Candace Bushnell, the writer of Sex and the City, which chronicled her life in New York as a columnist, gracefully and confidently emerges onto the stage dressed in all red, sporting a mini skirt, and looking quite fine at age 65. She is an intriguing figure and an example of a true feminist to her fans.
The gathering consists of devotees of Sex and the City, the iconic comedy-drama that chronicled the lives of Carrie Bradshaw and her group of single friends in the bustling streets of Manhattan. The set is a boudoir decorated with expensive heels of all shapes. Every time the subject of shoes comes up, a light from above shines down accompanied by oohs and aahs from her captivated, predominantly female audience.
In her opening segment, she promises to unveil the scandalous secrets of Mr. Big, but the true takeaway is that she herself is “big,” or bigger than big.
A game show motif follows – a game of “is it real or not real” – asking her audience to guess how it all might have happened in her real life by shouting “real” or “not real” when she prompts them with a question.
While the TV series Sex and the City undoubtedly left its mark on women’s lives and challenged societal norms, this staged spectacle feels a bit dated as she continuously reminisces about a bygone era that could only really appeal to women of a certain age. Yet, the allure remains, perhaps still attracting a new generation of fans.
In retelling her story, Bushnell’s life has not been without struggle, from her father’s crass remarks to the unsettling encounters she faced as a young woman in various relationships, particularly with older men. She notifies her audience that she dated Gordon Parks at age 18 when he was 65. However, she chooses to emphasize the joys of a single, child-free life, defying the expectations that once confined women of her generation.
Bushnell presents herself as a feminist icon – her stories carry a sense of self-assurance that resonates with her audience. She reminds us of the barriers women faced when she first arrived in New York, such as the inability to obtain credit cards. One of the lessons she imparts is the importance of owning one’s living situation, even if it means indulging in luxuries like a shoe closet filled with Manolo Blahniks.
Her narrative encompasses the elements her fans crave – messages about independent women, heartfelt tributes to female friendships, and candid discussions about aging and menopause. However, it is worth noting that her performance in the first half of the event was not without its flaws. She displayed a rather childlike and adolescent demeanor. Fortunately, she showed much improvement in the second half when she gets candid about her struggles with aging and divorce. A true icon, her fans will continuously rush to throw flowers at her feet. She can do no wrong in their eyes, even though her stories might feel a bit superficial and dated.
MOST FANTASMAGORICAL MUSICAL OF ALL TIME CHITTY CHITTY BANG BANG
OPENING AT
MAYFLOWER THEATRE, SOUTHAMPTON
ON 30 APRIL 2024 AHEAD OF A UK TOUR
David Ian for Crossroads Live is delighted to announce that Emmerdale star Liam Fox will play Grandpa Potts alongside Olivier-nominee Adam Garcia as Caractacus Potts in the new production of the most fantasmagorical musical of all time, CHITTY CHITTY BANG BANG. opening at Mayflower Theatre, Southampton on Tuesday30 April 2024 where it will play until 12 May 2024, before embarking on a UK tour. www.chittyontour.com Further casting to be announced soon.
Liam Fox is probably best known for playing the role of Dan Spencer in ITV’s Emmerdale, where he featured in more than a thousand episodes. His many other TV credits include Stephen Poliakoff’s Dancing on the Edge, Cold Feet, Coronation Street, Hollyoaks, Clocking Off, A Touch of Frost, Always and Everyone, At Home with the Braithwaites and Dinnerladies. His many theatre credits include The Collector and Tuesday’s Class, both at The Lowry Studio and Iron at Manchester’s Royal Exchange.
Adam Garcia recently received rave reviews as Julian Marsh in Curve and Sadler’s Wells hit production of 42nd Street. His musical theatre credits include Tony Manero in Saturday Night Fever and Bill Calhoun in Kiss Me, Kate, for which he received Olivier Award nominations for both roles. His other theatre credits include Fiyero in Wicked, The Artilleryman in The War of the Worlds and Damien Karras in The Exorcist. His film credits include Kenneth Branagh’s Death on the Nile and Murder on the Orient Express, Confessions of a Teenage Drama Queen, Coyote Ugly and Riding in Cars with Boys. Adam recently appeared as a finalist in the UK series of The Masked Dancer, finishing in second place.
Based on Ian Fleming’s timeless story for children and later made into the famous 1968 film, CHITTY CHITTY BANG BANG features the unforgettable songs by the Sherman Brothers including Toot Sweets, Hushabye Mountain, Truly Scrumptious and the Academy Award-nominated title song, Chitty Chitty Bang Bang.
This new production will be directed by Thom Southerland (Titanic, Parade), choreographed by Karen Bruce (BBC’s Strictly Come Dancing, The Bodyguard) with Set and Costume design by Morgan Large (Newsies, Joseph and the Technicolour Dreamcoat), Lighting design by Ben Cracknell, Sound design by GarethTucker, Musical Supervision by George Dyer (The Wizard of Oz, Annie, Billy Elliot) and casting by Debbie O’Brien.
In CHITTY CHITTY BANG BANG we meet absent-minded inventor Caractacus Potts who restores a broken-down old racing car with the help of his children Jemima and Jeremy. Soon the family discover the car has magical powers, and along with the delectable Truly Scrumptious, the family end up on a hilarious fantastical adventure to far off lands.
CHITTY CHITTY BANG BANG has Music and Lyrics by Richard M. Sherman and Robert B. Sherman, Music by Special Arrangement with Sony/ATV Publishing and is Adapted for the Stage by Jeremy Sams. Based on the MGM Motion Picture the Licensed Script is adapted by Ray Roderick. It was Originally produced by Eon Productions, Dana Broccoli, Frederick Zollo, Nicholas Paleologos, Jeffrey Sine, Miriam Productions and Michael Rose at The London Palladium.
