The Drifters Girl Review

Birmingham Hippodrome – until 20th April 2024

Reviewed by Emma Millward

4****

The Drifters Girl made its world premiere at the Theatre Royal, Newcastle in 2021. Telling the story of Faye Treadwell who, after the untimely death of her husband George, became one of the first African-American woman managers, who would eventually turn The Drifters name into a brand that she fought many legal battles over. 

Writer Ed Curtis takes us on a journey through the story of the success and many, many line-up changes since the formation of the band in 1953. There were over sixty different band members during the course of the band’s history. This constant change means there is a lot of information to cover, and unfortunately, I felt this made the storyline feel a little hectic and left it feeling slightly rushed to fit everything in. 

The cast consists of a small ensemble of six performers. Carly Mercedes Dyer in the role of Faye Treadway, Jada Bell-Ricketts as Faye’s daughter Tina/Girl and playing The Drifters are Miles Anthony Daley, Ashford Campbell, Tarin Frimpong and Daniel Haswell. Every male character in the show is played by these four male leads. This can become confusing at times, as you aren’t sure which of the 60+ band members or other characters they are portraying. Character changes often happen with the swap of a jacket or a hat, with the audience sometimes left to figure out which characters are which. 

The character of Faye Treadwell has a lot of stage time, but the show doesn’t really delve into her story as much as I would have expected. A lot of plot points are told to the audience rather than being acted out onstage. The cast work well together though, and definitely throw themselves into the many varied characters they have to play. I enjoyed the cheeky nod to Sir Bruce Forsyth when the band were playing at the London Palladium. 

The show, of course, has an amazing soundtrack, with lots of instantly recognisable Drifters hits. The music captivated the audience from the first note. The live band (Dustin Conrad, James Beal, Eleanor Sandbrook, Dan Taylor, Dan Booth, Bret Vanderburg and Charlie Maguire) were phenomenal. The vocals from all the cast were amazing, especially from Carly Mercedes Dyer who belted out the tunes with such power. The original show featured Beverley Knight as Treadwell. Those are big shoes to fill and Dyer achieved that throughout! 

Fay Fullerton’s costume design is exquisite, depicting the different fashions as the years progressed. Anthony Ward’s set design is minimal, but makes the perfect backdrop for the show. Clever use of projections and lighting are used to change the scenes. Karen Bruce’s choreography works perfectly for the songs being performed and gives an authentic soulful feel to proceedings. 

In all, the production works well, considering the vast amount of story to cover in a two-hour show. More could have been told of Faye Treadwell’s inspiring story and her relationship with her daughter. I left the theatre feeling I still didn’t know the whole story of The Drifters, but I definitely enjoyed a few hours of joyful, feel-good music that made the audience want to get up and dance!!

Dame Judi Dench launches £600,000 appeal to build rehearsal block, band room and offices at The Mill at Sonning Theatre

Dame Judi Dench launches £600,000 appeal
to build rehearsal block, band room and offices
at The Mill at Sonning Theatre

Dame Judi Dench and Simon Williams on stage at The Mill at Sonning with Sewa Zamba and Reeus Sugden,second year students from the Royal Central School of Speech and Drama
Photo Andreas Lambis
An artist’s impression of the new extension at The Mill at Sonning

Dame Judi Dench has launched a £600,000 fundraising appeal for a new rehearsal block, a band room and offices at the Mill at Sonning Theatre with an afternoon event celebrating her life and career.

Hosted by actor and writer Simon Williams, Dame Judi spoke in depth about her incredible career spanning across film, theatre, and television. Recounting how she can remember whole texts of Shakespeare, the Oscar-winning actress stood up and performed an entire soliloquy by Viola from Twelfth Night, prompting a standing ovation from the sold-out audience.

Simon and Dame Judi were also joined on stage by Sewa Zamba and Reeus Sugden, second year students from the Royal Central School of Speech and Drama, from where Dame Judi is an alumni. Sewa and Reeus performed selected lines from The Merchant of Venice and Macbeth, and were given a potted masterclass from an impressed Dame Judi.

