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ROSE THEATRE KINGSTON ANNOUNCES

SUMMER SCHOOL PROGRAMME FOR YOUNG PEOPLE

Rose Theatre Kingston announces its summer school programme for young people, offering a variety of courses including:

• Two-Day and Three-Day short courses for 7-11 year olds packed with games, storytelling and character work
• Play-in-a-Week for 10-15 year olds, where participants have the opportunity to create a full production
• Rose Academy offers support and guidance for 16-25 year olds preparing to apply for drama schools

All courses are supported by experienced teachers and industry professionals. In previous years this has included practitioners from the National Theatre and Royal Shakespeare Company, as well as Olivier Award-winning actress, Laura Michelle Kelly.

All the courses take place in Kingston, either at Rose Theatre Kingston or a local rehearsal venue.

TWO-DAY COURSES

Rose Theatre Kingston’s Two-Day Course for 7-11 year olds offers fun and games, exploring storytelling, character and literacy. In small groups with experienced teachers, children develop skills in team-work, leadership and creativity as well as building self-confidence.

Venue:                 St John’s Warehouse, Church Grove, Hampton Wick, London KT1 4AL

Time:     10am-4pm

Ages:     7-11

Fee:       £100

Dates:

Monday 30 – Tuesday 31 July

Monday 6 – Tuesday 7 August

Thursday 9 – Friday 10 August

Monday 13 – Tuesday 14 August

Thursday 16 – Fri 17 August

Monday 20 – Tuesday 21 August

Thursday 23 – Friday 24 August

Tuesday 28 – Wednesday 29 August

THREE-DAY COURSES

Participants will work on developing storytelling themes and techniques in small groups with experienced teachers. The course will take a creative approach to storytelling whilst working on vocal techniques, focus and character. Children will learn team working skills and build self-confidence. On the final day there will be an invited showing for friends and family.

Venue:                 Richard Mayo Centre, Eden Street, Kingston, London KT1 1HZ

(Drop off and collection from Rose Theatre Kingston)

Time:     10am-4pm

Ages:     7-11

Fee:       £140

Dates:

Monday 30 July – Wednesday 1 August

Wednesday 1 – Friday 3 August

Monday 6 – Wednesday 8 August

Wednesday 8 – Friday 10 August

Monday 13 – Wednesday 15 August

Wednesday 15 – Friday 17 August

Wednesday 22 – Friday 24 August

 

 

PLAYS-IN-A-WEEK

A cast of young people will work with a professional director, assistants and stage management on a specially-adapted sixty-minute script, learning techniques and developing the production for a full, costumed public performance at the end of the week.

 

The Jungle Book (SOLD OUT)

By Rudyard Kipling, adapted by Ciaran McConville

Journey through the forest with man-cub Mowgli, as he learns the law of the jungle from the wolf pack, a wise old panther and a dangerous tiger. Imaginatively designed and staged for a young ensemble.

 

Venue:                 Rose Theatre Kingston

Date:     Monday 30 July – Saturday 4 August

Time:     9.30am-4.30pm

Ages:     10-14

Fee:       £200

Charlotte’s Web

By E.B. White, adapted by Joseph Robinette

A gorgeous adaptation of one of America’s great children’s stories. A young pig has his bacon saved by a selfless spider with a knack for weaving words.

Venue:                 Rose Theatre Kingston

Date:     Monday 6 – Saturday 11 August

Time:     9.30am-4.30pm

Ages:     10-14

Fee:       £200

Alice in Winterland

By Ciaran McConville, based on Lewis Carroll’s books

Follow Alice on a quest to save Winterland, a place of ice and imagination, of mad hatters and cruel queens, strong-minded dodos and friendly knights, inhabited by the mysterious Bandersnatch and the terrible Jabberwock. This is your chance to take part in a studio version of the critically acclaimed play that Rose Theatre Kingston produced for its 2017 Christmas show.

Venue:                 Rose Theatre Kingston

Date:     Monday 13 – Saturday 18 August

Time:     9.30am-4.30pm

Ages:     10-14

Fee:       £200

The Railway Children

By E. Nesbit, adapted by Ciara Morris

After the sudden departure of their father, Bobby, Peter and Phyllis are uprooted to a cottage in Yorkshire with their mother. There they fall in love with the railway and become involved in the lives of people connected to it. This exciting, heartfelt story by E Nesbit is given a fresh adaptation for the stage while remaining faithful in essence to the original.

