22 Secrets Musical Theatre Actors Will Never Tell You

1. We never know what day of the week it is.

22 Secrets Musical Theatre Actors Will Never Tell You

We just know if it’s a one-show day, a two-show day, an audition day, or a long-awaited day off.

2. In between scenes, we’re not going over lines or practising dance moves.

22 Secrets Musical Theatre Actors Will Never Tell You

We’re just eating Haribo, putting more make-up on, and playing Candy Crush.

3. That hot leading man you’re swooning over? Probably gay.

22 Secrets Musical Theatre Actors Will Never Tell You

And if he is straight, he’s almost certainly in a love hexagon with half of the ensemble. Yet still, we wait.

4. Backstage can be a cold, lonely place…

Backstage can be a cold, lonely place...

5. …but we’re experts at turning Soviet-style dressing rooms into the cosiest corners EVER.

...but we're experts at turning Soviet-style dressing rooms into the cosiest corners EVER.

Sarah McNicholas / BuzzFeed

Opening night flowers and good luck cards always help.

6. Everyone we work with has seen us quick-changing in our underwear.

Everyone we work with has seen us quick-changing in our underwear.

The Commitments / Via Twitter: @thecommitments

And that’s before we even mention posing for the West End Bares charity calendar.

7. We get really bad post-show blues.

22 Secrets Musical Theatre Actors Will Never Tell You

Even one day away from the bright lights of the theatre can leave us feeling kind of ill.

8. We’re ever hopeful that every missed call is someone trying to offer us a job.

We’re ever hopeful that every missed call is someone trying to offer us a job.

Channel 4 / Via unitedagents.co.uk

It rarely is.

9. We dream of the day we’re important enough to have two small plastic microphones coming out of our forehead.

We dream of the day we're important enough to have two small plastic microphones coming out of our forehead.

Gina Beck / Via Twitter: @Gina_Beck

Once we’ve got a double mic pack, we know we’ve made it.

10. That little black-and-white photo in the programme is way more than a casual selfie.

That little black-and-white photo in the programme is way more than a casual selfie.

Actually, it’s the result of a three-month scientific analysis of our casting bracket, 48 hours shopping for tops, two hours posing in a cold studio, and one week sifting through 352 thumbnail options.

11. Sometimes we go to the gym and just sit in the steam room for an hour.

Sometimes we go to the gym and just sit in the steam room for an hour.

The steam helps stop our voices from drying out. But we’ll probably still tweet to say we’ve had the best workout ever.

12. If our backstage track is disrupted, we freak out.

22 Secrets Musical Theatre Actors Will Never Tell You

If we don’t pass the exact same person at the exact same time in the exact same place every time we do the show, our control freak sensibilities will kick in and we’ll think something bad is going to happen.

13. Everyone looks like they love one another on stage, but behind the scenes it’s a different story.

Everyone looks like they love one another on stage, but behind the scenes it's a different story.

NBC / Via neontommy.com

I mean, sometimes we really do. But that’s not a guarantee.

14. Whenever we do our tax returns, we realise we make more money from teaching and temping than acting.

22 Secrets Musical Theatre Actors Will Never Tell You
Paramount Pictures / Via hijacked.com.au

But don’t ask us if this means we’re giving up. It doesn’t.

15. When you are surreptitiously texting in a dark theatre, we can see you.

When you are surreptitiously texting in a dark theatre, we can see you.

And we hate you.

16. We’ve been known to say our lines really fast to shave 13 vital minutes off a show.

22 Secrets Musical Theatre Actors Will Never Tell You

If a cast, band, or crew member has a hot date and needs to get out a few minutes early, we’ll do our best to get them there.

17. Thursday is the best night to see a musical.

22 Secrets Musical Theatre Actors Will Never Tell You

Saturday night tickets are always most in demand, but by the time we’ve done eight shows, we’re knackered. We have much more energy on a Thursday.

18. We do roughly nine auditions over three months to get one job.

We do roughly nine auditions over three months to get one job.

Michael Harlan / Via achoruslinelondon.com

And the waiting game is the hardest part.

19. We dream of being thrown on for the lead at a moment’s notice.

We dream of being thrown on for the lead at a moment's notice.

