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Producers have revealed that Benidorm Live, the new stage show based on the hit ITV comedy premiering at Newcastle Theatre Royal next year, will star six of the original TV cast .

 

Set to bring a heady dose of Spanish sunshine and smiles to Newcastle audiences, the first ever stage version of Derren Litten’s hit ITV comedy Benidorm Live opens on Friday 7 September prior to a major national tour.

 

It is now confirmed that six members of the TV cast, all much loved stars from the infamous Solana Hotel, will perform in the hotly anticipated new show.  Swapping sangria for the stage after a quick spruce at the Blow ‘n’ Go! will be everyone’s favourites Jake  Canuso (Lothario barman Mateo), Janine Duvitski (middle aged swinger

Jacqueline), Adam Gillen (holidaying teenager Liam), Sherrie Hewson (Solana manageress Joyce Temple-Savage), Shelley Longworth (loud mouthed lassie Sam), and Tony Maudsley (flamboyantly camp hairdresser Kenneth).

 

Litten has written a new set of Alicante escapades for the debut stage production of the hugely popular show.  On making its transfer, writer Derren Litten said: “I’ve loved ten years of writing my TV show Benidorm but despite a successful writing career I’m first and foremost a performer so have always been secretly frustrated I couldn’t hear the audience’s laughter. This national tour of Benidorm Live will not only make a long lasting dream come true but will also mean I no longer have to stand in strangers gardens listening at their windows at 9 o’clock on cold winter evenings.”

 

ITV’s smash-hit comedy celebrates a decade of all-inclusive hilarity, having followed the ensemble cast of holiday makers and staff for nine series since it first broadcast in 2007. Season 10 is due to broadcast early 2018.

 

Critically acclaimed, Benidorm has received two National Television Awards a TV Quick Award and nominations at the British Comedy Awards and BAFTAs.

 

After leaving school in Hull in the late 1980’s Derren Litten spent a year working as a professional magician whilst auditioning for drama schools.  He won a place on the 3 year acting course at the prestigious Central School of Speech and Drama where he met fellow student Catherine Tate.  After 10 years of working as an actor, Derren was asked by Catherine to write for her newly commissioned TV sketch show, The Catherine Tate Show; in which he also appeared in many of the sketches.  After co-writing and appearing in two series and a Christmas Special, Derren was given a script commission by legendary comedy producer Geoffrey Perkins, “just write anything you want as long as it’s funny” he said; that show turned out to be ITV’s BAFTA nominated hit comedy Benidorm. Derren’s hobbies include drinking and karaoke, usually in that order. He splits his time equally between homes in London and Spain.

 

The show will be produced for the stage by Newcastle’s own Michael Harrison and David Ian.  Other UK Tour dates to be announced.

 

Benidorm Live premieres at Newcastle Theatre Royal on Fri 7 Sep 2018 and runs until Sat 15 Sep, playing evenings at 7.30pm, matinees on Thu 2pm and Sat 2.30pm. Tickets are from £16.50 and can be purchased from the Theatre Royal Box Office on 08448 11 21 21 (Calls cost 7ppm plus your phone company’s access charge) or book online at www.theatreroyal.co.uk

 

The Bunker’s Spring Season 2018
The Bunker, 53A Southwark Street London SE1 1RU
Wednesday 17th January – Saturday 26th May 2018

The Bunker’s Spring 2018 season sees the venue truly celebrate its place as a playground for ambitious artists and adventurous audiences, just over a year after it first opened its doors. The bold season, including works by Terry Johnson and Izzy Tennyson, highlights the venue’s commitment to work with exciting playwrights, both established and emerging

The Bunker’s ethos encourages audiences to stay in the auditorium long after performances have ended, offering the opportunity for audiences to mingle with artists. In this vein, the venue is committed to keeping its work accessible to its core audience, expanding its Under 25s £10 ticket offer to now include all under 30. For the Spring Season, The Bunker will also unveil its new entrance area, which will be freshly decked and refurbished, with a brand new bar area serving craft lager and ales on draught for the first time.

The season opens with Ken, written by Olivier and Tony award-winning writer Terry Johnson, which transfers from Hampstead Theatre following a riotously successful run in their Downstairs studio last year. Ken pays tribute to the truly original and unclassifiable Ken Campbell – maverick writer, theatre director, and legendary practical joker. Following this, DumbWise Theatre reinvent Electra,
reimagining this murderous Greek myth of power and prophecy as a lyrical modern epic with a live punk-rock score.

Artistic Director Joshua McTaggart will direct the world premiere of Devil With The Blue Dress by Kevin Armento, a play that interrogates the infamous Monica Lewinsky Scandal. This five-strong female cast play also marks The Bunker’s first American production. The season concludes with Izzy Tennyson’s Grotty, which offers a dark and savage journey that digs beneath the surface of lesbian subculture in London.

Joshua McTaggart, The Bunker’s Artistic Director, comments, It is incredibly exciting to announce The Bunker’s spring 2018 season – our first season of fully curated work since we opened our doors back in October 2016. In the past year we have discovered so much about our space, our audience, and our artists, and these four shows reflect the height of what we want to be doing at The Bunker in
bringing ambitious artists and adventurous audiences together into our shared space. From Terry Johnson’s celebration of the life of the experimental theatre-maker Ken Campbell and an actor-musician led punk-rock version of Sophocles’ Electra, to two world premieres: Kevin Armento’s exploration of Hillary Clinton and the Monica Lewinsky scandal and Grotty, Izzy Tennyson’s dark drama exploring this city’s lesbian subculture from Damsel Productions, we have lined up a Spring season that demonstrates the full breadth of artists and their work that has found a home at The Bunker since we opened.

