Full Casting Announced For The World Premiere Of Jeremy Dyson and Andy Nyman’s The Psychic

Full Casting Announced For The World Premiere Of Jeremy Dyson and Andy Nyman’s The Psychic

York Theatre Royal today announces full casting for the world premiere of The Psychic, a new play written and directed by Jeremy Dyson and Andy Nyman. Joining the previously announced Frances Barber (Rosa) and Eileen Walsh (Sheila Gold) are Megan Placito (Tara), Dave Hearn (Robert Hamm), Jaz Singh Deol (Deepak), Nikhita Lesler (Nisha), and Charlie Blanshard (Mark).

Following the international success of Ghost Stories, Dyson and Nyman return with a new dark thriller which follows the story of popular TV psychic Sheila Gold. The production opens at York Theatre Royal on 6 May 2026, with previews from 29 April 2026, and runs until 23 May 2026.

A York Theatre Royal production
THE PSYCHIC
Created and directed by Jeremy Dyson and Andy Nyman

29 Apr 2026 – 23 May 2026

Cast: Frances Barber (Rosa), Charlie Blanshard (Mark), Jaz Singh Deol (Deepak), Dave Hearn (Robert Hamm), Nikhita Lesler (Nisha), Megan Placito (Tara), Eileen Walsh (Sheila Gold)

Co-Directors: Jeremy Dyson and Andy Nyman; Designer: Rae Smith; Illusion Designer: Chris Fisher; Lighting Designer: Zoe Spurr; Sound Designer: Nick Manning; Video Designer: Duncan Mclean; Casting Director: Arthur Carrington CDG; Associate Director: Andy Room; Design Assistant: Will Fricker 

Popular TV psychic Sheila Gold loses a high-profile court case, which brands her a charlatan. It costs her not only her reputation, but a fortune in legal fees. When a wealthy couple ask Sheila to conduct a séance to attempt to make contact with their late child, Sheila senses an opportunity to bleed them for money. What follows makes her question everything she’s ever believed and leads her on a journey into the darkest corners of her life.

This twisted new thriller from the creators of the international smash hit Ghost Stories, brings thrills, laughs and shocks back to the stage – in the World Premiere of this electrifying and unmissable play.

Frances Barber plays Rosa. Her theatre credits include Musik (Wilton’s Music Hall/Leicester Square Theatre/Edinburgh Festival Fringe), The Unfriend (Wyndham’s Theatre/Criterion Theatre/Chichester Festival Theatre), Hamlet (Theatre Royal Windsor), An Ideal Husband (Vaudeville Theatre/Theatre Royal Bath), Madame Rubinstein (Park Theatre), The School for Scandal (Lucille Lortel Theatre, NYC), What the Butler Saw (Mark Taper Forum, LA), Julius Caesar (Donmar Warehouse/St. Ann’s Warehouse, NYC), Les Parents Terribles (Donmar Warehouse at Trafalgar Theatre), That Face (Sheffield Theatres), Afterplay (King’s Theatre, Edinburgh/ The Gate Theatre, Dublin), Madame de Sade (Donmar at Wyndham’s), King Lear, The Seagull (RSC/International tour), The Dead Monkey, Love’s Labour’s Lost, Hamlet (RSC) Antony & Cleopatra (Shakespeare’s Globe), Aladdin (The Old Vic), One Flew Over The Cuckoo’s Nest (Gielgud Theatre/Edinburgh Festival Fringe), Tales from Vienna Woods, Pygmalion, The Night of the Iguana (National Theatre), Closer to Heaven (Arts Theatre – WhatsOnStage Award for Best Actress), Closer (Lyric Theatre), Uncle Vanya (Chichester Festival Theatre/UK tour), and Insignificance (Donmar Warehouse). Her television credits include Whitstable Pearl (as series regular Dolly Nolan), The Chelsea Detective, Dreamland, Inside No. 9, Dodger, Cold Feet, Silk, Doctor Who, and The Street; and for film Trick or Treat, Mr. Holmes, Goal!, and Goal II: Living the Dream.

Charlie Blanshard plays Mark. His theatre credits include Jorvik (also writer – The Giltch/UK tour), No Scrap, No Chips (Fresh Ink Festival, Stage@TheDock Hull), How To Be A Kid (York Explore and Friargate Theatre), and The Tempest (UAE tour).

Jaz Singh Deol plays Deepak. His theatre credits include The Unbelievers, Linda, The Djinns of Eidgah (Royal Court Theatre), Marriage Material (Lyric Hammersmith Theatre and Birmingham Rep), Tartuffe (Theatre Royal Haymarket), Lions and Tigers (Shakespeare’s Globe), Speed (Kali Theatre), Harlesden High Street (Tara Theatre), and Snookered (Bush Theatre) His television credits include EastEnders (as series regular Kheerat Panesar), Sister Boniface Mysteries, Toxic TownLovesick, Love, Lies and Records, The Halcyon, The Jason Philips Show, Together, and Code of a Killer.

Dave Hearn plays Robert Hamm. His theatre credits include Comedy About Spies (Noël Coward Theatre), The Time Machine (Park Theatre), Magic Goes Wrong, Groan Ups (Vaudeville Theatre), The Play That Goes Wrong (Duchess Theatre/Broadway), The Comedy About A Bank Robbery (Criterion Theatre), Peter Pan Goes Wrong (Apollo Theatre), The Hound of The Baskervilles, and The 39 Steps (Theatre by the Lake). His television credits include Bridgerton and The Goes Wrong Show.

Nikhita Lesler plays Nisha. Her theatre credits include The Cat and the Canary (Chichester Festival Theatre), ENG-ER-LAND (King’s Head Theatre), Noises Off (UK tour), Glitterball (Rifco Theatre), Parwana (Tara Theatre), and Fragments (Queen’s Theatre Hornchurch). Her television credits include Blood, Sex & RoyaltyThe Sixth Commandment, and Casualty.

Eileen Walsh plays Sheila. Her theatre credits include Mnemonic, The Crucible (National Theatre), Girl On An Altar (KilnTheatre/Abbey Theatre), The Second Woman (Cork Midsummer Festival), Aristocrats (Donmar Warehouse), Absolute HellBroad ShadowLiola (National Theatre), The UnknownTeh Internet is Serious BusinessSandCrave (Royal Court Theatre), The SameRequest ProgrammeThe Merchant of Venice (Corcadora), Little Eyolf (Almeida Theatre), The BoyThe Plough and the StarsMacbethThe Playboy of the Western WorldSavedPortian CoughlanAriel (Abbey, Dublin), Lippy (Dead Centre/Young Vic), The Tempest (Northern Stage/Improbable), Image of an Unknown WomanCrestfall (Gate, Dublin), The Believers (Frantic Assembly/Theatre Royal, Plymouth), Quiz ShowThe Drowned World (Traverse, Edinburgh), ConversationsWhistle in the DarkFamineThe Gigli Concert (Druid Theatre), and Hamlet (Young Vic). Her television credits include Small Town, Big Story, Say Nothing, Modern Love, Death in Paradise, The South Westerlies, Puppy, Women on the Verge, CatastrophePatrick Melrose, and Delicious; and for film, Small Things Like These, The Golden West, Ann, Wolf, Made in Italy, The Children ActGoldThe Ballad of Kid KanturkTriageThe Maid of FarceEdenPure Mule33x Around the SunThe Magdalene Sisters, When Brendan Met TrudyMiss JulieJanice BeardThe Last Bus HomeSpaghetti SlowThe Van.

Jeremy Dyson is an award-winning writer and director.His writing credits include Ghost Stories – nomination for Olivier Award for Best Entertainment, The League of Gentlemen are Behind YouThe League of Gentlemen: A Local Show for Local People – nomination for Olivier Award for Best Entertainment), and The League of Gentlemen. His co-writing credits for television include Psychobitches – winner of the Rose d’Or for Best TV Comedy and nominations for two British Comedy Awards, The Armstrong & Miller Show – winner of the BAFTA Award for Best Comedy, Billy Goat, Funland – nomination for the BAFTA Award for Best Drama Serial, The League of Gentlemen – winner of the BAFTA Award for Best Comedy, Golden Rose of Montreux and RTS Award for Best Entertainment); and his co-writing credits for film include Ghost Stories and The League of Gentlemen’s Apocalypse.


