Month: March 2020

Hackney Empire presents
JACK AND THE BEANSTALK

• HACKNEY EMPIRE ANNOUNCES JACK AND THE BEANSTALK FOR ITS 2020 PANTOMIME, RUNNING FROM 21 NOVEMBER 2020 TO 3 JANUARY 2021.
   
• CLIVE ROWE WILL BECOME THE FIRST PATRON OF HACKNEY EMPIRE AND WILL TAKE TO THE STAGE ONCE MORE IN THE ICONIC ROLE OF  THE DAME.
   
• TICKETS FOR JACK AND THE BEANSTALK GO ON SALE ON FRIDAY 6 MARCH AT WWW.HACKNEYEMPIRE.CO.UK

Hackney Empire today announces Jack and the Beanstalk for its 2020 Christmas production opening in London this November and marking its 22^nd pantomime at the East End venue.  Jack and the Beanstalk will run from 21 November 2020 to 3 January 2021, with press night on Thursday 3 December. Tickets will go on sale to the public from Friday 6 March 2020 at 12noon.

This year, Hackney Empire is proud to announce Grande Dame Olivier Award-winner Clive Rowe as its very first patron of the theatre. Clive will also make his 14^th pantomime appearance this Christmas starring as Dame Daisy Trott. The full creative team and casting will be announced in due course.

Yamin Choudury, Artistic Director, and Jo Hemmant, Executive Director, from Hackney Empire said: “Nothing could feel more perfect than Clive Rowe becoming our first patron. As Hackney Empire’s pantomime Dame he has captivated, delighted and charmed audiences with his award-winning performances. As we head towards Hackney Empire’s 120th birthday, we look forward with great excitement to the next chapter of life at the theatre.”

Clive Rowe said: “I cannot truly express how honoured I am to have been asked to be Hackney Empire’s first patron.  My relationship with the building over the years has always been based on love and respect not just for the theatre but also for the community it is part of. I would like to thank Hackney Empire for this. I will cherish my patronage.”

As only Hackney Empire can, Jack and the Beanstalk will get the festive season underway, bringing all of the fun, magic and razzle dazzle that Hackney audiences love.

When happy-go-lucky Jack is tempted into selling his family’s beloved cow for a fistful of magic beans, he finds himself tangled in an adventure of epic proportions! Join Jack on his journey up an enchanted beanstalk as he tries to outwit a rampaging giant, all with the help of his larger-than-life mum.

This tall-tale is packed full of slapstick comedy, laugh-out-loud topical gags, outrageous costumes, dazzling song and dance numbers and plenty of chances to cheer, boo and hiss.  Hackney Empire’s pantomime has become one of the city’s most anticipated annual highlights bringing West End value at East End prices to attract an ever growing local, national and global fanbase.

Over 44,000 people attended last year’s pantomime Dick Whittington and His Cat including 10,000 schoolchildren. 41% of the audience were first time visitors to Hackney Empire.

Tickets for Jack and the Beanstalk go on sale on Friday 6 March from 12pm at www.hackneyempire.co.uk.

THE CHILDREN’S THEATRE PARTNERSHIP PRESENTS

A BRAND-NEW PRODUCTION OF GEORGE ORWELL’S SATIRICAL MASTERPIECE

ANIMAL FARM

DIRECTED BY THE CRITICALLY ACCLAIMED & MULTI-AWARD WINNING

ROBERT ICKE

WITH DESIGNS BY BUNNY CHRISTIE & PUPPETRY BY TOBY OLIÉ

ON AN EXTENSIVE UK TOUR FROM 2022

The critically lauded writer and director Robert Icke (The Doctor/Hamlet/Mary Stuart/Oresteia/1984), will direct The Children’s Theatre Partnership’s(CTP) upcoming production of George Orwell’s classic satirical fable, Animal Farm.

The production, which will tour the UK from 2022, will also combine the forces of some of UK theatre’s most talented creatives, including designs by the multi-award winning Bunny Christie (A Midsummer Night’s Dream/Company/Ink/The Curious Incident of the Dog in the Night-Time), and puppetry by Toby Olié (Running Wild/The Grinning Man/War Horse).

Robert Icke, said, “I’m thrilled to be working on another of Orwell’s seminal classics, and collaborating again with Fiery Angel. I could not be more excited to bring this important and timely story to a broad and diverse audience across the UK, and work alongside two of the industry’s most talented artists, Bunny and Toby.”

