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David Adkin and NewYorkRep

in association with

Joel Fisher, Adam Richman and The Telling Company

presents

The UK premiere of

 

STALKING THE BOGEYMAN

 

by Markus Potter & David Holthouse

with additional writing by Santino Fontana, Shane Zeigler and Shane Stokes.

 

Southwark Playhouse

13 July to 6 August 2016

 

 

Based on an extraordinary true story, Stalking the Bogeyman follows renowned journalist David Holthouse’s secret plot to murder the man who raped him when he was seven years old, and highlights the complexities of childhood sexual assault. Following a critically acclaimed off-Broadway run, where the New York Times called the play “a riveting true story that has only deepened with its trip to the stage“, the play is now receiving its UK premiere.

 

Stalking the Bogeyman, was adapted for the stage by NewYorkRep’s Producing Artistic Director Markus Potter, alongside author David Holthouse. The play is based on an article published in 2004 by Holthouse and later adapted into a story for the popular US radio programme ‘This American Life.’  This critically acclaimed play explores the dangers of vengeance, the power of forgiveness, and the strength of family.

Having heard the American Life broadcast, Potter chose to adapt the story for the stage. The play premiered at North Carolina Stage Company in September 2013 and opened off-Broadway at New World Stages in 2014. As Markus Potter says:

 

“After hearing David’s story on “This American Life”, I thought about my son and I had that overwhelming and animalistic need to protect my family. Male victims of childhood sexual abuse have become an explosive issue with major, headline-grabbing scandals erupting within the Catholic Church, the Boy Scouts and many more. This deeply troubling and emotionally charged issue is rapidly and finally coming to the fore of the world’s conscience.”

 

Peter Saunders from Stalking the Bogeyman charity partner NAPAC (National Association for People Abused in Childhood) says of the play, “What sets this play apart from others is that it pulls no punches as to what child abuse is…..and illustrates the reasons so many victims never speak out. But it also concludes with a proposition that many will find challenging. Did the Bogeyman really only strike once?’‘

 

Stalking The Bogeyman will run at Southwark Playhouse Theatre from Wednesday 13 July to Saturday 6 August. Set & costume design is by Rachel Stone, lighting design by Rob Casey, original music by Eric T. Lawson, sound design by David Gregory and the Casting Director is Anne Vosser.

 

Stalking the Bogeyman is partnered by the following charities NAPAC, Survivors UK, Safeline and 1in6.

Full cast to be announced shortly.

 

David Holthouse is an investigative journalist whose best known work has been published in alternative weekly newspapers including: the Chicago Reader, Denver Westword, Miami New Times and Phoenix New Times.  He’s the winner of numerous journalism and literary non-fiction writing awards, and was senior writer and editor for the Southern Poverty Law Center team that in 2007 won the Utne Reader Independent Press Award for its work exposing right-wing extremism in the U.S. and Europe.

Markus Potter is a NYC based director, and the producing artistic director of NewYorkRep that is committed to developing and producing innovative new plays and musicals that inspire social change. www.NewYorkRep.org

David Adkin is a London based Producer and General Manager. Recent productions include: DUSKY WARRIORS – Workshop (Theatre Royal, Stratford East); Festival Producer/General Manager for THE OLD VIC NEW VOICES FESTIVAL (The Old Vic); OUR FRIENDS THE ENEMY (UK Tour/New York City); NEXT FALL starring Charlie Condou (Southwark Playhouse) and SWEENEY TODD: THE DEMON BARBER OF FLEET STREET starring David Bedella (Twickenham Theatre – Winner of Whatsonstage Award for Best Off-West End Production 2015).

 

Listings information

Theatre:                      Southwark Playhouse, 77-85 Newington Causeway, London SE1 6BD

Dates:                         13 July to 6 August 2016

Times:                         Monday – Saturday at 20.00; Tuesday and Saturday at 15.30

Running Time:            85 minutes

Previews:                    Wednesday 13 July and Thursday 14 July

Press Night:                Friday 15 July

Box Office:                 Tickets are available from the Southwark Playhouse Box Office on020 7407 0234 or online at www.southwarkplayhouse.co.uk. Tickets are priced at £20 Full and £16 Concessions. All Preview tickets are £12

NATIONAL YOUTH THEATRE LAUNCHES 60TH ANNIVERSARY SEASON

• NYT LAUNCHES 2016 SEASON INCLUDING WORK ACROSS THE UK AND IN THE WEST END, FIVE NEW COMMISSIONS, TWO WEST END PREMIERES, A REGIONAL TOUR, FILM AND PHOTOGRAPHY PROJECTS AND AN ALUMNI GALA, ALL CELEBRATING THEIR 60TH YEAR

• TWO NEW PLAYS BY AISHA ZIA AND MONSAY WHITNEY PERFORMED BY SOCIAL INCLUSION COURSE, ‘PLAYING UP’ MEMBERS AT THE ARCOLA, 30 JUNE – 2 JULY

• A SEASON OF NEW WRITING AT THE FINBOROUGH THEATRE TO INCLUDE PLAYS BY OLIVIER AWARD WINNING PLAYWRIGHTS JAMES FRITZ AND BOLA AGBAJE AND THE FIRST EVER STAGE ADAPTATION OF MOHSIN HAMID’S MAN BOOKER SHORTLISTED THE RELUCTANT FUNDAMENTALIST, 9 – 27 AUG