42nd Street

Of course we pretend to be perfectly happy with our current role. And we don’t want anyone to hurt themselves. But if they do, we want to save the day even if we’ve had no rehearsal. Because that’s showbiz.

20. We’re definitely not vain, but we never ever tire of talking about The Business.

22 Secrets Musical Theatre Actors Will Never Tell You

And ourselves. And how we’re doing within The Business.

21. But sometimes we take a costume selfie and wonder, What am I doing with my life?

But sometimes we take a costume selfie and wonder, What am I doing with my life?

Amy Bird / BuzzFeed / Via Twitter: @DiscoBirdy

Especially if we’re not playing a human.

22. But every time the phone rings with a job offer, the feelings of elation flood back.

But every time the phone rings with a job offer, the feelings of elation flood back.

Johan Persson / Via legallyblondethemusical.co.uk

We’re so happy we could burst! All our insecurities melt away and we can’t wait to hit Twitter to start bragging about rehearsals. #Blessed.

ROYAL SHAKESPEARE COMPANY RELEASES NEW DVDS OF LIVE FROM STRATFORD-UPON-AVON

ROYAL SHAKESPEARE COMPANY RELEASES NEW DVDS OF LIVE FROM STRATFORD-UPON-AVON PERFORMANCES OF LOVE’S LABOUR’S LOST AND LOVE’S LABOUR’S WON (MUCH ADO ABOUT NOTHING)

Following the acclaimed productions of Love’s Labour’s Lost and Love’s Labour’s Won, directed by Christopher Luscombe at the Royal Shakespeare Theatre last year, both productions are now available to pre-order on DVD.

Love’s Labour’s Lost and Love’s Labour’s Won were broadcast live from the Royal Shakespeare Theatre on 11 February 2015 and 4 March 2015 respectively, to over 450 cinemas each across the country, whilst also being available in North America, Australia, New Zealand, Argentina and Europe. As well as the full stage productions, both DVDs contain extras including an interview with Composer Nigel Hess, a Director’s Commentary and a Cast Gallery.

These will be the latest DVDs released by the RSC in collaboration with Opus Arte, in an ongoing series of broadcasted RSC productions.

Copies of the individual DVDs are priced at £19.99 with copies of the Blu-Rays priced at £24.99. The productions are also available as a box set priced £34.99 in DVD format and £39.99 in Blu Ray format.  These are available to pre-order from the RSC online shop http://www.rsc.org.uk/shop/ The titles will be released on 1 September 2015. 

CDs of the music and speeches from Love’s Labour’s Lost and Love’s Labour’s Won are also available from the RSC online shop.

ENJOY CRAZY CAPERS WITH THE CAT IN THE HAT AT THE LYCEUM THEATRE NEXT MONTH

image002 (2)ENJOY CRAZY CAPERS WITH THE CAT IN THE HAT AT THE

LYCEUM THEATRE NEXT MONTH

Everyone’s favourite mischief making feline comes to Sheffield in September when Dr Seuss’s The Cat In The Hat bounds onto the Lyceum stage from Tue 1 – Thu 3 September.

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From the moment his tall, red-and-white-striped hat appears around the door, Sally and her brother know that the cat in the hat is the funniest, naughtiest cat they have ever met. With the trickiest of tricks and craziest of ideas, he turns a rainy afternoon into an amazing adventure. But what will mum find when she gets home? Based on the much-loved book by Dr Seuss and originally produced by the National Theatre, The Cat in the Hat is a lively and engaging first theatre experience for young children aged 3 years and over and their families.

The Cat in the Hat is at the Lyceum from Tue 1 – Thu 3 September.  Tickets are priced from £11.50 (concessions available) and can be purchased by calling the Box Office on 0114 249 6000 or by visiting sheffieldtheatres.co.uk (a transaction fee of £1.50 (£1.00 online) applies to all bookings made at the Box Office, excluding cash).

 

SHOWSTOPPER! THE IMPROVISED MUSICAL ANNOUNCES FIRST FULL WEST END RUN – 80 MUSICALS IN 10 WEEKS

James Seabright, Julius Green and Julie Clare by arrangement with

Suzanna Rosenthal for Showstopper Productions present

SHOWSTOPPER!