Sally Hughes, managing director of The Mill at Sonning, said: Like so many regional theatres, the Mill is always in need of modernising and updating. Planning permission has been granted for the building now we just have to raise the money. It is a two-storey building on stilts so that we don’t lose valuable car parking spaces. It has more offices and storage space for wardrobe and props. It will have a band room for our annual Christmas blockbuster musical. The building next to it will have a new roof and also be upgraded. This building currently houses the dressing rooms and backstage offices. The rehearsal room will be at the top of the new building.

“The Dame Judi afternoon was a fantastic start in our aim to raise £600k and we will holding more special events throughout the year. It was so special havng acting royalty treading our boards. I found myself wiping away a few tears when Dame Judi performed the speech from Twelfth Night, it was beautiful and amazing to witness.”

The Mill at Sonning Theatre
Set majestically on the banks of the River Thames, the Mill at Sonning Theatre is celebrating more than 40 years of entertainment. Uniquely, as one of the only dinner theatres in the United Kingdom, it has gained unrivalled praise both nationally and internationally, winning awards such as the 2023 UK  Theatre Award Winner for the Best Musical Production for GYPSY, and The Most Welcoming Theatre 2016, 2017 and 2018. The intimate theatre seats 217. The elegant restaurant, separate from the theatre but within the premises, with views over the river Thames has the friendliest young staff of waiters and waitresses. A spinning waterwheel features in the gorgeous bar. Only a short taxi journey from the Elizabeth Line (Reading Station or Twyford Station), The Mill at Sonning Theatre is the perfect day trip from London. A two-course meal, coffee and tea, and a beautiful programme are included in the price of the tickets

FANNY – FULL CASTING ANNOUNCED FOR WORLD PREMIERE PRODUCTION OF NEW COMEDY BY CALUM FINLAY AND STARRING MISCHIEF’S CHARLIE RUSSELL – AT THE WATERMILL 23 MAY – 15 JUNE

FANNY

FULL CASTING ANNOUNCED FOR WORLD PREMIERE PRODUCTION OF

NEW COMEDY BY CALUM FINLAY AND STARRING MISCHIEF’S CHARLIE RUSSELL

AT THE WATERMILL THEATRE

23 MAY – 15 JUNE

BOOK ONLINE AT WATERMILL.ORG.UK OR VIA THE BOX OFFICE ON 01635 46044

Full casting has been announced for the world premiere production of FANNY, a new comedy by Calum Finlay that will play at The Watermill from Thursday 23 May to Saturday 15 June.

…who?

You’ll probably know her younger brother, Felix Mendelssohn, from 19th century smash hits like The Wedding March. He was the Cliff Richard of his day and was even asked to play at a personal concert for Queen Victoria. But only if he played her favourite piece of music ever, a song called Italien. However, we now know that Felix was forced to admit to the Queen that, in actuality, the piece had been composed by his sister, Fanny, and simply published under his name.

FANNY imagines that Fanny intercepts a letter addressed to ‘F. Mendelssohn’ inviting Felix to play for Queen Victoria. As the true composer of Italien, she decides to hide the letter, don her brother’s clothes, and take his place at the palace…cueing a race across Europe and a furious Felix.

Produced by RJG Productions and The Watermill Theatre and directed by Katie-Ann McDonough, this fun and irreverent new comedy celebrates classical music and – at last – recognises the work of a composer overlooked for her sex.

Joining the previously announced Charlie Russell (The Goes Wrong Show – BBCThe Play That Goes Wrong – West End & Broadway) as Fanny, Corey Montague-Sholay (Bacon – Finborough Theatre, Edinburgh Fringe, Riverside Studios, Bristol Old Vic & Soho Playhouse, New York, Wendy & Peter Pan – Leeds Playhouse) as Felix, Harry Kershaw (The Play That Goes Wrong – West End, Peter Pan Goes Wrong – West End & Broadway) as Paul, Kim Ismay (Elf The Musical – West End, Wicked – West End, UK & International Tour) as Lea, George Howard (Sherwood – BBC, Witness for the Prosecution – London County Hall) as Willhelm and Jade May Lin (professional debut) as Clara. 

