhouse, Main House,Malthouse Lane, Salisbury SP2 7RA1 October – 19 OctoberTickets from £12 Age Guidance: 14+
TALAWA’S BLACK JOY SEASON HIGHLIGHT: PLAY ON! Salisbury Playhouse, Main House,Malthouse Lane, Salisbury SP2 7RA22 October – 2 NovemberTickets from £12Age Guidance: 12+
SLEEPING BEAUTY Salisbury Playhouse, Main House,Malthouse Lane, Salisbury SP2 7RASaturday 30 November 2024 – Sunday 12 January 2025 BSL Signed/ Captioned Wednesday 11 December 7:00pm/ Friday 3 January 2:15pm Audio Described & Touch Tour Thursday 19 December at 7:00pmRelaxed Performance Thursday 9 January at 2:15pmTickets from £18 Age Guidance: 4+
THE 39 STEPS Salisbury Playhouse, Main House, Malthouse Lane, Salisbury SP2 7RA 13 February – 8 March 2025 Tickets from £12 Age Guidance: 10+ BSL/ Captioned performance Tuesday 4 March at 7:30pm Audio Described & Touch Tour Thursday 6 March at 2:15pm and 7:30pm
Norwich Theatre and Valid Productions are delighted to announce casting for their brand new dance co-production CARLOS ACOSTA’SNUTCRACKER IN HAVANA, choreographed and directed by Carlos Acosta CBE, which will open at Norwich Theatre Royal on 1 November 2024 before embarking on a UK tour including a week-long run at London’s Southbank Centre in December 2024.
The cast includes Acosta Danza dancers Laura Rodríguez, Alejandro Silva, Zeleidy Crespo, Raúl Reinoso, Enrique Corrales, Patricia Torres, Daniela Francia, Adria Díaz, Amisaday Nara, Frank Junior, Leandro Fernández, Denzel Francis, Brandy Martínez, Elizabeth Tablada, Chay Deivis, Brian Ernesto, Thalía Cardín, Melisa Moreda, Alexander Arias, Paul Brando, Ofelia Semanat, Aniel Pazos, Cynthia Laffertté and Wendy Friol.
Laurretta Summerscales, Yonah Acosta, Alexander Varona, Yaday Ponce, Verónica Corveas, Aymara Vasallo join as guest artists.*
Henri Lynch, Melissa Ann Hughes, Mia Nicholas, Victoria Lavalle join as Junior Guest Dancers from the Acosta Advanced Training Hub in Woolwich.
NUTCRACKER IN HAVANA is a colourful Cuban take on the festive classic, set to an exuberant Cuban newly-commissioned version of the magnificent Tchaikovsky score, arranged by Cuban composer Pepe Gavilondo. Featuring over 20 dancers from Carlos’ Cuban company Acosta Danza, this traditional story is brought to life with ballet at its core but in Carlos’ unique style, seeing dance traditions of Cuba carefully fused and woven throughout the classic tale.
With spectacular video projection and set design by Nina Dunn (9 to 5 Musical, Bonnie and Clyde, Birmingham Royal Ballet’s Don Quixote), Cuba collides with the Land of Sweets, bringing snow to Havana in a visually stunning spectacular treat for all.
International superstar Carlos Acosta was born in Havana, Cuba and trained at The National Ballet School of Havana. After winning a succession of awards, including the 1990 Prix De Lausanne, he went on to dance professionally with the world’s most prestigious companies, with London’s Royal Ballet becoming his home. Carlos retired from classical ballet in 2016, after 28 years, having performed almost every classical role from Spartacus to Romeo. Carlos created many award-winning shows throughout his ballet career, including Tocororo, and Carlos Acosta and Friends of the Royal Ballet, also choreographing the Royal Ballet productions of Don Quixote and Carmen and the 2014 West End production of Guys and Dolls. He has also written two books, including a work of fiction ‘Pig’s Foot’ and his autobiography ‘No Way Home’. Yuli, a film inspired by his life, premiered at the San Sebastian, Havana and Berlin Film Festivals to critical acclaim before its premiere and general release in April 2019.