The Improvised Musical

24th September – 29th November, Apollo Theatre

★★★★★  ★★★★★  ★★★★★  ★★★★★  ★★★★★

Time Out  Mail on Sunday  Independent on Sunday  What’s on Stage  Chortle

The West End will welcome a record number of new British musicals this autumn, thanks to the world’s first major season for an improvised musical.

Showstopper! The Improvised Musical plays its first full West End run, for a limited 10-week engagement. Eighty brand new musicals will grace the stage of the Apollo Theatre, each created on the spot by incredible, multi award-winning musical comedy improvisers The Showstoppers. Audience suggestions are transformed instantly into all-singing, all-dancing shows with unpredictable and hilarious results.

Fast, funny and entertaining, the team nightly pull off something incredibly ambitious. They create a real musical from scratch, not just an impro night with songs but a full story with stories and characters you can care about, a live band of incredible musicians, and spontaneous but seamless choreography. With a BBC Radio Four series and eight years of festivals and touring to their name, The Showstoppers have delighted and astounded audiences around the world with their ingenious, unique blend of comedy, musical theatre and spontaneity.

Highlights from previous shows have included Emotional Baggage (an apt title for a tale of First Class romance at Heathrow Airport, with songs in the style of Sondheim and Abba), Sweeney Cod (in which an ambitious fish and chip shop owner falls victim to unrequited love, with a touch of Kander and Ebb alongside the pineapple fritters), and To Bleed Or Not To Bleed (a high-stakes opera of communist vampires, channelling Mel Brooks and featuring an undead chorus).

‘Jaw-dropping. All the big-hit mega-musicals inspire an audience to want to see them more than once. And I’d see Showstopper! again tomorrow.’

– Dominic Maxwell, The Times

 

Showstopper! was created by Adam Meggido and Dylan Emery. Duncan Walsh Atkins is Musical Director, with design by Simon Scullion, lighting by Tim Mascall and sound by Tom Lishman.

The cast includes Ruth Bratt, Justin Brett, Dylan Emery, Pippa Evans, SusanHarrison, Sean McCann, Adam Meggido, Philip Pellew, Andrew Pugsley, Oliver Senton, Lucy Trodd, and Sarah-Louise Young, with seven cast members appearing per performance plus a live on-stage band.

Tickets go on sale to the public at 12 noon on Wednesday 12th August. Each performance will have 200 tickets available at £20, and there are no booking fees.

Listings information:

Showstopper! The Improvised Musical

Venue: The Apollo Theatre, Shaftesbury Avenue, London, W1D 7ES

Dates: Thursday 24th September – Sunday 29th November 2015

Press Performances: Wednesday 30th September, 3pm and 7pm

Times: Monday – Friday (except Tuesday): 8pm, Saturday: 3pm & 8pm, Sunday: 3pm and 7pm.

Additional matinees 3pm Wednesday 30th Sept and 28th Oct.

Tickets: From £20

Box Office: www.nimaxtheatres.com / 0844 482 9671

Festival Of Ukrainian Culture From Kiev’s National Academic Theatre Of Russian Drama Lesya Ukrainka

Kiev’s National Academic Theatre of Russian Drama Lesya Ukrainka brings a festival of events celebrating Ukrainian culture to the St. James Theatre from 8th to 19th September 2015, curated by Mikhail Reznikovich, Artistic Director of the National Academic Theatre of Russian Drama Lesya Ukrainka. The festival, comprising four plays, two free film screenings and a photography exhibition, will give British audiences a rare opportunity to acquaint themselves with some of Ukraine’s cultural masterpieces as well as its developing modern arts scene.

The cycle of four plays, Ward of the Manor, My Mocking Happiness, Life’s Little Nothings and Don Juan, will be performed in Russian and live dubbed into English by a translator who will be present in the auditorium.

To celebrate 50 years since its release, Serguei Paradzhanov’s The Shadows of Forgotten Ancestors will be screened on Saturday 12th September and will be introduced by one of the films’ stars, Larisa Kadochnikova, who will also play the role of Olga Knipper-Checkhov in My Mocking Happiness. Earth, directed by Alexander Dovzhenko, will be screened on Tuesday 15th September, 2015

A free photography exhibition, Ukrainian Culture Today, will be on display in the bar and front of house area of the theatre, showing beautiful images of the sites, architecture and people of Kiev and the Ukraine.

