DECLAN BENNETT TO HOST THE PHOENIX ARTS CLUB’S VALENTINE’S DAY CABARET
THE CUPID’S CABARET
14 FEBRUARY
The Phoenix Arts Club, the renowned hub for entertainment nestled in the heart of London’s West End, is proud to announce that West End and Broadway star Declan Bennett (Moulin Rouge, EastEnders) will host their upcoming Valentine’s Day cabaret event – The Cupid’s Cabaret.
Bennett, who will host the cabaret performances, played the role of Charlie Cotton in the BBC soap opera EastEnders and has performed on Broadway and in the West End in shows including RENT, American Idiot, Once, Moulin Rouge, Jesus Christ Superstar and Carousel.
The Cupid’s Cabareton 14 February promises gourmet indulgence and dazzling cabaret spectacle with a lavish three-course dinner followed by a special cabaret show that whisks couples int a world of love, laughter, and glamour. Tickets include a glass of prosecco on arrival.
Peter Dunbar, Managing Director of the Phoenix Arts Club said, “At Phoenix Arts Club, we are dedicated to curating exceptional experiences that resonate with our diverse and vibrant community. The encore of our top-selling show exemplifies our commitment to providing unique and engaging entertainment for our valued patrons.”
KWAME KWEI-ARMAH ANNOUNCES HIS FINAL SEASON AND HE WILL STEP DOWN AS ARTISTIC DIRECTOR OF THE YOUNG VIC THEATRE
In the Main House
The European premiere of the Tony Award-winning rock musical Passing Strange brings an electrifying musical odyssey to the Young Vic stage. Directed by Liesl Tommy, with book and lyrics by singer-songwriter Stew, and music by Stew Stewart and Heidi Rodewald, created in collaboration with Annie Dorsen, from 14 May – 6 July.
Kwame Kwei-Armah will direct his final production as Young Vic Artistic Director with the world premiere of A Face in the Crowd, a cautionary tale about the dangers of celebrity, power, and politics based on the classic ‘50s Hollywood film, with music and lyrics by Elvis Costello and book by Sarah Ruhl, from 10 September – 9 November.
The Little Foxes by Lillian Hellman, about greed, ambition and a family on the edge, receives a savage new staging by Olivier Award-winning director Lyndsey Turner, produced in association with Second Half Productions, from 4 December 2024 – 8 February 2025.
Taking Part
Following its radical two-year educational programme INNOVATE, Taking Part hosts the INNOVATE: Legacy & Learning Symposium, a week-long series of free events for teachers, freelance artists, creative engagement departments, and applied theatre practitioners to explore what artists and arts organisations can bring to the curriculum and school life, from 11 – 16 March.
Neighbourhood Theatre Company presents May Fest, a takeover of the Young Vic Theatre with a joyous week of free workshops, events and experiences for the local Lambeth and Southwark community, from 9 – 16 May.
The Sundown Kiki Reloaded documentary by Asa Haynes and Jamel Duane Alatise is released today, celebrating Taking Part’s partnership with New York’s Hetrick-Martin Institute, and featuring the making of Sundown Kiki Reloaded, interviews with the cast and creatives and behind the scenes footage from Taking Part’s Ballroom journey.
Creators Program
Annie Kershaw is the recipient of the 2024 Genesis Future Directors Award, a vital and renowned professional training opportunity funded by the Genesis Foundation that enables early-career artists to direct a production at the Young Vic.
The Creators Program teams up with Black Lives in Music and Musicians’ Union for Introduction to Making for Music Directors, a new development programme and partnership for 2024 dedicated to supporting Black and Global Majority music directors, to demystify the industry, build artist connections and increase representation.
NEW ’24 – Young Vic hosts the 11th season of new commissions by RWCMD
The Young Vic welcomes the Royal Welsh College of Music & Drama for NEW’24, its annual festival of new writing, featuring four new commissions from Rhiannon Boyle, Simon Longman, Isley Lynn and Paula B Stanic, plus NEW VOICES staging new writing from final year students. In the Young Vic Maria Theatre from 5 – 14 June, following an initial run in Cardiff.
Kwame Kwei-Armah invites you to his final season at the Young Vic Theatre as he today announces he will step down from the role of Artistic Director in Autumn 2024.
Kwame Kwei-Armah joined the Young Vic as Artistic Director in February 2018, becoming the first African Caribbean director to lead a major British theatre. During his tenure he has produced 40 productions across the theatre’s spaces, including 30 in the Main House where more than half of all writers and directors were women. Black and Global Majority artists have directed over half and written 48% of all Main House shows. Off stage, the Young Vic has gone from 11% to 44% Black and Global Majority staff across the organisation and 40% in senior management.
Under Kwame’s leadership three critically acclaimed productions have transferred to the West End, along with two Broadway transfers, plus a feature film adaptation is shortly due for release. He launched Best Seat in Your House, an innovative new streaming platform, in 2021, which took Young Vic shows to audiences across 86 countries. The Creators Program, formerly the Directors Program, launched in 2022, celebrating multi and anti-disciplinary artists and re-imagining future practice. Taking Part reached new corners across London and internationally, from New York to Australia, with unique community shows and partnerships, along with its radical innovation in schools, championing the value that artists and creative teaching bring to classrooms.
Young Vic productions have been recognised with numerous awards and nominations every year during Kwame’s tenure and most recently in 2023 alone received an Olivier Award, a Critics Circle Award, two Tony Award nominations and more.
Kwame Kwei-Armah, Artistic Director of the Young Vic said: “It’s been the honour of a lifetime to lead the Young Vic and I have been served magnificently by the team at the Arts Council, the Board and all of my colleagues. I step down knowing that our team and artists are representative of London and that we have continued the theatre’s incredible contribution to this industry and our community.
“The three pillars that have guided my tenure have been innovation, access and community, and I’m proud of all that we have achieved. But it is a bittersweet moment. The painful reality is I am leaving a subsidised sector where 13 years of standstill funding is taking its toll. For decades the theatre industry has fuelled the UK’s world-renowned creative industries, providing vital pathways for artists to flourish, going from subsidised theatre, into the West End, and into TV and film. But without investment we could lose this pipeline of talent within a generation. I’m hopeful that this can and must change but it needs sincere government intervention.