The culture and history of Carlos’ homeland have been important influences throughout his career and continues to be so following the establishment of his own dance company, Acosta Danza, in 2016. The company tours the world with its vibrant combination of classical and contemporary, fused with Cuban elements of dance. In 2017, Carlos opened his first Dance Academy through the Carlos Acosta International Dance Foundation and in 2023 opened The Acosta Dance Centre in Woolwich. He was also recognized in the Queen’s New Year’s Honours List and received a CBE in 2014, later also receiving the Queen Elizabeth II Coronation Award from The Royal Academy of Dance in 2018 and the Critics’ Circle’s Annual Award for Outstanding Services to the Arts in 2019. In January 2020, Carlos became Director of Birmingham Royal Ballet.
NUTCRACKER IN HAVANA is choreographed by Carlos Acosta, video projection, set design and mapping by Nina Dunn, costume design by Angelo Alberto, compositions and arrangements by Pepe Gavilondo Peón, additional music by Yasel Muñoz, lighting design by Andrew Exeter and wig design and supervision by Yin Ho Kang
NUTCRACKER IN HAVANA is produced by Norwich Theatre and Valid Productions.
THE MYTHICAL ADVENTURE MUSICAL EXPLODES ONTO THE STAGE AT THE OTHER PALACE FOR ITS LONDON PREMIERE FROM 22 NOVEMBER 2024
“Worthy of the gods!” “A blast!”
Time Out New York Boston Globe
Bill Kenwright Ltd and Paul Taylor-Mills are thrilled to announce the full casting for the highly anticipated London premiere of The Lightning Thief: The Percy Jackson Musical.
Joining the production are Scott Folan (Be More Chill) as Grover, Jessica Lee(Miss Saigon) as Annabeth, Paisley Billings(Six) as Sally Jackson, Greg Barnett (The Duchess of Malfi) as Mr Brunner/Poseidon/Hades, Joe Allen (Charlie & The Chocolate Factory) as Mr D/Gabe, Samantha Mbolekwa (Dear Evan Hansen) as Clarisse and Joaquin Pedro Valdes (Heathers The Musical) as Luke/Areswith Philip Catchpole (The Book of Mormon), Morgan Gregory (Newsies), Charlotte O’Rourke(Cruel Intentions) and Alex Waxman, making her professional stage debut, as the ensemble.
They will be joining the previously announced Max Harwood (Stranger Things: The First Shadow; Everybody’s Talking About Jamie), who will take on the title role of Percy Jackson.
Based on the much-loved best-selling book series by Rick Riordan (with over 180 million copies sold worldwide), Percy Jackson’s story has been adapted into both films and recently a major hit TV series for Disney+. The musical first premiered off-Broadway in 2014 to rave reviews and went on to have two US tours, an off-Broadway run in 2017 and a 16-week limited run on Broadway in 2019.
London will finally get to experience this magical musical for the first time this November. Crafted by an exceptional creative team, audiences will be transported to a world like no other…
When New York City teenager Percy Jackson discovers that he is the half-blood son of the Greek god, Poseidon, his life takes a dramatic turn as he is plunged into a world much bigger than he could possibly have imagined.
With newly discovered powers he is unable to control, an unwanted destiny and a whole textbook’s worth of mythical monsters on his trail, Percy must learn what it means to be a hero.
The future of the world hangs in the balance as Percy and his friends embark on an epic adventure that will have you on the edge of your seat.
This dynamic musical adaptation of Rick Riordan’s bestselling The Lightning Thief has a book by Joe Tracz (Be More Chill), music and lyrics by Rob Rokicki (Monstersongs) and is directed and choreographed by Lizzi Gee (Groundhog Day). Set and costume design is by Ryan Dawson Laight (My Son’s A Queer (But What Can You Do?)) with lighting design by Charlie Morgan Jones (Derren Brown – Showman), sound design by Dominic Bilkey(The Lehman Trilogy), video design by Duncan McLean (Shrek The Musical), illusions by Richard Pinner (Here You Come Again),fight direction by Lisa Connell (Heathers) and puppet direction by Laura Cubitt (A Monster Calls). The musical supervisor is Jeremy Wootton (Heathers), and musical director is Ben McQuigg (The Power of Camelot). Assistant Director is Danielle Kassaraté (Curious Incident Of The Dog In The Night-Time), assistant choreographer Libby Watts (Wicked) and associate set and costume designer is Christophe Eynde.
Mayflower Theatre, Southampton – until 26th October 2024
Reviewed by Alexandra Browning
5*****
The musical adaptation of 101 Dalmatians offers a delightful and imaginative take on the beloved story, showcasing creativity and charm. Kim Marsh’s portrayal of Cruella de Vil is captivating, bringing dynamic energy to the stage and perfectly embodying the character’s flamboyance and sinister humour.