• A ONE-OFF ANNIVERSARY GALA IN THE WEST END’S SHAFTESBURY THEATRE STARRING 40 RENOWNED ALUMNI AND  60 MEMBERS CELEBRATING 60 YEARS OF NYT

• FOR THE FOURTH CONSECUTIVE YEAR A COMPANY OF SIXTEEN 18-25 YEAR-OLDS WILL PERFORM IN REPERTORY IN LONDON’S WEST END, 23 SEP – 25 NOV 2016

  o   STEPHEN KELMAN’S MAN BOOKER PRIZE NOMINATED PIGEON ENGLISH EXPLORING KNIFE CRIME IN LONDON, ADAPTED FOR STAGE BY YOUNG VIC NEW GENESIS FELLOW WINNER GBOLAHAN OBISESAN
  o   A TEDDY GIRL TAKE ON WILLIAM SHAKESPEARE’S ROMEO & JULIET SET IN NYT’S FOUNDING YEAR – 1956, ADAPTED BY CHEEK BY JOWL’S OWEN HORSLEY 

• FORMER NYT MEMBERS ZAWE ASHTON, ROSAMUND PIKE AND SARAH SOLEMANI BECOME PATRONS OF THE COMPANY

• PRODUCTIONS ACROSS THE COUNTRY INCLUDING THE TEMPEST AT THE ROYAL AND DERNGATE THEATRE, CAROL ANN DUFFY’S THE WORLD’S WIFE AT HAY FESTIVAL AND A FREE REGIONAL TOUR OF LUKE BARNES’ YOU CAN AND KARLA CROME’S IF CHLOE CAN

• TICKETS FOR THE WEST END SEASON GO ON SALE ON 22 APRIL, TICKETS FOR THEFINBOROUGH GO ON SALE ON 2 MAY MORE INFORMATION AT WWW.NYT.ORG.UK

Paul Roseby, Artistic Director and Chief Executive of the National Youth Theatre of Great Britain (NYT) has today announced a new season of work for the company in celebration of their 60th anniversary year. Founded in 1956 the NYT is the pioneering force for youth theatre around the world and is recognised as the leading provider of free alternatives to formal theatre training, with alumni including Dame Helen Mirren, Daniel Craig, Chiwetel Ejiofor CBE and Sir Daniel Day Lewis. Since being founded the world’s leading youth arts charity has nurtured the talent of over 100,000 young people.

To mark the diamond season announcement NYT held the first of a series of alumni play readings of ‘Hidden Gems’ from the NYT Archive at the Hatton Garden vault, the site of the biggest heist in British legal history. The reading of Blue Moon Over Poplar by Rebecca Lenkiewicz featured Ashley Jensen, Sarah Solemani, Downton Abbey’s Daisy Lewis, Rachael Stirling, Grantchester’s Sam Frenchum and 2016 NYT REP member Shalisha James Davis. You can watch the reading here.

The anniversary programme for 2016 includes adaptations of two Man Booker shortlisted novelsPigeon English by Stephen Kelman and the world premiere stage adaptation of The Reluctant Fundamentalist by Moshin Hamid.  Pigeon English, inspired by the tragic killing of Damilola Taylor, looks at the harsh reality of adulthood in modern Britain and The Reluctant Fundamentalist pulls apart the ironies of prejudice and representation in a post 9/11 New York and Pakistan. The company will present their first ever season at London’s Finborough Theatre comprising of three brand new commissions – two from Olivier Award-winning playwrights – as well as two new plays at the Arcola with the company’s social inclusion course ‘Playing Up’. Following the huge success of three previous REP seasons, the NYT is to return to the Ambassadors Theatre in September and alongside the West End premiere of Pigeon English will present William Shakespeare’s Romeo & Juliet in post war London with Teddy girls and Teddy boys running amok. Outside of London, NYT will perform a newly adapted music-theatre versionof The Tempest at Royal & Derngate in Northampton, make their premiere appearance at Hay Festival in Wales with Poet Laureate Carol Ann Duffy’s The World’s Wife and nationally tour free productions of If Chloe Can and You Can.

Roseby also announced that 2016 will see former members Zawe Ashton, Rosamund Pike andSarah Solemani become patrons of NYT and the company’s plans for a one-off anniversary gala‘The Story of our Youth at 60’ in the West End’s Shaftesbury Theatre on 18 September 2016. The performance, which will celebrate 60 years of the NYT, will star 60 members of the company alongside 40 renowned alumni. Other plans to mark the anniversary include two new commissions outside of theatre. Award-winning filmmaker Martin Stirling, known for his socially committed TV advertising such as Greenpeace’s LEGO: Everything is NOT Awesome, will create a filmed portrait of NYT which will be released later in the year. Alongside Stirling current NYT member and celebrated artist Conor Collins has been commissioned to create a series of portraits of NYT alumni. Collins exhibits primarily through social media and is renowned for his 2014 portrait of Tom Daley and 2016 portrait of Donald Trump, both of which were reprinted across the globe.