This production is presented by permission of Music Theatre International.
UK Tour extended into 2024 due to phenomenal popular demand
“INGENIOUSLY CHAOTIC…IF YOU ARE LOOKING FOR A GOOD, HARD LAUGH AND A TOUCH OF ESCAPISM THEN THIS IS THE SHOW FOR YOU” ***** Theatre Weekly (August 2023)
Brendan Murphy is delighted to announce that the tour of Award Winning Buffy Revamped is to be extended yet again in 2024 due to its popularity at venues throughout the UK and Ireland and in Toronto and America. This hugely popular, award-winning show based lovingly on the iconic 90s TV show Buffy The Vampire Slayer has garnered critical acclaim across the board including for a second Edinburgh Festival Fringe season where it was recognised as the best-reviewed comedy show of the entire 2023 Fringe by The British Comedy Guide.
“FANGTASTICALLY GOOD!” ***** West End Best Friend (August 2023)
In this fast-paced new production we bring you the entire 144 episodes of the hit 90s TV show, Buffy the Vampire Slayer, as told through the eyes of the one person who knows it inside out… Spike.
Funny, satirical and bursting with 90s pop-culture references, it’s the perfect parody for Buffy aficionados and those who never enrolled at Sunnydale High alike.
“AN EXPERTLY EXECUTED DEEP-DIVE INTO SEVEN SEASONS OF A CULT CLASSIC.” ***** Fringe Biscuit (August 2023)
Brendan Murphy is a London based actor, improviser and comedian. He was nominated for the Spotlight Prize in 2008 and he has toured extensively across the US and Canada as part of the Olivier Award nominated Potted Potter. He also wrote the hit show FRIEND: The One With Gunther (www.OneWithGunther.com) which will tour alongside Buffy Revamped in 2024.
Other theatre credits include The Crown Dual (Edinburgh, Wilton’s Music Hall & US Tour), Twelfth Night (Orange Tree) and The Adventure (The Royal Exchange). Screen credits include Doctors (BBC), Broadchurch (ITV), Twin Thing (Sky Arts), SO Beano (Sky Kids) and Spiderman: Far From Home (Marvel Studios).
An experienced improviser, Brendan is a member of BBC Radio One’s BattleActs! and has been a guest player for Second City and Monkey Toast Players. He has written and performed several solo comedy shows including BAGMAN and Enter The Bagman and FRIEND (The One With Gunther) which won the award for Best Play in the World Wide Comedy Awards. The award-winning success of Buffy Revamped the following year (Darkchat Awards 2022: Best Comedy Performer and Best One-Person Show) has confirmed him as one of the country’s most talented young writer/performers with both critics and audiences.
“I ABSOLUTELY LOVED THIS SHOW!” ***** One4Review (August 2023)
Hamish MacDougall’s recent credits include The War of the Worlds (UK & USA tours); Project Dictator (New Diorama); Willy by William Andrews (Soho/Pleasance); Hammerhead by Joseph Morpurgo (Soho/ Southbank/ Pleasance/ tour and winner of The Brighton Comedy Award); Life and Rhymes by Abandoman (Udderbelly/ Soho/ Melbourne) and The 24 Hour Plays (Old Vic).
Cambridge Arts Theatre, Cambridge – until Saturday 10th February 2024
Reviewed by Steph Lott
5*****
A Gripping Thriller Unfolds in “Murder in the Dark” at Cambridge Arts Theatre
The allure of being scared is deeply rooted in our psychology and “Murder in the Dark,” a riveting horror penned by Torben Betts, delivers that, under the expert direction of Philip Franks. Set against the backdrop of a secluded country dwelling, Simon Kenny’s ingeniously crafted set transports the audience into a dark confusing world of suspense and impending doom. With standout performances by Susie Blake as Mrs. Bateman and Tom Chambers as Danny, this production delivers a captivating theatrical experience of horror that keeps viewers on the edge of their seats.
Philip Franks’ direction masterfully builds tension throughout the play, creating a sense of unease that permeates every scene. This is skilfully balanced with moments of comic relief, creating an atmosphere that keeps the audience guessing, with a gradual uncomfortable sense of “what exactly is going on?”. The result is a rollercoaster ride of suspense and intrigue that leaves the audience deliciously on edge.
Simon Kenny’s set design is an excellent backdrop for the atmospheric storytelling. There are shadows in all the right places. From the eerie dimness of the house interior to the allusions of what might be outside in the chilly darkness, Kenny’s set perfectly captures the mood of Betts’ suspenseful tale. Betts seamlessly blends suspense and dark humour and cleverly weaves a web of mystery, keeping the audience on the edge of their seats with unexpected twists and turns.
At the heart of “Murder in the Dark” are the compelling performances of Susie Blake as Mrs. Bateman and Tom Chambers as Danny. Blake brings an eerie comedic madness to her portrayal of the mysterious Mrs. Bateman, with an underlying sense of menace that keeps the audience guessing about her true intentions. Chambers, meanwhile, shines as the selfish and treacherous Danny, imbuing the character with increasing mania and a palpable intensity as the story unfolds.
In conclusion, “Murder in the Dark” at the Cambridge Arts Theatre is an eerie thrilling theatrical experience that captivates from beginning to end. Betts’ script is a masterclass in psychological suspense, keeping the audience guessing until the final curtain falls. This production is a must-see for those who relish an evening of thrilling suspense and dark twists.
GABRIELLA SILLS PRODUCTIONS AND JAMES SEABRIGHT IN ASSOCIATION WITH MARK GATISS PRESENT
BREEDING
RETURNING TO THE KING’S HEAD THEATRE FOLLOWING ACCLAIMED 2023 DEBUT
21 MARCH – 14 APRIL
‘We’re not the new normal. We’re the new fucking extraordinary.’