The Bunker’s Spring Season 2018 is as follows:
Ken (The Bunker in association with Hampstead Theatre)
Wednesday 24th January – Saturday 24th February
Press Night: Monday 29th January, 7:30pm
1978, London. A 23 year old aspiring playwright in a rundown flat-share off the North End Road is wrestling with his masterpiece for the Royal Court. The house phone rings, the young man answers… a call for the person who used to occupy his room, recently moved to Amsterdam. But even once this information is imparted, the man at the other end refuses to hang up. His name is Ken. And
he’s about to change the young man’s life forever… Directed by Lisa Spirling, Artistic Director of Theatre 503, Ken is the retelling of an extraordinary friendship from beginning to end, replete with wickedly funny anecdotes, magnificent hoaxes, and general chaotic lunacy – all infused with the spirit of the great man… Terry Johnson and Jeremy Stockwell reprise their roles following a sell-out run at Hampstead Theatre to bring to life Ken Campbell’s wild and idiosyncratic perspective on life.

Electra (Dumbwise Theatre)
Tuesday 27th February – Saturday 24th March
Press Night: Thursday 1st March, 7:30pm
A Queen masterminds the murder of her Husband and takes the throne with her new lover. Her Daughter, Electra, grows up in the grip of a cruel regime, swearing revenge. Her Son Orestes, exiled as a boy and raised in the arms of the rebels, waits to embark on a holy mission to reclaim his country. Two decades later a twist of fate brings Brother and Sister together; united by hate but divided by faith. With the country on the brink of civil war, the most powerful family in the Kingdom are torn apart from the inside as their dark past once again becomes the present. The revolution will be televised, but are The Gods watching?

Devil With The Blue Dress (The Bunker Theatre and Desara Bosnja)
Thursday 29th March – Saturday 28th April
Press Night: Wednesday 4th April, 7:30pm
What do a First Lady, a secretary, a daughter, a confidant, and an intern all have in common? This barbed spin on a political drama conjures the five women who collided in what became known as The Lewinsky Scandal. Hillary Clinton and Monica Lewinsky find themselves centre stage in a theatrical feat that takes us through the corridors of power and behind the closed doors where the abuse of that power took place. Slyly exhuming the little blue dress that launched the biggest media circus of a generation, Devil With The Blue Dress, written by Kevin Armento and directed by Joshua McTaggart, grapples with one of the most challenging questions in American political history: How do we respond to women seeking power?

Grotty (Damsel Productions)
Tuesday 1st May – Saturday 26th May
Press Night: Thursday 3rd May, 7:30pm
Welcome to the desert. The London lesbian scene. A couple of little sad old basements that drip with sweat and piss. We sit there, listening to second-hand pulsating noise coming from some gay boy night upstairs. And it’s a Wednesday. And it’s a night called the ‘Clam Jam’. Can you imagine being straight and going to a night called the ‘Cock and Hole’? The women in black. The best tables are marked theirs by a crowd of empty prosecco bottles. They sit there in their uniformed black, a deep rich black only lots of money can buy… and they are looking at you. They are not nice girls. But this is not a nice story. Grotty is a dark, savage, and unflinching exploration of lesbian subculture in London. Written by award-winning writer Izzy Tennyson (Brute, Runts, Career Boy) and directed by Hannah Hauer-King (Dry Land, Brute, Fury), Damsel Productions presents this fierce new lesbian drama that takes no prisoners.

Mick Perrin Worldwide presents:

Slightly Fat Features: The Slightly Fat Show

Comedy. Cabaret. Chaos. Christmas. Variety for the 21^st Century

 

“Our critics pick the best tickets around the county over the festive period:

The internationally experienced seven-man variety troupe return for an all-new blast of

comedy, magic, music and stunts.” The Times 2017

 

20 – 23^rd December – Main House – Leicester Square Theatre

Forget seeking what’s cool or the next big thing – when it comes to pure and simple entertainment,

this effervescent septet are the real deal’ Chortle ««««

‘Slightly Fat’s brand of inspired silliness is a perfect pick me up’ The Times ««««

Multi award winning troupe Slightly Fat Features are the cabaret variety show you never knew you wanted but it turns out you needed. Direct from Sunday Night at the Palladium this is the silliest variety Christmas show you will ever see!

Hard to describe until you witness it live. // Not a kids show but do bring your kids. // A Pythonesque Cirque du Soliel

So fasten your seatbelts, because the multi award winning comedy troupe are back in London for six shows only with their own special brand of riotous comedy cabaret. Variety is back and it’s Slightly Fat.

Witness ….astonishing physical skills … Delight … in orchestrated mayhem … Be astounded … by a show unashamedly stuffed with wondrous antics including:

Knife Throwing

Slapdancing

Pint Balancing

Spoon Flinging

Incredible live music,

Circus tricksters and top turns

AND

Flaming toothbrushes // superb sword fighting // multiple crying rabbits!!

