Showstoppers Review

Manchester Palace Theatre – 10 February 2018.  Reviewed by Andrew Bramfitt

5*****

Fans of musical theatre will always have their favourites, whether it is because of the story, or the songs, or perhaps a leading actor.  For many they will follow this show, seeking out new tours and reliving the known and expected enjoyment.

Imagine though, if you had never seen a musical before, never heard the songs, didn’t know the story and in fact, no one had, how would you feel about spending an evening ‘breaking new ground’?  Well, fear not, because Showstoppers, the brilliantly funny and super talented improv musical show gives you such an opportunity every time they take to the stage.

Couched in the premise that the ‘Producer’ needs a brand new smash hit musical in just one evening, the Director begins by engaging with the audience to find out their own preferences and ideas.  Encouraged to call out show titles, the audience offered favourite musicals on which the night’s show would be based – for this evening the consensus was Little Shop of Horrors, Rocky Horror Show, Wicked, Avenue Q and Joseph  . We then were asked for a venue / setting and, after an audience vote (by applause) we landed on the Winter Olympics In South Korea.  Finally, as all great shows do, we needed a catchy title and again, after many suggestions, Piste Off was the winner.

So, onto the show – the cast began to create a story around the Olympic athletes, their passions, loves, fears and history, all interspersed by some mind blowing improvised show tunes and rib-breakingly funny jokes.  Every now & then the director would freeze the show and interject with a shift in style, a plot twist or a revelation but on the whole he was just as much in awe of the spontaneity of the creations as the audience were.  We had a unique take on the Time Warp, some Wicked style downhill luge and a wonderfully naughty set of makeshift puppets doing their own snow based Avenue Q.

At the interval, the audience were asked to proffer their ideas for how the 2nd act would commence, all via Twitter, with many suggestions actually making it into the show (including some rather bizarre love triangles and an appearance by a WADA official).  The 2nd act continued with the cast maintaining their foray into satire, pastiche, homage and just plain old micky taking – the rap battle a la Hamilton was the highlight for most people.  Ending the show with some Scooby Doo-esque flashback/jump forwards time travelling, you were left in no doubt that you have just witnessed brilliance.  The only sadness felt was that, as everything was improvised on the day, no one would ever get to see Piste Off again.

If you ever get the chance to see one of The Showstoppers performances, grab it with both hands, brush up on your knowledge of musical theatre and strap your ribs up very tightly.

 

LEEDS GRAND THEATRE TO FEATURE IN TOWN HALL EXHIBITION

LEEDS GRAND THEATRE TO FEATURE IN TOWN HALL EXHIBITION

Famed for its sumptuous interior, plasterwork and decorative features, images of Leeds Grand Theatre are set to feature in the latest Leeds Town Hall exhibition that showcases cultural institutions in Leeds.

More than 20 archive and contemporary images that celebrate the opulence of the magnificent Grade II* listed building, will be on display from Monday 12 February until the end of June 2018 in the ‘staircase gallery’. The exhibition is open to all.

Built in 1878 in an intriguing mix of Romanesque and Victorian Gothic styles, Leeds Grand Theatre was a major milestone in Victorian design and was once described as ‘probably the finest of its size in Britain’; its stage being on a par with the leading London Theatres. It also led the way in technical innovation behind the scenes. Star performers to have tread the famous boards include Julie Andrews, Ken Dodd, Margot Fonteyn, Bruce Forsyth, Alec Guinness, Elton John, Marie Lloyd, Morecombe and Wise, Laurence Olivier, Cliff Richard and Tommy Trinder.

“We should all be so very proud of the Grand Theatre, right through the country, the world and of course here in Yorkshire.” Dickie Bird.

Since its ‘transformation’ in 2006, the theatre has hosted the best of the West End and other touring productions, including large musicals, drama from the National Theatre, comedians and music, as well as continuing to provide a home venue for Opera North and Northern Ballet.

Productions and artists set to perform at the Grand in 2018 include Take That’s new musical The Band and Yorkshire favourite, Calendar Girls The Musical, the premiere of Sting’s The Last Ship, Wicked, Motown, Jersey Boys, Art, The Comedy About A Bank Robbery, Northern Ballet’s Jane Eyre and The Nutcracker, and Dara Ó Briain and Jane McDonald.

