York Theatre Royal On Our Turf Project Nominated for Award

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York Theatre Royal’s On Our Turf project is shortlisted for a Hambleton District Council Community Award.

 

 

As part of the search to find and honour Hambleton’s community champions, the team at York Theatre Royal was delighted to hear that the On Our Turf project had made it to the shortlist for an Arts and Culture Award.

 

On Our Turf has been a collaboration between the theatre and four market towns in Yorkshire over the last three years. The ambitious project, funded largely by Arts Council England, aimed to co-programme and create work with communities around the region through a series of festivals and events. These have included large scale community productions, pop-up music and comedy events, workshops by world class artists and many surprising and engaging happenings that have enlivened the arts scene in Helmsley, Pocklington, Selby and Easingwold.

 

Ella Bond as Alice with the Caterpillar credit Tom SawyerThe project culminated in 2015 with a promenade production of Alice in Wonderland, directed by Phil Grainger, in Easingwold as part of the town’s LittleFest. Over 100 community members were involved in the making of the production and an audience of over 500 people saw it over the course of the weekend in October.

 

Beverly Bond, one of the community festival organisers said:

The event was highly inclusive and brought together many different groups of residents including people with learning disabilities, mental health service users, young people, elderly, local businesses, schools, the Women’s Institute, to name but a few. It did everything and more than a community arts project could be expected to achieve and I am very proud that this took place in our town. 

 

York Theatre Royal and the Arts Council are in the process of evaluating the three year initiative and are delighted that the Easingwold leg of the project has been recognised with an award nomination. The York Press named Alice in Wonderland the community production of the year at the end of 2015.

 

Abbigail Ollive, Head of Communications at York Theatre Royal:

On Our Turf has been a fantastic project to be involved in. It has brought communities together in creative ways and left a legacy to produce and curate work in these towns into the future. 

 

The Hambleton District Council Awards were launched two years ago to recognise and celebrate the exceptional contribution to the district made by countless residents – young and old. They cover everything from Community Group of the Year to Citizen of the Year.

 

Councillor Mrs Bridget Fortune, Portfolio Holder for Customer and Leisure Services said:

We want to reward the positive – and often unnoticed – voluntary work undertaken by our residents who all work hard to ensure their communities are a nice place to live. These individuals and groups work tirelessly for no pay, to provide excellent services, projects and experiences for their communities.  The awards will allow us to give them the praise they so richly deserve.

The Arts and Culture Award recognises individuals, groups or projects that have made an outstanding contribution to the arts and other cultural activities in the area.  The activity must have improved participation in the arts and be able to demonstrate high quality arts experience.

The award ceremony will be held on the evening of the 17th March.

THE RAILWAY CHILDREN – LIVE ON STAGE EXTENDS ITS RUN TO OCTOBER 2016

THE RAILWAY CHILDREN – LIVE ON STAGE

AT KING’S CROSS THEATRE IN LONDON

EXTENDS ITS RUN FOR A FOURTH TIME

DUE TO POPULAR DEMAND

NOW BOOKING UNTIL 30 OCTOBER 2016

TICKETS ON SALE FRIDAY 5 FEBRUARY

Due to popular demand, the Olivier Award-winning production of Mike Kenny’s stage adaptation of E. Nesbit’s novel The Railway Children – Live on Stage will be extending its run at King’s Cross Theatre for a fourth time until 30 October 2016, with tickets on sale Friday 5 February. 

The Railway Children opened at King’s Cross Theatre to critical and public acclaim on 14 January 2015, following previews from 16 December 2014.

The Railway ChildrenThe cast of The Railway Children includes Shaun Williamson as Mr Perks, Caroline Harker as Mother, Sophie Ablett as Bobbie, Matt Jessup as Peter, Beth Lilly as Phyllis, Lindsay Allen as Mrs Perks, Peter Gardiner as Doctor/Butler, Mark Hawkins as Jim/District Super, Connie Hyde as Mrs Viney, Blair Plant as Father/Schepansky, and Moray Treadwell as the Old Gentleman, with Helen Brampton, Rebecca Brierley, Timothy George and Daniel Griffin, plus a children’s ensemble made up of three teams of ten children aged between 9 and 15.