Venue:                 Rose Theatre Kingston

Date:     Monday 20 – Saturday 25 August

Time:     9.30am-4.30pm

Ages:     11-14

Fee:       £200

Much Ado About Nothing (SOLD OUT)

By William Shakespeare

One of Shakespeare’s best-loved comedies. A group of soldiers returning from abroad rests at the house of Leonato, where best-laid plans seem thwarted by an embittered brother, before a test of true love leads to unexpected unions and a sparkling, hilarious resolution.

Venue:                 Rose Theatre Kingston

Date:     Monday 27 August – Saturday 1 September

Time:     9.30am-4.30pm

Ages:     11-15

Fee:       £200

ROSE ACADEMY

The UK is home to some of the most prestigious drama schools in the world with more than 1000 applicants auditioning for each place. Rose Academy is a unique course that draws on the expertise of leading drama school facilitators, directors and actors to offer an insight into conservatoire training and techniques to support and assist participants’ with the application process. The course is now in its sixth year, with past participants going on to schools including RADA, LAMDA, Guildhall, Central, Oxford and East15.

Rose Academy is by audition only, please email [email protected] to apply.

Venue:                 Rose Theatre Kingston

Date:     Tuesday 28 August – Sunday 2 September

Time:     10am-4pm

Ages:     16-25

Fee:       £250

Rose Theatre Kingston                                                                                                                           Listings

24-26 High Street, Kingston, KT1 1HL

To book a course please contact:

Box Office:  0208 174 0090

For more information about the courses, please contact Sarah Kingsford on 0208 939 4050 or email [email protected].

 

Discounts:

Five-Day Combo Course: book a Two-Day and Three-Day Course and save £40.

Rose Youth Theatre Members: save £20.

Siblings: save £20 for each additional sibling.

 

ABOUT ROSE THEATRE KINGSTON

Founded by Sir Peter Hall, and modelled on the original Elizabethan Rose Theatre on London’s Bankside (where the stage height meant groundlings could stand), Rose Theatre Kingston is the largest producing theatre in South West London.

Since opening in 2008, the Rose has collaborated with a range of directors, playwrights and producing partners to create vibrant, engaging and inspiring productions. Recent works include the first stage adaptation and world première of Elena Ferrante’s My Brilliant Friend directed by Melly Still, Zach Helm’s Good Canary directed by John Malkovich, John Barton and Peter Hall’s Shakespeare adaptation The Wars of the Roses directed by Trevor Nunn, David Hare’s The Absence of War directed by Jeremy Herrin and Jacqueline Wilson’s Hetty Feather (West End transfer and Olivier Award nominee) directed by Sally Cookson.

With over 150,000 visitors a year, the Rose enjoys artistic and critical acclaim from its own productions and co-productions as well as from hosting the work of renowned theatre companies including Royal Shakespeare Company, Shakespeare’s Globe, Headlong, English Touring Theatre, Peter Brook, Liverpool Everyman and Playhouse, and Sheffield Theatres. With an auditorium that lends itself to both intimate and epic scale productions, the Rose has established itself as one of the most exciting theatres in the UK.

www.rosetheatrekingston.org

 

Twitter:                @Rosetheatre

Facebook:           /RoseTheatreKingston

Instagram:          RoseTheatreKingston

Classroom for budding artists renamed in honour of #FightEB campaigner & photographer James Dunn

A creative space for budding artists at The Lowry in Salford has been renamed in honour of James Dunn, a 24-year-old man from Liverpool who campaigned tirelessly to raise awareness of Epidermolysis Bullosa (EB).

James sadly passed away in April, just weeks after the #FightEB campaign he launched raised over £250,000 for those suffering with EB – a condition that causes constant pain due to unstoppable internal and external blistering of the skin and for which there is currently no known cure.

‘The James Dunn Classroom’ was the idea of local businessman, Ged Mason, chief executive of Morson Group, a recruitment and design consultancy who has known James and his family for a number of years.

