WOW announces programme of festivals and events addressing gender inequality in 2021

THE WOW FOUNDATION ANNOUNCES MAJOR PROGRAMME OF FESTIVALS AND EVENTS ADDRESSING GENDER INEQUALITY ACROSS THE GLOBE IN 2021

  • From 1st March digital WOW Festivals go live from the UK, New York, Nepal, Pakistan, Istanbul, and Bangladesh, and WOW Think Ins take place in Taiwan and Western Australia
  • 2021’s WOW Festival UK takes place 1-21st March to mark International Women’s Day and includes:
    • Over 30 digital events
    • Guest speakers Kimberlé Crenshaw, Ruby Wax, Arundhati Roy, Sheila Heti, Avni Doshi, Bryony Kimmings
    • WOW pioneers new networks for different groups and generations – from grandmothers to mothers in covid and under 10s feminists
    • Workshops and discussions on themes including mental health, sex in lockdown, women in Greek myths, grief and intersectionality
    • Available to book worldwide, WOW UK 2021’s programme includes special sessions from WOW Australia and WOW Rio de Janeiro
       
  • WOW and Google Arts & Culture to launch an online exhibition featuring 100 trailblazing women from 10 cities and countries around the world
     
  • WOW and BBC Children in Need launch a major new project connecting over 100 marginalised girls aged 8-16 across the UK
     
  • WOW launches Shameless!, a new festival in November to confront attitudes towards sexual violence – a partnership with Birkbeck and The Wellcome Trust

Jude Kelly, Founder and Director of The WOW Foundation says: “Throughout 2021, WOW is bringing together courageous women and girls from across the globe who are driven by a desire to change the world. These brilliant activists will join WOW Festivals around the world in groundbreaking conversations, workshops and projects; focusing on gender, racial and social inequality, all of which have been exacerbated in the past 12 months.

“We can already see that women and girls have been the hardest hit by COVID-19 finding themselves in ever more precarious positions, especially those already marginalised. With cases of domestic abuse rising and access to education diminishing, the impact of the pandemic is being felt in both domestic spaces and the labour markets with devastating social and economic consequences.

“COVID-19 looks as if it could set gender equality and women’s rights back a staggering 25 years, without immediate and direct action. We must act now to build a post pandemic world which is inclusive, supportive and where the UN’s goal of gender equality by 2030 can be achieved.”

With the support of our global founding partner, Bloomberg, The WOW Foundation pivoted to an immensely successful, virtual event in 2020. From 1st March, WOW Festivals and events will take place across the world from festivals in regions including Australia, Bangladesh, Istanbul, Nepal, New York, Pakistan, Taiwan and the UK.

For the first time ever, The WOW Foundation’s flagship UK festival, which is usually live at the Southbank Centre, London, will present events online daily from 1st-21st March. Recognising recent global events, 2021’s WOW UK programme will take a frank look at new obstacles women, girls and non-binary people now face; discussing creative solutions for change whilst celebrating amazing stories of resistance and progress. As in all WOW Festivals, it will be packed with challenging conversations but also moments of joy, spontaneity, laughter and optimism. This year’s opening session will bring together voices from across the globe to highlight the need for us to work together to build a more inclusive and sustainable post pandemic world.

WOW UK 2021 will include a series of In Conversations exploring themes such as sex during lockdown, radical childcare and gender equality in the tech industries. All events will be BSL interpreted and captioned, with tickets starting from £1 or audiences can buy a pass to watch the whole season from £25.

Highlights include: intersectionality pioneer Kimberlé Crenshaw on the Black Lives Matter movement and her #SayHerName campaign; writers Arundhati Roy and V (formerly Eve Ensler) join forces to reflect on the meaning of freedom in a world of growing authoritarianism and on the role of creativity and alternative imaginations; Ruby Wax on mental health and how recent developments in technology, education, business are turning our world into a better place; Founder of the Women’s Equality Party, Catherine Mayer and her mother Anne Mayer Bird will discuss personal and communal grief and their book Good Grief, after they lost their beloved husbands just 41 days apart on the eve of the pandemic; Genre defining author of MotherhoodSheila Heti joins Avni Doshi, author of Burnt Sugar for a conversation on locating the complexity, trauma and joy in an ambivalence towards motherhood.

Elsewhere WOW has invited writers and  sexperts including Lucy-Anne Holmes to host an honest and positive conversation about sex and social distancing and how life under lockdown has impacted our  intimate lives; Tabitha Goldstaub brings a girls guide to AI; a special event in partnership with The Working Class Writers Festival; and author and comedian Natalie Haynes and historian Bettany Hughes tell us what we can learn from Ancient Greek goddess and the injustices in how their stories have been passed down to us. 

Yemeni Human Rights Defender Radhya Al-Mutawakel, Sky News Special Correspondent Alex Crawford and Gulalai Ismail, a threatened women’s rights and peace activist from Pakistan, will join RAW in WAR founder Mariana Katzarova, to shine a spotlight on abuses – exacerbated by the pandemic – committed against women and girls in conflict areas, and the price of speaking truth to power.

There will be an interactive digital workshop programme as part of this year’s UK Festival for those who want to actively take part. Key workshops include Performance Artist, Musician and Screenwriter Bryony Kimmings on how to find daily joy in creativity. Speakers Corner Collective’s I Am Perfect As Me: Gratitude Workshop led by women but created for everyone; Selina Flavius, founder and author of Black Girl Finance, will present her practical steps for resetting your ‘Money Mindset’ for financial success in 2021; and WOW Australia will lead two sessions: Decolonising Songwriting with Emily Wurramara, an Anindilyakwa singer-songwriter and Irish singer-songwriter Áine Tyrrell, and The Bystander Approach to Addressing Inequality, exploring ways of calling out problematic behaviour in a safe wayOther workshops include Gabby EdlinSeyi Akiwowo and Becca Bunce on activism, friendship, and radical empathy; All Cisterns Go, a WOW plumbing workshop; WOW’s Virtual Big Sing; and a lesson in finding your personal power in a virtual environment with Sarah Blumenau.

As part of the three week festival, WOW will create discussion groups for those wanting to participate in conversations around specific subjects such as radical childcare and intersectionality. These will begin at WOW and then go on to form networks around the UK and world connecting strangers with things in common. Grandmothers, often overlooked in their needs, will have an opportunity to connect, as will girls and boys interested in gender equality with the return of Under 10s Feminist Corner.

WOW UK 2021 will also feature WOW Sounds, a series of performances from musical artists who are also known for their activism from around the globe. In addition, a special online event to mark International Women’s Day on 8th March will be announced shortly. The previously announced WOW Live at the Royal Albert Hall, which was due to take place on 8th March, has been postponed due to ongoing COVID-19 restrictions. We are working on a new date for this event later in the year.