Joining McDonough on the creative team are Yshani Perinanayagam (Emilia – West End, Wolf Witch Giant Fairy – Linbury Theatre, Royal Opera House) as Composer & Musical Director, HJB Casting as Casting Director, Sophia Pardon (The Wizard of Oz – Watermill Theatre, How To Succeed In Business Without Really Trying – Southwark Playhouse) as Set & Costume Designer, David Howe (The Mind Mangler – West End, Off-Broadway & UK Tour, A Comedy About A Bank Robbery – West End & UK Tour)as Lighting Designer, Thomas André Wasley (Touching The Void – Hong Kong Arts Festival & West End, Wolf Witch Giant Fairy – Linbury Theatre, Royal Opera House) as Sound Designer, Hannah Gilbert asCostume Supervisor, Olivia Wolfenden as Company Stage Manager on Book and Sophy Johnston as Assistant Stage Manager.

Director Katie-Ann McDonough said, “FANNY is a story that needs to be told and I’m excited to bring it to life with this incredible cast and creative team. Fanny Mendelssohn’s story has been waiting in the background for far too long and I can’t wait for audiences to experience it with us.”

Producer Rebecca Gwyther said, “We could not have hoped for a more symphonic team to bring FANNY to life at the Watermill Theatre. After years of development, we’re ready for audiences to experience Fanny’s story in this imaginative comedy that’s certain to strike a chord.”

Joint CEOs of The Watermill, Artistic Director Paul Hart, Executive Director Claire Murray, said, “We’re delighted to be collaborating with Rebecca and the team to stage the world premiere of FANNY at the Watermill Theatre.  We think audiences will love this hilarious new play inspired by the remarkable truth of who actually composed Felix Mendelssohn’s greatest hits!”

You Are the Sun -Royal Festival Hall May & UK Tour 2024

HurlyBurly Presents

YOU ARE THE SUN

A VERY FIRST OPERA FOR 0-2 YEAR OLDS

AT LONDON’S SOUTHBANK CENTRE

The Royal Festival Hall at London’s Southbank centre welcomes HurlyBurly Theatre’s You are the Sun, a folk inspired opera for babies and grownups that explores the magic of nature from 29th May – 2nd June 2024. 

HurlyBurly Theatre make playful theatrical experiences for babies and adults with classical singing at their heart where babies are free to be themselves and grown-ups have a chance to relax, bond and play. You are the Sun combines the joy of gentle classical singing and sensory play and is an invitation to see beauty in the smallest things and to let plants be your guide. The interactive and playful set casts a magical spell with locally foraged plants, water, light and soil. parents are led by their babies to reconnect with the natural world.

“You Are The Sun by HurlyBurly is a masterclass in how early years theatre should be created.”

Zoe Pickering, Z-Arts Head of Programming

“I really can’t praise this show enough. Hurly Burly have a knack of creating unique and enchanting musical theatre for babies and young children (see their previous show ‘Meet me a Tree), but this is a knockout. The performances are highly accomplished yet playful, the set design is spot on (pun intended), and the music is suitably celestial (imagine children’s songs, but from the Wickerman, composed by Vaughan Williams). Someone needs to release this on record!” .

Audience response at Brixton House Theatre Dec 23

​​Artistic Directors Sarah Forbes and Catherine Carter founded HurlyBurly in 2016 having become new parents themselves. The duo who originally trained as classical singers began to work together to create shows they wanted to experience at that time which are as much for new parents as they are for babies. Everyone is free to move around and interact with the performers and space in whatever way they choose. Parents are given a rare opportunity to sit back and relax enveloped in beautiful, soothing and mesmeric music. HurlyBurly shows have since toured across the UK  including at Royal Opera House Covent Garden. Polka Theatre, The Egg Theatre Royal Bath and Hullabaloo Darlington – National Centre for Creativity in Early Childhood.

Catherine Carter and Sarah Forbes, co-founders of HurlyBurly said: “We believe in creating high quality experiences for very young children and their parents to introduce them to the magic of theatre in a safe stress-free space for them to explore at their own pace.   Over and again audiences comment on how mesmerised their children were by the music, the singing and the sensory play.  For us as artists the experience never gets boring because every show is different depending on who is in the room with us. The babies become the performance – it is a great privilege to share this moment of vulnerability and adventure with new parents and their tiny children.’

You are the Sun is created by Catherine Carter and Sarah Forbes with words and music by Catherine Carter and design by Kirsty Harris. The show’s development has been supported by The Egg (Theatre Royal Bath), Portsmouth Guildhall and Watermans Arts Centre as well as Arts Council England.