Other Leeds institutions that have featured in the Town Hall exhibition include the Hyde Park Picture House and Opera North.

The Band featuring the music of Take That comes to Hull

Get Ready For It! The Band Comes to the City

The record-breaking musical featuring the hits of Take That makes its Hull debut

Hull New Theatre takes a step back in time to 1992 next month, to a time when flannel shirts, ripped jeans and heavy boots were the height of fashion, as The Band featuring the music of Take That hits the stage.

The Band, starring Five To Five (winners of BBC talent contest Let It Shine) is a new musical about what it’s like to grow up with a boyband. For five 16 year-old friends in 1992, ‘the band’ is everything. A quarter of a century later, we are reunited with the friends, now 40-something women, as they try once more to fulfil their dream of meeting their heroes.

Twenty two years ago millions of teenage girls were left heartbroken when the British boyband split up. More than two decades later David Pugh, Daffyd Rogers and Take That’s brand new musical smashed all box office records, taking £2 million within the first two hours of going on sale making it the fastest selling theatre tour ever. And now it’s Hull’s turn.

Written by Tim Firth, directed by Kim Gavin and Jack Ryder (EastEnders) with set design by Jon Bausor and choreography by Kim Gavin, The Band has had audiences up and down the country dancing in the aisles with its infectious brand of upbeat camaraderie.

The Band takes to the Hull New Theatre stage from 6-17 March 2018. Tickets, priced from £19.50 are on sale now from the Hull City Hall box office or by calling 01482 300 306. Visit our new website www.hulltheatres.co.uk to book online.

Run Extended For Award-Winning TEDDY at The Vaults, London

RUN EXTENDED FOR AWARD-WINNING

1950s ROCK’N’ROLL MUSICAL

 

TEDDY

 

BY TRISTAN BERNAYS

MUSIC BY DOUGAL IRVINE

DIRECTED BY ELEANOR RHODE

AT THE VAULTS

29 MARCH TO 3 JUNE 2018

 

OFFICIAL ALBUM ‘SONGS FROM TEDDY THE MUSICAL BY JOHNNY VALENTINE AND THE BROKEN HEARTS’ ALSO NOW AVAILABLE

 

Snapdragon Productions is delighted to announce that the run of the award-winning 1950’s rock’n’roll musical TEDDY at The Vaults, London has been extended by four weeks. TEDDY will now play from 29 March to 3 June 2018. Snapdragon Productions is also delighted to announce the release of the official album Songs from Teddy the Musical by Johnny Valentine and the Broken Hearts which is now available via iTunes and Spotify.

Produced by Sarah Loader for Snapdragon Productions in association with The Watermill Theatrethe cast for TEDDY includes, Molly Chesworth as ‘Josie’, Andrew Gallo ‘Sammy ‘The Sticks’ Smith’, George Parker‘Teddy’, Freya Parks ‘Jenny O’Malley’, Harrison White ‘Buster Watson’ and Dylan Wood ‘Johnny Valentine’.

The critically acclaimed, 1950’s rock ‘n’ roll musical reunites Tristan Bernays with director Eleanor Rhode and choreographer Tom Jackson Greaves, following the recent success of their hit production Boudica at The Globe and Frankenstein at The Watermill Theatre and Wilton’s Music Hall.

Set in the aftermath of the Blitz against a backdrop of austerity, it tells the story of Teddy and Josie, all dressed up and ready to hit the streets of London for an unforgettable night out, no matter how dangerous the consequences. TEDDY is the ultimate story of teenage rebellion and the birth of a new musical era. Music includes electrifying original songs plus well-known hits from the 1950s performed live by the on-stage band Johnny Valentine and the Broken Hearts.

 

First seen at the Southwark Playhouse in 2015, TEDDY has music by Dougal Irvine with musical direction by Harrison White, set design by Max Dorey, lighting design by Christopher Nairne, sound design by Max Pappenheim, costume design by Holly Rose Henshaw and casting by Natalie Gallacher for Pippa Ailion Casting.

