Cast Of Kinky Boots Wowed Edinburgh At Show Launch

THE CAST OF KINKY BOOTS WOWED THE CITY OF EDINBURGH AHEAD OF ITS

CHRISTMAS RUN AT THE PLAYHOUSE

Cast members from the hit musical Kinky Boots wowed an invited audience earlier this week as they visited the city to launch their upcoming visit to Edinburgh Playhouse this Christmas season.

 

The city’s bar and restaurant complex Brewhemia held the prestigious event which was hosted by Forth One’s Arlene Stuart.

Award winning cast member Callum Francis, who plays Lola in the show (until 15 December) entertained audiences with exclusive numbers from the show along with Angels Connor Collins from Glasgow and Jason Winter.

 

Following the event, the cast stopped tourists and shoppers in their tracks as they did some sightseeing in their thigh-high boots, visiting the Royal Mile and the Camera Obscura viewing platform.

 

Kinky Boots, the winner of every major Best Musical award, comes to Edinburgh Playhouse from Monday 10 December 2018 – Saturday 5 January 2019.

 

Callum Francis will play Lola until 15 December 2018 and Kayi Ushe will play the role from 17 December 2018. Paula Lane, known for her role as Kylie Platt in Coronation Street, will play Lauren and Joel Harper-Jackson will play Charlie.

Also in the Kinky Boots cast are Demitri Lampra (Don), Adam Price (George) Helen Ternent (Nicola) who will be accompanied by Charlie Allen, Nicola Avino, Lizzie Bea, Joshua St Clair, Connor Collins, Daniel Conway, Shaun Dalton, John Dempsey, Niki Evans, Mary Fox, Scarlet Gabriel, Damon Gould, George Grayson, Portia Harry,Joshua Lovell, Jacob McIntosh, Chileshe Mondelle, Alfie Parker, Fred Smiley, Toyan Thomas-Browne, Andy Watkins and Jason Winter.

 

Kinky Boots at the Adelphi Theatre has become a favourite with UK theatregoers having won three Olivier Awards for Best New MusicalBest Costume Design and Best Actor in a Musical for Matt Henry who playedLolaKinky Boots also won the London Evening Standard BBC Radio 2 Audience Award for Best Musical as well as three WhatsOnStage Awards for Best New Musical, Best Actor in a Musical and Best Choreography.

 

With a book by Broadway legend and four-time Tony® Award-winner Harvey Fierstein (La Cage aux Folles), and songs by Grammy® and Tony® winning pop icon Cyndi Lauper, this joyous musical celebration is about the friendships we discover, and the belief that you can change the world when you change your mind.

Inspired by true events, Kinky Boots takes you from a gentlemen’s shoe factory in Northampton to the glamorous catwalks of Milan. Charlie Price is struggling to live up to his father’s expectations and continue the family business of Price & Son. With the factory’s future hanging in the balance, help arrives in the unlikely but spectacular form of Lola, a fabulous performer in need of some sturdy new stilettos.

With direction and choreography by two-time Tony® Award-winner Jerry Mitchell (Legally Blonde, Hairspray),Kinky Boots is the winner of every major Best Musical award including three Olivier Awards, threeWhatsOnStage Awards as well as six Broadway Tony® Awards.

Kinky Boots is produced by Daryl Roth and Hal Luftig and Playful Productions, in association with Cameron Mackintosh.

Official UK Tour Website: www.kinkybootsthemusical.co.uk/uk-tour

Official Facebook: www.facebook.com/KinkyBootsUK

Official Twitter: www.twitter.com/KinkyBootsUK

 

LISTING INFORMATION

 

KINKY BOOTS

EDINBURGH PLAYHOUSE

Greenside Place, Edinburgh, EH1 3AA

MON 10 December 2018 – SAT 5 JANUARY 2019

Mon – Thu & Sat 7.30pm | Fri 5pm & 8:30pm | Matinee performances Wed & Sat 2.30pm

 

HOW TO BOOK

Online: atgtickets.com/Edinburgh

Box Office: 0844 871 3014*

*fees apply.

Casting complete for Sam Shepard’s TRUE WEST

CASTING COMPLETE FOR WEST END PREMIERE OF TRUE WESTMadeleine Potter and Donald Sage Mackay

complete the cast for new production
 
They join acclaimed actors KIT HARINGTON and JOHNNY FLYNN
Performances begin Friday 23 November | Vaudeville Theatre
 
Madeleine Potter and Donald Sage Mackay complete the cast for the forthcoming West End Premiere of Pulitzer Prize-winner Sam Shepard’s ferociously funny, modern classic, True West. They will join the previously announced Kit Harington – renowned for his leading role in the internationally acclaimed series Game of Thrones –  and Johnny Flynn – star of the widely celebrated film Beast and US TV series Genius, and who received rave reviews for his performance in the New York transfer of Hangmen, in the first UK production of Shepard’s work since his death last summer.
 
True West
will play a limited season at the 
Vaudeville Theatre from Friday 23 November – Saturday
16 February 
 
Madeleine Potter will play Mom – the mother of warring brothers Austin and Lee – and Donald Sage Mackaywill take the role of Hollywood producer, Saul Kimmer. They will star opposite Kit Harington and Johnny Flynnas brothers Austin and Lee.
 
Two of the most challenging and sought after roles in modern drama, some of the greatest American and British actors of the last 30 years have played the brothers since the play’s debut in 1980.
 
Olivier-nominated Matthew Dunster (HangmenLove And Money) will direct True West. The creative team joining him includes Jon Bausor Set and Costume Design, Joshua Carr Lighting Design and Ian Dickinson Sound Design.  As well as playing the role of Lee, Johnny Flynn will also compose original music for the production. 
 
Austin is working on a movie script that he has sold to producer Saul Kimmer when Lee stumbles back in to his life. Never content to watch from the sidelines, he pitches his own idea to Kimmer, an action which has far reaching consequences…
 
Set against the searing heat of the Californian desert, Shepard’s critically acclaimed drama pits brother against brother as a family tears itself apart, exposing the cracks in the American Dream.
 
Madeleine Potter’s credits include An Ideal Husband (West End & Broadway), The Crucible (Broadway), All My Sons (National Theatre) and Pygmalion (Roundabout Theatre), whilst Donald Sage Mackay has recently received acclaim for his performance in Angry Alan ((Soho Theatre, Edinburgh Fringe), and whose credits also include A Moon for the Misbegotten (Lyric, Belfast and New York) and Linda (Manhattan Theatre Club).
 
Kit Harington has starred as Jon Snow since 2011 in the Emmy Award winning HBO drama series Game of Thrones. With 38 Emmy Awards, Game of Thrones is the most decorated show in the ceremony’s history. In 2016, Kit received his first Emmy nomination for Best Supporting Actor in a Drama Series.
 
Kit studied drama and theatre at the Central School of Speech & Drama. Before graduating in 2008, he won the lead role of Albert in the National Theatre’s London production of the smash hit War Horse. The production transferred to London’s West End at the New London Theatre, and he stayed with the role until 2009 after which he appeared in Posh, by Laura Wade, at the Royal Court Theatre. In 2016, Harington made his much‐anticipated West End return in the Jamie Lloyd directed production of Christopher Marlowe’s Doctor Faustus, playing the title role.
 
In 2018, Harington transitioned into the role of Executive Producer on a miniseries titled Gunpowder. Harington played his real‐life ancestor on his mother’s side, Catholic rebel Robert Catesby who was part of the Gunpowder Plot of 1605, the failed scheme by Roman Catholic militants to blow up the House of Lords in London. The series also starred Peter Mullan, Mark Gatiss and Liv Tyler.
 
His upcoming film projects include the English‐language film from French‐Canadian director Xavier Dolan, The Life and Death of John F Donovan. Past film projects include the HBO sports mockumentary 7 Days in Hell, Sony Pictures Classics drama Testament of Youth and the big‐screen adaptation of the hit British spy series Spooks: The Greater Good. He also lent his voice to the animated film How to Train Your Dragon 2 which won the Golden Globe Award for Best Animated Feature Film in 2014 and received an Academy Award nomination.
 
Johnny Flynn is an actor, composer and songwriter. Johnny has worked extensively across film, television and theatre. He recently shot a lead role in ITV’s upcoming adaption of Vanity Fair. He most recently starred in Genius: Einstein (National Geographic) – as the young Albert Einstein to Geoffrey Rush’s older. Johnny plays leading role Dylan in Lovesick, the first two series of which are currently streaming on Netflix with a third on the way. Further television credits include Brotherhood (Big Talk/Comedy Central), The Nightmare World Of HG Wells (Clerkenwell Films) and Detectorists (Channel X/BBC4). 
 
Johnny most recently played the protagonist Pascal in feature film Beast – which received critical acclaim at the Toronto Film Festival this year, previous to its premiere at the London Film Festival. He has also starred in Love Is Thicker Than Water, Clouds of Sils Maria opposite Kristin Stewart and Chloe Moretz, and Song One in which he co-starred with Anne Hathaway. 
 
Johnny was nominated for ‘London Newcomer of the Year’ at the Whatsonstage Awards (2012) for his performance in The Heretic (Royal Court) and went on to gain his first Olivier Award nomination forJerusalem (West End) that year. Further credits include The Low Road (The Royal Court), Richard III and Twelfth Night (Globe/West End). Johnny’s most recent theatre appearance was a starring role in Martin McDonagh’s hit Hangmen, originating at the Royal Court and later transferring to the West End. He was thrilled to have reprised his role of Mooney in this year’s transfer to New York. 
 
He has released five albums to date with his band Johnny Flynn & The Sussex Wit, the most recent being Sillion (2017) which he is currently promoting.

Matthew Dunster 
is an Olivier-nominated director, a playwright and an actor, and Associate Director at Shakespeare’s Globe. 
 
His directing credits include: The Secret Theatre,  Much Ado About NothingImogenThe FrontlineTroilus and CressidaDr Faustus and The Lightning Child (Shakespeare’s Globe), Hangmen (Wyndham’s Theatre & Royal Court, Atlantic Theater, New York), Liberian Girl (Royal Court), The SeagullA Midsummer Night’s Dream (Open Air Regent’s Park), Love’s Sacrifice (RSC), The Love Girl & the InnocentYou Can Still Make a Killing (Southwark Playhouse), Mametz (National Theatre Wales), Before the Party (Almeida), A Sacred Flame (English Touring),Saturday Night and Sunday Morning (Royal Exchange Manchester), Mogadishu (Royal Exchange Manchester and Lyric Hammersmith), The Most Incredible Thing (Sadler’s Wells), and The Two Gentlemen of Verona (Royal & Derngate, Northampton).
 
As a writer his credits include: Children’s Children (Almeida), You Can See the Hills (Royal Exchange Manchester/Young Vic) A Tale of Two Cities (Regent’s Park Open Air Theatre) and his re-imagining of Hans Christian Anderson’s The Most Incredible Thing (Sadler’s Wells).
 
Sam Shepard’s first New York plays, Cowboys and The Rock Garden, were produced by Theatre Genesis in 1964. For several seasons, he worked with Off-Off-Broadway theatre groups including La MaMa and Caffe Cino. Eleven of his plays won Obie Awards, including ChicagoThe Tooth of the Crime, and Curse of the Starving Class. Other award-winning plays include Fool for LoveTrue West, Lie of the Mind, and Buried Child, for which he won a Pulitzer Prize in 1979. In 1986, Shepard was inducted into the American Academy of Arts and Letters and received the Gold Medal for Drama from the Academy in 1992. He was inducted into the Theater Hall of Fame two years later. As a writer and director, he filmed Far North and Silent Tongue. As an actor, he appeared in numerous films, including The Right Stuff, Days of Heaven and Resurrection. His final works of prose, The One Inside and Spy of the First Person, were published in 2017, the year of his death.
 
True West is produced by Smith & Brant Theatricals and Empire Street Productions.

Lyric Hammersmith announce new Artistic Director

Lyric Hammersmith announces Rachel O’Riordan as new Artistic
Director

Lisa Burger, Chair of the Lyric Hammersmith and Sian Alexander, Executive Director of the Lyric Hammersmith are delighted to announce the appointment of Rachel O’Riordan as the theatre’s new Artistic Director and Joint Chief Executive.

Rachel O’Riordan has been the Artistic Director and CEO of Sherman Theatre since February 2014. During her tenure the theatre has been transformed into a vibrant, exciting and influential producing theatre, winning The Stage Awards’ prestigious Regional Theatre of the Year category in 2018. She was previously
the Artistic Director of Perth Theatre Scotland and Ransom Theatre Company in Northern Ireland. An award-winning director, her recent directing credits include The Cherry Orchard for Sherman Theatre and Come on Home at the Abbey Theatre, Dublin.

Rachel will join Sian Alexander, the Lyric’s Executive Director and Joint Chief Executive since October 2015, to co-lead the theatre.

Rachel O’Riordan said: ‘The Lyric Hammersmith is one of the most exciting theatres in London. It occupies a special place in the theatre ecology; egalitarian, open and bold. I am looking forward to continuing the theatre’s journey and leading a new phase of artistic evolution, working alongside Sian Alexander and the Lyric team. I am honoured to have been chosen to succeed Sean Holmes, and look forward to getting to know new audiences in West London and beyond.’

Lisa Burger said: ‘I’m thrilled that Rachel will be joining the Lyric as our new artistic director. I’m a great admirer of her work at the Sherman in Cardiff and look forward to her bringing her passion for theatre and commitment to excellence, generosity and ambition to Hammersmith.’

Sian Alexander said: ‘I am very much looking forward to working with Rachel. She brings with her a wealth of brilliant experience as a leader and a director. She is an inspiring creative producer. She shares our values and passion for developing talent, creating opportunities for young people and working to ensure the theatre is at the heart of its local community. I’m hugely excited for the future of the Lyric under our joint leadership.’

Current Artistic Director Sean Holmes will step down as Artistic Director in October 2018. His final season of programmed shows begins in January 2019. Rachel will join the Lyric Hammersmith in early February 2019, with her first full season as Artistic Director opening Autumn 2019.

Square Rounds Review

Finborough Theatre – until 29 September

Reviewed by Adam Craddock

3***

In 2018, the year of the centenary events to commemorate the end of the 1st world war, I think Finborough theatre have found the perfect time to revive Tony Harrison’s classic play “Square Rounds”. Square Rounds is based all around the path of how simple scientific experiments and thought led to the discovery of chemical weapons and the havoc it heaped onto the trenches of The Great War. We meet six of the most important scientists and inventors in their fields and through the use of verse and rhyme we discover their thoughts and demons over what is happening and what is to come.

Although I wasn’t the biggest fan of the shows text and the actual book of the piece, there were some exceptional performances within the cast. Letty Thomas gave a great performance as Hiram Maxim/ Sweeper Mawes, showing two very different aspects of her skill as an actor, one more characterful piece and one more of a thinkers part. Mawes was rather funny, with her strong “Cockney Geezer” portrayal and great physicality. Eva Feiler was good as Justus von Liebig, with great energy in her part, although sometimes this did get in the way for me in being able to follow what was going on. Amy Marchant was very strong as Hudson Maxim, with a cocky swagger that well suited this part and some great control of the stage, holding the audience in the palm of her hand as she revelled in the limelight. She bounced well off Thomas as her brother and the relationship between these two characters came across very strongly. Philippa Quinn was good as Fritz Haber, with a great feel of the off their rocker eccentric physicist going on and some really strong subtle mannerisms to aid her part, although like Feiler I think she sometimes let her energy get away with her. Gracy Goldman did well as Haber’s real life wife Clara Immerwahr, showing some great control that balanced beautifully with Quinn’s eccentricity as Haber and fabulously portrating the voice of reason in their confrontation scene. Rujenne Green also did well as Sir William Crookes, with a great control and use of the audience almost as her lecture space, where she would pass on to us the truth of her science and the knowledge she possesses.

Square Rounds worked fairly well in the very intimate surroundings of Finborough theatre, with a good use of its limited stage space and good use of projection and AV work. There were a few points of direction that I didn’t fully understand why they were done like that but this didn’t hamper the enjoyability of the piece for me. Square Rounds as play is a very heavy watch and, while it was very well received back in it’s day, I think times have changed and theatre is at a different place now. So while I did find it enjoyable, I won’t be rushing to buy another ticket.

MAMMA MIA! New Booking Period in London

“MAMMA MIA!”

ANNOUNCES NEW BOOKING PERIOD

TO SATURDAY 14 SEPTEMBER 2019

AT LONDON’S NOVELLO THEATRE

ON SALE NOW!

The global smash hit musical MAMMA MIA! at London’s Novello Theatre is now extending its booking period from Monday 4 March to Saturday 14 September 2019.  MAMMA MIA! will celebrate its 20th birthday in London on 6 April 2019.  The box office for the new booking period is now open.

The London cast of MAMMA MIA! stars Sara Poyzer as Donna, Kate Graham as Tanya, Ricky Butt as Rosie, Richard Trinder as Sam, Neil Moors as Harry, Stephen Beckett as Bill, Georgia Louise as Sophie, Alec Porter as Sky, Charlotte O’Rourke as Ali, Leah St Luce as Lisa, Damian Buhagiar as Pepper and Eamonn Cox as Eddie, with Caroline Deverill playing the role of Donna Sheridan at certain performances.

Also in the cast are Chloe Ames, Chloe-Jo Byrnes, Adam Clayton-Smith, Adam Davidson, Luke Hall, Lauren Hampton, Jack Heasman, Jennifer Hepburn, Stuart Hickey, Zoe Humphryes, Mark Isherwood, Tyler Kennington, Robert Knight, Chanel Mian, James Willoughby Moore, Natasha O’Brien, Dean Read, Beth Relf, Annie Southall and Katy Stredder.

From West End to global phenomenon, MAMMA MIA! is Judy Craymer’s ingenious vision of staging the story-telling magic of ABBA’s timeless songs with an enchanting tale of family and friendship unfolding on a Greek island paradise.  To date, it has been seen by over 60 million people in 50 productions in 16 different languages grossing more than $2 billion at the box office.  In 2011, it became the first Western musical ever to be staged in Mandarin in the People’s Republic of China. MAMMA MIA! is also currently playing an International Tour, receiving great critical and public acclaim.

MAMMA MIA! originally opened in London at the Prince Edward Theatre on 6 April 1999, before transferring to the Prince of Wales Theatre in 2004, and then to the Novello Theatre in 2012.

 

The London production of MAMMA MIA!  has been seen by over 8.9 million people, played over 8,000 performances and has broken box office records in all three of its London homes.

 

Produced by Judy Craymer, MAMMA MIA! The Movie became the highest grossing live action musical film of all time upon its release in 2008.  A second film, MAMMA MIA! HERE WE GO AGAIN, opened in July 2018 and is the most successful live musical movie sequel of all time.

 

With music & lyrics by Benny Andersson & Björn Ulvaeus, MAMMA MIA! is written by Catherine Johnson, directed by Phyllida Lloyd and choreographed by Anthony Van Laast. The production is designed by Mark Thompson, with lighting design by Howard Harrison, sound design by Andrew Bruce & Bobby Aitken, and musical supervision, additional material & arrangements by Martin Koch.

MAMMA MIA! is produced by Judy Craymer, Richard East & Björn Ulvaeus for Littlestar in association with Universal.

 

 

LISTINGS INFORMATION

Novello Theatre

Aldwych

London WC2B 4LD

Ticket Prices: From £15.00

A £2.25 per ticket booking fee applies to tickets booked online, and a £2.75 per ticket booking fee applies to tickets booked by phone. No booking fee on tickets purchased in person at the Novello Theatre Box Office.

All prices include £1.25 restoration levy.

Early Bird Pricing – anyone booking four months or more in advance of the performance they are attending (Monday to Thursday performances only) will save £20 on Band A and Premium tickets, but only through Delfont Mackintosh Theatres, either online, in person at the theatre, or by calling the Novello Theatre Box Office.

Performance Times:

Monday – Saturday 7.45pm

Matinees – Thursday & Saturday 3.00pm*

* extra Tuesday matinees 6 & 20 August 2019

Christmas 2018/19 Performance Schedule

Monday 24 December         NO PERFORMANCE

Tuesday 25 December        NO PERFORMANCE

Wednesday 26 December   7.45pm

Thursday 27 December       3.00pm and 7.45pm

Friday 28 December            3.00pm and 7.45pm

Saturday 29th December     3.00pm and 7.45pm

Monday 31 December         3.00pm and 7.45pm

Tuesday 1 January              7.45pm

Wednesday 2 January        3.00pm and 7.45pm

Thursday 3 January            3.00pm and 7.45pm

Friday 4 January                 7.45pm

Saturday 5 January             3.00pm and 7.45pm

Currently booking to 14 September 2019

The performance lasts 2 hours and 35 minutes (including a 15-minute interval)

Box Office: 0844 482 5151

http://www.mamma-mia.com/

http://www.facebook.com/mammamiamusical

http://twitter.com/MammaMiaMusical

Cast Announced For UK and Ireland Tour of MOTOWN THE MUSICAL

CAST ANNOUNCED FOR THE UK AND IRELAND TOUR

 

“MOTOWN THE MUSICAL”

 

OPENING AT THE

BIRMINGHAM ALEXANDRA THEATRE

ON 11 OCTOBER 2018

The producers of “MOTOWN THE MUSICAL” are delighted to announce the cast for the UK and Ireland tour. Edward Baruwa will play the leading role of ‘Berry Gordy’, Karis Anderson will play ‘Diana Ross’, Nathan Lewis will play ‘Smokey Robinson’ and Shak Gabbidon-Williams will play ‘Marvin Gaye’.

The production will open at the Birmingham Alexandra Theatre on 11 October 2018 and will then tour across the UK until autumn 2019. Full tour dates below.

Edward Baruwa’s previous credits include the West End productions of “Motown the Musical” at The Shaftesbury Theatre, “Les Misérables” at the Queen’s Theatre, “Five Guys Named Moe” at the Marble Arch Theatre and the UK Tour of “Sister Act”.

Karis Anderson is best known as being one third of pop band ‘Stooshe’ who celebrated a top five single ‘Black Heart’ in 2012 for which they received a nomination for Best British Single at the 2013 Brit Awards.

Nathan Lewis was a finalist on ITV’s The X Factor in 2016 as part of boyband ‘Five After Midnight’. Nathan makes his stage debut as ‘Smokey Robinson’.

Shak Gabbidon-William’s previous credits include ‘Young Simba’ in “The Lion King” in the West End and most recently starred as ‘Seaweed’ in the UK tour of “Hairspray”.

The ensemble includes, Dayo AdeoyeScott Armstrong, Simeon Beckett, Natalia Brown, Ethan Davis,Andrew Dillon, Akeem Ellis-Hyman, Christopher Gopaul, Daniel Haswell, Olivia Hibbert, Karis Jack,Michael JeremiahAmana JonesAbz Kareem, Kane Matthews, DeeArna McCleanMatt Mills, Cordell Mosteller, Nicole Nyarambi, Spencer O’Brien, Perry O’DeaAlex OkoampaReece Richards and Emma Robotham-Hunt

Charles Randolph-Wright, Director of “Motown the Musical” said,

“I am so thrilled that we have been able to find this incredible cast of British artists for the UK tour of Motown the Musical. Their talent has astounded us all, as they embody the soul of Motown and capture the energy and essence of those iconic artists. We are so excited to bring this show to cities across the UK and can’t wait to begin. Get ready!

With music and lyrics from the Motown catalogue and book by Motown founder Berry GordyCharles Randolph-Wright’s production features a live orchestra playing 50 Motown tracks including Ain’t No Mountain High Enough, I’ll Be There, Dancing In The Street, Stop! In The Name Of Love, My Girl and I Heard It through the Grapevineand tells the story behind the classic hits.

 

With just $800 borrowed from his family, Motown founder Berry Gordy, goes from featherweight boxer to heavyweight music mogul, discovering and launching the careers of Diana Ross, Michael Jackson, Stevie Wonder, Smokey Robinson, Marvin Gaye and many more.  Motown the Musical uncovers the true story of the legendary record label that changed music history and created the soundtrack of a generation.  

Tony nominated “Motown the Musical” received its world premiere in April 2013 in New York and recouped its $18 million investment by the end of 2014.  The first US National Tour opened to critical acclaim in Spring 2014 in Chicago, grossing $20 million dollars during its standing room only sixteen-week run.

The London production of “Motown the Musical” opened on 11 February 2016.  The production continues to play to standing ovations at the Shaftesbury Theatre where it is half way through its third year and is booking until April 2019.

 

“Motown the Musical” has music supervision, orchestrations and arrangements by Ethan Popp, co-orchestrations and additional arrangements by Bryan Cook, dance arrangements by Zane Mark.  Choreography is by Patricia Wilcox and Warren Adams, scenic design by David Korins, costumes by Emilio Sosa, lighting design by Natasha Katz, sound design by Peter Hylenski, video by Daniel Brodie and Wig design by Charles Lapointe“Motown the Musical” is produced in the UK by Kevin McCollumDoug Morris, Adam Spiegel andBerry Gordy.

The original Broadway cast recording of “Motown the Musical” is available via Motown Records, a label of UMG Recordings – www.classicmotown.com

 

MOTOWN THE MUSICAL – UK and Ireland tour 2018/2019

11 OCTOBER – 3 NOVEMBER 2018

BIRMINGHAM ALEXANDRA THEATRE

ATGTICKETS.COM/Birmingham – 0844 871 3011

6 – 17 NOVEMBER 2018

LEEDS GRAND THEATRE

leedsgrandtheatre.com – 0844 848 2700

20 NOVEMBER – 8 DECEMBER 2018

EDINBURGH PLAYHOUSE

ATGTICKETS.COM/Edinburgh – 0844 871 3014

10 JANUARY – 2 FEBRUARY 2019

BRISTOL HIPPODROME

ATGTICKETS.COM/Bristol – 0844 871 3012

5 – 23 FEBRUARY 2019

BORD GAIS ENERGY THEATRE DUBLIN

bordgaisenergytheatre.ie –  +353 1 677 7999

26 FEBRUARY – 23 MARCH 2019

MANCHESTER OPERA HOUSE

ATGTICKETS.COM/Manchester – 0844 871 3018

26 MARCH – 6 APRIL 2019

WALES MILLENNIUM CENTRE, CARDIFF

wmc.org.uk – 02920 63 64 64

6 – 22 JUNE 2019

NEWCASTLE THEATRE ROYAL

www.theatreroyal.co.uk – 08448 11 21 21

 

3 – 14 SEPTEMBER 2019

THE MARLOWE CANTERBURY

marlowetheatre.com – 01227 787787

ON SALE SOON

1 – 12 OCTOBER 2019

MAYFLOWER THEATRE, SOUTHAMPTON

Mayflower.org.uk – 02380 711 811

Explosive UK tour of Tony Adigun’s critically-acclaimed Fagin’s Twist

Avant Garde Dance and The Place present
Tony Adigun’s Fagin’s Twist
UK Tour: Tuesday 25th September – Monday 12th November 2018

Following the critically-acclaimed 2016 premiere of Fagin’s Twist and last year’s highly successful tour, Avant Garde Dance and The Place collaborate once again to present the 2018 UK autumn tour. The story unravels and explodes into a captivating performance and ambitious dance show, based on Charles Dickens’ much-loved classic. Fagin’s Twist is the untold story of a notorious and complex villain with a mischievous twist

This explosive retelling throws a less sympathetic spotlight on orphan Oliver. Fagin’s Twist follows the gang leader in his youth, driven by greed and ambition in the face of overwhelming poverty. The dark Victorian streets are a place of little comfort and fairy-tale endings are hard to find in this poignant coming-of-age tale

Tony Adigun’s dynamic choreography uses dance motifs taken from the streets to bring to life this adaptation set on the streets themselves, flipping the audience’s expectations of the five familiar characters – Oliver, Fagin, Nancy, Bill Sykes and the Artful Dodger – with an unmatched hip-hop contemporary style

Tony Adigun comments, I’m excited to be bringing back Fagin’s Twist this autumn with new cast members, new energies, new spirit. I can’t wait to share this show with new audiences and surprise those who have seen it before. I’m motivated to bring hip-hop and physical theatre to inspire a new generation

Fagin’s Twist is a daring, dynamic and hugely enjoyable rethink of a much-loved Victorian tale seen through the eyes of its infamous villain. (★★★★ The Times)

Fagin’s Twist was originally commissioned by Theatre Bristol, East London Dance, Pavilion Dance South West, Dance East and The Place, and co-produced by The Place. Fagin’s Twist has already performed around the country to critical and audience acclaim, including a run at leading London contemporary dance venue The Place and was performed in August 2017 at Edinburgh Fringe as part of the British Council Showcase

Continuing to push the boundaries of Hip-Hop Contemporary dance, Avant Garde provides an intensive participation model for people all around the country to give easy access to dance industry

Fagin’s Twist is generously supported by Arts Council England

JONNY WOO’S UN-ROYAL VARIETY: 19 & 20 Oct 2018

30 Broadway presents:
JONNY WOO’S UN-ROYAL VARIETY
19 & 20 Oct 2018
There is no mistaking the sharpness of the political satire and the
huge potential for what may become Woo’s magnum opus
««««The Stage
WHO’S WHO of London’sarts, fashion and queer scenes.
… the show was INCREDIBLE … what Jonny is doing is truly special”
QX Magazine
ARTISTIC DIRECTOR / HOST – JONNY WOO
// PRODUCER – REUBEN COOK // COMPOSER / MD – RICHARD THOMAS //
CHOREOGRAPHY – LOTTIE CROUCHER
Cabaret superstar Jonny Woo is delighted to announce the return of his stunning ‘Un-Royal Variety’ to Hackney Empire for its third year this 19 & 20 October.
This year the show is set to be bigger and better than ever before as Jonny Woo brings you the absolute best incabaretdrag and nu-variety. The darlings of the UK scene will join up with some incredibly exciting transatlantic performers, to create all new, out of this world collaborations.
HEADLINERS
Adrienne Truscotte (NYC), feminist comedian, Edinburgh Comedy Award Winner and performance artist will be presenting solo work, alongside world premiere collaboration with opera cabaret star, Le Gateau Chocolat. // and in another mind blowing collaboration, CHRISTEENE and Lucy McCormick are cooking up a one-of-a-kind duet.
 
Last year’s cameo, and rising comedy star, Mawaan Rizwan takes centre stage this year, in a song and dance spectacle. // And smash hit of this year’s Edinburgh Fringe Garry Starr takes to the stage to save British theatre as only he can // Jonny invites underground performance artist, long time friend and original collaborator, Brandon Olson (NYC) to create a new Downtown NYC performance for The Empire. // Bourgeois & Maurice return to their rightful place after their year long absence from the big stage with a song and dance show to rival that in the West End.
 