Roseby said: “Over the past 60 years NYT has been championing talent and opportunity for thousands of young people and is not just nationally but internationally renowned as a result. In this gem of a diamond year we are continuing to engage the most talented and most in need with our unique passion for being a force for good, a force for positive change and a tour de force on stage. Despite the Diamond year there is nothing ‘precious’ about our programming, with a bold taste for stories that shape our future and a team that will invent and inspire the next generation of excellence across all mediums of entertainment. Thank you to all that have gone before us to enable all who venture forward in our increasingly volatile but thrilling world.” 

New Patron Rosamund Pike said: “Being part of the National Youth Theatre was life-changing. The most fun I had during my teenage years was doing my NYT course, collaborating on productions and with the friends I made there.  I am honoured to become a Patron in their 60th year. I played Juliet at the National Youth Theatre In 1997 and I’m looking forward very much to seeing another NYT production of that play in the West End later this year. Now, more than ever, free opportunities like the National Youth Theatre provides for young people from all walks of life and right across the country are vital for cultivating the future of this country’s acting talent.”

The Reluctant Fundamentalist author Mohsin Hamid said: “I’m delighted that NYT are adapting this story for the stage. It’s wonderful to have such talented young people working on it, and it says something about our world that they were drawn to this story and found relevance in it now, nine years on from the book first being published.”

The National Youth Theatre and Royal & Derngate present
THE TEMPEST
in a new version by Rebecca Lenkiewicz
directed by Caroline Steinbeis
23 June – 2 July 2016
Royal & Derngate, Northampton NN1 1DP
Press Night: 28 June 2016

In June the National Youth Theatre and Royal & Derngate will present The Tempest in a new music-theatre version by Oscar-winning writer Rebecca Lenkiewicz (The Invisible, Ida),directed by Caroline Steinbeis who has directed for the Royal Court, National Theatre and Manchester Royal Exchange. Shakespeare’s magical story of growing up and growing old is performed by an ensemble of 18 – 25 year olds.

‘PLAYING UP’ DOUBLE-BILL

Arcola Theatre
30 June – 02 July 2016

Besieged
by Aisha Zia
directed by Toby Clarke

Ripple
by Monsay Whitney
directed by Carolina Giammetta

Outside of the West End, NYT will stage two new plays starring social inclusion participants at the Arcola Theatre as part of ‘Playing Up’. The double-bill continues the work of the NYT’s ‘Playing Up’ course, now in its seventh year. The course, for 19 -25 year olds not in full time education, employment or training, creates productions and commissions new work. It has an 85% success rate of moving young people into higher education, further training or employment. The productions for 2016 will be Besieged by Aisha Zia (No Guts, No Heart, No Glory), directed by Playing Up Manager Toby Clarke and Ripple by Monsay Whitney (Hand to Mouth), directed by Carolina Giammetta (Swipe). They will explore mental health & isolation in contemporary society.

NYT AT THE FINBOROUGH THEATRE

7 – 27 August 2016
Finborough Theatre
Press Nights: 10, 17, 24 August 2016

The Fall
by James Fritz
directed by Matthew Harrison

Bitches by Bola Agbaje
directed by Valentina Ceschi

The Reluctant Fundamentalist
by Mohsin Hamid
adapted for stage by Stephanie Street
directed by Prasanna Puwanarajah

For the first time in its history, the NYT will present a season of new writing at London’s Finborough Theatre in August. The season is to include world premiere productions from two Olivier Award-winning playwrights and the first ever stage production of Mohsin Hamid’s The Reluctant Fundamentalist.

Written by Olivier Award-nominated playwright James Fritz (Four Minutes Twelve Seconds, Ross & Rachel) The Fall will be directed by Bryan Forbes Director Bursary Recipient Matthew Harrison (NYT REP Bryan Forbes Bursary Director 2014). A satire about the property ladder from the perspective of 16-year-olds and 60-year-olds, the production follows a young person considering murdering their grandparents to inherit their property.

Bitches, is a two hander about running a YouTube channel by Olivier Award winning playwrightBola Agbaje (Gone Too Far!) directed by NYT REP 2013 Assistant Director Valentina Ceschi. Bitches follows teenage friends Funke and Cleo as they set up ‘Sons of Bitches’ with the hopes of getting rich quick but everything starts to fall apart when a meme of Funke’s mum goes viral.

The Reluctant Fundamentalist will be the first ever stage production of Mohsin Hamid’s Man Booker Prize shortlisted novel and Hollywood blockbuster film. The production looks at the ironies of prejudice and representation in a post 9/11 New York and Pakistan. It follows Pakistani native Changez’s disenchantment with the West and his journey back to Lahore. The production has been adapted for stage by Stephanie Street (Sisters) and will be directed byPrasanna Puwanarajah (Moth).