Slightly Fat Features are the pinnacle of old school variety – updated for the 21^st century and single-handedly rescuing the genre and crash landing into theatres across the globe. Shows performed by a stupefying septuplet of world-class entertainers who will leave your belly aching and demanding seconds:

“Sublime and Ridiculous” «««« This Is Cabaret

 

Slightly Fat Features were awarded the ‘Prix Coup De Coeur’ at the Just For Laughs Festival (Montreal),‘ Best Show’ at the Great Yorkshire Fringe (York) and have countless standing ovations under their (buckling) belts from venues across the UK including at The Roundhouse (London), Tobacco Factory (Bristol) and at The Pleasance at the Edinburgh Fringe Festival

 

LEICESTER SQUARE THEATRE, LONDON

20^th December, 7:00pm

21^st December, 7:00pm

22^nd December ,  4:00pm & 7:00pm

23^rd December, 4:00pm & 7:00pm

Tickets  £15.00

FAMILY TICKET £45

https://leicestersquaretheatre.ticketsolve.com/shows/873572740

020 7734 2222

2018 UK TOUR ANNOUNCED FOR

THE CRITICALLY ACCLAIMED PRODUCTION OF

BIRDSONG

ADAPTED BY RACHEL WAGSTAFF

FROM THE SEBASTIAN FAULKS NOVEL

 

Marking the centenary of the end of the First World War, Rachel Wagstaff’s highly acclaimed adaptation of Sebastian Faulks’s best-selling novel BIRDSONG embarks on its final UK tour, opening at Theatre Royal Bury St Edmunds on 31 January 2018 and continuing until 17 July 2018.

The cast will be headed by Tom Kay and Madeleine Knight as Stephen Wraysford and Isabelle Azaire. Tom Kay, appeared to great acclaim in a recent production of Journey’s End, performed on a First World War battlefield at Ypres.  Madeleine Knight’s television and film credits include Poldark and Florence Foster Jenkins.  Also in the cast are Olivia Bernstone, Alice Brittain, Alfie Browne-Sykes (recently seen as Jason Roscoe in Channel 4’s Hollyoaks), Martin Carroll, Riley Carter-Millington (Kyle Slater in EastEnders) James Findlay (winner of the BBC Radio 2 Young Folk Award 2010), Liz Garland, Jeffrey Harmer and Simon Lloyd.  Further casting to be announced.

BIRDSONG tells a mesmerising story of love and courage, before and during the war. In pre-war France, a young Englishman, Stephen Wraysford, embarks on a passionate and dangerous affair with the beautiful Isabelle Azaire that turns their worlds upside down.  As the war breaks out, Stephen must lead his men through the carnage of the Battle of the Somme and through the sprawling tunnels that lie deep underground.  Faced with the unprecedented horror of the war, Stephen clings to the memory of Isabelle and the idyll of his former life as his world explodes around him.

The critically acclaimed production, seen by over 200,000 people, has received 4- and 5-star reviews, with audiences calling the show ‘simply stunning’.

Sebastian Faulks said, “This is the fourth and final tour of Rachel Wagstaff’s adaptation of my novel and, as it coincides with the centenary of the Armistice in 1918, it comes with an additional air of celebration. The play has had a long life since its first incarnation in the West End in 2010 and audiences have always been warm and appreciative. I very much hope that this finale will be a glorious one.’’ 

Rachel Wagstaff is currently co-writing two screenplays with Sebastian Faulks, one for Eleventh Hour Productions, and one for Trademark Films with Bob & Co.  Flowers For Mrs Harris, a new musical written by Rachel and Richard Taylor, staged at the Crucible, Sheffield, received five-star reviews and won the UK Theatre Award for Best Musical Production 2016.  In the same year, Only The Brave, for which she wrote the book, opened at the Wales Millennium Centre.  Rachel adapted Sebastian Faulks’s novel, The Girl at the Lion d’Or, for Radio Four (Woman’s Hour), and When I Lost You, an Afternoon Play for Radio Four, co-written with Duncan Abel.  In development are stage plays with The Original Theatre Company and Wales Millennium Centre, and an original Sherlock Holmes stage play, co-written with Duncan Abel, for Tony Marion Productions.

Sebastian Faulks’s latest novel, Where My Heart Used To Beat, is published by Hutchinson.

BIRDSONG is directed by Alastair Whatley with Charlotte Peters, with set design by Victoria Spearing, lighting by Alex Wardle for Charcoalblue and sound by Dom Bilkey.

BIRDSONG is produced on tour by Anne-Marie Woodley and Jon Woodley for Birdsong Productions Ltd in association with The Original Theatre Company.

BIRDSONG is suitable for ages 12+.

2018 TOUR SCHEDULE

             

31 January – 3 February          Theatre Royal Bury St Edmunds                              01284 769505

                                                 www.theatreroyal.org              

 

6 – 10 February                       Crewe Lyceum Theatre                                              01270 368242                                                                                                         www.crewelyceum.co.uk         

 

13 – 17 February                     West Yorkshire Playhouse                                        0113 213 7700

                                                www.wyp,co.uk                                                           

 

19 – 24 February                     Cheltenham Everyman                                              01242 572573

                                                www.everymantheatre.org.uk

 

6 – 10 March                           New Brighton Floral Pavilion                                    0151 666 0000

                                                www.floralpavilion.com

 

12 – 17 March                         New Victoria Theatre Woking                                   0844 871 7645

                                                www.atgtickets.com/new-victoria-theatre

 

20 – 24 March                         Wyvern Theatre Swindon                                          01793 524481

