Month: September 2015

Four theatres were removed from this year’s Register. The first three, Felixstowe’s Spa Pavilion, The Cryer and The Secombe in Sutton, have been saved. Recognising the value these theatres bring to their local communities, their local authority owners have transferred these assets, and their future as theatres has been secured.

The fourth theatre removed from the Register is the Curzon Cinema/Redstack Playhouse in Bexhill-on-Sea. Despite huge efforts by its local community to save it as a cultural venue, and listing it as an Asset of Community Value, the Playhouse was sold by its owners to the pub chain, JD Wetherspoon.

For further information and images on each theatre on the Register, please contact[email protected] or visit theatrestrust.org.uk/theatre-buildings-at-risk.

Find out more about the Theatre Buildings at Risk Register 2015

Nominations have been announced for the 2015 UK Theatre Awards, with Gypsy, Mrs Henderson Presents and The Secret Diary of Adrian Mole among the shows in contention.

Gypsy star Imelda Staunton is nominated for Best Performance in a Musical, alongside Laura Pitt-Pulford for The Sound of Music (Curve) and Ashley Day for Oklahoma!(Royal and Derngate).

Other productions on the shortlists this year include the Theatre Royal Bath production of The Father, soon to be seen in the West End, and Anything Goes at Sheffield Crucible.

Formerly known as the TMAs, the awards are identified as the only nationwide awards to honour creative and outstanding achievements through theatre, dance and opera seen throughout England, Scotland, Wales and Northern Ireland.

Full list of nominees

Best new play

– Another Place by DC Moore, a Theatre Royal Plymouth production
– Iphigenia in Splott by Gary Owen, a Sherman Cymru production
– The Father by Florian Zeller, translation by Christopher Hampton, a Theatre Royal Bath production

Best performance in a play

– Joel MacCormack for Each His Own Wilderness, an Orange Tree Theatre production
– Polly Lister for Abigail’s Party, a Theatre by The Lake production
– Grant O’Rourke for Venetian Twins, a Royal Lyceum Theatre production

Best supporting performance

– Alex Hassell for Death of a Salesman, a Royal Shakespeare Company production
– Declan Conlon for Dancing at Lughnasa, a Lyric Theatre, Belfast production
– Justine Mitchell for For Services Rendered, a Chichester Festival Theatre production

Best musical production

– Gypsy directed by Jonathan Kent, a Chichester Festival Theatre production
– Anything Goes directed by Daniel Evans, a Sheffield Theatres production in association with Stage Entertainment
– Mrs Henderson Presents directed by Terry Johnson, a Theatre Royal Bath production

Best performance in a musical

– Imelda Staunton for Gypsy, a Chichester Festival Theatre production
– Laura Pitt-Pulford for The Sound of Music, a Curve Theatre, Leicester production
– Ashley Day for Oklahoma!, a Music and Lyrics and Royal and Derngate production

Best show for children and young people

– Running Wild, a Chichester Festival Youth Theatre production
– Wind in the Willows, a Chester Performs production
– The Secret Diary of Adrian Mole Aged 13 3/4 the Musical, a Curve Theatre, Leicester production

Best touring production

– Twelfth Night, an English Touring Theatre and Sheffield Theatres production
– Yer Granny, a National Theatre of Scotland production
– Annie, a Michael Harrison and David Ian production

Best director

– Ned Bennett for Pomona, an Orange Tree Theatre production, and for Yen, a Royal Exchange Theatre production
– Mark Thomson for The Caucasian Chalk Circle, a Royal Lyceum Theatre production
– Max Stafford-Clark for Crouch, Touch, Pause, Engage, an Out of Joint, National Theatre Wales and Arcola Theatre, with Sherman Cymru, production

Best design

– Dick Bird, Timothy Bird and Paul Keogan for The Hudsucker Proxy, a Nuffield Theatre, Liverpool Everyman and Playhouse in association with Complicite production
– Stewart Laing and Mimi Jordan Sherin for Titus Andronicus, a Dundee Rep production
– Leslie Travers and Tim Lutkin for Rebecca, a Kneehigh Theatre and Theatre Royal Plymouth production