2016 REP SEASON

23 September – 25 November 2016
Ambassadors Theatre
Press Nights: 27 & 28 September 2016

Romeo & Juliet
by William Shakespeare
abridged by Owen Horsley
directed by Kate Hewitt

Pigeon English
by Stephen Kelman
adapted by Gbolahan Obisesan
directed by Anna Niland

DNA
by Dennis Kelly

September will see the return of the NYT REP to the West End for an 9-week season. The NYT REP is a completely unique, free talent development initiative allowing the best young talent to work for nine months with leading institutions culminating in three months of performances in the West End.  Inspired by traditional repertory training, it was set up by Artistic Director Paul Roseby in 2012 to provide a much needed free alternative to expensive formal training. Over 30,000 audience members, including over 300 school groups from around the UK, have attended since 2013 and this year the REP returns with a 55% BAME cast. REP company alumni include Sope Dirisu who is currently starring in BBC1’s Undercover, Kate Kennedy who will appear as Helena in the BBC’s Midsummer Night’s Dream later this year, Stuart Wilde currently playing Romeo at the Watermill Theatre, Zainab Hasan currently appearing in Boy at the Almeida and Luke Pierre and Conor Neaves from the 2015 REP who are both about to make their professional debuts at the National Theatre.

Cheek by Jowl’s Owen Horsley has abridged William Shakespeare’s Romeo & Juliet for the NYT’s brand new production. Set in 1950s post war London, Teddy girls mix with teddy boys and as immigration booms, so does brutality, prejudice and a ruthless gang culture. The adaption is directed by Kate Hewitt (Far Away and associate director, Charlie and The Chocolate Factory the Musical).

The West End premiere of Pigeon English, Stephen Kelman’s moving 2011 Man Booker prize shortlisted novel has been adapted for stage for by award-winning playwright and Young VicGenesis Fellow Gbolahan Obisesan (Off the Page microplay, How Nigeria Became). The production follows 11-year-old Ghanaian school boy Harri who lives on an inner city London council estate. Inspired by one of the most powerful events in modern history, the tragic killing of Damilola Taylor, the production will look at the sometimes harsh reality of adulthood in modern day Britain. Directed by NYT Associate Director Anna Niland, Pigeon English was co-commissioned by NYT and Bristol Old Vic in 2013 and premiered at Bristol Old Vic before a sell-out run at the Edinburgh Festival.

The 2016 REP season will also include a one week run of Dennis Kelly’s DNA. The play follows a group of teenagers after a practical joke goes tragically wrong, pushing them towards the edges of society. The piece explores violence, guilt and solidarity.

IF CHLOE CAN & YOU CAN UK TOURS

If Chloe Can
by Karla Crome

You Can
by Luke Barnes

The NYT are to tour their free productions of You Can and If Chloe Can for school groups. The shows mark another strand of the National Youth Theatre’s work to improve education and opportunity in the arts and their commitment to nurturing young and diverse talent.

If Chloe Can was conceived by Esther McVey, former MP and Minister of State for Employment, who interviewed some of the world’s most successful women, many of whom have got to the top in the face of huge adversity. She published their life stories in a magazine to inspire young girls to achieve their potential. After the huge success of the project McVey launched You Can,a male version of the magazine. The NYT commissioned award winning-writer, star of Game of Thrones and NYT alumnus Luke Barnes and Karla Crome, of E4’s BAFTA winning Misfits to write  plays in response. If Chloe Can fosters active debate through a live voting system, encouraging the young audience to consider what choices the characters make throughout the piece. The event has now inspired over 10,000 young females in the UK.

The productions will tour to the Wirral, Dewsbury, Stockport, King’s Lynn and Norwich, dates are still to be announced.

More information at www.nyt.org.uk

@NYTofGB / @NYTREPcompany

LINZI HATELEY RETURNS AS DONNA IN

“MAMMA MIA!”

AT LONDON’S NOVELLO THEATRE

FROM MONDAY 13 JUNE 2016

NOW BOOKING TO 4 MARCH 2017 –

TICKETS ON SALE FROM FRIDAY 22 APRIL 2016

 

 

Linzi Hateley returns to the role of Donna Sheridan in the global smash hit musical MAMMA MIA! at London’s Novello Theatre from Monday 13 June 2016.  This is a role she has played twice before in London – from 2007-2009 and in 2010.  Her other recent theatre credits include the national tour ofBarnum, London Road (National Theatre) and Les Misérables (Queen’s Theatre).  Linzi also appeared in the film version of London Road.

 

Also joining the cast of MAMMA MIA! are Sanne Den Besten (Les Misérables, Queen’s Theatre, London) as Sophie Sheridan, Richard Carson (Miss Saigon, Prince Edward Theatre, London;Wicked, UK & Ireland Tour) as Sky, Dugald Bruce-Lockhart (original member of the Propellor Theatre Company; David Cameron in The Three Lions, Edinburgh Festival and St. James Theatre; Richard Hannay in 39 Steps) as Bill, Jemma Revell as Ali, Amy Webb as Lisa, Filippo Coffano as Pepper and Jake Small as Eddie, with Sorelle Marsh playing the role of Donna Sheridan at certain performances.  They will be joining Mazz Murray as Tanya, Jo Napthine as Rosie, Richard Trinder as Sam and Alasdair Harvey as Harry.

 

New to the ensemble will be Felipe Bejarano, Tabitha Camburn, Georgina Castle, Edward Chitticks, Louise Dalton, Ben Darcy, Rebecca Giacopazzi, Katy Hards, Jennifer Hepburn, Robert Knight, Rebecca McKinnis, Samira Mighty and Amy West, who will be joining Adam Clayton-Smith, Stephen John Davis, Craig Anthony Kelly, George Miller and Robbie Scotcher.