                                                www.swindontheatres.co.uk

 

26 – 31 Mar                             Theatre Royal Windsor                                             01753 853888

                                                www.theatreroyalwindsor.co.uk                                              

 

3 – 7 April                                The Lowry Salford                                                     0843 208 6000

                                                www.thelowry.com

 

17 – 21 April                            Nuffield Southampton Theatres                              023 8067 1771

                                                www.nstheatres.co.uk

 

23 – 28 April                            The Capitol Horsham                                                01403 750220

                                                www.thecapitolhorsham.com                                       

 

1 – 5 May                                Churchill Theatre Bromley                                        020 3285 6000

                                                www.churchilltheatre.co.uk

 

8 – 12 May                              King’s Theatre Edinburgh                                         0131 529 6000

                                                www.edtheatres.com/kings                                          On sale soon

 

14 – 19 May                             Cambridge Arts Theatre                                            01223 503333

                                                www.cambridgeartstheatre.com

 

21 – 26 May                             Gala Theatre Durham                                                03000 266 600

                                                www.galadurham.co.uk

 

29 May – 2 June                      Theatre Royal Glasgow                                             0844 871 7647

                                                www.atgtickets.com/venues/theatre-royal-glasgow      On sale soon

 

5 – 9 June                               York Theatre Royal                                                     01904 623568

                                                www.yorktheatreroyal.co.uk                                         On sale soon

 

11 – 16 June                           Derby Theatre                                                             01332 593959

                                                www.derbytheatre.co.uk                                              On sale soon

 

18 – 23 June                           New Alexandra Theatre Birmingham                       0844 871 3011

                                                www.atgtickets.com/birmingham

 

25 June                                   Malvern Theatres                                                       01684 892277

                                                www.malvern-theatres.co.uk                                        On sale soon

 

2 – 7 July                                 Assembly Hall Theatre Tunbridge Wells                 01892 530613

                                                www.assemblyhalltheatre.co.uk

 

10 – 17 July                             Bristol Old Vic                                                            0117 987 7877

                                                www.bristololdvic.org.uk                                              On sale soon

Grand Opera House York – until Saturday 2nd December.  Reviewed by Michelle Richardson

4****

Based on the 1983 film Flashdance, The Grand Opera House in York presents Flashdance The Musical in all its leg warmer and neon glory, as part of its UK tour.

Set in Pittsburgh, Alex Owens (Strictly Come Dancing’s Joanne Clifton) is an apprentice welder, the best they have ever had, but she dreams of a better life and dreams of dancing. A new recruit starts at the factory who takes a shine to Alex, but he turns out to be the owner’s son Nick Hurley (Ben Adams, formerly of the 1990’s group A1), who is there to make layoffs.

To make ends meet Alex has another job, dancing in Harry’s club, but this is so far removed from where she wants to be. Harry is struggling to keep going with the seedy club down the street stealing all the punters and trying to entice all his dancers, who are all adamant that they are staying put. Alex’s friend Gloria, at a low point, is seduced away by the creepy club owner CC, with promises of fame and fortune, which unfortunately doesn’t materialise and descends into drugs and stripping, unbeknownst to her. Oblivious to what is happening to her friend Alex plucks up the courage to apply for a place in the Shipley Dance Academy, where Nick is determined to give her a boost, but she is not interested, she wants to do it all on her own.

Clifton is certainly the all-round performer, singing, dancing and acting, with some impressive abs, maybe lacking the grit of Jennifer Beals portrayal in the movie, but she still delivers. I do have a small gripe I was distracted by her black eye makeup, just too much, silly I know but I could not get it out of my head. Adams certainly entertains us with his singing, as he should, as well as his acting, with a great American accent, and he even had a few dance moves thrown in, especially at the end with the cartwheel. They had great chemistry together which showed in their duets of Here and Now and Hang On. They were both the stars of the show and worthy of their billing. The support cast was very strong, both in their acting, singing and dancing, a credit to the whole show.

The staging was quite simple, but very effective, with the use of LED screens and staircases. The cast were utilised in moving the set to create the steelworks, bar, club and dance studio to great effect. The costumes were full on 80’s, spandex, neons and leg warmers galore.

There were a few sound issues with the music at times drowning out the vocals, this improved during the second half. The plot is a bit wishy washy, and rushed but that doesn’t really matter, no-one is really there for the plot. It’s all about the dancing, the music and the story of hopes and dreams, a step out of reality.

Overall this was a great fun production with fantastic song and dance routines. All the dancers were in incredible shape and showed such athletic skill, with the high kicks and so much energy, it made me tired just watching. A crowd pleasing show that had everyone up on their feet for an extended finale. It was also great to see so many bums on seats in the theatre, proving that the 80’s still rock.

 

The Lowry, Manchester – until 14th January 2018.  Reviewed by Julie Noller 5*****

Elf is known to most of us as a much watched 2003 Christmas film, it’s heart warming and funny and true family viewing. How would Elf the musical compare?

In a nutshell it smacks it in the face with a snowball, it’s slick, warm, humorous and nobody left that packed performance without a smile on their face – regardless of age. Although I wonder if there’s a few of the younger members of the audience this morning asking for one of the five main food groups for breakfast – namely sugar although, as Buddy said, all Elves visit the dentist twice a day. Thank you to Michael Rose for producing and bringing Elf – a story written by award winners Thomas Meehan and Bob Martin –  to the stage with a UK based cast.