“I want to thank our audiences and supporters who have continued their Young Vic journey with us and many who have joined us for the first time. I invite you to join me as I’m rocking out at the Young Vic with shows that mean the world to me and sum up what a building like this can do. Passing Strange is a brilliant post-modern Black rock musical directed by Liesl Tommy with book and lyrics by Stew, and music by Stew Stewart and Heidi Rodewald;A Face in the Crowd is a political metaphor for our times with music by Elvis Costello and book by Sarah Ruhl; and Lillian Hellman’s The Little Foxes with Lyndsey Turner, sees one of the finest directors in Britain, making a classic play speak to the here and now.”
Glenn Earle, Chair of the Board, said: “It has been one of the great pleasures of my professional life to work closely with the phenomenon that is Kwame Kwei-Armah.
“Kwame is an exceptional artist and inspirational leader. He has brought his energy, creativity, artistic brilliance, generosity of spirit and sense of social responsibility to the role of Artistic Director of the Young Vic over the last six years. Leading and inspiring an incredible team, he has built on the extraordinary achievements of those artistic directors who have come before him to make the Young Vic the groundbreaking, representative and world leading theatre it is today.
“Kwame has led the Young Vic during one of the most challenging periods for the theatre sector in living memory and has done so with great skill, courage and clarity of vision. He has ensured excellence on our stages and positive impact well beyond The Cut. Under Kwame’s leadership, multiple Young Vic productions have transferred to the West End and Broadway, Best Seat in Your House has been streamed to over 85 countries and industry awards have regularly come our way.
“At the same time, Kwame has demonstrated a clear and consistent commitment to community – both to theatre more broadly and to the people of Lambeth and Southwark – and has ensured that we have continued to invest in and expand the reach both of our artist-based Creators Program and our local community-oriented Taking Part.
“On behalf of the Board, I thank Kwame for all he has done for the Young Vic and wish him all the very best for the next steps of his artistic and creative career when he leaves us later this year. In the meantime, I am confident that Kwame’s final season will be absolutely unmissable.
“We will soon start looking for someone who shares our values to lead the Young Vic into our next exciting phase of globally significant theatre-making with a clarity of vision and purpose and unbridled creativity and joy.”
In addition to the upcoming season, Kwame will programme a further production for 2025 and will step down in Autumn 2024. Recruitment for a new Artistic Director will begin from next week.
Tickets for INNOVATE: Legacy & Learning Symposium events go on general sale today. Tickets for Passing Strange, A Face in the Crowd, The Little Foxes and NEW’24 go on priority sale today to members and public booking opens on 19 February.
PASSING STRANGE
Book & Lyrics by Stew
Music by Stew Stewart & Heidi Rodewald Created in collaboration with Annie Dorsen
Directed by Liesl Tommy
Tuesday 14 May – Saturday 6 July 2024
The European premiere of the Tony Award-winning rock musical, Passing Strange opens at the Young Vic Theatre in May 2024, directed by Liesl Tommy (Aretha Franklin biopic Respect, Tony nominated Eclipsed), with book and lyrics by Stew, and music by Stew Stewart and Heidi Rodewald, created in collaboration with Annie Dorsen.
You know, it’s weird when you wake up in the morning and realize that your entire adult life was based on a decision made by a teenager. A stoned teenager.
A young, Black musician sets out on an electrifying musical odyssey to find himself and his place in the world, swapping his middle-class L.A. upbringing for punk rock and protest in 1980s Amsterdam and Berlin.
This European premiere marks the first production since Broadway 2008 where it received seven Tony Award nominations, winning for Best Book of a Musical; seven Drama Desk Award nominations, winning three awards for Outstanding Musical, Outstanding Lyrics and Outstanding Music; and it was named winner of the Drama Critics Circle Award for Best Musical.
“A thrilling score in which rock, punk, funk and gospel conduct a revival meeting that blows the roof off.” (Rolling Stone – Broadway, 2008)
“Its big heart throbs to the sound of electric guitars… Richer in wit, feeling and sheer personality than most of what is classified as musical theater.” (New York Times – Broadway, 2008)
Liesl Tommy is an award-winning international theatre and film director. She received the Tony Award nomination for Best Direction for the Broadway hit Eclipsed starring Lupita Nyong’o,and made her feature film directorial debut with the Aretha Franklin biopic Respect starring Jennifer Hudson. Her television credits include Walking Dead, Insecure and Jessica Jones.
Stew is a critically acclaimed singer-songwriter and Tony/Obie Award winning playwright and performer. He leads two bands: The Negro Problem and Baba Bibi. He is also Professor of the Practice of Musical Theater Writing at Harvard University.
Heidi Rodewald is a Tony Award-nominated, Obie Award-winning co-composer, collaborating and performing with Stew for over two decades, releasing 10 critically acclaimed albums and creating new theatre work. Credits include composer with librettist Donna Di Novelli, The Good Swimmer (BAM Next Wave Festival), A Lifesaving Manual (UCLA’s Center for the Art of Performance).
The creative team also brings together Set and Costume Designer Ben Stones, Sound Designer Tom Gibbons, Musical Supervisor Brandon Michael Nase, Musical Director Art Terry, Choreographer Dickson Mbi, Casting Director Heather Basten CDG, and Voice and Dialect Coach Hazel Holder.
Full casting and further creative team to be announced.
Audio Described Performances: Sat 22 June, 2.30pm & Tue 25 June, 7.30pm
Passing Strange goes on sale to Soul Mates today, and Friends on 13 February
Public booking opens 19 February
A FACE IN THE CROWD
Music and lyrics by Elvis Costello and Book by Sarah Ruhl
Directed by Kwame Kwei-Armah
Based on an original story by Budd Schulberg and the Warner Bros Film
Tuesday 10 September – Saturday 9 November 2024
Young Vic Artistic Director Kwame Kwei-Armah directs the world premiere of Sarah Ruhl’s (Eurydice, The Clean House) adaptation of the Hollywood classic A Face in the Crowd featuring original songs by Grammy Award-winner Elvis Costello.
You gotta keep him here, Miss Jeffries. He’s the goose who laid the golden egg.
When local radio producer Marcia Jeffries interviews drunk drifter ‘Lonesome Rhodes’ in his jail cell, she immediately sees his potential and gives him a slot on her show. But as Lonesome’s fans grow more clamorous and the politicians start taking notice, Marcia realises she has unleashed a force she can no longer control.
A Face in the Crowd is a cautionary tale, highlighting the dangers of elevating celebrities to positions of unchecked power.
Elvis Costello is a writer and part-time musician who made a number of records in the 20th Century, some of which are still remembered today. Costello has been performing in public for over fifty years, writing over 500 songs and collaborating with Paul McCartney, Burt Bacharach and his wife, Diana Krall.
