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Liverpool Olympia – 2nd May 2025

Reviewed by Carla Whittaker

5*****

Irish Annies is a joyful celebration of Irish music, humour, and community spirit, brought to life through the warm and chaotic world of a local Irish pub.

Created by Asa Murphy and featuring live music from six-piece band The Shenanigans, the story follows pub landlady Annie and her loyal band of regulars as they navigate the threat of losing their beloved pub. Every day is St. Patrick’s Day in Annie’s, and the pub is filled with the charm of Irish culture: live music, hearty banter, and that ever-welcoming spirit. But when Moira the Moneylender arrives to collect a long-standing debt, the pub’s future hangs in the balance. Despite the uncertainty, the regulars rally together, and what unfolds is a night of laughter, storytelling, music, and good old Irish resilience.

As the show unfolds, we learn that Annie’s pub has become more than just a bar – it’s a cornerstone of the community, a place where stories are shared, laughter echoes, and music is the heartbeat of daily life. However, the looming threat of closure due to unpaid debts brings an emotional weight to the otherwise festive atmosphere. Annie struggles with how to break the news to her loyal customers, all while trying to keep spirits high. Moira the Moneylender’s impending visit creates a ticking clock, intensifying the drama while providing opportunities for comedic conflict. Throughout the evening, each of the regulars reveals their dreams, disappointments, and devotion to the pub. Ultimately, the community bands together in a heartfelt climax that celebrates resilience, friendship, and the power of music to unite.

Asa Murphy shines as Seamus Murphy, full of cheek and charisma, effortlessly guiding the action while also leading the band. Samantha Alton is outstanding as Irish Annie, perfectly capturing the spirit of a landlady who is both fiercely protective and warmly maternal. Her interactions with both cast and audience felt genuine and spontaneous. Ricky Tomlinson – a household name thanks to his role in The Royle Family – appears as himself, delivering belly laughs and crowd interaction through his stories of prison life, encounters with film stars, and tales from his career. Other strong performances include Lesley Longley as the lovable porky the postman, Richard Barry as the passionate but down-on-his-luck actor Noel Singen-Smithe, and Lynne Fitzgerald as the stern and memorable Moira the Moneylender. Each cast member brought unique charm and chemistry to the ensemble, resulting in a tight-knit and believable community.

The direction is sharp and well-paced, ensuring that the energy never dips. The set is a character in itself: a lovingly recreated Irish pub complete with Guinness signs, aged furniture, and atmospheric lighting. The setting instantly transported the audience to a cosy, familiar place, while the costumes grounded each character in authenticity. There was evident attention to detail in the production design, making the performance space feel intimate and immersive. From the lighting changes to the transitions between scenes, everything was slick and professional, enhancing the overall experience.

The script, written by Asa Murphy, strikes a perfect balance between comedy and emotion. The dialogue is sharp, witty, and filled with colloquial charm. Characters felt rounded and real, with clear relationships and backstories woven seamlessly into the narrative. The show’s musical backbone, featuring a mix of Murphy’s original songs and beloved Irish tunes, elevated the emotional beats and punctuated the comedy with heartfelt melodies. Audience interaction was a key component, and it never felt forced – rather, it was a natural extension of the pub setting. Ricky Tomlinson’s anecdotes and Murphy’s hosting brought a cabaret-style freshness to the production.

From the first note to the final curtain, the pace was fast and energetic. Scenes flowed smoothly, and the integration of music, dance, and dialogue kept the audience consistently entertained. There was never a dull moment – even quieter scenes held attention thanks to emotional depth and superb timing. The energy levels were high throughout, and the cast maintained a strong connection with the audience.

The atmosphere in the Liverpool Olympia was electric. Laughter rang out frequently, and sing-alongs were heartily embraced. The show fostered a true sense of community – people who entered as strangers left with shared memories and smiles. From clapping along with the music to shouting out responses during banter, the audience was thoroughly engaged. It felt more like a celebration than a standard performance.

A standout moment was Richard Barry’s powerful rendition of ‘Danny Boy‘. The room fell completely silent – a moment of pure emotion – before erupting into thunderous applause. The chemistry between Murphy and Alton grounded the show, giving it heart and warmth. The Shenanigans were musically flawless, and their joy was infectious. A personal favourite was the rendition of ‘I Love Galway Bay‘. Another unforgettable moment was Ricky Tomlinson’s storytelling, which gave the show a unique edge and grounded it in

The show itself was flawless and deeply enjoyable. The only slight drawbacks were related to the venue: the space was chilly, and the toilets were understocked and lacked hot water. These small issues did not detract from the brilliant performance and are more a reflection of the venue than the production.

Irish Annies is a feel-good musical that’s equal parts heartwarming and hilarious. It’s a tribute to Irish culture, storytelling, and music, all delivered with sincerity and charm. You’ll laugh, you’ll sing, and you may even shed a tear. A perfect night out that uplifts and entertains. A reminder of the magic that live theatre can bring.

Irish Annies is now touring the UK and promises a fantastic evening for all. Whether you’re looking for a night of comedy, music, or simply to be uplifted, this show delivers. Don’t miss out – get your tickets and join the Irish party!

FAYE TOZER

TO PLAY MISS KITTY LeROY IN

DIAMONDS AND DUST

A TALE OF THE GOOD, THE BAD AND THE LUCKY

OPENING AT

THE EMERALD THEATRE, LONDON

PREVIEWING 16 JUNE 2025

FULL CAST ANNOUNCED

Dita Von Teese, alongside Tosca Rivola, Dee Parsons and Julian Stoneman are thrilled to announce that the Steps and musical theatre star Faye Tozer will take on the iconic role of Miss Kitty LeRoy in the world premiere of a brand-new and hotly anticipated theatrical production DIAMONDS and DUST.

London’s newest West End venue, the Emerald Theatre, proudly opens its doors with the debut of DIAMONDS and DUST. Previews begin 16 June 2025, with an official gala opening on 3 July.

Singer, Actress, TV personality and West End star Faye Tozer is probably best-known for BRIT Award winning pop band Steps who had number one hits with Tragedy and Stomp and have sold over 25 million records worldwide! Their 10th album The Platinum Collection celebrating 25 years reached an impressive No.1 in the official charts and they have proudly just completed their 10th UK Arena tour. Faye has starred in numerous musicals over the years including: 101 Dalmatians (UK Tour), 42^nd Street (UK Tour), Singin’ in the Rain (West End & UK Tour) and Everybody’s Talking About Jamie (West End).

Her numerous TV credits include Ru Paul’s Drag Race (BBC), The Graham Norton Show (BBC), The One Show (BBC) Ant and Dec’s Saturday Night TakeAway (ITV), Gogglebox (Channel 4), Midsomer Murders (ITV), Strictly Come Dancing (BBC), Tonight at the London Palladium, All Round to Mrs Browns, The Sooty Show, Alan Carr Chatty Man, Steps On The Road Again (Sky Living), Steps The Reunion (Sky Living), Lorraine (ITV),  This Morning (ITV), Loose Women (ITV) and Top Of Tops (BBC).

The cast appearing alongside Dita Von Teese as Lady Luck (at certain performances*) and Faye Tozer as Miss Kitty LeRoy (at certain performances**) will be Alexandros Beshonges (MAMMA MIA, West End), Isabelle Bosher (Women’s Netball Super Cup, Sky Sports), Candace Cane (Performed alongside Beyoncé, Snoop Dogg and Diplo), Bethany Chan (The Lion King, West End), Georgia Eddon-Burke (Lío London Cabaret), Hollie Kate (Beauty and the Beast, Richmond Theatre), Cristian Liberti (Performed alongside Kylie Minogue, Robbie Williams & Sophie Ellis Bextor), Lady Lydia (La Clique London), Zoë Marshall (Circus OZ), Callum Quinnen (Bombay Superstars, West End), Tosca Rivola (Tarantina, Dita Von Teese World Tour), Manny Tsakanika (Magic Mike Live, West End), Zinzile Tshuma (Bring It On, UK Tour), Sienna Walker (Come What May, UK Tour) and Niko Wirachman (The Prince of Egypt, West End).