In 2016, James appeared on Big Life Fix, a BBC 2 programme that saw leading inventors create ingenious solutions to everyday problems for people in desperate need.

In James’ case, that was a custom-built camera by award-winning design engineer, Jude Pullen, which made it possible for him to operate the camera by himself via a specially-designed app, thereby allowing him to pursue his passion for photography.

Speaking at the unveiling, Ged Mason said: “James was an inspirational young man who not only campaigned to raise awareness of EB but who also followed his creative passion for photography.

“It was a privilege to know James and it seemed a fitting tribute to name a creative space in his honour. I hope the 9,000 young people who use the classroom each year are inspired by James’ story and follow their dreams regardless of the obstacles they may have to overcome.”

The classroom will be named in his honour until July 2021.

For more information about the FightEB campaign, visit: http://fighteb.org.uk 

Bridewell Theatre – until 14 July 2018

Reviewed by Antonia Hebbert

4****

In a week when the government had all the togetherness of colliding tectonic plates, a tennis idol got toppled off his pedestal, and football decided not to come home after all, it seemed quite normal to be seeing a play about global catastrophe, family strife, birth, death and ethics, with a little time travel thrown in. This production is in traverse form – the audience faces each other along two sides – which felt irresistibly like some kind of theme park ride. When the lights went down and two actors came out and started talking, some irrational part of me was disappointed not to have been thrown backwards at the start of a dizzying journey.

But a dizzying journey is actually what you get with this Sedos company revival of Mike Bartlett’s 2010 Earthquakes in London. It’s fast-moving, jumping back and forth in time, swerving from comedy to solemn discussion of ethical issues, seamlessly switching and intertwining scenes, and sometimes breaking into dance (choreography by Tom Leonard). Characters transform, and the setting flips from the ‘real’ world of homes and workplaces to dream and prophecy. All the while the play follows the storyline of three contrasting sisters (Kimberly Barker, Carrie Pennifer and Izzi Richardson, all compelling) trying to work out how to live in the flawed contemporary world. Helena Bumpus encapsulates the switchback feel of the play as the comic-mystic boy-girl Peter-Emily.

Director Chris Davis worried that ‘a play about global warming could easily become preachy’, and at times it does: this is a play with big urgent messages and epic ambitions (ironically, you might think, being revived in the City of London, home of capitalism). But as a piece of theatre it is terrific, and the Sedos company (not professionals, but not at all amateurish) carry off this complicated production in grand style.

Welcome to the 60’s!

Grand Opera House York invites customers to show off their best 60’s style when they come and see Hairspray – The Musical, Mon 16^th – Sat 21^st July.

 

We will be giving away a show programme, signed by the cast, to a well-dressed winner at each performance of Hairspray.

All they have to do is Tweet their ‘look’ at the Grand Opera House ‘Selfie Spot’, which is located in the Foyer Bar, to @grandoperayork with their seat location before each performance begins to be in for a chance to win the signed programme.

The winner will be announced at the interval!

Bars are open from 1pm on matinees and 6pm on evening performances.

Hairspray The Musical features the iconic music and lyrics by Academy Award, Tony and Emmy winning duo Marc Shaiman and Scott Wittman, this much-loved musical comedy currently stars Graham MacDuff as Wilbur Turnblad, Brenda Edwards as Motormouth Maybelle and Layton Williams as Seaweed. Matt Rixon returns to the role of Edna Turnblad and newcomer Rebecca Mendoza makes her professional debut as Tracy Turnblad. Choreographed by Olivier Award-winning Drew McOnie with direction from Paul Kerryson.

It’s Baltimore 1962, where Tracy Turnblad, a big girl with big hair and an even bigger heart, is on a mission to follow her dreams and dance her way onto national TV. Tracy’s audition makes her a local star and soon she is using her new-found fame to fight for equality, bagging local heartthrob Link Larkin along the way.

 

Tickets are priced from £17.90, available from box office on 0844 871 3024 or online atwww.atgtickets.com/york

Could you tell us about Motormouth Maybelle and what attracted you to the role?