LISTINGS

Thursday 29 March – Sunday 3 June 2018

The Vaults Theatre

Launcelot Street

SE1 7AD

https://www.thevaults.london/teddy

Twitter: @teddyuktour

Instagram: @teddyuktour

Announcing a new Strictly UK Tour: Strictly Come Dancing – The Professionals

STRICTLY COME DANCING – THE PROFESSIONALS

UK TOUR 2019

Tickets go on sale Thursday 15 February at 10am

 

Strictly Come Dancing – The Professionals is returning to venues across the country from May 2019 for a 35 date UK tour. Kicking off at The Lowry Theatre in Salford on 3 May, the tour will then dance its way around the country culminating at the Sunderland Empire on 2 June.  Tickets for this dance spectacular will go on sale on Thursday 15th February at 10am.

Direct from BBC One’s award-winning prime time TV show Strictly Come Dancing, this glamorous production will bring together some of our much-loved Strictly Professional dancers as they take to the stage to dazzle with their dance prowess.

Audiences will enjoy the incredible talent of these world-class dancers as they perform exquisitely choreographed Ballroom and Latin routines with all the sequins, sparkle and stunning production values we have come to know and love!

Don’t miss this unique opportunity to see Strictly Come Dancing – The Professionals as it returns to a venue near you for a Strictly limited engagement!

 

Strictly Come Dancing – The Professionals UK Tour Dates

3/5/19             Salford Lowry, 7.30pm

4/5/19             Salford Lowry, 2.30pm & 7.30pm

5/5/19             Bournemouth International Centre, 7.30pm

7/5/19             Nottingham Royal Concert Hall, 7.30pm

8/5/19             Nottingham Royal Concert Hall, 7.30pm

9/5/19             Llandudno Cymru, 7.30pm

10/5/19           Edinburgh Playhouse, 7.30pm

11/5/19           Edinburgh Playhouse, 2.30pm & 7.30pm

12/5/19           Aberdeen ECC, 2.30pm & 7.30pm

15/5/19           Blackpool Opera House, 2.30pm & 7.30pm

16/5/19           Birmingham Symphony Hall, 7.30pm

17/5/19           Birmingham Symphony Hall, 7.30pm

18/5/19           Hammersmith Apollo, 2.30pm & 7.30pm

19/5/19           Hull Venue, 7.30pm

21/5/19           Portsmouth Guildhall, 7.30pm

22/5/19           Plymouth Pavilions, 2.30pm & 7.30pm

23/5/19           Plymouth Pavilions, 7.30pm

24/5/19           Brighton Centre, 7.30pm

25/5/19           Motorpoint Arena Cardiff, 2.30pm & 7.30pm

26/5/19           Motorpoint Arena Cardiff, 7.30pm

28/5/19           Liverpool Empire, 7.30pm

29/5/19           Leeds Arena, 7.30pm

30/5/19           Sheffield City Hall 7.30pm

31/5/19           Sheffield City Hall, 7.30pm

01/6/19           Sunderland Empire, 2.30pm & 7.30pm

02/6/19           Sunderland Empire, 2.30pm & 7.30pm

 

Website: strictlytheprofessionals.com

‘OUR FINEST HOUR’ CELEBRATES DUNKIRK AND THE BATTLE OF BRITAIN IN CONCERTS ACROSS THE UK FROM APRIL

Fiery Angel presents 
OUR FINEST HOUR
WITH THE BBC BIG BAND

  • DUNKIRK AND THE BATTLE OF BRITAIN REMEMBERED IN THE MUSIC AND SONGS OF THE PERIOD
  • KEVIN WHATELY AND PETER BOWLES WILL HOST CONCERTS ACROSS THE UK CELEBRATING THE MOMENTOUS TURNING POINT OF WORLD WAR TWO

In commemoration of the miracle of Dunkirk and the decisive victory of the Battle of Britain, Our Finest Hour will see stars of stage and screen Peter Bowles and Kevin Whately host a series of triumphant and rousing concerts across the United Kingdom.

Featuring vocalist Annie Gill and the BBC Big Band, with music director Barry ForgieOur Finest Hour looks back in the words and music of World War Two, bringing together the famous speeches of Winston Churchill and the best tunes of the time from the dance halls and wireless.

“The Battle of France is over. The Battle of Britain is about to begin…

The whole fury and might of the enemy must very soon be turned on us.
Hitler knows that he will have to break us in this Island or lose the war.

If we can stand up to him, all Europe may be free
and the life of the world may move forward into broad, sunlit uplands.”