Ward of The ManorWARD OF THE MANOR
A new translation of Ivan Turgenev’s comedic drama Fortune’s Fool
Director Mikhail Reznikovich | Associate Director Leonid Ostropolsky
8th to 10th September 2015
Performed in memory of Russian theatre director Georgy Tovstonogov, who was a teacher of Mikhail Reznikovich. Olga Korina left her family’s country estate as a young girl, returning seven years later with her new husband State official Pavel Yeletsky.
Among those there to greet Lady Olga Yeletskaya, is Vitalii Kuzovkin, an old man born to nobility but now penniless. The good-natured Kuzovkin has long served the family and is de facto ward of the estate; he is also the family’s longest running joke. During a celebration for the newlyweds, dark secrets are revealed and the lives of Lady Olga, Yeletsky, and the devoted Kuzovkin are changed forever. True nobility does not reside in mere titles.

My Mocking HappinessMY MOCKING HAPPINESS
By Leonid Malyugin, based on the letters of Anton Chekhov
Director Mikhail Reznikovich | Associate Directors Irina Barkovskaya and Leonid Ostropolskiy | Designer David Borovsky
11th – 12th September 2015
My Mocking Happiness is drawn from Anton Chekhov’s personal correspondence with his wife, Olga Knipper-Chekhova, and close friend, Lika Mizinova. Alive with intimate and personal detail, the letters reveal the writer’s complex inner life and his musings on theatre, art, 20th century psychology, society and power. He also discusses his timeless dramas Uncle Vanya, Three Sisters and The Cherry Orchard.
Structurally similar to Jerome Kilty’s 1960 play Dear Liar, My Mocking Happiness has been staged at the National Academic Theatre of Russian Drama Lesya Ukrainka for more than fifty years.

LIFE’S LITTLE NOTHINGSLIFE’S LITTLE NOTHINGS
Based on the short stories of Anton Chekhov
Director Mikhail Reznikovich | Associate Director Kirill Kashliskov
13th to 15th September 2015
The human condition is examined in this original handling of Chekhov’s short stories A Daughter of Albion, A Tripping Tongue, Difficult People, A Happy Man and The Wallet. Each of the five episodes is separated by brief interludes of authentic, classic Russian romance tunes.
Life’s Little Nothings offers a vivid, provocative and often hilarious take on those personal thoughts and feelings one might hope would forever remain undiscovered.

Don JuanDON JUAN
By Tirso de Molin, adapted by Lesya Ukrainka and directed by Mikhail Reznikovich
17th to 19th September 2015
Noted early 20th century Ukrainian poet Lesya Ukrainka offers an original, authentically Ukrainian take on this timeless story of conflict between freedom and authority. In a departure from the original story by Tirso de Molina, the Ukrainian Don Juan introduces us to Dolores, Lesya Ukrainka’s semi-autobiographical depiction of a young woman selflessly devoted to the Don.

THE SHADOWS OF FORGOTTEN ANCESTORS
In Ukrainian with English subtitles
12th September at 2pm
The Shadows of Forgotten Ancestors is a 1965 film by the legendary filmmaker Sergei Parajanov, based on the classic book by Ukrainian writer Mykhailo Kotsiubynsky. The storyline revolves around two separated lovers caught in a family feud and also features a detailed portrayal of Ukrainian Hutsul culture, showing Carpathian environment, family rituals, the beauty of Hutsul traditions, music, costumes, and dialect.

EARTH
Silent film
15th September at 2pm
Earth is a 1930 Soviet film by Ukrainian director Alexander Dovzhenko, concerning the process of collectivisation and the hostility of Kulak landowners

In 1958 the film was named as one of the best twelve films of all time at the World Exhibition in Brussels. Charlie Chaplin called Dovzhenko “the one and only artist, thinker and poet, given as a present by Slavs to the world”.
For further information please contact Julia Peach [email protected] / 020 7654 9908.