Other returning guests from The Un-Royal family include TV comic Jayde Adams // London’s top drag stand-upMyra Dubois  //  East End original and Bloolips performer, Lavinia Co-op //  young upstart and star of Jonny’s Cult London Club The Glory, Margo Marshal  //  and of course the much loved Kate Middleton Choir.
 
Jonny himself will be bringing back his much loved Mary Portas homage in a ‘Thrilling’ pre Halloween ‘Scary Mary’ performance, dancing with a 1000 Liza Minnellis (or as many as he can fit on the stage) and kicking things off with a boxing themed Drag King invasion.
 
With a few select spots to be filled after Jonny has scoured the best of The Edinburgh Fringe in August, Jonny Woo’s Un-Royal Variety promises to be bigger, sexier and more exciting than ever.
 
In addition, Jonny has worked with Richard Thomas (Jerry Springer The Opera) to create a unique score for the show, which references the Royal Variety of the past, while bringing it bang up to date, with collaborations from some surprising anarchical international guests.
 
UN-ROYAL VARIETY
 
19 & 20 Oct 2018
 
Hackney Empire,
291 Mare Street, E8 1EJ
Box Office +44 (0)20 8985 2424
£38 – £10 (£45 A+) plus booking fee

The Habit of Art Review

York Theatre Royal – until 8 September 2018

Reviewed by Marcus Richardson

4****

Alan Bennett’s ‘The Habit of Art’ is at the York Theatre Royal. A rehearsal of a show about W.H. Auden and Benjamin Britton, within the play itself. The play explores the character of Auden and how he deals with his poetry, sexuality and age. Through the rehearsal we see the cast braking in and out of the scene and discussing issues they have with the play such as a rent-boy not carrying a bag filled with a towel and lotion. There are various comical elements to the play, Auden’s crude character gives a tongue-in-cheek humour and the cast arguing on the script also lends funny arguments to the show.

Matthew Kelly plays the character of Fitz, a hilarious actor who has a problem learning the lines of Auden’s character. Kelly does a terrific job of creating both the comedy in both characters of Auden and Fitz.  John Wark plays Donald, an actor struggling to find the essence of Humphrey Carpenter. Through his persistence of having a monologue in the play and blaming the script for not giving justice to Carpenter, leading up to the point where he dresses up in a dress and plays the trombone and reciting poetry, one of the more farcical moments of the play. Veronica Roberts and Alexandra Guelff play the stage managers and lend their skill into the performance filling in for two minor actors missing from rehearsal, coming on during certain scenes as cleaners, beds and mirrors. The scene with them being household objects reciting poetry is definitely surreal and wacky, needless to say I found it hilarious. The whole cast  gave a performance that was both thought provoking and funny.

Throughout the play we learn things about Auden and Britton, that I certainly didn’t know, the look into their lives give a whole new aspect to how I read Auden’s poems. Bennett captures the complex issue of sexuality in the 1930’s and 1970’s, with Auden having no regard to society at the time. The play doesn’t really have a climax or a battle to overcome, rather than the audience watching an everyday rehearsal and the process creating a show. I would say you do have to go into the show with a little bit of knowledge of Auden to understand a lot of the play, however if you go in blindly there is still a lot to appreciate and to laugh at. Although the lack of action, I still found it to be entertaining and insightful.

 

The Goon Show Review

Salisbury Playhouse – until 8 September 2018

Reviewed By Jo Gordon 

5*****
I hold my hands up in admittance to not really having much knowledge when it comes to The Goon Show. However, I am aware of the three very funny men that are Harry Secombe, Spike Milligan and Peter Sellers. On mentioning the show to older friends and family many a quote and chortling began to head my way and great intrigue into how a radio show would be portrayed upon the stage ….. I was not left disappointed!

The Apollo Theatre Company have produced an absolute gem in the stage version of The Goon Show. A very simple but effective set that shows behind the scenes of  the BBC radio broadcasting’s that ran from 1951 to 1960 right down to the ON AIR sign. Julian Howard McDowell (Peter Sellers), Colin Elmer (Spike Milligan), Clive Greenwood (Harry Secombe) and their announcer Tom Capper (Wallace Greenslade) bring to life original scripts from the radio show in the style of The Goons and much hilarity ensues. Colin is on the mark with his Spike , full of boundless energy, silly voices and mischief  alongside Julian’s cool, dry Sellers and Clive’s jolly Secombe. Not only do we get to enjoy surreal characters like Neddie Seagoon, Bluebottle and Eccles we also get to hear the wonderful singing voices of Rachel Davies and Anthony Coote and their very clever use of sound props.

A fully deserved five star show where I left being the Goons newest fan and laughed so much my face ached!