Grand Stand-Up Comedy

GREAT STAND-UP COMEDY AT LEEDS GRAND THEATRE

***Sean Lock** Count Arthur Strong***Joel Dommett***Jon Richardson***

Not content with bringing the West End to West Yorkshire, hosting World Premieres (Fat Friends The Musical, Casanova), welcoming award-winning drama (National Theatre Productions) and being on the map brand new UK tours (Nativity! The Musical) Leeds Grand Theatre is set to welcome some great comedy to its stage this year in the coming months.

8 Out Of 10 Cats team captain Sean Lock returns to the Grand next month with his show Keep It Light.

Sean’s stand-up is a blend of a finely-tuned hyperactive imagination, surreal imagery and insightful observations on the human condition.

Over the last twenty years Sean has toured extensively with shows including: Lockipedia and Purple Van Man and has regularly been on TV; his cult classic BBC2 sitcom 15 Storeys High was critically adored.

Sean Lock is at The Grand Theatre on Sunday 26th and Monday 27th March. Tickets are £27.

 

Count Arthur Strong is a much-loved character created by Steve Delaney, who coincidentally worked at Leeds Grand Theatre as a stage hand back in the 70s.  The Grand look forward to welcoming him back some 40 years on with his show The Sound of Mucus.

Count Arthur Strong is at The Grand on Sunday 9th April. Tickets are £22 – £27.50.

Not a month later and I’m A Celebrity’s runner-up 2016 brings his solo show to Leeds:  Joel Dommett: LIVE

Joel has received great critical acclaim for his Edinburgh Fringe shows from where he went on to appear in numerous television shows including Impractical Jokers (BBC3), Reality Bites (ITV2), Russell Howard’s Good News (BBC), Drunk History (Comedy Central), Popatron (BBC2) and Skins (E4) but it is last year’s I’m A Celebrity Get Me Out Of Here that brought him to the fore for many.

Catch Joel Dommett at The Grand on Sunday April 30th. Tickets are £22.

Hot on Joel’s heels is the other 8 Out Of 10 Cats team captain Jon Richardson with his hotly-anticipated new stand-up tour The Old Man.

An avid supporter of Leeds United, Leeds looks forward to welcoming him back.

Jon Richardson is at The Grand On Sunday 14th May. Tickets are £24.50.

 

All tickets are on sale now and are available online at leedsgrandtheatre.com or by calling Box Office on 0844 848 2700

90s girl power musical returns to the King’s Head this April

Swipe Right Theatre and the King’s Head Theatre present:


2 BECOME 1
April 11th – 29th 2017, King’s Head Theatre

Get your butterfly clips, Union Jack print and body glitter ready – 2 Become 1 is an unrelenting party, a self-contained night out with the girls packed with charm, hilarity and good old-fashioned girl power. Following a sell-out run at two successive Edinburgh Fringe Festivals and a run at the King’s Head in 2016, this year the girls are bringing the party back to London, even bigger and even better, with new songs, new scenes and even more comedy to get under the skin of how we all respond to the perils, pitfalls and that mysterious force that fuels attraction and desire…

**** “you will be laughing, clapping along to your favourite 90s tunes and maybe even having a little dance yourself” Broadway Baby

It’s the late ‘90s – Titanic, Brad and Jen, Mr Big, Bridget Jones and Things Can Only Get Better have captured every young woman’s heart, but Jess has just been dumped by her perfect man. Bored of her moping and weeping into her Haagen-Dazs, Jess’s friends take her out on A Big Night Out with a twist – speed dating. What better way to unbreak her heart than to meet a man a minute? With an infectious soundtrack of female pop icons of the ‘90s, and a dance routine or two along the way, crack open your Bacardi Breezers and don your best platform trainers to follow Jess, Amanda, Molly and Charlie on a wild night of meeting Mr Wrongs and Mr Rights in this comedy pop-musical.

**** “riotous and completely unabashed” Islington Gazette

Inspired by the music they grew up on and the group dynamics of their favourite girl bands, Natasha Granger and Kerrie Thomason invite you to join them from pre-drinks to speed-dates to the takeaway and taxi in this sparkling bubble of 90s nostalgia. With songs from The Spice Girls, All Saints, B*Witched, Cher, Shania Twain, Britney and Christina – and accompanying dance routines, of course – 2 Become 1 not only gets you on your feet and remembering those classic moves… but also exploring the impact of the sexual revolution of girl power and how the way men and women date now has evolved from it.
Kerrie Thomason says: “We really want to poke fun at the perceived glamour and shallowness of ‘90s pop culture, but in a very affectionate way – it was a time when strong bonds between female friends were actively celebrated and this is our tribute to that.”