At certain performances the role of Lady Luck will be played by Didi Derrière (The Beguiling Hour, Crazy Coqs).

At certain performances the role of Miss Kitty LeRoy will be played by Katie Dunsden (Grease, Moulin Rouge, West End).

DIAMONDS and DUST is a tale of the good, the bad and the lucky featuring some of the finest West End performers the UK has to offer, magnetic burlesque starlets and dangerous cirque artists. The production promises a thrilling blend of Old West lore, vintage casino culture, high-stakes stunts and Dita Von Teese’s signature glamour.

Step into our hazy saloon and let the 52-card deck decide your fate. This is the untold story of Miss Kitty LeRoy, the Wild West’s most notorious card dealer, making her own way in a man’s world while trying her hand at taming Lady Luck for herself, perhaps in vain… 

London’s newest theatrical production serves double jeopardy as the show plants a boot firmly in plot-driven theatre and a stiletto in the nuanced art of seduction. This world premiere production promises an unforgettable evening of pre-show entertainment with exceptional dining, specially curated cocktails and electrifying theatre.

The experience continues into the early hours with Emerald After Dark, a rare late-night curated entertainment program featuring: ‘West End Wednesdays’ designed for theatre industry professionals and enthusiasts, and a line-up of both global and local DJ Talent with live entertainment every Thursday, Friday and Saturday***. During the first four weeks of the production, Emerald After Dark will be admitting patrons with a valid West End theatre ticket for free before 11pm.

The entire production conceived and directed by Tosca Rivola & Dita Von Teese, story by Tosca Rivola & co-written by Emma Henley & Careena Melia, choreography by Matt Nicholson, Dita Von Teese and Tosca Rivola, set and lighting design by Philip Gladwell, sound design by Gareth Owen, musical supervision by Lewis Carnie, associate costume designs by Jenny Quirk, wigs, hair and make-up by Sam Cox, millinery by Hood London, casting by Gusthart Casting & Pearson Casting and general management by MPSI Ltd.  The production also boasts costume designs for Dita Von Teese by British designer Jenny Packham and bespoke footwear designs by Christian Louboutin. Audiences will also be lavished with a newly curated musical soundtrack for this dynamic new production.

The show features an optional, lavish dining experience, with brunch menu which offers refined sharing bites and a supper set menu. Showcasing a farm-to-plate philosophy.

DIAMONDS and DUST is produced by Tosca Rivola, Dita Von Teese, Dee Parsons and Julian Stoneman, with co-producers Sydney Max Lee, Sienna Sinclaire, Robert Testagrossa and Paul Dainty.

*Dita Von Teese will perform during the initial opening weeks and will appear at a limited number of London shows thereafter, set for 6 performances Thursday-Sunday, each month. Please check the website for further details.

**Faye Tozer will perform during the initial opening weeks and from 14 July and will not appear in Monday performances. Please check the website for further details.

***During June/July Emerald After Dark will have Monday experiences. Please check the website for further details.

LISTINGS INFORMATION

From 16 June 2025

EMERALD THEATRE

8 Victoria Embankment,

London

WC2R 2AB

Performance schedule:

Monday, Wednesday, Thursday, Friday at 8.15pm

Saturday at 12.15pm, 4pm, 9pm

Sunday at 2:30pm, 8pm

Running time: 1 hour 55 minutes including an interval

Please check the website for specific dining and after dark timings

Age guidance: 18+

With Saturday & Sunday Brunch and matinee performances 16+ with adult supervision

Website: DiamondsxDust.com

Twitter: DiamondsxDust

Facebook: DiamondsxDust

Instagram: DiamondsxDustUK

TikTok: DiamondsxDustUK

BRENDAN GLEESON MAKES HIS WEST END DEBUT IN
CONOR McPHERSON’S
THE WEIR
PRESENTED BY KATE HORTON PRODUCTIONS AND LANDMARK PRODUCTIONS

Kate Horton Productions and Landmark Productions today announce a new production of The Weir written, and directed for the first time, by Conor McPherson (The Brightening Air, Girl from the North Country), starring Brendan Gleeson (The Banshees of Inisherin, Paddington 2) making his West End debut as Jack at the Harold Pinter Theatre from 12 September to 6 December 2025, with a press night on Friday 19 September.

The multi award-winning actor Brendan Gleeson makes a long-awaited return to the stage in Dublin playing at the 3Olympia Theatre from 8 August to 6 September before transferring to the West End. Further casting to be announced.

Tickets for the West End run are on sale now to ATG priority members and go on general sale at 10am today, Thursday 1 May via theweirplay.com.

The tallest tales reveal the deepest truths.

On a stormy night, four local men gather in an isolated pub in rural Ireland. Their usual banter and everyday lives are disrupted by the arrival of a woman called Valerie. The stories they weave to impress her are gripping, haunting and deeply unsettling. Little do they know that she has a profoundly personal story of her own, the sharing of which will leave them all shaken.

The Weir is a testament to the need for human connection, the possibility of hope, and the enduring power of storytelling.

Brendan Gleeson said, “Conor McPherson’s The Weir is one of the rarest plays around.  The last time I appeared on stage was ten years ago, at the Olympia Theatre in Dublin, where I started my career.  I can’t wait to be back there, and then to play in the West End for the first time, at the beautiful Pinter Theatre – and to work with Conor on his profoundly moving, inspiring and ultimately hopeful play.”

Conor McPherson said, “I can hardly believe it’s thirty years since I wrote The Weir – and about thirty years since I first met the wonderful Brendan Gleeson. It’s an absolute honour to bring this play to life again with one of the great titans of Irish acting. I’m hugely looking forward to directing my play for the very first time and sharing this production with audiences in Dublin and in London very soon.”

Kate Horton said, “Along with a multitude of theatregoers, I was spellbound by Conor McPherson’s play The Weir when it first premiered at the Royal Court. I’ve since been granted three wishes; to have Conor agree to direct his own masterpiece for the first time, for the magnificent Brendan Gleeson to agree to lead the cast, and for the brilliant Anne Clarke to join me as co-producer. Together, they are titans of Irish and International theatre. The Weir is a beautiful play about human connection, the endurance of hope and the essential power of storytelling. It will be a joy to share this production with audiences.”

Anne Clarke said, “In the way that people remember where they were when something significant happened – the moon landings, say, or who shot JR – I remember where I was when Kate Horton called, to tell me that she had been working with Conor McPherson on a new production of The Weir, and that Brendan Gleeson had agreed to play Jack. They were hoping the production would open in Dublin, ahead of a West End run. I had been lucky enough to work with Brendan before, when he played Dinny in The Walworth Farce at the 3Olympia Theatre in Dublin alongside his sons Brian and Domhnall, and the thought of working with him on Conor’s sublime play was a thrill. And I had known and admired Kate’s extraordinary body of work as a producer for many years, so the opportunity to work with her was another thrill. It promises to be hugely special, and I can’t wait for audiences in both Dublin and London to see it.”

The Weir is produced by Kate Horton Productions and Landmark Productions.

Brendan Gleeson

Film credits: Banshees of Inisherin (for which he was nominated for an Oscar, Golden Globe, BAFTA), Joker: Folie à Deux, The Tragedy of Macbeth, Six Shooter (winner of Academy Award), In Bruges (Golden Globe, British Independent Film, Satellite, IFTA, and BAFTA Award nominated), Harry Potter, The Tailor of Panama, In My Country, The Tiger’s Tail, The Butcher Boy, Breakfast on Pluto, Mission: Impossible II, AI, 28Days Later…, Gangs of New York, Troy, Kingdom of Heaven, Beowulf, Green Zone, Albert Nobbs, Safe House, The Company You Keep, Edge of Tomorrow, The Guard (Golden Globe, IFTA and BIFA nominated), Cavalry (winner of IFTA and BIFA), The Coen Brothers’ The Ballad of Buster Scruggs, Hampstead, Paddington 2, Trespass Against Us, Alone in Berlin, Assassin’s Creed, Live by Night, In the Heart of the Sea, Suffragette (winner of BIFA Award), The Field, Into the West, The Treaty, Far and Away, Braveheart (winner of five Academy Awards), The General (winner of IFTA and the London Critics’ Circle Film Award) and I Went Down (winner of Boston Society of Film Critics).