 

From West End to global phenomenon, MAMMA MIA! is Judy Craymer’s ingenious vision of staging the story-telling magic of ABBA’s timeless songs with an enchanting tale of family and friendship unfolding on a Greek island paradise.  To date, it has been seen by 60 million people in 50 productions in 16 different languages grossing more than $2 billion at the box office.  In 2011, it became the first Western musical ever to be staged in Mandarin in the People’s Republic of China. MAMMA MIA! is currently on its first ever UK Tour, receiving great critical and public acclaim.

MAMMA MIA! originally opened in London at the Prince Edward Theatre on 6 April 1999, before transferring to the Prince of Wales Theatre in 2004.  The musical re-opened at the Novello Theatre in 2012 and celebrated its 17^th London Birthday on 6 April 2016.  The new booking period, until 4 March 2017, goes on sale on Friday 22 April 2016. 

The London production of MAMMA MIA! has been seen by more than 10% of the entire UK population.  The show has celebrated over 7,000 performances in London and has broken box office records in all three of its London homes.  

 

Produced by Judy Craymer, MAMMA MIA! The Movie, starring Meryl Streep and Pierce Brosnan, is the highest grossing live action musical film of all time.

 

With music & lyrics by Benny Andersson & Björn Ulvaeus, MAMMA MIA! is written by Catherine Johnson, directed by Phyllida Lloyd and choreographed by Anthony Van Laast. The production is designed by Mark Thompson, with lighting design by Howard Harrison, sound design by Andrew Bruce & Bobby Aitken, and musical supervision, additional material & arrangements by Martin Koch.

 

MAMMA MIA! is produced by Judy Craymer, Richard East & Björn Ulvaeus for Littlestar in association with Universal.

 

LISTINGS INFORMATION

 

Novello Theatre

Aldwych

London WC2B 4LD

 

Ticket Prices to 22 October 2016: 

Monday to Friday:  £65.00, £39.50, £25.00, £15.00

Saturday:  £69.50, £52.50, £39.50, £25.00, £15.00

 

Ticket Prices from 24 October 2016: 

Monday to Friday:  £67.50, £39.50, £25.00, £15.00

Saturday:  £72.50, £52.50, £39.50, £25.00, £15.00

 

Please note: Saturday pricing applies to all performances 30 May – 4 June 2016, 25 July – 3 September 2016, 24-29 October 2016, 26-31 December 2016 and 13-18 February 2017.

 

A £2.25 per ticket booking fee applies to tickets booked online, and a £2.75 per ticket booking fee applies to tickets booked by phone. No booking fee on tickets purchased in person at the Novello Theatre Box Office.

 

All prices include £1.25 restoration levy.

 

Early Bird Pricing – anyone booking four months or more in advance of the performance they are attending (Monday to Thursday performances only) will be able to purchase £65* tickets for £45*, a saving of £20 on the regular top price, but only through Delfont Mackintosh Theatres, either online, in person at the theatre, or by calling the Novello Theatre Box Office. (*£67.60 tickets for £47.50 for performances from 24 October 2016)

 

Performance Times:

Monday – Saturday 7.45pm

Matinees – Thursday & Saturday 3.00pm*

*extra Tuesday matinees on 9 & 23 August 2016, 25 October 2016, 14 February 2017

Christmas 2016/17 Performance Schedule

 

Monday 19 December           3.00pm and 7.45pm

Tuesday 20 December          7.45pm

Wednesday 21 December     7.45pm

Thursday 22 December         3.00pm and 7.45pm

Friday 23 December              7.45pm

Saturday 24 December         NO PERFORMANCE

Monday 26 December           7.45pm

Tuesday 27 December          3.00pm and 7.45pm

Wednesday 28 December     3.00pm and 7.45pm

Thursday 29 December         7.45pm

Friday 30 December              3.00pm and 7.45pm

Saturday 31 December         3.00pm and 7.45pm

 

Currently booking to 4 March 2017

 

The performance lasts 2 hours and 35 minutes (including a 15-minute interval)

 

Box Office: 0844 482 5115

 

http://www.mamma-mia.com/

http://www.facebook.com/mammamiamusical

http://twitter.com/MammaMiaMusical  

Next month, Sheffield Theatres stage the World Première of Flowers For Mrs Harris – an uplifting new musical based on the novel by Paul Gallico.  Written by Richard Taylor and Rachel Wagstaff, the production, onstage at the Crucible from Wednesday 18 May – Saturday 4 June, will be Artistic Director Daniel Evans’ last for Sheffield Theatres.

In Battersea, London, just after the war, salt-of-the-earth Ada Harris spends every day cheerfully cleaning for her wealthy clients. But when she happens upon something that takes her breath away, she sets off on a life-changing journey that takes her from the cobbled streets of London to the magical avenues of Paris.  Transforming the lives of everyone she meets along the way, can Ada let go of her past and finally let her own life blossom?

With a beautifully evocative original score, played live by a 10-piece orchestra, Flowers  For Mrs Harris is the heart-warming story of an ordinary woman who makes an extraordinary difference.