LISTINGS
UKRAINIAN CULTURE TODAY from KIEV’S NATIONAL ACADEMIC THEATRE OF RUSSIAN DRAMA LESYA UKRAINKA
St. James Theatre
12 Palace Street, London SW1E 5JA
www.stjamestheatre.co.uk
All plays will be performed in Russian and will be live-dubbed in English to be enjoyed in either language.
Box Office: 0844 264 2140
Dates: Tuesday 8 – Friday 19 September 2015
Theatre Tickets: £10, £15, £25, £35 (premium)
Film Tickets: Free, reservation required
Photography Exhibition: Free
Concessions: £5 off band A tickets for OAPs, students and Victoria Privilege Card holders
Groups: £5 off band A tickets for groups of 8+

 

Christopher Biggins announced as the host of West End Heroes 2015

christopher-bigginsChristopher Biggins, immensely popular star of musical theatre, screen comedies, panto dame extraordinaire and one of Britain’s best-loved TV personalities, is announced today as the host of the 2015 West End Heroes gala concert.

Following the phenomenal success of West End Heroes last year, which saw the casts of many of the biggest West End musicals unite with the finest UK military bands and musicians in a stunning performance that raised £78,243.01 for the Help For Heroes charity, the Dominion Theatre is to once again host the event, this year on Sunday 4 October at 7.30pm

Biggins will oversee proceedings and also perform in several big song and dance numbers that are being kept a secret until the night!

He said today: “I’m delighted to be able to give my support to West End Heroes by hosting what I know will be a marvellous evening, with some wonderful surprises. It’s a wonderful way for the West End to show their appreciation for all that our lovely service folk do for us and to support such a worthy charity.

West End Heroes will again unite the country’s top military musicians with even more West End performers and productions in a dazzling showcase of show-stopping numbers, unlikely song mash-ups and stunning choreography and precision drilling.

The West End casts of Elf The Musical, and Zoonation’s Into the Hoods, will join musical theatre and West End favourites Bonnie Langford, currently appearing in EastEnders as Carmel Kazemi, and Mazz Murray currently starring in Mamma Mia! who will make special guest appearances. They will be joined by classical crossover sensation Charlotte Jaconelli, and recent Britain’s Got Talent magician extraordinaire Jamie Raven.

The involvement of more West End casts will be confirmed in the coming weeks.

Returning to form the centrepiece of the gala and under the baton of Squadron Leader Piers Morrell will be The Central Band of the Royal Air Force, which is widely regarded as one of the finest military bands in the UK and incorporates the celebrated RAF Squadronaires Big Band. There will also be support from The Band of HM Royal Marines, The Band of the Army Air Corps and a Ceremonial Fanfare team, and a special performance by the Colchester Garrison Military Wives Choir.

West End Heroes Producer David Pearson, the Dominion Theatre’s General Manager, said: “Last year we had 200 people performing on stage and a small army behind the scenes, most who worked for nothing on their day off. The money raised will again make a huge contribution to the amount needed for Help for Heroes to carry on their incredible work.”

There will again be performances from the West End Heroes Choir – made up of people working behind the scenes  in the West End  – led by Stuart Morley, and the West End Heroes Dancers, led by Matt Flint.

Bryn Parry, Co-Founder and CEO of Help for Heroes said: “We’re thrilled to work with West End Heroes again in 2015 and look forward to an another fantastic event at the same time as raising a significant amount of money to help our injured Servicemen and women and their families.”

Help for Heroes offers comprehensive support to those who have suffered life-changing injuries and illnesses after serving our country. This support is provided through grants direct to our Heroes and their families, grants to other charities and through four Help for Heroes Recovery Centres across the UK. A study in September 2014 by Help for Heroes and the Royal College of Psychiatrists found that 75,000 men and women may need long term support following the recent conflicts in Iraq and Afghanistan.

