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Festival Theatre, Malvern – until 13 July 2024

Reviewed by Courie Amado Juneau

4****

Joe Orton gives us a farcical evening to savour at Malvern Theatres with What The Butler Saw (from 1967).

The staggeringly inappropriate Doctor Prentice (John Dorney) encourages his proposed secretary Geraldine Barclay (Alana Jackson) during her job interview to strip off so that he can assess her suitability for the job. With the sudden appearance of his wife (the aptly named Mrs Prentice; Holly Smith) events rapidly unravel as the more he attempts to cover up the situation the more he’s tripped up by his own metaphorical dropped trousers. It transpires that Mrs Prentice has spent a far from innocent previous evening with a hotel employee, Nicholas Beckett (Alex Cardall). Dirty laundry aired and recriminations thrown around ramp up the tension but when the most unhinged character of the lot, Doctor Rance (Jack Lord), arrives to trouble us all with his unprofessional professional opinions… well, he’s the blender’s blade that whips up the great frenzy.

The entire cast was magnificent. Each producing a crescendo of emotional turmoil over the course of the evening, giving us a most mirthful watch. Miss Jackson (Geraldine) and Mr Cardall (Beckett) both deserve special bravery mentions for spending more time cavorting around in their underwear than any of the other characters – Michael Hugo (as police Sergeant Match) coming a close third. But all deserve massive credit for their timing (the key to making this style of comedy work) and relentless energy.

After a catalogue of disastrous misunderstandings, assumptions, mistaken identities, cross dressing, inept policework, even inepter psychiatric conclusions, the ineptest of excuses and general ludicrous buffoonery the whole sorry saga reached a satisfying conclusion (well, perhaps not satisfying haha – only time (and a sequel) will tell!). One thing is certain – it’s a lorra lorra fun and I’m still not sure where the butler of the title comes in…

The set was rather impressive, reminding one of a Monty Python animated interlude and the costumes were all very stylish too with many a ladies (and gents) gown providing glamour (and laughs). Kudos to Bek Palmer for providing such lush creations.

There’s many wince-worthy subjects explored – the type of situations that only occur in a late 60’s/early 70’s style farce. This is a joyous nudge-nudge wink-wink towards that era’s No Sex Please, We’re British type of, ahem, affair. Probably best not to think too deeply about it, just revel in the madness which is rather apt given the play’s setting. The programme provides some explanation of the writer’s intentions which makes the subject matter much more understandable; Mr Orton using the stage as a platform to shine a light on moral mores that were outdated and to chip away at the institutions that he saw as stuffy.

So, a very enjoyable comedy that is well worth seeing. It’s not quite Jimmy Carr territory but if you are very (very) easily offended you may wish to take a pillow to giggle behind. But if you need the sunlit uplands of some gently (and at times highly) inappropriate comedy then you can do a lot worse than tickets to this classic. Highly recommended. In fact, I’d love to see it again myself.

ANNOUNCES NEW CAST FOR UK TOUR 2024/25

The multi award-winning musical SIX, written by Toby Marlow and Lucy Moss, today announces a new cast for the UK tour. The current company will play their final performance on Sunday 18 August with the new company taking over from Tuesday 20 August. The new touring Queens will be played by Billie Kerr (Catherine of Aragon), Yna Tresvalles (Anne Boleyn), Liberty Stottor (Jane Seymour), Hannah Victoria (Anna of Cleves), Lizzie Emery (Katherine Howard) and Eloise Lord (Catherine Parr). Milly Willows, Erin Summerhayes and Lorren Santo-Quinn will be joining the cast as Alternates, with Super Swing / Dance Captain Izzy Formby-Jackson. The cast are backed by the show’s all-female band, The Ladies in Waiting.

SIX follows the six wives of Henry VIII as they take to the mic to tell their own personal tales, remixing five hundred years of historical heartbreak into an 80-minute celebration of 21st century girl power. 