Andy Nyman
 is an award-winning actor, director and writer. As an actor, his theatre work includes The Producers (Menier Chocolate Factory/Garrick Theatre), Assassins, Terrible Advice (Menier Chocolate Factory), Fiddler on the Roof (Menier Chocolate Factory/Playhouse Theatre – Olivier Award nomination for Best Actor in a Musical), Abigail’s Party (Menier Chocolate Factory/Wyndham’s Theatre), Hello, Dolly! (The London Palladium), Hangmen (Wyndham’s Theatre/Golden Theatre, NYC), and Ghost Stories (Duke of York’s Theatre/Arts Theatre) – which he starred in, co-wrote and co-directed with Jeremy Dyson – later adapted into a film, in which he also starred. His television credits include Hanna, Wanderlust, The Eichmann ShowCampus, Crooked HouseDead Set, and Peaky Blinders; and for film, Wicked: Part 1, Jungle Cruise, Judy,The CommuterDeath at a FuneralKick-Ass 2Black DeathThe Brothers BloomSeverance and Shut Up & Shoot Me (Best Actor Award at the Cherbourg Film Festival). He has collaborated with Derren Brown for almost 20 years, co-writing and co-creating much of Brown’s early TV work. He has also co-written and directed six of Brown’s stage shows, winning the Olivier Award for Best Entertainment for Derren Brown – Something Wicked This Way Comes and a New York Drama Desk Award for Best Unique Theatrical Event 2017 for Derren Brown – Secret.

YORK THEATRE ROYAL

LISTINGS
York Theatre Royal
St Leonard’s Place, York YO1 7HD

www.yorktheatreroyal.co.uk

Box Office: 01904 623568

THE PSYCHIC
29 April – 23 May 2026
Tickets from £15
BSL Interpreted performance              Friday 15 May at 7:30pm
Audio Described performance            Saturday 16 May at 2:30pm
Captioned performance                         Saturday 23 May at 2:30pm    

SOLT & UK Theatre welcome Culture amendment to Devolution Bill

SOLT & UK Theatre welcome Culture amendment to Devolution Bill

The Society of London Theatre and UK Theatre have welcomed the Government’s decision to add culture to the English Devolution and Community Empowerment Bill, describing it as an important step in recognising culture as a core part of local growth, regeneration, and community life.

SOLT & UK Theatre said the change should be understood as an additional responsibility within the devolution framework. It gives Strategic Authorities a clearer mandate to consider culture as part of local economic, social, and civic policy.

Hannah Essex, Co-CEO of SOLT & UK Theatre, said:

“Giving culture explicit recognition in the devolution framework is a welcome and important step. It sends a clear signal that culture matters to growth, regeneration, placemaking, and community life.

“Theatres and cultural organisations already help drive local economies, increase footfall in high streets and town centres, and bring communities together. This amendment is a positive step. It must now be matched by the investment needed to make a real difference.”

SOLT & UK Theatre said the amendment should help ensure culture is properly reflected in future local and regional planning, and that devolution should strengthen the role of culture in placemaking, growth, and civic life.

WORLD’S GREATEST LOVER POSTPONES LONDON RUN

Broadway International Group have today announced that the upcoming London run of World’s Greatest Lover at The Other Palace will not go ahead as planned.

In a statement, the producers said, “We have made the difficult decision to postpone the upcoming run at of World’s Greatest Lover at The Other Palace. We are proud of the work that has been developed and are exploring future opportunities for the show.”

Ticket holders are advised to contact their point of purchase for a full refund.

The production had been due to begin performances on 12 April 2026.

https://theotherpalace.co.uk/worlds-greatest-lover/

Love Never Dies in Concert to return to Theatre Royal Drury Lane

JAMIE MUSCATO &

CELINDE SCHOENMAKER

TO STAR IN

AWARD-WINNING CONCERT PRODUCTION OF

LOVE NEVER DIES

AT THE LONDON PALLADIUM

ON 16 & 17 OCTOBER 2026

Producers Darren Bell and Cuffe & Taylor for Live Nation are proud to announce the return of the WhatsOnStage Award-winning concert production of Love Never Dies directed by Shaun Kerrison, playing at the London Palladium on 16 & 17 October 2026.

As announced at his sold-out concert, Jamie Muscato will play Phantom with Celinde Schoenmaker making her return as Christine.

The concert forms part of the celebrations for the 40th anniversary of Phantom of the Opera.

Tickets on sale 27 March.

Love Never Dies – Phantom of the Opera’s spectacular sequel – returns to the story 10 years after the Phantom’s disappearance from the Paris Opera House. Escaped to a new life in New York, he has finally found a place for his music to soar. All that is missing is Christine Daaé – the young soprano whose sensational talent enchanted the Phantom and saw him fall deeply and dangerously in love.

In a final bid to win her back, the Phantom lures Christine, her husband, and their young son Gustave to America to perform one final time. As old wounds are reopened and forgotten memories unlocked, the Phantom sets out to prove that, indeed, Love Never Dies. 

This concert production comes as Cameron Mackintosh’s production of Andrew Lloyd Webber’s Phantom of the Opera celebrates its 40th year in London’s West End, marking four extraordinary decades at His Majesty’s Theatre. Phantom of the Opera is widely considered one of the world’s most beautiful and spectacular musicals. Since 1986, the global phenomenon has played to over 160 million people in 217 cities, 58 territories and 23 languages. 

Jamie Muscato’s theatre credits include Dexter in One Day (Royal Lyceum Edinburgh), Jay Gatsby in The Great Gatsby (London Coliseum), Anatole in Natasha Pierre and The Great Comet of 1812 (The Donmar Warehouse – Olivier Award nominee for Best Actor in a Musical), Christian in Moulin Rouge! (Piccadilly Theatre), Guy in Once (London Palladium), Enjolras in Les Misérables: The Staged Concert (Sondheim Theatre), Tony in West Side Story (Leicester Curve), JD in Heathers (Theatre Royal Haymarket, The Other Palace – 2019 WhatsOnStage Awards nominee for Best Actor in a Musical), Story Edward in Big Fish (The Other Palace), Ben in Lazarus (Kings Cross Theatre), George Jacob Holyoake in A Subject of Scandal and Concern (Finborough Theatre), Jake in Stay Awake Jake (The Vaults), Joe in Bend it Like Beckham (Phoenix Theatre), Anthony in Sweeney Todd (Welsh National Opera), Nathan in House of Mirrors and Hearts (Arcola Theatre), Eddie in Dogfight (National Theatre), Rock of Ages (Shaftesbury Theatre), Love Story (Duchess Theatre), Jean Prouvaire in Les Misérables (25th Anniversary tour), Spring Awakening (Novello, Lyric Hammersmith). His TV and film credits include What We Wished We Could Be (Slick Films), Chemistry of Death (Paramount+), The Undeclared War (Channel 4, Peacock), Pistol (FX Network), The Colour of Spring (Winterlight Productions), The Trial of Christine Keeler (BBC), The Nun (New Line Cinema, Warner Bros), Cilla (ITV), Les Misérables (Working Title Films). 

Celinde Schoenmaker’s theatre credits include playing the original Sarah Brown in Nick Hytner’s Guys & Dolls at the Bridge Theatre. Other West End roles include Fantine in Les Misérables at the Sondheim Theatre and Christine Daae in The Phantom of the Opera at Her Majesty’s Theatre. She has also starred in Barnum at the Menier Chocolate Factory, The Light in the Piazza for LA Opera and Southbank Centre, Marry Me a Little for The Barn Theatre, Lovestory in The Netherlands and Jesus Christ Superstar In Concert at Theatre Orb, Tokyo. Film credits include Renate Blauel in RocketmanHong Kong LovestoryMatriarch and The Modelizer. TV credits include: Crookhaven (BBC), Truth & Conviction (Angel Studios), Our House (Red Planet Pictures) and Red Light (Man Up Film).

LISTINGS INFORMATION

Love Never Dies in Concert

16 & 17 October 2026

The London Palladium

8 Argyll Street

London

W1F 7TF

lwtheatres.co.uk/theatres/the-london-palladium/

Box Office: 020 3925 2998

Website: LoveNeverDiesConcert.co.uk


Instagram:

@darrenbellproductions

@LoveNeverDies

@PhantomoftheOpera

@ALWMusicals

SONIA FRIEDMAN PRODUCTIONS, IN ASSOCIATION WITH NICA BURNS, ANNOUNCES GILLIAN ANDERSON AND BILLY CRUDUP IN EDWARD ALBEE’S WHO’S AFRAID OF VIRGINIA WOOLF? OPENING @SOHOPLACE ON 21 SEPTEMBER 2026

SONIA FRIEDMAN PRODUCTIONS, IN ASSOCIATION WITH NICA BURNS, ANNOUNCES

GILLIAN ANDERSON AND BILLY CRUDUP IN

EDWARD ALBEE’S

WHO’S AFRAID OF VIRGINIA WOOLF?