I remember watching the original film and then I went to see the Musical in 2007, on Broadway and 2008, in the West End, I really enjoyed the whole show, but was particularly excited by the Motormouth character. Having a Son and Daughter of my own, I could relate to her nurturing strong protective side where she has to be in charge and then there is the entertaining side, where she plays her music and has fun with everyone, whilst having that serious side lending an ear or a shoulder if needed, but she does have her own opinions on things and doesn’t mind voicing it. Owning her own record shop I think she is the central hub where all the kids in the neighbourhood can come and hang out.– and the songs she sings are just fabulous! She has a big personality just like me, so I think it’s a perfect role.

You did the previous tour of Hairspray, what drew you back?

I wanted to come back on this tour production for the second time, because it really helped to get me through, what I was going through, when after the first half of the tour, I was diagnosed with Stage 3 breast cancer. The songs in the show are uplifting in so many different ways and performing in the show helped me not to focus on the chemotherapy. One of the songs that I sing and especially drew strength from, was I Know Where I Have Been, the words already had so much meaning to me, and throughout the rest of the tour helped me to stay positive and keep thinking of brighter days! So I guess to me it was very therapeutic and just what I needed. It is also very important for me to be able to do the tour again because I have got some personal demons to deal with of being able to do the whole tour this time round, there was one venue I couldn’t do at all. But we are going back to it, Venue Cymru in Llandudno. I drove there from our previous venue, Milton Keynes on the Sunday and woke up on the Monday and couldn’t walk. I was just stuck there, for a few days while everyone else was doing the show – I was so upset! So yeah I’m excited about this 2nd tour for so many reasons!

How has it been being back in rehearsals? Does it feel different to the last tour?

Oh my god, yes! It’s amazing! I thought Drew McOnie’s choreography was a lot the first-time round, (well, it was a lot the first-time round). But, this time round, it’s almost like choreography wise we are doing what we had the first time round and then add the same amount on again lol, but all in the same period of time. I also think, as I obviously haven’t been doing much exercise over the last year I’m finding it a bit harder this time round to get up to speed, but the more we run it the easier its becoming ….best all singing all dancing workout ever!! I’m absolutely loving it, the cast are so talented, I’m enjoying getting to know everyone. But it’s great – it’s so much fun and the energy! The energy levels are so high from the start, all the way through. From Good Morning Baltimore to You Can’t Stop the Beat there is just so much going on. This fantastic new cast they are all just on it. Within two weeks, we were doing act one and had staggered act two. So, by week three we were on tjust getting it into our bodies. The pace is moving so much quicker than it did last time, your brain doesn’t have time to switch off. I can’t wait! I can’t wait! We saw the new set design and it looks amazing Takis is so talented! it is going to be amazing! Its bigger and brighter and beautifuller! That’s not a word but I’m making it up!

What can audiences expect from Hairspray? If anyone is not familiar with the show, how would you describe it in three words?

Bigger, brighter and beautifuller! I love it!

Audiences can expect energy, a lot of laughs some fantastic songs played by a phenomenal band, while at the same time listening to the message which I think is so current I know, I am sounding like I am a 1960s hippy , but I just wish everyone would just spread the love and get on with one another, put your differences aside, cause there will always be difference of opinions that what makes us individuals…..and I think that’s what this show embodies no matter what race, size opinions in the end it’s all about coming together and showing a united front. Hopefully people will come out of the show thinking, “OK, that’s given me food for thought at the same time as a great nights entertainment.

What’s your favourite moment or song in the show and why?

I just love You Can’t Stop the Beat because it goes through so many different gear changes – In rehearsals its known as Beat 1 Beat 2 and Beat 3 and as I said I like the way it just brings us all together that’s the point where everybody is together and I think its brilliant!

Is there a city on the tour you’re most looking forward to visiting and why?

I am really looking forward to going back to Belfast because that was where I auditioned for The X Factor, Originally, I was going to visit the Giants Causeway….. but I never got there in the end as the audition happened and kinda took over, my last day there, So, I’m hoping this time round I will be able to go.

Hairspray is set in the 1960s, but if you could be born in any other decade which one would it be, and why?

I love period dramas, especially the style and fashion tassles and beads etc. I am such a magpie because I love all the shiny things, sequins,beads and diamantes – that’s just me! So, that is the era I would love to be in. Fabulous costumes! Fabulous dresses! Fabulous headdresses!

