Glasgow International announces dates of 2021 Festival

Glasgow International announces dates of 2021 Festival

Glasgow International
Friday 11 June – Sunday 27 June 2021

Press preview: Thursday 10 June 2021

Glasgow International, one of the UK’s largest and most influential visual art festivals, will take place across the city from 11 – 27 June 2021.

Originally scheduled to open in April 2020, the Festival was postponed as a result of the coronavirus pandemic. The 2021 Festival will showcase the city as a centre for the production and display of innovative contemporary art, and will comprise a Director’s Programme of larger-scale commissions and exhibitions, in collaboration with partners and venues, as well as Across the City, a wider programme of exhibitions and projects, selected from proposals by artists, curators and producers who live and work in Glasgow. Further details about the programme of exhibitions will be released in early 2021.

An online edition of the Festival, launched in April 2020 to coincide with the dates of its physical iteration, had it not been postponed, featured new online commissions by artists Alberta Whittle, Jenkin van Zyl, Yuko Mohri and Liv Fontaine, and existing work by Georgina Starr, Urara Tsuchiya and Sarah Forrest. Additional programming included an audio introduction to the festival by Director Richard Parry; and a recorded panel discussion which explored the ways in which the resonance of the festival’s theme of attention had changed in light of the COVID-19 crisis.

Glasgow International would like to thank the Scottish Government for its recent emergency relief support which will enable the Festival to take place in 2021. The money granted through this emergency relief support will be much needed income for the many freelance practitioners who make the festival happen, including artists, designers, curators, producers and others involved in developing and presenting work, as well as towards the myriad of behind the scenes operations that go into the festival next June.

Core funders and major programme supporters for Glasgow International 2021 are Glasgow City Council, Glasgow Life, Creative Scotland and EventScotland, part of VisitScotland’s Events Directorate and Art Fund.

Richard Parry, Director of Glasgow International said: “Going without the festival this year has shown just how vital it is in our lives. The festival is a connector; it brings audiences to artworks, it connects different parts of the city, it connects artists with other artists and arts professionals. It connects Glasgow with the rest of the world and above all it connects us with what really matters – human expression.  We’re thrilled to have the festival as a live event back on our horizons and to be once again opening up Glasgow’s energy as a place of imagination and making with those looking to share in its magic.”

Culture Secretary Fiona Hyslop said: “Glasgow International is a critical platform on which to present our incredibly talented artists who live and study in Scotland, and is a vital pipeline for interaction and for showcasing work across the world.   

“Like so many people, I was saddened when it had to be cancel this year due to the coronavirus pandemic, but took heart in the swift action Glasgow International took to deliver a fantastic digital version of their 2020 edition. 

“In these uncertain times, it is welcome news that plans are underway to develop a safe version of the festival next year to resume showcasing the city as a centre for the production and display of innovative contemporary art. These plans will be developed with up to £150,000 of funding support from the Scottish Government.”

Councillor David McDonald, Depute Leader of Glasgow City Council and Chair of Glasgow Life, said: “Glasgow is recognised around the world as a leading centre for visual artists creating new work and developing the form in exciting and diverse ways. It brings us huge kudos as well as financial benefits, and is vital for the city’s proud identity. Therefore, it is important and fantastic news that Glasgow International will hold a festival in 2021 both to retain that profile internationally but also to support our many freelance artists and curators in this challenging time, and ensure the cultural ecology of the city remains vital.”

Amanda Catto, Head of Visual Arts, Creative Scotland said: “It’s very encouraging to be looking forward into 2021 and confirming dates for GI. 

“Recognised as a critical, public platform for the work of artists based in Scotland and also a significant opportunity for international artists to stage new work, GI 2021 opens up opportunities for us all to experience some of the very best art being made in these uncertain times.” 

Paul Bush OBE, VisitScotland’s Director of Events, said: “Scotland’s events and festivals have been hit hard by the coronavirus pandemic, so it is encouraging to see the green shoots of recovery with the announcement of the dates for Glasgow International next summer.

“The Festival contributes significantly to Glasgow’s reputation as one of the UK’s leading cities for contemporary art by providing a platform for local and international artists to showcase their work. This platform will be more important than ever as we build our recovery from COVID-19 as events play a key role in our communities by helping sustaining livelihoods as well as bringing social and economic change.”

Black key workers have their voices heard in Talawa’s Tales from the Front Line | Online from 30 November

Presented by Talawa Theatre Company
Tales from the Front Line
Available from Monday 30th November 2020

Black key workers, from NHS staff to teachers, have their voices heard in Talawa Theatre Company’s new online series. Exposing the hypocrisy, furious exhaustion, and glimmering hope for a better future, Tales from the Front Line uses verbatim interviews to explore the historic Covid-19 crisis and its seismic impact on those on the Front Line of the pandemic. The six short films in this challenging and vital series will be released episodically on Talawa’s website from Monday 30th November.