A standout feature of the production is the staging of the Dalmatians. Creative choreography and innovative set designs breathe life into these playful characters, making them feel whimsical and real. Each puppy stands out, adding layers of personality that enrich the overall narrative.
Linford Johnson’s portrayal of Pongo shines with remarkable stage presence, fully capturing the essence of a dog. His magical performance allows the audience to connect emotionally with the character, deepening the story’s emotional impact. The on-stage relationship between dog parents Danielle (Jessie Elland) and Tom (Samuel Thomas) also adds a heartfelt layer to the narrative, bringing warmth to their scenes together.
The production maintains a fun, year-round pantomime vibe, especially through the comedic duo of Jasper (Danny Hendrix) and Casper (Charles Brunton), who deliver moments of levity and entertainment.
The adaptation is refreshingly creative, offering clever twists and new insights into the classic tale. The engaging dialogue and inventive approach keep the audience entertained while remaining faithful to the heart of the original story.
Overall, this rendition of 101 Dalmatians is truly paw-some—filled with imagination, heart, humour, and unforgettable performances.
If you are excited for a 70’s themed night, then head on over to the Blackpool Grand Theatre to see ‘Abigail’s Party’ before it ends on Saturday 26th October.
Mike Leigh’s intense, awkward and hilarious cult-classic comedy that was first staged at the Hampstead Theatre in London back in 1977 is currently doing the rounds with a breath of new life and is directed by Jack Bradfield the 2023 Winner of the prestigious RTST Sir Peter Hall Director Award.
To Beverley, she is the only queen of suburbia so decides to host a cocktail party including new neighbours Angela and Tony as well as Abigail’s mum Susan. Unfortunately, 15-year-old Abigail decides to throw a party of her own next door which no one can seem to stop thinking or talking about so Beverley decides that something must be done about this.
Even though the play is entitled ‘Abigail’s Party’, the audience doesn’t actually see Abigail or anything that is happening at her party but centres around just the one place, Beverley’s house which becomes a pressure-cooker of emotions as she pushes her husband Laurence to the limit.
This play is more about 1970s life in suburbia and the exploits of an evening with overindulgence of alcohol, cigarettes and cigars with Beverley trying to be the perfect hostess including a bit of flirtation, Laurence’s constant stress and loss of temper (due mostly to Beverly’s behaviour), Tony’s bluntness at Angela’s ditziness and poor Susan who has drunk too much.
The cast is small with only 5 actors with Laura Rogers (The Ocean at the End of the Lane, West End) portraying the neurotic Beverley, Leander Deeny (Wuthering Heights, China Plate) as Beverly’s downtrodden husband Laurence, Amy Rockson (Queen Charlotte: A Bridgerton Story) as their next door neighbour Susan and mother to the infamous Abigail and finally Chaya Gupta (The Government Inspector, Marylebone Theatre) and Joe Blakemore (The Hunt for Raoul Moat, ITV) as their new neighbours Angela and Tony. Even though the cast is perfect for this production and ensured that the audience were entertained throughout the evening, for me, Leander’s portrayal of Laurence was just captivating.
Special thanks also needs to go to Sound Designer Jamie Lu, Lighting Designer Joshua Gadsby, Costume Designer Naomi Daley and Designer Anna Yates. The set for Abigail’s Party has everything that makes the play what it is, and there’s plenty of room for dancing later on. It’s Beverly’s house with a shag carpet, real leather sofas (wrapped in plastic of course), table with candelabra, pineapple and cheese sticks, a ‘posh’ kitchen with rotisserie, mini bar with turntable, toilet, washer and dryer and even Laurence’s Mini.
As for why the play remains so popular, we can confirm it’s still so relatable – that the desire to fit in has never gone away, and we all need clever comedy like this every now and then.
Leigh Francis joined the cast of BACK TO THE FUTURE The Musical at the Adelphi Theatre last night (Monday 21 October) in a cameo appearance as ‘Principal Strickland’ to celebrate Back to the Future Day. He was congratulated by his guest, Emma Bunton, after the show.
LONDON, ENGLAND – OCTOBER 21: (L to R) Bob Gale, Lee Ormsby, Emma Bunton, Leigh Francis aka Keith Lemon, performing in a special cameo as Principal Strickland, and Vasco Emauz attend a special performance of “Back To The Future: The Musical” in celebration of Back To The Future Day at The Adelphi Theatre on October 21, 2024 in London, England.