Winston Churchill, 18 June 1940

As Britain stood alone, facing the most fearful odds, Winston Churchill rallied the nation with his historic speeches, laying bare the enormous task that had to be undertaken on the road to final victory. Across the Channel, after the miracle of Dunkirk, the Germans readied their invasion plans but the Battle of Britain denied the Luftwaffe control of the skies and the Nazis turned instead towards attacking the Soviet Union. The music and songs of the era evoke so tellingly the national feelings of pride and determination mixed with typical British humour and a touch of self-deprecation. It really was Our Finest Hour.

From Vera Lynn and Gracie Fields to the Andrews Sisters and Glenn Miller, the music of the 1940s is as well-loved today as ever. Our Finest Hour will feature iconic songs such as We’ll Meet Again(There’ll Be Bluebirds Over) The White Cliffs of Dover and A Nightingale Sang In Berkeley Square as well as some of the classic music the war inspired, including the Dam Busters March and the music from Ron Goodwin’s classic scores to Battle of Britain and 633 Squadron. Dunkirk Spirit and audience participation will be encouraged  through rousing performances of Rule, Britannia!I Vow to Thee My Country, and Land of Hope and Glory.

Our Finest Hour’s spring dates include Birmingham Symphony Hall (13 April), Cardiff St David’s Hall (15 April), Liverpool Philharmonic Hall (17 April), Edinburgh Usher Hall (18 April), Glasgow Royal Concert Hall (20 April), Southend Cliffs Pavilion (a special St George’s Day performance on 23 April), Gateshead Sage (3 May), Manchester Bridgewater Hall (4 May) and London’s Barbican Hall (5 May).

Autumn dates are The Anvil, Basingstoke (22 September), Leicester De Montfort Hall (23 September), Leeds Town Hall (27 September), Newcastle City Hall (28 September), IpswichRegent Theatre (30 September), Poole Lighthouse (4 October) and Cambridge Corn Exchange (5 October).

LISTINGS

Fiery Angel present
OUR FINEST HOUR
with the BBC Big Band
ourfinesthourconcert.co.uk

Presented by Kevin Whately
BIRMINGHAM
Symphony Hall
Friday 13 April
0121 780 3333
www.thsh.co.uk
CARDIFF 
St David’s Hall
Sunday 15 April
029 2087 8444
www.stdavidshallcardiff.co.uk
LIVERPOOL
Philharmonic Hall 
Tuesday 17 April
0151 709 3789
www.liverpoolphil.com
EDINBURGH 
Usher Hall 
Wednesday 18 April
0131 228 1155
www.usherhall.co.uk
GLASGOW 
Royal Concert Hall
Friday 20 April
0141 353 8000
www.glasgowconcerthalls.com
SOUTHEND 
Cliffs Pavilion
Monday 23 April
01702 351135
www.southendtheatres.org.uk
Presented by Peter Bowles
GATESHEAD 
Sage 
Thursday 3 May
0191 443 4661
www.sagegateshead.com
MANCHESTER 
Bridgewater Hall 
Friday 4 May
0161 907 9000
www.bridgewater-hall.co.uk
LONDON 
Barbican Hall 
Saturday 5 May
020 7638 8891
ON SALE SOON
www.barbican.org.uk
Presented by Kevin Whately
BASINGSTOKE 
The Anvil
Saturday 22 September
01256 844 244
www.anvilarts.org.uk 
LEICESTER 
De Montfort Hall 
Sunday 23 September
0116 233 3111
www.demontforthall.co.uk
ON SALE SOON
LEEDS 
Town Hall 
Thursday 27 September
0113 376 0318
www.leedstownhall.co.uk
ON SALE SOON
NEWCASTLE 
City Hall
Friday 28 September
08448 11 21 21
www.theatreroyal.co.uk
IPSWICH 
Regent Theatre
Sunday 30 September
01473 433 100
apps.ipswich.gov.uk 
ON SALE SOON
POOLE 
Lighthouse 
Thursday 4 October
01202 280000
www.lighthousepoole.co.uk
ON SALE SOON
CAMBRIDGE 
Corn Exchange 
Friday 5 October
01223 357851
www.cambridgelivetrust.co.uk
ON SALE SOON

FULL CASTING ANNOUNCED FOR THE FIRST PRODUCTION IN POLKA THEATRE’S NEW SEASON – MICHAEL ROSEN’S CHOCOLATE CAKE

FULL CASTING ANNOUNCED FOR THE FIRST PRODUCTION IN

POLKA THEATRE’S NEW SEASON

– MICHAEL ROSEN’S CHOCOLATE CAKE

 

MAIN STAGE

A Polka Theatre production

Michael Rosen’s CHOCOLATE CAKE

Written by Michael Rosen

Adapted by Peter Glanville and Barb Jungr

Music and songs by Barb Jungr

 

Design by Verity Quinn; Lighting by Dan Saggars; Film & Animation by Will & Joe

 

23 March – 13 May

Ages 4+

 

Polka Theatre today announces full casting for the world première of the brand new musical adaptation of Michael Rosen’s Chocolate Cake, opening the new Spring/Summer seasonThe production opens with previews from 23 March and runs until 13 May.  It has been adapted by the theatre’s Artistic Director, Peter Glanville and Barb Jungr. Glanville also directs Mark Houston (Michael), Aminita Francis (Teacher/Mum) and Todd Heppenstall (Brother) in the production.

When I was a boy, I had a favourite treat. It was when my mum made… Chocolate Cake!

Follow the adventures of two brothers and the night-time disappearance of a chocolate cake in this scrumptious new musical adaptation by the creators of We’re Going on a Bear Hunt and How to Hide a Lion from Michael Rosen’s beloved poem Chocolate Cake, which has just been published as a picture book.

Michael Rosen is the author of over 140 books of poetry, stories and politics. He was the Children’s Laureate between 2007–9 and is currently the professor of Children’s Literature at Goldsmiths University. He has won numerous international awards for his work in literature and he also presents Word of Mouth on BBC Radio 4.

Peter Glanville became Artistic Director of Polka Theatre in 2013 following eight years as Artistic Director and Chief Executive of the Little Angel Theatre. He has directed acclaimed productions for Polka including Royal Opera House co-production HatchMoomin Summer Madness (co-directed with Dani Parr) and early years Opera Skitterbang Island. For Little Angel Theatre he directed MacbethThe Snow Queen, Michael Rosen’s The Magician’s Daughter, The Tempest (RSC co-Production) and Carol Ann Duffy’s The Tear Thief (narrated by Juliet Stevenson). Glanville has previously collaborated with Barb Jungr on three musicals – Fabulous Flutterbys, We’re Going on a Bear Hunt and How to Hide a Lion (co-produced with Oxford Playhouse). His productions of The Tempest and The Tear Thief were both nominated for in the Offies for Best Production for Young People, and his Peter Pan won the award in 2015. He pioneered puppet work for adults alongside children’s shows and introduced the biennial SUSPENSE London Puppetry Festival and also directed a short marionette film for the RSC’s production of Matilda.

 

Internationally acclaimed award-winning singer, songwriter and performer Barb Jungr has released numerous albums, appeared on television, is often heard on national radio and has performed all over the world. Her writing and composing credits include The Fabulous Flutterbys (Little Angel Theatre and touring), We’re Going on a Bear Hunt (Little Angel and touring) and lyricist for Birmingham Stage Company’s The Jungle Book. Most recently she co-adapted and wrote the lyrics and music for Helen Stephens’ How to Hide a Lion (Polka Theatre/Oxford Playhouse and touring) and co-adapted and wrote lyrics and music for The Singing Mermaid(Little Angel/Royal and Derngate). She is lyricist and book writer of Liver Birds Flying Home which opens in 2018 at Liverpool’s Royal Court Theatre. www.barbjungr.com

 

Mark Houston plays Michael. For theatre his credits include Sleeping Beauty and Jack and The Beanstalk (Hall For Cornwall).

 

Aminita Francis plays Teacher/Mum. For theatre her credits include Frankenstein – A Monster of a Musical(Battersea Arts Centre), Bite Your Tongue (Talawa), Romeo and Juliet and The Arsonists (N1 Theatre Company)Blood Wedding (Court 27) and The Winter’s Tale (RSC); and for television, The Choir.