For more information and the full WOW Festival 2021 programme, visit thewowfoundation.com or book on https://wow.ticketco.events/uk/en

Alongside WOW’s own UK programme of events, WOW UK plans to create solidarity and celebration with organisations across the nation who are celebrating International Women’s Day throughout the month of March. Launching today, WOW’s International Women’s Day Map will bring together inspiring events, talks, workshops, performances and more – from the huge and important to the more niche, unusual and unmissable – from all across the UK. Event producers are encouraged to submit their events via the WOW website. 

Also launching from 1st March are WOW Festivals in Nepal (1st-7th March) and WOW Pakistan (5th-8th March), both presented by British Council. The first ever WOW Festival in Istanbul, presented by British Council and Sabanci Foundation, runs over the International Women’s Day weekend from 5th-7th March. The fourth WOW Apollo, presented by New York’s Apollo Theater, runs from 21st-22nd March.

Adding to the festival line-up, WOW Think Ins will take place for the first time in Taiwan, ahead of a full festival later in the year with National Kaohsiung Center for the Arts (Weiwuying). WOW Australia’s 2021 festivals and events, presented in partnership with Of One Mind, have been re-imagined into a series of smaller, scalable events in response to possible on-going restrictions. These will take place in regional and rural areas of the State, and include four mini festivals in Western Queensland (Charleville 5th-6th June and Longreach 7th-8th July), Cairns 6th-7th August and Logan 8th-9th October, as well as partnerships with other events in the Channel Country, Scenic Rim and Katherine, and a new version of WOW Australia’s DomestiCITY created for the Brisbane Festival.

WOW and Google Arts & Culture to launch online exhibition featuring 100 trailblazing women from 10 cities and countries around the world

To celebrate International Women’s Day 2021, WOW and Google Arts & Culture will launch a major online exhibition in March featuring 100 women from 10 cities and countries around the world, from Kurdistan region of Iraq to Rio de Janeiro.

Across the 10 countries and regions, WOW’s exhibition – photographed by 10 up and coming female photographers – will tell a story of global feminisms and women’s movements through the stories of 10 women from each region, each looking at 10 themes including Peace and Justice, Finance and Culture. These significant female stories will chart the changes they have seen in their own world and cast a light of the global picture, but more importantly they will act as a catalyst for the work that has to be done in the upcoming decade to keep the issue of gender equality at the forefront of everyone’s minds. You will be able to explore the online exhibition and read the incredible stories via Google Arts & Culture.

WOW launches major new project connecting over 100 girls from communities across the UK

The WOW Foundation has been awarded a 10 month grant of £88,800 from BBC Children in Need. The funding has been awarded through BBC Children in Need’s impact programme focused on children’s mental health, A Million & Me.

The funding award will support the WOW Foundation to deliver a 10 month project designed to engage 120 girls and non-binary young people aged 8-16 from communities across the UK who have benefited from support from BBC Children in Need funded projects that address local disadvantage. The project will encourage participants to explore activism and gender equality in a fun and accessible way. They will convene monthly online to discuss the issues that matter most to them regarding gender equality and will use these discussions as stimulus to create new artworks that will form the world’s first ever Lending Library curated with, by and for girls. Through taking part in the project the girls will officially become WOWsers and ambassadors for WOW.

Paddy Sloan, Project Director for A Million & Me, said: “WOW shares our ambition to empower and inspire young people whilst building their emotional wellbeing, and we are pleased  to  support this work with girls who have creative contributions to make in re-setting norms.  Now is an important time to support opportunities for collective activity and sharing stories can be a powerful medium for innovation and positive action.  We look forward to seeing the impact of this funding on young lives.”

WOW to collaborate on a new festival to confront attitudes towards sexual violence

The WOW Foundation is partnering with Birkbeck, University of London and The Wellcome Trust on Shameless! Festivals of Activism Against Sexual Violence (26th-27th November), a series of cross-arts festivals combining academic research, activism and art. The festivals will bring together national, international and grassroots organisations and charities as well as local artists and wellness practitioners, to confront and change societal attitudes towards sexual violence. Produced in partnership with WOW, the festivals will take place over three years in the UK and Brazil, with the first taking place in London from 26th-27th November. Shameless! Festivals of Activism Against Sexual Violence is part of Birkbeck’s SHaME Project, a research hub for scholarship on the interlinks between sexual violence, medicine and psychiatry. Placing medical professionals at the heart of the debates, the project seeks to address the global crisis and help move beyond the shame often attached to sexual violence.

The WOW Foundation is proudly supported by its Global Founding Partner Bloomberg, and Global Partner Mastercard.

WOW festivals are presented by arrangement with the Southbank Centre.

Rufus Norris appoints Clint Dyer as Deputy Artistic Director of the National Theatre

RUFUS NORRIS APPOINTS CLINT DYER AS DEPUTY ARTISTIC DIRECTOR OF THE NATIONAL THEATRE

The National Theatre has announced today that Clint Dyer has been appointed Deputy Artistic Director. He will work closely with Rufus Norris, Director and Joint Chief Executive, and Emily McLaughlin, Director of New Work to support and shape the NT’s creative output.  

Over the course of his award-winning career Clint has worked across theatre, film and TV as an actor, writer and director. He was a longstanding board member and an Associate Artist at Theatre Royal Stratford East, where he acted in and directed work. At the Royal Court Theatre, Clint has worked frequently as an actor, director and writer he has also acted, written and directed for Complicité. 

His work at the National Theatre includes the role of Cutler in Ma Rainey’s Black Bottom in 2016 and co-writer and director of Death of England and Death of England: Delroy which played in the Dorfman and Olivier theatres last year. He was appointed as an NT Associate last year.  

Clint is one of only a very small number of people, and the only Black British artist, to have worked at the NT as an actor, writer and director on full-scale productions. His breadth of experience and creative work will be invaluable as the organisation adapts following the impact of the coronavirus pandemic and focuses on the future. 

Clint will continue to act, write and direct his own work away from the NT. His next project will be directing Get Up, Stand Up! The Bob Marley Musical which opens at the Lyric Theatre in the West End this year. 

Speaking about the appointment Rufus Norris, Director of the NT said, “I’m extremely happy to be welcoming Clint to the National as Deputy Artistic Director. He’s a remarkable artist and has so much to contribute at a time when we need brilliant creative brains the most. Over the last few years, we have been working with a greater number and range of theatre-makers than at any other time in the NT’s history; as well as making his own work, Clint will play a vital role in supporting these artists to create world-leading theatre for the NT’s stages and beyond. I’m looking forward hugely to working closely together and having him join the team as we focus on shaping the future of the NT.” 

Speaking about the role Clint Dyer said, “I was delighted when Rufus offered me this role. To be joining the National Theatre at such a crucial time for our sector is incredibly stimulating. I was lucky enough last year to experience first-hand the hard work and dedication from every single member of staff at the NT that went into achieving so much against all the odds. This is a time when our industry is still very much feeling the impact from the pandemic and the events of 2020, I know that the National is looking to emerge from this period with a renewed commitment to make world-class theatre that celebrates the breadth of our nation. I am thrilled and honoured to be part of the team that will be making that happen. 