What’s your all-time favourite musical?

Gosh…it’s all the ones I’ve been in! I…… but Aside from those I did enjoy Motown, The Bodyguard, Les Misérable, and I cried watching Memphis and I absolutely loved Jersey Boys! There were songs in there that I didn’t realise I knew were originated by the Jersey Boys. I was singing the whole way through. …It’s very hard!

What inspired you to go into musical theatre? What was the first musical you saw?

I was born and raised in the church. There were a lot of times when we never had microphones, so we had to project, and so I grew up singing in a lot of big spaces, I think in some way,

I’m drawn to them…. But it was Sharon who told me that she was approached by the Producers of Chicago the Musical when I was on X Factor in 2005,to come for an audition, so that was how I landed my first role in musical theatre, It’s such a pleasure, I feel so lucky to be able to perform in all these beautiful theatres. The first musical I saw was Thriller Live my friend and fellow x factor team mate Maria, was in the show.

What do you consider your greatest achievement or highlight of your career away from the stage.

I will always say my greatest achievement in life are my children, they are a real blessing.

The highlight of my career would have to be recording my Debut Album Bring It Back, I’m very proud of the songs I wrote and I feel it shows all sides of my personality.

You’ve starred in some brilliant roles in Chicago and We Will Rock You amongst many other well-known productions; are there any other musical roles you would love to play?

I really want to originate a role I would love to play Ursula if it ever came to the West End!

If you could dance on any TV show, apart from The Corny Collins Show, which one would it be? And what would be your signature dance move?

Strictly Come Dancing with the Jitterbug.

Hairspray was originally based on 1988 film by John Waters, if you could adapt any other film from the 1980s into a musical which one would it be?

Coming to America that’s a very funny film

Can you tell us a bit about your experience on The X Factor? How did it prepare you for the industry?

I really enjoyed the show, there were a lot of rehearsals before each Saturday night live show, so you always had to be on your game, it was exciting as well as challenging at the same , so It isn’t very different to the stage, the live shows were in front of a studio audience. I think it really did prepare me mentally for this industry because you have to have .

A lot of people say to me “do you not get fed up of doing the same show year after year” but it’s not the same show, it because it is a different audience every night. Te cast feed off the energy of the audience

You demonstrated what many deemed as unwavering strength in the face of adversity; touring with Hairspray while battling cancer. How important is it to you to keep inspiring and educating others through raising awareness of this cause?

It is very important if I hadn’t of spoken to somebody to feel the lump in the first place. I could be in a completely different situation right now, so it shows that talking is key, and that’, and if it makes just one person get checked out then I have succeeded.

HAIRSPRAY THE MUSICAL

UK TOUR

Directed by Paul Kerryson

Choreographed by Drew McOnie

 

NEW CAST ANNOUNCED FOR UK TOUR OF HAIRSPRAY

GRAND OPERA HOUSE YORK

Monday 16 –  Saturday 21 July

 

New casting has today been announced for the UK Tour of Hairspray as it continues to travel the length and breadth of the UK and Ireland. Having entertained big, bold and beautiful audiences across the country to critical and public acclaim since opening last summer, Hairspray will travel to Llandudno, Canterbury, Southend, Wycombe Swan, Cheltenham, Stoke, Oxford, Newcastle, Eastbourne, Dublin, York, Swansea and Bournemouth.

Joining the cast will be Raquel Jones (The Bodyguard, Jesus Christ Superstar) who will be returning to the role of Lil’ Inez having played the part for two years during the West End run of the production at Shaftsbury Theatre. Shak Gabbidon-Williams will be making his professional debut as Seaweed and Dan Partridge (Mama Mia!, Sleeping Beauty)  takes over the role of Link Larkin from Edward Chitticks.

Established musical theatre performer Graham MacDuff will now play the role of Wilbur Turnblad alongside Gemma Lawson as Amber Von Tussle and Rosie O’Hare now in the leading role of Tracy Turnblad.

Brenda Edwards will continue in the role of Motormouth Maybelle alongside Jon Tsouras (A Chorus Line) as Corny Collins. Matt Rixon (The Ladykillers, Around the World in 80 Days) as Edna Turnblad, Gina Murray (Chicago and Full Monty) as Velma Von Tussle, Annalise Liard-Bailey as Penny Pingleton.