TV credits: Spider:Noir (Amazon/Marvel), The Good Daughter (Peacock), State of the Union (Emmy nominated), Mr. Mercedes, A Higher Loyalty (Golden Globe nominated), Into the Storm (winner of Emmy, IFTA, Satellite Award winner, Golden Globe and BAFTA Awards nominated).

Theatre credits:Following early work with Passion Machine in Dublin, theatre credits include On Such as We (Abbey Theatre) and The Walworth Farce (3Olympia Theatre).

Conor McPherson

Conor wrote and directed The Brightening Air (The Old Vic)and the Tony and Olivier Award-winning premiere of the musical Girl from the North Country (also West End and Broadway).Past theatre includes: Uncle Vanya — South Bank Sky Arts Theatre Award (West End/BBC); Port Authority (Gate Theatre, Dublin/West End); The Weir — Olivier Award for Best New Play (Royal Court/West End/Broadway); The Seafarer (National Theatre/Broadway); Shining City (Royal Court/Broadway); The Night Alive — New York Drama Critics’ Circle Award for Best Play (Donmar/Atlantic Theater, New York); Cold War (Almeida); The Nest (Lyric Belfast/Young Vic); Dance of Death (Donmar/BBC Radio).

OLIVIER AWARD WINNING TITANIQUE

ANNOUNCES NEW CAST MEMBERS
JOINING THE SHIP OF DREAMS

FROM 10 JUNE 2025

AT CRITERION THEATRE
london.titaniquemusical.com

Friday 2 May, London: Eva Price and Michael Harrison are delighted to announce new cast members joining their Olivier Award Winning splash hit West End musical Titanique from Tuesday 10 June 2025. Tickets to “The West End’s funniest new musical” (Smooth Radio) are currently booking until Sunday 4 January 2026 at london.titaniquemusical.com.

Titanique won the 2025 Olivier Award for Best New Entertainment or Comedy Play.

Joining the ship of dreams from Tuesday 10 June are Luke Bayer (Everybody’s Talking About Jamie, RENT)as Jack, Richard Carson (Les Misérables, Joseph and the Amazing Technicolor Dreamcoat)as Cal, Hiba Elchikhe (The Time Travellers Wife, Aladdin) as Rose, Carl Mullaney (La Cage Aux Folles, Les Misérables) as Ruth, Tosh Wanogho-Maud (Robin Hood – Palladium Pantomime, The Drifters Girl) as The Iceberg and Caitlin Tipping (SIX, Frozen the Musical)asoffstage Understudy.  

They join original West End cast members Darren Bennett as Victor Garber / Luigi, Lauren Drew as Céline Dion, Charlotte Wakefield as Molly Brown, Adrianne Langley, Madison Swan andRodney Vubya as on-stage background vocalists, as well as offstage understudy Freddie King. 

Eva Price and Michael Harrison commented:
“We’re so thrilled by the incredible response Titanique has received from UK audiences. We’re delighted to welcome these brilliant triple threat performers aboard this Summer to bring their extraordinary talent and humour to our unsinkable team!” 
 

★★★★★
The Times, Daily Mail, Sunday Express, Sunday Mirror, Gay Times, London Theatre

When the music of Céline Dion makes sweet Canadian love with the eleven-time Oscar®-winning blockbuster film Titanic, you get Titanique, off Broadway’s most award-winning splash hit that turns one of the greatest love stories of all time into a hysterical musical fantasia.

Want to find out what really happened to Jack and Rose on that fateful night? Just leave it to Céline Dion to enchant the audience with her totally wild take, recharting the course of Titanic’s beloved moments and characters with her iconic song catalogue. Sailing on fierce powerhouse voices in show-stopping performances of such hits as My Heart Will Go On, All by Myself and To Love you More – backed by a full live band – Titanique is a one-of-a-kind theatrical voyage bursting with nostalgia, heart and campy chaos. See you aboard the Ship of Dreams, girlfriends!

Co-written by Tye Blue, Marla Mindelle and Constantine Rousouli, Titanique celebrated its Off-Broadway premiere in June 2022 at Asylum Theater, starring the musical’s co-authors Mindelle and Rousouli as Céline Dion and Jack Dawson. After several sold-out extensions, the musical transferred to the Daryl Roth Theatre on 20 November 2022 where it continues to play until 15 June 2025. As well as New York and London, the musical comedy is currently playing Sydney and Paris.

Titanique is directed by Tye Blue and choreographed by Ellenore Scott. Music Supervision, Arrangements and Orchestrations are by IRNE Award-Winner Nicholas James Connell,Scenic Design for Titanique is by Gabriel Hainer Evansohn and Grace Lauchbacher for Iron Bloom Creative Production; Costume Design is by Alejo Vietti; and Lighting Design is by Paige Seber; and Sound Design is by Lawrence Schober with casting by Pearson Casting CDG.

In addition to its recent Olivier Award wins, Titanique won seven major awards during the 2022/23 theatre season, including three Lucille Lortel Awards, the Off-Broadway Alliance Award for Best New Musical, Las Culturistas’ Culture Award for Best Indoor Performance and two Dorian Awards.

The London production of Titanique is produced by Eva Price and Michael Harrison.

ACORN ANTIQUES THE MUSICAL

TO RETURN TO THE STAGE

FOR ONE NIGHT ONLY

AT MANCHESTER OPERA HOUSE

SUNDAY 2 NOVEMBER

From the genius of Victoria Wood and based on the iconic sketch from her show Victoria Wood As Seen On TV, Hope Mill Theatre are delighted to announce that ACORN ANTIQUES THE MUSICAL will return to the stage for one night only at Manchester Opera House on Sunday 2 November 2025 for a special fundraising concert directed by Hope Mill’s own Joseph Houston and William Whelton with musical direction and supervision by Nigel Lilley and choreography by Sammy Murray.

Tickets on-sale from 10am on Tuesday 6 May.

Come along to Manchesterford, a place full of quaint, old-fashioned shops such as “Acorn Antiques” run by sisters Miss Babs and Miss Berta. They are assisted by business partner Mr Clifford, elderly tea lady Mrs Overall, and two ‘pitiful adolescents’. But before long their cosy world faces a threat from developers, who want to turn their high street into a collection of coffee bars and sexy underwear shops. As the plot unfolds, Miss Babs and Miss Berta are faced with financial woes and family secrets, including a lost triplet sister. Will the innocent antique dealers fight off the developers and a sinister loan shark? Can they find the missing will of their father? And will Miss Berta ever find true love?

This laugh out loud musical parody will be sure to have you rolling in the aisles and toe tapping along…so grab yourself a macaroon and don’t miss this special one-off performance.

Star cast to be announced.

Victoria Wood originally wrote Acorn Antiques as a weekly slot in her sketch show, Victoria Wood As Seen on TV. She based it on the long-running serial Crossroads, and radio soap Waggoners Walk. Taking swipes at soaps with their wobbly sets, overacting, cheesy dialogue and wildly improbable plots. Its premise – the lives and loves of the staff of an antiques shop – lampooned the staples of soap operas: love triangles, amnesiacs, sudden deaths and siblings reunited.