The first film stars Jo Martin (Doctor Who; Casualty), directed by Michael Buffong, who shares a teacher’s experience of trying to keep themselves and their pupils safe after decades of budget cuts. It explores how new conversations opened up in the wake of the global Black Lives Matter movement, and the challenges of supporting students’ education when nothing was certain anymore.

The second sees Sapphire Joy (J’Ouvert, Theatre503; Casualty), directed by Kwame Asiedu, share the words of an NHS recovery worker. Frustrated by the racial bias in the medical treatment of Black people, she finds herself further exhausted by performative gratitude during the pandemic, when there was little public outcry at the government’s failure to give NHS workers pay rises

The pandemic has had a starkly divergent impact on communities; Black people are four times more likely to die from Covid-19, according to Public Health England’s figures in May for England and Wales. While in November, the Joint Committee on Human Rights report “Black People, Racism and Human Rights”, concluded that the Government must urgently take action to protect the human rights of Black people across many areas, including healthcare. The Tales from the Front Line interviews were a space for the Black workers to share their experiences, their concerns and their hopes for the future. Black artists and creatives have then used the testimonies to create a dramatised work using music, movement, photography and soundscapes to convey the story.

With humour and hope, these stories explore Black workers’ relationships with British
society and how, in the wake of the Windrush Scandal and the global Black Lives Matter
movement, the pandemic has challenged their perceptions of belonging, and demands that
a changed society must emerge from it.

Michael Buffong, Talawa’s Artistic Director, comments, Tales from the Front Line creates a
historical record of the contribution of Black workers at the front line of the Covid-19 crisis,
and goes further in demanding change from society. These truth-telling stories reflect reallife experiences which cannot be ignored, and do so in ways that are artistically and
creatively rich.

Talawa are an Arts Council England NPO. Tales from the Front Line has been supported by
Croydon Council’s Culture Relief Fund.

Kerry Ellis & Brian May to release ‘One Beautiful Christmas Day’ single

As December approaches and the countdown to Christmas begins…

ONE BEAUTIFUL CHRISTMAS DAY

KERRY ELLIS featuring BRIAN MAY

Released as a digital download on Friday 27 November Pre-order the single here

2020 is a year that most people will not forget in a hurry…

It has shown the very best of us all from the NHS to Major Tom and a coming together and as we look forward to Christmas, it makes it a more important time for family than ever.

ONE BEAUTIFUL CHRISTMAS DAY is a celebration of all of these things, released on 27 November – it’s a new Christmas classic by KERRY ELLIS (Wicked, We Will Rock You) and featuring Queen’s BRIAN MAY.

“Working with the team creating this song has been amazing, it’s about appreciating each other and thinking of others at Christmas and having a beautiful day together and creating memories of a lifetime.” said Kerry.

ONE BEAUTIFUL CHRISTMAS DAY was written by Kerry and her writing team including Brian prior to lockdown and everyone knew that it’s positive message meant that this was the year that it had to be released.

Brian said, “The time is right for a new Christmas Classic – and this is it!! One Beautiful Christmas wish for togetherness at the end of a tough year.“

Kerry is well known for her amazing success in leading roles on Broadway and the West End but this is her first original solo Christmas release.

“I’m thrilled to release this single which is from the heart and means so very much to me.” added Kerry.

ONE BEAUTIFUL CHRISTMAS DAY will be available on all streaming and digital platforms from Friday 27 November.

The Prince of Egypt Cast Recording gets Grammy Nomination

“THE PRINCE OF EGYPT”  

ORIGINAL CAST RECORDING NOMINATED

 FOR A 2021 GRAMMY® AWARD

THE PRINCE OF EGYPT, the hugely popular new musical based on the classic DreamWorks Animation film, has been nominated for a 2021 Grammy® Award. The production’s acclaimed original cast recording is nominated in the category Best Musical Theatre Album. The 63rd Annual Grammy® Awards ceremony will be held on 31 January, 2021 at the Staples Center in Los Angeles.

Released on Ghostlight Records, and available on CD, digital and streaming formats, the album is produced by Dominick Amendum and Stephen Schwartz, with Kurt Deutsch serving as Executive Producer.

Brought to life in truly epic fashion” (The Mirror),THE PRINCE OF EGYPT premiered on Tuesday 25 February 2020, with previews from Wednesday 5 February 2020. The hit musical will return to London’s Dominion Theatre pending UK Government advice.

With a cast and orchestra of almost 60 artists, this “massive new stage show” (Time Out) has music and lyrics by Grammy® and Academy Award®-winner Stephen Schwartz (WickedPippinGodspell), a book by Philip LaZebnik (MulanPocahontas) and features 10 brand new songs written by Stephen Schwartz, together with 5 of his acclaimed songs from the DreamWorks Animation film (Deliver UsAll I Ever WantedThrough Heaven’s Eyes, The Plagues and the Academy Award®-winning When You Believe, which was a global hit for Whitney Houston and Mariah Carey as well as a UK and Ireland chart-topping winner’s single for The X-Factor).

An utterly stand-out cast” (WhatsOnStage) of 43 includes Luke Brady (Moses), Liam Tamne (Ramses), Christine Allado (Tzipporah), Alexia Khadime (Miriam), Joe Dixon (Seti), Debbie Kurup (Queen Tuya), Gary Wilmot (Jethro), Mercedesz Csampai (Yocheved), Adam Pearce (Hotep), Tanisha Spring (Nefertari), Silas Wyatt-Barke (Aaron), Simbi AkandeCasey Al-ShaqsyJoe AtkinsonDanny Becker, Felipe BejaranoPàje CampbellAdam FilipeSoophia ForoughiNatalie GreenJack Harrison-CooperRachael IresonKalene JeansChristian Alexander KnightJessica LeeOliver LidertJay MarshScott MauriceCarly MilesSam OladeindeAlice ReadieChristopher ShortMolly SmithRicardo WalkerDanny WilliamsNiko Wirachman and Sasha Woodward.

Journey through the wonders of Ancient Egypt as two young men, raised together as brothers in a kingdom of privilege, find themselves suddenly divided by a secret past. One must rule as Pharaoh, the other must rise up and free his true people; both face a destiny that will change history forever.

This “lavish stage production” (The Guardian) is directed by Scott Schwartz with choreography by Sean Cheesman; set designs by Kevin Depinet; costume designs by Ann Hould-Ward; lighting design by Mike Billings; sound design by Gareth Owen; projection designs by Jon Driscoll; illusions by Chris Fisher; wigs, hair and makeup design by Campbell Young Associates; orchestrations by August Eriksmoen; musical supervision and arrangements by Dominick Amendum; musical direction by Dave Rose, casting by Jim Arnold CDG and children’s casting by Verity Naughton CDG.

THE PRINCE OF EGYPT is produced by DreamWorks Theatricals (a division of Universal Theatrical Group), Michael McCabe and Neil Laidlaw together with John Gore, Tom Smedes and Peter Stern, Ramin SabiThe Araca Group, James L. Nederlander and Michael Park.

A milestone in cinematic achievement and first released in 1998, DreamWorks’ The Prince of Egypt captivated audiences across the world and has been hailed as “one of the greatest animated films of all time” (Evening Standard); “epic cinema” (Radio Times) and “a stunning film” (The Guardian).

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Official websitewww.ThePrinceofEgyptMusical.com

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National Youth Theatre launches new Hub scheme in replacement of audition fees

NATIONAL YOUTH THEATRE LAUNCHES NEW HUB

SCHEME IN REPLACEMENT OF AUDITION FEES

  • YOUNG PEOPLE WILL BE ABLE TO SUBSCRIBE TO NATIONAL YOUTH THEATRE’s HUB FOR £2 A MONTH
  • THE SERVICE INCLUDES WORKSHOPS, ONLINE RESOURCES AND AN AUDITION OR INTERVIEW TO BE A NYT MEMBER

Today National Youth Theatre have launched Hub, a new, accessible subscription service in replacement of audition fees. As well as an audition or interview to become a NYT member, the Hub subscription includes a new online platform that will give users access to live and pre-recorded workshops with actors and online resources for only £2 a month or £24 for the year. The new £2-a-month model represents a 48% reduction from last year in the cost of joining the company. Young people can subscribe to the new scheme here: www.nyt.org.uk/hub

Paul Roseby OBE, NYT Artistic Director and CEO, said: “The financial challenges any arts charity faces during and post this pandemic are without precedent, and we are sadly no exception. Despite this we know we must drastically reduce our fees to all young people who will need our unique offer now more than ever before.

The Hub is a new set of opportunities for anyone and everyone at a simple £2-a-month subscription, offering over 24 skills workshops from industry leaders a year, creative leadership sessions and online resources. There will be no extra cost for acting auditions, recalls or backstage interviews for those who wish to take part in them.

This new subscription offer has been created through consultation with young creatives in our membership and beyond and builds on our industry-led ethos that connects talent to opportunity and helps contribute to more creative communities both locally and nationally. Automatic Fee Waivers and Bursaries are available to those who need them, including young people on free school meals, and we will support access requirements.”

The Hub will give subscribers access to over 24 online interactive workshops a-year with industry leaders and NYT alumni such as Daisy Edgar-Jones (Normal People), Ashley Zhangazha (TINA! The Musical) and Joan Iyiola (Dọlápọ is Fine), with more names to be added. There will also be online resources including a self-tape masterclass with alumnus and Patron Rosamund Pike (Gone Girl, Die Another Day) and a writing workshop with playwright and screenwriter James Graham (QuizLabour of Love). On top of this, the scheme includes the opportunity to audition to become an Acting member, to interview to become a Backstage Member and the chance to take part in Creative Leadership training with no extra cost. The Hub platform will allow subscribers to connect with nationwide network of young creatives, access community courses and events and unlock discounts for masterclasses and merchandise. Hundreds of young people around the UK auditioning at their schools will also gain access to NYT’s new Hub. Young people aged 11-26 can subscribe to the NYT Hub, with 14-25-year-olds eligible to audition or interview for acting or backstage membership.

The launch of NYT’s Hub follows an intensive period of digital activity since the start of the global pandemic at NYT, which has seen the charity reach over 10 million audience members online, offer 1700 hours of activity enabling over 17,000 creative opportunities and facilitate over 300 paid roles for freelance creatives. NYT’s online programme has included partnerships with TikTok and Sky, events, showcases and festivals co-curated with young people as part of the Made by Members programme and online research and development with NYT Associate Artists for new work engaging over 250 young actors nationwide. Last week, National Youth Theatre also released a film displaying the work and activity that they have achieved in 2020, which can be viewed here: https://youtu.be/JjVATT7hZOY

Automatic Fee-Waivers are available for young people who are in receipt free school meals, young people in care and care-leavers, young carers, young people who are single parents and young people seeking asylum. Bursaries are available for young people facing financial hardship and support is available for young people with access requirements. For more information on how to apply for a Bursary here: https://www.nyt.org.uk/accessibility-and-bursaries

Philharmonia and Esa-Pekka Salonen present Beethoven’s Prometheus narrated by Stephen Fry in new Philharmonia SessionPhilharmonia and Esa-Pekka Salonen present Beethoven’s Prometheus narrated by Stephen Fry in new Philharmonia Session

Philharmonia and Esa-Pekka Salonen present Beethoven’s Prometheus narrated by Stephen Fry in new Philharmonia Session

  • Salonen conducts the most ambitious Philharmonia Session to date: an animated performance of the full ballet of The Creatures of Prometheus, presented in the month of the 250th anniversary of Beethoven’s birth
     
  • A creative team brings the piece to life: Stephen Fry reads Gerard McBurney’s script telling the Prometheus story in-between symphonic movements, with animator Hillary Leben’s visuals bringing the story to life on screen
     
  • The project represents the move from live to digital concerts and Esa-Pekka Salonen’s focus on music inspired by Greek myth in his final Season as Principal Conductor & Artistic Advisor
     
  • The free Session will be streamed on YouTube on Friday 4 December at 7.30pm and will remain online indefinitely
     
  • The Philharmonia Sessions series, filmed at Battersea Arts Centre, has had hundreds of thousands of viewers from all over the world tuning in for performances designed specifically for online audiences since the COVID-19 shutdown

On 4 December 2020, the Philharmonia Orchestra and Esa-Pekka Salonen present the final Philharmonia Session of 2020, filmed and recorded at Battersea Arts Centre.

In the Orchestra’s most ambitious online performance since the COVID-19 pandemic began, Salonen conducts the full ballet score of Beethoven’s The Creatures of Prometheus, almost 250 years to the day since Beethoven’s birth.

Beethoven wrote his ballet score for a production of The Creatures of Prometheus in 1801, in just 11 days. It was a huge success and remained one of his most popular works throughout his lifetime. In the ballet, the gift of fire is interpreted as a metaphor for the civilizing power of science and the arts. To guide viewers through the story, Stephen Fry narrates Gerard McBurney’s new script between each movement, while motion designer Hillary Leben’s animations unfold on-screen.

Esa-Pekka Salonen, Principl Conductor & Artistic Advisor of the Philharmonia Orchestra, said: “I find the juxtaposition of the ‘old’ and ‘modern’ artform fascinating. If you think of the timeframe, Court dances were popular maybe 40 years before this piece was composed. They were still danced around 1800, but there was this transition, going from the very exclusive, narrowly-defined Court dancing to a more popular, more democratic way of looking at the idea of dance. The Contra dances were the vehicle for different social classes dancing together. That’s a huge idea, that there is some kind of art or self-expression that allows people to forget their position on the ladder for once, and dance together. At the end there is a moment where the clay figures lead the aristocracy to dance. That’s a profoundly revolutionary idea.”

The Philharmonia was the first UK symphony orchestra out of lockdown with a major digital series, the Philharmonia Sessions, beautifully filmed performances designed for an online audience on YouTube, which was launched in July 2020 to critical acclaim, and has featured artists including cellist Sheku Kanneh-Mason, violinist Nicola Benedetti, cellist Alisa Weilerstein and conductors John WilsonPaavo Järvi and Jakub Hrůša.

Access to the arts is a fundamental right. The Philharmonia Sessions are free and for everyone, streamed via the Philharmonia’s YouTube channel.

This programme, along with the Orchestra’s ability to make ambitious plans for the future is only made possible thanks to the vital support of Friends and Donors. During the Philharmonia Sessions, the Philharmonia will ask those that can to make a donation in support of the Orchestra’s work and national reach.

At a time when the Orchestra cannot play live for audiences in its residency venues across the UK, supporters’ donations will keep the Philharmonia playing for a global audience and secure the future of the Orchestra. For more information on how to support the Philharmonia please visit the website or contact [email protected].

BenDeLaCreme Presents ‘The Jinkx & DeLa Holiday Special’ to stream exclusively on Soho Theatre On Demand in the UK and Ireland

BenDeLaCreme Presents, Soho Theatre and Tim Whitehead

BENDELACREME PRESENTS

‘THE JINKX & DELA HOLIDAY SPECIAL’

TO STREAM EXCLUSIVELY ON

SOHO THEATRE ON DEMAND

IN UK/IRELAND

  • The holiday special, featuring RuPaul’s Drag Race alum BENDELACREME and JINKX MONSOON, will stream on SOHO THEATRE ON DEMAND exclusively in the UK/IRELAND from 1 DECEMBER – 3 JANUARY
  • VIRTUAL MEET & GREETS with BENDELACREME and JINKX MONSOON to be made available for purchase from SOHO THEATRE ON DEMAND

For the past two years, world-renowned drag artists and RuPaul’s Drag Race alum, BenDeLaCreme and Jinkx Monsoon have owned the holiday season with their critically-acclaimed sold-out holiday tours (To Jesus, Thanks for Everything and All I Want for Christmas Is Attention). With stage shows out of the question in 2020, these two legendary queens are bringing their high camp holiday magic to your homes with The Jinkx & DeLa Holiday Special, a 60-minute musical special that is made for the screen, available via video on demand on December 1, worldwide and exclusively in the UK and Ireland on Soho Theatre On Demand, and worldwide and exclusively in the US on jinkxanddela.com.

Filmed safely under CDC guidelines in September on a Seattle soundstage, this marks the first film project directed, co-written and executive produced by BenDeLaCreme under her production company, BenDeLaCreme Presents.

The Jinkx & DeLa Holiday Special is the story of two queens who set out to create a classic Christmas TV variety show, but just can’t agree on how. With the help of a chorus of dancers and DeLa’s deceased grandmother – whose spirit lives on in a glass of eggnog – DeLa tries her hardest to uphold the cheery Christmas traditions of her childhood, while Jinkx is much more interested in bawdy jokes and boozy libations. As they sing and dance their way through numbers about everything from St. Nick to the Christ child, the tension between them mounts, culminating in an all-out battle for control of the show. After some insight into the ghosts of their very different Christmas pasts, and with the help of a mysterious naked man with a surprising holiday secret, the two realise that tradition can be whatever we make of it, and family is whomever we choose. This campy, side-splitting romp is equal parts sacrilegious and sweet, with a sharp tongue and a heart of gold. The Jinkx & DeLa Holiday Special is sure to be a new holiday tradition for all the lost toys who know that the best traditions are the ones we create ourselves.

Following on from last year’s holiday tour, All I Want for Christmas Is Attention, in Manchester, London and Glasgow, DeLa decided to produce and direct a holiday film in the style of her favourite classic TV specials.

BenDeLaCreme says‘If there’s anybody who knows how to adapt with the times and create art while facing adversity, it’s drag queens. I have been producing and directing theatre for myself and other queer artists for years, and getting to make my first foray into producing and directing film for ‘The Jinkx & DeLa Holiday Special’ has been an experience I will never forget.’

BenDeLaCreme is excited to be the first Drag Race alumnus to produce, direct, and co-write a narrative feature film in the midst of the COVID-19 pandemic. Jinkx and DeLa lead the charge in a dazzling surrealist world populated with some of Seattle’s finest performers in theatre, dance, burlesque, and puppetry. BenDeLaCreme Presents is thrilled to have assembled an all-star cast and crew.

On COVID restrictions, BenDeLaCreme adds‘Our cast and crew, along with our amazing COVID supervisor, made sure we all kept each other safe by wearing masks, maintaining distance, and getting tested regularly while we quarantined together for 3 weeks. I moved to L.A. at the start of the pandemic with my partner Gus – who’s also a key producer on the project – so getting to come back to Seattle and reunite with my queer creative family was so needed. I couldn’t have accomplished this without having the love and passion for drag as our foundation.’

The show will be available for 48-hour streaming for £10, with subtitles in English (Closed Captioning), Mexican Spanish and Brazilian Portuguese. Additional information about virtual meet & greets to be announced soon.

Live and online, Greenwich Theatre reopens with fun-filled, festive family entertainment – The Wolves of Willoughby Chase | 18 December 2020 – 10 January 2021

The Wolves of Willoughby Chase
Greenwich Theatre, Crooms Hill, Greenwich, London, SE10 8ES
Friday 18th December 2020 – Sunday 10th January 2021

This Christmas, Greenwich Theatre reopens with Russ Tunney’s thrilling festive adaptation of Joan Aiken’s classic children’s novel, The Wolves of Willoughby Chase. This fun-filled socially distanced adventure is accompanied by an online and interactive experience, Sir Willoughby’s Challenge, for those unable to attend the live performance.

The Wolves of Willoughby Chase tells the story of two brave and determined girls as they encounter unforgettable characters, take on ferocious wolves and battle through snowy wastelands. Bonnie, Sylvia, and their friend Simon the Goose-boy soon realise that the wolves roaming the forests outside may not be as dangerous as the wolfish adults plotting inside.

Directed by Artistic Director, James Haddrell, with magical musical compositions by David Haller (Puss in Boots, Belgrade Theatre), the perfect way to celebrate the festive season this year is with Greenwich Theatre. Greenwich’s favourite pantomime villain Anthony Spargo (Horrible Histories – Barmy Britain Part One and Two, Garrick Theatre; co-writer of Olivier nominated Alice’s Adventures Underground for Les Enfants Terribles) will return to the theatre as Miss Slighcarp. He will appear alongside Alice De-Warrenne, Cassandra Hercules, Akshay Khanna, Serin Ibrahim and Reice Weathers (The Upstart Crow, Gielgud Theatre).

Alongside the live performance, Greenwich are also offering audience members the opportunity to join the cast in an online challenge to help Bonnie and Sylvia on an epic venture through their wintry world. Sir Willoughby’s Challenge is a brand new theatrical experience for brave and intrepid adventurers aged 6 to 12.

James Haddrell, Greenwich Theatre’s Artistic Director comments, It may not be viable to present our regular festive panto but the fun of Christmas theatre is more vital than ever this and I’m proud that at Greenwich Theatre we’ll be offering this festive show alongside an online, interactive production. The Wolves of Willoughby Chase, presented in a brand new socially distanced production, is a thrilling adventure story that’s sure to delight the whole family this Christmas and fill the gap left by so many cancelled or postponed pantomimes.

With the global pandemic closing theatres across the country, Greenwich Theatre has been overwhelmed by the support provided by its local audiences, alongside funding support from Arts Council England. Greenwich Theatre is dedicated to providing and implementing safety measures to ensure the audience, staff and performers’ safety. After mounting their ambitious six-month online programme Greenwich Connects, the team are delighted to be injecting some festive spirit into the heart of the community and welcoming audiences back to the venue

PAPATANGO ANNOUNCES PLANS FOR 2021

Picture 1

PAPATANGO IN 2021

2021 will see Papatango mount an ambitious programme of open-entry opportunities to support early-stage artists and freelancers, who are among those hardest hit by Covid-19, and provide completely free and accessible new plays to help encourage audiences back to theatre. The 2021 programme will see:

  • a reimagined iteration of the annual Papatango New Writing Prize – now in its thirteenth year – to  generate career-defining work for thrice as many artists and produce free world premières in the company’s biggest nationwide tour to date in a new partnership with ETT (English Touring Theatre);
  • the launch of Papatango’s Education Portal to ensure anyone can train to make theatre;
  • the expansion of tried-and-tested, completely free creative learning opportunities through GoWrite, with Sarah Emily Parkes appointed to the newly created role of Education Officer.

The company will also film their multi-award-nominated production of 2019 Papatango Prize-winner Shookby Samuel Bailey – which was due to transfer to the West End when the pandemic hit – with its original director and Papatango’s Artistic Director George Turvey at the helm in collaboration with BAFTA winning and multi-Emmy-nominated director James Bobin; the film will be released in early 2021.

Completing the programme will be the rescheduled world première of Igor Memic’s Old Bridge, previously announced as the winner of the 2020 Papatango New Writing Prize, at Bush Theatre in a new partnership with the venue. 

Artistic Director George Turvey said today, “We’re bouncing back from the pandemic with our biggest ever programme to support artists and audiences. Including our first film, our rescheduled move to the Bush Theatre, and our remodelled Prize, we’ll champion more brilliant new talent than ever before at a time when this is especially vital. Equally, by welcoming Sarah to the team and launching our education portal, we’ll help even more people to get into theatre and reap the benefits of creativity. That we can deliver this expansion, even though we run without any core public subsidy and chose not to apply to the Cultural Recovery Fund so that others with greater need could do so, demonstrates what can be achieved with a little will and a lot of imagination.”

www.papatango.co.uk

Twitter: @PapaTangoTC

Facebook: PapaTango Theatre Company

Instagram: Papatangotc

https://www.dropbox.com/s/j5z5s7kvm5u4loa/2021%20launch.mp4?dl=0

2021 PAPATANGO NEW WRITING PRIZE

Judged anonymously, the Papatango New Writing Prize was the UK’s first – and remains the only annual – opportunity guaranteeing a new writer a full production, publication by Nick Hern Books, royalties, and a commission for a new play. In addition, every entrant receives feedback on their script – a commitment made by no other company, especially significant as the Prize averages more submissions on a yearly basis than any other playwriting award.

Responding to the exceptional circumstances currently facing artists and audiences, the 2021 Prize will be remodelled, in a new partnership with ETT, to be more accessible and to support more people than ever before. It will invite submissions of 25 – 50 minute scripts for audio performance, and will select three winners, rather than one, each receiving £2000, an audio production, and digital publication with Nick Hern Books.

Three casts and creative teams will be assembled to record the winning plays – with the company pledging that at least one member of each production will be selected from open-entry applications.

The audio recordings of the plays will then tour to 12 venues spanning the UK, including Bristol Old VicChichester Festival TheatreStephen Joseph Theatre (Scarborough), Theatre Royal PlymouthLiverpool Everyman & PlayhouseTheatr Clwyd (Mold), Lyric Theatre BelfastSouthwark Playhouse and Bush Theatre. The recordings will be played from free listening stations – sanitised, distanced, and safe – and therefore able to go ahead whatever social distancing requirements may be in place, and supplemented with copies of the scripts including braille translations, helping encourage audiences back into theatres. This also guarantees venues a new writing offer from emerging artists, when such programming is likely to be under threat. Tickets will be free and bookable in advance; details of the full tour including on-sale dates will be announced next year.

The 2021 Prize will be open for entries from 9am on Friday 27 November 2020, closing at midnight on 7 February 2021, with winners selected in May ahead of an autumn tour. More details on the open-application process for creatives and casts will be announced in 2021.

It is expected that the Prize will return to its more usual incarnation from 2022 onwards.

SAMUEL BAILEYSHOOK TO BE FILMED

Following the cancellation of its West End transfer due to Covid-19, Papatango will film their multi-award-nominated production of Shook by Samuel Bailey. Featuring the original cast – Josef Davies (Jonjo), Josh Finan (Cain), Andrea Hall (Grace) and Ivan Oyik (Riyad) – and with the original set/costume designs by Jasmine Swan and sound design by Richard Hammarton, the film will be directed by George Turvey in collaboration with BAFTA winning and multi-Emmy-nominated director James Bobin (The MuppetsDora and the Lost City of GoldAlice Through The Looking GlassFlight of the Conchords). The production will be filmed next month and released early next year.

“An astonishingly brilliant productionone of the best debut plays I have ever seen.”

BBC Radio 4 Saturday Review

Shook by Samuel Bailey won the 2019 Papatango New Writing Prize, debuting to critical acclaim at Southwark Playhouse, and was nominated for 7 OffWestEnd Awards and The Stage Debut Award for Most Promising Playwright. It became the best-selling world première in the venue’s history, and sold out on tour across England and Wales.

The play, inspired by true stories, looks at three young offenders who are due to become fathers while incarcerated. As Cain, Riyad and Jonjo embark on parenting classes under the instruction of Grace, their different histories slowly emerge and their different futures take shape. Both funny and poignant, Shookexamines the young people society shuts away.

★★★★ “Bailey’s remarkably accomplished debut [is an] excellent production [with] a fantastic casthes a major talent to be reckoned with.” Evening Standard

★★★★ “Samuel Baileys play is unerring.” Sunday Times

Following his sensational debut, Samuel Bailey is now under commission from Paines Plough and Theatre Royal Plymouth, as well as developing a new film with the award-winning director Peter Cattaneo (The Full Monty) for 42. He was born in London and raised in the West Midlands. He began writing plays in Bristol and developed work with Bristol Old Vic, Tobacco Factory Theatres and Theatre West before moving back to London. He is an alumnus of the Old Vic 12 and Orange Tree Writers’ Collective. Shook was originally supported by the MGCfutures bursary programme, and was his debut full production.

IGOR MEMICS OLD BRIDGE:

The world premiere of the winner of the 2020 Papatango New Writing Prize

At Bush Theatre, dates TBC

One day all you care about is music, fashion, and boys. The next day theres no food. Piece by piece your world starts to change so you change with it.

Mostar, 1988. A boy from out of town dives from the famous Old Bridge. A local girl watches, her heart falling with him.


Mostar, 1992. In a town of growing divisions, Muslim Mina and Catholic Mili have never doubted that their future lies together – but nor can they imagine the dangers that future will bring.

This beautiful, heart-wrenching play by British-Bosnian writer Igor Memic conjures up a lost world of innocence and hope. Inspired by true stories, it powerfully exposes the impact of a war that Europe forgot and the bravery, love and sacrifice of those who lived through it.  

Igor Memic is a Bosnian-born British playwright, originally from Mostar. He grew up in London after leaving Yugoslavia in 1992. He studied at the University of Liverpool and the Royal Central School of Speech and Drama. Old Bridge marks his professional debut.

The 2020 Papatango New Writing Prize had a record 1,504 entries – more submissions, by annual average, than any other UK award. The previous eleven Prize-winners have been: 55% male and 45% female; aged from their 20s to their 50s; 72% from outside London; 64% debut writers; 72% state educated.

PAPATANGO EDUCATION PORTAL

Launching in late Spring 2021, Papatango’s brand-new, not-for-profit education portal will offer online, captioned courses in playwriting and producing, led by a host of leading theatre-makers, to ensure top-class theatre training is available to anyone, anywhere.

With the majority of education opportunities tied to specific venues, making geography and mobility barriers, this unique opportunity will provide access to education and learning schemes to empower the next generation of artists.