Photo by Dave Benett
The musical is currently booking until Sunday 27 July 2025 at the Adelphi Theatre in London’s West End. www.BackToTheFutureMusical.com
BACK TO THE FUTURE The Musical won the Olivier Award for Best New Musical, four WhatsOnStage Awards, including Best New Musical, and the Broadway World Award for Best New Musical. The productions in London and Manchester have so far been seen by over 1.6 million people and the musical has broken box office records at the Adelphi Theatre.
LONDON, ENGLAND – OCTOBER 21: (L to R) Vasco Emauz, Lee Ormsby, Bob Gale and Leigh Francis aka Keith Lemon, performing in a special cameo as Principal Strickland, attend a special performance of “Back To The Future: The Musical” in celebration of Back To The Future Day at The Adelphi Theatre on October 21, 2024 in London, England.
Photo by Dave Benett
Based on the Universal Pictures/Amblin Entertainment film, BACK TO THE FUTURE The Musical has a book by Bob Gale and new music and lyrics by Emmy and Grammy Award-winning Alan Silvestri and six-time Grammy Award-winning Glen Ballard, with additional songs from the film including The Power of Love and Johnny B. Goode.
LONDON, ENGLAND – OCTOBER 21: (L to R) Lee Ormsby, Emma Bunton, Leigh Francis aka Keith Lemon, performing in a special cameo as Principal Strickland, and Vasco Emauz attend a special performance of “Back To The Future: The Musical” in celebration of Back To The Future Day at The Adelphi Theatre on October 21, 2024 in London, England.
Photo by Dave Benett
BACK TO THE FUTURE The Musical is directed by Tony Award-winning director John Rando (Urinetown, On The Town), alongside the multi Tony and Olivier Award-winning design team of Tim Hatley (set and costume design), Tim Lutkin (lighting), Hugh Vanstone (lighting consultant), Gareth Owen (sound) and Finn Ross (video), with choreography by Chris Bailey, musical supervision and arrangements by Nick Finlow and Illusions by Chris Fisher. Orchestrations are by Ethan Popp and Bryan Crook, with dance arrangements by David Chase. Casting is by David Grindrod CDG for Grindrod Burton Casting.
LONDON, ENGLAND – OCTOBER 21: Leigh Francis aka Keith Lemon (C), performing in a special cameo as Principal Strickland, poses with cast members including Vasco Emauz and Lee Ormsby and co-creator Bob Gale at a special performance of “Back To The Future: The Musical” in celebration of Back To The Future Day at The Adelphi Theatre on October 21, 2024 in London, England.
Photo by Dave Benett
BACK TO THE FUTURE The Musical is produced by Colin Ingram, Donovan Mannato, Frankel/Viertel/Baruch/Routh Group, Hunter Arnold, Gavin Kalin Productions, Playing Field, Crush Music, CJ ENM, Teresa Tsai, Ivy Herman/Hallee Adelman, Robert L. Hutt, Universal Theatrical Group, Ricardo Marques, Augury, Robert Zemeckis, Bob Gale, in association with Kimberly Magarro, Stage Entertainment, Glass Half Full Productions/ Neil Gooding Productions.
written by Anthony Spargo, musical direction by Steve Markwick, directed by James Haddrell at Greenwich Theatre from 22 November 2024 to 5 January 2025
The cast is announced for Greenwich Theatre’s all-new, all-singing, all-dancing pantomime Dick Whittington and his Cat with: Samuel Bailey (Newsies) as Dick Whittington; Jasmine Jules Andrews (Jesus Christ Superstar) as Alice Fitzwarren; Anthony Spargo (who also writes Greenwich’s panto for the third time) as Ratticous; Louise Cielecki (Snow White, Beauty and the Beast) as Muffy Mouse; Paul Kemble (Top Hat) as Alderman Fitzwarren; Inés Ruiz (Beauty and the Beast) as Tommie the Cat; and Phil Yarrow (Peter Pan Goes Wrong) as Meggs the Baker.
Greenwich Theatre introduces Archie Fearon, Nabi Brown and Annabelle Lane in their professional debuts. as part of its valued continuing partnership with Trinity Laban Conservatoire of Music and Dance
“Greenwich Theatre… sets the gold standard for pantomime” (British Theatre Guide)
Join Dick Whittington and his Cat as they seek fame and fortune in an adventure through good old London Town! Can Dick outwit the evil King Rat, defeat his gang of revolting rodents? Will he win the beautiful Alice Fitzwarren’s hand in marriage and become Lord Mayor of London? Find out in this pantomime paved with gold!