RSC OFFERS RESOURCES TO PUPILS LEARNING AT HOME AND TEACHERS DELIVERING LESSONS ONLINE

RSC OFFERS RESOURCES TO PUPILS LEARNING AT HOME AND TEACHERS DELIVERING LESSONS ONLINE

The Royal Shakespeare Company (RSC) is offering a large number of free Shakespeare-related resources to students currently learning at home, and to teachers looking to create lesson plans to deliver online.

Amongst the resources are celebrated author, Michael Morpurgo’s Tales from Shakespeare, fresh retellings of six of Shakespeare’s timeless stories. They are free for UK schools, with a new Tale being available on demand at 10am every Friday until 5 February.

Other online content includes RSC Activity Toolkits, focussing on six of Shakespeare’s most studied plays.  The toolkits have been designed specifically for home learning, with short 15-minute tasks that can be completed by students at home, or set as part of a remote lesson.  With supporting videos from RSC actors, the toolkits will take students deeper into the world of each play.  Actors, including Niamh Cusack, Paapa Essiedu and David Tennant have also created video responses to questions sent in from students as part of Homework Help.

All resources – a list of which is below – are accessible via the Education section of the RSC website: www.rsc.org.uk/education/about-rsc-education/home-learning-with-the-rsc

Jacqui O’Hanlon, RSC Director of Education, said:

“We know that this next phase of national lockdown is incredibly challenging for students, teachers and families. It can also be isolating and demotivating for many young people. So as children and families adjust to their new virtual classrooms we have created a range of different resources designed to stimulate their creativity and imagination, and support their wellbeing.

“Members of our acting company have developed activity toolkits that set challenges for students to complete on well-known plays, from creating plot storyboards to designing sets to performing key speeches and scenes.  Our Shakespeare Learning Zone contains lots of interactive games and quizzes for students to enjoy as well as video content featuring RSC actors performing scenes and speeches, and talking about their approach to playing different characters. Michael Morpurgo’s Tales from Shakespeare are free to schools in the UK, with a new tale being released every Friday at 10am until 5 February.  Schools can sign up to register and the content is available on demand for teachers and students, at home or in school, for 3 months.”

INFORMATION ON THE RESOURCES

MICHAEL MORPURGO’S TALES FROM SHAKESPEARE

Aimed at young people aged 6 to 16, former Children’s Laureate, Michael Morpurgo has relocated six of Shakespeare’s plays and their characters to contemporary settings, unlocking the vivid drama at the heart of the tales.  The six stories – Twelfth NightMacbethRomeo and JulietA Midsummer Night’s Dream, The Winter’s Tale and The Tempest – are told by both Michael himself and members of the RSC acting company. 

Tales from Shakespeare are free for UK schools, with a new Tale being available from 10am every Friday until 5 February.  All registered schools and students will be able to access the Tales on demand, with each Tale being available for 3 months from date of its initial release.  They will be supported by a series of new literacy resources for Key Stages 1-3, released in February 2021.

To access the videos schools need to register here


ACTIVITY TOOLKITS

The RSC has created Activity Toolkits for Romeo and Juliet, Macbeth, Hamlet, Othello, Much Ado About Nothing and The Merchant of Venice.  Each toolkit contains twenty short 15-minute activities for each play, designed to help students revise and refresh their knowledge of these texts. They can also be used by teachers when planning remote lessons. Topics include the Balcony Scene from Romeo and Juliet, the To Be or Not to Be speech from Hamlet, and the role of the witches in Macbeth. The toolkits are supported by videos of RSC actors completing some of the tasks in their own homes as an inspiration.

HOMEWORK HELP


In 2020 the RSC asked students to send the RSC their Shakespeare questions through #RSCHomeworkHelp. Hundreds of questions were received, and students can now access video responses from actors including David Bradley, Niamh Cusack, Paapa Essiedu, David Tennant and David Threlfall, along with the RSC’s Artistic Director Gregory Doran.

‘LIVE’ LESSONS


In 2019 and 2020 the RSC broadcast live lessons into schools about Romeo and Juliet and Macbeth.  These lessons are now available for students to view at any time.  Each lesson features contributions from RSC directors and actors, including RSC Deputy Artistic Director, Erica Whyman, who directed Romeo and Juliet in 2019; Niamh Cusack, who played Lady Macbeth in 2019; and Karen Fishwick, who played Juliet in 2019.  The lessons explore the characters, themes and language of each play. 

Other resources available include Shakespeare Unlocked, where students can watch videos exploring key moments, relationships and speeches from MacbethRomeo and Juliet and A Midsummer Night’s Dream. The Shakespeare Learning Zone contains an informative and interactive catalogue of games, videos and galleries, arranged by play title, giving students the chance to find more about each play or revise ones they know well.

Teachers can search the RSC’s Teacher Resources database, full of activities and inspiration to help them plan online lessons for 30 of Shakespeare plays.

Sheffield Arena opens as NHS COVID-19 Vaccination Centre

Sheffield Arena opens as


NHS COVID-19

Vaccination Centre

Husband and wife, Colin (aged 78) and Rita (aged 79) Moss from Barnsley will be among the first people to get their COVID-19 vaccination at the new NHS Vaccination Centre within Sheffield Arena when it opens at 10am on Monday 25th January 2021.

The Arena venue is in addition to over 30 primary care sites across the region where GPs and their teams are already working around the clock vaccinating some of the region’s most vulnerable residents.

In the first instance people aged 75 and over within a 45 minute drive of the Arena will receive a letter from the national NHS booking service inviting them to either book a vaccination at the arena or if they already have an appointment at their local GP vaccination hub they can disregard the letter. Equally if it is more convenient to wait and have their vaccination at their local primary care centre then individuals can also choose not to book at the Arena.

The Arena will be open 7 days a week and will be run by Sheffield Teaching Hospitals on behalf of the NHS national vaccination programme.

Rita said: “Colin and I feel really lucky to be getting our vaccines and I’ve never looked forward to getting an injection in my arm as much as I have over the past few days even though I don’t like needles. I would definitely encourage others to have their jab when it’s their turn; not just to save themselves, but to save others from this horrible virus too. The vaccine is a brilliant, brilliant thing. It will give us peace of mind and make us feel a lot safer but we won’t be changing what we do or who we see in the short term because we know how important it is to keep following the guidelines until more people have been vaccinated. I take my hat off to everyone who has helped us get to this point.”

Dr Jennifer Hill, Medical Director (Operations) at Sheffield Teaching Hospitals NHS Foundation Trust said:

“GPs, nurses, pharmacists and countless other NHS staff, partners and volunteers are pulling out all the stops to deliver the vaccination programme as quickly as we can across South Yorkshire and Bassetlaw. It is tribute to their hard work that we have already vaccinated thousands of our most vulnerable residents. The Arena opening today is another step forward in rolling out the vaccination programme and it has been fantastic to see people like Rita and Colin getting their vaccinations and being protected against this awful virus.

We are asking people to help us by not turning up at the Arena unless they have an appointment as we cannot vaccinate people ad hoc. The teams at the arena, at our hospitals or GP surgeries cannot make appointments for the Arena and so by calling or turning up turning up it will simply take time away from the staff who are vaccinating and that is the last thing anyone wants to happen.”