This was a big night for The Lowry, a press and a Charity Gala with lots of famous faces, we were greeted on the red carpet by choir singers and inside by a band, Christmas music got us in the mood and we were exclusive holders of Elf wristbands. On entering the auditorium we could see that every seat had a Souvenir Brochure attached, they are fabulous and have some great glossy photographs included. There was a buzz around the audience most of whom were wearing some sort of Christmas attire, it wasn’t compulsory but surely on the lead up to Christmas, Elf deserves a bit of glitter. I would say that social media was alive last night with Elfie Selfies – when the safety curtain went up, the bright colours of the Elf logo could be seen along with many flashing lights from phones.

The performance begins with a voice over, turn to the person on your left and ask ‘do you need a hug’ you know this is not the last time you’ll hear this phrase. Santa (Louis Emerick) is the first character on stage, the stage is brightly lit and the set design is almost pantomime in that it is over sized and welcoming. The backdrop up on stage is computerised screen images, some cartoonesque but all bright and cheery, this allows some fast paced action such as Buddy’s trip to New York and Santa’s troubles in Central Park. Elf starts with humour, Santa is jolly and friendly telling us all how annoying mobile phones and rustling sweetie wrappers can be. Who doesn’t listen to Santa? I’m sure we all dread, regardless of age, being placed on the naughty list.

Elf plays with our minds in a way that makes us question does everything need to be so politically correct? We have Elves played by a cast of dancers all on their knees which is strangely humourous, children laughed and rightly so at simply how silly they looked allowing the adults to follow suit and relax. Santa also brings up the fact Buddy loves his hugs by reminding him in todays society not everyone likes to hug.

Elf is simply wonderful the orchestra conducted by Jeremy Wootton is supurb. From my seat I could see Jeremy at work, a memorable moment was seeing the Narwhale pop up from the Orchestra. The score and lyrics by Mathew Sklar and Chad Beguelin are delivered with perfection. I’m hoping for a CD in my Christmas stocking this year. The cast is full of many well known faces and not just Louis Emerick who many will remember from Brookside. Ben Forster is Elftastic as Buddy after winning fame in 2012 during the TV show Superstar. He is Buddy through and through, his facial features and exaggerated movements are so warm and childlike, you fall in love with him the very first moment he arrives on stage in Santa’s workshop. He reminds us that Christmas is full of wonder and awe. It’s okay to find your inner child, all you have to do is believe. Liz McClarnon brings goosebumps with her solo singing reminding us of her Atomic Kitten days, in her role as Jovie, troubled and seeking love in her life – dare she allow Buddy into her life. Joe McGann as Walter Hobbs is very stately, work obsessed, lost his way within his family. Jessica Martin as Emily Hobbs I have to simply say fantastic hair that is worthy of Hairspray. After debating with my teens over characters, Debs is my favourite, for one scene and one line, when Buddy asks her if she wants a monster hot chocolate she shouts the immortal line ‘screw weight watchers’ I’m now a little bit in love with her and her slightly naughty ways of dancing. For Deb is obviously a little bit of a cougar.

Lochlan White I’m in awe of, at the age of eleven to get up on stage and sing his heart out. Well I’m sure there’s were a few tears of pride shed over a wonderful performance.

Elf is on tour next Christmas, if you haven’t got a ticket yet for The Lowry then take a look at December 2018. There are so many lines I would love to quote, starting with wishing you all a sparklejollytwinklejingley Christmas. Elf should be in everyone’s calendar, it’s wonderful, it’s a modern musical with old school style, there’s humour, singing and dancing. Characters that reach out to us, speak to our heart. Welcome to the new Christmas tradition – Elf the Musical, I don’t think anyone could leave without a good old dose of Christmas Spirit. Lets not forget Santa’s flying sleigh that was just magical along with the accompanying light show. I was left feeling a little disappointed it wasn’t snowing….. but wait it actually snowed inside the theatre. My life was complete. I felt warm and fuzzy and my teens had great big smiles on their faces. Thank You Elf for bringing us Christmas ‘ Think of the joy you’ll bring if you just close your eyes and sing’ . Buddy has taught us all to search out our inner Elf. Merry Elfmass to you all.

THE HILLS ARE ALIVE IN 2018

WITH THE ‘5-STAR’ CRITICALLY-ACCLAIMED PRODUCTION

THE SOUND OF MUSIC

 

THE VOICE FINALIST LUCY O’BYRNE RETURNS AS MARIA JOINED BY EASTENDERS & WEST END STAR

NEIL McDERMOTT AS CAPTAIN VON TRAPP

Bill Kenwright’s ‘Brilliant’ (The Mail) and ‘Stunning’ (The Echo) production of one of the greatest family musicals of all time, The Sound of Music, launches its 2018 tour around the UK on Tuesday 9 January at the Churchill Theatre in Bromley – following a Christmas season at the Bord Gáis Energy Theatre in Dublin from 19 December 2017.

Returning to the iconic role of Maria that has won her rave reviews previously is The Voice finalist Lucy O’Byrne. Joining Lucy as Captain Von Trapp is former EastEnders actor and West End star Neil McDermott. Neil is delighted to join this production of The Sound of Music having previously played the role of Rolf at the London Palladium.

Lucy O’Byrne who returns to the iconic role of Maria, became a household name when she was the runner up of BBC One’s The Voice in 2015. With Will.i.am as her mentor Lucy made history as the first classical signer to reach the final, impressing the nation with her stunning range. She won rave reviews for her performance as Maria Von Trapp in the 2016 UK touring production of The Sound of Music, being hailed as “quite possibly the best Maria since Julie Andrews herself” (The Scotsman) .  Following the tour Lucy won the coveted role of Fantine in Cameron Mackintosh’s world record-breaking musical phenomenon, Les Misérables which she performed in the West End until earlier this year.

 

Neil McDermott takes the role of Captain Von Trapp, famously played by Christopher Plummer in the much-loved film. Neil played the recurring role of Ryan Molloy in EastEnders between 2009 and 2016. Other television appearances include The Royal, Rosemary & Thyme, Doctors and Casualty. As well as his work on the small screen, Neil is a regular on the stage, with starring roles in the West End including Chief Weasel in The Wind in the Willows (London Palladium); and Lord Farquaad in Shrek (Theatre Royal Dury Lane).

It all began with the story of the Trapp Family Singers and Baroness Maria von Trapp’s 1949 autobiography, which inspired Richard Rodgers, Oscar Hammerstein II, Howard Lindsay and Russel Crouse to create a Broadway musical in 1959.

 

The Sound of Music tells the true story of the world-famous singing family, from their romantic beginnings and search for happiness, to their thrilling escape to freedom as their beloved Austria becomes part of the Third Reich at the start of WWII.

The unforgettable score features some of the most memorable songs ever performed on stage, including ‘Edelweiss’, ‘My Favorite Things’, ‘Do-Re-Mi’, ‘Climb Ev’ry Mountain’, ‘So Long, Farewell’ and of course, the title song, ‘The Sound of Music’.

Produced by Bill Kenwright, directed by Martin Connor, choreographed by Olivier Award winner Bill Deamer, musical direction by David Steadman, this critically-acclaimed, wonderfully lavish staging of the classic and heart-warming musical is the perfect way to welcome in 2018.

Bill Kenwright presents a new production of

The Sound of Music

Music by Richard Rodgers, lyrics by Oscar Hammerstein II Book by Howard Lindsay and Russel Crouse

Suggested by ‘The Trapp Family Singers’ by Maria Augusta Trapp.

Presented by special arrangement with R&H Theatricals Europe www.rnh.com

 

 

THE SOUND OF MUSIC 2018 UK TOUR DATES

Tuesday 19 December – Saturday 6 January                                      Box Office: 00353 1 677 7999

Dublin, Bord Gáis Energy Theatre                                                          Website: bordgaisenergytheatre.ie

 

Tuesday 9 – Saturday 13 January                                                           Box Office: 020 3285 6000

Bromley, Churchill Theatre                                                                    Website: churchilltheatre.co.uk

Tuesday 16 – Saturday 20 January                                                         Box Office: 0844 871 3011

Birmingham, New Alexandra Theatre                                                  Website: atgtickets.com/Birmingham

Tuesday 23 – Saturday 27 January                                                         Box Office: 0844 871 7648

Glasgow, Kings Theatre                                                                                              Website: atgtickets.com/Glasgow

 

Tuesday 6 – Saturday 10 February                                                         Box Office: 024 7655 3055

Coventry, Belgrade Theatre                                                                     Website: belgrade.co.uk

 

Tuesday 13 – Saturday 17 February                                                      Box Office: 029 2087 8889

Cardiff, New Theatre                                                                                   Website: newtheatrecardiff.co.uk

 

Tuesday 20 – Saturday 24 February                                                      Box Office: 0844 871 3014

Edinburgh, Playhouse                                                                                 Website: atgtickets.com/Edinburgh

 

Tuesday 27 February – Saturday 3 March                                           Box Office: 01892 530613

Tunbridge Wells, Assembly Hall                                                                              Website: assemblyhalltheatre.co.uk

 

Tuesday 6 – Saturday 10 March                                                                              Box Office: 023 9282 8282

Portsmouth, Kings Theatre                                                                       Website: kingsportsmouth.co.uk

 

Tuesday 13 – Saturday 17 March                                                            Box Office: 0844 871 3019

Manchester, Palace Theatre                                                                    Website: atgtickets.com/manchester

November 21st – December 9th, Drayton Arms Theatre

London musical production Ordinary Days, currently playing its second week at the Drayton Arms Theatre, has had to cancel tonight’s (Tuesday Nov 28th) performance due to performer illness.

Actress Haley Catherine (Secret Cinema, Opera North) is being rehearsed in as emergency cover, and will be performing as Claire when the show resumes tomorrow (Wednesday Nov 29th).

Haley trained at Boston Conservatory (BFA) and Royal Central School of Speech and Drama (MA), and her credits include: Secret Cinema Present: Moulin Rouge! (Môme Fromage; Secret Cinema), Kiss Me Kate (Hattie u/s; Opera North, Welsh National Opera), A Winter’s Tale (Time; Moving Stories at the Minack), A Flea in Her Ear (Raymond Chandebise; Tabard Theatre), Lysistrata; a New Musical (Lysistrata; RCSSD), as well as workshops and rehearsed readings for the Lionel Bart Estate, and the National Theatre.

 “makes the ordinary extraordinary in this tight, exquisite production (…) singing throughout is first class – clear, precise & a joy to the ears” Musical Theatre Review

After receiving rave reviews, being shortlisted as one of only ten musicals for the Musical Theatre Review Best Musical Award and being nominated for Best Musical at the Broadway World Awards at the Edinburgh Fringe 2017, Streetlights, People! Productions’ revival of Ordinary Days returns to London as the winner of the Drayton Arms’ Eddies Kensington Award, intended to identify “the most exciting new companies at this year’s Fringe Festival.” This production began with a sold-out engagement at the Hen and Chickens Theatre last October before transferring to London Theatre Workshop.

 “a delight to see this compelling work performed with such conviction and talent” Broadway World

Ordinary Days is a contemporary musical, set in modern-day New York. It follows the parallel lives of four young city-dwellers struggling to find meaning in the madness: Claire, who can’t let go of her past; Jason, determined to begin their future together; Warren, an artist who’s lost his sense of purpose; and Deb, a student who’s lost her thesis notes. It is a witty, poignant, and ultimately very relatable story about human connection and finding beauty in unexpected places.

 “The cast takes on this show with energy, passion and enthusiasm” West End Wilma

The Ferryman
By Jez Butterworth
Directed by Sam Mendes

• New casting is announced for The Ferryman as Jez Butterworth’s critically acclaimed hit play extends for the third time.

• The new cast will include Rosalie Craig, Owen McDonnell and Justin Edwards. 
• Catherine McCormack will continue in her role as Mary Carney.

• The Ferryman is currently booking to 19 May 2018

Producers Sonia Friedman Productions, Neal Street Productions and Royal Court Theatre Productions today announce new cast members for The Ferryman. Rosalie Craig (As You Like It, The Threepenny Opera, The Light Princess and London Road, National Theatre) will play Caitlin Carney, Owen McDonnell (Single-Handed, RTÉ/ ITV; Paula, BBC) will play Quinn Carney and Justin Edwards (The Thick of It, BBC; The Man Who Invented Christmas; The Death Of Stalin) will play Tom Kettle.

Also joining the company will be Stella McCusker as Aunt Maggie Far Away, Siân Thomas as Aunt Pat, Declan Conlon as Muldoon, Dean Ashton as Frank Magennis, Terence Keeley as Diarmaid Corcoran, Sean Delaney as Michael Carney, Francis Mezza as Shane Corcoran, Kevin Creedon as JJ Carney, Laurie Kynaston as Oisin Carney and Saoirse-Monica Jackson as Shena Carney.

Catherine McCormack will continue in her role as Mary Carney, as will Charles Dale as Father Horrigan, Mark Lambert as Uncle Pat and Glenn Speers as Lawrence Malone.  As previously the full company comprises 37 performers: 17 main adults, 7 covers, 12 children on rota and 1 baby.

The new company will give its first performance on 8 January 2018.

The Ferryman, directed by Sam Mendes, will run at the Gielgud Theatre until 19 May 2018.  The production won widespread critical acclaim when it opened at the Royal Court and was the fastest selling show in the theatre’s history.  This phenomenal success has continued at the Gielgud Theatre where it has been playing to sold-out houses, with early morning queues on Shaftesbury Avenue for the £12 day seats each day.

The play has been nominated for four honours at this year’s Evening Standard Awards including Best New Play, Best Director for Sam Mendes, Best Actress for Laura Donnelly and the Emerging Talent Award for Tom Glynn-Carney.

The Ferryman is directed by Sam Mendes, designed by Rob Howell, lighting by Peter Mumford, sound and original music by Nick Powell, with the new cast directed by Tim Hoare.

 

Listings:

Sonia Friedman Productions, Neal Street Productions 
& Royal Court Theatre Productions 
with Rupert Gavin, Gavin Kalin Productions, Ron Kastner and Tulchin Bartner Productions present
The Ferryman
By Jez Butterworth
Directed by Sam Mendes

Designer Rob Howell
Lighting Designer Peter Mumford
Composer & Sound Designer Nick Powell
New Cast Director Tim Hoare
Casting Director Amy Ball CDG

Gielgud Theatre
Shaftesbury Ave, Soho, London W1D 6AR
Until 19 May 2018
Box Office: 0844 482 5130*
*calls cost up to 7p per minute plus your standard network charge
Online: www.TheFerrymanPlay.com
Monday to Saturday 7.00pm, Wednesday and Saturday matinees 1.30pm. 
There will be no performances on Christmas Day or Boxing Day, no mid-week matinee on Wednesday 10 January, and extra performances added – check online for full details.

Day seats will be available to purchase at £12 for every performance from 10.30am at the Box Office in person
Premium tickets are available

Age Guidance 14+ Contains strong language

Twitter: @TheFerrymanPlay
Facebook: /TheFerrymanPlay
#TheFerryman

MARK GOUCHER, GAVIN KALIN AND BIRMINGHAM REP PRESENT FOLLOWING CHICHESTER FESTIVAL THEATRE

TIMOTHY WATSON JOINS TESSA PEAKE-JONES AND ADEN GILLETT AS NEW CASTING IS ANNOUNCED FOR UK TOUR

Timothy Watson, best known for his role as the villainous Rob Titchener in BBC Radio 4’s long-running dramatic favourite The Archers is today confirmed to join the cast of The Winslow Boy which opens at Chichester Festival Theatre on February 8^th 2018 before touring to the country’s most prestigious drama houses including Birmingham Rep, Bath Theatre Royal, Oxford Playhouse, Cambridge Arts Theatre, Salford Lowry, Cheltenham Everyman Theatre, Brighton Theatre Royal, Belfast Grand Opera House, Richmond Theatre and Canterbury’s Marlowe Theatre.

 

The play will be directed by Olivier Award-nominated Rachel Kavanaugh whose recent credits include A Christmas Carol (Royal Shakespeare Company), Oklahoma! (BBC Proms, Royal Albert Hall), Half a Sixpence (Noel Coward Theatre, Chichester Festival Theatre).

 

Timothy joins previously announced cast leads Tessa Peake-Jones (BBC 1’s Only Fools and Horses, ITV’s Grantchester) as Grace Winslow and Aden Gillett (BBC 1’s The House of Elliot) as Arthur Winslow as sought after barrister Sir Robert Morton who comes to the defence of Navel Cadet Ronnie Winslow (played by Misha Butler who makes his stage debut in this production). Dorothea Myer-Bennett appears as Ronnie’s spirited sister, Catherine and Theo Bamber his brother, Dickie.  Today’s casting announcement is completed by Soo Drouet as the Winslow’s Maid, Violet and Sarah Lambie who appears as reporter Miss Barnes.

Timothy Watson captured the collective hatred of the nation as Rob Titchener in The Archers who, in Radio 4’s controversial slow-burning storyline, revealed himself to be not the charming and capable man he purported to be on his arrival in Ambridge but a manipulative bully who coercively controlled his partner, Helen. The storyline not only permeated the UK’s cultural fabric, but came during a period in which new UK Legislation was introduced protecting people from Controlling or Coercive Behaviour in an Intimate or Family Relationship. The charity Women’s Aid noted during the final year of the two and a half year plot that a 20% increase in calls to the National Domestic Abuse Helpline was observed which was noted, in part, to be a reflection of the ‘Archers’ effect.’

On stage Timothy has appeared regularly in London and the West End (The Beaux’ Stratagem, National Theatre, An Inspector Calls, Garrick, The Woman in Black, Fortune), toured the length and breadth of the country countless times, and acted in over fifty productions in repertory and other theatres. He has made numerous appearances on TV and film, including series regular Mr Perez, Maitre d’ of the Palm Court Restaurant in Mr Selfridge.

Timothy has always been particularly fond of radio drama. He first appeared in The Daughters of Venice, in the early 1990s. Since then he has been heard in many an afternoon play or classic serial. A particular favourite was playing Damon Wildeve in The Return of The Native for Rosemary Watts. Timothy is also a busy voice-over artist. He has narrated nearly a hundred documentaries, has lent his voice to a wide range of advertising and has recorded multiple voices in over thirty video games. He voiced both James Bond and Auric Goldfinger for the Bond ‘Legends’ game, released in 2012.

Having been expelled from the Royal Navy College for stealing a five-shilling postal order, young cadet Ronnie Winslow’s entire family are pulled apart by the repercussions of this charge. Set against the values of 1910 Edwardian London, the Winslow family fight to clear his name or face social ostracism as the case becomes a national scandal. Based on a real-life event, The Winslow Boy is a courageous and often delicately humorous window into the class and political hypocrisy of the time. This highly-charged moral drama will have audiences gripped by the heart-tugging decisions faced by each of The Winslow Family. Where will their sacrifices leave them and what is really at stake?

 

The 1946 play became one of Rattigan’s best known and most loved works. The Winslow Boy has enjoyed several high-profile revivals, both in the West End and on Broadway. It was turned into a feature film in 1948, directed by Anthony Asquith, and again in 1999 by David Mamet. The play won the Ellen Terry Award for Best New Play and, on its US premiere at the Empire Theatre in October 1947, received the New York Critics’ Circle Award for Best Foreign Play.

Mark Goucher once again presents a classic drama straight from seasons at the Chichester Festival Theatre and Birmingham Rep. The Winslow Boy follows acclaimed productions of The Kings Speech and Single Spies (the latter also directed by Rachel Kavanaugh).

2018 TOUR DATES

 

8 – 17 Feb                                                            01243 781 312

Chichester Festival Theatre                         www.cft.org.uk

 

21 Feb – 3 March                                              0121 236 4455

Birmingham Rep Theatre                              www.birmingham-rep.co.uk

5 – 10 March                                                      01225 448 844

Bath Theatre Royal                                          www.theatreroyal.org.uk

12 – 17 March                                                     01865 305305

Oxford Playhouse                                            www.oxfordplayhouse.com

26 – 31 March                                                  01223 503 333

Cambridge Arts Theatre                             www.cambridgeartstheatre.com

9 – 14 April                                                          0843 208 6000

Salford The Lowry                                            www.thelowry.com

16 – 21 April                                                        01242 572573

Cheltenham Everyman Theatre                 www.everymantheatre.org.uk

23 – 28 April                                                        0844 871 7650

Brighton Theatre Royal                                  www.atgtickets.com/venues/theatre-royal-brighton

 

1- 5 May                                                               028 9024 1919

Belfast Grand Opera House                         www.goh.co.uk

Tues 8 – 12 May                                                0844 871 7651

Richmond, Richmond Theatre                    www.atgtickets.com/richmond

14 – 19 May                                                         01227 787 787

Canterbury Marlowe Theatre                     www.marlowetheatre.com