OPENING @SOHOPLACE ON 21 SEPTEMBER 2026

Sonia Friedman Productions, in association with Nica Burns, today announces a new production of Edward Albee’s Who’s Afraid of Virginia Woolf?, starring Gillian Anderson as Martha, Billy Crudup as George, Josh Dylan as Nick, and Phoebe Horn as Honey. The production, directed by Marianne Elliott, runs@sohoplace theatre from 21 September until 19 December 2026, with press night on Wednesday 30 September at 7pm.

Set in the round, this fierce new production draws every spectator right into the eye of the storm…

“I swear…if you existed, I’d divorce you”

In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor Nick and his wife Honey to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

Gillian Anderson said, “Martha has built a persona to survive the emotional battlefield that she and husband George inhabit. She’s described by George as a ‘hell cat’. Ferocious, volatile, and impossible to contain. The short sharp quip also hints at the deeper tragedy beneath her wounded pride and bravado. Martha’s rage is inseparable from her longing, her disappointment, and her need to be seen; all things still eminently relatable 60 years on. I’ve wanted to play Martha for decades and thrilled Billy Crudup is joining me in the ring as George.”

Marianne Elliott said, “Who’s Afraid of Virginia Woolf? is a play of astonishing emotional precision—brutal, witty, and deeply human. What excites me most is the opportunity to explore the volatility and tenderness at its core with two actors as fearless and intelligent as Gillian Anderson and Billy Crudup. Albee writes with such fervency about love, illusion and survival, and I’m so excited to dive into that world with them and rediscover just how alive and bold this play is.”

Sonia Friedman said “Edward Albee’s Who’s Afraid of Virginia Woolf? is one of the defining plays of the modern theatre – raw, ferociously funny and devastating in equal measure. To bring it to life with actors of the calibre of Gillian Anderson and Billy Crudup, under the direction of the extraordinary Marianne Elliott, is a thrilling prospect. Staged in the round @sohoplace, this production will place audiences right inside George and Martha’s dangerous games, in a play that remains as shocking and truthful today as when Albee first wrote it.”

Nica Burns said, “Sonia Friedman has brought together an outstanding creative team helmed by the brilliant Marianne Elliott with a remarkable cast led by Gillian Anderson and Billy Crudup.  We are excited that the first American classic to be presented @sohoplace will offer a different experience – thrillingly up close and personal – of Albee’s intense play in the intimacy of our in-the-round auditorium.”

The creative team are Marianne Elliott (Director), Miriam Buether (Designer), James Farncombe (Lighting Designer), Ian Dickinson (Sound Designer), Jim Carnahan CSA (Casting Director).

Tickets are on sale now via sohoplace.org.

Gillian Anderson | Martha

Gillian Anderson is an award-winning film, television, and theatre actress who has carefully curated decades-worth of iconic and impactful characters. Amongst an impressive collection of nominations, spanning from the mid-nineties to present day, Gillian has won 2 Primetime Emmy Awards, 2 Golden Globes, and 4 Actor Awards. 

Coming soon is Teenage Sex and Death at Camp Miasma directed by the acclaimed Jane Schoenbrun, in which she stars alongside Hannah Einbender, for MUBI as well as Animals, a thriller directed by Ben Affleck for Netflix and staring Affleck, Carrie Washington and Steven Yeun and The Julia Set, a coming-of-age drama starring Chase Infiniti, Christopher Briney and Jason Isaacs.

Last year Gillian starred in Netflix’s wild west drama The Abandons, alongside Lena Headey, and with Lola Petticrew in Channel 4’s IFTA nominated series Trespasses, based on Louise Kennedy’s novel set against the backdrop of the Troubles. She also recently starred in The Salt Path, with Jason Isaacs, and in Tron: Ares, alongside Evan Peters, Jodie Turner-Smith and Greta Lee.

In 2024 and 2023, Gillian starred in the Emmy nominated Netflix film Scoop, in which she portrayed former BBC journalist Emily Maitlis, in a dramatisation of her infamous Newsnight interview with Prince Andrew. Alongside Christian Bale, Lucy Boynton, Timothy Spall, and Toby Jones in the Netflix murder/thriller, The Pale Blue Eye, and in Mark Forster’s White Bird opposite Helen Mirren. She also reprised her role as sex therapist ‘Jean Milburn’ in the fourth and final series of the hugely popular Netflix series, Sex Education

Gillian’s previous roles include her multiple award-winning role as Margaret Thatcher in the fourth series of The Crown. Starring alongside Olivia Coleman’s Queen Elizabeth II, Helena Bonham Carter, Josh O’Connor, and Emma Corrin, Gillian took home a Primetime Emmy, Golden Globe, Screen Actors’ Guild Award and Critics’ Choice Award for her role as the former British Prime Minister. 

Gillian is no stranger to portraying iconic historical figures, having also starred as Eleanor Roosevelt in the Paramount+ Drama series The First Lady. The anthology series delves into America’s presidential past from the perspective of the country’s First Ladies and also stars Viola Davis and Michelle Pfeiffer. Gillian also portrayed Catherine the Great’s mother in the second series of The Great, with Elle Fanning and Nicholas Hoult, as well as Lady Mountbatten In Viceroy’s House alongside Hugh Bonneville and directed by Gurinder Chada and The Dutchess of Windsor in Any Human Heart with Jim Broadbent, Mathew MacFayden, and Sam Claflin. Not to mention her roles as Miss Havisham in the BAFTA-winning series’ Bleak House and Great Expectations

Her accolades and popularity have notably stemmed from Gillian’s infamous portrayal of ‘Special Agent Dana Scully’ on the popular and award winning American sci-fi drama, The X-Files. She starred alongside David Duchovny from 1993 to 2002 in the TV series’ initial run, and then again from 2016 to 2018.

Gillian has also received great recognition for her roles on stage. She earned her first Olivier nomination for Nora in A Doll’s alongside Toby Jones at the Donmar Warehouse. She later received another Olivier nomination as well as a Best Actress win at the Evening Standard Theatre Awards for her role as Blanche Dubois in A Streetcar Named Desire. In early 2019, Gillian played Margot Channing in Ivo van Hove’s West End adaptation of All About Eve, sharing the stage with Lily James. Gillian has also starred in What the Night is For at the Comedy Theatre and The Sweetest Swing in Baseball at the Royal Court. 

In addition to her acting work, Gillian is an ambassador for multiple charities including War Child UK (of which she is a Global Ambassador) and Women for Women International and co-founded the mentor /mentee charity, SAYes that has successfully been running for 18 years.  She is also an accomplished writer with multiple published texts under her belt, including the New York Times Bestseller WANT, a collection of anonymous sexual fantasies from women around the world, with its sequel MORE launching in 2026.

Billy Crudup | George

Equally memorable on the stage and screen, Billy Crudup has earned critical accolades for his performances. He currently stars as Corey Ellison in Apple TV+’s The Morning Show alongside Jennifer Aniston and Reese Witherspoon, which earned him two Emmy Awards for Outstanding Supporting Actor in a Drama Series (three nominations total), two Critics Choice Awards for Best Supporting Actor in a Drama Series (four nominations total), four Actors Award nominations and three Golden Globe nominations.

Most recently, Crudup was seen in Netflix and Noah Baumbach’s film Jay Kelly, opposite George Clooney, Adam Sandler and Laura Dern.

Crudup also starred in and executive produced Apple TV+’s Hello Tomorrow!, as Jack Billings,whichcentres around a group of traveling salesmen hawking lunar timeshares. Previously, he starred in the film adaptation of Maria Semple’s novel, Where’d You Go, Bernadette, alongside Kristen Wiig and Cate Blanchett; in Bart Freundlich’s After the Wedding, alongside Julianne Moore and Michelle Williams; Ridley Scott’s Alien: Covenant along with Michael Fassbender and Katherine Waterston; Jackie opposite Natalie Portman; Zack Snyder’s Justice League, alongside Henry Cavill, Ben Affleck, Gal Gadot and Jason Momoa; 20th Century Women alongside Annette Bening, Elle Fanning and Greta Gerwig; Spotlight, for which he won the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture, and the film also won the 2016 Academy Award® for Best Picture; Youth in Oregon, which debuted at the 2016 Tribeca Film Festival; and IFC Films’ The Stanford Prison Experiment, which is based on the landmark experiment conducted at Stanford University in the summer of 1971. He made his television debut in Netflix’s psychological thriller Gypsy opposite Naomi Watts.