On the international stage, SIX will shortly celebrate its third year at the Lena Horne Theatre on Broadway, while an additional North American tour plays the length and breadth of the country and the second Australian tour opens in Melbourne next month. SIX has performed in South Korea, a seven-week stint at the Venetian Resort in Las Vegas, as well as Amsterdam, Germany, Italy and Switzerland.  This new cast will also perform the show in Singapore, the Philippines and Japan. Back on home turf, the London production celebrates its sixth sensational year in the West End and continues its reign at the Vaudeville Theatre (its third royal residence), whilst nationally, the UK tour – now booking through 2025 – continues to break Box Office records. 

Winner of over 35 major international awards including the 2022 Tony Award for ‘Best Original Score’ and ‘Best Costume Design’ on Broadway, double Whatsonstage Award winner for ‘Best West End Show’ 2022 & 2023, and the 2020 BBC Radio 2 Audience Award for ‘Best Musical’, SIX was also nominated for five Olivier awards, including ‘Best New Musical’. The original studio album of SIX officially turned Gold in 2021, with the Broadway album ‘SIX – Live on Opening Night’ nominated for a Grammy Award. 

Written by Toby Marlow and Lucy Moss, SIX is co-directed by Lucy Moss and Jamie Armitage, featuring choreography by Carrie-Anne Ingrouille. The design team includes Emma Bailey (Set Design), Gabriella Slade (Costume Design), Tim Deiling (Lighting Design) and Paul Gatehouse (Sound Design). The score features orchestrations by Tom Curran with music supervision and vocal arrangements by Joe Beighton. Musical Director Yutong Zhang and Associate UK Musical Supervisor Lauren Hopkinson. Casting is by Pearson Casting. SIX is produced by Kenny Wax, Wendy & Andy Barnes and George Stiles.

COMPLETE CASTING ANNOUNCED FOR

UK PREMIERE

OF BROADWAY MUSICAL

SOMETHING ROTTEN!

IN CONCERT AT

THEATRE ROYAL DRURY LANE

Complete casting has been announced for the UK premiere of the hit Broadway musical comedy SOMETHING ROTTEN!, which plays Theatre Royal Drury Lane on Monday 5 August and Tuesday 6 August.

Completing the cast are Evonnee Bentley-Holder, Jordan Cunningham, Luke Field-Wright, Ru Fisher, Matthew Koon, Eddie Manning, Lisa Mattheison, Katharine Pearson and Ella Redhead, who make up the ensemble.

They join the previously announced Jason Manford as Nick Bottom, Gary Wilmot as Nostradamus, Richard Fleeshman as Shakespeare, Marisha Wallace as Bea, Evelyn Hoskins as Portia, Cassius Hackforth as Nigel Bottom, Steve Furst as Shylock, Ashley Samuels as Troubadour, Cameron Blakely as Brother Jeremiah and Jenna Boyd as Lady Croydon.

SOMETHING ROTTEN! in concert is directed by Tim Jackson, with the full Broadway score performed by the London Musical Theatre Orchestra and conducted by Freddie Tapner. Choreography is by Tim Jackson and Claira Vaughan, sound by Tom Marshall and Sebastian Frost, lighting by Jamie Platt, set and costume by Rebecca Brower, production management by Pete Kramer, company and stage management by Peter Barnett and casting consultancy by Sarah Jane Price.

Tickets are on sale now at www.somethingrottenconcert.com.

SOMETHING ROTTEN! was created by Hollywood screenwriters Karey Kirkpatrick (Chicken Run, James and the Giant Peach), John O’Farrell (Best-selling novels include The Best a Man Can Get, May Contain Nuts, The Man Who Forgot His Wife) and Grammy Award-winning songwriter Wayne Kirkpatrick (Change the World by Eric Clapton), who together went on to adapt Mrs Doubtfire into the West End and Broadway Musical.  The show follows the story of Renaissance writers Nick and Nigel Bottom as they seek to outshine Shakespeare by writing the world’s first musical.