A purpose built 1,000-seat theatre, complete with a railway track and platforms, and with a state of the art air conditioning and heating system, was specially created for this production on King’s Boulevard, behind King’s Cross Station, a site which has been loaned to the production for the duration of the run by Google. The York Theatre Royal production, which is in association with the National Railway Museum, Matt Jessup as Peter%2c Sophie Ablett as Bobbie and Beth Lilly as Phyllis in The Railway Children. Credit Johan Persson. (1)features a live steam locomotive and a vintage carriage, originally built in 1896.

The production at King’s Cross Theatre is in support of the Railway Children Charity that aims to help homeless and runaway children throughout the world, with £1 per ticket donated to the charity. To date, £335,000 has been raised by the theatre production since its West End debut in 2010.

Directed by Damian Cruden, the Artistic Director of York Theatre Royal, with design by Joanna Scotcher, lighting by Richard G. Jones, music by Christopher Madin and sound by Craig Vear, Mike Kenny’s adaptation of The Railway Children was first produced by York Theatre Royal at the National Railway Museum, York, where it enjoyed two sell-out and critically acclaimed seasons in 2008 and 2009.  The production then opened at Waterloo Station in the former Eurostar terminal in July 2010, where it again played two critically acclaimed sell-out seasons and won the 2011 Olivier Award for Best Entertainment, before opening in Toronto in 2011 in a temporary theatre built at the base of CN Tower in Roundhouse Park.

The Railway Children tells the story of Bobbie, Peter and Phyllis, three children whose lives change dramatically when their father is mysteriously taken away. They move from London to a cottage in rural Yorkshire with their mother, where they befriend the local railway porter, Perks, and embark on a magical journey of discovery, friendship and adventure. But the mystery remains – where is Father, and is he ever coming back?

2016 marks the 110th anniversary of the publication of Edith Nesbit’s much loved classic children’s book The Railway Children, which has subsequently been adapted for the stage and screen, most famously in the 1970 film version directed by Lionel Jeffries and starring Jenny Agutter, Bernard Cribbins, Dinah Sheridan and Sally Thomsett.

The production is presented in London by Tristan Baker & Charlie Parsons for Runaway Entertainment, Oliver Royds for BOS Productions and Sue Scott Davison, in association with York Theatre Royal and the National Railway Museum.

 

LISTINGS INFORMATION

THE RAILWAY CHILDREN – LIVE ON STAGE

King’s Cross Theatre

Goods Way

King’s Cross

London N1C 4UR

Booking until                        30 October 2016

Running Time                       2 hours 10 minutes (including an interval)

Box Office                            0844 871 7604                   

 

Tickets                                 £25.00-£49.50, with 25% off for Under 16s (Premium Seats available at £69.50 +

                                           Limited edition show poster)

 

Website                               www.railwaychildrenlondon.com

Facebook                            www.facebook.com/railwaychildrenlondon

Twitter                                 @TRCKingsCross

Google+                              plus.google.com/+RailwayChildrenLondon

 

Performance Schedule:             Wednesday at 2.30pm & 7.30pm

                                               Thursday at 2.30pm

                                               Saturday at 1pm & 4.30pm

                                               Sunday at 2pm

*Extra performances:  1pm & 4.30pm on 14, 15, 18 February (no 2pm or 2.30pm performances on these dates), & 2.30pm on 19 February

 

2016 EASTER PERFOMANCE SCHEDULE

 

Friday 25 March                        2.30pm

Saturday 26 March                    1pm & 4.30pm

Sunday 27 March                      No performance

Monday 28 March                     2.30pm

Tuesday 29 March                     2.30pm

Wednesday 30 March                2.30pm & 7.30pm

Thursday 31 March                    2.30pm

Friday 1 April                            2.30pm

Saturday 2 April                        1pm & 4.30pm

Sunday 3 April                          1pm & 4:30pm

Monday 4 April                         No performance

Tuesday 5 April                         1pm & 4:30pm

Wednesday 6 April                    2.30pm

Thursday 7 April                        1pm & 4.30pm

Friday 8 April                            2.30pm

Saturday 9 April                        1pm & 4.30pm

Sunday 10 April                         2pm

RAMBERT TO BREW UP A PERFECT STORM OF ART, SCIENCE AND NATURE

The UK’s longest established contemporary dance powerhouse, Rambert are back in Newcastle this year with a brand new show celebrating the dual forces of nature and art.  Thought provoking, visually stunning, and featuring Tyneside-born dancer Adam Park, the new tour is set to blow audiences away at Newcastle Theatre Royal 2 – 4 Feb ‘16.