Lauded as presenting ‘a wonderful panto to rival any of the big boys in London town’ (FairyPoweredProductions), Greenwich Theatre is renowned for punching above its weight with the quality of its festive season shows. Accolades have included multiple Offie Award nominations, including wins for Sleeping Beauty (Best Panto) and Snow White (Best Design, Panto). The production reunites Snow White’s Offie Award-winning Design team – Emily Bestow (set and costumes), Henry Slater (lights) and Liam McDermott (sound), joined by video design from PixelLux (West End, Broadway, Royal Opera House) and 2D animator Hannah Schlenker (Spitting Image Live – Idiots Assemble).
James Haddrell:“Over the past decade, the Greenwich Theatre pantomime has sold more tickets year on year, thanks to a loyal following and new audiences attracted by its exceptional reputation – and we look forward to welcoming them all this year. We are delighted to bring together an exciting cast, with talent from across the West End and the UK touring circuit joining Greenwich regulars Anthony Spargo and Louise Cielecki. Following the tradition of previous years, our panto will transform a much-loved tale into something entirely new, with a host of unforgettable plot twists and West End quality music.”
Olivier, Tony and Drama Desk awards nominated Lauren Ward and Josie Benson head the cast for the world premiere of
STALLED
a new musical
at the King’s Head Theatre
Book & Lyrics Liesl Wilke Music & Lyrics Andy Marsh with additional music and lyrics by Kyle Puccia
Director Vikki Stone
Lauren Ward and Josie Benson
King’s Head Theatre 116 Upper Street, London N1 1QN
Thursday 13 February – Sunday 23 March, 2025
West End and Broadway star Lauren Ward (Stranger Things: The First Shadow, Dear Evan Hansen) and Josie Benson (Kiss Me Kate, Mamma Mia!) are to head the cast in the world premiere of STALLED, a new musical about mothers, daughters and moving on, at the King’s Head Theatre.
In a bougie-ass Seattle ladies room, lost-but-searching Maggie and a frazzled mother, a neurodivergent daughter, a nonbinary poet and a queer computer scientist are among the characters whose paths cross and who navigate the ups and downs of modern life. With soul-stirring melodies and a rare authenticity, their inspiring stories make for an unforgettable celebration of these complicated, beautiful souls.
STALLED, Book & Lyrics by Liesl Wilke and Music & Lyrics by Andy Marsh and with additional music and lyrics by Kyle Puccia, directed by Vikki Stone, will play a 6-week season from Thursday 13 February – Sunday 23 March, 2025.
Producer Thomas Hopkins said: “I am delighted to be producing the world premiere of Liesl and Andy’s new musical at the new Kings Head Theatre. And it is an honour to collaborate with Liesl (as co-producer) in bringing this vibrant and poignant work to life on stage. This musical gives a powerful platform for voices that deserve to be celebrated. And in the spirit of inclusivity and community, I am thrilled to introduce PAY WHAT YOU CAN TUESDAYS, made possible by the generous support of a dedicated foundation. This initiative ensures that everyone has the opportunity to experience this new musical, no matter what their financial situation.”
Lauren Ward is an Olivier Award, Tony Award and Drama Desk Award nominated actress and singer. Her West End roles include Virginia Creel in Stranger Things: The First Shadow, Cynthia in Dear Evan Hansen (Olivier nomination), Miss Flemming/Veronica’s Mum in Heathers, Miss Honey in Matilda the Musical (Olivier nomination), Baroness Elsa Schraeder in The Sound of Music and Liz in The Philadelphia Story. Her Broadway credits include Matilda the Musical (Tony nomination), Follies, 1776, The Heiress, Carousel, Violet (Drama Desk nomination, Theatre World Award).
Josie Benson recently played Hattie in Kiss Me Kate at the Barbican. Her West End roles include Tanya in Mamma Mia!, Miss Sherman in Fame The Musical, Madam Giry in The Phantom of the Opera. She was Carmen in Carmen Jones and Camila Rosario in the UK premiere of In the Heights.
Cezarah Bonner was recently seen as Lady Thiang in The King and I (West End, UK tour and international tour). Her other roles include Kim in Miss Saigon (West End & Australian premiere) and Annette in Saturday Night Fever.
Regina Co was in Not A Birthday Goes By: A Sondheim Celebration (Upstairs at the Gatehouse) and Sondheim in Red (Phoenix Arts Club).