“The four likeable performers sell the absolute hell out of it” The Scotsman

The King’s Head Theatre is London’s first and foremost pub theatre and is led by Artistic Director, Adam Spreadbury-Maher. New writing, revivals, musicals, opera, cabaret and queer work sit side by side in an unashamedly eclectic programme of work. Thanks to an in-house agreement with Equity, we’re leading the way when it comes to ethical employment on the fringe whilst our resident trainee director’s scheme continues to provide comprehensive, vocational training to the rising stars of tomorrow. With high profile co-productions, national touring and transfers to and from the biggest arts festivals in the world, we’re certainly not slowing down!

Newsies, The Tony® Award-winning Broadway musical will play cinemas on 19 February in the UK, Germany, Australia and New Zealand

  • NEWSIES, THE TONY® AWARD-WINNING BROADWAY MUSICAL WILL PLAY CINEMAS ON 19 FEBRUARY IN THE UK, GERMANY, AUSTRALIA AND NEW ZEALAND
  • PRODUCED BY DISNEY THEATRICAL PRODUCTIONS AND DISTRIBUTED BY ARTS ALLIANCE DISTRIBUTION LTD, NEWSIES WILL BE RELEASED IN THE US ON 16 FEBRUARY AND IN OTHER COUNTRIES ON OR AFTER 22 FEBRUARY
  • BASED ON THE 1992 FILM, NEWSIES BECAME DISNEY’S SINGLE MOST REQUESTED TITLE TO BE ADAPTED FOR THE STAGE

 

Audiences will be able to experience the Tony® Award-winning musical NEWSIES in cinemas for the first time when it makes its cinema debut on Sunday 19 February 2017 in the UK, Germany, Australia, and New Zealand following the US on 16 February and cinemas in certain other countries on or after 22 February. Disney Theatrical Productions is the international distributor alongside Arts Alliance Distribution, Ltd.

Based on the 1992 film and produced by Disney Theatrical Productions, NEWSIES, the Broadway Musical, features a Tony® Award-winning score with music by eight-time Academy Award® winner Alan Menken (The Little Mermaid, Beauty and the Beast, Aladdin) and lyrics by Jack Feldman, Tony Award-winning choreography by Christopher Gattelli, and book by four-time Tony Award winner Harvey Fierstein (Kinky Boots). The fan-following for NEWSIES became a phenomenon over the years since its release on home video, becoming Disney’s single most requested title to be adapted for the stage.

Inspired by the real-life ‘Newsboy Strike of 1899,’ NEWSIES is set in New York City at the turn of the century and tells the tale of newsboy Jack Kelly, a charismatic and rebellious leader of a group of “newsies” who dreams of a life far from the hardship of the streets. When publishing titans Joseph Pulitzer and William Randolph Hearst raise distribution prices at the newsboys’ expense, Jack rallies his army of newsies to strike.

Jeremy Jordan (Supergirl, The Last 5 Years) will be reprising his Tony Award-nominated performance as “Jack Kelly”.  NEWSIES played on Broadway from March 2012 – August 2014 and toured the US from October 2014 – October 2016.

Launch of Live Streaming at City Varieties

CITY VARIETIES MUSIC HALL TO LAUNCH LIVE STREAMING EVENTS

 

City Varieties Music Hall is the oldest running Music Hall in the country; it is in the Guinness Book of records for this and its stage has welcomed so many greats it’s hard to know where to start and end, so here’s just a few: John Bishop, Harry Houdini, Barbara Windsor, Boy George, Fairport Convention, Morcambe and Wise, Les Dawson, Kathryn Ryan, Michael McIntryre, Eartha Kitt, Barry Cryer and a woman who hypnotised alligators.  In short The Varieties is aptly named; and now it’s set to expand its offer with the introduction of Live Streaming.

Live Streaming via satellite enables the Leeds audience to watch live theatre in London, Stratford upon Avon and, indeed, around the world from the comfort of City Varieties Music Hall,” says Nev Jopson, Marketing Manager at City Varieties.