 

The tour programme features two new pieces – the Picasso-inspired The 3 Dancers and Frames, which takes us into a choreographer’s world, and a third piece, which was one of the huge successes of 2014 – The Strange Charm of Mother Nature.

 

The 3 Dancers is inspired by the tragic love triangle behind Picasso’s masterpiece of the same name.  A new work from former Rambert dancer Didy Veldman, it will explore the eternal themes of the painter’s work: love, desire and death. An internationally-renowned choreographer, Veldman uses a total of six dancers, three dressed in white and three as their shadows or darker selves in order to delve into the social, psychological and human elements of Picasso’s work.

 

Veldman, well known for her theatrical style and earthy choreography, reveals how Cubism can be applied to movement to create the fragmented world which is so characteristic of Picasso’s work. The 3 Dancers features an original score by Australia’s leading composer Elena Kats-Chernin.

 

Frames is a new work from another Rambert alumni, Alexander Whitley, which lays bare the process of making a dance performance. Twelve performers assemble and dismantle the set, move lighting and change angles, constantly creating new spaces and playing with what’s revealed and what’s hidden in their sequences of highly technical dancing.

 

This thought-provoking work, which sees dancers create a stage within a stage, is a continuation of Whitley’s collaboration with award-winning visual artists Tuur Van Balen and Revital Cohen and is accompanied by a new score from Icelandic composer Daníel Bjarnason.

 

The Strange Charm of Mother Nature, which premiered in September 2014, is inspired by particle physics and the recent discovery of the Higgs boson ‘God Particle’. Continuing choreographer Mark Baldwin’s fascination with science which has seen previous pieces inspired by the theories of Einstein and Darwin, the show sees dancers fizz with the energy of the miniscule building blocks that created life, the universe and everything. The work is set to a musical score of Bach’s Brandenburg Concerto No.3, Stravinsky’s Dumbarton Oaks and a new piece by Cheryl Frances-Hoad.

 

This season, the company once again features north-east born dancer Adam Park, aged 24, of Jesmond who trained at Dame Allan’s and Dance City and has been in the company for four years.  Adam last performed with Rambert at Newcastle Theatre Royal in 2012 as part of the Seven for a Secret tour.

Rambert appears at Newcastle Theatre Royal from Tue 2 – Thu 4 February 2016 (Evenings: 7.30pm, Matinee: Thursday 2pm). Tickets are from £12.00

(pay less online) and can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 08448 11 21 21 (calls cost 7ppm plus your phone company’s access charge).

Five theatres to receive London Theatres Small Grants Scheme awards from the Theatres Trust through Cameron Mackintosh donation

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Five theatres to receive London Theatres Small Grants Scheme awards from the Theatres Trust through Cameron Mackintosh donation 

  • £25,000 awarded to five small London theatres in first round of London Theatres Small Grants Scheme
  • Grants awarded to Battersea Arts Centre, Bush Theatre, The Cockpit, New Diorama Theatre, and SPID Theatre
  • Awards go towards urgent building repairs, backstage and building access route improvements, and urgently needed new office and education space
  • First round of grants made possible by the Scheme’s first donor, the Mackintosh Foundation, run by Cameron Mackintosh
  • London Theatres Small Grants Scheme has the support of the Mayor of London and aims to build a fund to help small theatres with capital grants, in response to a London Assembly investigation into London’s small theatres

Three quarters of small venues surveyed in 2013 as part of the Economy Committee of the London Assembly’s ‘Centre Stage’ report into the needs of small theatres in London said they needed to significantly upgrade or repair their buildings but 93% had yet to raise the money to carry out the work.

The Theatres Trust is pleased to announce that five small theatres in London will benefit from the first round of its new London Theatres Small Grants Scheme, made possible through a donation from the Mackintosh Foundation.