The Creative Team for For West End Heroes 2015
Director Tim Marshall (Festival of Remembrance, Royal Albert Hall)
Musical Director Squadron Leader Piers Morrell, Director of Music, RAF Central Band
Musical Supervisor Stuart Morley (We Will Rock You; Night of a 1000 Stars)
Choreographer Matt Flint (So You Think You Can Dance; Strictly Come Dancing)
Assistant Director Carole Todd (Carnaby Street, Dreamboats and Petticoats)
Design Tim Soden (The Lion King; Calendar Girls)
Produced by Dominion Events

LISTINGS
WEST END HEROES
DOMINION THEATRE
Tottenham Court Road
London
W1T 7AQ
Sunday 4 October at 7.30pm
www.westendheroes.com
www.facebook.com/WestEndHeroes
www.twitter.com/WestEndHeroes
Tickets from £32.50

Lyric Hammersmith announce Sian Alexander as Executive Director

sian-alexanderIt is officially announced today that Sian Alexander has been appointed the new Executive Director of the Lyric Hammersmith. She will officially take up the role from 5 October 2015.

She succeeds Jessica Hepburn who is leaving the Lyric after nearly a decade as Executive Director to focus on her writing career and who, as her last act for the Lyric is swimming the English Channel to raise money for the theatre’s work with disadvantaged children.

Sian Alexander has been a senior management consultant in the arts for the past five years during which time she has worked with the Nuffield in Southampton, Creative Industry Finance, Tricycle Theatre and the World Stages Consortium among others. From 2012 to 2014 she was Executive Director of the Bush Theatre and prior to that was Associate Director of Julie’s Bicycle from 2010 to 2013 and Head of Theatre in London at Arts Council England for 10 years until 2010. She is Chair of the Trustees for Frantic Assembly together with being on the Boards of Julie’s Bicycle and the Gate Theatre. Sian became a Clore Fellow in 2006.

Sean Holmes, Artistic Director said “I’m delighted Sian Alexander will soon join us as our new Executive Director. 2015 has been monumental for the Lyric with the reopening of the building following its £20 million capital development and the coming years will be a very exciting time. I look forward to working with Sian as we take the Lyric on into its next chapter.

Sian Alexander said “The Lyric is my local theatre and I’ve been a huge fan of its work for years. It is an honour now to lead the theatre alongside Sean Holmes and to work together to realise the fantastic potential of the Lyric’s new spaces for artists, audiences and young people.

Details on how to sponsor Jessica Hepburn’s swim across the English Channel can be found on the JustGiving page:www.justgiving.com/Jessica-Hepburn

12,000th performance of The Phantom of the Opera

Tonight marks the 12,000th performance of The Phantom of the Opera on the West End! Congratulations to all who have been involved in any of the 12,000 shows.

11880669_10152967501317051_968040333028846871_n
http://thephantomoftheopera.com/

BUY TICKETS FOR THE ORIGINAL PRODUCTION AT HER MAJESTY’S THEATRE, LONDON

NOW BOOKING TO SATURDAY 26 March 2016

Performance times

Monday – Saturday evenings 7.30pm
Thursday & Saturday matinees 2.30pm

Seat Prices until Saturday 26 September 2015

£67.50, £50, £41, £36, £26, £21
Premium seats: £95 for all performances
All tickets include £1.25  Theatre Restoration Levy.

Seat Prices from Saturday 26 September 2015

Prices: £69.50, £51, £41.50, £36.50, £26.50, £21.50
Premium seats: £95
All tickets include £1.50  Theatre Restoration Levy.

Thursday Matinee Day Seats

A limited number of Day Seats will be available at £25 each from 10am on the day of the performance for Thursday matinees, only in person at the box office.

Please note: On busy Thursday matinee performances there will be a reduced amount of day seats and tickets will only be sold 1 per person.

Concessions:
Access: Top & second price reduced to £31.50
Day seats: Best available reduced to £30 for Thursday matinees only.

General Groups Rate:
10+ best available (top 4 prices) reduced to £42.50 for  Monday – Friday performances & Saturday matinees 

School Group Rate:
10+ best available (top 4 prices) seats reduced to £22.50 for Monday – Thursday performances

Thursday Matinee Saver Group Rate:
10+ best available (top 4 prices) reduced to £28 for Thursday matinees only

The Phantom of the Opera Workshop (10+):£7.50 – The Phantom’s Lair (10+): £4.00
Following the Thursday matinee performance students can view the fascinating stage set-up of The Phantom of The Opera and take part in a question and answer session with a company or crew member. Can be booked via the DMT Education unit.

Group rates not available during August.