It’s such a natural fit for us as we are already set up to cater for a theatre audience; offering a bar and refreshment service both pre-show and during interval plus our teams are used to creating the perfect ambience for live performance.”

The state of the art cinema-standard equipment not only enables The Varieties to host the Live Streaming events but also Encore Screenings – a recording of the live event – as well as art and museum exhibitions.

It is the perfect venue to enjoy world class live theatre, concerts and other events; cutting-edge technology bringing you world-class entertainment to enjoy in a stunningly beautiful, Grade II* heritage venue – what’s not to like?” Nev concludes.

City Varieties Music Hall welcomes its first Live Streaming event on Thursday 9th March with National Theatre’s Hedda Gabler live from London’s Lyttleton Theatre.

Starring Ruth Wilson (Luther, The Affair) and Rafe Spall (Black Mirror, The Big Short) this new version of Henrik Ibsen’s masterpiece is by Patrick Marber and directed by Ivo van Hove.

Hot on Hedda’s heels is the highly-anticipated Twelfth Night starring Tamsin Greig in the role of Malvolia, a part normally reserved for a male actor (Malvolio).

Twelfth Night is streamed in to City Varieties Music Hall from London’s Olivier Theatre Thursday April 6th.

Additional NT Live titles in the forthcoming season include Rosencrantz & Guildenstern Are Dead, Angels in America (Parts 1 & 2), Peter Pan, Salomé and Yerma.

Tickets for the Live Streaming events at City Varieties Music Hall are on sale priced at £15 and £17

 

Book online at cityvarietiesmusichall.co.uk or call box office on 0113 243 08 08

Taboo-busting festival takes spotlight at The Lowry

Taboo-busting SICK! Festival takes spotlight at The Lowry

Premiering six productions on disability, religion, sexism, drugs, mental health and loneliness – SICK! Festival returns to The Lowry this March.

After a successful visit to the Salford arts venue in 2015, the award-winningSICK! Festival returns to The Lowry with a programme of taboo-busting performance that confronts the physical, mental and social challenges that we face in our individual and collective lives.

Disabled performer Claire Cunningham explores how the major world faiths view disability with Guide Gods (Wed 15 & Fri 17 March), co-commissioned bySICK! Festival. Using dance, humour and interviews with world leaders, Cunningham questions whether disability is the will of a higher power; or are the disabled paying for the mistakes of a past life.

A group of young adults with learning disabilities from Theater Stap present To Belong (Sat 18 March), a dance performance choreographed by Koen De Preter about what it means to be  part of and outside of a group.

Considering the pros and cons of intoxication Ridiculusmus explore MDMA assisted therapy for post-traumatic stress in Give Me Your Love (Fri 10 & Sat 11 March). While Zvizdal (Wed 22 & Thu 23 March) is a film portrait documenting the loneliness experienced by an old couple living in solitude in the wasteland of Chernobyl.

Embracing a multitude of identities Liz Aggiss hilariously interprets femininity and contradictions of women, girls, mothers & pensioners in Slap & Tickle (Thu 9 March). And Bolton born actor/ comedian Sophie Willan takes a look at who she is today through the eyes of the experts that assessed her growing up in care in On Record (Sun 12 March).

Helen Medland, artistic director of SICK! Festival, says: “SICK! Festival explores the most turbulent experiences of living in the world today. The challenges we face are sometimes rooted in bodies and minds that fail us, sometimes in the complexities of living in a troubled society with others facing their own problems. Embracing the identities, histories and social conditions that shape us, SICK! Festival asks how we are coping with the world we live in.”

Since launching in 2013, the festival has presented over 200 events featuring over 300 artists, at 25 locations in Manchester and Brighton attracting audiences totaling over 200,000. In 2015, SICK! Festival won the prestigious EFFE Award for excellence, which recognised 12 outstanding European festivals of the year, from a pool of 760 festivals across 31 countries. 2017 will see the festival grow further across Manchester and Brighton in 26 venues with 82 speakers, 116 artists, 66 performances, 18 public installations, 14 UK premieres, 13 discussion events and 5 co-commissions!

To view the full SICK! Festival programme visit the website.

National Theatre Returns To Leeds

NATIONAL THEATRE’S THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

RETURNS TO LEEDS GRAND THEATRE THIS MONTH

 

National Theatre is set to return to Leeds with its Olivier and Tony Award-winning production of The Curious Incident of the Dog in the Night-Time; it is at Leeds Grand Theatre for one week only from Tuesday 28th February to Saturday 4th March.