The five successful projects are:

Battersea Arts Centre (BAC) in Wandsworth is awarded £5,000 to replace their temporary wheelchair ramp leading to the café / bar and first floor performance space with a new permanent ramp. This improves access to BAC and contributes to the major Haworth Tompkins-led BAC capital redevelopment and restoration project.

Bush Theatre in Hammersmith & Fulham is awarded £5,000 to repair the pitched roofs and dormer windows of their former Old Library building. These repairs help to maintain the condition of this locally listed theatre’s façade.

The Cockpit in Camden is awarded £5,000 to repair their leaky flat roof which sits over the theatre’s dressing rooms. This improves backstage conditions for performers and theatre staff and keeps costumes and equipment safe.

New Diorama Theatre in Camden is awarded £5,000 to install a converted storage container in their back yard to provide much needed space for their outreach programme and an accessible office space.

SPID Theatre in Kensington and Chelsea is awarded £5,000 to carry out urgent works to replace doors, and install disabled ramps and double glazing windows in their Grade II* building.

Cameron Mackintosh said: “It’s an honour for the Mackintosh Foundation to be the first donor to the London Small Theatres Grants Scheme and provide capital funding to help these theatres. Working with the Theatres Trust and the Mayor of London we’re making a start in helping to solve the urgent capital needs of London’s smaller theatres. This is so important for the next generation of artists and audiences and the continuing success of London’s theatre scene.”

Mayor of London Boris Johnson said: “London’s smaller theatres are vital to its preeminence as a cultural capital on the world stage. Dotted throughout our city they entertain Londoners and bring in visitors, contributing to the local economy. In addition, they are a fertile seedbed for the vibrant talent and creativity that also feeds into the major houses, as well as film and television. These awards will help ensure some of our key players can get on with their core business, which is exciting work for the public to enjoy.”

Tim Eyles, Theatres Trust Chair said “London’s small theatres face so many challenges raising capital funding for repairs and upgrades, so I’m delighted that we’ve been able to announce these awards today. We need to see more capital investment going into fringe theatres if we are to ensure theatre makers have a home in the city to make and present their work. I want to say a big thank you to Sir Cameron Mackintosh and the Mackintosh Foundation for their incredible support in making these first grants.”

Tom Copley, AM said: “Small grants can make a big difference. I’m delighted that five of London’s small theatres will be able to improve working conditions for performers and staff, make their buildings more accessible and restore historic buildings. Huge thanks must go to the Mackintosh Foundation for being the first donor to the London Theatres Small Grants Scheme, which will support London’s small theatres and help them to continue to grow.”

Darlington Civic Theatre – Gilbert O’Sullivan

Civic-Theatre-Hi-Res-Logo-1-117x300GET DOWN AND SEE A MUSIC ICON

Global music superstar Gilbert O’Sullivan comes to Darlington Civic Theatre on Monday 15 February.

Gilbert O’Sullivan’s first taste of chart success came with ‘Nothing Rhymed’, a UK Top Ten hit in 1970, taken from his debut album Himself, but it was 1972’s ‘Alone Again (Naturally)’ that shot him to international stardom, topping the U.S. charts for six weeks and garnering three Grammy Award nominations. Soon after, he scored three UK number ones with the singles ‘Clair’ and ‘Get Down’ and the album Back to Front, before being named Songwriter of the Year at the 18th Ivor Novello Awards.

Gilbert O’Sullivan will be on stage with his fabulous ten-piece band to bring you all his hit songs as well as brand new compositions from his newly released album Latin Ala G. To catch a glimpse of what to expect, Gilbert O’Sullivan will be appearing on the BBC Radio 2 programme Friday Night Is Music Night on Friday 12 February.

Gilbert O’Sullivan is at Darlington Civic Theatre on Monday 15 February at 7.30pm. Tickets* are priced £29 & £30.50

*All prices include a £1 restoration levy

To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk

Darlington Civic Theatre – Treasure island

Civic-Theatre-Hi-Res-Logo-1-117x300DON’T MISS THE BOAT, ME HEARTIES

A fabulous family production of Treasure Island is coming to Darlington Civic Theatre just in time for the half term holidays.