SOMETHING ROTTEN! originallyopened on Broadway at the St. James Theatre in 2015 and received several Best Musical nominations, 10 Tony Award nominations and was hailed by Time Out New York as “the funniest musical comedy in at least 400 years”.

SOMETHING ROTTEN! in Concert is produced by Fourth Wall Live, JAS Theatricals, and the London Musical Theatre Orchestra in association with Alchemation.  Fourth Wall Live and the London Musical Theatre Orchestra produced the WhatsOnStage Award-winning concert of Love Never Dies and were producers/co-producers for the concerts of Bonnie & Clyde, Evita and Chess, all at Theatre Royal Drury Lane.

Originally produced on Broadway by Kevin McCollum, Broadway Global Ventures CMC Mastro/Goodman Jerry & Ronald Frankel Morris Berchard, Kyodo Tokyo, Inc. Wendy Federman Barbara Freitag LAMS Productions Winkler/DeSimone, Timothy Laczynski Dan Markley Harris/Karmazin Jam Theatricals Robert Greenblatt, and Jujamcyn Theaters. Developed in association with the 5th Avenue Theatre, Seattle, WA, David Armstrong, Executive Producer and Artistic Director, Bernadine Griffin, Managing Director and Bill Berry, Producing Artistic Director.

By arrangement with Music Theatre International.

LISTINGS INFORMATION:

Facebook & Instagram: @SomethingRottenConcert
X / Twitter: @SRottenConcert

SOMETHING ROTTEN!

Dates: 5th – 6th August 2024

Theatre Royal Drury Lane
Catherine Street
London
WC2B 5JF

Performances:  7.30pm on Monday 5 August, 2.30pm & 7:30pm on Tuesday 6 August.

Hello, Dolly! began performances at The London Palladium on Saturday 6 July 2024 for a strictly limited 10-week season.

For more information, visit www.HelloDollyLDN.com

Multi-Olivier and BAFTA Award-winning Imelda Staunton plays meddlesome socialite turned matchmaker Dolly Levi, as she travels to Yonkers, New York to find a match for the miserly, unmarried ‘half-a-millionaire’ Horace Vandergelder. But everything changes when she decides that the next match she needs to make is for herself.

The production also stars:

Andy Nyman – who plays Horace Vandergelder – is a multi-award-winning actor, writer and director. Most recently he won unanimous acclaim for his memorable portrayal of Tevye in the celebrated production of Fiddler On The Roof at the Menier Chocolate Factory and its subsequent transfer to the Playhouse Theatre.

Nyman’s acting credits include the Royal Court production of Hangmen and the West End hit Ghost Stories, which he also created and starred in the film adaptation. His various TV roles include Winston Churchill in Peaky Blinders and he has frequently collaborated with illusionist Derren Brown, co-writing and co-directing four of his stage shows.

Olivier Award winner Jenna Russell plays Irene Molloy. Jenna recently starred in the UK premiere of The Bridges of Madison County. She won an Olivier Award for Best Actress in a Musical in 2006 for her performance in Sunday In The Park With George at the Menier Chocolate Factory (a performance she later reprised on Broadway) and was nominated for her work in the Menier’s 2012 revival of Merrily We Roll Along. She also appeared in the acclaimed, London premiere production of Fun Home the Young Vic.

Tyrone Huntley, who plays Barnaby Tucker. Tyrone was nominated for an Olivier Award for his performance as Judas in the widely acclaimed production of Jesus Christ Superstar at Regent’s Park Open Air Theatre. He was also previously in the original London casts of Dreamgirls and The Book of Mormon.

Harry Hepple, who plays Cornelius Hackl, has previously performed in Follies at the National Theatre and Romantics Anonymous at Bristol Old Vic. Emily Lane (Frozen, Theatre Royal Drury Lane) plays Minnie Fay.