Sarah Ruhl is an award-winning playwright, author, essayist, and professor. She has received the Tony Award nomination for Best Play and is a two-time Pulitzer Prize Finalist. Her many plays include Eurydice, The Clean House, Stage Kiss, In the Next Room, or the vibrator play, Stage Kiss, the Oldest Boy and Letters from Max.
Audio Described Performances: Tues 1 October, 7.30pm & Sat 26 October, 2.30pm
A Face in the Crowd goes on sale to Soul Mates today, and Friends on 13 February
Public booking opens 19 February
THE LITTLE FOXES
By Lillian Hellman
Directed by Lyndsey Turner
4 December 2024 – 8 February 2025
Olivier Award-winner Lyndsey Turner(The Witches, The Crucible) directs a savage new staging of Lillian Hellman’s The Little Foxes, a story of greed, ambition and a family on the edge.
There are people who eat the earth and eat all the people on it.
Then there are people who stand around and watch them eat it.
After a lifetime spent watching her brothers grow rich, Regina Hubbard has had enough of standing around. When a businessman offers the family the prospect of untold wealth and power, a sequence of events unfolds that sets brother against brother, father against son and Regina against the whole pack of them.
Lyndsey Turner is an Associate Director at the National Theatre. Her work includes: The Witches, The Crucible (also West End) and Under Milk Wood (National Theatre), A Number (Old Vic); Far Away, Faith Healer, Fathers and Sons (Donmar Warehouse); Hamlet (Barbican); The Treatment, Chimerica (Almeida); Girls and Boys, Posh (Royal Court).
Lillian Hellman was an American playwright, screenwriter and memoirist born in 1905. Her plays include The Children’s Hour, The Searching Wind, and Another Part of the Forest. She won the New York Drama Critics Circle Award for Best American Play for Watch on the Rhine and Toys in the Attic.
Design is by Lizzie Clachan, Sound Design is by Tingying Dong.
Produced in association with Second Half Productions.
Full casting and further creative team to be announced.
Audio Described Performances: Thu 19 December, 7.30pm & Sat 18 January, 2.30pm
The Little Foxes goes on sale to Soul Mates today, and Friends on 13 February
Public booking opens 19 February
Young Vic Taking Part presents
INNOVATE: Legacy & Learning Symposium
with elements co-designed with the CREATE Centre, Sydney
Monday 11 March – Saturday 16 March 2024
INNOVATE: Legacy & Learning Symposium will unpack the essential findings of Taking Part’s radical Learning programme INNOVATE, through a week-long series of events including workshops, talks, networking opportunities and practice sharing for teachers, freelance artists, creative engagement departments and applied theatre students.
Young Vic Taking Part delivered INNOVATE for two academic years from 2021 – 2023 which saw teachers and artists collaborate to use the arts to teach across the curriculum. The programme took place in two local schools in Lambeth and Southwark, and Royal Holloway, University of London, recently released the research findings.
The symposium will now use the project’s essential findings and learnings to explore what artists and arts organisations can bring to the curriculum and all aspects of school life.
There will be 20 free events across the week led by creatives, artists, and academics, including:Keynote Address with INNOVATE Research Lead Professor Helen Nicholson and Co-director of CREATE Centre, Sydney, Professor Michael Anderson, which will delve into creativity in schools, and theatres as civic places for learning; Building Community, looking at collaborative practice from the rehearsal room to the classroom, with director Stef O’Driscoll; Imagination in the Classroomusing playwriting and screenwriting in the classroom, with writer Emma Dennis-Edwards;Playing in Class on the benefits of playful pedagogies, with director Kelechi Okafor; Performing in Classusing acting and performance to interrogate classroom dynamics, led by actor Ronkẹ Adékọluẹ́jọ; The Power of Sound unpacking the perceptions of noisy classrooms with composer Nicola T. Chang; Multidisciplinary Practicein the classroom, with theatre-maker Philip J Morris; networking sessions and more.
INNOVATE: Legacy & Learning Symposium is supported by the British Council’s Connections Through Culture Programme.
Tickets for INNOVATE: Learning & Legacy Symposium events go on general sale today.
A Taking Part Project from Young Vic Theatre
MAY FEST
Presented by Neighbourhood Theatre Company
Thursday 9 May – Thursday 16 May 2024
May Festreturns in 2024! Created by the Young Vic’s Neighbourhood Theatre Company, May Fest will take over the theatre with a week of workshops, events and experiences programmed for the local community. As the year turns to spring, May Fest will celebrate the start of the new season with joy, laughter and creativity. The full programme of events will be announced in due course.
Founded in 2016, Neighbourhood Theatre Company works with locals from its home boroughs Lambeth and Southwark with opportunities to engage in theatre and take part in creative programmes.
Sundown Kiki Reloaded Documentary
Taking Part today releases the Sundown Kiki Reloaded Documentary, a new film by Asa Haynes and Jamel Duane Alatise.
In 2021 Sundown Kiki was born: an explosive new show by young queer Black and Global Majority artists that brought the worlds of theatre and ballroom together. The conversations Sundown Kiki sparked led to Communities of Resistance, a creative project where the same young people travelled to the home of ballroom, New York, in a partnership with the Hetrick-Martin Institute (HMI). An international creative partnership was ignited and in 2023 the Young Vic staged Sundown Kiki Reloaded, a remount with a US twist, which featured Kiki Scene youth from the Hetrick-Martin Institute.
The documentary celebrates Taking Part’s partnership with New York’s Hetrick Martin Institute, featuring the making of Sundown Kiki Reloaded, interviews with cast and creatives, and behind the scenes footage from our ballroom journey.
Annie Kershaw is today announced as the 2024 Genesis Future Directors Award recipient.
The Genesis Future Directors Award program is made possible by the Genesis Foundation and provides early-career directors with the opportunity to explore and develop their craft by creating their first fully resourced production at the Young Vic, with mentoring and support from the theatre’s core artistic team. Further show details will be announced in due course.
Annie Kershaw is currently the Carne Deputy Director at Jermyn Street Theatre. She was Associate Director on Best of Enemies in the West End after being the Jerwood Assistant Director of the Young Vic and Headlong co-production, as part of the Young Vic’s Jerwood Assistant Director Programme, supported by Jerwood Arts. Her credits as Director include Hedda Gabler, Safe (Reading Rep); Light (Five Shorts at the Young Vic); It’s A Flawed World After All (Flawstate); THIS IS NOT A PROTEST (Reading Thames Festival); Ulysses (Jermyn Street Theatre). Other assistant director credits include Jekyll & Hyde, Dorian (Reading Rep); Henry II, Romeo and Juliet (Rabble Theatre).