Based on the best-selling book by Mark Haddon, the play tells the story of Christopher Boone, who is fifteen years old.  He stands beside Mrs Shears’ dead dog, which has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in a book he is writing to solve the mystery of who murdered Wellington.  He has an extraordinary brain, and is exceptional at maths while ill-equipped to interpret everyday life.  He has never ventured alone beyond the end of his road, he detests being touched and distrusts strangers.  But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.

National Theatre producer Kash Bennett said: ‘We were overwhelmed by the enthusiastic reception from audiences around the UK and Ireland when we toured The Curious Incident of the Dog in the Night-Time in 2014-15, playing to almost 400,000 people, and are delighted to take this beautiful and inventive show to new venues and make a return visit to others in 2017.’

The Curious Incident of the Dog in The Night-Time is at Leeds Grand Theatre from

Tuesday 28th February to Saturday 4th March

Tickets are priced from £20.50 to £37

Book online at leedsgrandtheatre.com or call Box Office on 0844 848 2700

RAY COONEY CELEBRATES 70 YEAR IN THE INDUSTRY AS HE LAUNCHES OUT OF ORDER – A NEW UK TOUR

MASTER OF FARCE RAY COONEY

CELEBRATES 70 YEARS IN SHOWBIZ

IN ANTICIPATION OF HIS NEW PRODUCTION OF

OUT OF ORDER

TOURING THE UK IN 2017

 

Ray Cooney, (‘THE MASTER OF FARCE’ – The Telegraph), is celebrating both his eighty-fifth birthday and seventy years in showbiz in 2017. He is working with producer Tom O’Connell to launch a brand new season of Ray’s comedies; the first production will be an updated version of his Olivier-Award-winning Westminster comedy Out of Order, which opens in Guildford on 8 March and tours the UK until July, with a stellar cast and directed by Cooney himself. Further productions are planned for 2018, with details to be announced.

Ray Cooney’s credits include Run For Your Wife, Funny Money and Two Into One, Caught in the Net and It Runs in the Family. Out of Order was first produced regionally in 1980, under the original title ‘Whose Wife is it Anyway’, with Cooney playing ‘George Pigden’. The show was subsequently produced in the West End in 1990 starring Donald Sinden, Sandra Dickinson and Michael Williams, with Cooney directing.

Cooney’s full official biography can be read here.

When Tory Junior Minister Richard Willey tries to spend the evening with Jane, one of the Opposition’s secretaries, in the Westminster Hotel, things don’t exactly go according to plan – starting with the discovery of a body trapped in the hotel’s only unreliable sash window… Enlisting the help of his hapless private secretary George Pigden, Willey’s sticky situation goes from bad to worse, and with the arrival of Jane’s distraught young husband and with the addition of an unscrupulous waiter, Mrs Willey and Nurse Foster things really come to a head!

Ray Cooney said, “Having directed my Olivier Award-Winning play in London and all over the world, and hearing all that wonderful raucous laughter from audiences, it has become one of my favourite plays. I’ve up-dated it to present day and, fortunately, the basic premise of a philandering politician is as likely today as it was when the play was originally written!”

 

Arthur Bostrom, best known for his iconic role as ‘Officer Crabtree’ in classic sitcom ‘Allo ‘Allo, will join the cast as the ‘Hotel Manager’, alongside Shaun Williamson (EastEnders, Extras) as ‘George Pigden’; Sue Holderness (Only Fools & Horses, Green Green Grass) as ‘Mrs Willey’; Andrew Hall (Butterflies, Coronation Street) as ‘Richard Willey’; Susie Amy (Footballers’ Wives) as ‘Jane Worthington’; James Holmes (Miranda) as the ‘Waiter’; Elizabeth Elvin as ‘Nurse Foster’; Jules Brown as ‘Ronnie Worthington’, and David Warwick as ‘The Body’. Completing the cast are Raphael Bar, Simon Murray, and Kate Sawyer.

David Warwick has been involved in Out or Order since 1990, when he played the ‘Body’ in the tryout at Leatherhead’s Thorndike Theatre (under its initial title of Whose Wife is it Anyway), then in the West End at the Shaftesbury Theatre, and the subsequent national tour. He went on to direct the play in the UK (Bournemouth & Sonning), Vienna, the Far East (Singapore & Kuala Lumpur) and the USA (Miami & New Jersey). He has also played Pigden & the Manager.

Praise for the West End production, which won the Olivier Award for Best Comedy, includes:

Gleefully funny” – Guardian

Made me laugh more than any play I have seen in the West End this year” – Evening Standard

A triumph” – Financial Times

A textbook model of pyramiding lunacy” – Variety

Wildly funny” – Telegraph

An inspired machine designed to cater for one of civilized society’s greatest joys, which is to see someone else in the soup” – Sunday Times

Out of Order is produced by Tom O’Connell, Debbie Hicks and Lawrence Myers, with design by Rebecca Brower, Lighting by Jack Weir, Sound by James Nicholson and casting by Marc Frankum CDG.

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New heist drama to premiere at the Tristan Bates Theatre in April

Sarah Thomas presents:


SUBLIME
April 4th – 8th 2017, Tristan Bates Theatre

The heistess is back in town. One week, three jobs; she’s good, but can she pull it off? Sublime is a provocative new play by Sarah Thomas, directed by Ben SantaMaria.

“What is striking with Sarah is that she is incredibly open and resilient and has both confidence and humility, all qualities that will help the fuel of a writer” Rebecca Lenkiewicz

After a two year estrangement Sophie bursts back into her brother’s life, claiming to need his help in a series of thefts to cover a debt she owes in her new home in Corsica.  Upset at her absence and seeming to have settled down with his girlfriend Clara, Sam is unable to say no to a last bash at an old, exciting life. As they don their costumes and practice their old grifting routines, old emotions quickly resurface and collide, forcing them to question the new lives they have built for each other. Can Sophie lure Sam away from domestic coupledom to rekindle their old crime partnership and save her skin? Balaclavas, wigs, jewels and forbidden passions collide in this tough-talking, fast-swindling dark comedy thriller.

“there is an urgency and desire to her writing that comes across in plays that are intense, original, thought-provoking and ambitious” David Lane

Sarah Thomas is an emerging writer who has written three full-length stage plays all in different stages of development.  She has had a short play produced at Theatre 503 (Gloves) off and has also held rehearsed readings of her other pieces.  She is developing a play about female resistance heroes (High Seas) which she is hoping to bring to a London stage later this year.

Ben SantaMaria is a London-based writer/director.  He recently co-directed After Orlando for Chaskis Theatre at The Vaults, London Waterloo and Gerry’s, Theatre Royal Stratford East.   He also co-directed, devised and wrote Jarman Garden, a full-length multimedia performance about the life, work and Dungeness garden of Derek Jarman (Riverside Studios, 2004).  It was a finalist for the 2003 Oxford Samuel Beckett Theatre Trust Award.He has directed and assisted at various other London venues including Shakespeare’s Globe and the Finborough. His writing has been staged at venues such as Theatre 503, Theatre N16, ARC Stockton and LOST Theatre and he’s currently developing two full-length plays, Hunters and lulla.

“a rollercoaster ride of sensations… a sublime interdisciplinary sensual assault” The Times (on Ben SantaMaria’s Jarman Garden)

Darlington Civic Theatre – Sponge

IMMERSE YOURSELF IN SPONGE

A spongy new adventure awaits Darlington families as a new commission for early years children sees Big Imaginations pushing the boundaries of creative play with SPONGE coming to Central Hall, Dolphin Centre, Darlington on Thursday 23 February.

The Spark Arts, Big Imaginations and Turned On Its Head continue their wonderful obsession with bringing brilliant children’s theatre to the north east with a brand new commission for 2016! This time it’s an adventure with Sponge.

Sponge embraces all things spongy. Alluding to a child’s ability to soak things up ‘like a sponge’, a lovely piece of cake, or simply the springy, squashy, malleable, texture which fascinates us and children alike. Set to an original score fused with 1970s interludes by composers such as Henry Mancini, the performers will reveal and explore small and large scale sponge environments and props for children to squash, roll, pop and squeeze.

Turned On Its Head artistic director Liz Clark said: ”We want to make theatre that places experiences of the child at the heart of it. For me, making this work was a response to the frustrations of taking my own non-hearing son to theatre performances and him not understanding that he couldn’t get on stage or touch the magical world that was being presented. I wanted to create theatre that was close up, personal, invitational and above all, inclusive. Why shouldn’t a child’s first experience of theatre be about being so close to the performer they can touch them?