Crudup made his motion picture debut in Barry Levinson’s Sleepers, opposite Robert De Niro, Brad Pitt and Jason Patric, followed by Woody Allen’s Everyone Says I Love You, and Pat O’Connor’s Inventing the Abbotts. Crudup played the leading role in critically acclaimed Without Limits, the story of legendary long distance runner Steven Prefontaine, for which he won the National Board of Review Award for Breakthrough Performance of the Year.

He then starred in the critically acclaimed Jesus’ Son opposite Samantha Morton, Holly Hunter and Denis Leary, which earned him an Independent Spirit Award nomination, and he reunited with Jennifer Connelly in the acclaimed Waking the Dead. Crudup also starred in Cameron Crowe’s Academy Award®-winning Almost Famous along with Frances McDormand and Kate Hudson.

Crudup’s other film credits include: 1 Mile to You, based on Jeremy Jackson’s novel Life at These Speeds; Noah Buschel’s Glass Chin; William H. Macy’s directorial debut Rudderless;Guillaume Canet’s Blood Ties opposite Clive Owen; the box office hit Eat Pray Love starring alongside Julia Roberts, Javier Bardem, and James Franco;  Michael Mann’s Public Enemies alongside Johnny Depp and Christian Bale; Zack Synder’s Watchmen opposite Patrick Wilson; Charlotte Gray opposite Cate Blanchett; Tim Burton’s fantasy tale, Big Fish, also starring Ewan McGregor, Helena Bonham Carter, and Albert Finney; Stage Beauty opposite Claire Danes; Trust the Man with Julianne Moore; J.J. Abrams’ Mission Impossible 3 opposite Tom Cruise; and Robert De Niro’s The Good Shepherd alongside Matt Damon and Angelina Jolie. 

On stage, Crudup most recently starred in the world premiere stage adaptation of the classic Western film High Noon in London’s West End. Recently, he starred in Lincoln Center Theater’s production of Ibsen’s Ghosts, and reprised his role in the one-man play Harry Clarke at the Ambassadors Theatre in the West End which earned him an Olivier Award nomination for Best Actor, following a limited engagement at the Berkeley Repertory Theatre. He first performed this play at the Vineyard Theatre, for which he won an Outer Critics Circle Award, Off-Broadway Alliance Award, Lucille Lortel Award, Drama Desk Award, Obie Award and garnered a nomination for a Drama League Award. Crudup starred in the repertory productions of No Man’s Land and Waiting for Godot on Broadway, opposite Ian McKellen, Patrick Stewart and Shuler Hensley. In 2007Crudup won a Tony Award for Best Performance by a Featured Actor for his role in the Broadway production of The Coast of Utopia. He also received Tony nominations for his roles in The Elephant ManThe Pillowman and Arcadia. 

He made his Broadway debut as Septimus Hodge in Tom Stoppard’s Arcadia, directed by Trevor Nunn, which won him several awards, including the Outer Critics Circle Award for Outstanding Debut of an Actor and a Theater World Award. He was also honoured with the Clarence Derwent Award from Actor’s Equity for Outstanding Broadway Debut.

His other stage credits include: William Inge’s Bus Stop and the Roundabout Theater’s production of Three Sisters, which earned him a Drama Desk nomination. He has appeared in Oedipus with Frances McDormand, starred in the New York Shakespeare Festival production of Measure for Measure at the Delacorte Theater in Central Park, and starred in the off-Broadway run of The Resistible Rise of Arturo Ui opposite Al Pacino and Steve Buscemi.

Crudup received his Masters of Fine Arts from New York University and also attended the University of North Carolina at Chapel Hill. He resides in New York City.

Josh Dylan | Nick

Josh can next be seen as the co-lead role in the series Tommy & Tuppence for BritBox, alongside Antonia Thomas and Imelda Staunton. 

Dylan is soon to appear in the upcoming feature Scorn, opposite Adria Arjona and directed by Sarah-Violet Bliss.

Last year, Josh starred in the BAFTA nominated film H is for Hawk, directed by Philippa Lowthorpe, opposite Claire Foy and Brendan Gleeson, which premiered at LFF 2025.

He plays a leading role in The Buccaneers for Apple TV+ which had its season 2 premiere in the summer of 2025.

Early in his career, Josh starred as the young ‘Bill Anderson’, who’s older version is portrayed by Stellan Skarsgård in Mamma Mia 2: Here We Go Again. He then went on to work in leading roles in several critically acclaimed series, including The End of the F**king WorldNoughts + CrossesAllied and Masters of the Air.

Phoebe Horn | Honey

Phoebe’s theatre credits include Tom Stoppard’s Rock ‘n’ Roll, Sam Mendes’ production of The Motive and the Cue alongside Mark Gatiss and Johnny Flynnand Simon Goodwin’s Much Ado About Nothing at the National Theatre.

On screen, Phoebe has appeared in the BAFTA-winning series Call the Midwife for BBC and recently starred in Mark Gatiss’ film for the BBC, A Ghost Story for Christmas: Woman of Stone.

Marianne Elliott | Director

Marianne Elliott is a multi-award-winning director.  She has won three Olivier Awards, four Tony Awards, two Evening Standard Theatre Awards and three Drama Desk Awards. She was an Artistic Director of Manchester Royal Exchange (1998-2002) and an Associate Director at the Royal Court (2002–2006) and the National Theatre (2006–2016). In 2018, she was awarded an OBE for Services to Theatre. 

Theatre credits include Angels in America (National Theatre/ Broadway); Husbands and SonsRules for LivingThe Light PrincessPort (National Theatre/Broadway); The Curious Incident of the Dog in the Night-Time (Troubadour Wembley Park Theatre/ Broadway/tour); Season’s GreetingsWomen Beware WomenAll’s Well That Ends WellMrs Affleck, Harper Regan (National Theatre); War Horse (National Theatre/ Broadway/ Tour); Saint JoanThérèse Raquin, Pillars of the Community (National Theatre); The UnbelieveresStoning MaryNotes on Falling Leaves, The Sugar Syndrome (Royal Court); Company (Gielgud Theatre/ Broadway); Cock (Ambassadors Theatre); Heisenberg: The Uncertainty Principle (Wyndham’s Theatre); Much Ado About Nothing (RSC); Death of a Salesman (Young Vic/ Piccadilly Theatre); Sweet Bird of Youth (Old Vic); The Little Foxes (Donmar); Design for LivingLes BlancsAs You Like It, A Woman of No Importance (Royal Exchange, Manchester). 

Miriam Buether | Designer

Miriam Buether is a multi-award-winning stage designer working internationally in theatre, opera and dance.

She received the 2025 Tony Award, the Drama Desk Award, the Outer Critic’s Circle Award and the Olivier Award for Best Set Design for Stranger Things: The First Shadow. She is also three times Tony Award nominated for Prima Facie, Three Tall Women and To Kill a Mockingbird, two times winner of the Evening Standard Award for The Jungle and Earthquakes in London and Sucker Punch, and winner of the Critics Circle Award for Wild Swans.

Recent work includes: The Hunger Games on Stage (Troubadour Canary Wharf); Les Liaisons Dangereuses, Inter Alia, The Land of the Living, Earthquakes in London, The Effect (National Theatre); Unicorn (West End); Kyoto (RSC/ West End/ New York); The Fear of 13 (Donmar); Stranger Things: The First Shadow (West End/ Broadway); Prima Facie (West End/ Broadway); The Jungle (Young Vic/ West End/ New York); The 47th (Old Vic); Jungle Book Reimagined (Akram Khan Company); Patriots (Almeida/ West End/ Broadway); Christmas DayWomen Beware the Devil, Shipwreck, Spring Awakening (Almeida); The Cherry Orchard (Internationaal Theater Amsterdam); Sunny Afternoon, Chariots of Fire (Hampstead Theatre/ West End); The Trial, Wild Swans (Young Vic)What If If Only, Love and Information, Sucker Punch (Royal Court); To Kill a Mockingbird, Three Tall Women, King Lear, A Doll’s House 2, The Children (Broadway); Wozzeck (Festival d’Aix); FestenAida, Anna Nicole (Royal Opera House).

James Farncome| Lighting Designer

Theatre includes: The Land of the Living, London Road, The Other Place, Phaedra, People, Places and Things (National Theatre/ UK tour/ New York); Les Liaisons Dangereuses, The Playboy of the Western World, When We Have Sufficiently Tortured Each Other, Twelfth Night, Macbeth, The Plough and the Stars, Man and Superman, 3 Winters, Edward II, People and Men Should Weep (National Theatre); The Cherry Orchard (Donmar); The Tragedy of King Richard the Second (Almeida); John Gabriel Borkman (Bridge Theatre); Yerma, Three Sisters, The Cherry Orchard, Measure for Measure (Young Vic); Anatomy of a Suicide (Royal Court); Vanya (Duke of York’s/ New York).

Opera includes: The Makropulos Case, Jenufa, Theodora, Lessons in Love and Violence (Royal Opera House); Lucia di Lammermoor (Met Opera, New York/ LA Opera); La Traviata (Garnier, Paris, and Vienna Staatsoper); Innocence (Metropolitan Opera); Pelléas et MélisandeAlcina (Bolshoi Theatre, Moscow); Ariadne auf Naxos, Trauernacht (Aix-en-Provence Festival); Le Vin herbé (Berliner Staatsoper).

Ian Dickinson| Sound Designer

Ian has extensive sound design credits to his name both domestically in the U.K and internationally. He was the recipient of both Olivier and Drama Desk awards for The Curious Incident of the Dog in the Night–Time, which played at the National Theatre and subsequently toured venues worldwide. He has also received numerous Olivier and Tony nominations for his work in London and on Broadway, most notably for CompanyAngels in AmericaRock & Roll2:22 (A Ghost Story) and Jerusalem.

Recent work includes: Les Liaisons Dangereuses (National Theatre); The Battle (The Rep); Unfortunate (The Lowry); The Hunger Games (Troubador Theatre); Hedda (Ustinov Studio, Bath); The Unlikely Pilgrimage of Harold Fry (Chichester Festival Theatre); Ballet Shoes (National Theatre); Fear of 13 (Donmar); Waiting for Godot (Haymarket); Alma Mater (Almeida); The Witches (National Theatre), Boys on the Verge of Tears (Soho Theatre), 42nd Street (UK tour); The Pillowman (Duke of York’s); 2:22 A Ghost Story (West End/ Los Angeles/ UK tour); Rock Follies (Chichester Festival Theatre); Shirley Valentine (Duke of York’s); Ocean at the End of the Lane (UK tour/ Duke of York’s); A Midsummer Night’s Dream (Shakespeare North Playhouse); COCK (Ambassadors); Uncle Vanya (Harold Pinter); Angels in America (Broadway); TranslationsSmall IslandHusbands and Sons (National Theatre); Company (Broadway/ West End); Hangmen (Broadway/ West End).

Jim Carnahan CSA | Casting Director

Jim has cast over 175 Broadway shows including: Fallen Angels, Oedipus, ChessWaiting for Godot, ART, Just in Time, Pirates!, Stranger Things: The First Shadow, Sunset Blvd, The Hills of California, Appropriate, Merrily We Roll Along, A Doll’s House, A Beautiful Noise, Leopoldstadt, Funny Girl, Take Me Out, The Lehman Trilogy, Moulin Rouge!, The Ferryman, Harry Potter and the Cursed Child, Fun Home, Cabaret, Matilda, Once, Boeing-Boeing, Spring Awakening.

Off-Broadway: A Christmas CarolKyoto, Sexual Misconduct of the Middle Classes, Creditors, Little Shop of Horrors, Medea, Hamlet/Oresteia, The Doctor.

London: Copenhagen (Hampstead Theatre): Romeo & Juliet (Harold Pinter); Woman in Mind (Duke of York’s); Mary Page Marlowe (Old Vic); The Assembled Parties (Hampstead Theatre); The Seagull (Barbican); Evita (London Palladium); Stranger Things: The First Shadow (Phoenix Theatre); Enemy of the People (Duke of York’s); Oedipus, Eureka Day, Speed-the-Plow (Old Vic); Plaza Suite (Savoy Theatre); Lemons Lemons Lemons Lemons Lemons (Harold Pinter); Best of Enemies (Noël Coward).

Film/TV includes: Ari Aster’s Beau is Afraid, The Seagull, Glee (Emmy nomination), John Mulaney & The Sack Lunch Bunch, A Home at the End of the WorldFlicka

Jim is a member of the Casting Society of America and a 26-time recipient of the Artios Award for excellence in casting.

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www.sohoplace.org     

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BOX OFFICE INFORMATION

Box Office

www.sohoplace.org     

0330 333 5961

4 Soho Place | Charing Cross Road | London | W1D 3BG

Access Bookings/Customer Ticketing Enquiries: 0330 333 5962

Group Bookings: 0330 333 5963

@sohoplace

21 September – 19 December 2026

Press Night: Wednesday 30 September at 7pm

Ticket prices

From £25

Fair access: 50% off across all bands

Access @sohoplace

BSL interpreted: Saturday 24 October, 2.00pm

Audio Described: Saturday 7 November, 2.00pm

Captioned: Saturday 21 November, 2.00pm

@sohoplace has wheelchair access on stalls level and wider seats available for patrons with access needs. 

access@sohoplace.org

Ticketing @sohoplace

@sohoplace has contactless ticketing for every performance. Tickets will be issued electronically 48 hours prior to the performance.  

boxoffice@sohoplace.org

Cloakroom @sohoplace

The theatre has a large cloakroom that can be used by all patrons free of charge. Out of respect for patrons and the auditorium, we request that large bags are checked into the cloak room.

Feedback @sohoplace

We welcome all feedback on patrons’ experience with the venue and encourage patrons to email us feedback@sohoplace.org

RUSSELL T DAVIES’S IT’S A SIN IN DEVELOPMENT WITH RAMBERT

WORLD RENOWNED DANCE COMPANY RAMBERT BRINGS BAFTA NOMINATED IT’S A SIN TO THE STAGE, WITH RUSSELL T DAVIES AND PET SHOP BOYS AS EXECUTIVE PRODUCERS

Rambert, the UK’s leading contemporary dance company, in partnership with Factory International, today announces the early development of It’s A Sin – a major new dance work inspired by the era-defining, award-winning Channel 4 series, It’s A Sin.

This bold reimagining sees original series creator Russell T Davies (Queer As Folk, Doctor Who) serving as Executive Producer, alongside legendary pop duo Pet Shop Boys and Glyn Fussell (Sink the Pink, Mighty Hoopla festival). The production will be choreographed and directed by Rambert’s Artistic Director Benoit Swan Pouffer reigniting his partnership with Dramaturg Kaite O’Reilly (The Almond and The Seahorse)on the development of a new script for the show.

It’s A Sin is a Rambert and Factory International co-production that will premiere at Aviva Studios in Manchester. It is co-produced with Wales Millennium Centre, Capital Theatres (Edinburgh), Sadler’s Wells Theatre and Les Théâtres de la Ville (Luxembourg). Full details, including venue, casting and performance dates, will be announced later this year.

Raw, euphoric and deeply moving, It’s A Sin will be a visceral theatrical experience – a reckoning and a celebration told through fearless movement. Clubs pulse with possibility. Friendships ignite. Fear edges closer. Lives are changed forever.

Expanding the world of the beloved television drama, the production brings together an extraordinary creative team. Shaping the musical landscape Composer and Music Supervisor Roman GianArthur (Grammy nominated albums multi-instrumentalist credits include Janelle Monáe’s Dirty Computer and The Age of Pleasure) will compose the music with the support of executive producers Pet Shop Boys to evoke the glamour, defiance and emotional intensity of 1980s queer life. Set and video design comes from Luke Halls Studio (West Side Story, concerts from Adele, Pet Shop Boys,  Dua Lipa, Take That), whose work spans global arena tours and major stage productions.

Originally set in London between 1981 and 1991, Davies’ story follows a generation of young gay men and their friends as the HIV/AIDS crisis unfolds around them. It is a story of joy and innocence, of loss and injustice – and of resilience, activism and love in the face of unimaginable change.

Rambert will transform this narrative into an immersive, living experience where contemporary dance, archive and cinematic visuals collide as past and present unfold side by side. Urgent and intimate, it asks vital questions about memory, community and how we choose to live.

Unapologetic. Electrifying. Deeply human. It’s A Sin continues Rambert’s legacy of bringing epic stories to the stage through movement that speaks to now.

On the announcement of It’s A SinBenoit Swan Pouffer said: “Storytelling sits at the heart of Rambert’s mission. This is a story we feel compelled to tell right now, and collaborating with Russell – one of the most powerful storytellers of our time — is incredibly exciting. Together we’re exploring how dance and choreography can carry urgent, emotional narratives in a visceral way. I can’t wait to share this with audiences, and there is so much more still to come as the work evolves.”

Russell T Davies said: “It’s A Sin was such a special show for me, and it’s one of the greatest honours of my life to have the show transformed by Rambert into something new and exciting.”

Pet Shop Boys commented“The original TV drama was a landmark series which compellingly presented the reality and tragedy of the Aids crisis to a mass audience. Our song “It’s a sin” was contemporary with the crisis and we are proud to be involved as this poignant and important story is interpreted in a different medium.”

Factory International Artistic Director and CEO John McGrath said: “We are delighted to be partnering with Rambert on this thrilling new project. Russel T Davies is an icon, and the story he tells in It’s a Sin has resonated with all ages. Rambert will no doubt re-tell the story with great vision and beauty. We can’t wait to premier this collaboration at our home, Aviva Studios, before sharing it with an exceptional group of national and international co-producers.”

The announcement comes during Rambert’s centenary celebrations, marked by its nationwide FUTURE100 programme. Special events in London, Manchester and Edinburgh invite audiences closer than ever before, offering exclusive insights into the company’s future and opportunities to meet its artists.

Alongside this, Rambert will tour This is Rambert,  nationally and internationally, presenting a fierce and fearless triple bill of contemporary works by today’s most distinctive choreographic voices, brought to life by Rambert’s world-class dancers. Reaffirming its position as one of the world’s most innovative dance companies, as it enters its second century, Rambert continues to push boundaries – creating work that provokes, connects and captures the spirit of its time.

It’s a Sin is made possible thanks to major support from the Colwinston Charitable Trust’s 30th Anniversary Fund. It’s a Sin has been supported by Incentivising Touring: Repayable Grants for Theatre and Dance, a pilot scheme developed by Arts Council England to support mid-large scale productions to tour to regional venues. It’s a Sin was amongst the 23 to receive a share of over £4.5 million across two investment rounds of the scheme, which creates the opportunity for more people to see high-quality shows close to where they live.

Further announcements about It’s A Sin will follow soon. Sign up for updates here https://rambert.beaconforms.com/form/0696211d

LISTINGS INFORMATION – THIS IS RAMBERT UK TOUR 2026

Runtime 1h35 (incl. interval)

Suitable for: 12+

LONDON – SADLER’S WELLS
Wed 10 June – Future 100 Rambert Gala + Press Night
Thu 11 June
Fri 12 June
Sat 13 June – Matinee & Evening

https://www.sadlerswells.com/whats-on/rambert-this-is-rambert

NEWCASTLE – THEATRE ROYAL

Tue 16 June
Wed 17 June

https://www.theatreroyal.co.uk/whats-on/this-is-rambert

EDINBURGH – FESTIVAL THEATRE
Thu 2 July – Future100 event (Golden tickets)
Fri 3 July
Sat 4 July – Matinee

https://www.capitaltheatres.com/shows/this-is-rambert

SALFORD – THE LOWRY
Tue 7 July – Future100 event (Golden tickets)
Wed 8 July
Thu 9 July

https://thelowry.com/whats-on/this-is-rambert-bwbd

NORWICH – THEATRE ROYAL

Tue 14 July
Wed 15 July

https://norwichtheatre.org/whats-on/this-is-rambert

TRURO – HALL FOR CORNWALL – (on sale APRIL)
Tue 15 Sep
Wed 16 Sep
https://www.hallforcornwall.co.uk/whats-on

FULL CASTING ANNOUNCED FOR THE RETURN OF THE GLOBAL PHENOMENON ‘WAR HORSE’ TO THE OLIVIER STAGE THIS SUMMER FROM 16 MAY – 30 JULY 2026

FULL CASTING ANNOUNCED FOR THE RETURN OF

THE GLOBAL PHENOMENON

WAR HORSE

TO THE OLIVIER STAGE THIS SUMMER

FROM 16 MAY – 30 JULY 2026

Full casting is announced today for the National Theatre’s global smash-hit production, War Horse, which returns to its original home nearly two decades after its debut and following a recent acclaimed tour of the UK and Ireland.  Based on Michael Morpurgo’s beloved novel, adapted by Nick Stafford and originally directed by Marianne Elliott and Tom MorrisWar Horse has become the most successful play in the history of the National Theatre, winning more than 25 major awards including the Tony Award for ‘Best Play’ and has been seen by over 8.8 million people worldwide.  It returns to captivate a whole new generation from 16 May until 30 July 2026. 

War Horse tells the remarkable story of a young boy called Albert and his horse Joey, set against the backdrop of the First World War.  It is a timeless story of love, courage and friendship, brought to life by astonishing life-sized horses from Handspring Puppet Company and a stirring musical score.

The full cast of 35 includes:  Anita Adam Gabay (Emilie/Joey as a Foal), Rianna Ash (Joey/Topthorn head), Eloise Beaumont-Wood (Joey as a Foal), Stephen Beckett (Ted Narracott/Strauss), Ike Bennett (David Taylor/Thomas Bone), Jo Castleton (Rose Narracott), Owen Dagnall (Geordie/Alternate Albert), Alexandra Donnachie (Joey/Topthorn head), Felicity Donnelly (Joey/Topthorn hind), Sam Goodchild (Joey/Topthorn hind), Danny Hendrix (Vet Martin), Jasmin Hinds (Matron Callaghan), Linford Johnson (Sergeant Fine), Andrew Keay (Joey/Topthorn hind), Nicholas Khan (Arthur Narracott/Brandt), Manuel Klein (Friedrich/Priest), Michael  Larcombe (Joey/Topthorn hind), Matthew Lawrence (Joey/Topthorn head), Madeleine  Leslay (Paulette/Sarah Carter), Wade Lewin (Joey/Topthorn head), Jack Lord (Klausen/Allan), Damian Lynch (Thunder/Carter), Lewis  McBean (Joey/Topthorn heart), Chris Milford (Joey/Topthorn heart), Corey Montague-Sholay (Billy Narracott/Klebb), Jordan Paris (Joey as a Foal), Anne-Marie Piazza (Nell Allan/Schnabel), Daniel Rock (Captain Stewart/Ludwig), Simon Stanhope (Manfred), Tom Sturgess (Albert Narracott), Sally Swanson (The Singer), Lucy Thorburn (Jenny Bone/Annie Gilbert), Christopher Williams (Captain Nicholls/Dr Schewyk), Niko Wirachman (Joey/Topthorn heart) and Rafe  Young (Joey/Topthorn heart).

This tour revival of War Horse is created by director Tom Morris with revival director Katie Henry, set and costume designer Rae Smith, puppet designer Adrian Kohler for Handspring Puppet Company, lighting designer Rob Casey, director of movement and horse choreography Toby Sedgwick, puppetry director Matthew Forbes, animation and projection designer Nicol Scott for 59. Music is by Adrian Sutton with songmaker John Tams, sound designer Christopher Shutt and music director Dom Coyote.  Casting is by Jill Green CDG with Paul Benzing as Fight Director and Rebecca Daltry as Dialect Coach.

Completing the team are, Anna Marshall as Associate Director, William Fricker as Associate Set Designer, Johanna Coe as Associate Costume Designer, Tom Turner as Associate Lighting Designer, Lewis Howard as Associate Puppetry Director, Matthew Gough as Music Associate, Rob Bettle for Sound Quiet Time as Co-Associate Sound Designer, Emma Laxton as Co-Associate Sound Designer and Olivia Laydon and Tom Shiels as Casting Associates.

At the outbreak of the First World War, young Albert’s beloved horse Joey is sold to the cavalry and shipped to France. Too young to enlist, Albert refuses to forget him, embarking on an extraordinary journey from the fields of rural Devon to the trenches of wartime France – determined to bring Joey home.

