Producer, Tom O’Connell set to join Mark Goucher Productions
Producer, Tom O’Connell set to join Mark Goucher Productions
Mark Goucher Productions has today agreed a new deal that will see Tom O’Connell join Mark Goucher Productions as Producer.
Tom O’Connell produced the recent hit production of Joe Orton’s Loot at The Park Theatre, Mart Crowley’s The Boys in the Band starring Mark Gatiss at the Vaudeville/Park Theatre/UK Tour, along with the twentieth anniversary production of Jonathan Harvey’s Beautiful Thingstarring Suranne Jones, amongst many others. O’Connell has a number of high profile productions in development that will now be produced out of Mark Goucher Productions.
The move is designed to help MGPL to continue developing new shows through 2018/19 while Goucher simultaneously develops plans in his new role as CEO of the Everyman Theatre Cheltenham.
O’Connell will work alongside Mark Goucher and his long standing team of Jonathan Russell (Head of Touring and Casting) and Giles Rowland (General Manager).
Goucher said, “I have always thought Tom a dynamic young producer and I welcome the opportunity to work with him on our shows which include the current national tour of Hairspray, Slava’s Snow Show, The Winslow Boy and the next national tour of Let it Be. This will allow us to push forward with a number of high profile projects next year and allow me to simultaneously push forward plans at the Everyman Theatre Cheltenham.”
O’Connell said, “I am honoured to be joining Mark Goucher Productions in this new role as Producer. I’m looking forward to starting work on a wide range of exciting new and existing projects, including the ones I have been developing personally. I’ve worked with Mark and his fantastic team for over four years now and this will be an exciting new chapter for me.”
O’Connell will take up the position in January 2018 and will begin work on two new touring musicals and a new play being cast for the West End with director Sean Foley.
TRIO OF GROUND-BREAKING PLAYS AT HOPE MILL THEATRE IN EARLY 2018
Welcome 2018 with ground-breaking drama at
Hope Mill Theatre, Manchester
Tickets on sale now
Hope Mill Theatre in Manchester has announced a trio of ground-breaking plays that will feature at the award-winning venue in early 2018.
They are the regional premiere of a ‘thrilling and heartbreaking play’ that has been relocated to Manchester by its author, an exciting new period piece about the amazing life of an infamous 18th Century diplomat and spy starring Coronation Street’s Dean Fagan and a compelling look at parenthood and grief, which includes the first ‘baby-friendly’ relaxed performance at Hope Mill.
Joseph Houston, Artistic Director, said: “I am thrilled to announce our early 2018 season of plays. Since opening, Hope Mill has been a receiving venue for many emerging and smaller theatre companies and the ambition and standard of work from these independent theatre makers continues to amaze me.
“The three plays which make up our Feb to March programme include the northern premiere of Vincent River by Philip Ridley. What is so exciting about this play is that director John Young is working with Philip to relocate the play to Manchester, which is an incredible first for this piece.
“In keeping with LGBT History month in February we have a period piece by Manchester-based writer Renny Krupinski that is set around one of the first known trans people of their time, Chevalier D’Eon de Beaumont, and which includes a stellar cast of northern actors.
“Finally, The Replacement Child staged by Manchester based mother-and-child friendly company Abooo. This is a really important piece which tackles the effects of miscarriage and as a Hope Mill first we will be having a mother and baby friendly performance.
“As a venue we are constantly trying to push the boundaries of theatre on small scale and want to help support emerging companies as they pave their way in a highly competitive industry.
“I feel that our opening season of plays compliments our ambition with our in-house musicals – of which the first three of 2018 were recently announced – and which we will continue to develop and nurture.”
Yet Another Carnival and Hope Mill Theatre present Vincent River by Philip Ridley and directed by John Young from Tuesday 27 February to Saturday 24 March 2018. The regional premiere of Philip Ridleyʼs thrilling and heartbreaking play relocated to Manchester.
Vincent River slides under the surface of fear, hatred and love. Davey has seen something he canʼt forget. Anita has been forced to flee her home. These two have never met. Tonight their paths cross with devastating consequences.
This searing modern classic takes aim at homophobia and hate crime with breathtaking honesty.
Author Philip Radley said: “I’m so thrilled and excited that Vincent River is being brought to life, and relocated to Manchester, for its regional premiere at Hope Mill Theatre. It’s the perfect home for the play.”
This production is supported by the Arts Council, Superbia and The Philip Carne Trust.
D’Eon is a new piece of writing by Manchester-based Renny Krupinski, brought to life by the Straight Acting Company and starring Coronation Street’s Dean Fagan and runs from Tuesday 13 to Saturday 17 February 2018.
Celebrity, intrigue and scandal aplenty, D’Eon is the bizarre and amazing true story of one of the infamous, outrageous, unsung warriors of history and the first openly documented transgendered person in European history.
1769, Chevalier D’Eon de Beaumont stepped out of the limelight as a French diplomat to England, Russian spy, Prussain war hero and international bon viveur – only to step back into it as the woman she truly was.
The Replacement Child, by mother-and-baby friendly Manchester theatre company Abooo, runs from, Tuesday 20 to Friday 23 February.
Jumping between past and present, The Replacement Child – written by Victoria Cafolla and directed by Martin Gibbons – is a darkly humorous, visceral and compelling look at parenthood and grief and how one couple deals with loss – for better or worse.
Grace is tired of her father’s silence regarding the mother she never knew. The week after her 18th birthday she visits him and demands to know the circumstances leading up to her birth. Will Oscar risk losing his daughter by revealing a past shrouded in secrets and pain?
