TACKROOM THEATRE ANNOUNCES WORLD PREMIÈRE OF WHY IS THE SKY BLUE? (OR HOW TO MAKE SLIME)

tackroom theatre present
The world première of
WHY IS THE SKY BLUE?
(Or How to Make Slime)
By Abbey WrightShireen Mula and the company
 
Directed by Abbey Wright; Music by Matt Regan; Design by James Turner
 
26 April to 19 May 2018
 
tackroom theatre today announces the world première production, Why is the Sky Blue? (Or How to Make Slime), devised by the company around a collection of interviews with children from around the UK, it opens in The Little at Southwark Playhouse on 1 May, with previews from 26 April and runs until 19 May.
 
An extraordinary new show exploring love, connection and the impact of pornography on children.
 
Searching, fearless, intimate, and with a frank honesty only the young can bring, Why is the Sky Blue? is drawn from interviews with thousands of children across the UK. The young company perform verbatim songs – from the profound to the very silly – and share the experiences today’s younger generation face in their own words.
 
With a live score the show will be different every night.
 
Everyday in the UK, hundreds of children come into contact with pornography via the internet, with children as young as 5 years being exposed to content whilst browsing. Why is the Sky Blue? is a vital and urgent multi-tiered project that involved meeting over 10,000 children and young people aged between 5 and 22 across the UK to hear their ideas about pornography, love and connection.
 
Working with hundreds of theatres and schools across the UK and with Barnardo’s this is the largest piece of research ever done on this subject. In addition to creating a production tackroom theatre will launch a digital platform to display their research, as well as a nationwide education project for parents, teachers and children in collaboration with Barnardo’s to change the national conversation.
 
The company have also launched a Kickstarter project to help fund the production –https://www.kickstarter.com/projects/1483928292/why-is-the-sky-blue-or-how-to-make-slime?ref=creator_nav, which has already garnered support from Emma Thompson, Gemma Arterton, Sue Perkins, Dawn French, Harriet Walter, Louise Brealey, Lucy Porter, Lindsay Duncan, Hattie Morahan and Pippa Nixon.
 
Emma Thompson said today, “I am so excited about this project. It is brilliantly vitally timely. Who isn’t worried about the effects of such easily accessed porn on this generation of kids? Attaching it to discussions about love and connection is a masterstroke. I urge everyone to get behind it. It will help with so many mental health issues, and could actually save lives. Bravo.”
 
Hattie Morahan commented, “Now, more than ever, does the conversation about porn and it’s effect on a whole generation need to be had. That tackroom theatre are tackling it with such rigour, on such a grand scale, and with the grace and imagination to transform their findings not only into a thrilling piece of theatre, but into a nationwide education project that could make a real difference to people’s lives, is a cause of great celebration! Please get behind it and support all you can.”
 
Louise Brealey added, “We desperately need to engage with the damage that online pornography is doing to our children – to how they feel about their bodies and themselves. We are sowing the wind by letting our young people learn about sex, about intimacy, about love, about consent, from porn.  I know that this project will help every young person it touches.”
 
Abbey Wright is a theatre-maker and director. She is Artistic Director of tackroom theatre. Previously she was Associate Director at Nuffield Southampton Theatres and New Vic Theatre 2016-2017. Her theatre credits include The Cocktail Party (The Print Rooms), The Mentalists (Wyndham’s Theatre), The Father (Trafalgar Studios), Mrs. Lowry and Son (Trafalgar Studios), Dublin Carol (Donmar Trafalgar), Diana of Dobson’sTalent,The MountaintopGhosts (New Vic Theatre) and The Grapes of Wrath (UK tour). Her upcoming work includesThe Outsider in a new version by Ben Okri at the Coronet.
 
Shireen Mula is a theatre-maker and making Why is the Sky Blue? alongside Abbey Wright and the company. She is also a writer and her writing credits include The Rise & Fall (Somerset House), Soon Until Forever(Theatre503), Nameless (Arnolfini) and Same Same (Ovalhouse and international tour) which was also shortlisted for the Royal National Theatre Foundation Playwriting Award. She was previously an Associate Artist at Ovalhouse and is currently an Associate Artist of fanSHEN with whom she created Lists for The End of the World (Summerhall) and Disaster Party (UK tour). She is also on residency with the New Musical Development Collective at Theatre Royal Stratford East.
 
Matt Regan is a musician and theatre-maker. As a Music Director his credits include The Grapes of Wrath(Nuffield Southampton Theatres), Spectretown (Edinburgh Fringe Festival/UK tour). Other credits includeTheology (The Arches) – for which he was nominated Critics Award for Theatre in Scotland – Within the Shadows (The Beacon Arts Centre) and under the alias Little King, Greater Belfast (Edinburgh Fringe Festival/Tron Theatre). Most recently Matt has been selected by National Theatre of Scotland for support through the NTS Starter for 10 programme, and contributed music to a Mark Cousins’ feature documentary.
 
Please note the production is rated: PG.
 
The production’s partner theatres and organisations include: National Theatre, National Theatre of Scotland, National Theatre Wales, Almeida Theatre, Dundee Rep, Royal Lyceum Theatre, Derby Theatre, Sheffield Theatres, Chichester Festival Theatre, Arcola Theatre, Southwark Playhouse, Brit School, Mosaic, Gendered Intelligence, Nuffield Southampton Theatre, Royal & Derngate Northampton, Newcastle Live, Hull Truck Theatre, Belgrade Theatre Coventry, the Duke’s Lancashire and many more across the UK.
 