‘Four legs good, two legs bad’

Orwell’s biting political novelwas first published in 1945 and tells the story of the uprising of the animals of Manor Farm against their human, Farmer Jones, in the hope of creating a society where animals can be equal, free, and happy.

Icke previously worked on another of Orwell’s classics, 1984, which he co-adapted/directed alongside Duncan Macmillan, garnering him his first Olivier Award nomination for Best New Play in 2014. Animal Farm also reunites Icke and Christie following their celebrated 2016 collaboration on The Red Barn at the National Theatre. 

Further information about the production and the full 2022 tour schedule will be announced in due course.

Omnibus Theatre – until 8 August 2020

Reviewed by Heather Chalkley

3***

An unusual piece that reflects on what a successful apology really is, whether in the public eye or behind closed doors. Each act is written by 3 separate writers. Together they create a relentless introspection into the real cost of public apologies.

The Director Jane Moriarty has not differentiated between the characters enough to prevent melding. Act I gives more light and shade to the character. Act II and III begin to blur and may benefit from being separated by Act I.

Gabrielle Scawthorn delivers a sustained emotional out pouring. She is believable in her portrayal of 3 angry women, although there are times when the similarities are a distraction from the topic under debate.

The creative team make good use of the space, employing single item statement props for each character. Greater contrast in costume may help to separate the characters.

It is a relevant and thought provoking piece, rightly uncomfortable in its subject matter. Each act gives the human casualty perspective behind the constant media diatribe we have become so accustomed to.

Theatre Royal Windsor – until 7 March 2020

Reviewed by Carly Burlinge

3.5 ***

The Black Veil is written by Charles Dickens and Directed by Karen Henson.

Set back in the 1800’s in London. Stephan Ruggles (Christopher Brookes) who plays a young, chatty, well spoken, polite, very committed and newly qualified Doctor, who has come to London in order to set up practice and start his new career. He returns home one stormy evening, warming himself up in front of the fire when an old mysterious lady dressed in black, covering herself with a veil asks for his help. He invites her in to get warm, as outside the weather is ghastly and she is soaked through and concerned she will get a chill. He asks her to take his chair in order to get warm and dry. She remains quiet at first, takes a seat, asks him to sit with her with just a hand gesture which comes across very creepy and wondering if she will say anything at all! 

Once both seated Ada Crawlings (Dorkas Ashar) begins to talk and reveal that she needs his help and seems somewhat distressed as her grandson is ill. She plays the part well, slowly moving around the stage with a walking stick at times, has a rough old voice, her appearance and her demeanour make the audience feel somewhat sorry for the position she has found herself in,  but also the feeling that something isn’t quite right and that maybe she has an ulterior motive. She continues to tell Doctor Ruggles that her grandson is ill but is very adamant that he is unable to attend to him straight away and only until the following morning. Leaving the doctor  confused and a little unsure but he finally agrees to help but why does she remain uncovered? And why has she chosen him in order to help her? As the story unravels there becomes many twists and turns.

Although the first half seems slow at times  whilst building the story, the second half unravels very quickly, is lively with lots to absorb. The Black Veil is a well plotted, chilling and eerie thriller to watch.

The set was very dark with the use of black sheeting hung from around the stage, giving it quite a frightening bleak look throughout. With a chair set before a very effective pretend fireplace, with the use of just a flickering light to give the impression of a fire burning before them. Everything looked darkened and shadowy to fit in with the dramatic feel of the show . The lighting perfect for the show, with their shadows appearing in the background throughout. The sound affects were exceptional and sombre fitting in well.

Adam Blanshay Productions and Nicolas Talar present
The Birmingham Repertory Theatre Production of
WHAT’S IN A NAME?
Joe Thomas, Bo Poraj, Laura Patch, Louise Marwood and
Alex Gaumond reunite to star in international hit comedy adapted
and directed by Jeremy Sams

Alhambra Theatre, Bradford
Thursday 9 – Saturday 11 April 2020
Recommended age 14+
*Tickets £31.50 – £15.50
Call the Box Office on 01274 432000 or visit bradford-theatres.co.uk

*All prices shown include booking fees but are subject to postage charge if applicable.
Bradford Theatres usual terms and conditions apply.

International hit comedy What’s In A Name?, adapted and directed by Jeremy Sams from the awardwinning French film and stage sensation, Le Prènom, by Matthew Delaporte and Alexandre de La Patellière is coming to the Alhambra Theatre, Bradford in April 2020.