In 2005, Victoria Wood created the musical version, with the intention of giving people a “lovely, happy night in the theatre”. It was directed by Trevor Nunn with choreography by Stephen Mear and opened at the Theatre Royal, Haymarket and had a sellout season. Several key members of the original cast joined the stage production including Julie Walters, Celia Imrie and Duncan Preston – with Victoria Wood alternating with Julie Walters in the role of Mrs Overall.  The show earned several Olivier Award nominations, including Best New Musical and winning Best Supporting Actress in a Musical for Celia Imrie.

The concert will celebrate 10 years of Hope Mill Theatre, with all box office money going towards their Outreach programme, which includes Hope Mill Theatre School, as well as funding a brand-new community space within Hope Mill.

Artistic Director of Hope Mill Theatre, Joseph Houston, said: “In celebration of our 10^th Anniversary and after the success of our previous concert staging’s, Gypsy and NINE, we are thrilled to be bringing ACORN ANTIQUES back to the stage and to its rightful home of Manchester! 20 years ago, ACORN ANTIQUES opened in the West End, starring many of the original cast members, including Julie Walters, Celia Imrie and Victoria Wood herself. In 2007 the show embarked on a tour of the UK with a revised version of the script, directed by Victoria Wood, and it is this version that we are honoured to be bringing back to audiences. Featuring much loved musical numbers including ‘Macaroons’ and ‘Tip Top Tap’ and set against the backdrop of Manchesterford, inside the iconic Acorn Antiques shop, this is a hilarious musical extravaganza and myself and Will are so honoured to be working on it alongside the Victoria Wood Estate.”

Nigel Lilley from the Victoria Wood Foundation and musical director & supervisor said: “Working with Victoria on the tour of Acorn Antiques remains the giggliest rehearsal period I can remember.  Vic was in her element – often working through the night to produce solid gold re-writes, gently giving us daily masterclasses in comic timing, and generally just delighting in those wonderful characters that she’d created so many years before.  I think Vic would be thrilled that we are dusting off our Marigolds and bringing the show back to Manchesterford – where it rightfully belongs!”

ACORN ANTIQUES THE MUSICAL is produced by Hope Mill Theatre.

Website:atgtickets.com/shows/victoria-woods-acorn-antiques-the-musical/opera-house-manchester

Facebook: @HopeMillTheatre

X: @hopemilltheatre

Instagram: @hopemilltheatre

LISTINGS INFORMATION

Manchester Opera House

3 Quay St,

Manchester

M3 3HP

Tickets from: from £35

Box Office: 0333 009 6690

EVERYMAN THEATRE, LIVERPOOL – UNTIL SATURDAY 17TH MAY 2025

REVIEWED BY MIA BOWEN

4****

Nathan Powell’s debut play, ‘Takeaway’, is the latest home-grown hit gracing Liverpool’s Everyman Theatre, running until 17 May 2025. This heartfelt and humorous piece explores themes of family, identity, and community in Toxteth, Liverpool. Directed by Amanda Huxtable, the production examines the intergenerational dynamics of a British Jamaican family as they navigate the challenges posed by gentrification and the need for cultural preservation.

Set in Hylton’s Caribbean takeaway, a beloved family-run café located in the heart of Liverpool 8, the play centres around Shelly (Bene Sebuyange). As the youngest daughter, Shelly seeks to establish her own identity in the shadow of her mother, Carol (Phina Oruche), who upholds traditional values. This familial tension extends to Shelly’s older sister, Browning (Adi Alfa), her white boyfriend, Richard (Bill Caple), and the cheerful chef of the takeaway (Wayne Rollins). The narrative unfolds against a backdrop of community unrest, turbulence times and the looming threat of luxury developments, highlighting the conflict between progress and heritage. Amid these challenges, the family must contend with new pressures. This production skilfully blends humour with poignant social commentary.

It was clear that the performance resonated with the audience on a bustling press night, as theatregoers responded warmly to the characters. During the press night, it was revealed that three out of the five actors were making their stage debut, one of whom was Adi Alfa. Her performance that evening was particularly striking; she effectively embodied a strong character with a deep connection to her heritage. In addition, Wayne Rollins provided delightful comic relief and demonstrated genuine care for the family. As the chef and a long-standing member of the takeaway staff, Rollins brought both humour and heartfelt warmth to the narrative, significantly enriching the story overall.

Georgia Wilmot’s design exuded a genuinely authentic vibe. Takeaway presents a captivating blend of humour and drama, showcasing the intricacies of family dynamics and the evolution of communities. With its relatable characters and relevant themes, it promises a truly engaging theatrical experience.

This is the first of three new productions written by Powell for The Liverpool Everyman and Playhouse in 2025. He places a strong emphasis on new writing, collaborations, diversity, inclusion, and the development of artists.

Brighton Fringe, The Level – until 1^st June 2025

Reviewed by Heather Chalkley 

3***

The excitement builds as we sample the delicious festival food and drink, people of all ages waiting in anticipation. This is our chance to get a glimpse of what is on offer under the big top at Brighton Fringe. A circus cabaret like no other! 

Revel Puck Circus is the epitome of what Fringe festivals are all about, providing an opportunity for people near and far to showcase their burgeoning talent; to entertain us in a uniquely Brighton fashion!

The ring master Nancy hosts The Rucus with lively introductions, a splash of comedy and a sales pitch for each act.

Expect the unexpected. From the quietude of Bhemoth, incorporating their flowing costume into this alternative juggling act to full bodied cabaret She’s B.Hind You, wearing the highest heels you will ever see balancing upside down on a chair (and not much else)!

Appreciate the courage and confidence. That includes the audience! InThisTogether invites you to participate in their collaborative human body balancing performance. It is quite beautiful to watch. The fun and sisterhood of The Greatest Show on Earth and high energy Neon Sun Roller Circus give you a glimpse into what it feels like to put yourself out there!

The finale performance from The Nose Dive Assembly brought the audience to a climax with their art, jeopardy and physicality, inside giant hoops on a floating stage! 

We are entertained by a medley of acts to tempt you into the festival. There is something for everyone; come drink it in, get into the spirit, whether you want a glass of milk or a full-bodied merlot!

FULL CAST AND CREATIVE TEAM ANNOUNCED FOR

JAMIE LLOYD’S PRODUCTION OF

TIM RICE AND ANDREW LLOYD WEBBER’S

EVITA

AT THE LONDON PALLADIUM

SUMMER 2025

Michael Harrison for Lloyd Webber Harrison Musicals and Jamie Lloyd forThe Jamie Lloyd Company today announce the full cast and creative team for Tim Rice and Andrew Lloyd Webber’s Evita. The production, directed by Jamie Lloyd, opens at The London Palladium on Tuesday 1 July, with previews from 14 June, and runs until 6 September 2025.

James Olivas will play Juan Perón opposite the previously announced Rachel Zegler (Eva Perón) and Diego Andres Rodriguez (Che), joined by Aaron Lee Lambert as Agustín Magaldi and Bella Brown as The Mistress / Alternate Eva.

The Ensemble are Carl Au, Gabriela Benedetti, Shakara Brown, Damian Buhagiar, Kyeirah D’Marni, Sally Frith, DeAngelo Jones, Lucas Koch, Natasha Leaver, Michael Lin, Dianté Lodge, Louis Mackrodt, Mireia Mambo, Mia Mullarkey, Perry O’Dea, Alysha Sontae, Monica Swayne, Jon Tsouras and Harrison Wilde, with Myla Carmen, Barney Hudson, Nathan Louis-Fernand, Kirsty Anne Shaw, Ricardo Spriggs and Regan Bailey Walker as Swings. Auora Breslin, Lois Haidar, Siena Merilind-Wu and Ffion Rosalie Williams share the role of The Child.