 

Further cast includes: Adam Price, Lucinda Lawrence, Marion Fagbemi, Brianna Ogunbawo, Amana Jones, Emma Warren, Kirsty Ingram, Courtney Brogan Smalley, Ross Clifton, Ben Darcy, Brian O’Muiri, Ziggy Tyler Taylor, Abz Kareem, Reece Richards, Shay Barclay, Abiola Efunshile and Lindsay McAllister.

 

Full dates and tickets are available at www.hairsprayuktour.com/tour-dates.

Featuring the iconic music and lyrics by Academy Award, Tony and Emmy winning duo Marc Shaiman and Scott Wittman, this much-loved musical comedy currently stars ITV comedy legend Norman Pace as Wilbur Turnblad, Brenda Edwards as Motormouth Maybelle and Layton Williams as Seaweed. Matt Rixon returns to the role of Edna Turnblad and newcomer Rebecca Mendoza makes her professional debut as Tracy Turnblad.

Choreographed by Olivier Award-winning Drew McOnie with direction from Paul Kerryson.

It’s Baltimore 1962, where Tracy Turnblad, a big girl with big hair and an even bigger heart, is on a mission to follow her dreams and dance her way onto national TV. Tracy’s audition makes her a local star and soon she is using her new-found fame to fight for equality, bagging local heartthrob Link Larkin along the way.

Hairspray is a musical based on the 1988 film of the same name which starred Divine and Ricki Lake by cult filmmaker John Waters. With music and lyrics by Marc Shaiman and Scott Wittman and book by Mark O’Donnell and Thomas Meehan, Hairspray originally opened to rave reviews on Broadway in 2002 and subsequently won eight Tony Awards. The production opened in London at the Shaftesbury Theatre in 2007 and won four Laurence Olivier Awards including Best New Musical. Proving to be an international success, Hairspray has also opened in South Africa, Japan, South Korea, China and Dubai. Following the musical’s phenomenal success on stage, a film of the musical was released in 2007 which starred John Travolta, Michelle Pfeiffer and James Marsden.

LISTINGS

 

18-23 June 2018

Oxford New Theatre

Box Office: 0844 871 3020

http://www.atgtickets.com/venues/new-theatre-oxford

25-30 June 2018

Newcastle Theatre Royal

Box Office: 08448 11 21 21

https://www.theatreroyal.co.uk/whats-on

2 – 7 July 2018

Eastbourne Devonshire Theatre

Box Office: 01323 412 000

https://www.eastbournetheatres.co.uk/venue/devonshire-park-theatre

 

9 – 14 July 2018

Dublin Bord Gais

Box Office: +353 1 677 7999

http://bordgaisenergytheatre.ie

16-21 July 2018

York Grand Opera House Theatre

Box Office: 0844 871 3024

http://www.atgtickets.com/venues/grand-opera-house-york

 

23-28 July 2018

Swansea Grand Theatre

Box Office: 01792 475715

http://www.swansea.gov.uk/grandtheatrewhatson

30 July – 4 August 2018

Bournemouth Pavilion

Box Office: 0844 576 3000

https://bhlivetickets.co.uk

NEW ADVENTURES ANNOUNCES

GROUND-BREAKING COLLABORATION

WITH JULIE’S BICYCLE

 

“SWAN LAKE” WILL BE THE FIRST

CREATIVE GREEN CERTIFIED TOUR

 

IN RECOGNITION, NEW ADVENTURES HAS BEEN AWARDED THE CREATIVE GREEN PIONEER AWARD

New Adventures is delighted to announce a ground-breaking collaboration with Julie’s Bicycle to pilot a new Creative Green certification for the touring sector.

Julie’s Bicycle is a charity that supports the creative community to act on climate change and environmental sustainability. Through their Creative Green certification, Julie’s Bicycle recognises and celebrates environmental best practice within the cultural sector.  New Adventures has been working with Julie’s Bicycle over the past 18 months to develop policies and seek to embed good practice around environmental sustainability. New Adventures’ UK tour of Matthew Bourne’s “SWAN LAKE”, beginning in September 2018, will be the first Creative Green Certified Tour. 