Currently touring, the show will also visit Farnham Maltings, Half Moon (London), Portsmouth Guildhall, Sefton library, Bolton library, Houghton Regis library, Manchester library (part of Baby Week), Wimbledon New Theatre, Cast (Doncaster), MAC  (Birmingham), Chats Palace, The Gulbenkian and Aberystwyth Arts Centre, whilst also working with the Lancashire Refugee Integration Team to provide free access to the show for newly arrived refugees and asylum seekers.

It has previously toured to Z-Arts Manchester, The Egg Theatre Royal Bath, Polka Theatre, Hullabaloo, Chichester Theatre, Hat Factory Luton, The Montgomery Sheffield, Wonderarts St Helens and libraries across the UK.

Celebrate the gift of nature in this relaxed and playful opera for babies and grown-ups. Help to conjure a world out of breath, water, sunlight and soil in a magical musical adventure for 0 – 2-year-olds. Tickets are on sale now at www.southbankcentre.co.uk

You can find out more about HurlyBurly and the tour of You are the Sun at www.hurlyburlytheatre.com or on Facebook: @HurlyBurlyCo // Instagram and X @hurlyburly_co

Beauty & the Beast comes to Leeds

Beauty & the Beast comes to Leeds

Get lost in the classic fairy-tale this June with Northern Ballet 

Leeds Grand Theatre 

4-9 June 2024

Northern Ballet’s glittering Beauty & the Beast arrives at Leeds Grand Theatre this June, offering the perfect fairy-tale escapism to kick off the summer season.  

Choreographed by David Nixon CBE, this enchanting reimagining of the classic story will transport audiences to a world of colour, filled with fairies, goblins and sprites, where magic hides around every corner. 

Beauty & the Beast tells the tale of Beauty who selflessly leaves her family to live with a hideous Beast in his castle in exchange for her father’s life. As time goes by, she grows strangely fond of her host and discovers he hides an extraordinary secret. He was once a handsome prince cursed for his vanity and arrogance, a curse that can only be broken by true love. 

The ballet features elaborate mirrored sets by Duncan Hayler, haute couture-style costumes by Nixon and is set to an infectious score of classic music including the likes of Bizet and Debussy, played live by Northern Ballet Sinfonia. Visit northernballet.com/beauty to find out more and secure tickets.  

Northern Ballet is hosting an audio-described performance and touch tour of the ballet for visually-impaired patrons on Saturday 8 June. For more information about additional events at the theatre, visit northernballet.com/accessible-performances 

DICK WHITTINGTON AND HIS CAT TO BE THE 25th HACKNEY EMPIRE PANTO – 23 NOVEMBER 24 – 5 JANUARY 2025 – CLIVE ROWE TO DIRECT AND STAR

CLIVE ROWE TO DIRECT AND STAR IN HACKNEY EMPIRE’S 25TH PANTOMIME

DICK WHITTINGTON AND HIS CAT

RUNNING FROM 23 NOVEMBER 2024 TO 5 JANUARY 2025

Artistic Director Yamin Choudury, Executive Director Jo Hemmant and the whole team at Hackney Empire, are delighted to announce that Olivier Award-winner Clive Rowe will return to direct and star in Hackney Empire’s 25th pantomime, Dick Whittington and his Cat.

Dick Whittington and his Cat will run at Hackney Empire fromSaturday 23 November to Sunday 5 January, with a press performance at 7pm on Thursday 5 December. Priority booking for Friends and Supporters opens on Tuesday 16 April at 10am. Tickets go on sale to the public from 10am on Tuesday 23 April at www.hackneyempire.co.uk.

To find out how to become a Friend, please visit https://www.hackneyempire.co.uk/support-us/become-a-friend

Hackney Empire’s pantomime is one of the most iconic in the UK. The first pantomime of the modern era was Aladdin starring Peter Duncan in 1988, after the venue was turned from a bingo hall back into a working theatre in the 1980s by Roland and Claire Muldoon, and there have been 24 pantomimes since. This year’s festive season will burst into life with the 25th Hackney Empire pantomime, celebrating decades of providing joy for all the family, and in several cases, a vital introduction to the magic of theatre .