Audiences will be taken on a magical trip into a world of pirates, adventure and princesses as one of the nation’s favourite children’s novels is brought to life with a lively modern twist at Darlington Civic theatre on Tuesday 16 February.

See Jim Hawkins, Jolly Roger, old Ben Gunn, Billy Bones, Sneaky Beaky the parrot and of course Long John Silver, star with action aplenty on the high seas. This show is jam-packed with shanties, cheering, booing, puppets, lots of colourful costumes, amazing sets, illusions and maybe even a monkey or two!

The show is the brainchild of popular comedian and entertainer Tom Beard.

Tom is no stranger to children’s shows, having appeared in number one venues over the past ten years, where he frequently had children (and adults) doubled up with mirth at his comedy antics. Tom said: “Everyone knows and loves the original pirate story but you won’t have enjoyed the tale quite like this before. We want our audience (both young and old!) to get involved with lots of shouting and cheering. We are after non-stop fun and laughter, whilst also staying as close to the original tale as possible.”

He continued; “We’ve respectfully kept to Robert Louis Stevenson’s swashbuckling tale which everyone can enjoy, along with some humour for both the adults and the children. The one thing we can guarantee is that everyone will leave with a smile on their face.”

Treasure Island is at Darlington Civic Theatre on Tuesday 16 February at 2pm.

Tickets are priced £10 & £12, Family Ticket £40

Recommended age 3+

To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk

Darlington Civic Theatre – Brendan Cole

Civic-Theatre-Hi-Res-Logo-1-117x300STRICTLY SPEAKING, BRENDAN’S ONE OF THE BEST

Brendan Cole presents A Night To Remember at Darlington Civic Theatre on Thursday 18 February.

Strictly Come Dancing’s Brendan Cole is set to dazzle audiences with his latest dance extravaganza, A Night To Remember.

Brendan, one of Strictly Come Dancing’s most charismatic choreographers and performers, will host throughout the night as he leads his cast on a journey of music and dance in a spectacular night of theatrical entertainment.

Loaded with ballroom magic and Latin excitement, Brendan’s newest live music and dance spectacuar will be 2016’s must see show.

Brendan Cole A Night To remember is at Darlington Civic Theatre on Thursday 18 February at 3pm & 7.30pm. Tickets* are priced £34 & £36

*All prices include a £1 restoration levy

To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk

BACK BY POPULAR DEMAND: SHOWSTOPPER! THE IMPROVISED MUSICAL RETURNS TO THE WEST END

BACK BY POPULAR DEMAND

SHOWSTOPPER!

The Improvised Musical

THE LYRIC THEATRE, SHAFTESBURY AVENUE.

Limited run of 10 Mondays from February to July

Showstopper! The Improvised Musical wowed audiences and critics alike in the first ever season for an improvised musical in the West End. Now it returns to the Lyric Theatre, Shaftesbury Avenue for just 10 more performances between 15th February and 25th July

For Showstopper! The Improvised Musical audience suggestions are transformed instantly into all-singing, all-dancing shows with unpredictable and hilarious results. Even the title of each show is improvised. Highlights from the 2015 West End run have included: ‘Royal Flush‘ set in the Queen’s bathroom, ‘Blatt Out of Hell‘ from the Fifa HQ, ‘The Lyin’ King’ set in the Daily Mail newsroom; ‘I never tyre of Georgia’ set in Kwikfit in the Deep South and ‘Bricking It‘, the sad history of the Guernsey Lego factory.

The Showstopper team nightly pull off something incredibly ambitious; they create a real musical from scratch, not just an improv night with songs but a full story with characters you can care about, a live band of incredible musicians, and spontaneous but seamless choreography. With a BBC Radio Four series and eight years of festivals and touring to their name, The Showstoppers have delighted and astounded audiences around the world with their ingenious, unique blend of comedy, musical theatre and spontaneity.