War Horse received its world premiere on 9 October 2007 at the National Theatre, where it played for two seasons before opening at the New London Theatre in March 2009.  Since then, War Horse has been seen in over 100 cities in 15 countries, including productions on Broadway, in Toronto and Berlin, with touring productions in the UK and Ireland, North America, the Netherlands and Belgium.  Michael Morpurgo’s global best-selling novel has now sold over 2 million copies worldwide and in 44 different languages. 

War Horse will play in the Olivier theatre Saturday 16 May to Thursday 30 July 2026, with an opening performance on Tuesday 2 June 2026.

Recommended for ages 10+.

Tickets available from nationaltheatre.org.uk.

Harry Potter and the Cursed Child – tickets go on-sale for reimagined one-part production, last chance to see two-part

HARRY POTTER AND THE CURSED CHILD

OVER 400,000 TICKETS RELEASED FOR REIMAGINED ONE-PART PRODUCTION AS TICKETS GO ON SALE TODAY

LAST CHANCE TO BOOK FOR ORIGINAL MULTI-AWARD-WINNING TWO-PART PRODUCTION

WWW.HARRYPOTTERTHEPLAY.COM

The reimagined one-part production will have its first performance at the Palace Theatre on 9 October 2026

Celebrating an incredible 10 years in the West End this July, the final performance of the original two-part production is on 20 September

Today, 19 March 2026, the producers of Harry Potter and the Cursed Child – Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions -are delighted to announce that 425,000 tickets have gone on sale today for the reimagined one-part production at the Palace Theatre. The first performance will take place on Friday 9 October, with the reimagined production currently booking to 27 June 2027. The one-part production has a running time of 2 hours and 55 minutes including one interval.

Celebrating 10 years at the Palace Theatre in July, the final performance of the original multi-award-winning two-part production of Harry Potter and the Cursed Child will be on 20 September 2026, as previously announced, marking the culmination of a celebratory decade of extraordinary achievement, innovation and creative collaboration since the original critically-acclaimed production opened at the Palace Theatre in July 2016. Having welcomed over 2.2 million people, including over 300,000 first-time theatregoers, now is the final chance to book tickets for the two-part production.

Since its world premiere in London, Harry Potter and the Cursed Childhas achieved global success with 9 productions staged around the world including six productions currently running worldwide in London, New York, Hamburg, Tokyo, a North American tour, and the Netherlands production which opened earlier this month. Previous productions have been staged in Melbourne, San Francisco, and Toronto.

The spellbinding original production of Harry Potter and the Cursed Child was the recipient of a record-breaking 9 Laurence Olivier Awards, the most ever received for a play, plus multiple other UK theatre awards, and has now received a record 60 major honours globally.

The West End cast of Harry Potter and the Cursed Child cast comprises David Ricardo-Pearce asHarry Potter, Claire Lams plays Ginny Potter and Joshua Sullivan as Albus Potter. Thomas Aldridge and Naana Agyei-Ampadu play Ron Weasley and Hermione Granger with Tamia-Renée Alexandra as their daughter Rose Granger-Weasley. Oliver Boot plays Draco Malfoy, with Kai Spackman as his son Scorpius.

They are joined by David Annen, Hollie Beastall, Jacqueline Beaumont, Angeline Bell, Ricardo Castro, Robert Curtis, Laveda Dione, Gabriel Fleary, Cate Hamer, Tim Hibberd, Max Hunter, Dewayne Jameson Adams, Emma Louise Jones, Laura June Ness, Geffen Katz-Kaye, Louise Ludgate, Sophie Matthew, Nathan Muwowo, David Nairne, Mariam Pope, Helen Power, Jocelyn Prah, Claire Redcliffe, Ian Redford, Martin de los Santos, Adam Slynn, Joshua Talbot, Callum Tempest, Alex Tomkins, Jake Tuesley and Aidan Garrett Wilkins. Scarlett Davies, Jasper Franklin, Sebastian Halford, Rachel Kirk, Effie Linnen, Tabitha Kodesh, Theo Martin, Olivia Miller, Jack Pennycook, Zachary SeatonHarper Tricker and Huxley Syers alternate two children’s roles.

19 years after Harry, Ron, and Hermione saved the wizarding world, they’re back on a most extraordinary new adventure – this time, joined by a brave new generation that has only just arrived at the legendary Hogwarts School of Witchcraft and Wizardry. Prepare for spectacular spells, a mind-blowing race through time, and an epic battle to stop mysterious forces, all while the future hangs in the balance.

Based on an original new story by J.K. Rowling, Jack Thorne and John TiffanyHarry Potter and the Cursed Child is a new play by Jack Thorne, directed by John Tiffany with movement by Steven Hoggett, set by Christine Jones, costumes by Katrina Lindsay, music & arrangements by Imogen Heap, lighting by Neil Austin, sound by Gareth Fry, illusions & magic by Jamie Harrison,music supervision & arrangements by Martin Lowe, and casting by Julia Horan CDG and Lotte Hines CDGHarry Potter and the Cursed Child is produced by Sonia Friedman ProductionsColin Callender and Harry Potter Theatrical Productions.

Current two-part production

Booking until its final performance on 20 September 2026, tickets for the two-part production of Harry Potter and the Cursed Child remain priced from £15 per part. The regular performance schedule is Monday, Tuesday, and Thursday – no performance; Wednesday, Friday and Saturday 2pm Part One & 7pm Part Two; Sunday – 1pm Part One & 6pm Part Two.

Each Friday 40 tickets priced at £40 (£20 per part) are released for every performance the following week and located in great seats throughout the theatre. Patrons can enter the ‘Friday Forty’ lottery by downloading the TodayTix app.

Reimagined one-part production

Currently booking to 27 June 2027, tickets for the reimagined one-part production are priced from £25. The performance schedule is Tuesday to Saturday at 7pm, with matinees on Wednesday and Saturday at 1pm, and Sunday at 2:30pm.

The access performances currently on sale are as follows – British Sign Language Performances on Sunday 17 January 2027 at 2:30pm and Sunday 9 May 2027 at 2:30pm, Captioned Performances on Sunday 31 January 2027 at 2.30pm and Sunday 16 May 2027 at 2.30pm, and Audio Described Performances on Sunday 24 January 2027 at 2.30pm and Sunday 23 May 2027 at 2.30pm.

West End star MAZZ MURRAY joins the cast for the London premiere of Moonlight – The Philip Lynott Enigma

West End star
MAZZ MURRAY
joins the cast for the London premiere of

Moonlight – The Philip Lynott Enigma 

A major new rock musical 

Eventim Apollo, Hammersmith
Sunday 29 March 

Full cast revealed

The show will also tour the UK

West End leading lady Mazz Murray (Donna in Mamma, Mia!, Norma Desmond in Sunset Boulevard) is to star as Philomena Lynott, the mother of Thin Lizzy frontman Philip Lynott, in the thrilling new rock musical about his life, Moonlight – The Philip Lynott Enigma.

Mazz, who has also starred in Chicago, Rent, Smokey Joe’s Café, Fame, Pippin, and for nine years played Killer Queen in We Will Rock You, will join the production for the London premiere at Eventim Apollo Hammersmith on Sunday 29 March. The venue was where Thin Lizzy’s iconic “Live & Dangerous” album was recorded 50 years ago in 1976.

The cast is led by actor and singer Peter M. Smith (Who is Erin Carter?, Netflix) as Philip Lynott, with Padraic O’Loingsigh(The Plough and the Stars at the National Theatre, Juno and the Paycock at The Abbey Theatre, House of Guinness on Netflix) as Brendan Behan, Riley Clark (Vengeance) as Oscar Wilde, Luke Hayden (The Shadow of a Gunman, Juno and the Paycock at The Abbey Theatre and
National Theatre) as “The Landlord”, John Newcombe (The Government Inspector) as “The Journalist” with original founding member, Thin Lizzy guitarist Eric Bell making a special guest appearance.

Moonlight – already a critical hit in Ireland – has book and music by John Merrigan and Danielle Merrigan and is directed by Jason Figgis. It tells the story of the international rock star and Irish music icon, exploring Philip Lynott’s formative years, his struggles, his legacy and inspiration to musicians around the world, honouring him in the pantheon of great Irish poets.  It’s a truly authentic portrayal of one of the most authentic rockers of all time. 

Peter M. Smith says: 

“When offered the chance to play Philip Lynott, I was truly honoured as a proud Dubliner, and as a Thin Lizzy fanatic. Too much has been written about the rockstar lifestyle – it is a tired subject. This production seeks to honour Philip Lynott for what he was – a literary great and consummate artist.”  