In what will be his 17th pantomime at Hackney Empire , Olivier award-winning panto royalty Clive Rowe will direct and star as the Dame, with full cast and creative team to be announced.

Join Dick on his search for fortune, fame and new beginnings! Along the way, he’ll experience the adventure of a lifetime, battling rats, falling in love, and finding himself on the path to becoming the Mayor of London!

Get ready for a joyful reimagining of this classic rags to riches tale, featuring all your favourite pantomime ingredients. From an unbelievable cast to extravagant costumes; from audience participation to sensational song and dance numbers, what more could you ask for?!

Clive Rowe said, “What a privilege it is to be part of this great tradition at the Hackney Empire. 24 pantomimes, around 1,000,000 audience members so far, and we can’t wait to welcome new faces and welcome back familiar faces for our 25th! This will be my 17th year as Dame and fourth year directing. Join me and Dick Whittington, the boy that strives to make his dreams become a reality, for more festive fun, high jinks, laughter, love and banging tunes.”

Toying with fate – Rock, Paper, Scissors comes to The Hope Theatre l 7th – 11th May 2024

Playing with fire, Rock, Paper, Scissors comes to
The Hope Theatre
Tuesday 7th May – Saturday 11th May 2024
The Hope Theatre, 207 Upper St, London N1 1RL

Born from a savvy short sketch and returning to the stage following a hugely successful debut in 2023, Rock Paper, Scissors is a playful comedy of errors with a deeply dark twist. Written and directed by Chess Hayden, this farcical thriller will uncover the rawness of human nature, where the game of Rock, Paper, Scissors is used to make life-changing decisions.

Following Dylan and Lucy, best friends and housemates, this satirical journey of friendship, lovers and even manslaughter, will explore the trajectory of the pair’s relationship as they descend into unexpected chaos. Reprising the role of Lucy will be Emma Lo (Guardians of the Galaxy, Secret Cinema) and also returning to his role will be Jimmy Roberts as Dylan. Rejoining this terrific cast in the role of Jemma will be Megan Cooper (Love Talks, New Wimbledon Theatre, Othello, Birmingham Hippodrome).

As the situation escalates and the stakes get higher, this gripping production toys with themes of control and how much of life is ever really left up to chance? Based around human nature and the intricacies of our individual moral compass, this dynamic and delightful production is a riveting new comedy with a cutting edge script.

Director and Writer Chess Hayden comments, We’ve all used a game of Rock, Paper, Scissors to make inconsequential decisions, but what if the result changed your life? Or someone else’s? This show is an exploration of morality grey areas whilst still staying true to the typical nature of farce; pairing absurdity with high stakes as the characters use the game to make momentous choices. We’re absolutely delighted to have the second run of our show chosen as part of The Hope Theatre’s final programme of 2024

JULIE: The Musical – an original musical, telling the life and adventures of historical LGBTQ+ icon Julie D’Aubigny

Le Gasp! Productions presents
JULIE: The Musical – an original musical, telling the life and
adventures of historical LGBTQ+ icon Julie D’Aubigny
13th – 30th June 2024
The Other Palace, 12 London Street London SW1E 5JA

Worshipped opera singer, renowned swordswoman, flaming bisexual… Julie D’Aubigny is the 17th century queer icon you’ve probably never heard of. Epic, original musical JULIE: The Musical brings her incredible story to life at The Other Palace this summer.

In this original musical from Le Gasp! Productions (Tit Swingers, 2024), Julie’s determination to transcend 17th century ideals prevails in a queer-lead show that celebrates nonconformity and unapologetic chaos. With characters played by all genders, multiple musical genres and no set instrumentation, JULIE is paving the way to a new era of musical theatre; one that champions accessibility and inclusivity in every way.

Audiences are guided back in time by Julie herself, spilling the trials and tribulations of being the first ever recorded, openly bisexual, woman. JULIE tells endless, riotous (and mostly factual) tales that include seducing nuns, duelling multiple men at once, burning down convents, being bribed by royalty, and innovating Opera. Through a life of rule breaking and trendsetting, Julie D’Aubigny forged her own path through a world of strict social boundaries, bucking the trends of anything and anyone who came before her.