What the critics said:

★★★★★

Incredible… so polished, it defies belief.” – Daily Telegraph

★★★★★

You absolutely have to go” – Mail on Sunday

★★★★

Crackingly creative… a triumph.” – The Times

★★★★

Astounding” – Daily Express

★★★★

Brilliant” – Financial Times

★★★★

A success story that could run and run.” – Evening Standard

★★★★

Staggeringly good… a must-see.” – The Stage

★★★★

The resultant show is a glorious mix of shambolic story and genuinely hilarious songs

Time Out

★★★★

Go and go again. It’s irrepressible, irresistible fun.” – British Theatre

★★★★

Satirical ingenuity” – What’s On Stage

★★★★★

Showstopper! is a must for every fan of musical theatre” – Musical Theatre Review

Make sure you catch this show” – Sunday Mirror

Prepare to be wowed… Showstopper! might be the only West End show you ever need.

Chortle

Showstopper! was created by Adam Meggido and Dylan Emery. Duncan Walsh Atkins is Musical Director, with design by Simon Scullion, lighting by Tim Mascall and sound by Tom Lishman.

The cast includes Ruth Bratt, Justin Brett, Dylan Emery, Pippa Evans, Susan Harrison, Sean McCann, Adam Meggido, Philip Pellew, Andrew Pugsley, Oliver Senton, Lucy Trodd, and Sarah-Louise Young, with seven cast members appearing per performance plus a live on-stage band.

Showstopper! The Improvised Musical is presented by James Seabright, Julie Clare, Julius Green, Keith Strachan, Irving Rappaport and Ray Cooney by arrangement with Suzanna Rosenthal for Showstopper Productions.

Listings information:

Showstopper! The Improvised Musical

Venue: The Lyric Theatre, Shaftesbury Avenue, London

Dates: Monthly Mondays in Feb/Mar/April and then fortnightly from May to July16

Dates : 15 February, 14, March, 11 April, 9 May, 23 May, 6 June, 20 June, 4 July, 18 July & 25 July

Tickets: From £20 Box Office: www.nimaxtheatres.com / 0330 333 4812

Interview with Graham Seed

Graham Seed
Graham Seed

Jolly good show, chaps!

Graham Seed talks about Rattigan, romance and how wearing a uniform might give his wife ideas…

With the tractors and traumas of Ambridge well and truly behind him (he played Nigel Pargetter in the radio soap The Archers for an incredible 27 years), award-winning actor and broadcaster Graham Seed continues to work extensively. Just starting out on a national tour, Graham plays Squadron Leader Swanson in Terence Rattigan’s Flare Path, directed by Justin Audibert.

“It’s going very well and we have a terrific cast,” beamed Graham, a self-confessed Rattigan fan.

“As an actor I am really enjoying it because Rattigan writes such good characters; he just didn’t write bad parts. One of his best plays is The Deep Blue Sea and this has early elements of that. It’s rather delightful and I like the play enormously.”

Based on Rattigan’s own experiences as a tail gunner during World War II, the play is rooted in wartime Britain, where the life-and-death existence of the RAF bomber crews, and their wives and sweethearts who were on tenterhooks awaiting their return, created a permanent state of high anxiety. The story tells of former actress Patricia, the wife of RAF pilot Teddy. When Patricia’s ex‐lover and Hollywood idol Peter arrives out of the blue her emotions are thrown into turmoil and the survival of her marriage to Teddy becomes uncertain. As the conflict rages in the skies above, on terra firma feelings simmer, threatening to become every bit as explosive.

A romance with shades of Brief Encounter then? Graham nodded. “She has to decide what she’s going to do, but it does have humour, too. It’s a very evocative and powerful play.

“My character is quite funny and rather charming. He’s a frightfully good chap; full of that stiff upper lip phlegm.”

But in pitching his performance Graham has had to take care not to stray into parody. “If you did it wrong you’d be into Black Adder or Monty Python territory, which you don’t want at all.”

But it’s not just the good of the play that Graham is mindful about; he clearly has great respect for the real life pilots who carried out such dangerous missions.

“These boys were incredibly brave and they understated the danger always. The play is set against the backdrop of planes taking off and not coming back and at one point my character says: ‘we do owe these boys something.’ You can see why Churchill loved it. The Great War was so ghastly that it became romantic, but in the Second World War far more civilians were bombed.”