The full company includes: Leo Abad, Craig Armstrong, Lindsay Atherton, Gemma Atkins, Alan Bradshaw, Jabari Braham, Kevin Brewis, Jenni Bowden, Daisy Boyles, Samara Casteallo, Olly Christopher, Brendan Cull, Hayley Diamond, Jacqueline Hughes, Ashlee Irish, Jodie Jacobs, Shirley Jameson, Paul Kemble, Emily Langham, Michael Lin, Amira Matthews, Laura Medforth, Matt Overfield, Tom Partridge, Wendy-Lee Purdy, Edwin Ray, Phil Snowden, Kraig Thornber, Gavin Wilkinson and Liam Wrate.

With music and lyrics by Jerry Herman (La Cage aux Folles, Mack and Mabel, Mame) and book by Michael Stewart (42nd Street, Mack and Mabel, Barnum), Hello, Dolly! is one of the most iconic musicals of all time. Jerry Herman’s timeless score includes ‘Put On Your Sunday Clothes’, ‘Ribbons Down My Back’, ‘Before the Parade Passes By’, ‘Elegance’, ‘It Only Takes a Moment’ and of course, ‘Hello, Dolly!’.

This brand-new production reunites Imelda with director Dominic Cooke,following their spectacular, critically acclaimed production ofStephen Sondheim’s Follies at the National Theatre.

Hello, Dolly! also reunites Imelda Staunton with producer Michael Harrison. Their production of Gypsy at the Savoy Theatre was awarded the Olivier Award for Best Musical Revival, and for which Imelda also won the Olivier Award for Best Actress In A Musical for her acclaimed portrayal of Momma Rose.

Hello, Dolly! is produced by Michael Harrison, Gavin Kalin, Aaron Glick, Creative Partners Productions, Jonathan Church Theatre Productions, Crossroads Live and Jake Hine.

Call the Midwife star joins the cast of Little Women at York Theatre Royal

Jack Ashton, one of the stars of hit BBC TV series Call the Midwife, has joined the cast of York Theatre Royal’s production of Little Women.

He will play two roles, John Brooke and Professor Baer, love interests for Meg and Jo, in the production which opens the theatre’s autumn season from September 21 to October 12.

Jack previously appeared at York Theatre Royal in The Guinea Pig Club, Twelfth Night, The Homecoming, End of Desire and Escaping Alice. His other theatre credits include A Streetcar Named Desire (Donmar Warehouse) and Strangers on a Train (national tour).

Jack is best known for his Call the Midwife role as the Rev Tom Hereward. Other TV credits include Endeavour and Waterloo Road. Last year he joined the cast of Radio 4’s The Archers as Harry Chilcott. He also starred in the 2017 film Instrument of War, playing an American pilot shot down and imprisoned during the Second World War.

Juliet Forster (Around the World In 80 Days-ish!, Sovereign, A View from the Bridge, Sense and Sensibility) directs Anne-Marie Casey’s adaptation of Louise May Alcott’s classic coming-of-age novel which puts a fresh take on the story of headstrong Jo March and her sisters Meg, Beth and Amy growing up in New England during the American Civil War.

Juliet, who is Creative Director at York Theatre Royal said: “We are thrilled to be staging an adaptation of such a much-loved classic. Louisa May Alcott’s story of Jo and her sisters finding their way in the world is so relatable to modern audiences and Anne-Marie Casey’s brilliant adaptation really brings to life the wonderful characters.”

Playing Marmee isYorkshire actress Kate Hampson who returns to York Theatre Royal after taking the title role in the community production The Coppergate Woman in 2022. Other stage roles include Mother/Mrs Perks in The Railway Children at Hull Truck Theatre, while her TV appearances include ITV’s The Bay.

Freya Parks, who recently starred in the BBC TV series This Town and ITV detective drama Grace, plays headstrong Jo March with Ainy Medina (Meg), Helen Chong (Amy) and Laura Soper (Beth) as her sisters. Laura is a former member of York Theatre Royal Youth Theatre who previously appeared on the theatre’s main stage in Swallows and Amazons and Hetty Feather.

Completing the cast are Nikhil Singh Rai (Laurie) and  Caroline Gruber (Aunt March), previously seen in The Machine Stops in York Theatre Royal Studio.

Little Women can be seen at York Theatre Royal from September 21 to October 12.

Box office 01904 623568 | yorktheatreroyal.co.uk

Lyceum Theatre, Sheffield – until 20^th July 2024

Reviewed by Sophie Dodworth

4****

Winning four Olivier Awards, including Best New Musical in London, and the Tony Award for Best Direction of a Musical on Broadway, Come From Away arrives in Sheffield with this great reputation. Will it live up to expectations? It most certainly does…

Following a real-life story of how 7,000 air passengers from all over the world were grounded during the wake of 9/11 in Gander. The small town (population 9000) is on the island of Newfoundland, Canada. The scene is set by the locals welcoming the audience to their typical morning routines in their hometown on ‘The Rock’. Little do the residents know how much everything is about to change! Follow the true experiences of how they almost double their population, over five days due to The United States airspace closing and 38 passenger jets becoming stranded with them.

All the cast members play multiple characters, and we follow the people from the plane alongside the town folk. It all works seamlessly and it’s clear to the audience when the characters switch where you are in the story, which is super impressive. There is a real sense of the Gander locals being great people, caring for their new visitors to ensure they are welcomed and have the items and resources they need. Juxtaposed at the side of the tragedy that has just taken place of 9/11, it’s emotions central. There are some beautiful stories in the true events that take place including a developing marriage of two people; Nick played by Daniel Crowder and Diane played by Kirsty Hoiles. They met during the five days in the town, returning there to get married at a later date. What a love story!

The cast are all so skilled, mature in their experience and crisp. There isn’t a moment on stage that you see their character become flimsy. All the voices on stage are strong and beautiful to listen to, particularly skilled vocally is Sara Poyzer playing Beverley, Anette and others. She has some wonderful solos. There are some fab comedic moments and the audience chuckle along regularly, especially to Jamal Zulfiqar, playing Kevin J, Ali and others, he has a great way of delivering his lines comically.

The set is really quite endearing, being just lined with what look like realistic tall trees on each side of the stage, you really get a feel for the sleek simplicity that is Canada. The lighting is used perfectly and without it, the audience would struggle to work out where you are scene-wise as there isn’t really much in the way of scene changes on stage with props, it is manipulated by the lighting, which is really quite a talent.

The show is wholesome and charming and really different to your typical musical. The stories are mainly told through the lyrics in the music and there’s a reserved and contained feeling to the production. There is no wonder it is such a hit. A must see for any theatre fan!

Nottingham Theatre Royal – until Sat 13 July 2024

Reviewed by Amy V Gathercole

4****

“WWDD? (What would Dolly do?) See this musical is what she would do. Toe-tapping tip top first class entertainment.”

I’m willing to bet that there’s not a soul that hasn’t heard of the global star, the iconic Dolly Parton, right? So it’s pretty surprising that it’s taken this long for a musical to pop up featuring all of her hits. Dolly has fully authorised the production too.

It’s been an instant hit following several shows in the USA and is now on a UK tour ahead of beginning a stint in the West End. Here You Come Again is a fresh, new and delightful musical comedy hitting all the right notes musically and comedically.

It’s unlikely that many of us would want to relive our isolated experiences during the pandemic, but that’s the unique setting for this surreal show.

When we meet Kevin (Steven Webb) he’s a few weeks into lockdown, his relationship has fallen apart, he’s back living with his parents and he’s self-medicating – oh and he’s in his forties on furlough from a job he’s not the biggest fan of.

He’s also reluctantly back in his childhood safe space of his parents attic, quarantining amidst all his old toys, complete with superhero bedspread and surrounded by hobbies of his younger years and of course, his Dolly Parton shrine. We all had one of those right?

For Kevin ‘WWDD?’ is his personal mantra and throughout the show her inspirational and comforting lyrics perfectly fit the story of Kevin’s transformation. Steven Webb has spent most of the past decade in the ‘Book of Mormon’ and this is a huge departure from that, as he adeptly carries the stage solo for some of the performance – he’s very impressive with physical comedy.

Dolly (Tricia Paoluccio) is honestly amazing, her voice when singing and her accent when speaking is flawless. She’s clearly a Dolly superfan too as her mannerisms match the style and southern drawl to a T. Tricia has nailed the look, the laugh, and the feel of the country superstar, she also co-wrote parts of the show. She gets to dazzle in plenty of fantastic outfits created by the wonderful mind of costume designer Paul Wills as well.

Throughout the show Dolly almost takes on a fairy godmother-like role, as a manifestation of Kevin’s imagination. With a lot of humour and songs, she helps Kevin realise that things could be worse and helps him sort his life out, step by step. Whilst she shares some life lessons and anecdotes about her own struggles and triumphs that not everyone will know.

The show is written by Bruce Vilanch with Gabriel Barre and Tricia Paoluccio. TV and theatre writer Jonathan Harvey, (who has written for both”Gimme, Gimme, Gimme” and “Coronation Street“) brings a new style and much welcomed twist to the jukebox musical, as they interject more British humour.

This production is the perfect form of escapism, which is created brilliantly by Paul Wills’ magical and nostalgic stage design. It’s a treasure trove and very cleverly built for reveals and creating the impression of extra space as the only location in the show. Look carefully and see how many childhood memories you can spot, there’s so many.

Here You Come Again is a belter of a new musical – hilarious, vibrant and full to the rafters with heart and hope. The fun show is packed with iconic songs like ‘Jolene’, ‘9 to 5’, ‘Islands in the Stream’, ‘I Will Always Love You’ and of course ‘Here You Come Again’ – it would be a crime to miss it.

So grab something covered in rhinestones and your best cowboy boots and book some seats.

Wild Yak, Show One Productions

In collaboration with Slava and Gwenael Allan of GAAP

present

SLAVA’S SNOWSHOW

RETURNS TO THE UK THIS CHRISTMAS

WITH A WEST END SEASON AT THE HAROLD PINTER THEATRE

18 DECEMBER 2024 – 12 JANUARY 2025

ALSO VISITING SUNDERLAND EMPIRE 3 – 7 DECEMBER
THEATRE ROYAL BRIGHTON 11 – 15 DECEMBER

Slava’s SnowShow, the multi award-winning global phenomenon that recently celebrated 30 years enchanting people of all ages worldwide, returns to the UK this year after a seven-year hiatus, with a West End Christmas season at the Harold Pinter Theatre from Wednesday 18 December. The show will also return to Sunderland Empire from 3 – 7 December and the Theatre Royal Brighton from 11 – 15 December. Tickets for all venues will be on sale from 10am on Thursday 11 July.

“DAZZLING! GUARANTEED TO MAKE EVEN THE GLUM THAW INTO HAPPINESS.” – Observer
***** “THEATRICAL BRILLIANCE” – Sunday Times

Immerse yourself in the whimsical world of Slava’s SnowShow, a spellbinding spectacle where laughter and wonder collide. It’s a celebration that knows no bounds, uniting people of all walks of life in a shared moment of joyous folly.

Slava’s SnowShow is a cavalcade of chaos and charm that invites you to leave the everyday behind and indulge in pure, tender delight.

Join us for an unforgettable experience that promises to sprinkle a little magic into your life and remind you of the joy in being wonderfully silly.

After conquering the world’s leading cities many times over, Slava’s SnowShow, a visual and musical extravaganza, offers a dream-like vision that overflows with theatrical magic and humorous antics. The production is set within an absurd and surrealistic world of ‘fools on the loose’, a work of art in which each scene paints a picture: an unlikely shark swimming in a misty sea; clowns and the audience tangled up in a gigantic spider’s web; heart-breaking goodbyes with a coat rack on a railway platform; audience members hypnotized by giant balloons; and an out-of-this-world snowstorm that’s sure to leave audiences spellbound.

Slava’s SnowShow is the recipient of more than 20 international awards, including an Olivier Award for Best Entertainment, a Drama Desk Award, and a Tony Award nomination. In addition to unanimous public acclaim, the production is a darling with critics who have declared it “a thing of rare theatrical beauty not to be missed” (Daily Telegraph) and confessed, “my heart leapt… [SnowShow] induces waves of giggles and sighs of pleasure.” (New York Times).

Born in a small town in central Russia, Slava Polunin discovered the art of pantomime in high school. As he grew to adulthood in Leningrad, he developed an eccentric version of the form, which he lovingly dubbed ‘Expressive Idiotism.’ From 1979 on, Slava quickly became a fixture on Russian stages and TV, sharing his gifts and continuing to redefine the art of clowning with his poetic and poignant approach to comic performance. This discovery would reach its zenith with Slava’s SnowShow, which burst onto world stages at the 1996 Edinburgh Festival to universal praise and wonder.

Since its debut, the work has travelled all over the world, with more than 12,000 performances in over 225 cities and 40 counties.

https://slavasnowshow.com/en

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Hull New Theatre – until 13th July 2024

Reviewed by Dawn Bennett

4****

I have always been a fan of the late, great Kay Mellors work on the tv but this was the first time I have seen a production of hers on the stage. And it was really, really good. It was typical Kay Mellor, with very likeable characters, a brilliant storyline and was funny and heartbreaking in equal measures, she really was the most brilliant storyteller.

The Syndicate tell the story of five people who all work together in a local shop. On the day that they find out that they are going to lose their jobs, as the shop has been sold and is going to be demolished, they win big on the Lottery rollover… £24,000,000 big, and as they are all members of a lottery syndicate that is nearly £5,000,000 each! When the lottery representative (Jade Golding) arrives at the shop to verify their win the fun then really starts.

The staff are all big characters, brothers Stuart (Benedict Shaw) and Jamie (Oliver Anthony). Denise (Samantha Giles), Leanne (Rosa Coduri-Fulford) and the manager Bob (William Ilkley) and we learn about their lives and some of the secrets they keep. Stuart needs money for a deposit on a flat, his girlfriend Amy (Brooke Vincent) has moved back to her mums taking their son and baby daughter with her. Jamie owes money to some very dodgy people, Leanne, who lives with her daughter and is not quite what she seems and Denise, who loves dogs and her bone-idle husband. Jamie hatches a plot to steal money from the shop with the help of his brother Stuart, unfortunately Bob comes back during the robbery and is badly injured so the police arrive in the shape of DCI Newall (Jerome Ngonadi) who is determined to get to the bottom of what happened.

The story is fast paced and it kept my interest throughout, the cast are really good and they make their characters very believable. I enjoyed this show would really recommend that you go and see this if you can.

THE LORD OF THE RINGS – A MUSICAL TALE COMES HOME TO MIDDLE-EARTH™

THIS NOVEMBER – IN A 5 WEEK BLOCKBUSTER SEASON

AT THE CIVIC, AUCKLAND

WAITLIST FOR TICKETS NOW OPEN!

“THE GREATEST SHOW ON MIDDLE EARTH’ – THE GUARDIAN

“AN EXTRAORDINARY RETELLING” – WHATS ON STAGE

The Lord of the Rings – A Musical Tale will play at The Civic, Auckland for a strictly limited season from November 5^th, 2024.

Join the waitlist NOW to secure your tickets.

The Lord of the Rings – A Musical Tale will premiere in Middle-earth when this eagerly awaited production opens for a strictly limited season at The Civic, Auckland from November 5th. Audiences are encouraged to act fast and join the waitlist for the first chance at securing tickets at www.LOTRonstage.com. 

The highly anticipated production has its US premiere this July at Chicago Shakespeare Theater, the prestigious theater that has launched productions such as SIX, Illinoise, and The Notebook ahead of their Broadway debuts. The Lord of the Rings – a Musical Tale had its initial production at The Watermill Theatre in the United Kingdom, receiving rave reviews with The Guardian calling it the ‘Greatest Show on Middle Earth’.

This journey to the magical realms of Middle-earth tells the story of The Lord of the Rings from the Hobbits’ perspective, as J.R.R. Tolkien’s trilogy of books is brought to life on the stage, performed by a stellar cast of multi-skilled actor-musicians.

Created under license from Middle-earth Enterprises (the owner of exclusive worldwide motion picture and stage rights for The Lord of the Rings), this adventure through the epic realm of Middle-earth has been beloved by generations of readers. With book and lyrics by Shaun McKenna (Maddie, La Cava)  and Matthew Warchus (Groundhog Day) and original music by Academy Award winner A.R. Rahman (Bombay Dreams, Slumdog Millionaire), Finnish folk band Värttinä, and Tony Award winner Christopher Nightingale (Matilda the Musical), this theatrical event celebrates community, courage and camaraderie to create an unforgettable experience for longtime fans and newcomers alike. “Tolkien would have been so proud” (WhatsOnStage).

‘The greatest show on Middle-earth comes home to Middle-earth!” proclaimed Fredrica Drotos, Middle-earth Enterprises’ Steward Brand & Licensing. “We are very much looking forward to sharing the Hobbits’ epic re-telling with all our friends there; when The Lord of the Rings – A Musical Tale, premieres in Auckland, New Zealand this November.’

As the Hobbits celebrate Bilbo Baggins’ eleventy-first birthday in the Shire, he gifts his nephew Frodo his most precious belonging – a gold ring. This fateful moment launches Frodo on a legendary and perilous quest across Middle-earth to the darkest realms of Mordor, to vanquish evil with his loyal Fellowship. The dynamic folk-inspired score is performed live by the company on stage, weaving together original music with storytelling. The New Zealand premiere comes fresh off the 70th anniversary of the publication of The Fellowship of the Ring, the first book in The Lord of the Rings trilogy which debuted in 1954.

“We are delighted to share Director Paul Hart’s imagining of The Lord of the Rings on stage with New Zealand audiences before it embarks on its journey to entertain audiences around the world.” said Kevin Wallace on behalf of the producers. “This production that originated in the English Shires, before its US Premiere in Chicago, comes to Auckland where we invite New Zealand to join us for Bilbo Baggins’ Long-expected Party.”

Annie Dundas, Director Destination at Tātaki Auckland Unlimited adds “We are thrilled to welcome The Lord of the Rings – A Musical Tale to Tāmaki Makaurau Auckland. This production not only celebrates our unique connection to Middle-earth but also showcases Auckland as a vibrant hub for world-class theatre. We look forward to sharing this extraordinary experience with locals and visitors alike.”

Glen Crighton, Acting Director Performing Arts at Auckland Live continues. “I’m excited that The Civic will be hosting the Australasian premiere of The Lord of the Rings – A Musical Tale.  The iconic status of Tolkien’s epic tale can’t be understated, and we look forward to welcoming local and international audiences alike into Tāmaki Makaurau Auckland’s own iconic venue to embark on what promises to be a remarkable theatrical experience.”

The Lord of the Rings – A Musical Tale is presented in Auckland by Kevin Wallace Productions, GWB Entertainment and Middle-earth Enterprises, in association with Tim McFarlane and People Entertainment Group. The Lord of the Rings – A Musical Tale is produced in partnership with The Watermill Theatre and Chicago Shakespeare Theater. The Auckland season of the production is made possible by Auckland Council and the city centre targeted rate, and with support from Auckland Live.

THE LORD OF THE RINGS – A MUSICAL TALE

STRICTLY LIMITED SEASON AT THE CIVIC, AUCKLAND FROM

NOVEMBER 5TH.

WAITLIST OPEN NOW AT LOTRONSTAGE.COM

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Based upon the Books by J.R.R. Tolkien.

Written and produced under license from Middle-earth Enterprises, LLC (MEE).

The Lord of the Rings logo, The Lord of the Rings and the names of characters, events, items and places therein are trademarks or registered trademarks of MEE and are used under license.

All rights reserved. ©2024 Kevin Wallace Limited and Middle-earth Enterprises.