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Sheffield Lyceum – until Saturday 30th March 2019

Reviewed by Charleigh Christmas

5*****

Having listened to Green Day’s songs and albums, and already being a fan, I was particularly excited to go see this show. I can tell you it didn’t disappoint.

Built around Green Day’s American Idiot album, the story follows 3 men on a journey of self-discovery, while changing dreams, life, and a lot of drugs get in the way.

The bulk of the story was told through song and this drove the story forward, with a few scenes being dialogue only.

I thought the cast were brilliant. The commitment from each and every one of them was superb, there was no embarrassment or holding back, you felt like they put 110% into the performance.

I really felt an emotional connection to the characters. The cast are too many to name every one of them, but a couple of stand outs for me were Tom Milner, who played “Johnny”, Luke Friend “St Jimmy” and Samuel Pope “Will”. Tom Milner’s commitment to the show was evident, as he had to perform some gruelling scenes and did so with what seemed like ease. I feel Samuel Pope added some lightness to the scenes, and had really good comic timing. Luke Friend brought the raw energy and animalism to the role of “St Jimmy” that was equally disturbing and brilliant.

The choreography was amazing, and again the cast put 100% into the dance routines. Obviously I thought the songs were amazing, and I think that having the band on stage through the play was also a really great decision. They were as much part of the production as the rest of the cast.

I think the set was extraordinary, it drew me in from the start and I love how the story was able to progress across three different locations on one stage.

The ending for me was the climax to a brilliant show, the cast received a very much deserved standing ovation as they came on for their final song.

Brilliantly cast and superbly directed, I would definitely recommend this show!

Darlington Hippodrome – until 30 March 2019

3***

Tilted Wig Productions bring Oscar Wilde’s most notorious works to Darlington this week.  When originally written, the book shocked with its hedonistic and homoerotic themes. The scandal of which sent the author to jail.

In parts this is more 50 Shades, especially with one scene in the second act, when Dorian (Gavin Fowler) and Henry (Jonathan Wrather) party in a self gratifying, decadent manner.

We start the tale with Dorian being painted by Basil Hallward (Daniel Goode), Basil is in love with Dorian, he feels he can only paint when young Dorian is with him and then he produces his best work.  At a sitting, Henry meets Dorian and begins to lead him astray.

Dorian meets actress Sybil Vane (Kate Dobson) and falls in love with her, asking her to marry him after watching her perform for a few weeks.  She calls him Prince Charming and agrees to marry him. Sybil loses her ability to act the more she falls in love and Dorian only wants the perfect actress and breaks the engagement.  Heartbroken Sybil kills herself. The shock of her death sends Dorian further into the underworld of indulgence, immorality and depravity.

Whilst Wilde’s story has the premise that Gray’s portrait ages and shows his rotten and twisted soul whilst Gray himself stay eternally young.  In this version we never see a painting, instead it’s glass in a frame which starts off clear but ages and dulls with scratches and breaks as the play progresses.

With more than one suicide, seduction and murder this is a still quite a moralistic play even with today’s liberal attitudes.

In Darlington until Saturday and on tour around the UK, this is definitely one to see if you are a fan of Wilde

Leapin’ Lizards!
Annie is coming to Bradford
Starring Anita Dobson as ‘Miss Hannigan’
Alhambra Theatre, Bradford
Monday 22 – Saturday 27 April 2019

Audio Described performance: Wed 24 April, 2pm, Signed performance: Thu 25 April, 7.30pm,
Captioned performance: Fri 26 April, 7.30pm
Call the Box Office on 01274 432000 or visit bradford-theatres.co.uk

Michael Harrison and David Ian’s smash hit production of the musical ANNIE comes to the Alhambra Theatre in Bradford from Monday 22 to Saturday 27 April 2019.

Joining the previously announced Anita Dobson who stars as Miss Hannigan will be Alex Bourne as Oliver Warbucks, Richard Meek as Rooster, Jenny Gayner as Lily and Carolyn Maitland as Grace Farrell. The title role of Annie is shared by Faye Katsande, Ava Smith and Freya Yates. They are joined by three teams of young performers who play the girls in Miss Hannigan’s orphanage.

Completing the cast will be Michael Anderson, Thomas Audibert, Andy Barke, Caroline Bateson, Daisy Boyles, Blaise Colangelo, Gary Davis, Ashleigh Graham, George Rae, Anne Smith, India Thornton, Matt Trevorrow, Amy West and Samuel Wilson Freeman.