There will be a baby-friendly relaxed performance on Thursday 22 February at 11am – a first for Hope Mill Theatre. (Please note the show contains emotional content and is not recommended for toddlers)
In addition to the above, the world premiere of The ToyBoy Diaries, Hope Mill’s first in-house musical production of 2018 runs from 18 January to 10 February and is on sale now. This new musical comedy charts the hilarious and sometimes heart-breaking sagas of mid-life dating.
For more information on these productions, or to book tickets, visit www.hopemilltheatre.co.uk.
Website: www.hopemilltheatre.co.uk
Facebook: https://www.facebook.com/Hope-Mill-Theatre-1450957091877957/
Twitter: @hopemilltheatr1
ACTING FOR OTHERS ANNOUNCES NOMA DOMEZWENI, ARLENE PHILLIPS AND FREDDIE FOX AS HEAD WAITING STAFF FOR ONE NIGHT ONLY AT THE IVY 10 DECEMBER
ACTING FOR OTHERS ANNOUNCES FIRST STARS TO BE
ON THE BILL FOR ONE NIGHT ONLY AT THE IVY
- One Night Only to return to The Ivy on Sunday 10 December 2017
- Noma Dumezweni, Arlene Phillips and Freddie Fox announced as head waiting staff
- Dame Maggie Smith and Sir Derek Jacobi are the first stars announced to be joining the Dames and Knights table
Theatrical charity Acting for Others today announces the return of One Night Only at The Ivy in West Street on Sunday 10 December 2017. Over £100,000 was raised last year for the charity, which is an umbrella organisation for 15 invaluable charities dedicated to supporting people from the theatre and dance communities who have fallen on hard times through injury, illness or circumstance.
The evening sees stars of the stage and screen swap their costumes for aprons and serve diners across two sittings at The Ivy, world-renowned for their unfaltering impeccable service. Heading up the waiting staff this year to ply their trades in bartending, waiting tables, manning cloakrooms and welcoming guests will be Noma Dumezweni, Arlene Phillips and Freddie Fox. They will be joined by Annette Badland, Samantha Bond, Janie Dee, Neil Dudgeon, Dexter Fletcher, Celia Imrie, George Layton, Tamzin Outhwaite, Jemma Redgrave, Anne Reid MBE, Joanna Riding, Neil Stuke, Owen Teale, Kate Thornton, Stephen Tompkinson, Hannah Waddingham and Giles Watling MP with more to be announced.
The two dinner services, Acts I and II, will start at 6pm and 8.45pm and will run for two hours each, with identical auctions taking place after dinner. Guests will be able to book their tables for a three-course dinner with an aperitif and wine for £250 per person, of which £150 is a donation to charity. The dinners will be followed by swift but thrilling auctions, which will include enviable prizes such as a meal for four every month of the year in a selection of The Caprice Group’s finest restaurants, a pair of tickets to Hamilton at the Victoria Palace Theatre, a pair of tickets to Harry Potter and the Cursed Child at the Palace Theatre including a mid-show dinner at The Ivy and post show drinks with the cast, and tickets to the Olivier Awards 2018.
Director of The Ivy, Fernando Peire said today, “The Ivy’s staff members really do love it when they are joined for the night by so many familiar faces from stage and screen. Our restaurant owes a lot to its illustrious clientele and this is one way we can give back to the theatrical community that has supported us so well and for so long.”
Sir Stephen Waley-Cohen, Chairman of Acting for Others also said, “We are delighted that The Ivy will see the stars performing as staff in December for One Night Only, as all of the funds raised go to support theatre workers who need our help.”
Address: The Ivy │ 1-5 West Street, London WC2H 9NQ │ www.the-ivy.co.uk
To book: 020 7836 4751
Timings* w Act I (1st sitting): 6pm till 8pm
w Act II (2nd sitting): 8.15pm till close
NB Places are limited, so please call as soon as possible to book your table.
*actors subject to change
Sex Worker’s Opera Review
Ovalhouse – until 2 December. Reviewed by Claire Roderick
4****
Don’t let the title put you off – this is definitely not a traditional opera. Based on stories from sex workers around the world, this show has the feel of a comedy revue, musical, social studies lesson and club night all mashed together.
Tied together loosely by the protests of a woman who wants to save her sister from being a sex worker (the weakest part of the production really as it’s a bit clunky, restating issues that have just been, or are just about to be explored through song or comedy), the show tackles preconceptions and clichés about sex work and offers a little insight as to why it is an obvious and practical choice of job for some people. The overwhelming message of the production is not to judge, or pity – just listen.
Between the songs, accompanied by a four-piece band – with Marcelo Faccacello’s hysterical solo performance with their cello (study that name carefully!) something you’ll never be able to forget – there are comedy and serious sketches, and a series of monologues where characters’ stories are shared. These monologues are the emotional core of the show, including the struggle of a mother to keep her teenage daughter, the experiences of a Fem sex worker, while the description of the sense of fulfilment a disabled prostitute who specialises in disabled clients gets drew a huge round of applause from the audience.
Political points, including the introduction of the Nordic model – where clients are criminalised, were made in a light-hearted way before their personal impact was passionately demonstrated, while the hypocrisy of media regulations was sent up brilliantly in a sketch where the most unpleasant and perverted thing was the regulator.
The standard of acting and vocals is variable, but this is a fine ensemble piece, with the three huge voices of Siobhán Knox, Charlotte Rose and Jordan Busson (with a truly operatic voice) carry the show. The joyful celebration turns a little dark in the second act, with a disturbingly staged police raid and remembrance of the dead, but the message of empowerment and strength shines through.
This is an unforgettable, emotional rollercoaster of a show that challenges and celebrates in equal measure. Grab a ticket now.