Black Lives in Music and the Musicians’ Union partnership
The Creators Program teams up with Black Lives in Music andthe Musicians’ Union in a new partnership dedicated to supporting Black and Global Majority music directors in Introduction to Making for Music Directors.
The project is created in response to the lack of diversity and opportunities for Black and Global Majority music directors and aims to demystify the role of the MD for musicians who have an interest in developing the skills and knowledge needed to move into the role. A cohort of early-career artists will now receive training and mentoring through masterclasses delivered by leading industry professionals running through to March this year.
The sessions started in January 2024 and include: An overview of the music of musical theatre and The Black and Global Majority influence on the music of musical theatre, both led by Wendy Gadian; The Music Director and Director relationship, led by Susie McKenna and Mark Dickman; and The Music Director and Choreographer relationship, led by Lizzi Gee and Phil Bateman.
ROYAL WELSH COLLEGE OF MUSIC & DRAMA
NEW’24
Wednesday 5 – Saturday 8 June & Tuesday 11 – Friday 14 June
Presented by Richard Burton Company
NEW’24, Royal Welsh College of Music & Drama‘s acclaimed festival works closely with leading writers and directors on new plays commissioned by the College in association with companies including Paines Plough and Sherman Theatre. The productions will premiere at the College’s home in Cardiff before moving to the Young Vic in June. NEW also features RWCMD final year students presenting their own work in NEW VOICES.
Couple Goals by Rhiannon Boyle, In collaboration with SHERMAN THEATRE
A thought-provoking, sinister satire where three seemingly ordinary Gen Z couples are thrust into the surreal world of the reality TV show – Couple Goals.
Falling Falling Falling Falling by Simon Longman
This is a play about communication. And loneliness. And the world. The utter, horrible chaos of the world. And your place within that. Your place in all of that.
The Glue by Isley Lynn
When a fun-loving gang of friends reunite at a countryside Airbnb, they’re raring to live it up like they used to. But this close-knit clique is about to realise that the bonds between them are not unbreakable…
Dissonance by Paula B Stanic, in collaboration with PAINES PLOUGH
A rave, a protest to ‘kill the criminal justice bill’ and a night that will have consequences for decades to come. Moving between 1994 and 2023, Dissonance is a play exploring the importance of protest.
NEW VOICES
Knock Knock by Liam Whiting
2008 wasn’t a great time to be an estate agent was it?
Over Your Dead Body by Joe Flynn
A female criminal psychologist makes a formidable connection with an infamous male prisoner in this psychological tale of temptation and redemption.
Trouble in Paradise by Stella Elliott-Fortnum
Hairdresser Jen applies for a popular reality TV dating show to expand her social media platform and flies to Mallorca for a summer of love. She’s got nothing to lose and everything to gain…right?
STORYHOUSE, CHESTER – UNTIL SATURDAY 10TH FEBRUARY 2024
REVIEWED BY MIA BOWEN
4****
The multi award winning comedy Noises Off, written by Michael Frayn, is currently touring across the UK to commemorate its 40th anniversary. This production, directed by Lindsay Posner, enjoyed a sold-out season in the West End beginning of last year. The cast includes Liza Goddard as Dotty Otley, Paul Bradley as Selsdon Mowbray, and Simon Shepherd as Lloyd Dallas.
Called “the funniest farce ever written” Noises Off presents an entertaining double feature – a play within a play. The theme of chaos is quite prevalent in farce. The characters are constantly in a state of frenzied activity as they attempt to avert one crisis after another. Often, their well-intentioned actions inadvertently lead to even more crises, which they then must find a way to resolve. The story is scrupulously arranged and brilliantly humorous from start to finish.
In the first act, we witness a disastrous dress rehearsal leading up to the opening night of a touring theatre company. Throughout this act, we are introduced to a variety of characters who constantly make blunders, resulting in a humorously entertaining performance. My favourite part of the play is the second act, which is set backstage and particularly marvellous. The focus is on the cast members offstage rather than on. Although the dialogue is minimal, the physical comedy and well-timed entrances and exits add a delightful element to the performance. It is truly enjoyable to watch. During the final act, prepare yourself for uncontrollable laughter as we witness the company’s last performance of their tour.
The success of a production like this depends on the synergy of the entire cast. The actors flawlessly executed the comedic timing, resulting in a truly wonderful performance. The fantastic production team’s exceptional work deserves recognition. Despite the chaotic nature of the show, their efforts create an organised chaos that enables it to run smoothly.
Noises Off is a fantastic series of brilliantly choreographed slapstick moments. I couldn’t help but notice the smiles and laughter on the faces of the audience as they left the theatre, clearly delighted by the immense joy they had experienced.
It was announced today (7 February 2024) that Todrick Hall will play Sean and It’s a Sin star Michael Mather will play Jackson in Burlesque the Musical, the first ever stage adaptation of Steven Antin’s crowd-pleasing movie Burlesque, which starred Christina Aguilera.
Todrick and Michael join the already announced Jess Folley as Ali Rose, Olivier Award-winning George Maguire as Vince, Billie-Kay as Sophia, B Terry as Georgie, West End favourite and TikTok and social media sensation Jess Qualter as Daphne, Yasmin Harrison as Brenda/Dance Captain, Lily Wang as Fifi, Hollie-Ann Lowe as Summer and Alessia McDermott in the Ensemble.
Other cast members announced today are: Ope Sowande as Trey, Lewis Easter in the Ensemble, with Callum Aylott, Lucy Campbell and Amber Pierson as Swings.
Steven Antin said: ‘Todrick Hall’s kinda genius is singular. The kind you rarely see. His work is prolific and masterfully entertaining. The songs he wrote for the show are in a word…iconic. The role of Sean is an anchor/entertainer who has poetry and is wickedly funny. So it was abundantly clear we had to get Todrick to play Sean. And sometimes I dunno if I wanna kiss him or slap him. ❤️ But I DO know I’m a very lucky guy to have him in our show. Very. ‘
Todrick Hall, who has also written brand new songs for this new production of Burlesque the Musical added:“The movie of Burlesque was so iconic to so many of us — to now be working with both Steven Antin and Christina Aguilera who are reuniting for this new musical is a dream come true.