As a queer, non-binary and autistic creative, Abey Bradbury’s first ever full-length musical is ambitious and scrappy; bursting at the seams with live music, comedy, tap dancing sword fights, twerking nuns and kazoo choruses. It celebrates the extraordinary life of this 17th century icon. It celebrates queerness. But most of all, it celebrates carving a place for yourself in a world not built for you

Abey Bradbury, Book and Lyrics writer and composer, comments, It feels a bit bizarre to be writing this if I’m honest – 3 years ago I had just finished researching this French-Opera SingingSword-Fighting-Bisexual and was picking out melodies on a tiny 32 key midi keyboard, and now it’s back again for the third time by very popular demand. JULIE: The Musical is loud and joyous and very much here! I hope everyone finds something for them in this story of one of history’s most chaotic characters, and that we’ve made something as authentic and unapologetic as Julie was – and mostly that we’ve made something Julie herself would be proud of.

Conor Dye, Director and Producer, comments, JULIE is a story that has stuck with me since I ever first read the script… No matter where you are, or where you’re from – you are not alone. Everything you’ve felt, someone has felt before you; and despite it all, they kept on moving. That’s one thing I hope audiences can take away from this show – if not the catchy songs and the one-liners – that life is worth living however you want to live it. So just like Julie, go out and be wild. Live like it’s the last chance you’ll get and sing like everyone is watching

After its first run at The Other Palace, JULIE was a finalist at the Offies for Best New Musical 2024.

Previous praise for JULIE: The Musical

It’s easy to fall for this musical – Mickey Jo Theatre

Irrepressible Energy – The Stage

★★★★★ – All That Dazzles

★★★★★ – North West End

Mouth-watering Partnership News

Pictured (left to right): Emily Crampton, Ate O’Clock and Social8 Lounge Restaurant Manager, Milosh Djordjevic, Ate O’Clock Restaurant & Social 8 Lounge Mixologist and Laura McMillan, Grand Opera House York Theatre Director.

Restaurant partnership to continue giving York’s theatregoers another 12 months of mouth-watering savings and experiences.

Following a successful six-month partnership, the Grand Opera House York and Ate O’Clock and Social8 Lounge have extended their collaboration and will continue to offer York’s Theatregoers more memorable experiences over the next 12 months.

For the last six months Ate O’Clock has been the Grand Opera House York’s official restaurant partner. The collaboration has enabled ticketholders to take advantage of some mouth-watering savings on their final bill at the Ate O’Clock restaurant. West End hit Pretty Woman came to town last February and when the curtain closed the entertainment continued through the night at the Social8 Lounge afterparty – where ticket holders were treated to some live music, given a complimentary drink and further money saving offers on drinks throughout the night.

The Grand Opera House York and Ate O’Clock have big plans for the year ahead to help more of York’s theatregoers make the most of their big night out. This includes more themed afterparty events, theatrical themed drinks and experiences, and more delicious money saving food offers.

Currently ticket holders of upcoming shows can enjoy some pre-show dining saving 10% on their final bill when booking a table at the Ate O’Clock Restaurant between the hours of 1.30pm and 5.30pm. Customers are advised to lookout for their pre-show email that contains more information on the code you need to quote at the time of booking.

Laura McMillan, Grand Opera House York Theatre Director says, “Over the last 6 months by working with Ate O’Clock we’ve been able to offer more memorable experiences for our guests. We look forward to another year combining first-class food with the best live entertainment in York.”

Emily Crampton, Ate O’Clock and Social8 Lounge Restaurant Manager says, “Ate O’Clock are so excited to be continuing our partnership with the Grand Opera House York. It has been such a joy to welcome theatregoers through our doors, hear about their plans & to create events and menus based around the shows on stage. The Grand Opera House York team and I have already got some great ideas in mind for the next 12 months, and we cannot wait to share them with everyone.”

With a packed programme of shows, from the feel-good musical Sister Act, the haunting 2:22 A Ghost Story and the enchanting panto Beauty and the Beast – whether you’re out with friends or family, there is something for everyone. Start your big night out with a delicious meal served up at Ate O’Clock then finish up with the best live entertainment in York at the Grand Opera House York.

Now is the time to start planning your big night out. Sign up online to receive the latest Grand Opera House York updates by visiting www.atgtickets.com/york . You can also sign up to receive the latest updates from Ate O’Clock by visiting www.ateoclock.co.uk.