Ordinary Days Review
Drayton Arms Theatre – until 9 December. Reviewed by Claire Roderick
4****
Streetlights, People!’s production of Ordinary Days is a triumph of minimalism, proving that you don’t need huge sets and effects to stage a quality show. Adam Gwon’s wonderfully conversational songs and a hugely talented cast make this a memorable production, with Jen Coles nifty direction managing to create the feel of a bustling metropolis with only 4 actors, accompanied by the fantastic Rowland Braché on keyboard.
This is a show about finding the beauty in everyday things, with the 4 characters all struggling to find their place in the big city. Warren (Neil Cameron) is a struggling artist whose major contribution to the art scene is cat sitting, but he has a glorious world view, finding joy and beauty in the simplest things. He finds a book containing the thesis notes of grad student Deb (Nora Perone) and arranges to meet her to return it. Deb is stuck in a rut with her research, and is full of vague ambition and stress. Her initial disdain develops into a sweet friendship – who could resist the lovely Warren for long? The perfect gay bestie.
Meanwhile Jason (Taite-Elliot Drew) is moving in with his girlfriend Claire (Natalie Day), and she’s not really happy about it. The audience are kept in the dark about her reasons for this unwillingness to let go of the past and commit to a new relationship until the penultimate song “I’ll Be Here”, and oh boy, is it a tearjerker. Have your tissues ready for that one – having seen the show in an earlier run, I was sniffling before she’d even begun.
That’s about it, really. Simple, but very, very effective, and affecting. The cast keep you gripped, and are all pitch perfect. Natalie Day brings raw emotion to Claire’s struggle to let go of the past. I promise you, she’ll break your heart. Taite-Elliot Drew is fantastic as Jason, full of boyish confusion and frustration about their relationship. Their argument duet “Fine” is a standout moment. Neil Cameron is the gentle heart of the piece, with a delightful stage presence and excellent voice, while Nora Perone is his perfect foil as the acerbic and exasperated Deb – showing her comedy chops to great effect.
Ordinary Days is a delightful, optimistic take on life, chock-a-block with great songs, characters and performances – the theatrical equivalent of a big, warm hug.
NATIONAL THEATRE WALES ANNOUNCES ITS 2018 SEASON; PEOPLE & PLACES
NATIONAL THEATRE WALES ANNOUNCES ITS 2018 SEASON- Kully Thiarai announces her first full season as the company’s Artistic Director
- It includes collaborations with female artists from across the south Asian diaspora, Migrations, Quarantine, Junoon, Oily Cart, Gruff Rhys and Elis James
- Multi-artform work including new writing, contemporary dance, music, comedy, sensory theatre and visual art
- Performances in hospitals, schools and theatres, on a boat, underwater and at locations across Wales
- The company also welcomes its first ever Associate Artists; theatre makers Mike Pearson & Mike Brookes, digital installation artist Shanaz Gulzar and television drama executive producer Bethan Jones
National Theatre Wales is today (Thursday 23 November 2017) announcing its 2018 season of productions, including a month-long festival to celebrate the 70th birthday of the NHS, two productions reflecting on the migrant experience in and beyond Wales, the first two productions in a three-year cycle of experimental works, and a work-in-progress.
Making the season announcement, Kully Thiarai, National Theatre Wales’ Artistic Director, said: “Our 2018 season is all about People and Places. We’re inviting audiences to join us in locations across Wales and take a moment to walk in others’ shoes, be they south Asian women or migrants from all over the world, NHS staff or patients past and present.
“These productions will be experimental, political, diverse and provocative. All of them will explore the human condition, what effect places have on our identities, and our impressions of others’ identities. Join us next year for this exciting new season of work, and see Wales, the world and its people through fresh eyes.”
National Theatre Wales present
THE STORM CYCLE
Created by Mike Pearson & Mike Brookes
2018-2020
Locations across Wales
THE STORM CYCLE
Created by Mike Pearson & Mike Brookes
2018-2020
Locations across Wales
Theatre-makers Mike Pearson & Mike Brookes, who have created some of National Theatre Wales’ most critically-acclaimed work to date, will join the company as Associate Artists and begin an extraordinary, three-year collaboration with NTW in 2018.
The Storm Cycle will be a series of six productions conceived, designed and directed by Pearson & Brookes. These multimedia works will be performed at different locations across Wales, at a variety of scales and sizes, and will explore two key themes; truth and testimony. They will culminate in 2020 with the creation of a major, new, large-scale production for NTW’s 10th anniversary programme.
There is a storm coming…
We live in tempestuous times: an era of climatic and environmental uncertainty and of
social and political upheaval. Perhaps it was always so.
But what new forms can theatre develop and adopt: to engage with and to reflect the temper of our times?
An urgent theatre: fit for purpose, addressing and expressing our present realities
Of living in the eye of the storm
We live in tempestuous times: an era of climatic and environmental uncertainty and of
social and political upheaval. Perhaps it was always so.
But what new forms can theatre develop and adopt: to engage with and to reflect the temper of our times?
An urgent theatre: fit for purpose, addressing and expressing our present realities
Of living in the eye of the storm
The Storm Cycle will build on the approaches and techniques that Pearson & Brookes have brought to their trilogy of groundbreaking NTW productions, The Persians (2010), Coriolan/us (2012) and Iliad(2015), while also drawing on their own histories and experiences as theatre-makers in Wales over the past 40 years.
The works will draw on dramatic, literary, mythological, cinematic and artistic sources; historical and contemporary, local and international, fictional and documentary. They will include original texts, specially-created soundtracks, innovative scenic designs and novel physical activities.
Tickets for the first two productions in the cycle are on sale from today.