The creative team are Fabian Aloise (Choreographer); Soutra Gilmour (Set and Costume Designer); Alan Williams (Music Supervisor and Musical Director); Jon Clark (Lighting Designer); Adam Fisher (Sound Designer); Will Burton CDG (Casting Director); Jim Carnahan (US Casting Director); Carole Hancock (Wigs, Hair and Make up Designer); Harry Blumenau (Children’s Casting/ Children’s Administration); Kate Waters (Fight Director); Lily Mollgaard (Props Supervisor); Ingrid Mackinnon (Intimacy Coordinator); Rupert Hands (Associate Director); Amy Thornton (Associate Choreographer); Cory Hippolyte (Resident Director); Paris Green (Resident Choreographer); Rachel Wingate (Associate Set Designer); Kelsh B-D (Associate Sound Designer); Lucía Sánchez Roldán (Associate Lighting Designer); Rachel Woodhouse (Costume Supervisor); Harry Barker (Assistant Sound Designer); Andy Barnwell and Rich Weedon for BW Musicians (Orchestral Management)

For Evita, there will be 5,000 tickets available across the run at £25 exclusively for under 30s, key workers and those receiving government benefits. These tickets will be available across all levels of the theatre, and go on sale at a later date. Further information to be announced.

EVITA

Lyrics by Tim Rice; Music by Andrew Lloyd Webber

Directed by Jamie Lloyd

The London Palladium

Saturday 14 June – Saturday 6 September 2025

“The truth is I never left you”

Tim Rice and Andrew Lloyd Webber’s legendary Evita returns to the West End, reimagined by the visionary award-winning director Jamie Lloyd.

Featuring an iconic score including Don’t Cry For Me Argentina, Oh What A Circus, Another Suitcase in Another Hall, and the Oscar-winning You Must Love Me.

Fuelled by ambition and passion, Eva Perón rose from poverty to become the most powerful woman in Latin America. A symbol of hope to many Argentines, her star shone brightly as she captured the nation’s heart and divided its soul. 

Produced by Michael Harrison for Lloyd Webber Harrison Musicals and Jamie Lloyd for The Jamie Lloyd Company by arrangement with The Really Useful Group Ltd.

Jamie Lloyd originally directed Evita at Regent’s Park Open Air Theatre as part of their 2019 season.

Instagram:          @OfficialEvita

Facebook:           /EvitaTheMusical

TikTok:                 @EvitaMusical

Rachel Zegler makes her West End debut as Eva Perón

Theatre credits include: Romeo + Juliet (Circle in the Square Theatre, Broadway).

Film credits include: Snow White, Spellbound, Y2K, The Hunger Games: The Ballad of Songbirds and Snakes (People’s Choice Award for Action Movie Star of the Year); Shazam! Fury of The Gods and West Side Story (NBR Award for Best Actress; Golden Globe Award for Best Actress in a Comedy or Musical).

Diego Andres Rodriguez makes his West End debut as Che

For The Jamie Lloyd Company: Sunset Blvd. (St. James Theatre, Broadway).

James Olivas | Juan Perón

Theatre credits include: American Idiot (Deaf West, Los Angeles); Destiny of Desire (The Old Globe, San Diego); Kinky Boots (Hollywood Bowl, Los Angeles); Secret Garden (Ahmanson, Los Angeles). 

Television credits include: American Horror Stories (FX); Encore! (Disney+).

Voice over credits include: Bad Kids of Crestview Academy (Momentum Pictures). 

Workshop credits include: Boop! (Broadhurst, Broadway).

Aaron Lee Lambert | Agustín Magaldi

Theatre credits include: Hamilton (Victoria Palace); Unicorn (Other Palace); Sister Act (Curve Leicester/UK Tour); Sunset Boulevard (London Coliseum), Miss Saigon (Prince Edward); Sweeney Todd (London Coliseum); Urinetown (St James, Broadway/ Apollo); Sister Act (Aberystwyth Arts); Next Thing You Know (Landor); Shrek (Theatre Royal Drury Lane); Sister Act (The London Palladium); Show Boat (Carnegie Hall); Meet John Doe (Goodspeed Opera House); But the Giraffe/Brundibar (Yale Rep/ New Victory, Off-Broadway).

Television credits include: Sing: Ultimate A Cappella (Sky 1); Bernstein – Stage and Screen (BBC Proms).

Film credits include: Miss Saigon: 25^thAnniversary Performance (Universal).

Concert credits include: Danny Elfman’s Music from the Films of Tim Burton (Royal Albert Hall/ UK Tour); All That Echoes (International Tour).

Training: Yale University & Royal Conservatoire of Scotland.

Bella Brown | The Mistress / Alternate Eva

Theatre credits include: Hadestown (Lyric); Stephen Sondheim’s Old Friends (Gielgud); Rock Follies (Minerva, Chichester).

Commercial credits include: E.ON (Familia).

Training: ArtsEd.

Carl Au | Ensemble

For The Jamie Lloyd Company: Sunset Blvd. (Savoy).

Theatre credits include: Hello, Dolly! (Cornelius Hackl); Cabaret (Lido 2 Paris); Kiss Me Kate (Barbican); Anything Goes (Barbican/ UK Tour); South Pacific (Chichester Festival); Aladdin (Cambridge Arts); High Fidelity (Turbine); Cilla The Musical (UK Tour); The Ostrich Boys (Belgrade B2); Bright Phoenix (Liverpool Everyman); Jersey Boys (Prince Edward); Bells Are Ringing (Union); The Fantasticks (Duchess); Dance: Radio (York Theatre Royal/ Roundhouse); A Christmas Carol (Birmingham Repertory); High School Musical (Hammersmith Apollo); Pendragon (UK Tour/Japan Tour); Sinking Water (Theatre Royal Stratford East).

Film credits include: The Magician’s Garden (Bohemian Pictures).

Television credits include: Waterloo Road, Doctors, Till Death Us Do Part, Casualty (BBC).

Other credits include: Feather Boy (Blacklist Entertainment); Peter & The Wolf (ACT Productions). 

Training: ArtsEd (Stephen Sondheim Prize for Student Performer of the Year). 

Gabriela Benedetti | Ensemble

Theatre credits include: Hamilton (UK & Ireland Tour); Cabaret (Playhouse); Legally Blonde (Regent’s Park Open Air).

Training: Urdang Academy.

Shakara Brown | Ensemble

Theatre credits include: Thriller Live (Lyric/ International Tour).

Television credits include: Dance 100 (Netflix); Eurovision 2023; The National Lottery’s Big Night of Musicals; The National Lottery’s New Years Bash (BBC).

Concert credits include: Diversity Tour (UK Tour); FIFA World Cup Opening Ceremony; FIFA World Cup Closing Ceremony (Al Bayt Stadium).

Commercial credits include: We Buy Any Car; Smirnoff; Married at First Sight (Channel 4); Sky Mobile (Sky).

Training: Liverpool Institute of Performing Arts & London Studio Centre.

Damian Buhagiar | Ensemble

Theatre credits include: My Fair Lady; West Side Story (Curve, Leicester); Sister Act (Eventim Apollo/ UK Tour); Grease (UK Tour); Mamma Mia! (Novello); Thoroughly Modern Millie (UK Tour); In the Heights (Southwark Playhouse/ King’s Cross); Bugsy Malone (Lyric); Jersey Boys (UK Tour). 

Television credits include: Gavin and Stacey: The Finale (BBC One).

Training: ArtsEd.

Kyeirah D’Marni | Ensemble

Theatre credits include: Hamilton (UK & Ireland Tour/ Hamburg); Cinderella (Opera House, Manchester); Aladdin (Pomegranate Theatre, Chesterfield).

Television credits include: Go For It Game Show (ITV).

Other credits include: Carnival Cruise Lines (Carnival Entertainment); P&O Australia (Grayboy Entertainment); NFL Opening Ceremony (Mass Talent); ISTD Exchange (Vietnam).

Training: Performers College.

Sally Frith | Ensemble

Theatre credits include: Chariots of Fire (Sheffield Crucible); Cabaret (KitKat Club); Pippin (Theatre Royal Drury Lane); CATS (International Tour); Legally Blonde (Curve, Leicester/ UK Tour); Spamalot (Mercury, Colchester); Spend Spend Spend (Union); Mamma Mia! (International Tour).
Television credits include: Doctors (BBC).