The ferocious comedy has garnered critical acclaim from across the country since 2019 UK tour, with praise in particular for the cast who will be returning in 2020; Joe Thomas (The Inbetweeners, Fresh Meat), Bo Poraj (Miranda, Musketeers), Laura Patch (After Life, Star Stories), Louise Marwood (Emmerdale) and Alex Gaumond (Company, Dirty Rotten Scoundrels, Matilda).

What’s In A Name? hilariously captures a particularly awkward family dinner party. The witty and razorsharp production will return to Birmingham, where audiences will have a second opportunity to catch the play after it first opened at the Birmingham Repertory Theatre in 2017. The extended tour kicks off again at The Alexandra Theatre in March 2020 and will then visit Leicester, Bath, Poole, Bradford, Brighton and Bromley.

Father-to-be Vincent and his partner Anna are invited to dinner by his sister Elizabeth and her husband, Peter. They are joined by childhood friend Carl for a mature and sophisticated gathering.

The meal is lovingly prepared, and wine carefully selected. The friends are prepared for the usual humorous exchanges they’ve come to expect.

But tonight, a startling revelation about the name chosen for Vincent’s and Anna’s expected child becomes the catalyst for a destructive argument which spirals hysterically out of control. Tonight no one is holding back! Egos, childish resentment and unspoken feelings are relentlessly and hilariously exposed for the first time.

What’s In A Name? is written by Matthew Delaporte and Alexandre De La Patellière with adaptation, translation and direction by Jeremy Sams. Set design is by Francis O’Connor and lighting design is by Rick Fisher.

The Alexandra, Birmingham – until 7 March 2020

Reviewed by Joanne Hodge

5*****

I was born almost exactly 20 years after the ‘Day the Music Died’, but due to my parents’ love of his music, I grew up surrounded by the sounds of Buddy Holly.

This 30th anniversary tour of Buddy – the Buddy Holly story – is a nostalgic extravaganza, and try as I might, I could not find fault with it in any way.

From the authentic-sounding 50’s radio playing as we waited for curtain-up, to the final rip-roaring riffs of his guitar, this was a two hour journey through time, taking us back through the spectacular soundtrack of the bespectacled boy from Lubbock, Texas.

As we approached the end of the show, I’d began to hope that somehow history had been wrongly recorded, his fate would be changed, and we would have been graced with many, many more years of his music!

Director Matt Salisbury and Musical Director Dean Elliott deliver us an absolutely flawless edition of Alan Jones’s work. The whole ensemble are superbly cast, each astounding with both their acting and musical talent – I was genuinely in awe.

AJ Jenks is an outstanding Buddy – the boy with the big glasses and ideas to match. His natural charisma shines from the stage, and I’d say that what he can’t do with a guitar, or his voice, isn’t worth knowing about.

Other notable performances for me came from Joshua Barton as The Big Bopper and Ben Pryer as Ritchie Valens. Their time on stage may be shorter than others, but bore no less impact. I feel I was likely drawn to them as you know as you’re watching what is to come, which leaves each joyous note or raucous hip-roll with a tinge of sadness.

I genuinely did not want the show to end, and could watch again and again, a feeling I believe was likely shared by the rest of the audience who were singing and dancing in the aisles long before the curtain call.

CHANNING TATUM’S

MAGIC MIKE LIVE IN LONDON

EXTENDS BOOKING PERIOD

AT THE HIPPODROME CASINO

BOOKING TO 13 SEPTEMBER 2020

TICKETS ON SALE FROM 12.00NOON TODAY, WEDNESDAY 4 MARCH

Channing Tatum and his co-producers are delighted to announce that, due to continued strong demand, additional tickets are being released for Magic Mike Live in London, with the booking period extended to 13 September 2020.  Tickets will be on sale direct through Magic Mike Live from 12.00noon today, Wednesday 4 March, and through all other sales channels from 12.00noon on Wednesday 11 March.

Conceived and co-directed by Channing Tatum, Magic Mike Live, which has already wowed 200,000 people in London alone and half a million worldwide, is a large-scale, live production show based on the hit films Magic Mike and Magic Mike XXL, which opened at The Theatre at the Hippodrome Casino in London’s Leicester Square in November 2018 and is now playing its second year. 