As Angie Watts in EastEnders, Anita Dobson created one of the most popular characters in television winning numerous awards. Her West End theatre credits include Madame Morrible in Wicked, Mama Morton in Chicago, Mrs Meers in Thoroughly Modern Mille, Chris in Calendar Girls, Joan Crawford in Bette and Joan and Nancy in Frozen at the National Theatre for which she was nominated for an Olivier, Evening Standard and London Critics Award. Her film credits include London Road.

Alex Bourne reprises his performance as Oliver Warbucks after playing the role in this production of Annie in the West End, Toronto and on the 2015/16 tour. His many other West End credits include Danny in Grease, The Beast in Beauty and the Beast, Billy Flynn in Chicago, Khashoggi in We Will Rock You and Fred/Petruchio in Kiss Me, Kate for which he received an Olivier Award nomination for Best Actor in a Musical. His other credits include Daryl Van Horne in The Witches of Eastwick and the Watermill Theatre, for which he received a TMA nomination for Best Actor, Sam Michael in the national tour of Mamma Mia! and Lex Hogan in Eugenius! at the Other Palace.

Richard Meek’s many credits include Trevor Graydon in Thoroughly Modern Millie, Brad, Eddie and Dr Scott in The Rocky Horror Show and Sir Galahad in Spamalot, all on national tour. He has also appeared as Leo Bloom in the international tour of The Producers as well as Dustin and Greaseball in the 25th anniversary cast of Starlight Express in Bochum, Germany

Jenny Gayner’s West End credits include Miss Wilson in the original cast of The Girls at the Phoenix Theatre, Hunyak in Chicago at the Adelphi, Cambridge and Garrick theatres and Spamalot at the Palace Theatre. Jenny has also appeared as Lina Lamont in Singin’ in the Rain and Brooke Windham in Legally Blonde, both at Kilworth House.

Carolyn Maitland reprises her performance as Grace Farrell after playing the role in this production of Annie in Toronto. Her West End credits include Ellen in Miss Saigon at the Prince Edward Theatre, Marian in The Woman in White at the Charing Cross Theatre and Groundhog Day and Kiss Me, Kate, both at the Old Vic. Her other credits include Molly in the national tour of Ghost and Kathy Seldon in Singin’ in the Rain at Kilworth House.

Set in 1930s New York during The Great Depression, brave young Annie is forced to live a life of misery and torment at Miss Hannigan’s orphanage. Determined to find her real parents, her luck changes when she is chosen to spend Christmas at the residence of famous billionaire, Oliver Warbucks. Spiteful Miss Hannigan has other ideas and hatches a plan to spoil Annie’s search…

With its award-winning book and score, this stunning new production includes the unforgettable songs It’s the Hard Knock Life, Easy Street, I Don’t Need Anything But You and Tomorrow.

Annie has Music by Charles Strouse, Lyrics by Martin Charnin and a Book by Thomas Meehan. Directed by Nikolai Foster with set and costume design by Colin Richmond, choreography by Nick Winston, lighting by Ben Cracknell and sound design by Richard Brooker, Annie is produced by Michael Harrison and David Ian.

Please call the Box Office on 01274 432000 or visit bradford-theatres.co.uk for more information

STAGE ONE LAUNCHES FIRST EVER UK/US PRODUCER EXCHANGE

Theatre producers’ charity Stage One has announced a new programme, the Stage One & Columbia University Exchange, and is seeking applications from producers.

The unique programme offers 10 producers a grant to fly to New York in September 2019 and attend a week-long course facilitated by Columbia University and Stage One. The Producers studying at Columbia University will then fly to London for a week-long programme on the model in the UK in January 2020.

The course is designed for Stage One producers who have produced a number of shows at a mid-large scale and are looking for the next step in their career. Producers taking part in the scheme will get the chance to learn how the producing model works in the US and build networks of commercial contacts on Broadway.

Joseph Smith, Chief Executive of Stage One, said:

‘Stage One is thrilled to be launching the Producer Exchange in partnership with Columbia University to enable aspiring commercial theatre producers to create stronger ties with their counterparts in New York.  Theatre is all about collaboration and in an increasingly competitive and at times insular world we need to look across borders to discover the exciting creative and commercial ideas of the future.’

DISNEY’S THE LION KING ANNOUNCES NEXT
DEDICATED RELAXED PERFORMANCE
Special performance to be held on Sunday 02 June 2019 at
London’s Lyceum Theatre

Disney’s hit West End musical THE LION KING has today announced that it will hold a dedicated Relaxed Performance on Sunday 2nd June 2019 at 1:30pm. Tickets are now on sale.