The National Youth Music Theatre (NYMT) announces a trio of shows coming to Southwark Playhouse Elephant this Summer

The National Youth Music Theatre (NYMT)
announces a trio of shows coming to Southwark
Playhouse Elephant this Summer
Southwark Playhouse Elephant, 1 Dante Place, London, SE11 4RX
Into The Woods | Catastrophe Bay | Our House
August 2024

Leading youth arts organisation The National Youth Music Theatre (NYMT) has announced its 2024 summer season will debut at Southwark Playhouse Elephant, performed by the
remarkable Young Company Members of NYMT 2024, who are 10 – 23 years old. The season will feature Our House, showcasing iconic music from UK band Madness, Stephen Sondheim’s timeless classic Into the Woods, and an ambitious new folk musical Catastrophe Bay, written by Kit Buchan and James Barne. For nearly 50 years, NYMT has been at the forefront of offering exceptional opportunities in pre-professional musical theatre training for talented young people and this marks an exciting chapter in bringing these shows to the heart of London.

Chris Cuming, Artistic Director of NYMT, comments, NYMT 2024 will see the next generation of talented new voices taking to the stage in three fully mounted productions in London. Having seen our Young company members rehearse over Easter, we are certain that the journeys from the Woods to the Bay to the House will bring nothing but joy. The vibrancy and energy of the performances this year are extremely impressive. We’re also pleased to be introducing a season ticket so audiences can see all three productions in the summer. News on our other work across the year including our PLATFORM series will be released soon.

The season will kick off with NYMT presenting Stephen Sondheim’s Into The Woods. The Tony Award-winning book and score are enchanting in their poignancy, touching on the universal themes of family and friendship; love and loyalty; belonging and betrayal. It is an innovative and intricate retelling of well-known storybook characters thought-provoking allegory is relevant for audiences of all ages through the ages and is widely regarded as a modern classic.

This will be followed by a brand-new folk musical by successful British writing duo Jim Barne and Kit Buchan (Two Strangers Carry a Cake across New York, Kiln Theatre/West End), Catastrophe Bay will take audiences to another time and place populated by exotic characters from around the world. With a backdrop of smugglers and wreckers, deep in the wilds of Cornwall lies the tiny fishing village of Newfrock, the inhabitants are a curious and mischievous gaggle of misfits – who abide by a strange patchwork of rituals and beliefs to protect the village’s secrets

To conclude the season, Our House with music and lyrics by the iconic British band Madness (with one song, It Must Be Love, written by Labi Siffre), and the book by playwright Tim Firth is based in 1980s Camden Town. Featuring a collection of top hits by Madness including House of Fun, Baggy Trousers, Driving in my Car, It Must Be Love and of course Our House, this show is a modern British classic and one that the team is proud to present, particularly as we, like Madness, the NYMT are due to celebrate the 50th anniversary year since its inception.

Just under a thousand performers auditioned to join the NYMT 2024 company, who will all be following in the footsteps of the newly appointed patrons and further NYMT alumni including multi-award-winning household name Idris Elba, Phantom of the Opera’s Joe Griffiths-Brown, beloved screen and stage icon Sheridan Smith, and Les MisérablesRosy Church. The newly appointed patrons include previous alumni – critically acclaimed Matt Lucas, the award-winning Amara Okereke and It’s a Sin’s Callum Scott Howells. Industry professionals delivered audition workshops at 19 venues across the UK at the start of the year. Alongside these, NYMT has seen an increase in applications to join the company as Musicians and the Creative Team Mentorship Scheme.

NYMT are committed to delivering top-quality professional development and this year are
releasing new courses for not only stage performers but also for people who are interested in being Creative, Writers or want to work in Technical Theatre. These are non-residential courses in London that include watching a Technical and dress rehearsal at Southwark Playhouse as well as working with Industry Professionals. It offers skills workshops, masterclasses, and residential courses.

Everyone is welcome to get involved and NYMT is committed to making musical theatre and the professional industry more accessible to young people across the country, regardless of location or economic circumstances. National Youth Music Theatre (NYMT) has a long-standing commitment to an inclusive and accessible ethos. This year NYMT is offering £31,000 of bursaries from their bursary system to support under-resourced families.