 

Todd Heppenstall plays Brother. His theatre credits include The Room Upstairs (Cheltenham Everyman/Wardrobe Theatre), Ten Foot Tales (Hull Truck)Andy Capp: The Musical (Finborough Theatre), The Day After – They Went Off on One (The Vaults) and The Last Days of Mankind (Bristol Old Vic).

www.polkatheatre.com

Twitter: @polkatheatre

Facebook: @polkatheatre

 

Polka Theatre

Listings

240 The Broadway, Wimbledon, London SW19 1SB

 

www.polkatheatre.com

How to get there:

By Train
Wimbledon Station BR (10 minute walk)

By Tube
Wimbledon, District Line (10 minute walk)
South Wimbledon, Northern Line (5 minute walk)

By Bus
57, 93, 219, 131 stop outside Polka
156, 163, 164, 200 stop nearby Wimbledon (10 minute walk)

By Bike

There is a cycle rack at the theatre for those who wish to cycle to Polka.  Polka is also now just off the new Super Cycle Highway that goes from Merton to the City. Click here for more information and to plan your route to cycle to us.

 

SEASON AT A GLANCE:

 

Main Stage

 

I Believe in Unicorns

14 – 18 February

Grandad’s Island

22 February – 4 March

The Boy Who Climbed Into the Moon

8 – 11 March

Chocolate Cake

23 March – 13 May

 

Techtopia Festival

24 May – 3 June

 

Double Act

15 June – 5 August

 

Jack and the Beanstalk

8 – 19 August

 

Adventure Theatre

Glisten

28 February – 4 March

Much Ado About Puffin

4 – 15 April

 

This is My Bed

13 – 24 June

The Everywhere Bear

6 July – 26 August

Catherine and Anita Review

King’s Head Theatre – until 24 February.  Reviewed by Claire Roderick

4****

Anita is Catherine’s best friend, adventurous and dangerous compared to withdrawn intellectual Catherine. The trouble is, only Catherine can see Anita, and Anita’s actions have terrible consequences.

We first meet Catherine as an adult, in a state of mild panic as she reunites with Anita and admits her partner’s terrible secret. Through flashbacks, Catherine’s story is gradually pieced together revealing a life of abuse and mental illness. David Ahonen has written a fascinating character, never trivialising or exploiting her, effortlessly highlighting the loneliness of those struggling with their mental health, and examining the terrible cycle of victimhood and victimiser. Between the shocking truths, there is lots of dark humour, but the audience is always laughing with Catherine, never at her.

Sarah Roy is mesmeric as Catherine, morphing through subtle changes in hairstyle and posture into younger versions of the character. As a 7-year-old and a 12-year-old, the precocious language and judgemental demeanour could be wearing, but Roy manages to allow the damaged child beneath to trickle through without any sense of melodrama. Holly Ellis’s lighting design, and the distorted music and sound effects between scenes adds to the feeling of disassociation and confusion.

One of the most moving scenes is Catherine’s first date, where she tells Dan all about her past and her treatment. Her calm descriptions are beautifully counterbalanced by her awkward jokes and naïve hope that this man will still want to get to know her, and the main message of the show is handled with great sensitivity as she explains why she would sometimes go off her meds because of the loneliness she feels without her best friend Anita.

Catherine and Anita is an extraordinarily performed, sensitive and stylish story that will touch your heart and hopefully stimulate conversations about mental health. Well worth a look.

Motown the Musical announces new West End cast

M O T O W N   T H E   M U S I C A L

CELEBRATES SECOND YEAR IN WEST END

AND ACCOUNCES NEW 2018 CAST

 

The hit West End production of Motown the Musical this weekend will celebrate its second birthday at the Shaftesbury Theatre and announces that from 6 March 2018 the West End cast will be led by Jay Perry as Berry Gordy, Natalie Kassanga as Diana Ross and Carl Spencer as Marvin Gaye. They join David Albury who continues in the role of Smokey Robinson.   Cruz Lee-Ojo, 11 years old from Uxbridge also joins the Company to share the role of Young Michael Jackson, Berry Gordy and Stevie Wonder with Tumo Reetsang, 12 years old from Southwark, London.

Currently booking until 5 January 2019, Motown the Musical, directed by Charles Randolph-Wright, tells the story behind the legendary classic hits.  Later this year, a tour of Motown the Musical will play simultaneously around the UK.