STORM.1: NOTHING REMAINS THE SAME will be a poetic yet cinematic reimagining of the first two books of Ovid’s Metamorphoses.
STORM.2: THINGS COME APART will be a vivid evocation of the Cardiff riots of June 1919 – as reported in the local press (‘Wild Scenes at Cardiff’, South Wales Echo, Thursday 12 June 1919).
Mike Pearson was a member of Transitions (1971-72) and R.A.T. Theatre (1972–73), and an artistic director of Cardiff Laboratory Theatre (1973–80) and Brith Gof (1981–97). He currently makes performance as a solo artist, with artist Mike Brookes as Pearson/Brookes (1997–present), and with senior performers’ group Good News From The Future. For NTW, he co-directed The Persians (2010),Coriolan/us (2012) and Iliad (2015). He is author of Theatre/Archaeology (2001); In Comes I: Performance, Memory and Landscape (2006); Site-specific Performance (2010); MIckery Theater: an imperfect archaeology (2011); and Marking Time: performance, archaeology and the city (2013). He is Emeritus Professor of Performance Studies, Aberystwyth University.
Mike Brookes is an award-winning artist, director and designer, whose work has always bridged media. He co-founded the performance collective Pearson/Brookes in 1997, focusing on intermedial and located performance work, most recently co-creating a series of acclaimed large-scale works in collaboration with NTW. Over the past decade, his work has centred on the production of context-specific and interventional public art works within his long-term collaboration with artist Rosa Casado; their work together having been widely commissioned and presented across Europe, Asia, Australasia, South America, and the USA.
Listings Information
STORM.1: NOTHING REMAINS THE SAME
Dates: 15-17 February 2018
Time: 8pm
Location: Pafiliwn Bont, Pontrhydfendigaid, Ceredigion
Tickets: £10, £7.50 conc and £5 for preview (15 February)
Dates: 15-17 February 2018
Time: 8pm
Location: Pafiliwn Bont, Pontrhydfendigaid, Ceredigion
Tickets: £10, £7.50 conc and £5 for preview (15 February)
STORM.2: THINGS COME APART
Dates: 21-24 March 2018
Time: 8pm (plus 3pm matinee on 24 March)
Location: The Tabernacl Church, Cardiff city centre
Tickets: £10, £7.50 conc and £5 for preview (21 March)
Dates: 21-24 March 2018
Time: 8pm (plus 3pm matinee on 24 March)
Location: The Tabernacl Church, Cardiff city centre
Tickets: £10, £7.50 conc and £5 for preview (21 March)
Box Office
Online:
nationaltheatrewales.org/storm1
nationaltheatrewales.org/storm2
By phone: 029 2037 1689
Online:
nationaltheatrewales.org/storm1
nationaltheatrewales.org/storm2
By phone: 029 2037 1689
National Theatre Wales with Junoon present
SISTERS
Created by Kully Thiarai, Sameera Iyengar and other female artists from the South Asian diaspora
Date: 20 April 2018
Time: 8pm
Weston Studio, Wales Millennium Centre, Cardiff
SISTERS
Created by Kully Thiarai, Sameera Iyengar and other female artists from the South Asian diaspora
Date: 20 April 2018
Time: 8pm
Weston Studio, Wales Millennium Centre, Cardiff
Sisters is a conversation across continents about the richness, complexity and diversity of being a south Asian woman today. Stories recalled and half-remembered, embedded in objects, left behind on trains and in airport lounges. Journeys and conversations between women in India and Wales.
Sisters is us at our best, our worst, our strongest, our weakest. Unadorned and visible, we just are.
This all-female work-in-progress by leading British-Asian and Indian artists aims to hold a mirror up to life as a south Asian woman today, wherever she lives; the echoes and the contradictions, the (in)visibility and the comradeship, all told with playfulness, honesty and humour.
Sisters is part of India Wales, a major season of artistic collaboration between the two countries to mark the UK-India Year of Culture, and is supported by British Council Wales, the Arts Council of Wales and Wales Arts International.
Director Kully Thiarai has worked in the performing arts for many years as a theatre maker, Artistic Director and arts consultant. Her early career was largely in new writing with national touring companies like Red Ladder Theatre Company and Major Road, both based in Yorkshire. She has since led a number of organisations and companies including as Artistic Director of Contact Theatre, Manchester, Leicester Haymarket Theatre, Theatre Writing Partnership and Red Ladder Theatre Company; commissioning, producing and directing work nationally and internationally. Kully has been Artistic Director and CEO of National Theatre Wales since May 2016.
Sameera Iyengar is co-founder of Junoon, an organisation that focuses on creating access to theatre and the arts. She is also currently Course Director of SMART (Strategic Management in the Art of Theatre), a capacity-building course designed specifically for theatre-makers in India, offered under the aegis of the India Theatre Forum (ITF). As a core member of the ITF till 2014, Sameera was involved in diverse efforts to strengthen the theatre environment in India. Previous to Junoon, as Director of Projects at Prithvi Theatre, Sameera was involved with running the Prithvi Theatre Festivals and Summertime programme of shows and workshops for children. She has co-edited Our Stage: The Pleasures and Perils of Theatre Practice in India Today (Tulika 2009). Her PhD thesis was Performing Presence: feminism and theatre in India.