We also want to co-create our theatre with our audience. What you’ll find when you come to see our work is that the children become immersed in the theatrical experience on their own terms and our performances give space for engaging and respecting each child’s response. The result is beautifully moving theatre which is about each child’s own journey.”

Sponge comes to Central Hall, Dolphin Centre, Darlington on Thursday 23 February with performances at 11am and 2pm.

Tickets £5, Family Ticket £16 (4 people, minimum 1 adult)

To book contact the Box Office on 01325 486 555

LAST CHANCE TO SEE RSC’S ACCLAIMED PRODUCTIONS, LOVE’S LABOUR’S LOST AND MUCH ADO ABOUT NOTHING

Last chance to see RSC’s celebrated pairing of Love’s Labour’s Lost and Much Ado About Nothing at Theatre Royal Haymarket

·         Strictly limited West End season of these hugely acclaimed productions must end on 18th March, 2017

·         Last chance to see Edward Bennett and Lisa Dillon starring in Shakespeare’s classic romantic comedies.

Audiences now have just six weeks left to see the RSC’s critically acclaimed 2014 pairing of Love’s Labour’s Lost and Much Ado About Nothing (or Love’s Labour’s Won), having been charming audiences at Theatre Royal Haymarket. For the past two months, Edward Bennett and Lisa Dillon have starred in these elegant, captivating productions. Following runs at Chichester Festival Theatre and Manchester Opera House, these two noteworthy productions directed by Christopher Luscombe opened at Theatre Royal Haymarket, London in December. With Valentine’s Day around the corner, these sparklingly funny romances enter their final weeks of this limited season, ending on 18th March 2017.

The RSC productions, with dazzling country house designs by Simon Higlett and glorious music by Nigel Hess, are set either side of the First World War. Love’s Labour’s Lost conjures up the carefree elegance of a pre-war Edwardian summer, while in post-war Much Ado About Nothing, the world has changed forever, with the roaring Twenties just around the corner.

Love’s Labour’s Lost

Summer 1914. In order to dedicate themselves to a life of study, the King and his friends take an oath to avoid the company of women for three years. No sooner have they made their idealistic pledge than the Princess of France and her ladies-in-waiting arrive, presenting the men with a severe test of their high-minded resolve.

Shakespeare’s sparkling comedy mischievously suggests that the study of the opposite sex is the highest of all academic endeavours. Only at the end of the play is the merriment curtailed as the lovers agree to submit to a period apart, unaware that the world around them is about to be utterly transformed by the war to end all wars.

Much Ado About Nothing or Love’s Labour’s Won

Winter 1918. A group of soldiers returns from the trenches. The world-weary Benedick and his friend Claudio find themselves reacquainted with Beatrice and Hero. As memories of conflict give way to a life of parties and masked balls, Claudio and Hero fall in love, while Benedick and Beatrice reignite their own, altogether more combative, courtship.

Shakespeare’s comic romance (possibly known in his lifetime as Love’s Labour’s Won) plays out amidst the brittle high spirits of a post-war house party, as youthful passions run riot, lovers are deceived and happiness is threatened – before peace ultimately wins out.

Edward Bennett reprises his roles as Berowne in Love’s Labour’s Lost and Benedick in Much Ado About Nothing. Edward made his name when he took over the title role in Hamlet from David Tennant at the Novello Theatre in 2008. His recent theatre credits include Photograph 51 with Nicole Kidman in the West End, and the National Theatre’s One Man, Two Guvnors on tour.

Lisa Dillon plays Rosaline in Love’s Labour’s Lost and Beatrice in Much Ado About Nothing. Lisa recently starred as Moll in The Roaring Girl and as Katharina in The Taming of the Shrew, both at the RSC, and opposite Stephen Mangan as Lisa in Birthday at the Royal Court. Her other theatre credits include A Flea in Her Ear and Design For Living (Old Vic), The Knot of the Heart(Almeida), Private Lives and Under The Blue Sky (West End). On television, she is best known for her role as Mary Smith in Cranford.

These productions are presented by The Royal Shakespeare Company, Chichester Festival Theatre, TRH Productions, Jonathan Church Productions and Duncan C Weldon.