Motown the Musical recently launched an online Lottery which allows audiences the opportunity to purchase two great seats at £15 each.  Patrons can apply at any time for all performances in a two-week period.  Lucky winners will be notified three-five days before their allocated performance and will have 24 hours to purchase their tickets online before the next winner is selected.

With music and lyrics from the Motown catalogue and book by Motown founder Berry Gordy the production features a sixteen-piece orchestra playing 50 Motown tracks including Ain’t No Mountain High Enough, I’ll Be There, Dancing In The Street, Stop!  In The Name Of Love, My Girl and I Heard It through the Grapevine.  With just $800 borrowed from his family, Motown founder Berry Gordy, goes from featherweight boxer to heavyweight music mogul, discovering and launching the careers of Diana Ross, Michael Jackson, Stevie Wonder, Smokey Robinson, Marvin Gaye and many more.  Motown the Musical uncovers the true story of the legendary record label that changed music history and created the soundtrack of a generation.  

Jay Perry’s previous theatre credits include Beautiful: The Carole King Musical and Whistle Down The Wind both at the Aldwych Theatre, Hairspray at the Gordon Craig Theatre and he currently plays lead Temptation as part of the Motown the Musical West End Company. He was an original member of pop group S Club Juniors.

 

 

Natalie Kassanga returns to the West End having last been seen on stage as an original cast member of Cameron Mackintosh’s Oliver! at the Theatre Royal, Drury Lane.   She made her West End debut as Young Nala in The Lion King at the Lyceum Theatre.

 

 

Carl Spencer is an original member of the Motown the Musical West End Company.  His previous theatre credits include The Scottsboro Boys at the Young Vic and Garrick Theatre.

Ensemble members comprise Chanice Alexandra-Burnett, KM Drew Boateng, Timothy BenjaminRyan Carter, Ricardo CastroAmandla Elynah, Livvy Evans, Segun Fawole,Angela Marie Hurst, Cameron Bernard Jones, Cleopatra Joseph, Duane Lamonte, Nathan Lorainey-Dineen, Mireia Mambo, Matt Overfield, Adam Philpott, Ainsley Hall Ricketts,Lawrence Rowe, Nate Simpson, Jaime Tait, Kyle Turner, Anna Van RuitenCherelle Williams, Lashane WilliamsMichael Woolston-Thomas, Jayme-Lee Zanoncelli andMitchell Zhangazha.

Motown the Musical has music supervision, orchestrations and arrangements by Ethan Popp, co-orchestrations and additional arrangements by Bryan Cook and dance arrangements by Zane Mark.  Choreography is by Patricia Wilcox and Warren Adams, scenic design by David Korins, costumes by Emilio Sosa, lighting by Natasha Katz, sound by Peter Hylenski and video by Daniel Brodie.  UK Associate Director is Tara Wilkinson, UK Conductor & Associate Music Supervisor is Gareth Weedon, UK Associate Set Designer is Andrew Edwards and UK Associate Lighting Designer is Alistair Grant and UK Sound Associate is Chris FullMotown the Musical is produced in the West End by Kevin McCollumDoug MorrisBerry Gordy and Adam Spiegel.

 

Motown the Musical is proudly supported by Swarovski crystal who originally partnered with the show on Broadway and provided 400,000 Swarovski crystals for costume and set.

IMAGES

https://www.dropbox.com/sh/ieest4coeoxk3s2/AADjKKk35YLuZnOSCXmDxOOGa?dl=0

 

 

LISTINGS INFORMATION           

Theatre:                  Shaftesbury Theatre, 210 Shaftesbury Avenue, London WC2H 8DP

Dates:                    booking to 5 January 2019

Performances:          Monday – Saturday 7.30pm, Thursday & Saturday matinees at 2.30pm

Prices:                    Tickets from £19.50 plus £15 Lottery tickets available online

No booking fees via www.motownthemusical.co.uk, over the phone on 020 7379

5399 or in person at the Shaftesbury Theatre Box Office.