The King’s Head Theatre are thrilled to announce that BREEDING – a funny, moving, critically acclaimed drama about adopting as queer parents – will return with a new production for a four-week run, following its acclaimed world premiere at the King’s Head pub theatre in 2023 as part of Guest Artistic Director Tom Ratcliffe’s A Queer Interrogation season. Breeding, written by Barry McStay (Vespertilio) and directed by Ratcliffe (Fame Whore), will play from Thursday 21 March – Sunday 14 April with a press performance on Monday 25 March.
Zeb and Eoin have met, kissed, fallen in love, moved in, got married – what’s next?
Zeb will be Fun Daddy. Eoin will be Serious Daddy.
Beth’s job is to decide if they are “appropriate” Daddies at all.
Together they all navigate the precarious road to adoption and queer parenthood, forced to lay bare fears and secrets.
Writer Barry McStay, originally from Kildare in Ireland, said “Breeding is a story that I am passionate about sharing. It asks just how far you would go to have a family and depicts a new generation of queer people navigating the exhausting journey towards parenthood. The overwhelming reaction to the 2023 production demonstrated that the appetite is there to hear these domestic stories from a new, queer angle. The play is funny, messy, and moving, full of imperfect people trying to make perfect decisions. I was grateful to the King’s Head and Tom Ratcliffe for presenting the World Premiere and am delighted they are bringing this new production to their beautiful new theatre. With the UK becoming less and less safe for LGBTQ+ people, it is vital to support queer theatre and I am proud that even more people will now have the chance to hear Beth, Zeb and Eoin’s stories”.
Tom Ratcliffe said, “When I first read BreedingI knew I had to programme the show as part of my season at the Kings Head Theatre last year. I was drawn to it because Barry progresses the narrative of queer storytelling to reflect some of the challenges LGBT+ people may face today. I’m delighted that the play is getting the chance to be experienced again and it’s an absolute privilege to direct such a tender, provocative and moving piece of work.”
Associate Producer Mark Gatiss said, “I’m delighted that Barry’s terrific, funny and poignant play is being re-birthed at the new King’s Head where many more can experience its charm.”
Casting will be announced shortly.
Breeding will be the third show in the King’s Head’s new 200-seat purpose-built theatre in Islington Square, which opened in January 2024.
Cast announced for the opening production of Stephen Sondheim’s ‘Marry Me a Little’ at The Stage Door Theatre directed by Robert McWhir
Shelley Rivers and Markus Sodergren
We are pleased to announce that Shelley Rivers and Markus Sodergren will be starring in Stephen Sondheim’s ‘Marry Me a Little’, the inaugural production at new West End fringe venue, the Stage Door Theatre.
A charming and bittersweet musical revue featuring songs by Sondheim, the undisputed master of the contemporary Broadway musical, ‘Marry Me a Little’ will run 28th Feb – 13th April.
It will be directed by Robert McWhir, the artistic director of the Stage Door Theatre, who is no stranger to Sondheim musicals having produced and directed both Follies and Into the Woods at his former home, the Landor Theatre, in North Clapham.
SHELLEY RIVERS playing “WOMAN” Theatre and TV credits include: Carlotta in The Phantom Of The Opera, Betty Schaefer in Sunset Boulevard, Eliza in My Fair Lady, Jennyanydots/Gridlebone in Cats, Lucille Frank in Parade, Rose in Aspects of Love, Maria in The Sound of Music, Judy Garland in Starstruck.
Instagram @shelleyannerivers
MARKUS SODERGREN playing “MAN” Theatre credits: Preppy Stud, cover Ram, Kurt and Veronica’s Dad in Heathers – the Musical (UK & Ireland Tour), Beauty and the Beast (Garrick Theatre). Concert Credits: Roles We’ll Never Play (Apollo Theatre, West End), West Side Story, On The Town and Let’s Face The Music (Royal Albert Hall).
Instagram: markussodergren
Creative team includes Director Robert McWhir Musical Director Aaron Clingham Designer David Shields Lighting Designer Richard Lambert
Two urban singles share a Saturday night of sweet fantasies and deep yearning while never leaving the confines of their solitary apartments. Together they breathe new theatrical life and meaning into a collection of trunk songs that were mostly culled from the final productions of Anyone Can Whistle, Follies, Company, A Funny Thing Happened on the Way to the Forum, and A Little Night Music. This production will feature the more modern song list of the 2012 Keen Company production – but be prepared for a couple of surprises!”
LISTINGS INFO
MARRY ME A LITTLE Songs by Stephen Sondheim Conceived and Developed by Craig Lucas & Norman Rene
Directed by Robert McWhir
Stage Door Theatre The Prince of Wales pub 150-151 Drury Lane London WC2B 5TD
28th Feb – 13th April 2024
Dinner Tickets: £36, Show only: £18 (plus booking fee)
DECLAN BENNETT TO HOST THE PHOENIX ARTS CLUB’S VALENTINE’S DAY CABARET
THE CUPID’S CABARET
14 FEBRUARY
The Phoenix Arts Club, the renowned hub for entertainment nestled in the heart of London’s West End, is proud to announce that West End and Broadway star Declan Bennett (Moulin Rouge, EastEnders) will host their upcoming Valentine’s Day cabaret event – The Cupid’s Cabaret.
Bennett, who will host the cabaret performances, played the role of Charlie Cotton in the BBC soap opera EastEnders and has performed on Broadway and in the West End in shows including RENT, American Idiot, Once, Moulin Rouge, Jesus Christ Superstar and Carousel.
The Cupid’s Cabareton 14 February promises gourmet indulgence and dazzling cabaret spectacle with a lavish three-course dinner followed by a special cabaret show that whisks couples int a world of love, laughter, and glamour. Tickets include a glass of prosecco on arrival.