Disney’s THE LION KING is committed to creating a friendly and inclusive audience experience at the Lyceum Theatre, London. Having hosted its fifth Autism-Friendly Performance in London in June 2018, the landmark musical is delighted to be presenting a Relaxed Performance for 2019. Relaxed performances are specially adapted to be accessible to a wide range of audiences such as those with autism, those with a learning disability or anyone with a sensory predisposition, with extra trained staff on hand and dedicated quiet areas inside the theatre should anyone need to leave their seat. All patrons who feel this performance might suit their specific needs are warmly encouraged to attend.

Audience members can find out more information and purchase tickets at https://thelionking.co.uk/relaxedperformances/. Tickets are sold at a specially reduced rate and can be selected on a virtual map of the auditorium.

Disney’s award-winning musical THE LION KING is now in its 19th triumphant year at London’s Lyceum Theatre. Since the UK premiere in London on Tuesday 19th October 1999, THE LION KING has entertained over 15 million theatregoers and remains the West End’s best-selling stage production. It is currently the sixth longest-running West End musical of all time.

York Inspirational Kids Fashion Show

Grand Opera House York

Saturday 30 March 2019 at 2.30pm

A fun afternoon with disabled children & young people and their families who will take you on a journey of creativity, colour and inclusion. Be ready to smile. Fundraising for Stimul8 – to build a leisure and training facility for disabled children and young people in York.

Having a disabled child of her own, Ruth Thompson realises the difficulties faced by many families when trying to access mainstream activities. Her 14 year old daughter was born with a virus called Cytomegalovirus (CMV), which caused to her to have a stroke, attacked her optic nerve causing her to be born blind, though she now has a little bit of vision, severe epilepsy and learning difficulties. As Georgina has grown up Ruth became aware of more and more gaps in provision for play and development. Despite having the vision for Stimul8 7 years ago, with the help of her business partner Jo Rodwell the pair have resurrected the plans and begun fundraising to build a state of the art facility providing nursery care for very complex needs children, fully adapted play centre and NVQ/ training hub plus some paid work for disabled children and young people.

Ruth says ‘As Georgina has grown I’ve become more and more aware of the gaps in provision and just knew I needed to do something about it. With Jo’s help we know this is going to make a difference to so many families.’

Ruth also runs York Inspirational Kids, a support group for families who have a disabled child. They decided to get involved with York Fashion Week to show fashion designers, retailers and others involved within the fashion industry that disabled children also want to be fashionable but need a few adaptations to be made to help them access everyday clothing. Items such as adjustable clothing, adapted fastenings such as magnets or Velcro, fashionable shoes with Velcro fastenings in adult sizes and seamless clothing to accommodate sensory issues.

Jo says ‘at the end of the day they’re just children who want to have fun and dress like their peers. If they need wider legs to help go over splints, higher waists or longer tee shirts to enable wheelchair users not to get cold then it really shouldn’t be too much to ask. Just getting a wheelchair into some of the stores can be impossible. This fashion show will highlight these children’s fashion needs and will showcase what some retailers are doing to accommodate them. We are so grateful that the Grand Opera House also thought this was a priority too and is enabling us to put on this show. ‘

The aim of the show is to raise awareness, encourage inclusivity as well as raising funds to build Stimul8.

Tickets on sale from Friday 1 February at 10am

Ticket Price: Adults £5, Children £2

Box office: 0844 871 3024

Online: www.atgticketrs.com/york

King’s Theatre, Edinburgh – until 30 March 2019

Reviewed by James Knight

2**

Rachel Watson (Samantha Womack) is a mess. Alcoholic and depressed, unable to live the life of which she had dreamed with her now ex-husband Tom (Adam Jackson-Smith), she watches the people she can see from her train journeys and imagines who they are, who they could be, and what it might be like to live as them. In particular, she focuses on Megan and Scott Hipwell (Kirsty Oswald and Oliver Farnworth), or as she imagines them, Jess and Jason. Of course, surely nothing could come of the fact that they live just a few doors down from Rachel’s ex and his new family? So when Megan goes missing, and Rachel has gaps in her memory, the stage is set for an intimate thriller.