Prices quoted are for tickets booked in person at the theatre Box Office. These prices will be subject to a booking fee if booked online or elsewhere.

Her Majesty’s Theatre

Haymarket,

London SW1Y 4QL

Underground: Piccadilly Circus

Buses: 3,6,12,13,15,88,94,139,159,453

Car Park: Whitcomb Street

 

BYE BYE BIRDIE

BYE BYE BIRDIE
Music by Charles Strouse
Lyrics by Lee Adams

Book by Michael Stewart

First presented on Broadway in 1960 (for 607 performances) it was a Tony Award winning success, winning the award for Best Musical. It spawned a London Production, was made into a Major Motion Picture, a TV adaptation and most recently a Broadway Revival in 2009. 

Written by Charles Strouse and Lee Adams it is the first Musical to feature Rock n Roll music in its score.

BYE BYE BIRDIE is the story of Rock Star Conrad Birdie who is the biggest artist to top the charts. Women love him, men want to be him and teenage girls around the country scream with glee at the mere mention of his name.

But when the United States Army drafts Birdie, manager Albert Peterson sees his meal ticket preparing to fly the coop, much to the delight of longtime love Rose Alvarez, who can’t wait for Albert to ditch the music business and become an English teacher. Desperate for a publicity stunt big enough to help them survive Birdie’s departure, Albert and Rose hatch a plan: send Conrad to small-town 
America to plant his goodbye kiss on one lucky fan for the entire world to see.

Their selection of super fan Kim Macafee sends the wholesome enclave of Sweet Apple, 
Ohio into chaos. Kim’s boyfriend Hugo can’t take the humiliation of his girlfriends televised lip-lock. Rose can’t take another minute of Albert’s distracted ways. And Sweet Apple can’t take its teens riotous rebellion, inspired by the arrival of bad boy Birdie. Will Sweet Apple ever be the same?


LISTINGS INFORMATION


Venue: Ye Olde Rose and Crown Theatre, 53 Hoe Street, London, E17 4SA
Closest Tube/National Rail: Walthamstow Central, Victoria Line. (5 mins walk)
Dates: 11th August – 4th September
Times: Tuesday – Saturday at 7.30pm; Sunday at 3.00pm; No performances on Mondays
Price: £18.00/ £16.00 Concessions
Box Office: 020 8520 8674/ www.allstarproductions.ticketsource.co.uk
Director: James Hume
Choreographer: Anthony Whiteman
Musical Director: Aaron Clingham
Casting: Benjamin Newsome
Producer: Andrew Yon
Website: www.allstarproductions.co.uk
Twitter: @birdiemusical
Other: Presented by arrangement with Tams Witmark Music Library Inc.

And Then There Were None at Leeds Grand Theatre

image002 (2)AND THEN THERE WERE NONE
 
WORLD’S BEST-SELLING THRILLER OPENS NEXT WEEK IN LEEDS
 
The UK tour of And Then There Were None, which marks the 10th anniversary of The Agatha Christie Theatre Company and the 125th anniversary of the author’s birth, opens at Leeds Grand Theatre next week and runs for one week only; find out whodunit from Monday 17th to Saturday 22nd August.
And Then There Were None at LGT Pamela Raith Photography (1)
A group of 10 strangers is lured to a remote island off the coast of Devon. Upon arrival it is discovered that their host, an eccentric millionaire, is missing. At dinner a recorded message is played accusing each of them in turn of having a guilty secret and by the end of the evening the 10 guests become nine. Stranded on the island by a torrential storm and haunted by an ancient nursery rhyme, one by one the guests begin to die. And with only the fallen believed to be innocent who amongst them is the killer?
 
Starring Frazer Hines, Mark Curry, Ben Nealon, Kezia Burrows, Gary Mavers, Deborah Grant and Neil Stacy the world’s best-selling mystery is widely considered to be Christie’s masterpiece and this is her own stage adaptation of the dark and captivating tale promises to thrill its Yorkshire audiences.
 
And Then There Were None is at Leeds Grand Theatre from Monday 17th to Saturday 22nd August
Tickets are still available priced from £18.50 to £35
Book online at leedsgrandtheatre.com or call Box Office on 0844 848 2700