Box Office:              020 7379 5399

Website:                 www.motownthemusical.co.uk

Twitter:                   @MotownUK

Facebook:               MotownMusicalUK

THEATRE ROYAL BATH ANNOUNCES OPENING PRODUCTIONS FOR SUMMER SEASON 2018

THEATRE ROYAL BATH
ANNOUNCES OPENING PRODUCTIONS FOR SUMMER SEASON 2018

  • SHAKESPEARE AT THE TOBACCO FACTORY PRESENT HENRY V, DIRECTED BY ELIZABETH FREESTONE AT THE USTINOV STUDIO FROM 21 JUNE – 21 JULY
  • OSCAR WILDE’S AN IDEAL HUSBAND, DIRECTED BY JONATHAN CHURCH WILL TRANSFER DIRECTLY FROM THE WEST END FROM 18 JULY – 4 AUGUST
  • PRIORITY BOOKING OPENS ON SATURDAY 10 FEBRUARY AT 10AM WITH GENERAL ON-SALE FROM 21 FEBRUARY

Theatre Royal Bath today announces the opening productions for its summer season 2018 across the Ustinov Studio and Main House. Launching at the Ustinov Studio will be the highly acclaimed, Bristol based theatre company, Shakespeare at the Tobacco Factory with their new production of Henry V directed by Elizabeth Freestone. Oscar Wilde’s An Ideal Husband will transfer to Theatre Royal Bath’s Main House direct from the West End, marking the first production in Jonathan Church’s 2018 summer season. Priority booking will open to members on Saturday 10 February at 10am, with general on-sale from 21 February. The full programme will be announced in due course.

HENRY V
Thursday 21 June – Saturday 21 July

Innovative theatre company Shakespeare at the Tobacco Factory will launch its brand new production of Henry V at the Ustinov Studio. Directed by Elizabeth Freestone and starring Ben Hall in the title role, the production will then embark on a UK tour. Shakespeare’s play is a thrilling examination of the nature of power as it explores the burden of leadership and explodes the myth of heroism.

Ben Hall is best known for his role as Donald in BBC’s The Durrells. Theatre credits include Coriolanus and Salomé for the RSC and Twelfth Night (Sheffield / ETT).

Elizabeth Freestone has worked extensively with the RSC for whom her credits include The Comedy of Errors and The Rape of Lucrece. Other theatre credits include Romeo and Juliet for Shakespeare’s Globe and The Duchess of Malfi, Dr Faustus and The School for Scandal at Greenwich Theatre.

AN IDEAL HUSBAND
Wednesday 18 July – Saturday 4 August

Transferring direct from the Vaudeville Theatre in the West End, An Ideal Husband will be the opening show of Jonathan Church’s summer season 2018, following his inaugural season as Artistic Director last year. Oscar Wilde’s sharp and witty drama explores corruption, blackmail and honour when a damning secret threatens to ruin ambitious politician Sir Robert Chiltern’s career and marriage.

Jonathan Church is Artistic Director of the Theatre Royal Bath Summer Season, with his 2017 season including productions of Racing Demon, The Lady in the Van, Sand in the Sandwiches and North by Northwest. He was previously Artistic Director for the Salisbury Playhouse (1995-99), Birmingham Rep (2001-05) and Chichester Festival Theatre (2006-16). His directing credits include acclaimed productions such as Singin’ in the Rain (Chichester, West End), The Resistible Rise of Arturo Ui (Chichester, West End) and Taken at Midnight (Chichester, West End). He received a CBE for Services to Theatre in 2015.

Oscar Wilde is the author of some of the best-loved comedies in the English language including The Importance of being Earnest, Lady Windermere’s Fan and A Woman of No Importance.

 

LISTINGS

Theatre Royal Bath, Sawclose, Bath, BA1 1ET
Box Office: 01225 448844
Website: www.theatreroyal.org.uk
Facebook: TheatreRoyalBath
Twitter: @TheatreRBath

Priority booking opens Saturday 10 February
General online booking opens Wednesday 21 February
General Telephone booking opens Monday 26 February

Ustinov Studio

Henry V
By William Shakespeare
Directed by Elizabeth Freestone
Dates: Thursday 21 June – Saturday 21 July
Press Night: Thursday 28 June, 7pm
Performance Schedule: Mon – Sat 7.30pm; Matinees Wed & Sat 2.30pm
Prices: £24.50 / £17.50 discounts (Previews and Mondays £15)

Main House

An Ideal Husband
By Oscar Wilde
Directed by Jonathan Church
Dates: Wednesday 18 July – Saturday 4 August
Performance Schedule: Mon – Sat 7.30pm; Matinees Thu & Sat 2.30pm
Prices: £22.50 – £38.50