The Girl on the Train was a stunning success as a book and film, and so, naturally, producers wanted to turn it into a theatrical production. The end product is, like Rachel’s memory, lacking in clarity. Apart from some clever uses of light and projection, and strong performances from the supporting characters of D.I. Gaskill (John Dougall) and Anna Watson (Lowenna Melrose), the term ‘thriller’ cannot truly be applied to the lack of enthusiasm in almost any other aspect. The stakes simply do not feel high enough. Without the use of multiple points of view from the book, and the visual language of the film, the stage version suffers. Not that the book is un-stageable, far from it, but the determinedness to present the events as naturalistically as possible means that when the more stylistic interpretations of Rachel’s memories and drunken stupors are shown, it comes across as forced and jarring.

The lack of effort is particularly frustrating as actors speak words and step to their marks to deliver them, with little thought or intention. Little is done to convince the audience to care for Rachel’s predicament and too many scenes just devolve into shouting clunky and cliched dialogue. The second half is a marked improvement on the first, as events and revelations come to light, but by then it is difficult to stay engaged.

The original production at the West Yorkshire Playhouse was slated critically, and it seems little has been done to improve on what was not working.

HULL NEW THEATRE, HULL – UNTIL SATURDAY 30TH MARCH.

REVIEWED BY DAWN BENNETT

5*****

Moving into a new house should be a happy time but Peter James’ The House on Cold Hill (adapted for stage by Shaun Mckenna} proves it can be as far away from happy as possible!

Set in in the modern day, in an 800-year-old country house, we meet the family Ollie Harcourt (Joe McFadden), his wife Caro (played brilliantly by understudy Hannah Lindsey) and teenage daughter Jade (Persephone Swales-Dawson).

They move into the house (which has been strangely standing empty for 40 years) and start renovating with the help of builder Phil (Leon Stewart) and this is when the fun starts, the electrics go awry, pipes groan, doors bang shut or slowly open and all this can seem to be explained logically…or can it?

Chris (Charlie Clements), is the IT “geek” from the village who is brought in by Ollie to help with his web design business and sort out the Wi-Fi. His transformation from mild mannered IT man to ghost hunter is brilliantly written and acted.

The history of the house starts to unravel and we learn about the previous residents with some scary scenes that were made the people around me jumpy! The tension gets broken by the slightly dotty cleaner Annie (Tricia Deighton) who’s lines, and talent for mediumship make you laugh one minute and gasp with shock the next.

Fortinbras the Vicar (Padraig Lynch) offers some more history of the house, some more of what had happened to its residents and a blessing with some very interesting results!

Along with O’Hare (Simon Balcon) we are treated to excellent acting from all the cast, the characters are very believable, particularly Joes character Ollie who is the gel that holds the family together.

Everything from the set to set to the special effects was very well done.

A dark atmospheric production full of tension and humour and if you like Peter James’ books, and ghost stories in general, I would highly recommend you go and see it.

If you want to know the ending…well that would be telling!!

THE DEADLY WORLD PREMIERE OF THE GROUDBREAKING IMMERSIVE GAMING EXPERIENCE VARIANT 31

WILL MOVE TO 1 SEPTEMBER 2019

Space 18, the huge new theatrical complex built specifically to house immersive and experiential theatre is now even bigger! Combining 7 buildings, 35 floors and now more than40,000 square feet, Space 18 is preparing for an even bigger and deadly reveal for its new World Premiere date of 1 September 2019.

Dalton Dale, Artistic Director, Big Dreamer Productions and creator of Variant 31 said “We have made the decision to postpone the opening of the Production so that we may ensure the entirety of the experience exceeds the highest possible standard.

For over two years Variant 31 has been in development, and every element from the ground breaking technology, score, costumes, special effects, creatures, and the purpose built venue are never before seen. Each element is custom crafted for us by industry leading artists from around the world. With all of these unique components, it takes a great deal of care and effort to ensure they each function in perfect harmony.

The last thing we want to offer guests is an experience that may not excel in every possible way.

For ticketing queries, we ask that guests contact their point of sale where they may rebook their experience. We look forward to screaming with all of you this autumn!”

The opening production will feature a cast of 150 highly trained professional actors; experienced in parkour, aerial acrobatics, stage combat, fire poi, and intense full contact performances, making Variant 31 the largest employer of actors and theatrical technicians currently running in the West End.

Unlike traditional theatre, Dalton Dale and his co-producers wish to explore clever and innovative techniques to engage today’s audiences who simply crave more than the traditional theatrical experience. By creating this ambitious new venue, they have provided a world of possibilities for audiences to fully immerse themselves and explore the colossal structure, which occupies an entire city block in the heart of London’s West End.

VARIANT 31

Variant 31 is a 90 minute long adrenaline-fuelled live-action game, in which players navigate through the expansive 40,000 square foot labyrinth. Once inside this immaculately detailed hidden world, the aim is simply to survive and escape. Work in teams to solve group challenges and play individually to complete personal objectives and puzzles to forge your own path to freedom. Those seeking safety in numbers are free to work together and find their way through the experience as a group.

Get off the couch, leave the video game behind and star in your own story.

Do you have what it takes to stay alive?

Welcome to Toxico Technologies’ top-secret live demonstration of their latest weapon in modern warfare, ‘Variant 31’; a serum so powerful it allows the user to control death itself.

The demonstration goes horribly awry and turmoil ensues as reanimated cadavers go on the warpath. Their sole mission is to hunt and destroy the invading enemy… you.

Do you have the skills and the stamina to overcome an array of terrifying creatures, and make it out alive? Or will the sheer terror be too much to handle….

Unleash the horror, choose your adventure and #AimForTheHead

Unlike any other immersive experience, audiences have the ability to traverse the massive arena however they so choose, utilizing custom-built state of the art wearable technology. Up, down, left and right – the journey you take through the apocalyptic world truly is your own; with over a thousand possible routes, no two adventures will be the same. From unlocking secrets, finding hidden passageways, interacting with characters in one-on-one experiences and piecing together the story for a narrative gaming experience that is uniquely your own.

LISTINGS

VARIANT 31 – AN IMMERSIVE SURVIVAL EXPERIENCE

FROM 1^st September 2019

SPACE 18

Tickets: From £55

Bookings Line: 0844 815 7141 (KX Tickets)

Open from 9am until 9pm every day. Calls cost 7p per minute, plus your standard network rate

Box Office: Onsite box office open from July 2019

Performances:

Sept 1- 31 Dec  2019

Monday -6pm, 6.30pm, 7pm, 7.30pm, 8pm, 8.30pm, 9pm, 9.30pm, 10pm 

Tuesday -6pm, 6.30pm, 7pm, 7.30pm, 8pm, 8.30pm, 9pm, 9.30pm, 10pm 

Wednesday – 6pm, 6.30pm, 7pm, 7.30pm, 8pm, 8.30pm, 9pm, 9.30pm, 10pm 

Thursday – 6pm, 6.30pm, 7pm, 7.30pm, 8pm, 8.30pm, 9pm, 9.30pm, 10pm, 10.30pm, 11pm,

Friday – 6pm, 6.30pm, 7pm, 7.30pm, 8pm, 8.30pm, 9pm, 9.30pm, 10pm, 10.30pm, 11pm,

Saturday – 10am, 10.30am, 11am, 11.30am, 12pm, 12.30pm, 1pm, 1.30pm, 2pm, 2.30pm, 3pm, 3.30pm, 4pm, 4.30pm, 5pm, 5.30pm, 6pm, 6.30pm, 7pm, 7.30pm, 8pm, 8.30pm, 9pm, 9.30pm, 10pm, 10.30pm, 11pm

Sunday – 10am, 10.30am, 11am, 11.30am, 12pm, 12.30pm, 1pm, 1.30pm, 2pm, 2.30pm, 3pm, 3.30pm, 4pm, 4.30pm, 5pm, 5.30pm, 6pm, 6.30pm, 7pm, 7.30pm, 8pm, 8.30pm, 9pm,

Running Time: 90 Minutes

Address: Space 18, 39-41 New Oxford Street, London, WC1A 1BN

Website: Variant31.com

Twitter/Facebook/Instagram: @Variant31

#AimForTheHead

#TheExperimentBegins

#ControlYourFear

#TheChoiceIsYours

Age Requirement: Suitable for 18+

Warning: This experience is only suitable for the brave and adventurous. The production utilizes strong language, simulated violence, actor nudity and is a high adrenaline, fast paced, full contact survival game. This experience is not meant for the faint of heart, expectant mothers, claustrophobic, asthmatic, or those suffering from recent surgery, trauma, phobias, heart conditions, PTSD or any other mental, physical, or medical afflictions. Enter at your own risk.

Variant 31 is produced by Big Dreamer Productions and Stephen McGill Productions, in association with Rachel Kraftman Productions and MDR Productions.

Freckle Productions and Rose Theatre Kingston present Zog

From the book by Julia Donaldson with illustrations by Axel Scheffler

ZOG THE DRAGON FLIES

INTO STORYHOUSE NEXT WEEK

The highly anticipated family stage show Zog flies into Chester next week for three days at Storyhouse.

The production is based on the book by Julia Donaldson with illustrations by Axel Scheffler, which is being brought to life on stage through a UK tour which started earlier this month in Leeds.

Zog comes to Storyhouse from Friday 5 April to Sunday 7 April 2019, for six performances only. Tickets are on sale now.

The cast of actor-puppeteers will bring the world of Zog to life with handcrafted puppets, designed and created by Little Angel Theatre co-founder Lyndie Wright.

Zogis adapted and directed by Mike Shepherd (founder and Artistic Director of Kneehigh), with an original folk score by Johnny Flynn (currently starring in True West in the West End), and designs byKatie Sykes (Jane Eyre at the National Theatre).

The cast features Elliot MacKenzie (professional debut) as Zog; Emily Benjamin (Bat Out Of Hell) as Princess Pearl; Robert Ginty (Salome and Coriolanus, Royal Shakespeare Company) as Sir Gadabout the Great; Euan Wilson (Stick Man, UK Tour) as Madame Dragon; and Dixie McDevitt (National Youth Theatre alumni) as Ensemble.

Large in size and keen in nature, Zog is eager to win a golden star at Madam Dragon’s school, where dragons learn all the things that dragons need to know.

Zog tries so very hard, perhaps too hard, and he bumps, burns and roars his way through years one, two and three. Luckily, the plucky Princess Pearl patches him up ready to face his biggest challenge yet…a duel with a knight, Sir Gadabout the Great! Zog promises to be roaring fun for all ages.

Zog is produced by Freckle Productions and Rose Theatre Kingston. Freckle Productions’ most recent show is Tabby McTat, an adaptation of the book by Julia Donaldson, following their acclaimed productions of Tiddler and Other Terrific Tales and Stick Man.

Julia Donaldson and Axel Scheffler are the UK’s number one picture book pair and are creators of many modern classics, including The Gruffalo which is in 75 languages.

Zog was first published in 2010 and won the Galaxy National Children’s Book of the Year Award. It has gone on to become a perennial bestseller.

On Christmas Day 2018, Magic Light Pictures premiered an animated film ofZogon BBC One featuring an all-star cast, following their award-winning films The Gruffalo, Room on the Broom and Stick Man.

Completing the creative team are movement director Tom Jackson Greaves (Billionaire Boy, UK Tour), lighting designer Ric Mountjoy (The Play that Goes Wrong), sound designer Julian Starr (Violet, Charing Cross Theatre), puppet designer Lyndie Wright (Little Angel Theatre), puppet director Sarah Wright (Kneehigh’sBrief Encounter), and movement and circus consultant Tina Koch.

Zog is suitable for children and families of all ages. #Zog

Tickets for Zog are on sale now, £16 for adults and £14 for children. Each ticket is subject to a £1.50 booking fee. Group rates are available.

The online version of the Storyhouse spring season 2019 brochure can be viewed by visitinghttps://issuu.com/storyhouselive/docs/storyhouse_spring_19

WHAT THE CRITICS SAY ABOUT ZOG

‘Zesty and delightful. A clever compelling treat’

Independent

‘To call this show lively would be a whopping understatement.

Packed with gleeful songs and jolly good fun’

The Guardian

‘A delight from start to finish. A room of children

laughing hysterically, all totally mesmerised by the action’

Time Out

LISTING INFORMATION

ZOG

Friday 5 April 2019 – Sunday 7 April 2019

STORYHOUSE

Hunter Street, Chester, CH1 2AR

Friday 5 April 2019 at 4.30pm

Saturday 6 April 2019 at 11am

Saturday 6 April 2019 at 2pm

Saturday 6 April 2019 at 4pm

Sunday 7 April 2019 at 11am

Sunday 7 April 2019 at 2pm

Tickets are £16 for adults / £14 for children – each ticket is subject to a £1.50 booking fee

Group rates are available – 10+ £12.50 each

Duration approximately one hour

HOW TO BOOK

Online:            Visit www.storyhouse.com

By Phone:       Call 01244 409 113

In person:       Visit the Ticket Kiosks at Storyhouse, Hunter Street, Chester, CH1 2AR

Website:         www.storyhouse.com

Facebook:       www.facebook.com/storyhouselive/

Twitter:           @StoryhouseLive