Emma Espada is making her professional debut.
Isabella Gervais will be next be seen in The Jingleclaw (Birmingham Hippodrome). Other roles include Fame The Musical (Athens, Greece), God Catcher (Edinburgh Fringe).
Joanna Kirkland was in Dear Evan Hansen and A Chorus of Disapproval (West End), Committee and Parade (Donmar Warehouse), The Witches of Eastwick (UK tour).
Evita Khrime was Mimi in Rent (UK tour).
Rebecca-Jo Roberts is making her professional debut.
Carrie Sutton’s West End credits include Snow White, Dick Whittington, Cinderella, The Wizard of Oz, Sister Act and Chitty Chitty Bang Bang (all at the London Palladium).
Grace Venus was Cinderella in the Everyman Rock ’N’ Roll Panto (Liverpool Everyman); Aurora in Sleeping Beauty (Storyhouse). Her TV credits include John Carpenter’s Suburban Screams.
Director Vikki Stone Musical Director Livi van Warmelo Set & Costume Designer Emily Bestow Lighting Designer Ciarán Cunningham Sound Designer Dan Samson Production Manager Caroline Croft Casting Director Rob Kelly Producer & General Management Thomas Hopkins Productions Marketing Tessa Daniels for Make a Noise Social Media JWoo
Liesl Wilke – Book & Lyrics Liesl is a New Jersey-born and southern-raised author of novels, short stories, screenplays, and stage plays. She holds a sociology degree from Princeton University and a law degree from the University of North Carolina. Since leaving the practice of law, she’s found joy and meaning in the use of story to uplift and connect with other humans, particularly marginalised groups and those with sweet, sensitive souls she recognises as family. Her work includes the award-winning novels Circle of Three (Writer’s Digest) and Unfurling Lily (PNWA). She has also received recognition for her short stories “Ordinary Commerce,” “Of Crab Traps and Fisherwomen,” and “Stalled Symphony,” which won the 2011 Raymond Carver Short Story Contest and inspired a television series and a musical set in a mall bathroom. Her stories have appeared in publications like G.W. Review, Short Story, and Narrative Magazine. Liesl is actively developing several television series and films, including Normal, a semi-autobiographical coming-of-age story about growing up in 1980s Charlotte, the social dynamics of busing, and the challenges of growing up with parents experimenting with open marriage. Her short film Lines won several awards, and she recently produced several film projects including The Rebel Girls (about survivors of a civil rights atrocity) and One For The Team (a pilot about a trans male lacrosse player). Liesl also invests in and produces theatre (Rose, Drag! The Musical, Your Lie In April the Musical, Just in Time) and develops new work (Missing Peace (NAMT), Distant Thunder).
Andy Marsh – Music & Lyrics Los Angeles-based composer and songwriter Andy Marsh, formerly a composer at Hans Zimmer’s Bleeding Fingers Music, has a diverse portfolio. He has independently scored films such as This is Our Home and Gabe and created music for documentaries including Sundance’s Voice Through the Storm and Tribeca’s Conducting a Revolution, which explored the barriers broken by a female conductor in the world of opera. During his tenure at Bleeding Fingers, Andy contributed to high-profile projects like BBC’s Around the World in 80 Days, Netflix’s Island of the Sea Wolves, MasterChef, and Alaskan Bush People. His recent work in theatre includes composing for TH IR DS, written by Ben Edlin and Deborah Aquila, and directed by Jessica Aquila, which premiered in Los Angeles. In addition to his work in film, TV, and theatre, Andy’s commercial projects and song placements have amassed nearly 60 million streams worldwide. Throughout his career, Andy has used his musical talents as a means to explore and communicate diverse themes, from disabilities to gender barriers in the arts, working with a wide array of people and topics. With a proven track record and a dynamic approach to music composition, Andy continues to bring impactful and memorable music to new projects.
Kyle Puccia – Additional Music & Lyrics Kyle began his career in musical theatre as a performer and transitioned into composing songs and writing musicals for the stage. The full-length musical Missing Peace, which he co-wrote with Kalani Queypo, is in development with Goodspeed and previewed at the NAMT festival in 2020. He is a gifted composer both for stage and commercial co-writes garnering over 150 million streams on Spotify. His songs have charted on Billboard’s Top 40 Hot Dance Club and garnered synchs on such TV shows and films as Pretty Little Liars, Love Island, The Titans, and more.