 
Why is the Sky Blue?       
Listings
Southwark Playhouse
77-85 Newington Causeway, London SE1 6BD
 
26 April – 19 May 2018
 
Box office: 020 7407 0234
@swkplay
 
Monday to Saturday evenings at 7pm
Tuesday and Saturday matinees at 2.30pm

Celebrate Valentine’s day with Love, life and death at Nature Morte

Love, life and death at Nature Morte
Guildhall Art Gallery’s alternative celebration of Valentine’s Day
Guildhall Art Gallery, Guildhall Yard, London EC2V 5AR
Date: Friday 16th February 2018, 7pm – 10pm
Exhibition dates: Thursday 7th September 2017 – Monday 2nd April 2018

As romantic clichés take over, Guildhall Art Gallery is offering an alternative Valentine’s Day experience, inviting you to celebrate something that we all have in common: life and death. Inspired by the core themes in Nature Morte, this Late event promises an enjoyable night of music, art, drawing, and cocktails.

Watch a top-notch Victorian entertainment show, enjoy a variety of activities (including still life drawing, flower pressing or tote bag making) and hear a talk about ‘ethical’ taxidermy with Jazmine Miles-Long. DJ Museum of Vinyl’s life and death-inspired playlist will provide the soundtrack to the evening

Nature Morte, one of the largest exhibitions ever presented by the City of London Corporation at Guildhall Art Gallery, illustrates how leading artists of the 21st century have reinvigorated still life. With over 100 pieces from different disciplines going beyond the two-dimensional, including sculpture, digital, and sound, Nature Morte displays works by artists including Mat Collishaw, Michael Craig-Martin, Gabriel Orozco and Marc Quinn.

Elizabeth Scott, Head of Guildhall Art Gallery & London’s Roman Amphitheatre, said, Nature Morte celebrates the age-old themes of life and death and yet, when you reflect on these themes, love isn’t very far away. Life, death and love go hand in hand, and what better way to explore these themes than an alternative Valentine’s Day Late that celebrates the romantic, morbid and life-affirming?

The exciting events programme is as follows:

Talk on ‘ethical’ taxidermy with Jazmine Miles-Long (7pm and 8.15pm, Basinghall Suite)
Described as an ‘ethical’ taxidermist, Jazmine Miles-Long produces work using only animals that have died from natural causes. This is an exciting opportunity to discover and understand the techniques used to create her work. The audience will be able to handle objects and tools that show the process of taxidermy in different stages, while Jazmine also reveals some of the romantic stories in taxidermy historically. [please note: no dead animals will be used during the
talk.]

Memento Mori Still Life: Death Drawing workshop with Art Macabre (7 – 10pm, Undercroft)
Join London’s purveyors of death-positive creativity, Art Macabre, to create your own unique memento mori collage. Be inspired by a contemporary twist on a traditional still life set up in the space, with objects from fruit and bones to symbols of modern life. Cut and paste a DIY design that will remind you of your own mortality. A reflective, creative activity to help you explore and draw inspiration upon looking death in the face.

Don’t go into the Cellar present ‘Tea with Oscar Wilde (split into three acts, taking place at intervals throughout the evening, Amphitheatre)
A chat show with a difference brought to you by Don’t Go Into The Cellar! Theatre Company – the British Empire’s finest practitioners of top-notch Victorian entertainment. Join Oscar Wilde as he interviews a leading celebrity of the Victorian era, recounts a story or two and invites his audience to get ‘Caught in the Act’! Jonathan Goodwin plays the famed Victorian wit, in a show packed with comedy, music and audience participation.

15-minute tours of Nature Morte with Curators (Michael Petry, Roberto Eckholm (Museum of
Contemporary Art)) (7.30pm, 8.30pm, 9.30pm)
Join the curators of Nature Morte for a brief introduction to the exhibition, as they will highlight particular works and discuss what inspired them to create the show. This major exhibition is one of the largest shows ever presented at Guildhall Art Gallery – with works displayed by artists including Mat Collishaw, Michael Craig-Martin, Gabriel Orozco and Marc Quinn.

DJ Museum of Vinyl (7-10pm, Victorian Gallery)
Museum of Vinyl will be spinning an eclectic mix of sounds inspired by, and exploring the themes of, life and death.

Flower pressing ‘make and take’ activity (7-10pm, Victorian Gallery)
Flora has traditionally held a special place in the still life tradition. Explore the relationship between this symbolic motif and the passing of time, whilst pressing flowers and using your artistic skills to create your own keepsake to take away.

Tote bag decorating ‘make and take’ activity (7-10pm, Victorian Gallery)
Using stamps and stencils displaying the common themes of still life – flora, fauna, food, domestic objects and vanitas – you can decorate a tote bag and express your own thoughts on life, death and the transience of time to make your own still life creation in the form of a tote bag!

Nature Morte has been assembled by MOCA London.

The City of London Corporation, which owns and manages Guildhall Art Gallery, invests over £100m every year in heritage and cultural activities of all kinds. It is the UK’s largest funder of cultural activities after the government, the BBC, and Heritage Lottery Fund. It is also developing Culture Mile between Farringdon and Moorgate – a multi-million-pound investment which will create a new cultural and creative destination for London over the next ten to fifteen years. This includes £110m funding to support the Museum of London’s move to West Smithfield and £2.5m to support the detailed business case for the proposed Centre for Music.