 

As part of this commitment New Adventures is launching a new strand called GREEN ADVENTURES to champion this work, take steps to challenge standard behaviours and think creatively about green initiatives.  Throughout the UK tour of “SWAN LAKE” New Adventures will be seeking to reduce its direct environmental impacts and will also use the opportunity to advocate to audiences and touring venues.  In particular, New Adventures will be working closely with Sadler’s Wells and Norwich Theatre Royal who are already leaders in this area.

Matthew Bourne said: “New Adventures is thrilled to be the first touring company to be working in partnership with Julie’s Bicycle on a Creative Green Touring certification. As one of the UK’s busiest touring dance companies, we visit theatres across the world and travel to very picturesque settings. I believe that it’s important to conserve the natural beauty around us and it is something that we’re very passionate about. We hope that our Green Adventure with Julie’s Bicycle will help us to spread the word to our wonderful presenting venues and audiences around the globe about how to lead more sustainable lifestyles, so that generations to come can continue to enjoy all that our planet has to offer.”

 

In recognition of this collaboration, last night (Monday 9 July), New Adventures was awarded the Creative Green Pioneer Award in the second annual Creative Green Awards which celebrates the many outstanding organisations taking action on climate and the environment.

Matthew Bourne said about the Award: “New Adventures is delighted to be awarded the Creative Green Pioneer award in recognition of our work with Julie’s Bicycle over the past 18 months. We are now very excited to see what we can achieve in the future, particularly on our UK tour of SWAN LAKE.”

Paule Constable, Lighting Designer, added: “As a New Adventures Associate Artist I am proud to be one of their green champions as they become the first UK touring company to receive Creative Green Touring certification, and as the inaugural recipient of the Green Pioneer Award. I try to be as environmentally aware as possible from cycling to recycling but I’m equally passionate about trying to make my working life environmentally responsible. I look forward to working closely with New Adventures during the tour of SWAN LAKE to advocate for and encourage sustainability.”

Alison Tickell, Founder and CEO of Julie’s Bicycle said: “Touring creative work to audiences around the world has a considerable environmental impact. At the 2018 Creative Green Awards we recognise New Adventures for its pioneering work to examine touring impacts and work in partnership with cultural venues to reduce those impacts and engage with their audiences. As the first touring company to do Creative Green touring we hope others will join in this climate action.”

Bristol Hippodrome – until 14th July

Review by Nicky Wyatt

4****

Michel Jackson love him or loath him was the undoubted King of Pop. This show is a fast moving glittering testimony to the man, his music, his dance moves .

From the minute the curtain raises you can see shoulders moving, feet tapping and more than a few shimmy’s going on, in fact it’s incredibly hard not to get up and dance from the off!

Be prepared to be transported back to the early days of The Jacksons. This incredible cast take you on a musical June box journey of all the music and moves you grew up with. From ABC, Blame it on the Boogie through to Man in the Mirror, Beat it, Billie Jean and of course Thriller and Bad. The show covers a mix of 30 songs.

With a stage full of sparkle and amazing talent it’s a job to know where to look at times as there is so much going on.

The leads on the stage that not only narrate this musical extravaganza also have amazing voices. We all know that there is only one MJ but this clever diverse crew showcase his styles and sounds brilliantly.

Britt Quentin has an incredible voice and legs that just don’t keep still, such a charismatic performer. He worked incredibly well with Shaquille Maurice Hemmans who has quite a cheeky look at times again with an amazing voice. The voice of Rory Taylor is one to be enjoyed. The ladies hit all the notes too Adriana Louise and Ina a Seidon were both so slick with their songs and dances.

In a show like this the ensemble play a huge part and this crew were exceptional. Fast complex dance routines that appeared to he flawless. Quick costume changes for everyone of them which they all coped with. There are three dancers that I felt had huge stage presence and deserve a mention Lee Pratt and Gustave Die both caught our attention, they brought an extra something to the stage. Finally the dancer that try as I might I can’t find a name for, maybe the intrigue is intentional, from row P he could have been MJ and was outstanding.

If you’re in the Bristol are this week, treat yourself to a ticket you really can’t Beat It!