Junoon seek to weave arts experiences into the fabric of society. Working closely with artists from theatre and allied arts fields, they strive to build a world imbued with the spirit of the arts, a world where curiosity, imagination, empathy, resolve, courage and possibility are celebrated, nurtured and valued. Junoon is about creating access to theatre and the arts. Bringing the arts into the spaces of our daily lives. Bridging the gap between arts, artists and audiences. They do this through a variety of arts experiences and engagements carefully designed and curated. Engagements include free public programmes as well as programmes designed for specific audiences. Junoon work with one eye on the present and another on the future, with a strong focus on sharing the arts with children and young people as well. junoontheatre.org
The British Council is the UK’s international organisation for educational opportunities and cultural relations. They create international opportunities for the people of the UK and other countries and build trust between them worldwide. They work in more than 100 countries and their 8,000 staff – including 2,000 teachers – work with thousands of professionals and policy makers and millions of young people every year by teaching English, sharing the arts and delivering education and society programmes. The British Council is a UK charity governed by Royal Charter. A core publicly-funded grant-in-aid provides less than 20% of their turnover which last year was £864m. The rest of its revenues are earned from services which customers around the world pay for, through education and development contracts and from partnerships with public and private organisations. All of its work is in pursuit of its charitable purpose and supports prosperity and security for the UK and globally. wales.britishcouncil.org/en
Wales Arts International is the international team of Arts Council of Wales. It aims to increase the value of international cultural exchange to Wales by facilitating and supporting opportunities for international artistic collaboration and market development. Wales Arts International work closely with Welsh Government, British Council and other UK and international partners.
National Theatre Wales & Quarantine present
ENGLISH
with Wales Millennium Centre
Part of Festival of Voice 2018
June 2018
Dance House, Cardiff
ENGLISH
with Wales Millennium Centre
Part of Festival of Voice 2018
June 2018
Dance House, Cardiff
English is spoken by 1.75 billion people worldwide – that’s one in every four. Non-native speakers far outnumber first-language English speakers.
What happens to your sense of self when you move someplace where you don’t really know how to say who you are?
It’s said that by the end of this century, we’ll have lost more than half the world’s languages. In June,National Theatre Wales – which itself operates in a bilingual country – will collaborate with Quarantine to create a brand new production exploring language, migration and identity, how we learn to speak, and how we learn to listen.
Quarantine was formed in 1998 by artists Simon Banham, Richard Gregory and Renny O’Shea. Over the past 19 years, the Manchester-based company have developed an international reputation for their pioneering work in re-shaping who gets seen and heard in performance, and are widely recognised as one of the UK’s leading contemporary theatre companies. Working with a shifting constellation of collaborators, the company makes theatre and other public events that are characterised by their intimacy, fragility and a playful instinct to place everyday life side-by-side with moments of rare, crafted beauty. Quarantine work with virtuosic performers and with people who have never done anything like this before – electricians, philosophers, families, soldiers, chefs, children, florists, opera singers and countless others. qtine.com
Wales Millennium Centre is the nation’s home for the performing arts, situated at the heart of Cardiff Bay. One of the UK’s top cultural attractions, the Centre showcases Welsh creativity and talents, provides an extensive programme of world class entertainment, partners with international artistic companies, and offers creative learning opportunities that aim to increase accessibility to art and culture.
Created by Wales Millennium Centre, Festival of Voice Cardiff is an international arts festival that celebrates the voice in all its forms. Festival of Voice is about discovery through participation and immersion – about finding voices; bringing artists and audiences together to hear and be heard. The festival commissions new work and brings together unique collaborations in contemporary and classical music, opera, theatre, talks and visual art.
NHS70: A FESTIVAL
July 2018
Locations across Wales
July 2018
Locations across Wales
On 5 July 1948, one of the biggest ideas ever to come out of Wales was born. The brainchild of Ebbw Vale MP and the UK’s Health Minister Aneurin “Nye” Bevan, the National Health Service was a revolutionary idea, formed along with the Welfare State during Britain’s austere post-war period, and under the principle of collective responsibility.
National Theatre Wales will celebrate the NHS’s 70th birthday in July 2018 with a month-long festival, inspired by some of the founders, staff and patients of this unique institution. This countrywide tribute to the NHS will feature seven multi-platform productions and events, made and performed live across the country and online:
- Theatre company Oily Cart will create Splish Splash; a multi-sensory, underwater, touring production for young people aged 3-19, performed in schools and hospitals. There will be three versions: one for those with profound and multiple learning disabilities, another for those on the autism spectrum, and a third for the deafblind. Their aim is to present a watery wonderland, a magical space where every sense is delighted. Hydro-therapy pools will be transformed by underwater lighting, clouds of bubbles drifting from below, curtains of perfumed spray, and live music played on floating pipes, with a sound that can be felt as much as heard.
Writer Tim Webb is Artistic Director of Oily Cart, and over the past 36 years has written and directed over eighty shows for the company. Webb co-founded the company with Musical Director Max Reinhardt, who has written and arranged the music in every production and performed in many shows. Reinhardt has co-composed the music for Splish Splash with percussionist George Panda, who will perform live on a specially constructed, marimba-like set of tuned pipes that float on the water. Designer Jens Cole will join the Oily Cart team again, having most recently worked with the company on their acclaimed show Kubla Khan.
Since 1981 Oily Cart has been taking its unique blend of theatre to children and young people in schools and venues across the UK. Challenging accepted definitions of theatre and audience, they create innovative, multi-sensory and highly interactive productions for the very young and for young people with profound and multiple learning disabilities. By transforming everyday environments into colourful, tactile ‘wonderlands’, Oily Cart invite audiences to join them in a world of the imagination. Using hydro-therapy pools and trampolines, aromatherapy, video projection, and puppetry together with a vast array of multi-sensory techniques, they create original and highly specialised theatre for young audiences.
- Love Letters to the NHS will be a series of five, new, solo shows written by five writers and performed in community spaces the length and breadth of Wales. These extended monologues will be intimate, heartfelt love letters to an institution with which all of us have had – or will have – a relationship, at some stage of our lives.