FULL CAST AND CREATIVE TEAM ANNOUNCED FOR STING’S DEBUT MUSICAL

THE LAST SHIP
FULL CAST AND CREATIVE TEAM ANNOUNCED FOR STING’S DEBUT MUSICAL
Opens 12 March 2018 at Northern Stage, ahead of UK & Ireland Tour

The full cast and creative team has been announced for the UK premiere of The Last Ship – the acclaimed musical by internationally renowned musician Sting – which is to premiere in the UK when it opens at Northern Stage in Newcastle on 12 March 2018.

Rehearsals for the production, which has a TONY-nominated original score and lyrics composed by Sting, began this week. It will play from 12 March – 7 April in Newcastle before embarking on a major UK & Ireland Tour.

The Last Ship, which was initially inspired by Sting’s 1991 album The Soul Cages and his own childhood experiences, tells the story of a community amid the demise of the shipbuilding industry in Tyne and Wear.

Writer and director Lorne Campbell said, “We have brought together a remarkable cast and team of creatives from across the UK with a core of incredible performers from the North East, many of whom are only a generation away from the shipyard workers of the Tyne and the Wear. This personal connection to the project brings an enormous passion and resonance to the company.”

The casting of Joe McGann (Jackie White), Charlie Hardwick (Peggy White), Richard Fleeshman (Gideon Fletcher) and Frances McNamee (Meg Dawson) was announced last month.

Completing the cast are Michael Blair (Yard Worker), Joe Caffrey (Billy Thompson), Matt Corner, (Young Gideon & Yard Worker), Marvin Ford (Ferryman & Yard Worker), Orla Gormley (Cathleen & Yard Worker), Annie Grace (Mrs Dees), Sean Kearns (Freddy Newland & Old Joe), Katie Moore (Ellen Dawson), Charlie Richmond (Adrian Sanderson), Parisa Shahmir (Young Meg), Kevin Wathen (Davey Harrison) and Penelope Woodman (Baroness Tynedale).

This personal, political and passionate new musical from multiple Grammy Award-winner Sting, is an epic account of a family, a community and a great act of defiance. The Last Ship features an original score with music and lyrics by Sting as well as a few of his best-loved songs; Island of Souls, All This Time and When We Dance. It is the proud story of when the last ship sails.

Joe McGann, perhaps best known for his lead role as Charlie Burrows in the TV comedy series The Upper Hand, has had a wide career spanning theatre, television and film. Theatre credits include Elf (Plymouth Theatre Royal/ Bord Gais Energy Theatre, Dublin, Dominion Theatre, West End, and Lowry, Salford); The Rise and Fall of Little Voice (UK Tour); Calendar Girls (three UK tours), Oliver! (London Palladium), Tevye in Fiddler on the Roof (UK Tour, 2008), Nathan Detroit in Guys and Dolls (2006 ATG UK Tour).

Charlie Hardwick played Val Pollard from 2004 to 2015 and again in 2017 in the ITV soap opera Emmerdale. For this role, she won the 2006 British Soap Award for Best Comedy Performance. Stage credits include Hyem (Theatre 503/Northern Stage) and Double Lives (Live Theatre).

Richard Fleeshman is a familiar face on our stage and screens having been acting since the age of 12 when he played the role of Craig Harris in Coronation Street for four years. A talented singer-songwriter, Richard’s stage roles include Sam Wheat in Ghost the Musical, a part he originated and played in the West End on Broadway, Sky Masterson in Guys and Dolls (UK Tour) and Bobby Strong in Urinetown (original West End production).

Frances McNamee is currently appearing alongside Kelsey Grammer in Big Fish (The Other Palace). Other stage credits include The Mother (Tricycle), Love’s Labour’s Lost, Love’s Labour’s Won (RSC), Punishment Without Revenge (Arcola/Theatre Royal Bath/Belgrade Coventry), Pride and Prejudice (Regent’s Park), A Midsummer Night’s Dream (Royal and Derngate), The Borrowers (Northern Stage), Epsom Downs (Salisbury Playhouse), The Phoenix of Madrid, The Surprise of Love (Theatre Royal Bath) and Les Misérables 20th Anniversary Gala Performance (West End). Her film credits include Love in Fifteen Minutes.

The show is directed by Lorne Campbell, the artistic director of Northern Stage and has set design by the Tony Award-winning 59 Productions – the team behind the video design for the 2012 London Olympic Games.

The Last Ship has orchestrations by Rob Mathes musical direction by Richard John, costume design by Molly Einchcomb, movement direction by Lucy Hind, lighting design by Matt Daw and sound design by Seb Frost. Other members of the creative team are dramaturg Selma Dimitrijevic, associate director Jake Smith, casting director Jenkins McShane Casting and associate musical director Sam Sommerfield.

Lorne Campbell said, “It has been in incredible journey to work with Sting and the rest of the team on shaping a show that hopes to connect to the political musical theatre legacies of Joan Littlewood and John McGrath in telling the story of epic societal change through the lens of those working communities
who are always the first to feel its effects.

It is with great excitement we start rehearsals this week. Working from Sting’s remarkable score and lyrics, we have spent the last year building a show that not only tellsthe story of the resilience defiance of communities during the end of an era in British industrial history but also about the legacies of deindustrialisation
and the weakening of worker’srightsin the United Kingdom that we are living through today.”

North P&I Club will sponsor The Last Ship at Northern Stage. Paul Jennings, Joint Managing Director at North P&I Club said, “Northern Stage is one of the main cultural centres in Newcastle and their production of Sting’s The Last Ship has a strong historical resonance for North. As a leading mutual marine insurance group, North has provided commercial shipping insurance since we were founded in Newcastle in 1860. We’ve also been very impressed by the way Northern Stage outreach programmes engage with local communities and young people across the region and we hope this sponsorship will be the catalyst for more local businesses to support Northern Stage.”