Mixing history with an intriguing story gives it broad appeal and the cast are delighted that Flare Path is attracting audiences of all ages.

“It’s definitely a play that is suitable for all the family and I do hope that lots of young people will come to see it,” said Graham, who admitted that these days he isn’t feeling as sprightly as he once was.

“I am suddenly feeling my age,” he confided. For years you’re the youngest in the company and now I’m suddenly the oldest – I’m about twenty years older than everyone else!”

But there’s something about this particular production that has had a rejuvenating effect on Graham. Botox? A bit of a nip-and-tuck? As it transpires nothing so drastic.

“I know it sounds slightly immature for a sixty-five-year-old man to say it, but it’s quite nice to put on an air force uniform. I look pretty chipper,” he teased, agreeing that any fella in a military uniform looks instantly dapper, even if they look like a bag of spanners. Not that Graham does, I hastily reassured him. Laughing off the unintended insult he said:

“It’s like evening dress – if you’re a woman and you suddenly look at your old man in evening dress you say ‘goodness he polishes up well!’ When my wife sees me in my RAF uniform I hope she thinks that there’s life in the old dog yet!”

Certainly on the work front he continues to have offers lined up and, although he is best remembered for The Archers, his CV is crammed with credible theatre, film and TV credits. “That’s because I’m so old,” he twinkled. “I’ve ducked and dived; I’m what they call a jobbing actor.”

As for life on tour, Graham doesn’t mind living out of a suitcase in the least.

“It’s rather romantic and like being with a family. For me, as an older member of the company, there’s a responsibility to make sure that everyone’s happy. But it’s a lovely way to see friends in other parts of the country and to visit wonderful theatres.”

Asked to name his favourite theatres around the country Graham said: “I love Darlington’s beautiful old theatre. People still have a sense of occasion about going to the theatre there and that’s really lovely.”

With all the schlepping about he does for work, how does Graham relax?

“I find it very hard to relax,” he confessed. “I do What the Papers Say every other Sunday, so don’t get many Sunday’s off. You always worry about your next job and even at sixty-five I’m always worried that I’ll be found out. But I’m actually pretty content. Getting older makes you less ambitious; there are more important things, like your health. So now I am absolutely thrilled to play good supporting roles and to really enjoy them.”

Anxious that he doesn’t come across as “worthy” (he doesn’t), Graham believes that there is a duty to tour good plays around the country, especially to unsubsidised theatres.

Speaking of which, it was time for him to head off to transform himself into a fine young man in uniform for the evening performance.

“I’m revving up for chocks away,” he grinned, before adding: “It’s not a bad life.”

Indeed. And he’s a jolly good egg. A jolly good egg in a jolly good show. Go and see for yourself.

Official website: www.flarepaththetour.com

Twitter: @flarepathtour

Facebook: flarepaththetour

Vicky Edwards

 

Civic-Theatre-Hi-Res-Logo-1-117x300FLARE PATH

Darlington Civic Theatre

Tuesday 12 to Saturday 16 April

Tickets* £17 to £22.50

*includes £1 restoration levy

01325 486555

www.darlingtoncivic.co.uk

Darlington Civic Theatre – Showaddywaddy

Civic-Theatre-Hi-Res-Logo-1-117x300THE BOYS HAVE STILL GOT WHAT IT TAKES

The greatest rock’n’roll band in the world comes to Darlington Civic Theatre on Friday 19 February.

Showaddywaddy have been on tour since 1973, and are on the road again in 2016. The band are playing sold-out shows up and down the land with nearly 100 dates on the tour list, which is testament to their enduring appeal.

Formed in the 1970s from members of several different bands, Showaddywaddy have sold more than 20 million records and have toured the world.

Now celebrating their 40th anniversary, Darlington Civic Theatre is preparing to rock to the all-time favourites including Under The Moon of Love, Three Steps to Heaven, Hey Rock & Roll, Blue Moon, Pretty Little Angel Eyes, You Got What It Takes and many more in this dynamic stage show.

Showaddywaddy comes to Darlington Civic Theatre on Friday 19 February at 7.30pm. Tickets* are priced £19.50 & £20.50. Groups 10+ get 1 free

*All prices include a £1 restoration levy

To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk