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THE ROUNDABOUT

THE FIRST MAJOR REVIVAL IN EIGHTY YEARS

OF A REDISCOVERED COMEDY BY JB PRIESTLEY

DIRECTED BY HUGH ROSS

 

CAST INCLUDES BRIAN PROTHEROE, RICHENDA CAREY,

BENIDORM’S HUGH SACHS, AND HEARTBEAT’S STEVEN BLAKELEY

 

WITH BESSIE CARTER MAKING HER PROFESSIONAL DEBUT

 

“Communism’s all right for a gentleman like yourself, but you’ll get over it.”

 

The first major revival in eighty years of The Roundabout, a recently rediscovered comedy by one of Britain’s most prolific playwrights JB Priestley – beloved for such classics as An Inspector Calls and Time and the Conways. The Roundabout, directed by Hugh Ross, will play at Park Theatre from 24 August to 24 September, with a press night on 25 August.

The Kettlewells are a dysfunctional family. Richard is a charming old Etonian whose business ventures are failing. Over a crowded weekend, his daughter Pamela, whom he hardly knows, returns from Russia, a passionate communist; his ex-wife and mistress both unexpectedly arrive; and his butler has a big win at the races.

Steven Blakeley will star as ‘Comrade Staggles’, Lisa Bowerman as ‘Lady Kettlewell’, Bessie Carter as ‘Pamela Kettlewell’, Richenda Carey as ‘Lady Knightsbridge, Charlie Field as ‘Farrington Gurney’, Derek Hutchinson as ‘Parsons’, Annie Jackson as ‘Alice’, Ed Pinker as ‘Alec Grenside’, Brian Protheroe as ‘Lord Kettlewell’, Hugh Sachs as ‘Churton Saunders’ and Carol Starks as ‘Hilda Lancicourt’.

Hugh Ross said, “The Roundabout is a funny, touching, highly perceptive look at an England in the 1930s, when it seemed, just possibly, as if the social order might be changing.

 

My father, Gordon Ross, was a polymath: doctor, homeopath, painter, poet and playwright; he had a vast library of books. About 18 months ago, looking through some of them, I came upon a collection of essays, short stories and plays, which included The Roundabout, which I’d never heard of. I read it, enjoyed it hugely, and was bewildered as to its disappearance from the repertoire. It is a fine comedy, unlike most of Priestley’s other work, and also strangely topical. I also found out that the play was written for Peggy Ashcroft, who was Priestley’s mistress at the time. She played wonderful part of Pamela, and I’m delighted that Bessie Carter will be making her professional debut in the role on her graduation from Guildhall.”

Twitter @roundaboutplay

TOURING CONSORTIUM THEATRE COMPANY PRESENTS

THE TOURING CONSORTIUM THEATRE COMPANY AND ROYAL & DERNGATE NORTHAMPTON PRODUCTION

 

A TALE OF TWO CITIES

·        ADAPTED BY MIKE POULTON

·        WITH ORIGINAL MUSIC BY OSCAR-WINNING COMPOSER RACHEL PORTMAN

·        DIRECTED BY JAMES DACRE

·        TOURING THE UK THIS AUTUMN

 

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the season of Light, it was the season of Darknesss… It was the spring of hope, it was the winter of despair – we had everything before us! We had nothing before us!”

 

The Touring Consortium Theatre Company and Royal & Derngate Northampton present Charles Dickens’ literary masterpiece A TALE OF TWO CITIES, opening at Royal & Derngate on Saturday 10 September 2016, with a national press night on Wednesday 14 September, and touring the UK until November.

 

Dickens considered his novel, A Tale Of Two Cities the best story he had ever written.   Interweaving one family’s intensely personal drama with the terror and chaos of the French Revolution, it is an epic story of love, sacrifice and redemption amidst horrific violence and world changing events.

A TALE OF TWO CITIES was first produced in Northampton in 2014, to great critical and public acclaim, and was director James Dacre’s inaugural production at the theatre. Adapted by Mike Poulton (Fortune’s Fool, Old Vic and Broadway, Wolf Hall RSC, West End & Broadway), and with an original score by Oscar-winning composer Rachel Portman (The Cider House Rules, Beloved), and UK Theatre Award nominated design by Mike Britton, with lighting design by Paul Keogan, sound design by Adrienne Quartly, movement direction by Struan Leslie, and fight direction by Terry King. Casting to be announced.

 

James Dacre said, “Dickens wrote A Tale of Two Cities in 1859 as a meditation on politics and power, the individual versus the system and the private versus the public. Mike Poulton, Rachel Portman and I first mounted this adaptation in the aftermath of the Arab Spring to cast a light on the protests, fanaticism and political unrest that were spreading across the world at that time.

 

Our decision along with Jenny King, Producer of The Touring Consortium, to revisit the production during this year of elections, referendums and revolutions across the world is motivated by a shared belief that great historical dramas can play an important role in contemporary political conversations by emotionally engaging audiences in human stories, countering the disaffection that seems to dominate so much of today’s political debate. Theatre and music can be imbued with a passion that a novel cannot capture and Royal & Derngate and Touring Consortium’s A Tale of Two Cities aims to focus on the humanity of Dickens’ novel in a way that gives the historical events an immediacy and urgent relevance for today’s audiences.”  

 

A TALE OF TWO CITIES will play at Oxford, Richmond, Bradford, Blackpool, Wolverhampton, Brighton, Edinburgh, Cheltenham and Nottingham. The professional company will perform alongside a chorus of twelve actors drawn from the local community, to capture the turbulence, anarchy and romance of London and Paris during the tumultuous years of the French revolution.

Here’s the one you’ve been waiting for!

Our ADULT musical…

‘HORROR FILM: THE MUSICAL’…

The Majestic Theatre is proud to host this fabulously funny and gory musical which will leave you howling! Blood, guts, gore & camp musical numbers will tickle your funny-bone as well as being highly entertaining!

Standard tickets are on sale today as well as ‘SPLASHZONE’ tickets for those who want to really get in on the action! Buy now:Http://www.majestic-tickets.co.uk

Waterloo East Theatre 12 – 23 July.  Reviewed by Claire Roderick

CandleFire’s adaptation of A Midsummer Night’s Dream is enchantingly engaging. Both plotlines and characters have been excised, resulting in a tighter story with less fairy fluff. The absence of Theseus and Hippolyta does make the reasons for the staging of the play by the mechanicals less explicit and takes some of the jeopardy away from Lysander and Hermia’s flight, but, overall, the adaptation is very smart and effective.

Hermia (Marie Isserman) loves Lysander (Robert Fellman), but her mother, Egeus (Caroline Short) orders her to marry Demetrius (Matthew Harrison-James). Lysander and Hermia decide to elope, telling Helena (Leah Lawry-Johns) of their plans. Helena loves Demetrius, and hoping to win his affection, informs on her friends. Meanwhile, in the woods, fairy queen Titania (Hollie Hales) and Oberon (Martin Sales) are having a tiff. With the help of Puck (Joshua Jewkes) he plots to shame her by using a magical plant to make her fall in love with the first creature she sees. Finding the mechanicals rehearsing their play, Puck, in the finest piece of theatrical criticism ever, transforms the overacting Bottom’s head into that of an ass. Titania wakes and is smitten. Unfortunately, Puck isn’t so accurate dispensing the magic on the young lovers, causing both Lysander and Demetrius to fall in love with Helena.

Lysander, Hermia, Helena and Demetrius are all played sensitively. The death sentence is never mentioned in this adaptation, instead Egeus threatens Hermia with life as a nun straight away, much more in keeping with the feminine incarnation. Lawry-Johns’ Helena is feisty and funny. On a couple of occasions, Demetrius almost succumbs to her advances, and this delightful touch helps make it all the more unbelievable that the men want the, frankly wet, Hermia. It’s not Isserman’s fault, it’s the way she’s written. After being enchanted, the transformation of the men into posturing, proclaiming idiots is handled wonderfully.

The mechanicals are one short in this production, causing the hapless Snout (the fantastic Jon Adams) to play both Wall and Lion. David Gurney’s Bottom is suitably overbearing, making the most of his stature to emphasise the Napoleon Complex of the character. Quince (Charlotte Warner), Starveling (Lorna Reed) and Flute (Darren Latham) complete the troupe with Flute’s Monty Python/Kill Bill acting style as Thisbe producing some amazing reactions from the long suffering Quince. Throughout the production, Latham and Warner provide musical accompaniment, giving it the feel of a country fair or festival.

The fairies are fantastic, earthy and physical. Titania looks like she’s just woken up at Glastonbury, whilst Oberon and Puck look like they’ve just woken up on a dump. Thankfully, Peaseblossom and co are absent, so instead of songs and dances, we get Oberon and Puck’s double act, a bit like the two Stooges. They remain onstage, influencing and watching events to great comic effect. Their faces as the four lovers’ quarrel descends into a brawl are a picture.

Jaclyn Bradley has managed to evoke the woodland atmosphere in this black box, simply with judicious application of ivy and fallen leaves. CandleFire’s adaptation remains true to the original, showcasing Shakespeare’s magical lines. It is traditional and pure, but with lots of delicate, modern touches and interactions making it feel more accessible. This is a charming and intelligent adaptation, full of fun and magic. A very exciting production from an exciting new company.

Two great British writers for young people meet as two cultural events celebrating their work take place in Newcastle upon Tyne

Two great British writers Michael Morpurgo and David Almond, both known for their books which appeal to both young readers and adults, met in Newcastle last week, as events celebrating their respective work were launched.

The two esteemed authors met at the launch of Michael Morpurgo, A Lifetime in Stories, at Seven Stories, The National Centre for Children’s Books, Newcastle. The exhibition, exclusive to Seven Stories, celebrates Michael’s work showcasing for the first time his notebooks and manuscripts that became the classics know today including War Horse, Kensuke’s Kingdom and Private Peaceful and is on display until June 2017.

David Almond, the author of Skellig, My Name is Mina, Counting Stars, The Savage, A Song For Ella Grey, is one of the North East’s most famous writers, also had a World Premiere of a new adaptation of his much loved illustrated novel, The Savage which opened at Live Theatre, Newcastle and runs until Saturday 23 July. The Savage, David’s first full length commission for Live Theatre is a magical contemporary fable combining music, movement and visual which has been gaining praise from both critics and audiences.

Kate Edwards, Chief Executive at Seven Stories adds:

 

“It was a delight and honour to have both Michael Morpurgo and David Almond attend the launch of Michael’s exhibition at Seven Stories. Both authors have done so much to harness the power of storytelling to touch the hearts and minds of young readers. This was the first time these two great authors have met and they were both incredibly complimentary of each another.”

Jim Beirne, Chief Executive, Live Theatre said:

 

“Seven Stories and Live Theatre are part of a vibrant cultural scene on Tyneside that excel in arts and cultural engagement for children and young people. These two landmark productions present the exceptional storytelling of leading children’s authors alongside the work made by children and young people from local communities. Together they showcase the strength of cultural programming for and with young people in the North East.”

 

Michael Morpurgo, A Lifetime in Stories, is on display until June 2017 at Seven Stories, The National Centre for Children’s Books, Newcastle. For more information visit www.sevenstories.org.uk

The Savage is a family friendly play suitable for ages 9+ and is at Live Theatre, Newcastle until Saturday 23 July. For more information or to book tickets visitwww.live.org.uk or contact Live Theatre’s box office on (0191) 232 1232.

Park Theatre 14 July – 20 August.  Reviewed by Claire Roderick

In 1988, following protests by US war veterans during filming in Connecticut, Jane Fonda met with a group of veterans. Angry with her actions during the Vietnam war, and branding her a traitor after her 1972 visit to Hanoi, the men voiced the opinion of many veterans and their families disgusted with Hanoi Jane’s perceived betrayal of her country.

What happened during this meeting has never been revealed, but writer Terry Jastrow has researched Fonda’s story, visiting Hanoi and speaking to her guides to piece together eyewitness accounts of her visit. Jastrow’s efforts to show the diversity of the veterans echoes the stereotypes found in 12 Angry Men – a lawyer, a bonds trader, an Italian bar owner, an out of work alcoholic, a wheelchair bound former sports star and a minister. Their interactions are easy and funny, especially Tommy Lee (Mark Rose) and his fantastic anti-Fonda placard.

Anne Archer’s entrance as Fonda is very funny, but the initial swagger and smugness of the character almost made me want to slap her. This ultimately pays off as the play goes on and Fonda admits her mistakes, with Archer’s voice breaking and faltering beautifully. Archer has to deliver a lot of facts and statistics about Vietnam, using a slightly less hectoring tone than Fonda’s, and makes every gesture count in this largely static piece.

Despite all of this, Joe Harmston’s production can sometimes feel like a history lecture, especially as so much information is now available about Vietnam. Sean Cavanagh’s wonderful set aids the storytelling and impact of the horrific realities of war. A discoloured US flag and black floor, split by a white map of Vietnam, is covered with a list of conflicts from 1899 to 1988. The floor eerily recalls the Vietnam Veterans Memorial in Washington DC, and to see the cast striding over it is a little unsettling. Clips of events during and after the war – My Lai, the Kent State shootings and the Winter Soldier investigations – are projected onto the map as the cast discuss them. The clips of Fonda’s Hanoi trip are used brilliantly as she explains them, with Archer taking over from Fonda to voice the radio broadcast, before accepting that she was naïve and used by the Viet Cong.

The running length of 95 minutes means that the veterans’ understanding and forgiveness, or not, of Fonda seems a little rushed. The stories told by Reggie (Ako Mitchell – a passionate performance) about his injuries, and Rev. Clarke (Martin Fisher – providing the calm centre of the piece with great authority) about the truly shocking attitudes of the top brass feel authentic and contribute greatly to the narrative. However, when Larry (Alex Gaumond), Buzzy (Christien Anholt) and Joe (Paul Herzbourg) chip in, it begins to feel like an AA meeting, with their stories added simply to provide further examples of atrocities and unneeded background for their characters.

As each side begins to listen to the other’s point of view, lots of political points about blindly following the President to war and the profit to be made from conflict are made, drawing bitter chuckles of recognition from the audience. The anger within the men about what they have done, what was done to them, and how they were treated after the war never leaves them, but the barriers finally break down when Reggie and Fonda share a tender moment, showing the gentler side of both characters beautifully.

With a perceptive anti-war message and warnings about press and public perception of the truth, The Trial of Jane Fonda is an interesting production, with a talented and committed cast, but it has the feel of a well-intentioned docudrama on BBC4 rather than a theatrical play.

CHARLIE AND THE CHOCOLATE FACTORYANNOUNCES WINNERS OF THE IMAGINATION AWARDS

The award-winning West End production of Roald Dahl’s Charlie and the Chocolate Factory today announced the winners of The Imagination Awards, a national competition to encourage and inspire young people to embrace their creativity and the power of the imagination.

Hundreds of budding inventors, aged 5-15, from across the UK, submitted their inventions for a solution to a problem in the world around them, while aspiring theatre designers, aged 13-21, created original set or costume designs for a chance to win a VIP visit and behind-the-scenes experience to the hit West End show.

The winners are seven year old Tom William Bauss from North London who invented the Super Float Boat, an unsinkable vessel to help with the current refugee crisis and to stop people getting wet at sea.

10 year old McKenzie Cameron from Loughton, Essex won the judges’ vote with the Memory Maker – an edible sweet wrapper to trigger precious memories for a forgetful grandparent.

And 13 year old Stephanie Wong from Barking impressed with The Next Level, a device which creates new platforms in any space at the touch of a button.

The Young Theatre Designers Award also received many fascinating, inspiring and creative entries across two age categories, 13-18 and 19-21, for set and costume design.

The winners for costume are announced as Kathryn Weaving, 18, of Scotby whose David Bowie and Jimi Hendrix-inspired designs caught the eyes of the judges, and Aidan Biddiscombe, 20, of Swansea, for his Victorian and sixties-fused creations.

The winners of the set design category are Dora Furnival, 17, from Stroud in Gloucestershire for her quirky and shabby chic Bucket Shack model, and 20 year oldSophie Cowdrey from Havant, Hampshire who also created a home for the Buckets, inspired by period cottages and popular culture.

Producer Caro Newling said: “Imagination is at the heart of all of Roald Dahl’s work and none more so than Charlie and the Chocolate Factory. Through the Imagination Awards we’ve seen inventions and designs that rival Willy Wonka and Charlie Bucket’s boundless creations. It’s been a privilege to choose our winners and to be able to engage with a national appetite for the opportunity to connect with creative industries.”

The awards have been supported by renowned educationalist Sir Ken Robinson, who is Patron of the awards, and a stellar judging panel including director Sam Mendes.

Entries came in many different forms including pictures, stories, and even short films for Charlie’s Challenge which invited creations from three age categories, ages 5-7, 8-11 and 12-15. The three winners each receive an Imagination Pack full of prizes to encourage invention and creativity, plus a VIP trip to London to watch Charlie and the Chocolate Factory.

As the school that submitted the most entries with nearly 200 submissions, Risdene Academy in Northamptonshire has won a visit and talk from judge and the Science Museum’s Inventor In Residence, Mark Champkins, plus a story-telling workshop.

The Young Theatre Designers Award winners each win a VIP trip to London to meet with the creative team, see Charlie and the Chocolate Factory and experience it from backstage, getting an exclusive look at how the world of Roald Dahl’s much loved story is brought to life on the West End stage.

The full winners and shortlist entries are available to view atwww.imaginationawards.co.uk

The Imagination Awards were divided into two separate awards:

Charlie’s Challenge: a national award for 5-15 year olds (in three age categories, 5-7, 8-11, 12-15), looking for creative inventions and ideas which would benefit a family member.
Judges: Roma Agrawal, James Anderson, Mark Champkins, Emily Mulhall

The Young Theatre Design Award was open to 13-21 year olds across the UK (in two age categories, 13-18 and 19-21) and split into two separate categories: Set Design and Costume Design.
Judges: Sam Mendes, Jess Moore, Caro Newling, Mark Thompson

Charlie’s Challenge was designed to be inclusive for all young people. The award encouraged creativity in the classroom, and championed invention and imagination as valuable skills for any future career. The production created resources to help unlock the doors to the world of theatre, and to showcase opportunities in the arts that exist for young people interested in the process of theatre making and design.

The Young Theatre Design Award looked for those who have already experimented with set and costume design, and also sought out aspiring artists and those with relevant skills who have not yet considered a career in the theatre industry.

The judging panel for the awards includes:

• Members of the Charlie and the Chocolate Factory creative team including: Sam Mendes, Director; Caro Newling, Producer; Mark Thompson, Set and Costume Designer
• Jess Moore, Executive Director of Corporate Responsibility, Warner Bros.
• Roma Agrawal, Structural Engineer, WSP Group
• James Anderson, 18 year old entrepreneur and founder of Thinkspace
• Mark Champkins, Inventor in Residence, Science Museum
• Emily Mulhall, Animator

Since opening in 2013, Charlie and the Chocolate Factory has offered teachers numerous ways to explore the show through an educational ‘Page-to-Stage’ resource that includes activities and exercises for students to bring the musical to life in the classroom. January 2016 has seen the launch of the new official Charlie and the Chocolate Factory school workshops in the areas of drama, singing, dance, musical theatre and storytelling.

Charlie and the Chocolate Factory has also provided 15 one-week paid backstage work experience placements and three eight-week paid internships through the Golden Tickets scheme, part of Warner Bros. Creative Talent, a programme of investment in skills and training for the UK creative industries.

Roald Dahl’s Charlie and the Chocolate Factory has quickly become one of the West End’s most popular and successful stage musicals, and has regularly broken records at the Theatre Royal Drury Lane, where it has been seen by over 2 million people since it opened in June 2013. It currently sits in the top three longest-running productions of the last 50 years at the historic venue, one of London’s largest theatres. The show recently celebrated its 1250th performance and received a London Lifestyle Award for Theatre Show of the Year, as voted for by readers of the London Evening Standard. It also won two Olivier awards in April 2014.

Charlie and the Chocolate Factory presented its first ‘relaxed performance’ on 19 January 2016. Presented in association with Mousetrap Theatre Projects, the relaxed performance was aimed at families with one or more children with special needs. It was designed to provide an opportunity for people with autism, learning difficulties or other sensory and communication needs, who require a more relaxed environment, to enjoy the show.

Charlie and the Chocolate Factory is directed by Sam Mendes. Featuring ingenious stagecraft, the wonder of the original story that has captivated the world for almost 50 years is brought to life with music by Marc Shaiman, and lyrics by Scott Wittman and Marc Shaiman, a book by award-winning playwright and adaptor David Greig, set and costume designs by Mark Thompson and choreography by Peter Darling.

The Official Cast Recording album is available on Sony Records, on CD and download.

This world premiere musical is produced by Warner Bros. Theatre Ventures, Neal Street Productions and Langley Park Productions.

www.CharlieandtheChocolateFactory.com
Box Office: 0844 858 8877
Theatre Royal, Drury Lane, London, WC2B 5JF
Booking until January 2017

BROADWAY’S MULTI AWARD WINNING MUSICAL COMEDY

 

THOROUGHLY MODERN MILLIE

GRAND OPERA HOUSE YORK

 

Monday 27  – Saturday 4 March 2017

 

On sale 20 July 2017

Based on the 1967 Academy Award-winning film, Thoroughly Modern Millie takes you back to the height of the Jazz Age in New York City, when “moderns” including a flapper named Millie Dillmount were bobbing their hair, raising their hemlines, entering the workforce, and rewriting the rules of love.

From explosive tap routines to a ‘Fred and Ginger’ routine on a window ledgeThoroughly Modern Millie is a perfectly constructed evening of madcap merriment for all the family.

The winner of six Tony Awards including Best Musical, Thoroughly Modern Millie was the 2002 season’s most awarded new show on Broadway!

 

STAR CASTING TO BE ANNOUNCED SOON!

“A thoroughly feel-good, joyous romp…perfect family entertainment.” – The Examiner

“a darn near perfect family show.” – Talkin’ Broadway

Performance: Evenings 7:30pm Saturday matinee: 2:30pm

Tickets: From £17.50

Box Office: 0844 871 3024

Online Booking: www.atgtickets.com/York

Union Productions presents

The 25th Anniversary of

CHILDREN OF EDEN

Music and Lyrics by Stephen Schwartz

Book by John Caird

At the Union Theatre

From Wednesday 10th August to Saturday 10th September 2016

25 years after its original West End production, Children of Eden will return to London in a new production at the Union Theatre, opening on Friday 12 August with previews from Wednesday 10 August 2016.

Children of Eden will be the second production in the Union Theatre’s brand new state-of-the-art space in Southwark, where Ruthie Henshall and Stephen Mear were recently announced as patrons. The new venue’s first production The Fix is currently in previews.

Inspired by the Book of Genesis, Children of Eden tells the timeless story of what it means to be a parent. From the moment you bring a child into the world everything changes; you learn to protect, cherish, and love unconditionally. But as they grow you have to learn one more thing; to one day let them go. Featuring one of the most beautiful scores in contemporary musical theatre from the composer of Godspell, Pippin and Wicked, Children of Eden is a heartfelt and humorous musical about the unique family bond.

 

Children of Eden has Music and Lyrics by acclaimed composer Stephen Schwartz, who is perhaps best known for his mega-hit musical Wicked which continues to play on Broadway and in the West End. A big screen adaptation of Wicked is also in development. Stephen has contributed lyrics to films includingPocahontas, The Hunchback of Notre and Enchanted, and his other stage musicals include Godspell andPippin. Schwartz was recently given a star on the Hollywood Walk of Fame and inducted into the Theatre Hall of Fame.

 

Children of Eden has a Book by John Caird, who with Trevor Nunn adapted and directed Les Misérables. His recent directorial credits include McQueen at the Haymarket Theatre, Tosca in Chicago and Houston, La Boheme in San Francisco and his own musical Daddy Long Legs off-Broadway. His work for the RSC included over 20 productions of classic and new plays including a co-production with Trevor Nunn of Nicholas Nickleby for which he received a Tony and Olivier Award.

Children of Eden is directed by Christian Durham, whose productions include Spend Spend Spend(Union Theatre), Just So (Bridewell Theatre), Debbie Does Dallas (Edinburgh Festival, E4 Udderbelly) and Taboo (UK Tour, Best Musical – MEN Awards). It is choreographed by Lucie Pankhurst whose recent work includes The Stripper (St James Theatre), The Toxic Avenger (Southwark Playhouse), The Busker’s Opera (Park Theatre), Shock Treatment (Kings Head Theatre) and Dogfight (Southwark Playhouse). Design is by Kingsley Hall (Once Upon A Mattress, Patience, The Baker’s Wife – Union Theatre), Lighting Design by Nic Farman (The Stripper – St James Theatre, The Toxic Avenger -Southwark Playhouse) and Musical Direction by Inga Davis-Rutter (Spend, Spend, Spend and Love Story – Union Theatre).

Casting is to be announced.

Children of Eden has Music and Lyrics by Stephen Schwartz and Book by John Caird, based on a concept by Charles Lisanby. It is produced by Union Productions and performed by arrangement with Music Theatre International (Europe) Limited.

www: www.uniontheatre.biz

Twitter: @TheUnionTheatre

Facebook: /TheUnionTheatre