- National Theatre Wales will team up with arts organisation Migrations, French choreographer and dancer Julie Nioche and choreographers Filiz Sizanli and Mustafa Kaplan from Turkey, to createTouch, a site-specific, interactive and tactile dance piece about the therapeutic aspects of dance and the social place of the body. Made and performed in a medical facility in north Wales, the piece will be made with local, professional and non-professional dancers.
Founded in 2004, Migrations brings international contemporary arts to Wales while developing innovative collaborations, commissions and partnerships in Wales and further afield. To create unique experiences rooted in Wales, they collaborate with challenging and inventive artists, local communities and groups, national and international partners.
Migrations’ projects come in all sort of sizes and shapes, from large-scale site-specific commissions to dance film production with 100 amateur participants and interactive installations, variously using empty shops, rural landscapes and urban architecture as a stage.
Julie Nioche created A.I.M.E. in 2007 with a team of teacher-researchers, community leaders and active practitioners. The association’s mission statement speaks of its goal, the creation of choreographic works and the development of a citizen art, consisting of sharing and touring dance and the knowledge linked to this practice, notably somatic practices in the socio-medical sector. Seeing another way of considering a space for senses in our daily lives, she anchors her projects in different environments, so that they may take diverse forms and be seen by as many kinds of audiences as possible. She steps away from theatres in order to adapt to different spaces, producing many in situ projects.
Choreographers and co-founders of TALdans, Mustafa Kaplan and Filiz Sizanly explore what two, interacting, brave bodies could produce as mixed mechanisms within an unstructured logic, while making cautious physical discoveries. They have produced numerous works which have toured extensively internationally and share a special history with Migrations as they launched its very first season, and performed again in a site-specific performance for the landscape with Simon Whitehead in 2007.
- Gruff Rhys will write, record and release a new song paying tribute to the NHS on its 70th birthday. Keep an eye on NTW’s website for more information about where and when to hear it first.
Gruff Rhys is known around the world for his work as a solo artist as well as a singer and songwriter with Super Furry Animals and Neon Neon, and for his collaborations with Gorillaz, Mogwai, Dangermouse and Sparklehorse amongst others. The latest album by Neon Neon, Praxis Makes Perfect,based on the life of radical Italian publisher Giangiacomo Feltrinelli, was performed as an immersive gig, produced by National Theatre Wales and toured in 2013. In 2014, Gruff released his groundbreaking multimedia project American Interior – book, app, film and album. American Interior is published by Penguin and was longlisted for the Guardian First Book Award 2014 and shortlisted for The Gordon Burn Prize 2014. That same year, he wrote the soundtrack of Andy Goddard’s film Set Fire to the Stars. More recently. Gruff wrote music and lyrics for, and performed in, NTW’s The Insatiable, Inflatable Candylion, performed in Cardiff, Christmas 2015.
- Laughter is the Best Medicine will be a night of comedy, compèred by actor and comedian Elis James, at the Lyric Theatre in his hometown of Carmarthen.
Carmarthen-born Elis James has been performing professionally on the UK comedy circuit for over a decade. As well as a seasoned stand up, Elis currently can be seen alongside Josh Widdicombe in hit BBC sitcom Josh. He’s also recently starred in his own series on BBC2 with Miles Jupp (Jupp and James) plus numerous appearances on Mock the Week, 8 Out of 10 Cats and Dave’s One Night Stand. Elis is also the co-host of the Elis James and John Robins Show on Saturday afternoons on Radio X, and presented Elis in Euroland for BBC Radio Wales in 2016.
- Following National Theatre Wales’ 2017 listening project, in which they gathered stories about people’s experiences with the NHS in Wales, one of the seven events will be a participative, live event reflecting the breadth of experiences and stories told from across Wales. This event will incorporate digital storytelling, sound and music, and celebrate the human stories that put the heart into our National Health Service. It’s not too late to send in your stories about your experiences (as a patient, relative or staff member) of the NHS in Wales. Get in touch…
- by visiting nationaltheatrewales.org/nhs70 and filling in an online form
- by post to National Theatre Wales, 30 Castle Arcade, Cardiff CF10 1BW
- on Facebook at facebook.com/nationaltheatrewales, or
- by leaving the company a message on your preferred social media platform using the hashtag #MyNHS70
- And finally, NTW will commission a visual artist to make a brand new work inspired by the volume of data generated by NHS Wales. This work could sit in a museum, online, a found space, a hospital site or somewhere we have yet to imagine. More information about this opportunity can be found at www.nationaltheatrewales.org/nhs70-open-call-artists.
National Theatre Wales present
THE TIDE WHISPERER
Written by Louise Wallwein
Directed by Kully Thiarai
Designed by Camilla Clark
September 2018
Tenby, Pembrokeshire
THE TIDE WHISPERER
Written by Louise Wallwein
Directed by Kully Thiarai
Designed by Camilla Clark
September 2018
Tenby, Pembrokeshire
An immersive experience written by poet and playwright Louise Wallwein, The Tide Whisperer will tackle the global phenomenon of displacement and mass movement. Record numbers are on the move all over the world. What is it like to leave your home, and to live with the uncertainty of ever finding another?
The Tide Whisperer is full of stories, forever a nomad, having travelled the oceans and been carried by the tide to fresh new shores.
On the shores of Tenby, the audience gathers. The tide is turning fast and a storm is coming. The future feels uncertain – humanity is on the move and seeking refuge. Will we be met by kindness or rejection; offered sanctuary or forced to survive the perilous, treacherous sea?
The Tide Whisperer, in which audiences will take to the sea to explore the coast of Pembrokeshire by boat, will be made with a leading Welsh creative team including award-winning composer John Hardy, sound designer Mike Beer and theatre designer Camilla Clark, who grew up in the area.
A renowned and award-winning poet, playwright and performer from Manchester, Louise Wallwein has made a name for herself as an explosive artist that detonates her audiences’ imaginations. Louise was brought up in 13 different children’s homes and wrote her first play at the age of 17. Her career took off in 1998 when she performed an award-winning one-woman show on the wing of a World War II Shackleton reconnaissance aircraft, and her various experiences as a cleaner, club promoter and dancer at the Hacienda and activist for organisations such as Anti-Clause 28 and Viraj Mendis’ defence campaign have undoubtedly shaped her. Three radio plays have been broadcast by the BBC. Theatre includes Sydney Opera House, Royal Exchange, Contact Manchester and HOME mcr. She has written several outdoor spectacular shows for Walk The Plank. Glue, her acclaimed one-woman show is currently on tour was broadcast this year, when Louise was a BBC Contains Strong Language resident poet in Hull 17. Glue The Extended Remix published by Smith Doorstop is Louise’s first volume of poetry and is now on sale.
As well as Mike Pearson & Mike Brookes, television drama executive producer Bethan Jones and digital installation artist, stage designer and producer Shanaz Gulzar will become Associate Artists for National Theatre Wales. Bethan will be helping to develop new writing projects and broadcast opportunities, while Shanaz will focus on digital projects.
After training at RWCM&D, Bethan Jones worked as an actor in theatre and television, eventually turning to theatre directing. As Artistic Director first of Dalier Sylw, which evolved into Script Cymru, she developed and directed numerous productions and collaborated with Theatr Clwyd, Paines Plough, the Traverse Theatre and Soho Theatre. Theatre directing led to directing television drama for BBC Wales and S4C, and Bethan joined BBC Wales in 2002 as Producer in charge of local drama output. From 2005, as Executive Producer at BBC Wales Drama Department, Bethan worked on a number of award-winning television dramas including Merlin, Sherlock, A Poet in New York, The Long Walk to Finchley, Room at The Top, Hamlet, War and Peace and most recently Aberfan: The Green Hollow. Bethan left BBC Wales in May 2017 and joined CUBA Pictures, where she is developing new network drama.
Shanaz Gulzar is best known for creating work across disciplines to make innovative and challenging interventions. She works as a digital installation artist and stage designer also working as producer for specialist projects. Her work explores interactions between new technologies, film, theatre, place and identity. She has a clear and distinct artistic voice with a vision for producing ambitious, contemporary art that is accessible to both arts and non-arts audiences. Recent work includes Made in India (Tamasha Theatre), Mother Tongues from Farther Lands (at Alchemy Festival, The Southbank), Calderland (509 Arts Outdoor site specific Community Opera at The Piece Hall, Halifax) and HOME1947 with double Oscar-winning filmmaker Sharmeen ObaId Chinoy for Manchester International Festival.
A West End Christmas – for TheatreMAD the Make A Difference Trust
The Make A Difference Trust is delighted to announce its 14th annual A West End Christmas which will take place at St Paul’s Church Covent Garden on Sunday 3rdDecember at 7.30pm.
The evening will be hosted by Christopher Biggins, who will be joined by the lovely Lesley Joseph.
A sparkling spectacle of stars and song, will feature some of the top West End shows including Kinky Boots , Five Guys Named Moe, Young Frankenstein, Phantom of the Opera, Lion King and 42nd Street who will be raising the roof with their unique interpretation of Christmas songs both contemporary and classic. Also joining the line-up are the West End Christmas Singers.
The show will feature Jane Milligan, Cedric Neal, Julie Legrand, Maria Kesselman, David Shannon Lucy O’Byrne, Robert Bannon Carolyn Maitland, Alasdair Harvey, Gemma Sutton The Mellor Sisters, Jo Napthine, Shona White, Julie Atherton, Janique Charles, Christopher Howell & Jasna Ivir . They will be joined by The Royal Academy of Music Post Grads, the Big Noise Gospel choir and our very own MAD Ensemble and West End Christmas Choir.
Produced by TheatreMAD the event raises funds for the Make A Difference Trust, a UK based charity with a vision of a world free from HIV and AIDS. Building on the legacy of 25 years of fundraising by the Theatre industry, they continue to make the vision a reality having distributed over £1.6million in grants to support individuals experiencing hardship across the UK as well as over £1million to support projects with their UK and international partners. For further information about the Make A Difference Trust please visit www.madtrust.org.uk
For tickets visit: http://bit.ly/2jKcjnT
TO DONATE £3 & HELP MAKE A DIFFERENCE, TEXT: MADT14 £3 to 70070
THE AWARD-WINNING SMASH HIT MUSICAL “ROCK OF AGES” RETURNS FOR A UK TOUR IN 2018
DAN LOONEY AND ADAM PAULDEN
PRESENT
A NATIONAL TOUR OF
THE AWARD-WINNING SMASH HIT MUSICAL
“ROCK OF AGES”
OPENING AT THE CHURCHILL THEATRE, BROMLEY
ON 20 SEPTEMBER 2018
AP Enterprises and Collective Productions are delighted to announce a national tour of the award-winning smash-hit musical “ROCK OF AGES” opening at The Churchill Theatre, Bromley on 20 September 2018. Tour schedule below with further touring dates and casting to be announced soon. www.rockofagesmusical.co.uk
“ROCK OF AGES” is an LA love story lavished with over 25 classic rock anthems. Lose yourself in a city and a time where the dreams are as big as the hair, and yes, they can come true!
This hilarious musical comedy features the songs, including We Built This City, The Final Countdown, Here I Go Again, Can’t Fight this Feeling and I Want To Know What Love Is, played loud and proud by an awesome live band.
WARNING: CONTAINS SERIOUS ROCK ‘N’ ROLL DEBAUCHERY!
Now a global smash with extensive runs in London’s West End, on Broadway and in Las Vegas, the show has also been made in to a star studded Hollywood movie.
“ROCK OF AGES” has a book by Chris D’Arienzo and Arrangements and Orchestrations by Ethan Popp.
ROCK OF AGES – UK Tour 2018
THURSDAY 20 SEPTEMBER – SATURDAY 22 SEPTEMBER
The Churchill Theatre, Bromley
ON SALE 27 NOVEMBER 2017
TUESDAY 25 SEPTEMBER – SATURDAY 29 SEPTEMBER
Manchester Opera House
www.atgtickets.com/venues/opera-house-manchester
ON SALE 27 NOVEMBER 2017
TUESDAY 2 OCTOBER – SATURDAY 6 OCTOBER
Wycombe Swan Theatre
ON SALE 27 NOVEMBER 2017
MONDAY 8 OCTOBER – SATURDAY 13 OCTOBER
Darlington Hippodrome
www.darlingtonhippodrome.co.uk
ON SALE 27 NOVEMBER 2017
TUESDAY 16 OCTOBER – SATURDAY 20 OCTOBER
Bord Gais Energy Theatre, Dublin
ON SALE SOON
TUESDAY 23 OCTOBER – SATURDAY 27 OCTOBER
Liverpool Empire Theatre
www.atgtickets.com/venues/liverpool-empire
ON SALE 27 NOVEMBER 2017
TUESDAY 6 NOVEMBER – SATURDAY 10 NOVEMBER
New Theatre, Cardiff
ON SALE MARCH 2018
TUESDAY 13 NOVEMBER – SATURDAY 17 NOVEMBER
New Alexandra Theatre, Birmingham
www.atgtickets.com/venues/new-alexandra-theatre-birmingham/
ON SALE 27 NOVEMBER 2017
TUESDAY 20 NOVEMBER – SATURDAY 25 NOVEMBER
The Orchard Theatre, Dartford
ON SALE 27 NOVEMBER 2017
MONDAY 26 NOVEMBER – SATURDAY 1 DECEMBER
Lyceum Theatre, Sheffield
ON SALE MARCH 2018
FURTHER DATES TO BE ANNOUNCED
Relive One Of Dickens’ Best Loved Tales As Lovehistory Present The Ghosts Of Christmas Past
RELIVE ONE OF DICKENS’ BEST LOVED TALES AS LOVEHISTORY PRESENT THE GHOSTS OF CHRISTMAS PAST
After its success in 2016, Lovehistory return this Christmas with their festive production The Ghosts of Christmas Past, coming to Liverpool’s St George’s Hall from Monday 4 – Wednesday 13 December.
The creative minds behind 2015’s Dickensian Christmastime and the ever-popular Murder at St George’s Hall and Catacombs of Liverpool’s Darkest History series present their latest immersive promenade production.
The Ghosts of Christmas Past will once again delve into the depths of a Dickensian world, bringing to life some of the most beloved characters from much loved novelist Charles Dickens’ A Christmas Carol – with a specific focus on the darker elements of one of the authors’ best loved classics.
It is Christmas Eve, and as the old skinflint Ebenezer Scrooge is about to retire to his bed contemplating his fortune, he is disturbed by the haunting presence of the ghosts of his past.
Go back to Victorian times as the performance journeys through Ebenezer’s chilling encounter, as he is urged to heed the spirits messages and change his ways.
The passages and cells below St George’s Hall provide the backdrop from which Lovehistory recreate the dark underworld that Dickens so often explored in his works – the perfect setting for these ghostly tales, presented by professional actors.
LoveHistory have been setting a trend for live promenade theatre experiences for over five years and this Christmas special will provide a truly authentic Dickensian experience.
Visitors will encounter the old miser himself Ebenezer Scrooge, the humble and poor Cratchit family, and of course the ghosts of Christmas past, present and future, as well as some other key characters from other Dickens’ novels.
This immersive, theatrical experience will provide festive fun with a difference, with a few surprises in store too.
Judy McLean, Creative Director of Lovehistory said: “These tours were hugely popular last year, and we are so lucky to be able to present the production in this iconic building which has such a strong connection with Charles Dickens himself – who often held readings here.
“It is very fitting that we can once again bring one of his most loved tales and some of his most infamous characters to life, transporting audiences to a bygone era.”
St George’s Hall Manager, Alan Smith added: “We are delighted to once again welcome back Lovehistory to St Georges Hall – their promenade productions always prove incredibly popular with our audiences.
“A Christmas Carol is such a timeless classic tale – known by children and adults alike and it represents the essence of Christmas; The Ghosts of Christmas Past will offer a wonderful Dickensian adventure for the whole family this Christmas.”
Can Ebenezer redeem himself before it’s too late? Be sure to book your tickets and come along to St George’s Hall this Christmas to find out!
Age Restriction: 10+
LISTING DETAILS:
The Ghosts of Christmas Past
Monday 4 – Wednesday 13 December 2017
Times: 6:00pm / 7:00pm / 8:00pm
Tickets: £16.50 (inc. booking fee) plus £2.25 fulfilment fee per booking
VENUE DETAILS
St George’s Hall, Heritage Centre Entrance, St John’s Lane, Liverpool.
BOOKING DETAILS
Purchase in person at TicketQuarter, Echo Arena Liverpool, Kings Dock, online atwww.ticketquarter.co.uk or on 0844 800 0410.