 

Clare Burt, having appeared on both the Lyceum and Studio stages in her role as Yvonne in Tim Firth’s musical This Is My Family, makes her debut on the Crucible stage in the title role of Mrs Harris, alongside Anna-Jane Casey (Mack And Mabel, Forbidden Broadway, Billy Elliot) last seen in Sheffield in Company and Louis Maskell, familiar to audiences from his role in the award-winningMy Fair Lady and the UK tour of West Side Story. Completing the company are Moyo Akandé(White Christmas), Rebecca Caine (Les Misérables, The Phantom of the Opera), Luke Dale(Holby City), David Durham (Jesus Christ Superstar, The Lion King), Mark Meadows (High Society), Olivier nominated Laura Pitt-Pulford (Oliver!, The Sound Of Music, Piaf) and Nicola Sloane, who audiences will remember from her roles in My Fair Lady and Me & My Girl.

Flowers For Mrs Harris will be the final Sheffield Theatres production from Artistic Director Daniel Evans before he takes up his new role as Artistic Director at Chichester Festival Theatre.  He teams up once again with Designer Lez Brotherston (Show Boat, Pride & Prejudice) and Musical DirectorTom Brady (Show Boat, Anything Goes), along with Lighting Designer Mark Henderson, Sound Designer Mike Walker and Movement Director Kay Shepherd

Tickets for Flowers For Mrs Harris can be purchased from Sheffield Theatres’ Box Office in-person, by phone on 0114 249 6000 or online at sheffieldtheatres.co.uk and are priced from £17.00 (concessions available).  A transaction fee of £1.50 (£1.00 online) applies to all bookings made at the Box Office (excluding cash).

A Developing Artists, Refuge Productions and Young Vic co-production

 

QUEENS OF SYRIA

A MODERN ADAPTATION OF EURIPIDES’

ANTI-WAR TRAGEDY

THE TROJAN WOMEN

 

A CAST OF SYRIAN REFUGEES WILL PERFORM

ACROSS THE UK FROM 5 JULY

‘I have a scream I want the world to hear’

Developing Artists presents Refuge Productions’ Queens of Syria, an adaptation of Euripides’ great anti-war tragedy, first staged in Amman in 2013 and the subject of an award-winning documentary.

An all-female cast of Syrian refugees skilfully amalgamate their own narratives of ferocious war and bitter exile with the ancient Greek text. Their experience of displacement and turmoil brings fresh relevance to Euripides’ tragedy.  The powerful stage play is fused with scenes from the documentary to create a piece of extraordinary multimedia theatre.

Opening at the Young Vic Theatre in London from 5 – 9 July 2016, then visiting Oxford, Brighton, Liverpool, Leeds and Edinburgh, Queens of Syria comes to the UK for just three weeks.  This will be a once-in-a-lifetime opportunity for the refugees themselves, and a revelatory experience for British audiences who will hear first-hand the harsh realities of life as a refugee.

Louise Chantal, Director of Oxford Playhouse, said, ‘It’s a privilege to be working with Developing Artists and Refuge Productions to help bring this important project to Oxford, both on film and on the stage.  I can’t help thinking that The Queens of Syria might be the most important theatre project of the year.”

Cast members share their experiences of being involved in the original production:

“We came into a new society, a new way of life: we were isolated. Doing this play helped us break the ice; we started to connect with others and make friends. It gave us the courage we needed to talk about our problems frankly and clearly. We feel that we can do something for Syria, and the Syrian people, by sending a message to the whole world – hopefully someone can help us end this tragedy.” KHAULA

“Doing the play impacted our lives in so many ways – now we are all Trojan.”  MAHA

West End star ROSEMARY ASHE to lead British Cast Premiere of THE GREAT AMERICAN TRAILER PARK MUSICAL at Waterloo East Theatre

 

There’s a new tenant at Armadillo Acres – and she’s wreaking havoc all over Florida’s most exclusive trailer park. When Pippi, the stripper on the run, arrives and comes between the Dr. Phil-loving agoraphobic Jeannie and her tollbooth-collector husband Norbert. – the storms begin to brew!

 

The Great American Trailer Park Musical with music and lyrics by David Nehls and book by Betsy Kelso, is a musical comic fable exploring the relationships between the tenants at the exclusive Armadillo Acres Trailer Park in Florida.

 

 “A delicious new musical. The joint is jammed and jumping with raucous laughter. It’s like The Honeymooners meets The Best Little Whorehouse in Urinetown.” — NY Post

 

“Joyful and unashamedly vulgar, Betsy Kelso’s comic fable about women in a Florida trailer park and their no-account men is more fun than a chair-throwing episode of Jerry Springer set to music.” — The New Yorker.

 

The show premiered at the first annual New York Music Theatre Festival in 2004 and transferred to The Dodger Stages off-Broadway in 2005, it has since played throughout the USA, Australia and Europe. This will be its British cast Premiere.