The Last Ship is produced by Northern Stage in association with Karl Sydow and Kathryn Schenker. The show is at Northern Stage from 12 March to 7 April. For more information or to book tickets visit www.northernstage.co.uk

https://thelastshipmusical.co.uk/

www.twitter.com/LastShipOnStage

https://www.facebook.com/LastShipOnStage/

#TheLastShip

2018 TOUR DATES
Monday 12 March – Saturday 7 April
NORTHERN STAGE
northernstage.co.uk | 0191 230 5151

Monday 9 – Saturday 14 April
LIVERPOOL PLAYHOUSE
everymanplayhouse.com | 0151 709 4776

Monday 16 – Saturday 21 April
THE NEW ALEXANDRA, BIRMINGHAM
atgtickets.com/Birmingham | 0844 871 7647

Tuesday 24 – Saturday 28 April
ROYAL & DERNGATE, NORTHAMPTON
royalandderngate.co.uk | 01604 624 811

Monday 30 April – Saturday 5 May
LEEDS GRAND THEATRE
leedsgrandtheatre.com | 0844 848 2700

Monday 7 – Saturday 12 May
NOTTINGHAM PLAYHOUSE
nottinghamplayhouse.co.uk | 0115 941 9419

Monday 14 – Saturday 19 May
WALES MILLENIUM CENTRE, CARDIFF
wmc.org.uk | 029 2063 6464

Monday 4 – Saturday 9 June
BORD GAIS ENERGY THEATRE, DUBLIN
bordgaisenergytheatre.ie | +353 1 677 7999

Tuesday 12 – Saturday 16 June
FESTIVAL THEATRE, EDINBURGH
edtheatres.com | 0131 529 6000

Monday 18 – Saturday 23 June
THEATRE ROYAL GLASGOW
atgtickets.com/Glasgow | 0844 871 7647

Monday 25 – Saturday 30 June
YORK THEATRE ROYAL
yorktheatreroyal.co.uk | 01904 623 568

Tuesday 3 – Saturday 7 July
THE LOWRY, SALFORD
thelowry.com | 0843 208 6000

The Importance of Being Earnest Review

Yvonne Arnaud Theatre, Guildford – until 3 February 2018.  Reviewed by Heather Chalkley.

3***

The Importance of Being Earnest by the master of comedy Oscar Wilde, starts its new UK tour in Guildford in this classic revival from The Original Theatre Company.

Jack wishes to marry Algernon’s cousin the beautiful Gwendolen but first he must convince her mother, the fearsome Lady Bracknell, of the respectability of his parents and his past. For Jack, however, this is not as easy as it sounds, having started life abandoned in a handbag at Victoria station

The opening and two subsequent sets and props worked to good advantage. The scenery was grand without being distracting.

The costumes, by Gabriella Slade, reflected the period and characters well. Although, Cecily played by Louise Coulthard, had a slight problem with her dress catching on the garden chair more than once. I also found myself distracted by the large bustle worn by Gwen Taylor’s character Lady Bracknell, as it came very close to the tray of filled glasses on the low table.

All the actors maintained their characters throughout, if a little dully at times. They did have their moments. Lady Bracknell came alive when expressing her disgust at the thought of John Worthing marrying her daughter, which Gwen Taylor conveyed with a deep gravelly voice. The swing seat scene with Susan Penhaligon’s Miss Prism and Geoff Aymer’s Rev Canon Chasuble left no illusions as to their irreverent feelings for one another! Algernon, played by Thomas Howe, hiding from his Aunt behind Cecily in the final scene was a favourite moment. Simon Shackleton playing both Butlers and Hannah Louise Howell as the Maid stole the final laugh with her hug and his shocked look, then the book dropping to the floor. The Butler and Maids timing throughout was a hoot, providing unexpected background humour.

Peter Sandys-Clarke as Jack retained his ramrod straight back and Thomas Howe as Algernon his boyish mischievousness. Kerry Ellis is making her debut in her first non singing role and her portrayal of Gwendolyn was a believable character, whilst Louise Coulthard’s Cecily was a quirky caricature that really brought the play to life.

Key points in the plot felt like people being thrown into a room, rather than clever direction. There was a reaction but not the expected fireworks. The director Alastair Whatley’s timing of these events made the entrances clumsy. As a result the build up to the revelation of who Ernest and Ernest really were was greater than the reveal itself.

The satirical commentary on Victorian society throughout the script has necessarily lost some of its bite over the last century or so. Even so, “Earnest” is packed with so many wonderfully witty lines and farcical complications that it remains a delight no matter how many times one might have seen it or how recently.  It’s a charmingly roguish play that enchants anew at every encounter and at this first show last night, The Importance of Being Earnest did finally show through giving us the happy ending Oscar Wilde intended.

Julius Caesar Review

Bridge Theatre – until 15 April.  Reviewed by Claire Roderick

5*****

Wow. Just… Wow.

Nicholas Hytners’ production of Julius Caesar is a phenomenal.

Although modern dress, Brexit and Trump are not shoehorned in (although you can buy snazzy red baseball hats with Caesar emblazoned on them), and the seemingly eternal failing of the liberal elite to understand the masses and the rise of populist rulers is portrayed brilliantly by Ben Wishaw as Brutus and Michelle Fairley as Cassius.

With the stall seating removed to allow promenading ticketholders to get up close and personal with the cast and be part of the play, an ingenious staging design was needed to prevent this being merely a crowd milling around a few stage blocks. Bunny Christie’s inspired use of multiple platforms that sink into the floor gives the production a vibrant energy, especially with the cast and tech staff urgently ushering the audience backwards and forwards as actors enter and platforms reconfigure. As the audience arrive, a street band plays Seven Nation Army, Eye of the Tiger and finally whips up the crowd with We’re Not Gonna Take It, creating a true rock concert atmosphere around the stage. The proximity and interaction really suck the audience in, with the triumphant passing overhead of Caesar’s giant red banner soon dissolving into a real sense of unease after his murder. And all those interminable battle scenes in the second half of the play are taut and visceral under Hytner’s direction.

The cast are outstanding, with Wishaw magnetic as Brutus. Peering over his glasses as he pores over his books (one a biography of Stalin) he is the quintessential academic, tics and all, but after coming to the logical decision to kill Caesar, his arrogance in his reasoning becomes fierce, but gently comical, with Wishaw’s timing fantastic, and Fairley’s exasperated reactions priceless. Fairley keeps Cassius strong and righteous, with just enough petty jealously seeping through to make her the least sympathetic conspirator. In the latter part of the play, as Cassius begins to despair, Fairley truly shines, with Cassius’s death resonating far more deeply than previous productions I’ve seen. David Morrissey plays Mark Anthony as an opportunist chancer prior to Caesar’s death, and reveals his political skill after the murder with steely glances and a barnstorming “Friends, Romans, Countrymen…” David Calder’s Caesar is the perfect politician, switching from bumbling old man to viciously smiling bully in a heartbeat.

This Julius Caesar is a sublime and unforgettable theatrical experience that shouldn’t be missed.

THE MUSICAL BOX PRESENTS A GENESIS EXTRAVAGANZA IN OCTOBER 2018

PRESENTS

A GENESIS EXTRAVAGANZA

A MUSICAL FEAST OF FAVOURITES AND RARITIES 1970-1977

UK TOUR OCTOBER 2018

The internationally acclaimed French Canadian band The Musical Box, famed for their historically faithful re-enactments of Genesis are coming to the UK in October 2018 with a brand new show, which for the first time in the band’s 25 year history enters the world and music of early Genesis. The 10 date tour begins on 2 October 2018 in Southend and takes in Leicester, Basingstoke, Birmingham, Edinburgh, Liverpool, Manchester, London, Brighton and Bath.

As the only band ever licensed and supported by Genesis and Peter GabrielThe Musical Box’s latest show features some iconic tracks from the albums TrespassNursery CrymeFoxtrotSelling England by the PoundThe Lamb Lies Down on BroadwayA Trick of the Tail and Wind and Wuthering plus a few surprises. Including live visual stunts, theatrical tricks and a vast array of vintage musical instruments, this show is an intense trip back in time into the world of early Genesis.

The band has performed for more than a million spectators globally in some of the world’s most prestigious venues including the Royal Albert Hall and the Paris Olympia and has hosted both Phil Collins and Steve Hackett as guest performers.

The Musical Box is the only band ever to be licensed and supported by Genesis and Peter Gabriel whose testimonies to the band’s authenticity can be seen below:

“The Musical Box recreated, very accurately I must say, what Genesis was doing.  I saw them in Bristol with my children so they could see what their father did back then” – Peter Gabriel

“They’re not a tribute band, they have taken a period and are faithfully reproducing it in the same way that someone would do a theatrical production” – Phil Collins

“I cannot imagine that you could have a better tribute for any act.  They not only manage to sound, but look virtually identical.  It seems as though nothing is too difficult for them” – Steve Hackett

“It was better than the real thing actually.  It was great, that was fantastic.” – Mike Rutherford

 

“The guy who does Peter Gabriel is brilliant” – Tony Banks

Don’t miss this rare opportunity to go back to the 70’s and re-live some of Genesis’s iconic musical performances this Autumn.

 

UK Tour Dates 2018

Tuesday 2 October                                                          Box Office: 01702 351135

Cliffs Pavilion, Southend                                               Website: www.southendtheatres.org.uk

Wednesday 3 October                                                   Box Office: 0116 233 3111

De Montfort Hall, Leicester                                          Website: www.demontforthall.co.uk

Friday 5 October                                                              Box Office: 01256 844244

The Anvil, Basingstoke                                                   Website: www.anvilarts.org.uk

Saturday 6 October                                                         Box Office: 0121 780 3333

Symphony Hall, Birmingham                                        Website: www.thsh.co.uk

Sunday 7 October                                                            Box Office: 0131 228 1155

Usher Hall, Edinburgh                                                    Website: www.usherhall.co.uk

Monday 8 October                                                          Box Office: 0151 709 3789

Liverpool Philharmonic Hall                                          Website: www.liverpoolphil.com

Tuesday 9 October                                                          Box Office: 08444 777 677

Manchester Apollo                                                          Website: www.academymusicgroup.com/o2apollomanchester

Thursday 11 October                                                      Box Office: 0844 249 1000

Eventim Apollo, London                                                Website: www.eventimapollo.com

Friday 12 October                                                            Box Office: 0844 871 7650

Theatre Royal, Brighton                                                 Website: www.atgtickets.com/brighton

Saturday 13 October                                                      Box Office: 0844 888 9991

Bath Forum                                                                        Website: www.bathforum.co.uk

Female consent and robotics are tackled in timely new piece at Leicester Square Theatre in February 2018

Version 2.0

February 20th – March 3rd, Leicester Square Theatre

In new play Version 2.0, issues of female consent and robotics are thrown together in this timely new piece challenging the superficiality of modern society, opening at the Leicester Square Theatre in February 2018, directed by Kevin Michael Reed.