I am beyond excited to be returning to my first love, musical theatre, in such a special way. My first original role and my theatrical composing debut. To be able to bring music that I wrote to life, to share the stage and the writing credit with the star that is Jess Folley is a dream come true! I’m blessed, honoured, flattered and ready to dust off the old heels and let the kids have it 8 shows a week!”
With over 9 million followers across several social media platforms, Todrick is one of the most high profile and prolific storytellers in the world.
He has collaborated with superstars in every industry including: Beyoncé, Taylor Swift, Ariana Grande, RuPaul, Chaka Khan, Brandy, Billy Porter, Gwen Stefani, Kristin Chenoweth, Jenifer Lewis, Nicole Scherzinger, Tyra Banks, Bob the Drag Queen, Monét X Change, Tiffany Haddish, Tiffany Pollard, Amber Riley, and Pentatonix.
Since his television show Todrick aired on MTV, he has been featured on a dozen more. He was in the original Broadway cast of two productions and starred in principal roles in three others.
Todrick has written, co-produced, and released seventeen studio albums. He directed, choreographed and headlined in eight world tours; and appeared in and co-executive produced Taylor Swift’s LGBTQ+ anthem You Need to Calm Down, for which he also won a Video Music Award.
He was last seen in the West End as Billy Flynn in Chicago the musical at the Phoenix Theatre in 2018.
Burlesque the Musical previews at Manchester Opera House on Thursday 13 June with sold-out performances until Saturday 29 June 2024. Due to the phenomenal success of the show, producers last week confirmed a run at Glasgow Theatre Royal from Wednesday 11 September to Saturday 28 September 2024 followed by a return season in Manchester from Thursday 3 October – Saturday 2 November 2024 prior to its West End run.
Welcome to Burlesque the Musical, the glamorous, gritty and outrageously fun new musical based on the much-loved hit movie.
Discover a club like no other…a place beneath the city lights where the sequins sparkle, seduction shimmers, and a life can change in the flick of a feather boa.
When Ali heads to New York in search of her mother, she finds herself drawn into a dazzling underground world where the beat of the music and the heat of the dance moves will change her life forever. Among this unlikely family of misfits, dreamers and schemers, Ali will unwittingly find her real voice, discover her talent, and find where she really, truly belongs.
Written by Steven Antin, directed and choreographed by Nick Winston, with additional material by Kate Wetherhead, BURLESQUE THE MUSICAL is a scintillating journey of self-discovery that absolutely sizzles with songs by Christina Aguilera, Sia and Diane Warren, alongside additional songs by Todrick Hall and Jess Folley.
Burlesque is the big new musical that says life isn’t fair…it’s fabulous!
The full creative team for Burlesque the Musical is: Steven Antin (Book Writer/Producer), Music and Lyrics by Christina Aguilera, Sia, Diane Warren, Todrick Hall & Jess Folley, Nick Winston (Director and Choreographer), additional material – Book by Kate Wetherhead, Soutra Gilmour (Set Designer), Ryan Dawson Laight (Costume Designer), Tom Curran (Musical Arrangements and Orchestrations), Phil Bateman (Musical Supervisor), Jack Knowles (Lighting Designer), Ben Harrison (Sound Designer), Harry Blumenau (Casting Director), Carole Hancock (Hair & Wigs Designer), Guy Common (Make-up Designer), Chris Poon (Musical Director), Robin Antin (Creative Co-Producer/Associate Choreographer), Ryan-Lee Seager (Associate Director/Choreographer), Libby Watts (Associate Choreographer), Sarah-Jane Price (Casting Associate), Laura Rushton (Costume Supervisor), Tommy Franzen (Assistant Choreographer), Sarah Day (Dramaturg), David Gallagher (Orchestra Fixer), Lloyd Thomas (Production Manager).
Burlesque The Musical is produced by Adam Paulden & Jason Haigh-Ellery and Sue Gilad & Larry Rogowsky, Steven Antin and Christina Aguilera.
Burlesque The Musical is general managed by ADAMA Entertainment:
Sir Matthew Bourne and dance-theatre company New Adventures have become renowned for unique productions that draw their inspiration from popular culture, films or put a completely new spin on old classics (such as his updated Swan Lake that used all-male dancers as the Swans). Fresh from an extended Christmas run at London’s Sadler’s Wells, the company’s latest production of Edward Scissorhands arrives at Birmingham Hippodrome this week to begin its UK tour.
Based on Director Tim Burton’s classic 1990 film about a boy created by an eccentric Inventor who dies suddenly, leaving the boy with only scissors for hands. Years later, he meets a kind lady who takes him to live in her picture-perfect suburban neighbourhood, Hope Springs, where the residents are both fascinated and concerned by the new arrival.
Liam Mower wonderfully captures the naivety and innocence of Edward, complete with the stunted walk and ever confused and pained facial expression that fans of the original movie will remember so well. His first anxious meeting with the kind hearted Peg Boggs (Sophia Hurdley) has her tenderly apply cream to his scarred face. Edward meets the many varied residents of Hope Springs, the man-eater, the jocks, cheerleaders and the exceptionally religious Evercreech Family, who completely distrust Edward. He also meets Peg’s husband Bill (Dominic North) and her beautiful daughter Kim (Ashley Shaw), who he immediately falls in love with. She has an obnoxious boyfriend called Jim (Ben Brown) who is openly jealous of the burgeoning attraction between Edward and Kim. Edward and his scissors soon become a hit, first using them to shape topiaries, then grooming the neighbourhood dogs, before becoming a hairstylist for the ladies in Hope Springs. Jealously from certain townsfolk soon brings resentment and Edward is soon made an outcast once more.
The story is told entirely through music and dance, with no dialogue (except the occasional gasp of shock or delight!). The hauntingly beautiful music is from both the film’s original composer, Danny Elfman and New Adventure’s composer, Terry Davies. The clever set design and costumes by Lez Brotherston are exquisite and totally bring Hope Springs to life on the stage with its vibrant colours and quaint houses as a backdrop to the story.
There are a few brilliant slapstick moments that work really well. The men of the town getting ready to go for a run in the morning, one of them in very short shorts made the audience chuckle! The seduction dance with amorous neighbour Joyce (Nicole Kabera) involving a huge beanbag that falls from the rafters is both sexy and funny, especially the finale of the dance involving a washing machine on high spin!
Edward and Kim’s love story starts off shaky with her feeling uncertain about him. The famous ice sculpting scene from the film is replicated, it made clever use of an animated snowfall backdrop and was so beautiful. Edward and Kim go on to share two mesmerising dances. The first dance brings the first half of the show to a tearful climax, a dream sequence where Edward has hands and they dance among the topiaries. The second dance, as they say their final goodbyes, Edward is able to lift Kim safely above his head, in spite of his scissors. Both received rapturous applause.
The standing ovation and thundering applause that Liam Mower received at the curtain-call speaks for itself. For a few hours, the audience were transported to another world, one full of heartbreak, joy and wonder.
Ramps on the Moon and Sheffield Theatres have received £280,000 in funding from Esmée Fairbairn Foundation to continue Ramps on the Moon’s work supporting anti-ableist practice in the performing arts sector. Ramps on the Moon will also take residency at Sheffield Theatres, advancing the organisation’s work, having been part of the first sector leading cohort.
Ramps on the Moon’s vision is a mainstream cultural sector that embeds the Social Model of Disability across systems, policy and practice, increasing and elevating the presence of disabled people in performing arts. For the last seven years Ramps on the Moon, funded by Arts Council England, worked with a consortium of seven major theatres to embed change and transform the understanding of what access can be. An inaugural consortium member, Sheffield Theatres are now hosts of Ramps on the Moon as they enter the next phase of activity.
This funding will enable Ramps on the Moon, with Sheffield Theatres, to support organisations to grow careers and leadership opportunities for disabled people in the performing arts, ensuring they can work, innovate, develop ambition and flourish as professionals in the mainstream.
A core strand of the upcoming work is the Change Partner programme. In each of the two years, partnering with People Make it Work, Ramps on the Moon will work with a new cohort of arts organisations over 12 months to facilitate and support change at the heart of how they are operating, embedding disability equality.
Michèle Taylor, MBE, Director for Change, Ramps on the Moon said:
“I am excited about what Ramps on the Moon founding partners have achieved since 2015, and excited to work closely with new partner organisations to further transform them and the performing arts sector to celebrate and promote disabled people in the cultural landscape. We’re very grateful to Esmée Fairbairn Foundation for recognising the impact and importance of our work.”
Tom Bird, Chief Executive of Sheffield Theatres said:
“We are delighted to be furthering our partnership, and for Ramps on the Moon to make Sheffield their home. Ramps on the Moon has had a massive impact on the theatre industry over the last seven years, and being part of the cohort has been transformational for Sheffield Theatres. We’re excited about the impact this funding will have to support organisations across the performing arts in making change.”
Many organisations are already signed up to start working on the Change Partner programme, including One Dance UK, City of London Sinfonia, Norwich Theatre Royal and New Perspective Theatre Company.
Chinyere Ogbue, Head of Workforce Development at One Dance UK said:
“As a Disability Confident Committed employer, One Dance UK are delighted to work with Ramps on the Moon through the Change Partner programme; this will be fundamental and instrumental in ensuring that our practices are as accessible and inclusive as possible. It’s a pleasure to have Ramps on the Moon with us on our disability equality journey.”
The Change Partner programme begins in April for organisations of all scales and genres. Any organisations wishing to find out more about how to get involved can find more information at rampsonthemoon.co.uk/workwithus.
WILTON’S MUSIC HALL ANNOUNCES SUMMER SEASON FOR 2024
Wilton’s Music Hall is continuing to bring a vibrant programme of theatre and music to its iconic venue for a wonderful 2024 summer season in which there is a show for everyone to enjoy.
World-class opera will be making a very welcome return with Charles Court Opera presenting a highly anticipated new production of one of G & S’s first ever operas The Sorcerer[11-15 June]. It promises to be a magical occasion with Gilbert at his topsy-turvy best. This production is directed by CCO’s Artistic Director John Savournin, and musically directed by David Eaton.
There will be more opera from the world’s first Pidgin English opera Song Queen: A Pidgin Opera[14-15 May]. This ground-breaking show is composed and written by the brilliant Helen Epega (The Venus Bushfires) who has crafted an unforgettable experience transporting audiences to a world where music’s transformative power inspires, heals, and unites – a timely message for the world today. And not to be missed Opera della Luna will celebrate its 30th Anniversary by restaging its first considerable success, the funniest production of The Pirates of Penzance ever seen The Parson’s Pirates [27-31 August].
The nation’s favourite sitcom returns with Jack Lane and Something for the Weekend presenting the highly acclaimed stage production Dad’s Army Radio Show [17–22 June]. With two actors, two microphones, over twenty-five characters – and lots of sound effects they will enact three new episodes of this hilarious show.
There is more theatre from Long Lane Theatre Company who will present The Giant Killers [27-29 June], an inspiring true story of class, sport, and the survival of the underdog. The play tells the fascinating true story of the Darwen vs The Old Etonians F.A. Cup tie. A story of a town that finds its voice and a team that change the beautiful game forever. And for Shakespeare fans The Duke’s Theatre Company will present a new edition of As You Like It [01-02 August] directed by Kevin Bennett (Shakespeare’s Globe, Stratford Festival, Ontario).
Following multiple sell-out runs at Edinburgh Fringe Festival there is some extraordinary magic from Britain’s Got Talent finalist, West End star and multi-award-winning sell-out magician Ben Hart who returns to Wilton’s with another spellbinding show; Ben Hart: Live [15-16 July] and CSI: Crime Scene Improvisation [12 July] present their rip-roaring crime comedy made up entirely on the spot.
Music plays a big part in Wilton’s Music Hall this season and sees the return of its favourite piano-playing host Tom Carradine as he and his friends celebrate the British Music Hall Society’s 4th Annual Music Hall and Variety Day [16 May] in a proper East End jubilant sing-a-long which will include songs made famous by the likes of George Formby, Ella Shields and Gracie Fields. There will be more nostalgia when Tom leads the Players Theatre Magnificent Music Hall [21 May] on a trip down memory lane to The Good Old Days and he is back again for another good old-fashioned knees up with Carradine’s Cockney Sing-A-Long accompanied by his amazing 5-piece band, The China Plates [30-31 July].
Singer and comedian Liza Pullman has teamed up with the quick-witted musical virtuoso Joe Stilgoe for a brand-new show; A Couple of Swells[04-05 July] featuring some of their all-time favourite songs. While OneTrackMinds [31 May & 2-3 July] returns with another vibrant selection of writers, thinkers, and musicians, including Elf Lyons, Joanna Neary and Onjali Rauf, each presenting a thought-provoking story about a song that has changed their life, and the five-piece shanty-folk band The Salts return with a rousing night of Songs from the Sea [11 July].
More music-filled nights are provided by Martin, Bisi and Friends [23 May] the hilarious cabaret concert is back for more celebrations of the life and activism of Bisi Alimi, ‘angelic troublemaker’, with pop, jazz, showtunes and performances from the London Gay Men’s Chorus, with proceeds going to a foundation supporting LGBTQ people in Nigeria and the finest female jazz musicians Tricity Vogue’s All Girl Swing Band [29-30 May] will celebrate their tenth Birthday at their favourite venue with a joyous romp through their eclectic setlist with pop classics and twenties tunes.
Ida Barr, the people’s pensioner, and the Queen Mother of our hearts, brings bingo hilarity in Eyes Down! Bingo with Ida Barr [28 May & 23 July] and Ashes To Ashes [17-18 July] a new show from Cabaret vs Cancer’s annual Bowie tribute show fundraiser were the very best of UK cabaret will come together in song, dance, circus, and burlesque to celebrate the ‘greatest entertainer of the 20th century’ the late and the great David Bowie.
For one night only dance fans will be thrilled by Rendez-Vous dance show The Monocle [17 May] a highly virtuosic contemporary dance performance from choreographer Mathieu Geffré featuring the voluptuous jazz chanteuse Imogen Banks presenting the untold story of Le Monocle, a secretly notorious lesbian cabaret in 1930s Paris, and there will be an exhilarating performance of Allen Ginsberg’s landmark poem Howl [19 July], accompanied by a live, improvised jazz score. And Mulberry Schools Trust will take over Wilton’s for one night only to present Shoulder To Shoulder An Evening With Mulberry Arts [10 July] in support of The Mulberry Schools Foundation showcasing music, theatre and more.
This season Wilton’s will once again be transported to a bygone era with a series of silent movie nights along with original, era-specific, live scores provided by TheLucky Dog Picturehouse. Experience a trip to the cinema 1920s-style, with a live music score and a behind-the-scenes look at some of the bizarre and bonkers musical instruments that bring film alive in Action! The (Not So Silent) Silent Movie Show [18 May]. This is a treat for any age, expect honky horns and hilarity with cartoons and comedies from over 100 years ago. Be transported back to the 1924 hit film Harold Lloyd’s ‘Girl Shy’ 100 Year Anniversary [18 May] or see the world premiere screening of Pandora’s Box (1929) [24 June], a film which launched the icon of the flapper age Louise Brooks to international stardom and ranks among The Guardian’s top 100 films of all time. The masterpiece The Hunchback Of Notre Dame (1923) [25 June] composed and performed by Ben Comeau will also be a world premiere.
The greatest British silent-screen director Anthony Asquith will be celebrated this summer with The Silent Films Of Anthony Asquith [26 June, 24 July & 26 July], melodramas Shooting Stars (1928) [26 June] and ACottage On Dartmoor (1929) [24 July], and the romantic comedy set on the London Underground; Underground (1928) [26 July] and since 2024 marks a century since Buster Keaton’s best-loved comedy first graced the big screen – The Lucky Dog Picturehouse is celebrating with Buster Keaton’s Sherlock Jr. 100 Year Anniversary [25 July]. This season of silent films will conclude with the British masterpiece Piccadilly [29 July] starring Hollywood and fashion icon Anna May Wong playing a woman working in the nightclubs of London with an incredible live score performed by pianist Christopher Eldred.
Mountview Academy of Theatre Arts expands its world-class offering with a full-time Musical Theatre CertHE across two terms, offered in London, Manchester, Birmingham and Exeter from September
Musical Theatre students performing at Mountview
Mountview Academy of Theatre Arts is launching a new two-term Certificate of Higher Education (CertHE) in Musical Theatre across four locations which will welcome its first class of students in September 2024. This is the first time Mountview has offered a CertHE, building on its outstanding reputation and student offering. The CertHE replaces Mountview’s Foundation Musical Theatre course, which previously ran in London and Manchester, and will provide students with an artistically safe and supportive environment where they can develop their creative instincts and prepare for careers in the performing arts.
As well as being available in London (Mountview) and Manchester (Z-arts), students will have the opportunity to study the Musical Theatre CertHE in Exeter (Exeter Phoenix) and Birmingham (Midlands Arts Centre). The course will include 30 hours of training per week, and successful applicants will be able to apply for loans and other funding pending validation of the course by the University of East Anglia. The application deadline is 3 June 2024.
Sally Ann Gritton, Principal of Mountview, said: “We are proud to extend Mountview’s training opportunities to Birmingham and Exeter, building on our current offering in London and Manchester. By expanding our training beyond our home in Peckham, we are excited to be able to bring world-class training to new students across the country andopen up access to the dramatic arts.”
Students will study full-time for two terms developing their personal strengths and growing as creative artists. Students will gain an understanding of potential vocational routes through career tutorials alongside audition preparation and individual coaching. They will hone their acting, singing and dancing skills, culminating in a shared performance at the end of each term.
The course will serve either as preparation for an undergraduate degree at Mountview or elsewhere, or as a standalone programme prior to beginning a career in the performing arts. With its launch, Mountview broadens the scope of its training and thus the future of the creative industries.
THE GLOBAL PHENOMENON RETURNS THE NATIONAL THEATRE’S MULTI-AWARD-WINNING PRODUCTION OF WAR HORSE TO EMBARK ON A MAJOR UK TOUR BEGINNING SEPTEMBER 2024
The National Theatre’s global smash-hit production ofWar Horse, the unforgettable theatrical event based on Michael Morpurgo’s beloved novel, will embark on a major 18-month UK Tour from 5 September 2024, touring through to 2026.
Opening at the New Wimbledon Theatre (5 – 14 September), War Horse will then tour to The Lowry, Salford (18 – 28 September) Mayflower Theatre, Southampton (8 – 19 October), The Marlowe, Canterbury (22 October – 2 November), Sunderland Empire (5 – 16 November), Theatre RoyalPlymouth (26 November – 7 December), New Theatre Oxford (10 December 2024 – 4 January 2025), with future dates and venues to be announced. For more information and to sign-up for priority booking visit WarHorseOnStage.com.