Workshop credits include: Jekyll and Hyde (Lambert Jackson).

DeAngelo Jones | Ensemble

Theatre credits include: Hamilton (UK/ Ireland Tour); The Bodyguard (Ronacha, Vienna); Kiss Me Kate (Opera North/ London Coliseum).

Television credits include: Bad Education (BBC).

Workshop credits include: Why Am I So Single? (Garrick).

Voiceover credits include: Supa Team 4 (Netflix).

Training: The BRIT School & Bird College.

Lucas Koch | Ensemble

Theatre credits include: Kiss Me, Kate (Barbican); Crazy for You (Gillian Lynne); Choir of Man (Arts); My Fair Lady (Curve, Leicester); Million Dollar Quartet (Barn).

Workshop credits include: La La Land (Lionsgate); Bliss (ATG).

Composing credits include: Lapin.

Training: Mountview Academy of Theatre Arts.

Natasha Leaver | Ensemble

Theatre credits include: Disaster: A 70s Disaster Movie Musical (Charing Cross); Motown: The Musical (Shaftesbury); The Beggar’s Opera (International Tour); Man of La Mancha (London Coliseum); Wonderful Town (Opera Holland Park); Hamilton (Victoria Palace); A Funny Thing That Happened On The Way To The Forum (Lido2Paris, Paris); Why Am I So Single (Garrick).

Concert credits include: WizKid (O2 Arena). 

Michael Lin | Ensemble

For The Jamie Lloyd Company: Sunset Blvd. (Savoy).

Theatre credits include: The Red Shoes (Royal Shakespeare Company); Hello Dolly!; Wizard of Oz (The London Palladium); 42nd Street (Théâtre du Châtelet, Paris); Billy Elliot, Grease (Curve, Leicester); Anything Goes (Barbican); White Christmas (Dominion); Oklahoma!; Forty Years On (Chichester Festival); West Side Story (Royal Exchange, Manchester); The Rink (Southwark Playhouse); Thoroughly Modern Millie (Kilworth House); Annie (UK Tour); Anything Goes (Crucible/ UK Tour); Thriller Live! (UK & European Tour); Pinocchio (National); Aladdin (Hackney Empire).

Concert credits include: Your Lie in April (Theatre Royal Drury Lane).

Other credits include: Disneyland Hong Kong; Hong Kong Tap Festival.

Training: Laine Theatre Arts.

Dianté Lodge | Ensemble

Theatre credits include: MJ The Musical (Prince Edward); Matilda (Cambridge); Peter Pan (The London Palladium); Carousel (Kilworth House); Best of West End (Royal Albert Hall); Coppelia (Cockpit).

Film credits include: Snow White (Disney).

Television credits include: Royal Variety Performance 2020 (ITV).

Workshop credits include: Burlesque; Play On!; Sinbad; KIN.

Music video credits include: Hip Neck Spine (Daphne Guinness); Twisted & Black British (V V Brown).

Movement director/choreographer credits include: Remembrance Monday (Seven Dials Playhouse); Charity (BFI).

Training includes: Laine Theatre Arts.

Louis Mackrodt | Ensemble

Theatre credits include: Hamilton (Victoria Palace); Robin Hood (The London Palladium); The Artist (Theatre Royal Plymouth); Treason (The London Palladium/ UK Tour); 42 Balloons (Vaudeville); Guys and Dolls (Theatre Marigny, Paris); The Producers (Royal Exchange, Manchester); Bhangra Nation (Birmingham Rep); Alonso in Lewis (King’s Head/ Edinburgh Festival); Time Flies (Theatre Royal Drury Lane); Peter Pan (Churchill/ Hull New).

Film credits include: Maersk’s Together All the Way Campaign (Copenhagen Film Company).

Television credits include: Bridgerton, The Witcher (Netflix); National Lottery’s Big Night of Musicals (BBC).

Workshop credits include: The Red and the Black; The Witches of Eastwick; 42 Balloons; Babies; Icon The K Pop Musical.

Commercial credits include: Liberty Mutual; Tropics Skincare; Herbalife.

Training: Laine Theatre Arts.

Mireia Mambo | Ensemble

For The Jamie Lloyd Company: Sunset Blvd. (Savoy).

Theatre credits include: A Chorus Line (Sadlers Wells/ Curve, Leicester/ UK Tour); Newsies (Troubadour Wembley Park); West Side Story (Curve, Leicester); The Bodyguard; Sister Act (National Spanish Tour); Hairspray (London Coliseum); Evita; Ragtime; A Midsummer Night’s Dream (Regent’s Park Open Air); Motown The Musical (Shaftesbury); Scaramouche (Teatre Victoria, Barcelona); Charlie and The Chocolate Factory (Theatre Royal Drury Lane).

Film credits include: Aladdin (Walt Disney Pictures).

Television credits include: Missing You; KAOS (Netflix); Zorro (Amazon); Servir y Proteger (Plano A Plano, TVE).

Mia Mullarkey | Ensemble

Theatre credits include: Roman Holiday (Theatre Royal, Bath); Hamilton (UK & Ireland Tour).

Training: Arts Ed.

Perry O’Dea | Ensemble

Theatre credits include: Mrs Doubtfire (Shaftesbury); Guys and Dolls (Bridge); Anything Goes (Barbican/ UK Tour); Joseph and the Amazing Technicolor Dreamboat (The London Palladium); Motown-The Musical (UK Tour); Young Frankenstein (Garrick); Grease (Curve, Leicester); Chitty Chitty Bang Bang (West Yorkshire Playhouse/ UK Tour); Oklahoma!, Joseph and his Amazing Technicolour Dreamcoat, Blood Brothers, Evita (UK Tour).

Film credits include: Blitz (Apple TV); Wonka (Warner Bros Pictures).

Other credits include: Ross Noble El Hablador Tour (UK Tour).

Workshop credits include: Revived musical (Bristol Old Vic).

Training: Arts Ed.

Alysha Sontae | Ensemble

Theatre credits include: Footloose (Southwark Playhouse); Cinderella (Fairfield Halls).

Concert credits include: Little Simz – The BRIT Awards (The O2 Arena).

Training: The BRIT School & Urdang Academy.

Monica Swayne | Ensemble

Theatre credits include: Frozen (Theatre Royal Drury Lane); The Light In The Piazza (Royal Festival Hall/ LA Opera/ Lyric Opera of Chicago), Evita (Regent’s Park Open Air); Follies (National); Me & My Girl (Chichester Festival); Aladdin (Prince Edward); Der Rosenkavalier (Royal Opera House); Mary Poppins (UK Tour); Follies In Concert (Melbourne Recital Centre); Fiddler On The Roof (Australian Tour), Last Man Standing (Melbourne Theatre Company), Nice Work If You Can Get It, Anything Goes and Dirty Rotten Scoundrels (State Theatre, Melbourne); Wicked (Australasian 10th Anniversary Tour); Mary Poppins (Australia & New Zealand Tour); West Side Story (Australian Tour).

Jon Tsouras | Ensemble

For The Jamie Lloyd Company: Sunset Blvd. (Savoy).

Theatre credits include: MJ The Musical (Prince Edward); Moulin Rouge! (Piccadilly); Be More Chill (Other Palace); Hairspray, My Fair Lady (UK Tour); Kiss Me, Kate (Welsh National Opera/ UK Tour); Dirty Rotten Scoundrels, Legally Blonde (Savoy); A Chorus Line (The London Palladium); Jesus Christ Superstar (National Arena Tour); Evita (Regents Park Open Air); White Christmas (The Lowry); Priscilla Queen Of The Desert (Palace); Lord Of The Rings (Theatre Royal Dury Lane); White Christmas (Theatre Royal Plymouth/ Mayflower, Southampton); Saturday Night Fever (European Tour); Gigi, The Hunchback of Notre Dame (Stratford Festival, Canada); Starlight Express (Bochum, Germany).