Peter Dunbar, Managing Director of the Phoenix Arts Club said, “At Phoenix Arts Club, we are dedicated to curating exceptional experiences that resonate with our diverse and vibrant community. The encore of our top-selling show exemplifies our commitment to providing unique and engaging entertainment for our valued patrons.”
KWAME KWEI-ARMAH ANNOUNCES HIS FINAL SEASON AND HE WILL STEP DOWN AS ARTISTIC DIRECTOR OF THE YOUNG VIC THEATRE
In the Main House
The European premiere of the Tony Award-winning rock musical Passing Strange brings an electrifying musical odyssey to the Young Vic stage. Directed by Liesl Tommy, with book and lyrics by singer-songwriter Stew, and music by Stew Stewart and Heidi Rodewald, created in collaboration with Annie Dorsen, from 14 May – 6 July.
Kwame Kwei-Armah will direct his final production as Young Vic Artistic Director with the world premiere of A Face in the Crowd, a cautionary tale about the dangers of celebrity, power, and politics based on the classic ‘50s Hollywood film, with music and lyrics by Elvis Costello and book by Sarah Ruhl, from 10 September – 9 November.
The Little Foxes by Lillian Hellman, about greed, ambition and a family on the edge, receives a savage new staging by Olivier Award-winning director Lyndsey Turner, produced in association with Second Half Productions, from 4 December 2024 – 8 February 2025.
Taking Part
Following its radical two-year educational programme INNOVATE, Taking Part hosts the INNOVATE: Legacy & Learning Symposium, a week-long series of free events for teachers, freelance artists, creative engagement departments, and applied theatre practitioners to explore what artists and arts organisations can bring to the curriculum and school life, from 11 – 16 March.
Neighbourhood Theatre Company presents May Fest, a takeover of the Young Vic Theatre with a joyous week of free workshops, events and experiences for the local Lambeth and Southwark community, from 9 – 16 May.
The Sundown Kiki Reloaded documentary by Asa Haynes and Jamel Duane Alatise is released today, celebrating Taking Part’s partnership with New York’s Hetrick-Martin Institute, and featuring the making of Sundown Kiki Reloaded, interviews with the cast and creatives and behind the scenes footage from Taking Part’s Ballroom journey.
Creators Program
Annie Kershaw is the recipient of the 2024 Genesis Future Directors Award, a vital and renowned professional training opportunity funded by the Genesis Foundation that enables early-career artists to direct a production at the Young Vic.
The Creators Program teams up with Black Lives in Music and Musicians’ Union for Introduction to Making for Music Directors, a new development programme and partnership for 2024 dedicated to supporting Black and Global Majority music directors, to demystify the industry, build artist connections and increase representation.
NEW ’24 – Young Vic hosts the 11th season of new commissions by RWCMD
The Young Vic welcomes the Royal Welsh College of Music & Drama for NEW’24, its annual festival of new writing, featuring four new commissions from Rhiannon Boyle, Simon Longman, Isley Lynn and Paula B Stanic, plus NEW VOICES staging new writing from final year students. In the Young Vic Maria Theatre from 5 – 14 June, following an initial run in Cardiff.
Kwame Kwei-Armah invites you to his final season at the Young Vic Theatre as he today announces he will step down from the role of Artistic Director in Autumn 2024.
Kwame Kwei-Armah joined the Young Vic as Artistic Director in February 2018, becoming the first African Caribbean director to lead a major British theatre. During his tenure he has produced 40 productions across the theatre’s spaces, including 30 in the Main House where more than half of all writers and directors were women. Black and Global Majority artists have directed over half and written 48% of all Main House shows. Off stage, the Young Vic has gone from 11% to 44% Black and Global Majority staff across the organisation and 40% in senior management.
Under Kwame’s leadership three critically acclaimed productions have transferred to the West End, along with two Broadway transfers, plus a feature film adaptation is shortly due for release. He launched Best Seat in Your House, an innovative new streaming platform, in 2021, which took Young Vic shows to audiences across 86 countries. The Creators Program, formerly the Directors Program, launched in 2022, celebrating multi and anti-disciplinary artists and re-imagining future practice. Taking Part reached new corners across London and internationally, from New York to Australia, with unique community shows and partnerships, along with its radical innovation in schools, championing the value that artists and creative teaching bring to classrooms.
Young Vic productions have been recognised with numerous awards and nominations every year during Kwame’s tenure and most recently in 2023 alone received an Olivier Award, a Critics Circle Award, two Tony Award nominations and more.
Kwame Kwei-Armah, Artistic Director of the Young Vic said: “It’s been the honour of a lifetime to lead the Young Vic and I have been served magnificently by the team at the Arts Council, the Board and all of my colleagues. I step down knowing that our team and artists are representative of London and that we have continued the theatre’s incredible contribution to this industry and our community.
“The three pillars that have guided my tenure have been innovation, access and community, and I’m proud of all that we have achieved. But it is a bittersweet moment. The painful reality is I am leaving a subsidised sector where 13 years of standstill funding is taking its toll. For decades the theatre industry has fuelled the UK’s world-renowned creative industries, providing vital pathways for artists to flourish, going from subsidised theatre, into the West End, and into TV and film. But without investment we could lose this pipeline of talent within a generation. I’m hopeful that this can and must change but it needs sincere government intervention.
“I want to thank our audiences and supporters who have continued their Young Vic journey with us and many who have joined us for the first time. I invite you to join me as I’m rocking out at the Young Vic with shows that mean the world to me and sum up what a building like this can do. Passing Strange is a brilliant post-modern Black rock musical directed by Liesl Tommy with book and lyrics by Stew, and music by Stew Stewart and Heidi Rodewald;A Face in the Crowd is a political metaphor for our times with music by Elvis Costello and book by Sarah Ruhl; and Lillian Hellman’s The Little Foxes with Lyndsey Turner, sees one of the finest directors in Britain, making a classic play speak to the here and now.”