As well as NHS colleagues, I would also like to thank the team at the Arena who have been simply amazing. First they supported us to create a drive through blood testing service so that our most vulnerable patients could still have their blood tests safely and now they have been instrumental in our planning for the vaccination programme roll out.”

Finally a plea that over these next few months, even if you have had your vaccine, you must continue to wash your hands regularly, limit contact with other people unless it is essential and wear a mask when required. Our hospitals are fuller than ever before with patients who have COVID-19 and if we are to get control of this awful virus we need everyone to do all they can to limit transmission to others whilst we continue to vaccinate the population.”

Andrew Snelling, Chief Executive of Sheffield City Trust, said:

“Throughout the pandemic, Sheffield City Trust has worked closely with the National Health Service to provide a range of support.  We’re very proud of the role Sheffield Arena has played as part of the City’s response; from providing extra storage for equipment to providing a drive-through blood testing facility used by over 50,000 cars. As an organisation, our core values are promoting and enhancing the health and wellbeing of communities, so we’re happy to support Sheffield Teaching Hospitals, the NHS and the Government, in being able to provide whatever is required to deliver this vaccination programme.”

Jon Culshaw, Matthew Kelly, Jemma Redgrave & Adrian Scarborough star in Barnes’ People

BARNES’ PEOPLE

FOUR MONOLOGUES BY PETER BARNES

STARRING JON CULSHAW, MATTHEW KELLY,

JEMMA REDGRAVE & ADRIAN SCARBOROUGH

ONLINE STREAMING FROM 18 FEBRUARY TO 31 JULY 2021

ON SALE FROM 10:00AM MONDAY 25 JANUARY

Original Theatre Company – the production company behind the critically acclaimed lockdown productions of Sebastian Faulks’s Birdsong Online, Louise Coulthard’s Watching Rosie, Torben Betts’s Apollo 13: The Dark Side of The Moon and Philip Franks’s The Haunting of Alice Bowles – andPerfectly Normal Productions are delighted to present the first revival of Barnes’ People, a series of four theatrical monologues starring Jon Culshaw, Matthew Kelly, Jemma Redgrave and Adrian Scarborough and directed by Philip Franks and Charlotte Peters.  The production will be streamed from 18 February to 31 July 2021 via originaltheatreonline.com, with tickets available from 10.00am today, Monday 25 January.

From writer Peter Barnes (The Ruling Class) comes a selection of four exquisitely crafted monologues, performed by four of our leading actors and filmed on stage at the Theatre Royal Windsor. 

Billy & Me starring Jon Culshaw

Directed by Charlotte Peters

For Michael Jennings, the only way to fight the voices in his head is to bring them to life. In fact he’s made a career from it.  Now, seemingly alone on an empty stage, Billy, his stage partner of 25 years, keeps interrupting him.  Which would be fine, except that Billy is a puppet.  Billy and Me is a hilarious and daring examination exploring what happens when a ventriloquist lets the puppets take control.

Losing Myself starring Matthew Kelly

Directed by Philip Franks

Adams used to have everything, with the world at his feet.  Now he’s lost his faith… and his rocking horse.  On a solitary bench within the hallowed confines of one of London’s forgotten churchyards, Adams sits on a bench for his final conversation with an old friend.  With poignancy and profundity he must come to terms with who he has become and where he is going, but it’s going to rain and the bulldozers are moving in. 

Rosa starring Jemma Redgrave

Directed by Philip Franks

Dr Rosa Hamilton is tired.  After twenty years of battling the system, drowning in paperwork and watching patients fade away in care homes, she’s tired, she’s angry and she really wants a drink.  Especially as she’s about to dictate the most important letter of her life. 

True Born Englishman starring Adrian Scarborough

A World Premiere

Directed by Philip Franks

Leslie has been a footman at Buckingham Palace for thirty years.  A life of service, a life of discretion and a lifetime of secrets.  Originally banned from broadcast by the BBC and never seen before, this world premiere takes you behind the scenes of the most famous of royal palaces for an unforgettable audience with a true born Englishman.

Co-producer David Morley of Perfectly Normal Productions said of the the monologues, “All our monologues are from Peter Barnes’s work commissioned by BBC Radio 3.  Rosa is from a series called Barnes’ People, broadcast in 1981 and was originally performed by Judi Dench.  Losing Myself and Billy And Me were from a second series on BBC Radio 3, called More Barnes’ People.  These aired between 1989 and 1990.  Jeremy Irons was in Losing Myself and Alan Rickman played Jennings in Billy And Me.  The controversial play in our four is A True Born Englishman.  This was commissioned by BBC Radio 3 as part of More Barnes’ People.  It was cast with Antony Sher in the role and scheduled, but when the production team referred the script to higher management, they decided not to go ahead.  Peter Barnes described this as ‘banning’ the play, because of its Royal Family theme, which the BBC denied.”

Director Philip Franks added, “Peter Barnes’ monologues have all the qualities of his plays— all the passion, wit, anger and compassion- condensed into urgent 20 minute plays. They feel like they could have been written yesterday.”

Barnes’ People is directed by Philip Franks & Charlotte Peters, with film direction and editing by Tristan Shepherd.  Sound design is by Max Pappenheim, digital production design by David Woodhead, costume supervision by Siobhan Boyd and production management by Felix Dunning.

Barnes’ People is filmed at Theatre Royal Windsor with the assistance of the theatre’s co-directors, Anne-Marie Woodley and Jon Woodley, technical and production manager Andi Manzi and head of lighting Will Brann.

Barnes’ People is produced by Alastair Whatley and Tom Hackney for Original Theatre Company and David Morley for Perfectly Normal Productions.

@OriginalTheatre

LISTINGS INFORMATION

Barnes’ People

by Peter Barnes

Dates: 18 February – 31 July 2021

Age guidance: suitable for all ages

Running time: approx. 20 mins per play

English subtitles are available

Book: originaltheatreonline.com

Early Bird (when purchased by 16 February 2021)

Individual monologue

Standard – £7.50

With programme – £10

Package of 4 monologues

Standard – £20 (£5 each)

Supporter Package – £40 (programme and credit on the final films)

Premium Package – £100 (signed script by a creative team member of your choice and a credit on the final films)

Standard Ticket Pricing (from 17 February 2021)

Individual monologue

Standard – £10

With programme – £12.50

Package of 4 monologues

Standard – £35 (£5 discount)

With programme – £37.50

Premium Package – £100 (signed script by a creative team member of your choice)

IRIS THEATRE ANNOUNCES ONLINE STREAM PLATFORM IN THE GARDENS

IRIS THEATRE ANNOUNCES ONLINE STREAM

PLATFORM IN THE GARDENS

Paul-Ryan Carberry, Artistic Director of Iris Theatre, today announces the online stream of Platform in the Gardens, a series of performances recorded in the gardens of the Actors’ Church during the company’s outdoor summer festival in 2020.