 

 

Original UK cast includes;

 

Rosemary Ashe – (The Phantom of the Opera, Mary Poppins, Oliver, Les Miserables, The Witches of Eastwick– for which she was nominated for a Laurence Olivier Award for best supporting  Actress in a Musical)

Sabrina Aloueche – (We Will Rock You, Les Miserables)

Jemma Alexander – (Sound of Music Live Wicked, Rent)

Jodie Steele – (Rent, War Of The Worlds, Jesus Christ Superstar, Legally Blonde)

Michelle Bishop – (Sunset Boulevard, Bend it Like Bekham, Jersey Boys, Charlie and the Chocolate Factory)

Adam Vaughn – (Sunset Boulevard, From Here to Eternity, Billy Elliot)

                                                                                                                       

Director – Kirk Jameson (The World Goes Around, I Love you You’re Perfect, Suessical, Dames at Sea, Once Upon a Mattress)
Choreographer – Rebecca Howell – (American Psycho – Funny Girl)
Musical Director – James Taylor – (Sound of Music Live)

 

Presented by Garry Lake & Waterloo East Theatre by arrangement with JOSEF WEINBERGER LIMITED.

 

Listings Information:

 

11^th May to 5^th June 2016 – Press Night May 17^th at 7.30pm

Tues to Sat at 7.30pm. Sun at 4pm (No Monday performances)

Running time approx 110 mins with an Interval

Tickets: £20 / £18 (Cons) Previews: May 11^th to 15^th All tickets £15

No Booking Fees (All seating is unreserved) Age16+

Waterloo East Theatre Brad Street London SE1 8TN

Book Online www.waterlooeast.co.uk  Box Office 0207 928 0060

THE QUIET HOUSE

A FUNNY AND GUT-WRENCHINGLY HONEST NEW PLAY

INSPIRED BY TRUE EVENTS

 

STARRING OLIVIER NOMINATED OLIVER LANSLEY,

MICHELLE BONNARD, ALLYSON AVA-BROWN AND

TOM WALKER – AKA YOUTUBE SENSATION ‘JONATHAN PIE’

 

PRODUCTION TO BE ACCOMPANIED BY ‘FERTILITY FEST’ –

TWO ONE DAY ARTS FESTIVALS WHERE

FERTILITY COMES UNDER THE SPOTLIGHT

HOPE, HEARTACHE AND HORMONES…

 

The Quiet House, a blistering and honest new play about a couple’s journey to start a family by award-winning writer, Gareth Farr, will play at Park Theatre from 7 June – 9 July, with a press night on 8 June, following its world premiere at Birmingham Repertory Theatre, 26 May – 4 June. The Quiet House is Gareth Farr’s second play following his Bruntwood Prize-winning debut, Britannia Waves The Rules which premiered at the Royal Exchange Manchester in 2014. A funny, moving and unswervingly honest love story, The Quiet House was inspired by Gareth and his wife, Gabby’s own experience.

Jess and Dylan are in love. They want a family. That’s all they have event wanted. This ordinary couple find themselves on an extraordinary journey when they enter the world of IVF. Forced to fight for the family they so desperately want, they put their faith in science and their relationship through the ultimate test.

The cast includes Michelle Bonnard as ‘Jess’, with actor and comedian Tom Walker, aka YouTube sensation Jonathan Pie, as ‘Tony’, Allyson Ava-Brown as ‘Kim’, and Oliver Lansley (Artistic Director of Olivier nominated company Les Enfants Terribles) as ‘Dylan’.

Accompanying the production will be a one day Fertility Fest at each venue (Saturday 28 May in Birmingham and Saturday 11 June at Park Theatre) both curated by Jessica Hepburn – author of the bestselling book The Pursuit of Motherhood, and bringing together over twenty of the country’s leading writers, visual artists, theatre-makers, film directors and composers for a day of discussion and debate about making (and not making) babies in the modern way. Topics under the artistic microscope include facing the diagnosis of infertility, IVF, donation, surrogacy, the male experience, egg freezing, involuntary childlessness and alternative routes to parenthood.

Tessa Walker, Associate Director at Birmingham Repertory Theatre directs The Quiet House following her recent productions of Tom Wells’ Folk (The REP, Hull Truck and Watford Palace Theatre), Steven Camden’s Back Down (UK tour) and The Lion, The Witch and The Wardrobe (The REP). Tessa was previously the Literary Director at Paines Plough and a Literary Associate at the National Theatre of Scotland.

Gareth Farr said, “I didn’t write this play as a form of therapy. I wrote it on the back of four years of fertility treatment during which I became interested in writing about something which people – particularly men – just weren’t talking about. This play is about hope. It’s about anyone who has focused so fiercely on the notion of hope, and clung to it so tightly, that it either breaks or it hardens and becomes a tangible thing.”

Jessica Hepburn said, “Fertility Fest will be a unique and uncompromising look at the pursuit of parenthood in the modern world. I think the thing that thrills me most is the number and breadth of acclaimed artists that have agreed to be involved including those who have already made work on this subject as well as others that are putting their interest in it into the spotlight for the first time. It’s a topic that has to be talked about more because despite affecting so many people it’s still a taboo. I hope Fertility Fest 2016 will begin to change this because I fundamentally believe that great artists tell it like it is and this is a subject that the world needs to hear more about.”