War Horse, adapted by Nick Stafford and originally directed by Marianne Elliott and Tom Morris, has become the most successful play in the history of the National Theatre, winning more than 25 major awards and has been seen by over 8.3 million people worldwide. This all-new tour is co-produced with Michael Harrison, Fiery Angel, and Playing Field.
War Horse tells the remarkable story of a young boy called Albert and his horse Joey, set against the backdrop of the First World War. This powerfully moving and imaginative drama is a show of phenomenal inventiveness, filled with stirring music and songs, featuring ground-breaking puppetry work by South Africa’s Handspring Puppet Company, which brings breathing, galloping, charging, horses to thrilling life on stage and has inspired a generation of theatre-makers since its premiere in 2007.
Director, Tom Morris said, “It is a huge privilege to be invited to revisit War Horse and to share this powerful story once more with audiences around the country. Michael Morpurgo’s brilliant idea, to explore the crushing violence of war through the experience of a horse, makes his story as powerful and resonant today as it has ever been. And in this time of increasing commercialism in theatre, it’s worth remembering that the production which carried War Horse to an international audience was a wild experiment, developed through workshops at the National Theatre Studio, the unique theatre laboratory where ground-breaking hits from Coram Boy and London Road to The Witches were devised. It has been an enormous thrill to return there in recent months to reunite Adrian Kohler’s magnificent puppets with designer Rae Smith, composer Adrian Sutton and other members of the original cast and creative team to start the process of bringing Joey back to the stage.”
Author, Michael Morpurgo said: “I am so delighted the National Theatre’s iconic production of War Horse is back! When Covid closed the show down in 2020 in Australia in the midst of its second World Tour, many thought, and I was amongst them, that we’d never see War Horse on stage again. Now it’s really happening – we will hear the music and songs, be amazed by its design and lighting, live Joey’s story again. War Horse is about the tragedy of war and about a horse and his boy, but it’s also so many other things – it’s about family and community, courage and loss, hope, and most importantly reconciliation.”
At the outbreak of World War One, Joey, young Albert’s beloved horse, is sold to the Cavalry and shipped to France. He’s soon caught up in enemy fire, and fate takes him on an extraordinary journey, serving on both sides before finding himself alone in no man’s land. Albert, who remained on his parents’ Devon farm, cannot forget Joey. Though still not old enough to enlist he embarks on a treacherous mission to find him and bring him home.
This tour of War Horse marks 110 years since the start of the First World War and follows the 40th anniversary of the publication of Michael Morpurgo’s global best-selling novel, which has now sold over 35 million copies world-wide and in 37 different languages.
Executive Director of the National Theatre, Kate Varah said: “We are delighted that we are able to launch this major new UK tour of War Horse. This moving and spectacular production has captured the imagination of millions of audience members across the world since it was first performed on the Olivier stage in 2007 and we are deeply appreciative and excited, to be working with our co-producers to make this possible in the current landscape. We look forward to connecting with our partner venues with this much-loved story, that appeals to all ages and which beautifully showcases the magic of live performance.”
Creative development for the tour is being led by Tom Morris with revival director Katie Henry, featuring reimagined designs by Rae Smith and additional music by Adrian Sutton. Puppet design and fabrication is by Basil Jones and Adrian Kohler for Handspring Puppet Company, lighting design is by Rob Casey, movement and horse choreography is by Toby Sedgwick with puppet direction by Matthew Forbes. Animation and projection design is by Nicol Scott for 59 Productions, John Tams is songmaker and sound design is by Christopher Shutt. Casting is by Jill Green CDG andassociate designer is Will Fricker. Casting is to be announced.
War Horse received its world premiere on 9 October 2007 at the National Theatre, where it played for two seasons before opening at the New London Theatre in March 2009. Since then, War Horse has been seen in 97 cities in 14 countries, including productions on Broadway, in Toronto and Berlin, with touring productions in the UK and Ireland, North America, the Netherlands and Belgium.
For more information visit WarHorseOnStage.com. War Horse will visit Theatre Nation Partner venues, including The Lowry in Salford and Sunderland Empire. Assisted performances are available throughout the run at each venue.
Coach & Horses, 29 Greek Street, W1D 5DH (Soho) – until February 26 2024
Reviewed by Mandi Riggi
3***
Keith Waterhouse’s 1989 comedy, “Jeffrey Bernard Is Unwell,” has been revived once again at the Coach and Horses pub, an infamous drinking hole frequented by Jeffrey Bernard, an inebriated journalist and a Soho fixture played by Robert Bathurst. The Coach and Horses, a real-life pub in London’s Soho, was Bernard’s regular haunt, and it became a symbol of his lifestyle.
The premise of the play is that Jeffrey Bernard fell asleep in the bathroom and woke up to find himself locked inside. The first thing he does is reach for a bottle of vodka, as he waits for the pub owner, Norman, to let him back out. The play revolves around and celebrates the much-loved old Soho character, Jeffrey Bernard, a well-known British journalist and writer notorious for his excessive drinking and gambling habits, and some may argue, a misogynist.
Robert Bathurst has a clear handle on this role, playing a larger-than-life personality who dominates the stage as he regales the audience with tales of his misadventures. Delivering a little over an hour-long monologue, Bathurst navigates the crowded pub, engaging with the audience perched on bar stools. There are many entertaining oneliners; however, the combination of topicality and datedness doesn’t appeal to everyone, especially younger audiences who might struggle to understand the historical context and references.
Bathurst’s performance is energetic and entertaining, capturing Bernard’s wit and charm. However, some may argue that there wasn’t enough emotion and heart in portraying such a dark and lonely character who leads a self-destructive lifestyle. To be fair, Waterhouse includes witty criticisms of Bernard’s behaviour from his wives and lovers, offering a more nuanced portrayal of the character.
But Bathurst’s polished delivery made me wonder if it might be a bit disconnected from Bernard’s actual lifestyle. The omission of Bernard’s slurred and growly speech and drunken behaviour might contribute to a sense of disconnect between the character and Bathurst’s portrayal.
Despite these concerns, “Jeffrey Bernard Is Unwell” does offer entertaining anecdotes, particularly with punchlines that elicit laughter from the audience. The play provides a glimpse into a bygone era and offers a reflection on the consequences of a life consumed by vices. One memorable moment is the hilarious story about racing cats, which resulted in roaring laughter from the audience.
Overall, while “Jeffrey Bernard Is Unwell” offers an entertaining experience and attempts to raise important questions about addiction and the consequences of a life consumed by vices, it falls short in fully exploring the complexities of this celebrated character.