Philip Parris Lynott
Philip Parris Lynott (pronounced “lie-not” – get it right!) was born in Birmingham in August 1949 to Philomena Lynott and Cecil Parris from Guyana. After a turbulent early childhood, he was sent to live with his grandparents in Crumlin, a working-class Dublin suburb. From then on, he made Ireland his spiritual home and source of musical inspiration.

As he said himself, being a “black Irish bastard” did not exactly set him up for success in life but he rose to become the first major international rock star that Ireland produced as frontman for Thin Lizzy, one of the biggest rock bands on the planet in the late 1970s along with co-founders Eric Bell and Brian Downey.

Thin Lizzy singles “Whiskey in the Jar” (1972), “The Boys Are Back in Town” (1976) and “Waiting for an Alibi” (1979) were international hits, and several Thin Lizzy albums reached the top 10 in the UK. The band’s music reflects a wide range of influences including blues, soul music, psychedelic rock, and traditional Irish folk music, but is generally classified as hard rock or sometimes heavy metal. Lynott led the group throughout their 14-year recording career of 12 studio albums, writing or co-writing almost all the band’s material.

Lynott performed with major artists around the world, and his incredibly diverse repertoire of songs remains hugely popular and influential to this day. On the 4th of January 1986, Philip Lynott was dead, gone far too soon, aged just 36.

The story of Lynott’s dealings with fame and fortune is a familiar road travelled by many before and after him. What is less known, is the narrative of his formative years, the dreamer, the fighter and the visionary. Before fame, Lynott was a poet and a sensitive man who spent years learning his craft, working harder than anyone around him. He was a complex character, always restless, looking for the next new thrill. 

Moonlight is a deeper portrait of Lynott that explores the key events that shaped and drove him, and his relationships with those around him. The drama explores themes of isolation, creative genius, flawed character, struggles with fame, and being awake and inspired when everyone else was asleep.

Writers John Merrigan & Danielle Merrigan said:
“Though Moonlight is a standalone stage production, it is the third in a trilogy of our works about great literary artists who emerged from Dublin onto the world stage.  The other two are: Vengeance (2021) about the demise of Oscar Wilde and Brendan – Son of Dublin (2023) about the life and times of Brendan Behan.  

“Wilde died when he was 46 in Paris, Behan aged 41 in Dublin, and Lynott when he was just 36 years old in England. All were flawed characters which makes them both interesting and at times problematic.  The varied themes that flow through their lives are highly interconnected and at times eerily similar.  They were ambitious outsiders who struggled with their art, their fame, their complex relationship with Dublin, and all fought ‘convention’ in their own way. They were true poets who held a mirror up to us all, asking important and sometimes uncomfortable questions, often at great cost to themselves and those close to them.

“As writers and composers, we explore these themes through words and music to gain insight and understanding. The works are musical dramas or perhaps better described as plays with music. Sometimes the songs move the plot forward, at other times they deliberately stop the action to allow us to reflect. The style of music changes with the context of each work.

“In the end, we may never fully understand these characters who have left us with important literary and musical legacies that continue to stand the test of time. Sadly, many others before and after them struggled too. We hope to make a small contribution towards a greater recognition of the importance of Wilde, Behan and Lynott in current times. In so doing, we further hope that we can all be kinder to the literary outsiders of today and support them, not waiting until they too pass to recognise how much they enrich our lives.”

Produced by Fatdan Productions



LISTINGS INFO

Fatdan Productions
present the UK premiere of

MOONLIGHT
The Philip Lynott Enigma
Book and Music by John Merrigan & Danielle Merrigan

Directed by Jason Figgis

LONDON
Eventim Apollo
Hammersmith
Sunday 29 March at 8pm
Tickets from £25 plus fees
https://www.eventim.co.uk/event/
moonlight-the-philip-lynott-enigma-eventim-apollo

Please note: Mazz Murray only appears in London.

TOUR DATES
Glasgow
Pavillion Theatre
Wednesday 20th May
https://trafalgartickets.com/pavilion-theatre-glasgow/en-GB/event/music/moonlight-the-philip-lynott-enigma-tickets

Newcastle
Tyne Theatre & Opera House
Thursday 21st May
https://www.tynetheatreandoperahouse.uk/whatson/moonlight-the-philip-lynott-enigma/#Tickets_in

Dartford
Orchard Theatre
Friday 22nd May
https://trafalgartickets.com/orchard-theatre-dartford/en-GB/event/music/moonlight-the-philip-lynott-enigma-tickets

Birmingham
The Alexandra
Saturday 23rd May
https://www.atgtickets.com/shows/moonlight-the-philip-lynott-enigma/the-alexandra-theatre-birmingham/

Dublin
Vicar St
Thursday 11th & Friday 12th June
https://www.vicarstreet.com/thelist-dashboard/
artist/1363-moonlight-the-philip-lynott-enigma.html

SOCIALS /WEBSITE LINKS  
https://www.facebook.com/moonlightrockmusical

Cast announced for the Built By Barn Revival of Double Double at the Barn Theatre, Cirencester 28 April – 30 May

A BUILT BY BARN REVIVAL

CORONATION STREET STARS

DANIEL BROCKLEBANK AND FAYE BROOKES TO STAR IN DOUBLE DOUBLE AT THE BARN THEATRE, CIRENCESTER

WRITTEN BY RICK ELICE AND ROGER REES
DIRECTED BY RYAN MCBRYDE

BARN THEATRE, CIRENCESTER

28 APRIL – 30 MAY

TICKETS ON SALE HERE

CEO and Artistic Director Iwan Lewis, Executive Director Liam McMullan, and the whole team at the Barn Theatre in Cirencester, are delighted to announce the casting for Built By Barn Revival of Rick Elice and Roger Rees’ Double Double, running Tuesday 28 April – Saturday 30 May, with a national press night on Thursday 30 April.

Weeks before his 37th birthday, Philippa’s husband Richard dies – the birthday that the terms of his inheritance required him to be alive and married. In the throes of grief, Philippa hatches a plan: find someone she can pass off as Richard and split the £2million windfall.

The good news is that she’s found Richard’s doppelganger in Duncan. The bad news? Duncan is homeless, shabby and has a broad Scots accent. Can she turn him into a passable version of genteel antiques collector Richard?

What follows is a witty psychological duel where Philippa and Duncan each struggle to get the upper hand, entangling feelings and second guessing intentions. Because now the con is on, who really has the most to lose?

In the role of Duncan will be Daniel Brocklebank, who played Billy Mayhew in ITV1’s Coronation Street from 2014 until 2026. He is also the recipient of a Screen Actors Guild Award for his performance in the multi award-winning Shakespeare in Love (Miramax). His theatre credits include As You Like It, Titus Andronicus, The Tamer Tamed and Lord of the Flies (Royal Shakespeare Company); The Importance of Being Earnest (Rose Theatre Kingston) and A Doll’s House (The Lowry).

Starring alongside Daniel will be Faye Brookes in the role of “Philippa”. Faye is best known for her role as Kate Connor in ITV1’s Coronation Street, for which she won a National Television Award. Her previous theatre credits include Chicago (UK and National Tour); Constellations (The Barn Theatre); Strictly Ballroom (UK and National Tour); and Shrek (UK and National Tour).

This revival of Double Double celebrates 40 years of the show, after its acclaimed debut at the Fortune Theatre in 1986. Written by Rick Elice (co-writer of Jersey Boys) and Roger Rees (Olivier and Tony award winning actor), this story of power, love, and illusion will draw audiences in and keep them guessing until the very last line.

Double Double will be directed by Ryan McBryde (Zog, Freckle Limited, UK Tour; Animal Farm, Stadt Trier). The wider creative team will be announced at a later date.

Barn Theatre’s Executive Director and Producer Liam McMullan said, “We’re absolutely delighted to welcome Daniel Brocklebank and Faye Brookes to the Barn to star in Double Double. Daniel brings tremendous depth and charisma to the stage, and it’s a real pleasure to welcome Faye back to the Barn with her undeniable stage presence – it’s no wonder she’s always been a firm favourite with our audiences. We can’t wait for everyone to see them together in this brilliant, psychological piece.”

The Barn Theatre is an award-winning producing-house in the heart of the Cotswolds, on a mission to inspire communities and champion the power of storytelling.