The series includes the new play Dear Peter by Evangeline Dickson, available now until 31 January; Reuben Johnson performing spoken-word focusing on the current experience, available now until 15 February; and folk music concert fromNick Hart available 1 – 28 February. Each Platform in the Gardens event is available to stream on a pay-what-you-can basis here.

Artistic Director of Iris Theatre, Paul-Ryan Carberry said today,“We wanted to find a way to continue to support artists we’ve worked with and provide our audiences with performances to enjoy from their own homes during this necessary period of lockdown. We are really delighted to share work from an incredible and varied group of artists including spoken-word, music and a wonderful new play, and all on a pay-what-you-can basis.

“As always, a huge, huge thank you to all our audience and patrons, without your support we would not have been able to make it through this last year.”

PLATFORM IN THE GARDENS:

DEAR PETER 

Written and performed by Evangeline Dickson

Until Sunday 31 January 2021

Join Ash on her 25th birthday as J.M. Barrie’s seminal hero Peter Pan plummets her into a spiral of first love, first loss, and every story that makes us who we are. Set to a nostalgia-infused soundtrack, Dear Peter explores whether anyone is truly free from growing up, through a collection of fragmented memories, poetic frankness and darkly comedic storytelling. 

Dear Peter bursts with heart and imagination, riffing on childhood innocence and emancipation in a truly magical setting.

Evangeline Dickson is an actor, voiceover artist and writer. Since graduating from Mountview Academy of Theatre Arts in 2017, she has toured internationally with the Young Shakespeare Company, appeared in Jeff Wayne’s The War of The Worlds: The Immersive Experience and is a member of award-winning physical theatre company Spies Like Us. Evangeline has also written pieces for Iris Theatre and All The Web’s A Stage.

PLATFORM IN THE GARDENS:

REUBEN JOHNSON

Until Monday 15 February 2021

Reuben Johnson evokes the challenges of the here and now through plosive, northern verse. An urgent and energetic solo performance which draws into focus the nation in which we live. 

Reuben Johnson is a spoken word artist, actor and writer. His credits include Being Jess (Mac’s Arcadian/Unicorn Theatre), Territory (Edinburgh Festival Fringe – winner of the NSDF Best Emerging Artist Award). His work has also been seen at venues such as The Lowry, Pleasance Islington, Pleasance Edinburgh and Theatre503. His work has also been seen on BBC iPlayer and Radio and is featured on the advert for Volkswagen. 

PLATFORM IN THE GARDENS:

NICK HART


Available: Monday 1 – Sunday 28 February 2021

Nick Hart leads audiences on a musical journey through stories of old in this stunning folk music concert.

Nick Hart is fast acquiring a reputation as one of the most accomplished interpreters of English folk song. His love of the nuances of traditional singing informs his minimal guitar accompaniment, and his songs are delivered with a great emphasis on storytelling. His repertoire of songs, drawn largely from his native East Anglia, reflects his understanding of both the depth and breadth of material within the English tradition and his engaging performance style has made him a hit with audiences up and down the country. He has released two studio albums, both of which have gained widespread critical acclaim, with a third set for release in March 2021.

LISTINGS

ST PAUL’S COVENT GARDEN, ACTORS CHURCH

St Paul’s Church Bedford Street, London, WC2E 9ED

https://iristheatre.ticketsolve.com/shows

PLATFORM IN THE GARDENS: DEAR PETER
Online

Until 31 January 2021

Ticket prices: Pay What You Can

PLATFORM IN THE GARDENS: REUBEN JOHNSON

Online

Until 15 February 2021

Ticket prices: Pay What You Can

PLATFORM IN THE GARDENS: NICK HART

Online

1 – 28 February 2021

Ticket prices: Pay What You Can

ST. ANNE COMES HOME 

Actors’ Church

12 – 17 April 2021

Age Guidance: 12+ (includes themes of alcoholism)

Ticket prices: £20 individual (limited availability), £40 bubble (seats two)

MEDIAEVAL BAEBES 

Actors’ Church

27 – 29 May 2021

Ticket prices: £25 individual (limited availability), £50 bubble (seats two)

JMI WORLD TOUR Gala -Dame Maureen Lipman sings lost Lionel Bart Musical

JMI’s WORLD TOUR

ONLINE LIVE GALA 

Dame Maureen Lipman sings lost Lionel Bart musical

Jessie Ware – Nicola Benedetti –  Claude-Michel Schönberg – Sir Simon Schama – Henry Goodman

JMI’s WORLD TOUR online live Gala on THURSDAY 11 FEBRUARY 2021 at 7.30pm includes two world premieres!

A world exclusive performance by Dame Maureen Lipman from the lost, never before heard Lionel Bart and Roger Cook musical Next Year In Jerusalem and Shura Lipovsky’s joyous world premiere of Der Iker (The Issue), her passionate Yiddish song composed during these current difficult times.

Join JMI’s WORLD TOUR for an exclusive free online evening with stop offs in Morocco, Europe, the Middle East, USA and even Canvey Island. Hosted by the broadcaster Suzy Klein, historianSir Simon Schama and Lord Michael Grade touring the world, and meeting the stars and champions of JMI, the charity that transform lives through Jewish music…

The lost musical Next Year In Jerusalem was written in 1975 by LioneBart (Oliver!) and Roger Cook (Blue Mink – Melting Pot / 2 x Ivor Novello Awards / I’d Like to Teach The World To Sing). The musical has never been performed and has been lost for over 40 years. But at JMI’s WORLD TOUR Gala, Dame Maureen Lipman will sing the show’s titular song – a heart stopping lullaby, which in the show is sung by Blume Mabovitch (Golda Meir’s mother) to her young daughter Golda, who is frightened by the imminent pogrom in their Russian village.

“The song is just gorgeous” says Dame Maureen Lipman.

Roger Cook says of Lionel and their musical: ”We became great friends and wanted to write a musical together about a strong woman – her story was the stuff of movies, so we decided it had to be Golda Meir.

“We worked for 6 months straight in Lionel’s attic in Soho in 1975. We went to the Albert Hall and saw Golda live and even went on a “research” trip to Israel together – but we certainly didn’t do much writing there! Then in ’76 I moved to Nashville. Lionel came and stayed and we laid down the songs together…. Next Year In Jerusalem was the second song that we wrote together for the show. I came up with the melody which Lionel wanted to change; but he came round to liking it and wrote some great lyrics.

“I wish Lionel was alive and kicking, as he would be crazy proud that finally after all these years this lost musical is going to be heard and have a life.”

Another highlight of the evening will be the second world premiere of the night, when Shura Lipovsky and her band perform her hugely topical new Yiddish song Der Iker (The Issue): Der iker dokh iz do-ikayt / The issue though is Here and Now.

Shura is currently setting up a Yiddish songwriting group at JMI, continuing the tradition of hauntingly pleasing melodies and poignant lyrics that are the trade marks of a Yiddish song.