Sharing the stage with the festival artists who include the Liverpool Art Prize-winning artist Tabitha Moses; the multiple award-winning poet Julia Copus and West-End theatre director Matthew Dunster will be some of the country’s foremost medical experts including Professor Geeta Nargund, Medical Director at CREATE Fertility, Allan Pacey, Professor of Andrology at the University of Sheffield School of Medicine and Laura Witjens, Chief Executive of the National Gamete Donation Trust.

The full programme for Fertility Fest 2016 can be found at www.fertilityfest.com

TRIPLE BILL OF DANCE

Phoenix Dance Theatre presents a triple bill of intense, funny and beautiful works at Darlington Civic Theatre on Wednesday 4 May.

To celebrate their 35th year, Phoenix Dance Theatre presents three contrasting works at Darlington Civic Theatre.

Shakespeare’s timeless themes of desire, duplicity and unrequited love are brought to life in Kate Flatt’s Undivided Loves. Undivided Loves is based on the iconic material of Shakespeare’s most romantic sonnets. The main character, the Reader, interacts with two imagined lovers who inhabit his dreams conjured up in his intimate and private thoughts. The chosen sonnets 18, 128, 43, 129 and 36 explore the emotional landscapes of love, duplicity and betrayal and are played out in a dreamlike world. Percussionist Adriano Adewale’s music, with its Brazilian roots, transports the literary form to a more universal territory. The cultural diversity of the remarkable Phoenix dancers has enabled fresh invention of the sonnets danced here in a contemporary, global context.

In contrast, Dutch/Israeli choreographer Itzik Galili reworks his piece, Until.With/Out.Enough, which explores the concept of the enclosed space that exists within our minds. Until.With/Out.Enough is an emotional, abstract journey filled with intimacy, athletic power and tension.

To complete the bill, Bloom by award-winning choreographer Caroline Finn explores the darkly comic expressions of life and humanity.

Until.With/Out.Enough is a co-commission between The Royal Ballet and Phoenix Dance Theatre. Undivided Loves is co-commissioned with Watford Palace Theatre. Phoenix Dance Theatre gratefully acknowledges support from PRS for Music Foundation. Bloom is commissioned in partnership with the New Adventures Choreographer Award.

Phoenix Dance Theatre comes to Darlington Civic Theatre on Wednesday 4 May.

Tickets* £17 – £18.50, concessions £11 & £12.50

To book contact the Box Office on 01325 486 555 or visit www.darlingtoncivic.co.uk

*All prices include a £1 restoration levy

CASTING ANNOUNCED FOR

A VIEW

FROM ISLINGTON NORTH

 

AN EVENING OF POLITICAL SATIRE

DIRECTED BY MAX STAFFORD-CLARK

 

COMPANY INCLUDES BRUCE ALEXANDER, SARAH ALEXANDER,
ANN MITCHELL, KATHRYN O’REILLY, JOSEPH PROWEN

STEVE JOHN SHEPHERD AND JANE WYMARK

 

WITH WORLD PREMIERES FROM ALISTAIR BEATON AND DAVID HARE,

THE FIRST FULL PRODUCTIONS OF NEW PIECES BY CARYL CHURCHILL AND STELLA FEEHILY,

AND MARK RAVENHILL’S THE MOTHER

WITH MUSIC BY BILLY BRAGG

“Politics has become too serious a matter to be left to politicians”

TS Eliot

Casting has been announced for A VIEW FROM ISLINGTON NORTH, an evening of imaginative, provocative and hilarious political satire from some of the UK’s most celebrated playwrights, directed by Max Stafford-Clark, playing at the Arts Theatre in London from 18 May until 2 July, with a press night on 24 May.

The company includes Sarah Alexander (Smack the Pony, Coupling, Armstrong and Miller), Ann Mitchell (extensive screen and stage credits, most recently series regular ‘Cora Cross’ in EastEnders), Bruce Alexander (A Touch of Frost, Love and Marriage), Steve John Shepherd (‘Michael Moon’ in Eastenders, Jo in This Life) Jane Wymark(Midsomer Murders, Poldark), Joseph Prowen and Kathryn O’Reilly.

In THE ACCIDENTAL LEADER by Alistair Beaton (Feelgood, Not the Nine O’Clock News, A Very Social Secretary), Jim, a backbench MP in the party of Her Majesty’s Opposition is attempting to orchestrate a very British coup. But trouble comes in the shape of Nina, Deputy Chair of the party’s grass roots organisation…‘Impetus’

 

In HOW TO GET AHEAD IN POLITICS by Stella Feehily (This May Hurt A Bit, Bang Bang Bang, Duck), The Chief Whip practices his dark arts on an MP, who doesn’t stand a chance…

In AYN RAND TAKES A STAND by David Hare (The Moderate Soprano, Stuff Happens, The Judas Kiss ) members of the current government, feeling their ideology fall apart, receive a bracing visit from Ayn Rand, the high priestess of the free market.

In TICKETS ARE NOW ON SALE, Caryl Churchill (Love and Information, Escaped Alone, Top Girls) imagines a world where even language is sponsored.

And in The MOTHER, Mark Ravenhill (Shopping and Fucking, Mother Clapp’s Molly House, Candide) eyes the cost of our military adventures, as a soldier’s mother does all she can to avoid hearing the news she dreads.