Concert credits include: My Fair Lady in Concert (BBC Proms/ Royal Albert Hall).

Television credits include: EastEnders (BBC).

Harrison Wilde | Ensemble

For The Jamie Lloyd Company: Sunset Blvd. (Savoy).

Theatre credits include: Robin Hood, The Wizard of Oz (The London Palladium); Kiss Me, Kate (Barbican); Cats, Chicago the Musical (International Tour); Mamma Mia! (Novello).

Training: Diverse Choreography Dubai & Laine Theatre Arts.

Myla Carmen | Swing

Theatre credits include: Jesus Christ Superstar (UK Tour); The Lion, The Witch and The Wardrobe (Gillian Lynne); The Queen of Hearts (Greenwich); West End Spectacular (ExCel London).

Film credits include: The Secret Santa Project (Sea High Productions).

Television credits include: The Crown (Netflix).

Commercial credits include: Lego; BP Rewards.

Training: Italia Conti, CAT Scheme & The Rhythm Studio.

Barney Hudson | Swing

Theatre credits include: Hamilton (Victoria Palace); Everybody’s Talking About Jamie (Sheffield, Crucible); Bugsy Malone (Lyric Hammersmith); Last Night a DJ Saved My Life (UK Tour); Cinderella (Barclaycard Arena).

Television credits include: X Factor, Britain’s Got Talent (ITV); FA Cup Final (BBC).

Nathan Louis-Fernand | Swing

Theatre credits include: Magic Mike Live (Hippodrome); Hamilton (Victora Palace); & Juliet (Shaftsbury); The Lion, The Witch and The Wardrobe (Bridge); The Lion King (Lyceum); Sleeping Beauty (Hackney Empire); Carousel (Opera North); Man in the Mirror (UK Tour); Oliver! (Gielgud).

Film credits include: WONKA (Warner Brothers Pictures).

Concert credits include: Jingle Bell Ball (O2 Arena); KSI Summertime Ball (Wembley Stadium); Team GB Homecoming (SSE Arena); The Blast Off Tour (UK Arena Tour).

Music video credits include: Diplo & Damien Lazarus Ft. Jungle – Don’t Be Afraid (Higher Ground); Jesy Nelson Ft. Nicki Minaj – Boys (Polydor/ Republic Universal); Lost Under Heaven (KZ Creatives); Scott Vlassis – Moonlight (Polydor); Nuuxs – Snowflakes (Goldun Egg); Swedish House Mafia & Connie Constance – When Heaven Takes You Home (SSA Recording).

Assistant choreographer credits: Andro Earth 360 Degrees (KZ Creatives).

Other credits include: UEFA 2020m Final Opening (Wembley Stadium); Street Dancer 3D (Birdgang Ltd).

Training: Urdang Academy, Sylvia Young Theatre School & Birdgang Ltd.

Kirsty Anne Shaw | Swing

For The Jamie Lloyd Company: Sunset Blvd. (Savoy).

Theatre credits include: Tina – The Tina Turner Musical (Aldwych); 9 to 5 The Musical (Daegu Opera House/ UK Tour); Cinderella (Alban Arena); Beauty and the Beast (New Royal Portsmouth); West Side Story – BBC Shakespeare Live (Royal Shakespeare Company); Peter Pan (Imagine). 

Film credits include: Wicked (Universal); The York Witches Society (Vertical Entertainment).

Ricardo Spriggs | Swing

Theatre credits include: Aladdin (Prince Edward/ UK & Ireland Tour); 9 to 5 The Musical (Savoy / UK Tour/ Daegu, South Korea); Mamma Mia!, Chicago (Royal Caribbean Cruise Line)
television credits include: Disney’s Broadway Hits (Disney+); Children In Need (BBC)
training: Leicester College of Performing Arts.

Regan Bailey Walker | Swing

Theatre credits include: Into The Woods, Sister Act (ArtsEd).

Television credits include: EastEnders (BBC).

Training: ArtsEd. 

Tim Rice

Tim Rice has worked in music, theatre and films since 1965 when he met Andrew Lloyd Webber, a fellow struggling songwriter. Rather than pursue Tim’s ambitions to write rock or pop songs they turned their attention to Andrew’s obsession – musical theatre. Their first collaboration, The Likes Of Us, did not set the musicals world alight, but their next three works together did – Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar and Evita.

Tim has since worked with other distinguished composers such as Elton John (The Lion King, Aida), Alan Menken (Aladdin, King David, Beauty and the Beast), Bjorn Ulvaeus and Benny Andersson (Chess), and Stuart Brayson (From Here To Eternity). He has also written with Freddie Mercury, Burt Bacharach, Graham Gouldman, Gary Barlow and Rick Wakeman among others. Many of his musicals continue to play around the world in a huge variety of productions, big and small.

In 2024 Tim toured England (22 towns/cities) to present an evening of his songs, mercifully performed by top singers and musicians rather than by him, to which he added reminiscence and comment, recalling their creation, success (or rejection) and the joy (usually) of working with great composers. The show, entitled My Life In Musicals, did so well that it is to be repeated in 2025, this time taking in Wales, Scotland and Ireland too.

Sir Tim’s interests beyond music, film and theatre include cricket and he founded his own team in 1973. Heartaches CC has now played over 750 matches and been on playing tours to the USA, Russia, France, Estonia, Hungary, Germany and South Africa. He was President of the world’s most famous cricket club, MCC, in 2002.

He has recently recorded a series of talks for BBC Maestro on Writing and Performing in Musical Theatre. He writes and presents a podcast (entitled Get Onto My Cloud) about his sixty-year career– playing hits and flops, out-takes and number ones.

He dedicates considerable time to several British educational institutions and charities, many connected with sport for disadvantaged children. He is a patron of the Bob Willis Fund (along with Bob Dylan!), an enterprise inspired by the late great English cricketer, dedicated to raise prostate cancer awareness.

He crops up here and there in all branches of the media drawing on his extensive knowledge of the history of popular music. He has won several awards, mainly for the wrong thing or for simply turning up, but since you ask: 1 Emmy, 5 Grammys, 3 Tonys and 3 Oscars, making him an EGOT. His shows have spent more weeks on Broadway than those of any other British lyricist. He was knighted by Her Late Majesty the Queen in 1994. Despite hints, he is not retiring just yet.

Andrew Lloyd Webber

Andrew Lloyd Webber has composed the scores of some of the world’s most famous musicals. Lloyd Webber has had shows running across the world for decades, including continually in London’s West End for 50 years.

When Sunset Boulevard joined School of Rock, CATS, and The Phantom of the Opera he equalled Rodgers & Hammerstein’s record of four shows running simultaneously on Broadway. He is one of the select group of artists with EGOT status, having received Emmy, Grammy, Oscar, and Tony Awards. 

Lloyd Webber owns six London theatres including the iconic London Palladium and Theatre Royal, Drury Lane. Reopened in July 2021, the latter was completely restored and renovated at a cost of over £60 million. It was one of the biggest projects ever undertaken by a private theatre owner in recent times. His mantra is that every penny of profit made from his theatres is ploughed back into the buildings. 

Lloyd Webber is passionate about the importance of musical education and diversity in the arts. The Andrew Lloyd Webber Foundation provides 30 performing arts scholarships every year for talented students with financial need and supports a range of projects such as the Music In Secondary School Trust and commissioning research into diversity in theatre. 

Andrew Lloyd Webber has composed music for globally significant moments, including Olympic ceremonies and World Cup celebrations. He has been asked to compose for many royal occasions, the most recent being “Make a Joyful Noise”, an Anthem for the Coronation of King Charles III. 

Andrew Lloyd Webber was knighted in 1992, created an honorary life peer in 1997, and made a Knight Companion of the Most Noble Order of the Garter by King Charles III in 2024. 