With music, conversation and messages of support from an incredible array of talent including: cellist Steven Isserlis performing Ravel’s Kaddish; actor Henry Goodman performing a section of Lubin from Chelm; violinist Nicola Benedetti playing Bloch’s PrayerClaude-Michel Schönberg speaking about his inspiration behind his Les Miserables anthem Bring Him Home followed by a performance of this iconic song; Israeli conductor Tom Cohen and his Jerusalem East and West Orchestra; American jazz trumpeter Frank London performs Klezmer On The Roof; composer Jocelyn Pook‘s work Drawing Life commissioned by JMI; and historian Sir Simon Schama‘s passion for Judeo-arabic music culminates in a performance from Andalusia Atlantique in Morocco. With even more performances and chat on the night!

Join free online JMI’s WORLD TOUR but do feel free to donate to the Gala and Fundraiser on the night, in aid of JEWISH MUSIC INSTITUTE (JMI) and also NIGHTINGALE HAMMERSON. 20% of all donations raised will support the work of JMI’s partners Nightingale Hammerson, who provide residential and nursing care for older people in the Jewish community.

Chair of JMI Jennifer Jankel says: “Growing up as daughter of the No 1 British Band Leader Joe Loss, music has always played a huge part in my life. It has been an enormous honour to immerse myself in the rich and diverse living heritage of Jewish music, which we celebrate tonight. And I am delighted that from 7pm on the night you will be able to listen to some of Joe Loss’ iconic big band sounds from his archive recordings. Enjoy.”

JMI’s WORLD TOUR

ONLINE LIVE GALA

THURSDAY 11 FEBRUARY 2021 7.30pm

on

www.jmi.org.uk/worldtour

To donate nationally and internationally, please go to: www.jmi.org.uk/donate

On the night enjoy the company of all of the performers and celebrities from around the world.

Hosted by BBC broadcaster Suzy KleinLord Michael Grade, and historian Sir Simon Schama.

Performances from: actress Dame Maureen Lipman, composer Claude-Michel Schönberg, cellist Steven Isserlis, violinist Nicola Benedetti, violin prodigy Nathan Meltzer, Israeli conductor Tom Cohen, NY jazz trumpeter Frank London, singer Shura Lipovsky, composer Jocelyn Pook, actor Henry Goodman, Israeli actress Ester Rada, singer Jessie Ware, East Zingt children’s choir, the JMI Youth Big Band.

And passionate support from experts in Jewish music including: Geraldine Auerbach, Dr Vanessa Paloma Elbaz, Dr Michael Haas, Malcolm Singer, Stephen Glass, Dr Andre Azoulay Counsellor to HRH King of Morocco, Dr Ilana Webster-Kogen, Zalman Mlotek, JMI education’s Sam Eastmond and Music Hub Director Charly Richardson.

STEM sisters: A new online musical show for primary school children and their families

HMDT Music presents:

STEM Sisters

Marie Curie, Ada Lovelace, Hedy Lamarr and many more female scientific pioneers help a lost little girl become the scientist she always dreamed of being.

Written by Rachel Barnett-Jones  | Composed by Jenny Gould

Streaming 15 March – 11 April 2021

@hmdtmusic | #STEMsistersshow | www.hmdt.org.uk 

A new online musical show for primary school children and their families, STEM Sisters focuses on historical female scientists and mathematicians whose work was so often unrecognised, but who contributed in so many ways to major developments in our lives today. Never has science been more relevant, but women continue to be under-represented. Using puppetry, music and theatre this production for children aged 8+ shares inspiring true stories and engages us all.  

When Jina gets lost in a forest, key women in the history of science and maths including Marie Curie, Ada Lovelace and Hedy Lemarr show up to help her find her way through. Together, they empower the lost child and would-be-scientist with the gifts of curiosity, courage, creativity, persistence and open-mindedness. Join Jina as she searches for Nelloptodes gretae (Greta Thunberg’s beetle) with Maria Sybilla Merian and helps Ada Lovelace with her coding digital soundscape. Learn about the lives, experiences and experiments of Marie Curie through her atom patter song; of stellar quartet of astronomers Hypatia, Caroline Herschel, Mae Jemison, Wang Zhenyi; and GPS inventor Hedy Lamarr, whose scientific skills were considered secondary to her beauty.

Their scientific techniques are showcased through varied puppetry including shadow, marionette, Wayang Golek, Kulit and projection. Their gifts help Jina find her way through the forest and become the best scientist she can be. STEM Sisters uses humour and varied theatrical techniques to engage children and enhance the storytelling, supported by a lyrical and accessible musical score.

HMDT Music’s Creative Director Tertia Sefton-Green says, “We’re delighted we’re able to make our new production available as a film for families and for schools (alongside a body of workshops and teaching resources), and hope that we will be able to achieve our original plans of a live theatre tour in the autumn, when venues reopen. STEM Sisters enables us to extend our national reach to young people with our award-winning methodology of embedding the arts to inspire in this case, a thirst for science and maths.”

HMDT, twice winner of the prestigious Royal Philharmonic Society Award for Education and of the 2020 Excellence in Musical Theatre Award, is a leader in commissioning inspiring performance works embedding the arts across all areas of learning for young people. Key successes include Trench Brothers (Julian Joseph and Richard Taylor), commemorating ethnic minority soldiers in WW1: “innovative, original, interesting and representative”; Shadowball a ground-breaking baseball and jazz opera (Julian Joseph/Mike Phillips): “undeniably a thrilling and illuminating venture”; Hear Our Voice (Jonathan Dove and Matthew King) – international tour of a new work compiled from children’s Holocaust writings: “prodigious commitment…. the project’s value is immeasurable” and Confucius Says (Richard Taylor/Stephen Plaice) featuring 350 young performers: “an inspirational achievement”.

Running Time: 55 mins (no interval) | Suitable for ages 8-12

Company information

Written by Rachel Barnett-Jones           Composed by Jenny Gould

Directed by Clare Whistler                    Designed by Sophia Lovell Smith

Cast

Ruth Calkin, Nix Wood (puppeteers)

Nadine Benjamin, Jessica Gillingwater, Abigail Kelly, Susan Moore (singers).

Introducing Eloise Eisenberg and the I Can Sing! Children’s Chorus

With the STEM Sisters Band directed by Jenny Gould

Listings information

15 March – 11 April

Streaming online, on demand

Tickets £10.00
http://www.hmdt.org.uk/hmdtmusic/stemsisters/the-show/

May Contain Food by Luca Silvestrini’s Protein

Luca Silvestrini’s Protein presents: 

May Contain Food 

Recreating their feast for the senses for a home audience, Protein serves up its dance and singing fusion complete with tasting menu 

Conceived and created by Luca Silvestrini and Orlando Gough   

Directed by Luca Silvestrini | Music by Orlando Gough 

Premiering on King’s Place’s KPlayer 12 February at 7pm 

Available until midnight, 21 February 

Live chat room with Luca Silvestrini and Orlando Gough during the premiere screening on 12 February at 7pm

“Lip-smacking fusion of song, dance, mime and sweet aperitif tomatoes.” Guardian
“A yummy night!” The Stage

For the first time online, Protein will be presenting the original May Contain Food, a witty piece of dance and music theatre that will provoke thinking on the sensory, cultural and social implications of food. Filmed at The Place in 2016, four vocalists and four dancers all sing for their supper, whilst at home audiences can follow along by preparing and indulging in a tasting menu just like the dining audience in the recording. Some courses feature simple ingredients such as a cherry tomato and a ball of rice, whilst adventurous audiences seeking a full sensory experience can have a go at Orlando Gough’s own recipe of aromatic sticky ginger pudding to bake during the viewing and consume at the end. The show will be accompanied by an introduction from choreographer Luca Silvestrini and composer Orlando Gough and on the 12th February, a live chat room will be available for those who wish to converse with the pair over supper. 

From savouring simplicity, to the communal act, to touching on the moral dilemma of vegetarianism, the show weaves through the cultural significance of eating. Luca Silvestrini and Orlando Gough collaborated closely so that all movement is composed and music choreographed and performed a cappella, creating an immersive experience of indulgence, nostalgia and mischief. The show originally toured in 2016, and the adapted versions May Contain Food May Contain You and May Contain You toured to village halls and care homes in the following years. Food, an acclaimed Italian adaptation of May Contain Food May Contain You produced in 2018 by Marche Teatro has been touring throughout Italy. 

Speaking about the show Luca Silvestrini said: “Screening May Contain Food, as an opportunity to literally taste a show from home, has been in my thoughts since the first lockdown in 2020. So here we are, the show is served, and I really hope people will enjoy prepping, cooking and tasting our thought provoking and delicious food-based show from the comfort of their homes.” 

Helen Wallace, Artistic Director at Kings Place said: “We are so delighted to host May Contain Food on our KPlayer streaming platform, an ideal sensory feast for audiences during lockdown, combining the ear-tingling vocal music of Orlando Gough, the beguiling choreography of Silvestrini – and sticky ginger pudding!” 

Formed in 1997 and currently one of the most distinctive voices in British dance theatre, Luca Silvestini’s Protein uses a blend of original choreography, humour and music to entertain and provoke audiences. The company’s idiosyncratic dance theatre is provoked by the everyday and its repertoire includesthe award-winning LOL (lots of love), which has toured extensively since its 2011 debut, Border Tales, which peels back stereotypes about multicultural Britain, and the award-winning The Little Prince. Protein was awarded the Critic’s Circle National Dance Award for Best Independent Dance Company 2011 and was nominated again in 2016. 

Orlando Gough is a composer (and sometimes lyricist, librettist, music director, MC, recording engineer, cookery writer), who writes operas, choral music, music-theatre, music for dance and theatre, and creates large-scale site-specific work.  

Kings Place is a multi-arts venue, situated within 5 minutes’ walk of King’s Cross-St Pancras, presenting an adventurous and award-winning programme, with words and music at its heart. It takes in three concert halls, Pangolin London sculpture gallery, Pangolin’s Kings Place Gallery, Green & Fortune Café and the canal-side Rotunda Restaurant. Working to a collaborative model, the venue curates regular series and festivals with a host of artistic associates throughout the year. It’s a place where many audiences belong, a place where people connect with their passion and no-one is lost in the crowd. 

Kings Place was developed from a generous act of philanthropy; world-class conferences support the independently-funded arts programme. Driven by a belief that arts and culture are a fundamental part of a thriving city, the venue presents work that is as vibrant and diverse as its location. 

Kings Place has Good to Go accreditation as a Covid-safe venue and operated socially-distanced events successfully during 2020. The venue is currently running a digital programme on its KPlayer platform. 

Kings Place, the cultural pulse of King’s Cross. 

@proteindance | #Protein21 | #MayContainFood | www.proteindance.co.uk  

Running Time: 90 mins | Suitable for ages 12 + (contains mild swearing) 

Listings info 

12th February 7pm, available until midnight 21st February 

www.kingsplace.co.uk/whats-on/contemporary/may-contain-food-online-streaming-event/ 

£9.50 

Company Information 

Conceived and created by Luca Silvestrini and Orlando Gough  

Devised and performed by 

Sonya Cullingford, Martin George, Carl Harrison, Michael Henry, Saara Hurme, Donna Lennard, Louise Sofield, Matthew Winston  

Additional material devised by
Jeremy Avis, Sara Black, Jonathan Glew, Antonia Grove, Sally Marie, Melanie Pappenheim, Peter Willcock, Jonathan Williams 

Directed by Luca Silvestrini                 Music by Orlando Gough 

Designed by Yann Seabra                  Lighting by Jackie Shemesh
Music Director Michael Henry             Assistants to the Director Eryck Brahmania, Valentina Golfieri
Production Manager Rachel Shipp     Assistant Stage Manager Amy McLean
Recipes Orlando Gough 

Felicity Kendal to make musical debut this summer in Anything Goes at the Barbican, alongside Gary Wilmot

Howard Panter for Trafalgar Theatre Productions and

Eilene Davidson Productions

proudly present

THE PERFECT TONIC FOR LONDON AUDIENCES IN 2021

The multi-Tony Award winning musical

including for Best Musical Revival & Best Choreography

ADDITIONAL STAR CASTING ANNOUNCEMENT

FELICITY KENDAL & GARY WILMOT

as Evangeline Harcourt as Elisha Whitney

join

Emmy & SAG Award Winner Tony, Olivier & BAFTA Award Winner

MEGAN MULLALLY & ROBERT LINDSAY

as Reno Sweeney as Moonface Martin

“Cole Porter songs and tap-dancing sailors? What’s not to love?”

The Hollywood Reporter

“Anything Goes is a truly great musical comedy”

Chicago Tribune

A MAJOR NEW PRODUCTION OF THIS CLASSIC MUSICAL COMEDY WITH A FULL COMPANY OF OVER 50, INCLUDING A FULL-SIZED ORCHESTRA AND 14 TAP DANCING SAILORS!

Music and Lyrics by COLE PORTER

Original Book by P.G. WODEHOUSE & GUY BOLTON

and HOWARD LINDSAY & RUSSEL CROUSE

New Book by TIMOTHY CROUSE and JOHN WEIDMAN

Directed and Choreographed by

Tony Award Winner KATHLEEN MARSHALL

BARBICAN THEATRE FROM 5 JUNE 2021

FOR A LIMITED ENGAGEMENT UNTIL 22 AUGUST 2021

TICKETS ON SALE NOW FROM ANYTHINGGOESMUSICAL.CO.UK

Acting royalty and Evening Standard Theatre Award winner Felicity Kendal (The Good Life / Much Ado About Nothing) will make her West End musical debut starring as Evangeline Harcourt, alongside leading West End actor Gary Wilmot (Chicago / Dirty Rotten Scoundrels) as Elisha Whitney, in this year’s must see musical ANYTHING GOES – one of the greatest musicals of all-time – which opens at London’s Barbican Theatre for a strictly limited 11-week engagement from 5 June 2021. The pair will join Emmy & SAG Award winner Megan Mullally as Reno Sweeney and Tony, Olivier & BAFTA Award winner Robert Lindsay as Moonface Martin. Tickets are on sale now

Felicity Kendal said: “It’s wonderful to be joining this classic joyous show after the past terrible year of loss and lockdown. We need to connect together again in our theatres and there is nothing quite like the thrill of a live audience experiencing a great show. I am sure that this is a perfect moment for this glorious, funny and uplifting musical and cannot wait to get started.”

Gary Wilmot added: “Anything Goes is such a joyous musical and I’m thrilled to be joining the incredible cast for this wonderful revival. I look forward to being back on stage in London for some real toe-tapping fun!“

This lavish production of Cole Porter & P.G. Wodehouse’s classic musical, featuring a full company of over 50 including a full-sized orchestra and even 14 tap dancing sailors, will be directed and choreographed by three time Tony Award Winner Kathleen Marshall. Marshall’s Broadway production of ANYTHING GOES was a major smash hit and received huge critical acclaim. The revival was nominated for nine Tony Awards and 10 Drama Desk Awards, winning Best Musical Revival and Best Choreography at both ceremonies. Now Marshall, in her West End directing debut, will reinvent this glorious musical for London audiences this summer in what is set to be the definitive version of this timeless classic.

With music and lyrics by Cole Porter and the original book by P.G. Wodehouse & Guy Bolton and Howard Lindsay & Russel Crouse, ANYTHING GOES will premiere at the Barbican Theatre from June to August 2021 and then embark on a UK tour. Further casting will be announced soon.

When the S.S. American heads out to sea, etiquette and convention head out the portholes as two unlikely pairs set off on the course to true love… proving that sometimes destiny needs a little help from a crew of singing sailors, a comical disguise and some good old-fashioned blackmail. This hilarious musical romp across the Atlantic featuring a collection of some of theatre’s most memorable songs – including ‘I Get A Kick Out of You’, ‘Anything Goes’, ‘You’re the Top’, ‘Blow, Gabriel, Blow’, ‘It’s De-Lovely’, ‘Friendship’ and ‘Buddie Beware’ – will take you back to the Golden Age of high society on the seas. ANYTHING GOES is set to sail away with audiences all over again

PRESS QUOTES

“Exudes the effervescence of a freshly poured gin fizz…It’s a knockout!” – The New York Times

“So Delightful, so De-Lovely, it’s The Top!” – Associated Press

“This new ‘Anything Goes’ is a daffy, shipshape romp” – Variety

“Pure Magic” – New York Post

“You’ll get a kick out of ‘Anything Goes” – USA Today

Felicity Kendal – Evangeline Harcourt

Felicity Kendal is a British actress who is a veteran of the stage and screen. She shot to fame in the 1970s with her career defining role of ‘Barbara Good’ in the popular BBC sitcom The Good Life.

Kendal has made important contributions to stage, such as playing Desdemona to Paul Scofield’s Othello and a memorable Viola in a BBC production of Twelfth Night (1980). Kendal starred in many of the first productions Tom Stoppard’s plays, including The Real Thing (1982), Hapgood (1988), Arcadia (1993), and Indian Ink (1995) – this last role was written for her by Stoppard. She continues to perform regularly in London’s West End. In 2013 she starred in the first London revival of Relatively Speaking by Alan Ayckbourn at the Wyndham’s Theatre. In 2014, she toured the UK and Australia as Judith Bliss in Noël Coward’s Hay Fever, which then played in the West End. She appeared in A Room With A View at the Theatre Royal in Bath (2016) which received excellent reviews. More recently, Felicity starred with Maureen Lipman in a revival of Lettice and Lovage at the Menier Chocolate Factory and also in The Argument at Theatre Royal Bath.

Her credits on the screen are also extensive. Most recently she featured in Pennyworth for Warner Bros and prior to that in the cult hit dark comedy Inside No.9 (BBC), and the iconic Dr Who (BBC) as ‘Lady Clemency Eddison’.

Felicity was made a Commander of the Order of the British Empire (CBE) in 1995.

Gary Wilmot – Elisha Whitney

Theatre credits include: Jethro Prince of Egypt (Dominion Theatre), Dame Betty Barnum Goldilocks & The Three Bears (London Palladium), Jonathan Ripples Mr Gum & The Dancing Bear (National Theatre), Mrs Crumble – Snow White and the Seven Dwarf (London Palladium), Major/Monsieur Armande – Flowers for Mrs Harris (Chichester Festival Theatre), Sarah The Cook – Dick Whittington (London Palladium), Badger – The Wind in the Willows (London Palladium), George McMillan – Big (Plymouth/Ireland), Anthony – End of the Rainbow (UK Tour), Andre Thibault – Dirty Rotten Scoundrels (UK Tour), Ali Hakim – Oklahoma (UK Tour), Andre Thibault – Dirty Rotten Scoundrels (Savoy Theatre), Vernon Hines – The Pajama Game (Shaftesbury Theatre), Sammy Shaw – Radio Times (The Watermill and National Tour), Thomas Marvel – The Invisible Man (Menier Chocolate Factory), Septimus Podgers – Lord Arthur Saville’s Crime, Billy Flynn – Chicago, Arthur Kipps – Half A Sixpence, Dick Deadeye – H.M.S. Pinafore (Regent’s Park), Caractacus Potts – Chitty Chitty Bang Bang (London Palladium), Henry 3 – Travels With My Aunt, Pirate King -The Pirates Of Penzance (Regent’s Park and National Tour), Bottom – A Midsummer Night’s Dream (Regent’s Park), Confusions (National Tour), Dennis Cain – One For The Road (Bristol Old Vic), Fagin – Oliver (National Tour), Elliot Garfield – The Goodbye Girl (Albery Theatre), Tony – Copacabana (Prince Of Wales Theatre), Joe – Carmen Jones (The Old Vic), Bill Snibson – Me And My Girl (Adelphi Theatre and National Tour) for which he received a TMA best actor nomination.

Television credits include: How The Grinch Stole Christmas, Don Black – Diamonds Are Forever, Cue Gary, Showstoppers, The Saturday Gang, Copycats, Never Mind the Buzzcocks.

Other credits include: Host / Soloist of From Hackney to Hollywood – The Songs of Don Black (UK Tour) and host of the Laurence Olivier Awards.

As a writer and director: Sweet Lorraine at Regis Centre, Bognor Regis.

LISTINGS INFORMATION

Barbican Theatre, Silk Street, London EC2Y 8DS

First Performance: 5 June 2021

Final performance: 22 August 2021

Performances: Tuesday – Saturday at 7.30pm, Thursday, Saturday and Sunday at 2.30pm

Running time: approximately 2 hours 30 minutes, including interval

Tickets: £25 – £150, plus booking fee

Barbican Box Office: barbican.org.uk/whats-on/2021/event/anything-goes

Website: AnythingGoesMusical.co.uk

Twitter: @AnythingGUK

Facebook: @AnythingGoesUK

Instagram: @AnythingGoesUK

Presented in association with the Barbican