The Theatre at the Hippodrome Casino has been transformed into a magical, intimate, 325-seat performance space for Magic Mike Live.  From the bespoke entrance off Cranbourn Street, to the specially curated lounge and bar experience, to the cast of world-class performers, Magic Mike Live is a complete evening of unparalleled entertainment for guests aged 18 and up.  Audience members enter Magic Mike’s mythical club and marvel as a group of extraordinary artists from around the world perform a 360-degree dance and acrobatic spectacular in front of, behind, and above them.  Sexy dance routines intertwined with one-of-a-kind acts, are presented by a diverse cast of performers from around the world.

Magic Mike Live in London is co-directed by Channing Tatum and Alison Faulk, with Luke Broadlick as associate director, and choreography by Alison Faulk, Teresa Espinosa and Luke Broadlick.The Executive Producer is Vincent Marini with General Management by David Ian Productions. The production designer is Rachel O’Toole, with scenic design by Rob Bissinger and Anita LaScala (Arda Studio), costume design by Marina Toybina, lighting design by Philip Gladwell and video design by Luke Halls.  Musical supervisor is Jack Rayner, with sound design by Nick Kourtides.  Dreya Weber is aerial choreographer & aerial apparatus designer. 

Magic Mike Live has become an international sensation since opening in Las Vegas in April 2017.  In addition to breaking box office records and performing to sold-out audiences in London, the show recently premiered in a custom-built venue in the heart of Potsdamer Platz in Berlin, and in May the Australia national tour will debut in the world’s largest, two-story, fully customized Spiegeltent in Melbourne, before travelling to Sydney in November.

Magic Mike Live is produced in London by Channing Tatum, Reid Carolin, Greg Jacobs, Peter Kiernan, Steven Soderbergh, Nick Wechsler and United Talent Agency in association with Warner Bros., Vincent Marini, The Hippodrome Casino, Bruce Robert Harris and Jack W. Batman, TSG Entertainment & Ashley DeSimone, Richard Winkler and The Creative House.

LISTINGS INFORMATION

Magic Mike Live

The Theatre at the Hippodrome Casino

Cranbourn Street

Leicester Square

London WC2H 7JH

Website:  www.magicmikelondon.co.uk   

Twitter:  @MagicMikeLDN

Facebook:  @MagicMikeLDN

Instagram:  @MagicMikeLiveLDN

Box Office:  0844 453 9091

Ticket Prices:  from £29.00 including booking fees

Current Booking Period:  to 13 September 2020

Running Time: approximately 90 minutes (no interval)

Performances: Wednesday to Sunday 7.30pm, Thursday to Saturday 10.00pm, Saturday & Sunday 4.30pm

Please note, there will be no performances w/c 11 May 2020 and w/c 14 September 2020.

Magic Mike Live guests must be at least 18 years to attend – appropriate photo ID will be requested on arrival at the venue – begambleaware.org

Nominations announced for Olivier Awards 2020 with Mastercard

• New British musical & Juliet leads the field with nine nominations
• Eight nominations for Trevor Nunn’s revival of Fiddler On The Roof, with seven for Broadway transfer Dear Evan Hansen
• The most nominated plays, with five each, are Death Of A Salesman,  Rosmersholm and Cyrano De Bergerac
• Best Actress nominations for Hayley Atwell, Sharon D. Clarke, Juliet Stevenson and Phoebe Waller-Bridge
• Toby Jones, James McAvoy, Wendell Pierce and Andrew Scott nominated for Best Actor

Watch the full nominations announcement video here

The nominations have been announced for this year’s Olivier Awards, which take place on Sunday 5 April at the Royal Albert Hall.

& Juliet, a new British musical using the pop songs of Swedish hitmaker Max Martin to retell Shakespeare’s classic love story, has nine nominations – including Best New Musical, Best Actress in a Musical, Best Set Design and Best Costume Design.

Trevor Nunn’s revival of the 1964 musical Fiddler On The Roof, which opened at the Menier Chocolate Factory before transferring to the West End last year, is nominated eight times, with a Best Director nod for Nunn, as well as acting nominations for Andy Nyman and Judy Kuhn. There are also seven nominations for new musical Dear Evan Hansen, which opened on Broadway in 2016, and six for the Richard Eyre-directed revival of Mary Poppins currently running at the Prince Edward Theatre.

Leading the nominations for plays with five each, including Best Revival, are the Young Vic production of Death Of A Salesman and Rosmersholm at the Duke of York’s Theatre and Cyrano De Bergerac at the Playhouse Theatre. Uncle Vanya at the Harold Pinter Theatre and Present Laughter at The Old Vic each have four nominations.

This year’s Best New Play nominees include A Very Expensive Poison by Lucy Prebble, based on a book about the murder of Alexander Litvinenko, and Tom Stoppard’s Leopoldstadt, the epic story of a Viennese Jewish family at the start of the 20^th century.

In the Best Actor category, Toby Jones is nominated for his performance in Uncle Vanya, James McAvoy for Cyrano De Bergerac (his fourth nomination), Wendell Pierce for his West End debut in Death Of A Salesman, and Andrew Scott for Present Laughter.

In the Best Actress category, Hayley Atwell is nominated for Rosmersholm, Sharon D. Clarke (who has now been nominated six times across all four acting categories) for Death Of A Salesman, and Juliet Stevenson (also now a six-time nominee) for The Doctor, an Almeida Theatre production coming to the West End in April. Phoebe Waller-Bridge receives her first acting nomination for Fleabag, which was Olivier nominated in 2014 for its run at the Soho Theatre.

Petula Clark, last Olivier-nominated in 1981, receives a Best Supporting Actress in a Musical nomination for her role as the Bird Woman in Mary Poppins. She is joined in the musical acting categories by several first-time nominees, including Miriam-Teak Lee for & Juliet, Zizi Strallen for Mary Poppins, Sam Tutty for Dear Evan Hansen and Jac Yarrow for Joseph And The Amazing Technicolor Dreamcoat.

Julian Bird, Chief Executive of Society of London Theatre and Executive Producer of the Olivier Awards,said:

‘2020’s nominations demonstrate the range of productions, talent and enterprise on our stages over the last year, with a mix of breadth and diversity that showcases the modern British theatre landscape. We look forward to celebrating all this incredible, world-leading talent on Sunday 5 April.’

The Nominees’ Celebration will take place on Friday 13 March at The May Fair Hotel (part of Edwardian Hotels London, official hotel partner for the Olivier Awards), in association with Olivier Awards partner Cunard.

The Olivier Awards ceremony will be hosted by Jason Manford, and broadcast via official media partners ITV and Magic Radio. Further details to be announced soon.

OlivierAwards.com | Facebook | Twitter | Instagram

Full list of Olivier Awards 2020 nominations:

Best Actor in a Supporting Role in a Musical                                          

• David Bedella for & Juliet at Shaftesbury Theatre                                   
• Stewart Clarke for Fiddler On The Roof at Playhouse Theatre              
• Jack Loxton for Dear Evan Hansen at Noël Coward Theatre                             
• Rupert Young for Dear Evan Hansen at Noël Coward Theatre                          

Best Actress in a Supporting Role in a Musical

• Lucy Anderson for Dear Evan Hansen at Noël Coward Theatre            

• Petula Clark for Mary Poppins at Prince Edward Theatre                                   
• Cassidy Janson for & Juliet at Shaftesbury Theatre                               
• Lauren Ward for Dear Evan Hansen at Noël Coward Theatre                

Best Original Score or New Orchestrations                                                         

• & Juliet – New Orchestrations by Bill Sherman and Dominic Fallacaro at Shaftesbury Theatre                                   
• Amélie The Musical – Musical Supervisor and Arrangements by Barnaby Race at The Other Palace                        
• Dear Evan Hansen – Music and Lyrics by Benj Pasek and Justin Paul, Orchestration by Alex Lacamoire at Noël Coward Theatre                                   
• Fiddler On The Roof – New Orchestrations by Jason Carr at Playhouse Theatre
• Waitress – Music and Lyrics by Sara Bareilles at Adelphi Theatre                                                         

Best New Dance Production

• La Fiesta by Israel Galván at Sadler’s Wells
• Ingoma by Mthuthuzeli November for Ballet Black at Barbican Theatre and Royal Opera House – Linbury Theatre
• MÁM by Michael Keegan-Dolan for Teaċ Daṁsa at Sadler’s Wells 
• Vessel by Damien Jalet & Kohei Nawa at Sadler’s Wells

Outstanding Achievement in Dance

• Sara Baras for her choreography and performance in Ballet Flamenco – Sombras at Sadler’s Wells 
• Anne Teresa De Keersmaeker for her performance in Mitten Wir Im Leben Sind/Bach6Cellosuiten at Sadler’s Wells 
• Gisèle Vienne for her choreography of Crowd, presented by Dance Umbrella at
  Sadler’s Wells

Noel Coward Award for Best Entertainment or Comedy Play

• Emilia at Vaudeville Theatre                                   
• Fleabag at Wyndham’s Theatre                             
• Magic Goes Wrong at Vaudeville Theatre                        
• The Upstart Crow at Gielgud Theatre                               

Best Theatre Choreographer                                 

• Fabian Aloise for Evita at Regent’s Park Open Air Theatre                    
• Matthew Bourne and Stephen Mear for Mary Poppins at Prince Edward Theatre
• Jerome Robbins and Matt Cole for Fiddler On The Roof at Playhouse Theatre
• Jennifer Weber for & Juliet at Shaftesbury Theatre                                

Magic Radio Best Musical Revival           

• Evita at Regent’s Park Open Air Theatre                          
• Fiddler On The Roof at Playhouse Theatre                                  
• Joseph And The Amazing Technicolor Dreamcoat at The London Palladium
• Mary Poppins at Prince Edward Theatre                          

Best Actor in a Musical                   

• Andy Nyman for Fiddler On The Roof at Playhouse Theatre
• Charlie Stemp for Mary Poppins at Prince Edward Theatre
• Sam Tutty for Dear Evan Hansen at Noël Coward Theatre                                 
• Jac Yarrow for Joseph And The Amazing Technicolor Dreamcoat at The London Palladium                                   

Best Actress in a Musical

• Audrey Brisson for Amélie The Musical at The Other Palace                             
• Judy Kuhn for Fiddler On The Roof at Playhouse Theatre         
• Miriam-Teak Lee for & Juliet at Shaftesbury Theatre                              
• Zizi Strallen for Mary Poppins at Prince Edward Theatre                       

Cunard Best Revival                                                             

• Cyrano De Bergerac at Playhouse Theatre                                  
• Death Of A Salesman at Young Vic and Piccadilly Theatre                               
• Present Laughter at The Old Vic                            
• Rosmersholm at Duke of York’s Theatre                          

Best Family Show

• Mr Gum And The Dancing Bear – The Musical! at National Theatre – Dorfman
• Oi Frog & Friends! at Lyric Theatre
• To The Moon And Back at Barbican Theatre
• The Worst Witch at Vaudeville Theatre 

Outstanding Achievement in an Affiliate Theatre

• Baby Reindeer at Bush Theatre
• Blues In The Night at Kiln Theatre
• Our Lady Of Kibeho at Theatre Royal Stratford East
• Seven Methods Of Killing Kylie Jenner at Jerwood Theatre Upstairs at the Royal Court Theatre
• Warheads at Park Theatre

White Light Award for Best Lighting Design                                              

• Neil Austin for Rosmersholm at Duke of York’s Theatre
• Paule Constable for The Ocean At The End Of The Lane at National Theatre – Dorfman
• Howard Hudson for & Juliet at Shaftesbury Theatre                               
• Bruno Poet for Uncle Vanya at Harold Pinter Theatre                             

Royal Albert Hall Award for Best Sound Design

• Gregory Clarke for Rosmersholm at Duke of York’s Theatre
• Emma Laxton for Emilia at Vaudeville Theatre
• Ben and Max Ringham for ANNA at National Theatre – Dorfman                       
• Ben and Max Ringham for Cyrano De Bergerac at Playhouse Theatre

Best Costume Design                                 

• Hugh Durrant for Goldilocks And The Three Bears at The London Palladium
• Jonathan Lipman for Fiddler On The Roof at Playhouse Theatre         
• Joanna Scotcher for Emilia at Vaudeville Theatre           
• Paloma Young for & Juliet at Shaftesbury Theatre                                 

Blue-i Theatre Technology Award for Best Set Design                   

• Bob Crowley for Mary Poppins at Prince Edward Theatre                                 
• Soutra Gilmour for & Juliet at Shaftesbury Theatre                                
• Rae Smith for Rosmersholm at Duke of York’s Theatre                         
• Rae Smith for Uncle Vanya at Harold Pinter Theatre                               

Best Actor in a Supporting Role

• Arinzé Kene for Death Of A Salesman at Young Vic                                
• Colin Morgan for All My Sons at The Old Vic                               
• Adrian Scarborough for Leopoldstadt at Wyndham’s Theatre                          
• Reece Shearsmith for A Very Expensive Poison at The Old Vic            

Best Actress in a Supporting Role

• Michele Austin for Cyrano De Bergerac at Playhouse Theatre              
• Sophie Thompson for Present Laughter at The Old Vic                          
• Indira Varma for Present Laughter at The Old Vic                       
• Josie Walker for The Ocean At The End Of The Lane at National Theatre – Dorfman     

Best New Opera Production

• Berenice at Royal Opera House – Linbury Theatre
• Billy Budd at Royal Opera House
• Hansel And Gretel by ENO at Regent’s Park Open Air Theatre
• Noye’s Fludde by ENO at Theatre Royal Stratford East

Outstanding Achievement in Opera

• Jette Parker Young Artists for their performances in Berenice, Death In Venice and Phaedra at Royal Opera House
• The Children’s Ensemble for their performance in ENO’s Noye’s Fludde at Theatre Royal Stratford East
• Martyn Brabbins and James Henshaw for their conducting of ENO’s The Mask Of Orpheus at London Coliseum

Best Actor                                        

• Toby Jones for Uncle Vanya at Harold Pinter Theatre                            
• James McAvoy for Cyrano De Bergerac at Playhouse Theatre             
• Wendell Pierce for Death Of A Salesman at Young Vic and Piccadilly Theatre
• Andrew Scott for Present Laughter at The Old Vic                                  

Best Actress

• Hayley Atwell for Rosmersholm at Duke of York’s Theatre                                
• Sharon D. Clarke for Death Of A Salesman at Piccadilly Theatre                      
• Juliet Stevenson for The Doctor at Almeida Theatre                               
• Phoebe Waller-Bridge for Fleabag at Wyndham’s Theatre

Sir Peter Hall Award for Best Director                        

• Marianne Elliott and Miranda Cromwell for Death Of A Salesman at Young Vic and Piccadilly Theatre                                  
• Jamie Lloyd for Cyrano De Bergerac at Playhouse Theatre                               
• Trevor Nunn for Fiddler On The Roof at Playhouse Theatre                              
• Ian Rickson for Uncle Vanya at Harold Pinter Theatre                                                   

American Airlines Best New Play                      

• A Very Expensive Poison at The Old Vic  
• The Doctor at Almeida Theatre      
• Leopoldstadt at Wyndham’s Theatre                                
• The Ocean At The End Of The Lane at National Theatre – Dorfman

Mastercard Best New Musical    

• & Juliet at Shaftesbury Theatre                             
• Amélie The Musical at The Other Palace                          
• Dear Evan Hansen at Noël Coward Theatre                                 
• Waitress at Adelphi Theatre 

NEW ADVENTURES ANNOUNCES

EXTENSIVE TOUR DATES FOR

MATTHEW BOURNE’S

NUTCRACKER!

MUSIC BY TCHAIKOVSKY

TOURING TO 17 VENUES IN THE UK AND IRELAND

AHEAD OF AN INTERNATIONAL TOUR

New Adventures is delighted to announce extensive dates for 2020/21 UK and Ireland tour of Matthew Bourne’s Nutcracker!. International tour dates for 2021 to be announced shortly.

The tour opens at Theatre Royal Plymouth on Monday 16 November 2020 ahead of a Christmas Season at Sadler’s Wells, London from Tuesday 8 December 2020 to Sunday 24 January 2021. The tour then continues until May 2021, visiting a total of 17 venues across the UK and Ireland. Full listings below.

The sweetest of all Matthew Bourne’s treats returns for the first time in nine years; it’s a Nutcracker! for all seasons. With family-sized helpings of Bourne’s trademark wit, pathos and magical fantasy, Nutcracker! follows Clara’s bittersweet journey from a darkly comic Christmas Eve at Dr. Dross’ Orphanage, through a shimmering, ice-skating winter wonderland to the scrumptious candy kingdom of Sweetieland, influenced by the lavish Hollywood musicals of the 1930s.

Tchaikovsky’s glorious score and Anthony Ward’s delectable sets and costumes combine with Bourne’s dazzling choreography to create a fresh and charmingly irreverent interpretation of the classic.  Expect a sprinkling of delicious new surprises in this reinvented production for 2020.

Recipient of the 2019 Special Olivier Award, Sir Matthew Bourne and New Adventures have produced some of the most successful dance productions of the last two decades. A truly national dance-theatre touring company and one of Britain’s leading exporters of dance internationally, their productions include Swan Lake, Cinderella, The Red Shoes, Edward Scissorhands and most recently Matthew Bourne’s acclaimed re-imagining of Romeo and Juliet.

New Adventures is a national portfolio organisation supported using public funds by Arts Council England.

For more information please visit: www.new-adventures.net

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Sheffield Lyceum – until 7 March 2020

Reviewed by Lottie Davis-Browne

4****

It has been twenty-five years since Priscilla, and the Queens who rode in her, came out into the world, prominently and proudly – pointing the way for everything that would follow. As one Drag Queen (“Everybody’s Talking About Jamie”) departs Sheffield’s Lyceum Theatre following a successful long run, a bus load of Queens have arrived for one week only – expect sequins, glitter, feathers, bright colours and of course – utter camp-ness!

This screen-to-stage adaptation of one of the most iconic movies to come out of the 1990s first hit the West End in 2009, since then there’s been several cast changes and touring productions – I’ve managed to catch at least three of these productions and four or five different casts – I’ve seen the good, the bad, and the just plain ugly.

The last touring production (2015) didn’t live up to magical, colourful West End production and I was left wondering why they’d gone with certain cast members. Hence my hesitation about this current tour, staring Holby City’s Joe McFadden as Tick/Mitzi – the Drag Queen with the secret love child he’s yet to meet.

Along with young flamboyant Drag Queen Felicia/Adam, Tick, and the recently bereaved Bernadette (a transgender woman), travel across the Australian desert in the beaten down bus that Adam fondly christens “Priscilla”, spending four weeks on the road to reach Alice Springs, where Tick has promised his estranged wife Marion (who is a Manager at a Casino Resort) that him and the Queen’s will perform at the venue.

The journey doesn’t go as smoothly as the trio envisaged, as they face homophobic abuse, violence and vandalism but when they meet kind-hearted Bob (Daniel Fletcher) who offers to join them on the rest of their journey in order to protect them and ensure rusty Priscilla gets them to their destination on time for the show.

It’s a story of self-acceptance and embracing the Diva within. Packed with outrageously flamboyant colourful costumes, killer heels and glitter, Priscilla is a heart warming musical filled with non-stop club classic floor-fillers – it’s impossible not to leave the theatre on a high! From “Hot Stuff” to “Venus” (imagine the Bananarama music video but with blokes in skimpy leather – this will always be my ultimate favourite part of this musical!), PSB’s “Go West” and CC Penistone’ “Finally” – you’ll walk into the theatre but leave dancing like you’re at a 1970s discotheque. Imagine Eurovision on acid and you’re half way there!

This current tour and cast outshine all previous productions in my opinion. Where other leads have been disappointing to say the least with the set and costumes feeling cheesy (but not in the good way), this current tour feels fresh, polished and perfected. Whilst I don’t recall me having seen Joe McFadden in anything else prior to tonight, his face was certainly familiar and it wasn’t long into the show that he had won me over with his portrayal as Tick – the middle-aged Drag Queen who is very much in touch with his emotions. Of the three friends, Tick is the least flamboyant (out of Drag) often having to act as the Ring Master when Felicia/Adam provokes Bernadette – the eldest of the three friends with his bitchy comments and sarcastic remarks. I love seeing understudies step in to cover roles; tonight we had a few cast changes with Felicia/Adam being covered by Justin-Lee Jones (Ensemble & Assistant Dance Captain) – who gave an outstanding performance to the point where I’d give anything to see him reprise the role again soon. Having the audience in stitches to the 1979 M track “Pop Muzik” was another understudy – Natalie Chua as Bob’s wife Cynthia.

Often with touring productions that feature a large piece of set (such as the car in Chitty Chitty Bang Bang on the last tour at Sheffield Lyceum), they’re are teething problems on opening night having moved the large prop hundreds of miles to a different venue. Unfortunately there was some technical glitch prior to tonight’s performance and after wondering why the 7:45pm start hadn’t happened at just gone 7:50pm, we had the dreaded announcement. My fear at these announcements aren’t the theatre goers but rather the cast and crew, wondering how they must feel if a show is at risk of not going ahead as planned. But shortly after 8pm another announcement was made and the show went on with no other issues.

Having previously had my Priscilla bubble burst by the disappointment of the last touring production, tonight’s production had me once more embracing my own inner diva. This production has reinstated my love of Simon Phillips stage adaptation of the cult classic 90s movie. Grab your platforms, bright red lippy and sequinned hot pants and hitch a ride across the Australian desert on this glitter clad bus – Priscilla!