Vikki Stone – Director Vikki Stone is a multi award-winning director, writer, composer, comedian, and musician, who has a rather unique set of skills in writing, classical music, musical theatre, as well as over ten years on the road as a stand-up comedian. She is the co-adapter, writer and music supervisor for the Olivier Award winning Hey Duggee Live, #zoologicalsociety for Royal & Derngate, Cinderella & Aladdin for The Lyric Hammersmith, Alice In Wonderland (music and lyrics) for the Liverpool Everyman Playhouse, Peter Pan (music and lyrics) for Rose Theatre Kingston, Dick Whittington for the New Wolsey Theatre.
Thomas Hopkins Productions – Producer & General Manger Thomas Hopkins Productions was founded in 2019 by award winning theatre, film, TV and radio producer Thomas Hopkins. THP has to-date worked on many live theatrical productions and multiple productions created and filmed specifically for platforms such as Sky, BBC, Amazon Prime, BroadwayHD, Broadway On Demand and educational platform Digital Theatre Plus. Productions include: Sharon Osbourne – “Cut The Crap’’ (Fortune Theatre /Alexandra Theatre/202 European Tour); Song from Far Away (Home/Hampstead Theatre); Rose (Ambassadors Theatre/Hope Mill/ Park Theatre/Sky Arts/BroadwayHD – OnComm award-winning); Passion (Hope Mill); The Night Larry Kramer Kissed Me (New Wimbledon OnComm award- winning); Godspell (BroadwayHD). Thomas is passionate about the creation of new theatrical experiences and productions and is developing a new version of Boy George’s autobiography musical Taboo, a West End production of Harrison David Rivers’ play This Bitter Earth to be directed by Grammy Award, Emmy and two time Tony winning actor, singer, director, composer, and playwright Billy Porter and a new family musical by Olivier award winning composer Vikki Stone based on the Iconic BAFTA winning BBC TV show Maid Marian and Her Merry Men by Sir Tony Robinson
King’s Head Theatre King’s Head Theatre is a purpose-built, wheelchair accessible theatre with a 255-seat flexible auditorium and 50-seat cabaret space off Upper St, Islington which showcases a wide range of performance styles from plays to musicals, to opera & cabaret, to drag & comedy. Established in 1970, King’s Head Theatre was the oldest pub theatre in the UK until it closed its doors in August 2023. For 53 years the theatre was housed in the back room of the King’s Head Pub on Upper Street in an old boxing ring and pool hall, before opening the new space in Islington Square right behind the pub theatre in January 2024. Under Artistic Director & Founder Dan Crawford, whose tenure lasted 35 years until his death in 2005, the theatre became known as a breeding ground for new talent and great work. Renowned actors like Maureen Lipman, Hugh Grant, Jennifer Saunders, Dawn French, Alan Rickman & Richard E Grant all performed at the theatre, and a number of productions transferred to the West End and Broadway, premiering work from writers such as Steven Berkoff, Tom Stoppard, Bryony Lavery and Victoria Wood. In 2010, the Olivier Award-winning company Opera UpClose Productions became the theatre’s resident company for four years, and with Adam Spreadbury-Maher as Artistic Director, turned the King’s Head into “London’s Little Opera House”, winning an Olivier Award for La Boheme in the Best New Opera category. Opera remains a key part of the theatre’s focus, alongside a commitment to emerging, daring and innovative work, such as Trainspotting, the Edinburgh Fringe and touring immersive hit developed by King’s Head Theatre. The theatre regularly showcases LGBTQ+ work which explores the full spectrum of experiences symbolised by the rainbow flag. It is a home for a new wave of theatre makers, with a focus on work which is joyful, irreverent, colourful & queer.
LISTINGS INFO
LISTINGS INFO
Thomas Hopkins Productions for Stalled on Stage Ltd presents the world premiere of
STALLED a new musical
Book writer & Co-Lyricist Liesl Wilke Composer & Lyricist Andy Marsh with additional music and lyrics by Kyle Puccia
Nottingham Theatre Royal – until Saturday 26 October 2024
Reviewed by Louise Ford
5*****
You have bewitched me, body and soul.
There have been many adaptations, on both the large and small screen, over the years of Jane Austin’s works and at least five of Pride and Prejudice on television alone, however there is always room for a new take on the “girl meets boy” story. And this is exactly what this production does. It takes the original story and looks at it from a different angle and adds the sparkle of karaoke to move the plot along.
The adaptation by Isobel McArthur for the Tron Theatre, in Glasgow, arrived in 2017. It was an instant hit moving to the Fringe, the West End and a Nationwide tour. And the rest as they say is history.
The opening scene is of the largely ignored female servants at Longbourn House, who not only keep the household running like clockwork, doing all of the drudgery tasks, but also playing an important role in moving along a plot or romance. They may deliver a letter too quickly or too slowly which all helps or hinders the path of true love. The servants are clad in their chemises and wearing DMs, they mean business. The entire cast is just five women who take on all of the key roles and characters. The changes of characters are achieved in double quick time and can simply be a jacket or a dress or can be more complicated like Lady Catherine de Bourgh. These are all spot on, some are underplayed and others are played for comic effect.
Talking of comic touches the portrayal of Mr Bennet is inspired. This joke never tires and the exchanges between Mrs Bennet and her husband are very funny. The other great comic touch is the introduction and portrayal of Lady Catherine de Bourgh. Her entrance and costume is to … well can you guess? It would be rude not to exploit this connection! Oh and the iconic “wet shirt” scene (from the Colin Firth adaptation) is delivered in a round about sort of way.
The set as with the cast and their costumes is paired back. There is a sweeping staircase which dominates the story. In addition there are a few carefully chosen props including a horse, a chaise lounge and a Chinese vase!
Back to the cast, on Monday night’s production there were five outstanding performers on stage; Susie Barrett, Emma Rose Creaner, Rhianna McGreevy, Naomi Preston Low and Christine Steel. They were all excellent. They were energetic, talented and funny. In turn they took centre stage, sang some classic karaoke favourites and delivered some iconic Austin lines. Some of the songs are accompanied by on stage music, the guitar, recorder and piano. All of the instruments are played by the cast, how talented.
As the closing banner says, if you enjoyed the show tell someone! So do yourselves a favour and treat yourself to a mid week theatre outing of fun, joy and silliness!
OPENING AT THE EVERYMAN THEATRE, CHELTENHAM ON THURSDAY 15 MAY
BEFORE VISITING 15 VENUES ACROSS THE UK
New Adventures is delighted to announce that Matthew Bourne’s award-winning THE MIDNIGHT BELL will be returning in 2025, opening at the Everyman Theatre, Cheltenham on Thursday 15 May. It will then embark on a 17-week countrywide tour including many venues for the first time with this production. Full tour schedule below.
In 1930s London ordinary people emerge from cheap boarding houses nightly to pour out their passions, hopes and dreams in the pubsand fog-boundstreets of Soho and Fitzrovia. Step inside The Midnight Bell, a tavern where one particular lonely-hearts club gather to play out their lovelorn affairs of the heart; bitter comedies of longing, frustration, betrayal and redemption.
Matthew Bourne’s THE MIDNIGHT BELL isinspired by the work of thegreat English novelist Patrick Hamilton(Twenty Thousand Streets Under The Sky, Hangover Square) who created some of the most authentic fiction of his era; stories borne out of years of social interactions with the working man and woman at his favourite location – the London Pub.
THE MIDNIGHT BELL premiered to great acclaim in 2021 and received five nominations at the 2022 National Dance Awards, with Matthew Bourne winning the award for Best Modern Choreography and Michela Meazza for Outstanding Female Modern Performance.
Matthew Bourne said today“The Midnight Bell with its entangled tales of lonely souls, looking for love, was rather appropriately the piece that brought us back to National touring following nearly two years away due to the covid pandemic in 2021. At that time audiences and company were masked and socially distanced but immensely grateful to be back and particularly with a piece that explored the deep-rooted need for human connection. Touring was necessarily limited and audience confidence still slowly returning so I am particularly thrilled to be bringing back this heart-felt piece and to be presenting it in many venues for the first time. This was a truly collaborative work with all of my celebrated creative team delivering their very best work, along with an all-star cast of the cream of New Adventures most beloved stars along with the best of our emerging talent. We look forward to, once again, opening the doors of The Midnight Bell in 2025…please join us… mines a gin and tonic!”
Matthew Bourne once again joins forces with the Olivier and Tony award-winning team of Terry Davies (music), Lez Brotherston (set and costume design), Paule Constable (lighting design) and Paul Groothuis (sound design).
The cast for THE MIDNIGHT BELL will feature fourteen of New Adventures’ finest actor/dancers in roles that challenge and reveal the darker reaches of the human heart. Full casting will be announced shortly.