Jamie Lloyd directs. His credits for The Jamie Lloyd Company include Much Ado About Nothing and The Tempest (Theatre Royal Drury Lane), Romeo & Juliet (Duke of York’s Theatre), Sunset Blvd. (St. James Theatre, New York/Savoy Theatre – winner of seven Olivier Awards including Best Director and Best Musical Revival; Evening Standard Theatre Award for Best Director), The Effect (National Theatre/The Shed, New York), A Doll’s House (Hudson Theatre, New York – nominated for six 2023 Tony Awards including Best Direction of a Play and Best Revival of a Play), The Seagull (Harold Pinter Theatre), Cyrano de Bergerac (Playhouse Theatre/Harold Pinter Theatre/Brooklyn Academy of Music, New York – Olivier Award for Best Revival; Critics’ Circle Theatre Award for Best Director), Betrayal (Harold Pinter Theatre/Bernard B. Jacobs Theatre – nominated for four 2021 Tony Awards including Best Direction of a Play and Best Revival of a Play; Critics’ Circle Theatre Award for Best Director), Pinter at the Pinter (Harold Pinter Theatre), The Maids, The Homecoming, The Ruling Class, Richard III, The Pride, The Hothouse and Macbeth (Trafalgar Studios).

LISTINGS

The London Palladium

Box Office: evitathemusical.com / 020 3925 2998

Saturday 14 June – Saturday 6 September 2025

Rachel Zegler is not scheduled to perform on Monday 14 July, Monday 28 July, Monday 11 August and Monday 25 August 2025. The role of Eva Perón for these performances will be played by Bella Brown.

Access Performances

Audio Described Performance:   Saturday 12 July at 2:30pm

Captioned Performance:               Saturday 9 August at 2:30pm

BSL Performance:                           Saturday 23 August at 2:30pm

Cloudburst Productions today announces the London run of A Manchester Anthem at Riverside Studios (Studio 3), following its highly successful sell-out seasons at the Edinburgh Fringe Festival 2023 and VAULT Festival 2023. 

Winner of the Pleasance Pick of VAULT Festival Award, ‘Show of the Week’ winner, and Off Fest nominee, Nick Dawkins’A Manchester Anthem, opens at Riverside Studios on 20 August, with previews from 19 August, and runs until 13 September, following a limited run at Hope Mill Theatre, Manchester, opening 31 July, with previews from 29 July, running until 2 August. Izzy Edwards will direct Tom Claxton who will reprise his role as Tommy in this hit solo show.

Nick Dawkins said today, “”I’m thrilled to be bringing this story to life with such a talented team of wonderful people. A Manchester Anthem hopes to encapsulate the intense excitement that comes with deciding to leave your hometown, as well as the fear that comes with that decision about how it will change and shape who you are. It’s a look at growing up and the family, friends and favourite songs we use to define ourselves. It’s funny, it’s heartfelt, and, I think, really has something in it for everyone. I can’t wait for audiences to join Tommy on this unforgettable night out”.

Cloudburst Productions Ltd presents

A MANCHESTER ANTHEM

by Nick Dawkins

Original Direction: Charlie Norburn; ProductionDirector: Izzy Edwards; Designer: Anna Niamh Gorman; Performer: Tom Claxton

Hope Mill Theatre, Manchester

29 July to 2 August

Riverside Studios, London

19 August to 13 September

Flashing lights. Sticky floors. Dancing shoes. Tommy, a young working-class Mancunian, has been accepted into Oxford. He’s the first in his family to go to uni – the first on his street in fact… Join him on his last big night in Manchester before leaving the city he loves and disappearing South. Expect humour, heart and a night out to remember.

Izzy Edwards is a director and dramaturg currently working in creative development at Sonia Friedman Productions. As a freelance artist, she has developed work in both the US and UK with artists including Lauren Gunderson, Punchdrunk, and Mark Ravenhill. Her credits include anthropology (Dramaturg, Hampstead Theatre), The Time Traveller’s Wife (Assistant Director, Storyhouse Chester), and La Boheme (Associate Director, King’s Head Theatre).

Nick Dawkins is an award-winning playwright and dramaturg with an MA in Writing for Stage and Broadcast Media from The Royal Central School of Speech and Drama. A Manchester Anthem has won multiple awards including Pleasance Pick of the VAULT Festival, Show of the Week VAULT Festival and Broadway Baby’s Bobby Award. His work has also been performed at The Space, Southwark Playhouse, The Vaults and The Pleasance Theatre.

Tom Claxton reprises his role of Tommy. His theatre credits include, Romeo & Juliet (Regent’s Park Open Air Theatre), Kick, Heart of Hammersmith (Lyric Hammersmith). His film credits include Boys in the Boat. His television credits include Domino Day, One Day, SAS: Rogue Heroes, Doctors, and Still So Awkward. 

A MANCHESTER ANTHEM

LISTINGS

Hope Mill Theatre

113 Pollard Street

Manchester, M4 7JA

Box Office: 0161 275 9141 / boxoffice@hopemilltheatre.co.uk

https://hopemilltheatre.co.uk

Tickets available here: https://hopemilltheatre.co.uk/event/manchester-anthem/

Age Guidance: 15+

TICKETS

£23.50, concession £21.50.

29 July – 2 August

Performances Tuesday to Friday at 7:30pm

Performance on Saturday 2:30pm and 7:30pm

Riverside Studios (Studio 3)

101 Queen Caroline Street, Hammersmith

London W6 9BN

Box Office: 020 8237 1010 / boxoffice@riversidestudios.co.uk

https://riversidestudios.co.uk

19 August – 13 September

Tickets available here: https://riversidestudios.co.uk/see-and-do/a-manchester-anthem-174673/

Age Guidance: 15+

TICKETS

From £20.00, concession £18.

Performances Monday to Wednesday at 7:45pm

Performances on Thursdays at 2pm and 9pm

Performances on Fridays at 7pm

Performances on Saturdays 1:45pm and 6:15pm

The Barricade Boys will headline The Big Free Fringe Weekend on Guildford High Street, 9 – 10 August 2025

The Big Free Fringe Weekend, a weekend of free, family-friendly events organised by Guildford Fringe, celebrating local community and culture, will return to Guildford High Street on Saturday 9 and Sunday 10 August, and it is set to be bigger and better than ever.

The weekend will kick off with an open-air evening performance at 6.30pm by internationally renowned theatrical vocal group The Barricade Boys. Fresh from their acclaimed runs on Broadway and in the West End, the group will perform from the iconic Guildhall Balcony, with audience members invited to bring a blanket or seat to enjoy the show.

From 12 – 4pm on Sunday, Guildford High Street will come alive with a wide range of free family entertainment, including street theatre, live music, arts and crafts, and delicious street food.

All events are completely free to attend, with donation points available for anyone who is able to contribute to keep the Fringe going. Guildford High Street will be closed to traffic from Saturday evening through to Sunday evening to make way for the weekend’s events. The weekend will be supported by Medirek, who will be supplying first aid services.

The Big Free Fringe Weekend is just one of many Guildford Fringe events happening in 2025. Others recently announced include an inaugural Guildford Comedy Festival (7-11 July), and Guildford Fringe Festival, the town’s largest independent arts festival, which this year runs in the Autumn (5-20 September). Set up in 2013, The Fringe is an open access, multi-arts festival. Rounding off this year, Guildford Fringe’s pantomimes are now on sale, with tickets selling fast. For family audiences, comes an enchanting new production of Cinderella at Godalming Borough Hall from 13-28 December. For grown-ups only, embark on an uproarious Adult Panto adventure with Jack and his Giant Stalk at the Back Room of the Star Inn from 20 November-10 January.

To find out more about the free Barricade Boys performance on Saturday 9 August, visit guildfordfringefestival.com/events/the-barricade-boys-on-the-balcony

To find out more about the free Family Fun Day on Sunday 10 August, visit guildfordfringefestival.com/events/fringe-family-fun-day