Achievement in dance

– Candoco Dance Company: for a terrifically entertaining revival of Jerome Bel’s postmodern classic The Show Must Go On
– New Adventures: for integrating professional and non-professional dancers in Matthew Bourne and Scott Ambler’s engrossing Lord of the Flies
– Yorke Dance Project: for Figure Ground – inspired commissions embracing both past and future

Achievement in opera

– Glyndebourne: for an outstandingly well-planned and performed season
– Opera North’s production of The Marriage of Figaro
– Scottish Opera for Annilese Miskimmon’s production of Jenufa, conducted by Stuart Stratford

Ticket holders for An Intimate Evening with Liza Minnelli, that was due to play at the Palladium on Sunday (20 September), have been refunded.

The show was due to be presented by veteran entertainer Bruce Forsyth and would have included an in-depth Q&A and a selection of songs. Tickets were priced up to £175.

Minnelli has a long association with the Palladium stretching back to 1964 when she joined her mother in concert. She performed solo concerts at the venue in 1973, 1978 and 1986.

The show was being produced by Rocco Buonvino, who was behind similar events featuring Arnold Schwarzenegger and Sylvester Stallone.

There has been no official statement from producers regarding the cancellation.

A representative of the Cabaret star said: “For months Liza has been preparing for these shows and she was devastated to hear of this unfortunate news. She has always thought of London a second home and will miss seeing her friends and devoted fans.”

Minnelli’s dates in Sheffield and Glasgow have also been cancelled.

THE SESSIONS – LIVE RE-STAGING OF THE BEATLES’ ABBEY ROAD RECORDINGS ANNOUNCES UK TOUR
Eleven date tour, April 6 – May 15 2016, follows sell-out Premiere at Royal Albert Hall – Tour also calls at Brighton, Cardiff, Nottingham, Newcastle, Glasgow, Manchester, Aberdeen, Leeds, Birmingham, Wembley Arena and The O2.

The Sessions – A live re-staging of the Beatles at Abbey Road Studios will embark on an eleven-date UK Arena Tour in spring 2016.

Following an open-doors charity preview in the Beatles’ home city, Liverpool, and the show’s already-sold-out world premiere at the Royal Albert Hall on April 1st, the production – part blockbuster stage show, part access-all-areas musical documentary – will then travel to arenas in Brighton, Cardiff, Nottingham, Newcastle, Glasgow, Manchester, Aberdeen, Leeds and Birmingham, before returning to London for performances at Wembley Arena and the O2.

Set in a state-of-the-art reproduction of the iconic Abbey Road Studio 2, The Sessions will stage breath-taking, musically spectacular new live renditions of the timeless albums recorded there by The Beatles, to take us on a joyous, thrilling, historically authentic voyage through the events that shaped popular music history.

Inspired by Here, There and Everywhere, the memoir of the show’s Creative Consultant and Grammy-winning former Abbey Road sound engineer Geoff Emerick, The Sessions will be the closest an audience can get to experiencing The Beatles live and at the height of their glory.

No fewer than 45 people will take the stage to ensure that the experience is as sonically authentic to the original recordings as it is gloriously euphonic. The seven vocalists will comprise 2 ‘Johns’ 2‘Pauls’ 2 ‘Georges’ and one ‘Ringo’ in order to recreate the albums’ until-now inimitable vocal harmonies. A further seven musicians will use rare, vintage, historically accurate instruments to recapture the Beatles’ renegade multi-instrumentalism, while a twenty-one piece orchestra will help awaken the dramatic, uplifting power of these legendary albums and songs using the exact musical arrangements of the originals, and eight Studio Technicians will help relive the ‘Eureka’ moments that created The Beatles’ era-defining sound and changed recorded music forever.

Each of the albums recorded at Abbey Road will become a ‘Suite’ all of which form part of The Sessions’ definitive Beatles Overture, driving the true story of how they made the records that shaped the next half century of popular music and culture.

This multi-million pound production is set in a painstakingly accurate replica of the world-renowned Abbey Road studio, designed and made by Stufish – the entertainment architects behind emblematic set designs for live shows including The Rolling Stones, AC/DC and U2.