“a moving display of superb acting” A Younger Theatre on Kevin Michael Reed’s Shadows

Kash, a playwright, is obsessively in love with his childhood friend Karen. Kash silently expresses his love for Karen by writing plays for her and she returns his admiration by acting in them. Their enduring friendship falls apart when Karen rejects Kash, infuriating him to such an extent that he refuses to see her again. After the rejection, he isolates himself from everyone and gradually falls into a depression.

A robotic society offers Kash an opportunity to live with a humanoid companion, and in return that society wants him to introduce their robots to the world via the means of theatre. Kash accepts the invitation and creates a robot that looks exactly like Karen. He prepares a new show with the humanoid look-alike of Karen and presents her in front of a live audience.

Exploring the effect of social media culture on real human relationships, and asking whether a robot replace a true human and face to face relationships. Version 2.0 comments on and highlights the effects of social media on the nature of relationships.

Director Kevin Michael Reed says “We seem to think we know people just by being “friends” with them on Facebook, but those idealized worlds presented are not truth. When placed in the wrong hands, those worlds are dangerous.”

Reed is an award-winning, internationally published fashion photographer, producer and director from New York City, currently living in London. He is the founder and president of Squire Lane Endeavors and its subsidiaries Squire Lane Films and Squire Lane Theatrical. He produced the critically acclaimed productions of Reese Thompson’s WHORE: A Kid’s Play and Joy Donze: 13 & Not Pregnant at the 2017 Edinburgh Festival Fringe, and Shadows in London in 2017.

Opening next week: Ian Bonar’s Be Prepared at VAULT Festival | 7 Feb 9.30pm

Be Prepared
VAULT Festival, The Vaults, Leake Street, London SE1 7NN
Wednesday 7th – Sunday 11th February 2018

People would move seats on the bus. But I can’t get on the bus cos I’m waiting
for this old man to call

Following its premiere at Edinburgh Fringe 2016, Ian Bonar and Rob Watt collaborate once again to bring Be Prepared to VAULT Festival for a limited run. This is a heart-breaking and moving yet hilarious play about one man struggling to remember while another finds himself unable to forget.

Tom’s a mess. Mr Chambers keeps phoning him asking for a funeral director. Tom is not a funeral director. Getting one digit wrong can change a person’s life forever. Conversations become confused and memories intertwine and unravel. Be Prepared tells the story of two strangers who unwittingly help each other to remember and connect to the people they loved

Inspired by Ian Bonar’s own experiences of his father’s death and subsequently finding his grandad’s cherished memoires, Bonar uses his grandad’s words, some verbatim and some embellished to explore memory, grief and how we remember things. Be Prepared is a darkly comic one-man show that captures the millions of tiny emotions and confusions that ambush you when you lose someone

Writer and performer Ian Bonar comments, Death is funny, right? When I found my Grandad’s journal it was fascinating and heart-breaking to see his memories literally disintegrate on the page as his mind began to fail him, and it made me think about my Dad, about what I wanted to forget about his death and the things I desperately wanted to remember about his life. Why could remember every detail of the hilariously awful experience of going to the local Funeral Director (with whom my family nearly shared a phone number) but struggled to conjure up the sound of his voice? And as Rob and I made the show we learned that grief is both the most specific, individual, private experience – and the most beautifully universal thing that we should all maybe share a bit more…

This is a powerful collaboration between Bonar, one of nine writers in the Orange Tree Writers Collective 2016 and previous alumnus of a Royal Court invitational writers group, and Rob Watt, who is an Associate at Headlong Theatre, lead artist at Lyric Hammersmith, and artist mentor at the Barbican. They will be joined by sound designer and successful musician Alex Crispin and critically acclaimed lighting designer Charlie Morgan Jones

Be Prepared was developed at The RSC Other Place and had a first full run at the RSC Fringe Festival. It was then selected to be part of Underbelly Untapped at the Edinburgh Festival Fringe.

THE PRESIDENT IS COMING TO LONDON AS WE ASK DOES THE ‘BEST MAN’ ALWAYS WIN THE WHITE HOUSE?

THE PRESIDENT IS COMING TO LONDON…

 

AS WE ASK DOES THE ‘BEST MAN’ ALWAYS WIN THE WHITE HOUSE?

 

MARTIN SHAW

JEFF FAHEY, MAUREEN LIPMAN, JACK SHEPHERD

HONEYSUCKLE WEEKS AND GLYNIS BARBER

in

THE BEST MAN

 

THE WEST END PREMIERE OF GORE VIDAL’S AWARD-WINNING

POLITICAL DRAMA

                                                                                                                                

Bill Kenwright presents Martin Shaw in the West End premiere of Gore Vidal’s sharp political drama The Best Man, at The Playhouse Theatre from Saturday 24 February.

 

Written and produced on Broadway nearly 60 years ago, long before the battles of Trump vs Clinton and May vs Corbyn, The Best Man never achieved a West End transfer at the time because it was thought that American politics were of no real interest to London audiences.

 

Martin Shaw is William Russell, esteemed ex-Secretary of State and US presidential candidate, with something of a philandering reputation. Jeff Fahey is Joseph Cantwell, an ambitious populist newcomer, opposing Russell for the party nomination.