GOWRITE

GoWrite is Papatango’s nationwide participation, engagement and professional development programme for young people and adults. It delivers completely free playwriting training, including: courses at regional venues without in-house new writing provision; workshops for state secondary schools, leading to professional performance and publication of students’ work; workshops at community centres; a one-to-one career facilitation service; and access bursaries and free tickets to enable writers anywhere to participate in our opportunities.

In 2021 Papatango will expand GoWrite to counter the ever-widening gap in accessible education and training provision. To underpin this, Sarah Emily Parkes has been appointed to the new role of Education Officer. Her remit will include expanding GoWrite to reach even more schools and communities across the country; as a starting point, in 2021 the company will run 2 free regional playwriting courses for 36 writers with no professional experience, culminating in public showcases of work, and run 44 free writing workshops in 22 state schools in London, South-West and North-West England, helping up to 660 students become published and produced playwrights.

Sarah Emily Parkes said today, “Having worked with Papatango last year to help deliver WriteWest, our pilot education programme in the South West of England, I am delighted to be taking on the role of Education Officer, to grow and develop our free and accessible opportunities for writers of all ages, backgrounds and levels of experience. Now, perhaps more than ever, it is crucial that young people in particular have access to the arts, which have a proven positive impact on wellbeing, confidence and resilience. Our expanded schools programme will allow even more young people, including some of the most vulnerable, to benefit from working with a professional theatre company.”

Parkes was Papatango’s Assistant Producer in 2019-20. She has worked for a wide range of organisations within the arts, education and voluntary sectors, including Kilter Theatre, The Invisible Circus, House of Imagination, North Somerset Arts, The Royal West of England Academy, Bath Spa University and the University of Bath.

Since its launch in 2017, GoWrite has developed 73 new plays in areas with no new writing provision, which have gone on to be produced at Hampstead Theatre, Vault Festival, Theatre Royal Bury St Edmunds and abroad; donated 1151 tickets to Papatango productions; run 42 workshops for 931 adults without professional training; run 64 workshops in state schools for 1124 students otherwise with only limited access to drama education; and provided individual advice to 187 writers.

Birmingham Hippodrome launch campaign to raise £20,000 to bring creativity back to young people

Double your donations to help Birmingham Hippodrome raise £20,000 to deliver transformational work with disadvantaged young people

Image: Hippodrome Education Network students perform a creative piece inspired by Circus 1903 at Birmingham Hippodrome

Birmingham Hippodrome has launched a festive fundraising campaign, aiming to raise £20,000 in just one week to bring confidence and creativity back to young people after the impact of COVID-19.

To achieve this ambitious target, the theatre has joined The Big Give’s Christmas Challenge 2020 campaign, which will see all donations doubled for just seven days from midday on Tuesday 1 December.

The donations raised will support the Hippodrome Education Network (HEN), which gives disadvantaged and vulnerable young people aged 5-19 from Birmingham and the West Midlands the chance to experience high quality arts and culture on a weekly basis.

To support post COVID-19 recovery in schools, the HEN team have been working in 28 primary, secondary and SEN schools each week since September. The team have worked with teachers to adapt and deliver a programme focused on wellbeing, building resilience and confidence in young people in the wake of disrupted education.

Zaylie-Dawn Wilson, Head of Learning & Participation at Birmingham Hippodrome commented: “A recent Young Minds report found 81% of young people felt the crisis had led to a deterioration of their mental health and 58% felt unsure about their futures. The pandemic has eroded confidence, taken away schooling, friends, family, safe spaces and access to the arts.

Raising £20,000 will allow us to work with 5,000 young people to deliver wellbeing and confidence workshops, digital masterclasses and careers insights in schools and to build young people back up, enabling them to develop skills and give them a voice to reimagine their future.”

James Christie, a teacher at Greenholm Primary School which is part of the Hippodrome Education Network added“In ordinary times, our students benefit hugely from working alongside a dedicated Learning Artist from Birmingham Hippodrome, boosting their confidence and self-esteem, learning new skills and giving every child in the school a chance to shine across the year.

In these more unusual times, we have been extremely fortunate to still have their involvement, meaning the children haven’t had to experience a ‘scaled back curriculum’. This has given some sense of normality for them and a chance to escape, if only once a week, the constant reminders of the changes COVID-19 has brought to their lives.”

As an independent charity, Birmingham Hippodrome relies on regular support from charitable donations and sponsorship to deliver the Hippodrome Education Network programme.

Judith Greenburgh, Head of Fundraising and Development at Birmingham Hippodrome concluded: “As a charity, fundraising support is vital to help us to continue our work with disadvantaged and vulnerable young people. Just £10 in donations that is matched by The Big Give means two young people can participate in a workshop with our Learning Artists in school. A £50 donation that is matched by The Big Give means a whole class can participate, so every donation truly matters.

With every donation having double the impact, your support will make a difference for at least 5,000 young people from Birmingham and the West Midlands enjoying 10,000 creative opportunities this academic year.”

Donations for the campaign can be made online only from midday on Tuesday 1 December until Tuesday 8 December. To donate, visit: https://www.birminghamhippodrome.com/big-give-christmas-challenge-2020/