The arena show will place the audience around three sides of the ‘Studio’, with venue capacities limited to place the audience at eye-level with the performers and maintain the fly-on-the-wall intimacy of the piece.

The concept for The Sessions was developed by Stig Edgren (creator of The Elvis Presley – In Concert Show) who also acts as Executive Producer, with Kim Gavin (Creative Director, London 2012 Olympic Closing Ceremony, Take That Stadium Tour, soon to do Rugby World Cup 2015 Opening Ceremony) on board as Director, and legendary promoter, agent and producer Jef Hanlon as Producer.

Stig Edgren, the Show’s Executive Producer said: “The Sessions – A live re-staging of the Beatles at Abbey Road Studios” will be a ‘musical documentary’ giving audiences an honest, respectful and accurate recreation of how musical history was made.”

Jef Hanlon, the Show’s Producer said: “An incredible amount of research has gone into the show – we wanted to be as true to the original process as possible. All instrumentation, arrangements and vocals will be performed identically to the original recordings – there will even be seven singers to recreate the multi-tracked vocals pioneered by The Beatles. This show does not seek to be a look-a-like show, but rather a sound-a-like, with the singers being the best Beatles imitators in the world. It’s a must for Beatles fans of all ages.”

Kim Gavin, the Show’s Director said: “This is an opportunity of a lifetime to work with such a legendary pop catalogue. It is really exciting to bring to life some of the Beatles most iconic recording sessions, and offer the audience a unique glimpse into the bands creative process.”

Full Title
The Sessions – A Live re-staging of The Beatles at Abbey Road Studios
www.thesessionslive.com / @thesessionsar
Tickets
Tickets go on general sale on Friday 18th September at www.bookingsdirect.com / 0844 338 0000
UK Dates
30 March 2016 – CHARITY PREVIEW – Liverpool, Echo Arena
01 April 2016 – London, Royal Albert Hall – SOLD OUT
06 April 2016 – Brighton, Centre
30 April 2016 – Cardiff, Motorpoint Arena
04 May 2016 – Nottingham, Capital FM Arena
06 May 2016 – Newcastle, Metro Radio Arena
07 May 2016 – Glasgow, The SSE Hydro
08 May 2016 – Manchester, Arena
10 May 2016 – Aberdeen, Exhibition & Conference Centre (AECC)
12 May 2016 – Leeds, First Direct Arena
13 May 2016 – Birmingham, Barclaycard Arena
14 May 2016 – London, The SSE Arena Wembley
15 May 2016 – London, The O2

The Creative Team
Executive Producer: Stig Edgren
Producer: Jef Hanlon
Director: Kim Gavin
Creative Consultant: Geoff Emerick

Aloff Theatre presents DAVID HUNTER, REBECCA TREHEARN and STEPHEN RAHMAN-HUGHES in a workshop presentation of MIDNIGHT. A new musical by TIMOTHY KNAPMAN and LAURENCE MARK WYTHE based on the play ‘Citizens of Hell’ by ELCHIN – Directed by MATTHEW GOULD

David Hunter, Rebecca Trehearn and Stephen Rahman Hughes take the lead roles in the world premiere of MIDNIGHT. This haunting new musical thriller by Timothy Knapman and Laurence Mark Wythe matches dark wit with an innovative score.

New Year’s Eve, 1937. Welcome to Baku, Azerbaijan, part of the police state of the Soviet Union where, as the clock ticks towards midnight, a husband and wife nervously raise their glasses to an uncertain future. The past year has been the worst of the Great Terror, in which the paranoid dictator Joseph Stalin unleashed wave upon wave of arrests and executions of ordinary citizens. And then comes the dreaded knock on the door… Is it the Communist state’s ruthless secret police? Or a far more mysterious and terrifying visitor? Dark secrets emerge, time is suspended and the couple are tested to breaking point and beyond.

Directed by Matthew Gould with musical direction by James Cleeve, this three-hander plus actor-musician ensemble is based on an original play, Citizens of Hell by Azerbaijan’s Elchin, with book and lyrics by Timothy Knapman and music and lyrics by Laurence Mark Wythe.

The full cast includes Nick Hayes, Thomas Sutcliffe, Greg Castiglioni, Kiara Jays, Jenny O’Leary.
Please note that the actors will be reading from scripts for this presentation.

CREATIVE TEAM
Book and Lyrics by Timothy Knapman
Music and Lyrics by Laurence Mark Wythe
Based on the play “Citizens of Hell” by Elchin
Director – Matthew Gould
Musical Director – James Cleeve
Casting Director – Benjamin Newsome
Producer – Sanan Aliyev
Company – Aloff Theatre

CAST
David Hunter
Rebecca Trehearn
Stephen Rahman Hughes
Ensemble: Nick Hayes, Thomas Sutcliffe, Greg Castiglioni, Kiara Jays, Jenny O’Leary

St. James Studio, 12 Palace St, London SW1E 5JA
Friday, 9 October 2015, 2PM

FULL CASTING ANNOUNCED FOR THE HAIRY APE By Eugene O’Neill. 

Directed by Richard Jones. 

Previews from 17 October 2015.

Eugene O’Neill’s timeless classic of class and identity The Old Vic announces the full cast to join Bertie Carvel in Richard Jones’ new production of The Hairy Ape, the second production in Matthew Warchus’ opening season as Artistic Director. The Hairy Ape opens on 29th October, with previews from 17th October, and will see The Old Vic theatre transformed back to its original proscenium arch layout.

A classic expressionist masterpiece by Nobel prize-winner Eugene O’Neill, The Hairy Ape tells the story of Yank (Bertie Carvel), a labourer who revels in his status as the strongest stoker on a transatlantic ocean liner. But when Yank is called a ‘filthy beast’ by the overbred daughter of a steel merchant, he experiences an awakening of consciousness that leads him on a journey through the wealthy neighbourhoods and disenfranchised underbelly of New York society. Searching for a way to belong, Yank is forced to confront primal questions about his true place in the world.

Directed by the acclaimed, multi award-winning director Richard Jones, The Hairy Ape is an iconic piece of American drama brought to the stage by a visionary of British theatre.

Adam Burton plays Secretary. Adam returns to The Old Vic stage having performed alongside Eve Best in The Duchess of Malfi. His extensive theatre credits include Everyman (National Theatre), The Drowned Man (Punchdrunk), A Life of Galileo, Julius Caesar, King Lear and The Winter’s Tale (RSC), and A Midsummer Night’s Dream (Shakespeare’s Globe). His film credits include Other Side of the Game, and the upcoming film Alice in Wonderland: Through the Looking Glass.

Bertie Carvel plays Robert Smith ‘Yank’. Bertie recently starred in the BBC television drama Jonathan Strange & Mr Norrell, and he will soon be seen in the five-part BBC One drama Doctor Foster. On stage, he is best known for creating the role of ‘Miss Trunchbull’ in Matilda The Musical (RSC, West End, Broadway) for which he won an Olivier Award for Best Actor in a Musical, a Drama Desk Award, a Theatre World Award and was nominated for a Tony Award. His other theatre credits include Bakkhai (Almeida Theatre), Revelations (Hampstead Theatre), The Life of Galileo, The Man of Mode (National Theatre) and Parade (Donmar Warehouse). Other recent television work includes the role of Nick Clegg in Coalition, Babylon and The Wrong Mans.

Buffy Davis plays Aunt. Buffy’s extensive credits for the theatre include Uncle Vanya (St James’ Theatre), School for Scandal (Park Theatre), Hedda Gabler (Old Vic), The Government Inspector and Annie Get Your Gun (Young Vic), and The Rose Tattoo (National Theatre). Television credits include What Remains, Doc Martin, Silk, and Mutual Friends. She has also appeared on film in Anna Karenina, Hyde Park on Hudson, and in Stephen Frears’ feature film Florence Foster Jenkins.

Callum Dixon plays Long. Callum’s recent theatre credits include Between Us (Arcola), The Complaint (Hampstead Theatre), Hamlet and The Government Inspector (Young Vic), The Hour We Knew Nothing of Each Other, Market Boy and Sing Yer Heart Out for the Lads (National Theatre), Mojo (Royal Court), and Edward II and Richard III (RSC). On television he has appeared in A Touch of Cloth, Random, and The Armando Iannucci Show, and on film, credits include The Kid and Telstar.

Steffan Rhodri plays Paddy. His recent theatre credits include The Mentalists (Wyndham’s), Posh (Duke of York’s), Absent Friends (Harold Pinter), Abigail’s Party (Hampstead Theatre), The Kitchen Sink (Bush), Clybourne Park (Royal Court Theatre), and It’s A Mad World My Masters and Candide (RSC). Steffan’s extensive television credits include Henry IV The Hollow Crown: Henry IV, part 2, Under Milk Wood, Cucumber, and Gavin and Stacey; and on film, Harry Potter and the Deathly Hallows.

Rosie Sheehy plays Mildred. The Hairy Ape marks Rosie’s professional stage debut. She is a recent graduate from RADA, where her theatre credits include As You Like It, Sweet Charity and Mrs Warren’s Profession.

Nicholas Karimi plays Second Engineer. He is currently playing in Everyman at the National Theatre. Other recent theatre credits include Lardo (Old Red Lion), The Kite Runner (Nottingham Playhouse / Liverpool Playhouse), Titus Andronicus (Shakespeare’s Globe), Game of Life (The Yard Theatre), Outward Bound, The Fear of Breathing (Finborough Theatre), The Double, (Theatre Royal Bath), and Macbeth (National Theatre).

Full Cast: Christopher Akrill, Adam Burton, Charlie Cameron, Bertie Carvel, Okorie Chukwu, Buffy Davis, Callum Dixon, Phil Hill, Nicholas Karimi, Ben Lee, Oliver Llewellyn-Jenkins, Luke Murphy, Elan James, Steffan Rhodri, Rosie Sheehy

Director Richard Jones
Design Stewart Laing
Choreography Aletta Collins
Lighting Mimi Jordan Sherin
Sound Sarah Angliss
Casting Jessica Ronane CDG

THE HAIRY APE
The Old Vic, The Cut, London SE1 8NB
Saturday 17 Oct – Saturday 21 November 2015
Mon–Sat 7.30pm; Wed & Sat 2.30pm
Captioned Performance Thu 12 Nov 7.30pm
Audio Described Performance Tue 10 Nov 7.30pm, touch tour 6pm

NOW ON SALE

The Ravenswood Singers present
Christmas Magic

Wednesday 2nd December

It’s that magical time of the year again, when young and old alike look forward to celebrating that ‘special’ day and The Ravenswood Singers Annual Christmas celebration show is not to be missed on Wednesday 2nd December at the PLAYHOUSE!

What better way could there be of putting ourselves in the mood for the wonderful season of Christmas, than to hear and sing along with the much loved carols and songs of Christmas.

Spend a delightful evening with talented singers, and dancers from encore dance entertainment as they treat you to a great selection of Christmas favourites including fabulous music from Disney’s ‘Frozen’, ‘Christmas on Broadway’ featuring ‘We Need a little Christmas’. ‘Star by Star’, ‘It’s beginning to look a lot like Christmas’ ‘Sing we now of Christmas’, ‘White Christmas’, ‘Sleigh ride’ and many more well loved songs and carols! Enjoy our magical musical celebration of Christmas, beautifully costumed and choreographed to put you firmly in the festive mood!

Tickets are on sale now priced at £15, £14.50 conc.

Tickets are available from the Box Office open Monday – Friday 10am – 4pm, Saturday 10.30am -2.30pm plus until show start on event days. Tickets can also be purchased on the booking hotline 0844 248 1588 or online at www.playhousewhitleybay.co.uk.

Excess All Areas presents:

The Importance of Being Earnest cast visits Empire Cinemas ahead of October’s Empire Extra screenings

Empire Cinemas played host to a visit from the cast of Oscar Wilde’s much-loved classic play, The Importance of Being Earnest, in advance of the play’s live screening at 12 of the chain’s regional cinemas on Thursday 8 October 2015.

The two young couples from the iconic play – played by Michael Benz (John (Jack) Worthing), Emily Barber (Gwendolen Fairfax), Philip Cumbus (Algernon Moncrieff) and Imogen Doel (Cecily Cardew) – visited the cinema in full costume before returning to the Vaudeville Theatre to perform the acclaimed Noel Coward classic. The screening will air at Basildon, Birmingham Great Park, Clydebank, Hemel Hempstead, High Wycombe, Newcastle upon Tyne, Poole (Tower Park), Slough, Sunderland, Swindon (Greenbridge), Walthamstow and Wigan. The new production stars one of Britain’s best-known stage, screen and television actors, David Suchet (familiar to millions of TV viewers as the detective Hercule Poirot), who plays the role of the formidable Lady Bracknell, plus the play will be broadcast with additional backstage footage and cast interviews exclusive to the cinema event.

In addition to The Importance of Being Earnest; this October sees an eclectic series of live arts screenings and special one-off events coming to Empire Cinemas through Empire Extra, with performances includingThe Who: Live in Hyde Park, MET Opera: Il Trovatore and NT Live: Hamlet with Benedict Cumberbatch. The innovative programme delivers the crème de la crème of arts, music, theatre and opera direct to the cinema screen, providing cinema-goers a whole new range of exciting content.

Jon Nutton, Marketing Director of Empire Cinemas, said: “We’re delighted to announce October’s exciting and eclectic Empire Extra line up, which includes performances from incredible talent such as Benedict Cumberbatch and David Suchet. It was brilliant to host cast members from The Importance of Being Earnest at Empire Cinemas ahead of their screening on October 8^th, which we expect to be very popular amongst our devoted customers.”

Screenings this month include:

MET Opera: Il Trovatore

3rd October

Ticket link: http://bit.ly/1KDKcx2

Soprano Anna Netrebko’s dramatic and vocal skills are on full display in her next new role at the Met—Leonora, the Verdi heroine who sacrifices her own life for the love of the gypsy troubadour. Tenor Yonghoon Lee sings the ill-fated Manrico, baritone Dmitri Hvorostovsky is his rival, and mezzo-soprano Dolora Zajick is the mysterious gypsy with the troubled past. Angela Meade sings Leonora in later performances. Marco Armiliato conducts Sir David McVicar’s Goya-inspired production.

ROH – Le Nozza Di Figaro (Live)

5^th October

Ticket link: http://bit.ly/1OylRGt

Often considered a perfect opera, Le nozze di Figaro represents Mozart’s genius at its most lively and delightful. Based on a play that was originally banned for its political content, the fast-moving libretto creates realistic characters made even more human by Mozart’s outstanding music. David McVicar’s popular staging of this comedy returns in the hands of the leading British conductor Ivor Bolton. The cast is led by the star bass Erwin Schrott, who has sung the role to great acclaim at Covent Garden before, partnered with star Romanian soprano Anita Hartig in the role of Susanna.

The Who: Live in Hyde Park

7th October

Ticket link: http://bit.ly/1NhQO2X

Filmed in June this year, this is a chance for fans young and old to experience the phenomenal finale of The Who Hits 50! Tour which Roger Daltrey described as “The beginning of the long goodbye.” The legendary pioneers of British rock celebrate their 50th anniversary with this stunning show, performed on a glorious summer evening in front of a 65,000 strong crowd in London’s Hyde Park.

The Importance of Being Earnest (Live)

8^th October

Ticket link: http://bit.ly/1FxvQqs

Don’t miss celebrated actor and Poirot star David Suchet as the formidable Lady Bracknell in Oscar Wilde’s much loved masterpiece The Importance of Being Earnest, which is being broadcast LIVE to cinemas from London’s Vaudeville Theatre on 8 October 2015. Having opened to critical acclaim with 4 star reviews from The Guardian, The Times, The Evening Standard, Daily Mail, The Independent and The Stage, the play will be broadcast with additional backstage footage and cast interviews exclusive to the cinema event.  Directed by Adrian Noble (Amadeus, The King’s Speech, Chitty Chitty Bang Bang), Wilde’s superb satire on Victorian manners is one of the funniest plays in the English language – the delightful repartee and hilarious piercing of hypocrisy and pomposity will make you laugh out loud!

I Believe in Miracles

13th October

Ticket link: http://bit.ly/1K7m4MO

In 1975 Brian Clough had gone from being football’s most exciting young manager to being seen as impossible to work with after walking out on Derby County, leaving Brighton under a cloud and being sacked as manager of Leeds United after just 44 days. His only offer of work came from a run down second division club called Nottingham Forest whose brief glory days in the 1950’s were seen as well behind them. It was predicted that Clough would last less than a season but in five he’d won a remarkable two European Cups consecutively and produced one of the greatest domestic football teams in the games history. I Believe in Miracles tells how Clough pulled off the greatest team story ever told. Using unseen footage of games and the great man himself from that period, they tell us about his remarkable man management and how he convinced a team of players, largely written off by the fans and media, to beat the world’s best.

NT Live: Hamlet with Benedict Cumberbatch

15^th October

Ticket link: http://bit.ly/1EOqkFh

Academy Award® nominee Benedict Cumberbatch (BBC’s Sherlock, The Imitation Game, Frankenstein at the National Theatre) takes on the title role of Shakespeare’s great tragedy.

Directed by Lyndsey Turner (Posh, Chimerica) and produced by Sonia Friedman Productions, National Theatre Live will broadcast this eagerly awaited production live to cinemas. As a country arms itself for war, a family tears itself apart. Forced to avenge his father’s death but paralysed by the task ahead, Hamlet rages against the impossibility of his predicament, threatening both his sanity and the security of the state.

MET Opera: Otello

17^th October

Ticket link: http://bit.ly/1Ni0rP8

The Met season opens with Verdi’s masterful Otello, inspired by Shakespeare’s play and matching it in tragic intensity. Director Bartlett Sher probes the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko plays the doomed Otello; new soprano star Sonya Yoncheva sings Desdemona, Otello’s innocent wife and victim; and baritone Željko Luèiæ plays the evil Iago, who masterminds Otello’s demise. Dynamic maestro Yannick Nézet-Séguin conducts.

ENO: The Barber of Seville (Live)

19^th October

Ticket link: http://bit.ly/1IYfVkY

Live from the London Coliseum in stunning HD, The Barber of Seville will have you smiling from the moment it begins. Filled with fun and farce, English National Opera’s classic staging of this sunny adventure follows the escapades of the barber Figaro as he assists Count Almaviva to prise the beautiful yet feisty Rosina away from her lecherous guardian Dr Bartolo.

RSC Live 2015: Henry V

21^st October

Ticket link: http://bit.ly/1JTb5Hq

Henry IV is dead and Hal is King. With England in a state of unrest, he must leave his rebellious youth behind, striving to gain the respect of his nobility and people.

Laying claim to parts of France and following an insult from the French Dauphin, Henry gathers his troops and prepares for a war that he hopes will unite his country.

RSC Artistic Director Gregory Doran continues his exploration of Shakespeare’s History Plays with Henry V performed in the 600th anniversary year of the Battle of Agincourt. Following his performance as Hal in Henry IV Parts I & II Alex Hassell returns as Henry V.

MET Opera: Tannhauser

31^st October

Ticket link: http://bit.ly/1LXeDva

James Levine conducts Wagner’s early masterpiece in its first return to the Met stage in more than a decade. Today’s leading Wagnerian tenor, Johan Botha, takes on the daunting title role of the young knight caught between true love and passion. Eva-Maria Westbroek is Elisabeth, adding another Wagner heroine to her Met repertoire after her acclaimed Sieglinde in the Ring a few seasons ago. On the heels of his recent triumph in Parsifal, Peter Mattei sings Wolfram, and Michelle DeYoung is the love goddess, Venus.

For further ticketing information visit www.EmpireCinemas.co.uk or call 08714 714 714.

– Ends –

For further information please contact House PR:

T: 020 7291 3000

E: Rob Leary – [email protected]