 

Running neck and neck, the only thing that might separate the candidates are endorsements from a respected Ex-President (Jack Shepherd) and party big-wig (Maureen Lipman). As the race heats up the campaign gets personal, involving Russell’s estranged wife Alice (Glynis Barber) and Cantwell’s wife Mabel (Honeysuckle Weeks). But where does compromise end and corruption begin? How far will they each go to become the most powerful man in the world? And who in the end will be proven to be “the best man”?

 

The play mirrors the often surprising results of campaigning, and the all-too-often unscrupulous world of politics.

 

Leading the cast is Martin Shaw. Best known to TV audiences for the title-roles in Judge John Deed, Inspector George Gently and The Professionals, Shaw’s leading-man West End stage roles have included Twelve Angry Men, A Man For All Seasons and The Country Girl directed by Rufus Norris.

 

Jeff Fahey has starred in many indie movie classics, including the title role in cult sci-fi hit TheLawnmower Man opposite Pierce Brosnan and in Quentin Tarantino’s Grindhouse. He has rarely been off our TV screens, starring in US series The Marshal and more recently in Lost. He returns to the West End stage following his acclaimed performance in Twelve Angry Men alongside Martin Shaw.

 

One of Britain’s finest and best loved film, TV and theatre actresses Maureen Lipman (CBE), is known on the big screen for roles such as Trish in Educating Rita and in the Oscar winning film The Pianist as well as for her wide ranging TV appearances – from the landlady of The Rover’s Return inCoronation Street, to the Princess of France in Love’s Labours Lost.  A prolific stage actress, Lipman is an Olivier Award winner (See How They Run) and has appeared in some 20 West End productions.

 

Star of TV’s Wycliffe and Bill BrandJack Shepherd’s extensive stage career includes his award-winning performance in Glengarry Glen Ross and The Iceman Cometh at the National Theatre. Glynis Barber is known for Dempsey and Makepeace and popular roles in Night and Day and EastEnders.Her stage credits include, the original London Cast of Beautiful: The Carole King Story at the Aldwych Theatre, and The Graduate. And Honeysuckle Weeks is best known for starring alongside Michael Kitchen as Samantha Stewart in hit TV drama Foyle’s War. Her theatre credits include The Shining Lives at the Park Theatre, Pygmalion and Love’s Labour’s Lost at Chichester Festival Theatre and A Daughter’s A Daughter in the West End.

 

Born into a distinguished political family, Gore Vidal was a prolific writer known for the waspish wit, which peppered his essays, novels, screenplays and Broadway plays. Among his most famous works are Myra Breckinridge and LincolnThe Best Man premiered on Broadway in 1960 and was nominated for six Tony Awards, including ‘Best Play’. Vidal adapted it into a film with the same title in 1964 starring Henry Fonda, Cliff Robertson and Lee Tracy, who was nominated for an Oscar for his portrayal of the crafty ex-President. The play received a major revival on Broadway in 2012 starring James Earl Jones and Angela Lansbury, and earned two Tony award nominations including ‘Best Revival of a Play’.

 

Director Simon Evans‘ credits include The Resistible Rise of Arturo UiSilence of the Seas (Donmar Warehouse), The DazzleBugFool for Love (Found111), Almost Maine (Park Theatre), Hannah(Unicorn), Speed Twins (Riverside Studio), Laura MarlingShawshank Redemption and Ghostbusters(Secret Cinema), Rubber Room (The Old Vic) and Madness in Valencia (Trafalgar Studios). Simon was Resident Assistant Director at the Donmar Warehouse, Staff Director at the National and Creative Associate at the Bush.

 

Further casting to be announced.

 

The Best Man is produced by Bill Kenwright and directed by Simon Evans, with set and costume design by Michael Taylor, lighting design by Chris Davey and composition and sound design by Ed Lewis.

LISTINGS

 

BILL KENWRIGHT PRESENTS

THE BEST MAN

www.Kenwright.com

 

Written By Gore Vidal

Directed By Simon Evans

Playhouse Theatre

24 February – 12 May 2018

 

Performances:                       

Monday – Saturday evening: 7.45pm

Thursday and Saturday matinee: 3pm  

 

Ticket Prices: From £15

 

Address: The Playhouse Theatre, Northumberland Ave, London, WC2N 5DE

 

Box Office: 0844 871 7631

 

ATG Tickets: www.atgtickets.com

 

Facebook: BKLProductions

 

Twitter: @BKL_Productions

ELIZABETH BERRINGTON AND TANYA MOODIE TO STAR IN UK PREMIÈRE OF JOEL DRAKE JOHNSON’S RASHEEDA SPEAKING

ELIZABETH BERRINGTON AND TANYA MOODIE TO STAR IN UK PREMIÈRE OF JOEL DRAKE JOHNSON’S RASHEEDA SPEAKING
 
Troupe presents
The UK première of
RASHEEDA SPEAKING
By Joel Drake Johnson
 
18 April – 12 May 2018
 
Trafalgar Studios 2
 
Directed by Jonathan O’Boyle; Designed by Anna Reid; Lighting Design by Peter Harrison
Sound Design and Original Composition by Max Perryment
 
Troupe today announces Elizabeth Berrington and Tanya Moodie are to star in the UK première ofJoel Drake Johnson’s tense workplace drama Rasheeda SpeakingDirected by Jonathan O’Boyle the production opens at Trafalgar Studios 2 on 20 April, with previews from 18 April, and runs until 12 May.
In one of Chicago’s wealthiest hospitals, a white doctor tries to remove a black receptionist by enlisting her colleague as a spy. The women’s friendship quickly deteriorates, and a chilling power struggle ensues. With the office becoming a battleground of passive aggression and paranoia, things spin wildly out of control.
Joel Drake Johnson’s incendiary timely new play examines underlying racism in the workplace, white guilt and the manipulation of women by men in power. Rasheeda Speaking is a shocking dark comedy that keeps the audience in its claustrophobic grip until the final moment, proving that nothing in Middle America is ever truly black or white.
Rasheeda Speaking was originally produced by Chicago’s Rivendell Theatre, was nominated for Best Play by the Jefferson Committee, and then opened in New York City at The Signature Theatre as part of The New Group’s 2014-15 season. Under the direction of Tony and Emmy Award Winner, Cynthia Nixon, it featured two-time Oscar Winner, Dianne Wiest and Tony Award Winner, Tonya Pinkins. Rasheeda Speaking was subsequently nominated for Best New Off Broadway Play by the Outer Critics Circle and filmed by WNET New York/East Coast. This production marks the plays UK première.
Joel Drake Johnson is an award-winning, internationally produced playwright who began his career at Chicago’s critically acclaimed Econo-Art Theater. His other plays include Four Places, first produced at Chicago’s Victory Gardens Theater. It was subsequently produced in Los Angeles by The Rogue Machine Theatre, featuring Tony nominee, Roxanne Hart. Other works include A Blue Moon (Chicago Dramatists Theatre and Woodstock, New York City), As the Beaver (Zebra Crossing), The End of the Tour (Victory Gardens Theater, Chicago) and The Fall to Earth (Steppenwolf Theatre/ Penguin Rep / 59E59 Theaters and The Odyssey Theatre) and The First GradeA Blameless LifeTranquillity Woods (Steppenwolf Theatre).
 
Elizabeth Berrington plays Ileen Van Meter. For theatre her work includes Who Cares (Royal Court Theatre),Holes (Arcola Theatre), The Low Road (English Touring Theatre and Royal Court Theatre), Absent Friends (The Old Vic), Abigail’s Party (Hampstead Theatre and New Ambassadors Theatre), An Ideal Husband (Royal Exchange Theatre, Manchester), Rupert Street Lonely Hearts Club (English Touring Theatre, Donmar Warehouse and Criterion Theatre) and The Country Wife (Sheffield Crucible). For television her credits includeStellaLittle Boy BlueThe Tracey Ullman ShowBlack Mirror: Hated in the NationThe Living and the Dead,The SyndicatePramfaceStage Door JohnniesThe OfficeTrying AgainWaterloo RoadPsychovilleMoving WallpaperMay Contain NutsThe Grimleys and The Lakes; and for film, National Civil War Centre Film Series,Alan Partridge: Alpha PapaMr TurnerHard Boiled SweetsIn BrugesScoopNanny McPheeSpivsQuills8 ½ WomenUrban Ghost StoryNaked and Secrets and Lies.
 
Tanya Moodie plays Jaclyn Spaulding. For theatre her work includes Trouble in Mind (The Print Room), Hamlet(RSC), The House That Will Not Stand (nominated for an Olivier Award for Outstanding Achievement in an Affiliated Theatre) and The Piano Lesson (both Tricycle Theatre), Intimate Apparel (nominated for an Olivier Award for Outstanding Achievement in an Affiliated Theatre and an Evening Standard Award for Best Actress / Ustinov Studio, Bath), Fences (Duchess Theatre), CatchACDCFewer Emergencies and Incomplete and Random Acts of Kindness (Royal Court Theatre), The Overwhelming
The Darker Face of the Earth and The Oedipus Plays (National Theatre), 66 Books (Bush Theatre) and The Suit(Young Vic). For television her credits include SherlockDicte: Crime ReporterCommonThe Body FarmThe ClinicSea of SoulsRichard Is My BoyfriendArchangelShaneAbsolute Power, In DeepBoyz Unlimited,Neverwhere and So Haunt Me and the upcoming A Discovery of Witches; and for film, LegacyRabbit Fever,The Tulse Luper Suitcases and The Final Passage.
 
Director Jonathan O’Boyle’s work includes Dear Brutus (Southwark Playhouse), Pippin (Hope Mill Theatre, Manchester and Southwark Playhouse), Hair (Hope Mill Theatre, Manchester and The Vaults), Four Play(nominated for an Off West End Award for Best Director), Sense of an Ending and Water Under the Board(Theatre503), The Surplus and All the Ways to Say Goodbye (Young Vic), Bash: Latterday Plays (Old Red Lion Theatre and Trafalgar Studios). Work as Resident Director includes An American in Paris (Dominion Theatre). Work as Associate Director includes This House (Chichester Festival Theatre, Garrick Theatre and UK tour),Mack and Mabel and Amadeus (Chichester Festival Theatre), This is My Family (Sheffield Crucible and UK tour), The Scottsboro Boys (Young Vic), My Fair Lady and The Village Bike (Sheffield Crucible) and Manon(Royal Opera House).
 
 
Rasheeda Speaking 
Listings
Trafalgar Studios 2
14 Whitehall, London SW1A 2DY 
Nearest Tube: Charing Cross

Box Office
0844 871 7632
 
Performances
Wednesday 18 April – Saturday 12 May 2018
                 

Monday to Saturdays at 7.45pm

Thursday and Saturday matinees at 3pm (no Thursday matinee on 19 April)
Ticket Prices – £15 – £35
 
Twitter
@Troupe_Theatre
@TrafStudios
#RasheedaSpeaking