Glenn Earle, Chair of the Board, said: “It has been one of the great pleasures of my professional life to work closely with the phenomenon that is Kwame Kwei-Armah.
“Kwame is an exceptional artist and inspirational leader. He has brought his energy, creativity, artistic brilliance, generosity of spirit and sense of social responsibility to the role of Artistic Director of the Young Vic over the last six years. Leading and inspiring an incredible team, he has built on the extraordinary achievements of those artistic directors who have come before him to make the Young Vic the groundbreaking, representative and world leading theatre it is today.
“Kwame has led the Young Vic during one of the most challenging periods for the theatre sector in living memory and has done so with great skill, courage and clarity of vision. He has ensured excellence on our stages and positive impact well beyond The Cut. Under Kwame’s leadership, multiple Young Vic productions have transferred to the West End and Broadway, Best Seat in Your House has been streamed to over 85 countries and industry awards have regularly come our way.
“At the same time, Kwame has demonstrated a clear and consistent commitment to community – both to theatre more broadly and to the people of Lambeth and Southwark – and has ensured that we have continued to invest in and expand the reach both of our artist-based Creators Program and our local community-oriented Taking Part.
“On behalf of the Board, I thank Kwame for all he has done for the Young Vic and wish him all the very best for the next steps of his artistic and creative career when he leaves us later this year. In the meantime, I am confident that Kwame’s final season will be absolutely unmissable.
“We will soon start looking for someone who shares our values to lead the Young Vic into our next exciting phase of globally significant theatre-making with a clarity of vision and purpose and unbridled creativity and joy.”
In addition to the upcoming season, Kwame will programme a further production for 2025 and will step down in Autumn 2024. Recruitment for a new Artistic Director will begin from next week.
Tickets for INNOVATE: Legacy & Learning Symposium events go on general sale today. Tickets for Passing Strange, A Face in the Crowd, The Little Foxes and NEW’24 go on priority sale today to members and public booking opens on 19 February.
PASSING STRANGE
Book & Lyrics by Stew
Music by Stew Stewart & Heidi Rodewald Created in collaboration with Annie Dorsen
Directed by Liesl Tommy
Tuesday 14 May – Saturday 6 July 2024
The European premiere of the Tony Award-winning rock musical, Passing Strange opens at the Young Vic Theatre in May 2024, directed by Liesl Tommy (Aretha Franklin biopic Respect, Tony nominated Eclipsed), with book and lyrics by Stew, and music by Stew Stewart and Heidi Rodewald, created in collaboration with Annie Dorsen.
You know, it’s weird when you wake up in the morning and realize that your entire adult life was based on a decision made by a teenager. A stoned teenager.
A young, Black musician sets out on an electrifying musical odyssey to find himself and his place in the world, swapping his middle-class L.A. upbringing for punk rock and protest in 1980s Amsterdam and Berlin.
This European premiere marks the first production since Broadway 2008 where it received seven Tony Award nominations, winning for Best Book of a Musical; seven Drama Desk Award nominations, winning three awards for Outstanding Musical, Outstanding Lyrics and Outstanding Music; and it was named winner of the Drama Critics Circle Award for Best Musical.
“A thrilling score in which rock, punk, funk and gospel conduct a revival meeting that blows the roof off.” (Rolling Stone – Broadway, 2008)
“Its big heart throbs to the sound of electric guitars… Richer in wit, feeling and sheer personality than most of what is classified as musical theater.” (New York Times – Broadway, 2008)
Liesl Tommy is an award-winning international theatre and film director. She received the Tony Award nomination for Best Direction for the Broadway hit Eclipsed starring Lupita Nyong’o,and made her feature film directorial debut with the Aretha Franklin biopic Respect starring Jennifer Hudson. Her television credits include Walking Dead, Insecure and Jessica Jones.
Stew is a critically acclaimed singer-songwriter and Tony/Obie Award winning playwright and performer. He leads two bands: The Negro Problem and Baba Bibi. He is also Professor of the Practice of Musical Theater Writing at Harvard University.
Heidi Rodewald is a Tony Award-nominated, Obie Award-winning co-composer, collaborating and performing with Stew for over two decades, releasing 10 critically acclaimed albums and creating new theatre work. Credits include composer with librettist Donna Di Novelli, The Good Swimmer (BAM Next Wave Festival), A Lifesaving Manual (UCLA’s Center for the Art of Performance).
The creative team also brings together Set and Costume Designer Ben Stones, Sound Designer Tom Gibbons, Musical Supervisor Brandon Michael Nase, Musical Director Art Terry, Choreographer Dickson Mbi, Casting Director Heather Basten CDG, and Voice and Dialect Coach Hazel Holder.
Full casting and further creative team to be announced.
Audio Described Performances: Sat 22 June, 2.30pm & Tue 25 June, 7.30pm
Passing Strange goes on sale to Soul Mates today, and Friends on 13 February
Public booking opens 19 February
A FACE IN THE CROWD
Music and lyrics by Elvis Costello and Book by Sarah Ruhl
Directed by Kwame Kwei-Armah
Based on an original story by Budd Schulberg and the Warner Bros Film
Tuesday 10 September – Saturday 9 November 2024
Young Vic Artistic Director Kwame Kwei-Armah directs the world premiere of Sarah Ruhl’s (Eurydice, The Clean House) adaptation of the Hollywood classic A Face in the Crowd featuring original songs by Grammy Award-winner Elvis Costello.
You gotta keep him here, Miss Jeffries. He’s the goose who laid the golden egg.
When local radio producer Marcia Jeffries interviews drunk drifter ‘Lonesome Rhodes’ in his jail cell, she immediately sees his potential and gives him a slot on her show. But as Lonesome’s fans grow more clamorous and the politicians start taking notice, Marcia realises she has unleashed a force she can no longer control.
A Face in the Crowd is a cautionary tale, highlighting the dangers of elevating celebrities to positions of unchecked power.
Elvis Costello is a writer and part-time musician who made a number of records in the 20th Century, some of which are still remembered today. Costello has been performing in public for over fifty years, writing over 500 songs and collaborating with Paul McCartney, Burt Bacharach and his wife, Diana Krall.
Sarah Ruhl is an award-winning playwright, author, essayist, and professor. She has received the Tony Award nomination for Best Play and is a two-time Pulitzer Prize Finalist. Her many plays include Eurydice, The Clean House, Stage Kiss, In the Next Room, or the vibrator play, Stage Kiss, the Oldest Boy and Letters from Max.
Audio Described Performances: Tues 1 October, 7.30pm & Sat 26 October, 2.30pm
A Face in the Crowd goes on sale to Soul Mates today, and Friends on 13 February
Public booking opens 19 February
THE LITTLE FOXES
By Lillian Hellman
Directed by Lyndsey Turner
4 December 2024 – 8 February 2025
Olivier Award-winner Lyndsey Turner(The Witches, The Crucible) directs a savage new staging of Lillian Hellman’s The Little Foxes, a story of greed, ambition and a family on the edge.
There are people who eat the earth and eat all the people on it.
Then there are people who stand around and watch them eat it.
After a lifetime spent watching her brothers grow rich, Regina Hubbard has had enough of standing around. When a businessman offers the family the prospect of untold wealth and power, a sequence of events unfolds that sets brother against brother, father against son and Regina against the whole pack of them.
Lyndsey Turner is an Associate Director at the National Theatre. Her work includes: The Witches, The Crucible (also West End) and Under Milk Wood (National Theatre), A Number (Old Vic); Far Away, Faith Healer, Fathers and Sons (Donmar Warehouse); Hamlet (Barbican); The Treatment, Chimerica (Almeida); Girls and Boys, Posh (Royal Court).
Lillian Hellman was an American playwright, screenwriter and memoirist born in 1905. Her plays include The Children’s Hour, The Searching Wind, and Another Part of the Forest. She won the New York Drama Critics Circle Award for Best American Play for Watch on the Rhine and Toys in the Attic.
Design is by Lizzie Clachan, Sound Design is by Tingying Dong.
Produced in association with Second Half Productions.
Full casting and further creative team to be announced.
Audio Described Performances: Thu 19 December, 7.30pm & Sat 18 January, 2.30pm
The Little Foxes goes on sale to Soul Mates today, and Friends on 13 February
Public booking opens 19 February
Young Vic Taking Part presents
INNOVATE: Legacy & Learning Symposium
with elements co-designed with the CREATE Centre, Sydney
Monday 11 March – Saturday 16 March 2024
INNOVATE: Legacy & Learning Symposium will unpack the essential findings of Taking Part’s radical Learning programme INNOVATE, through a week-long series of events including workshops, talks, networking opportunities and practice sharing for teachers, freelance artists, creative engagement departments and applied theatre students.
Young Vic Taking Part delivered INNOVATE for two academic years from 2021 – 2023 which saw teachers and artists collaborate to use the arts to teach across the curriculum. The programme took place in two local schools in Lambeth and Southwark, and Royal Holloway, University of London, recently released the research findings.
The symposium will now use the project’s essential findings and learnings to explore what artists and arts organisations can bring to the curriculum and all aspects of school life.
There will be 20 free events across the week led by creatives, artists, and academics, including:Keynote Address with INNOVATE Research Lead Professor Helen Nicholson and Co-director of CREATE Centre, Sydney, Professor Michael Anderson, which will delve into creativity in schools, and theatres as civic places for learning; Building Community, looking at collaborative practice from the rehearsal room to the classroom, with director Stef O’Driscoll; Imagination in the Classroomusing playwriting and screenwriting in the classroom, with writer Emma Dennis-Edwards;Playing in Class on the benefits of playful pedagogies, with director Kelechi Okafor; Performing in Classusing acting and performance to interrogate classroom dynamics, led by actor Ronkẹ Adékọluẹ́jọ; The Power of Sound unpacking the perceptions of noisy classrooms with composer Nicola T. Chang; Multidisciplinary Practicein the classroom, with theatre-maker Philip J Morris; networking sessions and more.
INNOVATE: Legacy & Learning Symposium is supported by the British Council’s Connections Through Culture Programme.
Tickets for INNOVATE: Learning & Legacy Symposium events go on general sale today.
A Taking Part Project from Young Vic Theatre
MAY FEST
Presented by Neighbourhood Theatre Company
Thursday 9 May – Thursday 16 May 2024
May Festreturns in 2024! Created by the Young Vic’s Neighbourhood Theatre Company, May Fest will take over the theatre with a week of workshops, events and experiences programmed for the local community. As the year turns to spring, May Fest will celebrate the start of the new season with joy, laughter and creativity. The full programme of events will be announced in due course.
Founded in 2016, Neighbourhood Theatre Company works with locals from its home boroughs Lambeth and Southwark with opportunities to engage in theatre and take part in creative programmes.
Sundown Kiki Reloaded Documentary
Taking Part today releases the Sundown Kiki Reloaded Documentary, a new film by Asa Haynes and Jamel Duane Alatise.
In 2021 Sundown Kiki was born: an explosive new show by young queer Black and Global Majority artists that brought the worlds of theatre and ballroom together. The conversations Sundown Kiki sparked led to Communities of Resistance, a creative project where the same young people travelled to the home of ballroom, New York, in a partnership with the Hetrick-Martin Institute (HMI). An international creative partnership was ignited and in 2023 the Young Vic staged Sundown Kiki Reloaded, a remount with a US twist, which featured Kiki Scene youth from the Hetrick-Martin Institute.
The documentary celebrates Taking Part’s partnership with New York’s Hetrick Martin Institute, featuring the making of Sundown Kiki Reloaded, interviews with cast and creatives, and behind the scenes footage from our ballroom journey.
Annie Kershaw is today announced as the 2024 Genesis Future Directors Award recipient.
The Genesis Future Directors Award program is made possible by the Genesis Foundation and provides early-career directors with the opportunity to explore and develop their craft by creating their first fully resourced production at the Young Vic, with mentoring and support from the theatre’s core artistic team. Further show details will be announced in due course.
Annie Kershaw is currently the Carne Deputy Director at Jermyn Street Theatre. She was Associate Director on Best of Enemies in the West End after being the Jerwood Assistant Director of the Young Vic and Headlong co-production, as part of the Young Vic’s Jerwood Assistant Director Programme, supported by Jerwood Arts. Her credits as Director include Hedda Gabler, Safe (Reading Rep); Light (Five Shorts at the Young Vic); It’s A Flawed World After All (Flawstate); THIS IS NOT A PROTEST (Reading Thames Festival); Ulysses (Jermyn Street Theatre). Other assistant director credits include Jekyll & Hyde, Dorian (Reading Rep); Henry II, Romeo and Juliet (Rabble Theatre).
Black Lives in Music and the Musicians’ Union partnership
The Creators Program teams up with Black Lives in Music andthe Musicians’ Union in a new partnership dedicated to supporting Black and Global Majority music directors in Introduction to Making for Music Directors.
The project is created in response to the lack of diversity and opportunities for Black and Global Majority music directors and aims to demystify the role of the MD for musicians who have an interest in developing the skills and knowledge needed to move into the role. A cohort of early-career artists will now receive training and mentoring through masterclasses delivered by leading industry professionals running through to March this year.
The sessions started in January 2024 and include: An overview of the music of musical theatre and The Black and Global Majority influence on the music of musical theatre, both led by Wendy Gadian; The Music Director and Director relationship, led by Susie McKenna and Mark Dickman; and The Music Director and Choreographer relationship, led by Lizzi Gee and Phil Bateman.
ROYAL WELSH COLLEGE OF MUSIC & DRAMA
NEW’24
Wednesday 5 – Saturday 8 June & Tuesday 11 – Friday 14 June
Presented by Richard Burton Company
NEW’24, Royal Welsh College of Music & Drama‘s acclaimed festival works closely with leading writers and directors on new plays commissioned by the College in association with companies including Paines Plough and Sherman Theatre. The productions will premiere at the College’s home in Cardiff before moving to the Young Vic in June. NEW also features RWCMD final year students presenting their own work in NEW VOICES.
Couple Goals by Rhiannon Boyle, In collaboration with SHERMAN THEATRE
A thought-provoking, sinister satire where three seemingly ordinary Gen Z couples are thrust into the surreal world of the reality TV show – Couple Goals.
Falling Falling Falling Falling by Simon Longman
This is a play about communication. And loneliness. And the world. The utter, horrible chaos of the world. And your place within that. Your place in all of that.
The Glue by Isley Lynn
When a fun-loving gang of friends reunite at a countryside Airbnb, they’re raring to live it up like they used to. But this close-knit clique is about to realise that the bonds between them are not unbreakable…
Dissonance by Paula B Stanic, in collaboration with PAINES PLOUGH
A rave, a protest to ‘kill the criminal justice bill’ and a night that will have consequences for decades to come. Moving between 1994 and 2023, Dissonance is a play exploring the importance of protest.
NEW VOICES
Knock Knock by Liam Whiting
2008 wasn’t a great time to be an estate agent was it?
Over Your Dead Body by Joe Flynn
A female criminal psychologist makes a formidable connection with an infamous male prisoner in this psychological tale of temptation and redemption.
Trouble in Paradise by Stella Elliott-Fortnum
Hairdresser Jen applies for a popular reality TV dating show to expand her social media platform and flies to Mallorca for a summer of love. She’s got nothing to lose and everything to gain…right?
STORYHOUSE, CHESTER – UNTIL SATURDAY 10TH FEBRUARY 2024
REVIEWED BY MIA BOWEN
4****
The multi award winning comedy Noises Off, written by Michael Frayn, is currently touring across the UK to commemorate its 40th anniversary. This production, directed by Lindsay Posner, enjoyed a sold-out season in the West End beginning of last year. The cast includes Liza Goddard as Dotty Otley, Paul Bradley as Selsdon Mowbray, and Simon Shepherd as Lloyd Dallas.
Called “the funniest farce ever written” Noises Off presents an entertaining double feature – a play within a play. The theme of chaos is quite prevalent in farce. The characters are constantly in a state of frenzied activity as they attempt to avert one crisis after another. Often, their well-intentioned actions inadvertently lead to even more crises, which they then must find a way to resolve. The story is scrupulously arranged and brilliantly humorous from start to finish.
In the first act, we witness a disastrous dress rehearsal leading up to the opening night of a touring theatre company. Throughout this act, we are introduced to a variety of characters who constantly make blunders, resulting in a humorously entertaining performance. My favourite part of the play is the second act, which is set backstage and particularly marvellous. The focus is on the cast members offstage rather than on. Although the dialogue is minimal, the physical comedy and well-timed entrances and exits add a delightful element to the performance. It is truly enjoyable to watch. During the final act, prepare yourself for uncontrollable laughter as we witness the company’s last performance of their tour.
The success of a production like this depends on the synergy of the entire cast. The actors flawlessly executed the comedic timing, resulting in a truly wonderful performance. The fantastic production team’s exceptional work deserves recognition. Despite the chaotic nature of the show, their efforts create an organised chaos that enables it to run smoothly.
Noises Off is a fantastic series of brilliantly choreographed slapstick moments. I couldn’t help but notice the smiles and laughter on the faces of the audience as they left the theatre, clearly delighted by the immense joy they had experienced.
It was announced today (7 February 2024) that Todrick Hall will play Sean and It’s a Sin star Michael Mather will play Jackson in Burlesque the Musical, the first ever stage adaptation of Steven Antin’s crowd-pleasing movie Burlesque, which starred Christina Aguilera.
Todrick and Michael join the already announced Jess Folley as Ali Rose, Olivier Award-winning George Maguire as Vince, Billie-Kay as Sophia, B Terry as Georgie, West End favourite and TikTok and social media sensation Jess Qualter as Daphne, Yasmin Harrison as Brenda/Dance Captain, Lily Wang as Fifi, Hollie-Ann Lowe as Summer and Alessia McDermott in the Ensemble.
Other cast members announced today are: Ope Sowande as Trey, Lewis Easter in the Ensemble, with Callum Aylott, Lucy Campbell and Amber Pierson as Swings.
Steven Antin said: ‘Todrick Hall’s kinda genius is singular. The kind you rarely see. His work is prolific and masterfully entertaining. The songs he wrote for the show are in a word…iconic. The role of Sean is an anchor/entertainer who has poetry and is wickedly funny. So it was abundantly clear we had to get Todrick to play Sean. And sometimes I dunno if I wanna kiss him or slap him. ❤️ But I DO know I’m a very lucky guy to have him in our show. Very. ‘
Todrick Hall, who has also written brand new songs for this new production of Burlesque the Musical added:“The movie of Burlesque was so iconic to so many of us — to now be working with both Steven Antin and Christina Aguilera who are reuniting for this new musical is a dream come true.
I am beyond excited to be returning to my first love, musical theatre, in such a special way. My first original role and my theatrical composing debut. To be able to bring music that I wrote to life, to share the stage and the writing credit with the star that is Jess Folley is a dream come true! I’m blessed, honoured, flattered and ready to dust off the old heels and let the kids have it 8 shows a week!”
With over 9 million followers across several social media platforms, Todrick is one of the most high profile and prolific storytellers in the world.
He has collaborated with superstars in every industry including: Beyoncé, Taylor Swift, Ariana Grande, RuPaul, Chaka Khan, Brandy, Billy Porter, Gwen Stefani, Kristin Chenoweth, Jenifer Lewis, Nicole Scherzinger, Tyra Banks, Bob the Drag Queen, Monét X Change, Tiffany Haddish, Tiffany Pollard, Amber Riley, and Pentatonix.
Since his television show Todrick aired on MTV, he has been featured on a dozen more. He was in the original Broadway cast of two productions and starred in principal roles in three others.
Todrick has written, co-produced, and released seventeen studio albums. He directed, choreographed and headlined in eight world tours; and appeared in and co-executive produced Taylor Swift’s LGBTQ+ anthem You Need to Calm Down, for which he also won a Video Music Award.
He was last seen in the West End as Billy Flynn in Chicago the musical at the Phoenix Theatre in 2018.
Burlesque the Musical previews at Manchester Opera House on Thursday 13 June with sold-out performances until Saturday 29 June 2024. Due to the phenomenal success of the show, producers last week confirmed a run at Glasgow Theatre Royal from Wednesday 11 September to Saturday 28 September 2024 followed by a return season in Manchester from Thursday 3 October – Saturday 2 November 2024 prior to its West End run.
Welcome to Burlesque the Musical, the glamorous, gritty and outrageously fun new musical based on the much-loved hit movie.
Discover a club like no other…a place beneath the city lights where the sequins sparkle, seduction shimmers, and a life can change in the flick of a feather boa.
When Ali heads to New York in search of her mother, she finds herself drawn into a dazzling underground world where the beat of the music and the heat of the dance moves will change her life forever. Among this unlikely family of misfits, dreamers and schemers, Ali will unwittingly find her real voice, discover her talent, and find where she really, truly belongs.
Written by Steven Antin, directed and choreographed by Nick Winston, with additional material by Kate Wetherhead, BURLESQUE THE MUSICAL is a scintillating journey of self-discovery that absolutely sizzles with songs by Christina Aguilera, Sia and Diane Warren, alongside additional songs by Todrick Hall and Jess Folley.
Burlesque is the big new musical that says life isn’t fair…it’s fabulous!
The full creative team for Burlesque the Musical is: Steven Antin (Book Writer/Producer), Music and Lyrics by Christina Aguilera, Sia, Diane Warren, Todrick Hall & Jess Folley, Nick Winston (Director and Choreographer), additional material – Book by Kate Wetherhead, Soutra Gilmour (Set Designer), Ryan Dawson Laight (Costume Designer), Tom Curran (Musical Arrangements and Orchestrations), Phil Bateman (Musical Supervisor), Jack Knowles (Lighting Designer), Ben Harrison (Sound Designer), Harry Blumenau (Casting Director), Carole Hancock (Hair & Wigs Designer), Guy Common (Make-up Designer), Chris Poon (Musical Director), Robin Antin (Creative Co-Producer/Associate Choreographer), Ryan-Lee Seager (Associate Director/Choreographer), Libby Watts (Associate Choreographer), Sarah-Jane Price (Casting Associate), Laura Rushton (Costume Supervisor), Tommy Franzen (Assistant Choreographer), Sarah Day (Dramaturg), David Gallagher (Orchestra Fixer), Lloyd Thomas (Production Manager).
Burlesque The Musical is produced by Adam Paulden & Jason Haigh-Ellery and Sue Gilad & Larry Rogowsky, Steven Antin and Christina Aguilera.
Burlesque The Musical is general managed by ADAMA Entertainment:
